Quick filters:
Page 1 of 24
1428 Stock Photos and Images
1428. CLAY MADE MODELS OF FURNITURE, ISRAELITE PERIOD, (10TH - 8TH C. B.C.) FROM LACHISH Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1428-clay-made-models-of-furniture-israelite-period-10th-8th-c-bc-30782282.htmlRMBP2736–1428. CLAY MADE MODELS OF FURNITURE, ISRAELITE PERIOD, (10TH - 8TH C. B.C.) FROM LACHISH
GB 1428, X-Ray Jet, Optical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gb-1428-x-ray-jet-optical-135014162.htmlRMHRJBXA–GB 1428, X-Ray Jet, Optical
French Court 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-court-1428-56771485.htmlRMD8A4H1–French Court 1428
Saints Jerome and John the Baptist 1428-9 Masaccio 1401 - 1428/9 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saints-jerome-and-john-the-baptist-1428-9-masaccio-1401-14289-italy-141777286.htmlRMJ6JEAE–Saints Jerome and John the Baptist 1428-9 Masaccio 1401 - 1428/9 Italy Italian
Ships of the Hanse off Copenhagen, Denmark, 1428, historical woodcut, 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ships-of-the-hanse-off-copenhagen-denmark-1428-historical-woodcut-56086153.htmlRFD76XCW–Ships of the Hanse off Copenhagen, Denmark, 1428, historical woodcut, 1870
Arrival of Jeanne D'Arc to the Chateau de Chinon. March 6, 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arrival-of-jeanne-darc-to-the-chateau-de-chinon-march-6-1428-107027932.htmlRMG63F64–Arrival of Jeanne D'Arc to the Chateau de Chinon. March 6, 1428
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228856.htmlRM2B00YBM–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
Andrea di Bartolo (active in Siena, Italy, 1387 — 1428). Christ arriving at Calvary; 1415-1420. gold leaf and gold on wood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-di-bartolo-active-in-siena-italy-1387-1428-christ-arriving-84977968.htmlRMEX727C–Andrea di Bartolo (active in Siena, Italy, 1387 — 1428). Christ arriving at Calvary; 1415-1420. gold leaf and gold on wood
Ships of the Hanse off Copenhagen, Denmark, 1428, historical woodcut, 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ships-of-the-hanse-off-copenhagen-denmark-1428-historical-woodcut-1870-image231886414.htmlRMRD79DJ–Ships of the Hanse off Copenhagen, Denmark, 1428, historical woodcut, 1870
Siege of Orleans in 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-siege-of-orleans-in-1428-49982684.htmlRMCW8WBT–Siege of Orleans in 1428
Quasar GB 1428 (NASA, Chandra, 11/28/12) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-quasar-gb-1428-nasa-chandra-112812-53770591.htmlRMD3DCX7–Quasar GB 1428 (NASA, Chandra, 11/28/12)
Attributed to Sperandio (Italian, c. 1425-1428 - c. 1504), Standing Young Man, pen and brown ink on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-77435129.htmlRMEDYD89–Attributed to Sperandio (Italian, c. 1425-1428 - c. 1504), Standing Young Man, pen and brown ink on laid paper
Easter Monday in Rome - La Gaurdola 1428. Scene of an explosion with St Peters Basilica in the background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/easter-monday-in-rome-la-gaurdola-1428-scene-of-an-explosion-with-st-peters-basilica-in-the-background-image268850695.htmlRMWHB5PF–Easter Monday in Rome - La Gaurdola 1428. Scene of an explosion with St Peters Basilica in the background
Copenhagen bombarded from the sea by the Hanseatic League fleet during the Danish - Hanseatic war in the 1428 destroying the Danish fleet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copenhagen-bombarded-from-the-sea-by-the-hanseatic-league-fleet-during-the-danish-hanseatic-war-in-the-1428-destroying-the-danish-fleet-image259612011.htmlRFW2A9NF–Copenhagen bombarded from the sea by the Hanseatic League fleet during the Danish - Hanseatic war in the 1428 destroying the Danish fleet.
Inspired by Madonna of Humility, portable altarpiece, Andrea di Bartolo, Italian, Sienese, active by 1389, died 1428, Tempera and tooled gold on poplar panels, Italy, ca. 1410, Central panel: 16 11/16 x 7 1/8 in., 42.4 x 18.1 cm, altarpiece, Angel Annunciate, Beard, c, devotional, gold ground, hinges, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-madonna-of-humility-portable-altarpiece-andrea-di-bartolo-italian-sienese-active-by-1389-died-1428-tempera-and-tooled-gold-on-poplar-panels-italy-ca-1410-central-panel-16-1116-x-7-18-in-424-x-181-cm-altarpiece-angel-annunciate-beard-c-devotional-gold-ground-hinges-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252793.htmlRF2HK4NHD–Inspired by Madonna of Humility, portable altarpiece, Andrea di Bartolo, Italian, Sienese, active by 1389, died 1428, Tempera and tooled gold on poplar panels, Italy, ca. 1410, Central panel: 16 11/16 x 7 1/8 in., 42.4 x 18.1 cm, altarpiece, Angel Annunciate, Beard, c, devotional, gold ground, hinges, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Carte de la France en 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carte-de-la-france-en-1428-image341114446.htmlRF2APY2XP–Carte de la France en 1428
blue 1428 number 3d effect white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-1428-number-3d-effect-white-background-image447787076.htmlRF2H0ECYG–blue 1428 number 3d effect white background
Christ on the Road to Calvary. Artist: Andrea di Bartolo (bef. 1389-1428) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-on-the-road-to-calvary-artist-andrea-di-bartolo-bef-1389-1428-74095121.htmlRME8F929–Christ on the Road to Calvary. Artist: Andrea di Bartolo (bef. 1389-1428)
Holy Trinity between 1426 and 1428. 868 Masaccio - Trinity - WGA14208 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-trinity-between-1426-and-1428-868-masaccio-trinity-wga14208-image185848780.htmlRMMPA40C–Holy Trinity between 1426 and 1428. 868 Masaccio - Trinity - WGA14208
Masolino da Panicale, Saints Paul and Peter, painting in tempera and gold on panel, 1427-1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masolino-da-panicale-saints-paul-and-peter-painting-in-tempera-and-gold-on-panel-1427-1428-image569498830.htmlRM2T2EWFX–Masolino da Panicale, Saints Paul and Peter, painting in tempera and gold on panel, 1427-1428
GB 1428, X-Ray Jet, Radio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gb-1428-x-ray-jet-radio-135014163.htmlRMHRJBXB–GB 1428, X-Ray Jet, Radio
Joan Of Arc Orleans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joan-of-arc-orleans-image5542646.htmlRMAY2XF7–Joan Of Arc Orleans
St. George 1428 Filippo Solari en Andrea da Carona active 1434-1460 15th, Century, Italy, Italian, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-george-1428-filippo-solari-en-andrea-da-carona-active-1434-1460-15th-century-italy-italian-image225569631.htmlRMR2YGA7–St. George 1428 Filippo Solari en Andrea da Carona active 1434-1460 15th, Century, Italy, Italian,
Fra Angelico (1387-1455). Italian Renaissance painter. The Annunciation, 1425-1428. Predella depicting The Birth of the Christ Child. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-angelico-1387-1455-italian-renaissance-painter-the-annunciation-1425-1428-predella-depicting-the-birth-of-the-christ-child-prado-museum-madrid-spain-image211084782.htmlRMP7BMP6–Fra Angelico (1387-1455). Italian Renaissance painter. The Annunciation, 1425-1428. Predella depicting The Birth of the Christ Child. Prado Museum. Madrid. Spain.
Lady's Dress (Mid 1400), Townsman of Ravensburg (1429), Knight of Stettenberg (1428), Germany, 15th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladys-dress-mid-1400-townsman-of-ravensburg-1429-knight-of-stettenberg-1428-germany-15th-century-illustration-the-history-of-costume-braun-schneider-munich-germany-1861-1880-image475339038.htmlRM2JH9FP6–Lady's Dress (Mid 1400), Townsman of Ravensburg (1429), Knight of Stettenberg (1428), Germany, 15th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228859.htmlRM2B00YBR–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
The Virgin and Child with Angels 1428 A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-angels-1428-ad-image68544865.htmlRMDYEDJW–The Virgin and Child with Angels 1428 A.D.
Eschenheim Tower, built in 1428 as gate of the Frankfurt city fortification, Frankfurt am Main, Hesse, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eschenheim-tower-built-in-1428-as-gate-of-the-frankfurt-city-fortification-72235737.htmlRME5EHBN–Eschenheim Tower, built in 1428 as gate of the Frankfurt city fortification, Frankfurt am Main, Hesse, Germany
Greece. Mystras. The Monastery of Our Lady Panagia Pantanassa (Queen of all). founded in 1428 by John Phrangopoulos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-greece-mystras-the-monastery-of-our-lady-panagia-pantanassa-queen-51774578.htmlRMD06F02–Greece. Mystras. The Monastery of Our Lady Panagia Pantanassa (Queen of all). founded in 1428 by John Phrangopoulos.
Quasar GB 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-quasar-gb-1428-74154432.htmlRME8J0MG–Quasar GB 1428
Attributed to Sperandio (Italian, c. 1425-1428 - c. 1504), Standing Young Man, pen and brown ink on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-123363525.htmlRMH4KKC5–Attributed to Sperandio (Italian, c. 1425-1428 - c. 1504), Standing Young Man, pen and brown ink on laid paper
National costume, clothes, history of the costumes, women's national costume, in 1450, citizen of the city of castle Ravens, in 1429 and knight of mountain Stetten, in 1428, Germany, Volkstracht, Kleidung, Geschichte der Kostüme, Frauentracht, 1450, Bürger der Stadt Ravensburg, 1429 und Ritter von Stettenberg, 1428, Deutschland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-womens-national-costume-in-1450-citizen-of-the-city-of-castle-ravens-in-1429-and-knight-of-mountain-stetten-in-1428-germany-volkstracht-kleidung-geschichte-der-kostme-frauentracht-1450-brger-der-stadt-ravensburg-1429-und-ritter-von-stettenberg-1428-deutschland-image273036872.htmlRFWT5W8T–National costume, clothes, history of the costumes, women's national costume, in 1450, citizen of the city of castle Ravens, in 1429 and knight of mountain Stetten, in 1428, Germany, Volkstracht, Kleidung, Geschichte der Kostüme, Frauentracht, 1450, Bürger der Stadt Ravensburg, 1429 und Ritter von Stettenberg, 1428, Deutschland
Dauphin Charles (later Charles VII) meeting Joan of Arc at the drawbridge of Chinon Castle, 6 March 1428, during the Hundred Years War. Arrivee de Jeanne d’Arc au chateau de Chinon le 6 Mars 1428. From a German tapestry of the same period. Chromolithograph by Felix Elie Regamey from Paul Lacroix’s La Vie Militaire et Religieuse au Moyen Age et a l’Epoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dauphin-charles-later-charles-vii-meeting-joan-of-arc-at-the-drawbridge-of-chinon-castle-6-march-1428-during-the-hundred-years-war-arrivee-de-jeanne-darc-au-chateau-de-chinon-le-6-mars-1428-from-a-german-tapestry-of-the-same-period-chromolithograph-by-felix-elie-regamey-from-paul-lacroixs-la-vie-militaire-et-religieuse-au-moyen-age-et-a-lepoque-de-la-renaissance-military-and-religious-life-in-the-middle-ages-and-the-renaissance-paris-1873-image332723752.htmlRM2A98TF4–Dauphin Charles (later Charles VII) meeting Joan of Arc at the drawbridge of Chinon Castle, 6 March 1428, during the Hundred Years War. Arrivee de Jeanne d’Arc au chateau de Chinon le 6 Mars 1428. From a German tapestry of the same period. Chromolithograph by Felix Elie Regamey from Paul Lacroix’s La Vie Militaire et Religieuse au Moyen Age et a l’Epoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.
Art inspired by Madonna of Humility, portable altarpiece, Andrea di Bartolo, Italian, Sienese, active by 1389, died 1428, Tempera and tooled gold on poplar panels, Italy, ca. 1410, Central panel: 16 11/16 x 7 1/8 in., 42.4 x 18.1 cm, altarpiece, Angel Annunciate, Beard, c, devotional, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-madonna-of-humility-portable-altarpiece-andrea-di-bartolo-italian-sienese-active-by-1389-died-1428-tempera-and-tooled-gold-on-poplar-panels-italy-ca-1410-central-panel-16-1116-x-7-18-in-424-x-181-cm-altarpiece-angel-annunciate-beard-c-devotional-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568020.htmlRF2HKK3KG–Art inspired by Madonna of Humility, portable altarpiece, Andrea di Bartolo, Italian, Sienese, active by 1389, died 1428, Tempera and tooled gold on poplar panels, Italy, ca. 1410, Central panel: 16 11/16 x 7 1/8 in., 42.4 x 18.1 cm, altarpiece, Angel Annunciate, Beard, c, devotional, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vlad III, known as Vlad the Impaler Vlad III, Vlad the Impaler (1428/31 – 1476/77), Voivode of Wallachia three times between 1448 and his death in 1476/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vlad-iii-known-as-vlad-the-impaler-vlad-iii-vlad-the-impaler-142831-147677-voivode-of-wallachia-three-times-between-1448-and-his-death-in-147677-image486689035.htmlRM2K7PGR7–Vlad III, known as Vlad the Impaler Vlad III, Vlad the Impaler (1428/31 – 1476/77), Voivode of Wallachia three times between 1448 and his death in 1476/77.
Masolino, Saints Paul and Peter, Circa 1427-1428, Tempera and tooled gold on panel with vertical grain, Philadelphia Museum of Art, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masolino-saints-paul-and-peter-circa-1427-1428-tempera-and-tooled-gold-on-panel-with-vertical-grain-philadelphia-museum-of-art-usa-image490832222.htmlRM2KEF9E6–Masolino, Saints Paul and Peter, Circa 1427-1428, Tempera and tooled gold on panel with vertical grain, Philadelphia Museum of Art, USA
Saint Blaise, ca 1400. Creator: Andrea di Bartolo (bef. 1389-1428). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-blaise-ca-1400-creator-andrea-di-bartolo-bef-1389-1428-image248906623.htmlRMTCXJX7–Saint Blaise, ca 1400. Creator: Andrea di Bartolo (bef. 1389-1428).
English: The Martyrdom of St Catherine between 1428 and 1430. 869 Masolino01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-martyrdom-of-st-catherine-between-1428-and-1430-869-masolino01-image185858934.htmlRMMPAGY2–English: The Martyrdom of St Catherine between 1428 and 1430. 869 Masolino01
The Flémalle Panels: St. Veronica with the Veil, Madonna Breastfeeding, and The Trinity, painting in mixed media on panel by Robert Campin, Master of Flémalle and workshop, 1428-1430 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flmalle-panels-st-veronica-with-the-veil-madonna-breastfeeding-and-the-trinity-painting-in-mixed-media-on-panel-by-robert-campin-master-of-flmalle-and-workshop-1428-1430-image504267430.htmlRM2M8BA72–The Flémalle Panels: St. Veronica with the Veil, Madonna Breastfeeding, and The Trinity, painting in mixed media on panel by Robert Campin, Master of Flémalle and workshop, 1428-1430
GB 1428, X-Ray Jet, Composite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gb-1428-x-ray-jet-composite-135014165.htmlRMHRJBXD–GB 1428, X-Ray Jet, Composite
Warwick Kingmaker Rous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warwick-kingmaker-rous-image7118801.htmlRMA9XRW2–Warwick Kingmaker Rous
THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Robert Campin ( 1375 – 1444) Dutch Flemish Belgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-flmalle-panels-ca-142830-master-of-flmalle-robert-campin-1375-78559880.htmlRMEFPKX0–THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Robert Campin ( 1375 – 1444) Dutch Flemish Belgian
Greece. Mystras. The Monastery of Our Lady Panagia Pantanassa (Queen of all). A women's convent founded in the 15th century (1428 AD) by John Phrangopoulos. On the upper floor the wall paintings date from the mid-15th century. Inside. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greece-mystras-the-monastery-of-our-lady-panagia-pantanassa-queen-of-all-a-womens-convent-founded-in-the-15th-century-1428-ad-by-john-phrangopoulos-on-the-upper-floor-the-wall-paintings-date-from-the-mid-15th-century-inside-image219993620.htmlRMPNWG30–Greece. Mystras. The Monastery of Our Lady Panagia Pantanassa (Queen of all). A women's convent founded in the 15th century (1428 AD) by John Phrangopoulos. On the upper floor the wall paintings date from the mid-15th century. Inside.
Mercedes Benz 1428AF water tender of a Swiss fire brigade. Truck built 1988 by Mercedes Benz and customized for firefighting use by Vogt and Ziegler. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mercedes-benz-1428af-water-tender-of-a-swiss-fire-brigade-truck-built-141873717.htmlRMJ6PWAD–Mercedes Benz 1428AF water tender of a Swiss fire brigade. Truck built 1988 by Mercedes Benz and customized for firefighting use by Vogt and Ziegler.
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228857.htmlRM2B00YBN–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
The Virgin and Child with Angels 1428 A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-angels-1428-ad-image68544864.htmlRMDYEDJT–The Virgin and Child with Angels 1428 A.D.
Arrival of the maid of Orleans in the castle of Chinon on March 6, 1428, woodcut, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arrival-of-the-maid-of-orleans-in-the-castle-of-chinon-on-march-6-1428-woodcut-france-image227039836.htmlRMR5AFHG–Arrival of the maid of Orleans in the castle of Chinon on March 6, 1428, woodcut, France
Fra Angelico (1387-1455). Italian Renaissance painter. The Annunciation, 1425-1428. Predella depicting The Birth of the Christ Child. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fra-angelico-1387-1455-italian-renaissance-painter-the-annunciation-104025537.htmlRMG16NHN–Fra Angelico (1387-1455). Italian Renaissance painter. The Annunciation, 1425-1428. Predella depicting The Birth of the Christ Child. Prado Museum. Madrid. Spain.
Saints Jerome and John the Baptist by Masaccio (Tommaso Guidi, 1401-1428), egg tempera on poplar, c. 1428-9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saints-jerome-and-john-the-baptist-by-masaccio-tommaso-guidi-1401-1428-egg-tempera-on-poplar-c-1428-9-image468589140.htmlRM2J6A26C–Saints Jerome and John the Baptist by Masaccio (Tommaso Guidi, 1401-1428), egg tempera on poplar, c. 1428-9
![Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photo](https://c8.alamy.com/comp/EDYM34/attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-EDYM34.jpg "Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photo")
Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-77440472.htmlRMEDYM34–Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper
National costume, clothes, history of the costumes, women's national costume, in 1450, citizen of the city of castle Ravens, in 1429 and knight of mountain Stetten, in 1428, Germany, Volkstracht, Kleidung, Geschichte der Kostüme, Frauentracht, 1450, Bürger der Stadt Ravensburg, 1429 und Ritter von Stettenberg, 1428, Deutschland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-womens-national-costume-in-1450-citizen-of-the-city-of-castle-ravens-in-1429-and-knight-of-mountain-stetten-in-1428-germany-volkstracht-kleidung-geschichte-der-kostme-frauentracht-1450-brger-der-stadt-ravensburg-1429-und-ritter-von-stettenberg-1428-deutschland-image336284740.htmlRF2AF32H8–National costume, clothes, history of the costumes, women's national costume, in 1450, citizen of the city of castle Ravens, in 1429 and knight of mountain Stetten, in 1428, Germany, Volkstracht, Kleidung, Geschichte der Kostüme, Frauentracht, 1450, Bürger der Stadt Ravensburg, 1429 und Ritter von Stettenberg, 1428, Deutschland
SIEGE OF ORLEANS 12 October 1428-8 May 1429. Painting of Joan of Arc at the siege by Jules Lenepveu 1886-90 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siege-of-orleans-12-october-1428-8-may-1429-painting-of-joan-of-arc-at-the-siege-by-jules-lenepveu-1886-90-image562270742.htmlRM2RJNJ1X–SIEGE OF ORLEANS 12 October 1428-8 May 1429. Painting of Joan of Arc at the siege by Jules Lenepveu 1886-90
Art inspired by Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470, Oil on wood, (, Tommaso) overall 17 3/8 x 13 1/4 in. (44.1 x 33.7 cm), painted surface 16 5/8 x 12 1/2 in. (42.2 x 31.8 cm); (, Maria) overall 17 3/8 x 13 3/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tommaso-di-folco-portinari-14281501-maria-portinari-maria-maddalena-baroncelli-born-1456-ca-1470-oil-on-wood-tommaso-overall-17-38-x-13-14-in-441-x-337-cm-painted-surface-16-58-x-12-12-in-422-x-318-cm-maria-overall-17-38-x-13-38-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025490.htmlRF2HW8HMJ–Art inspired by Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470, Oil on wood, (, Tommaso) overall 17 3/8 x 13 1/4 in. (44.1 x 33.7 cm), painted surface 16 5/8 x 12 1/2 in. (42.2 x 31.8 cm); (, Maria) overall 17 3/8 x 13 3/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Painting of Joan of Arc at the Siege of Orléans Eugène Lenepveu - The Siege of Orléans (12 October 1428 – 8 May 1429) was the watershed of the Hundred Years' War between France and England. It was the French royal army's first major military victory to follow the crushing defeat at the Battle of Agincourt in 1415, and also the first while Joan of Arc was with the army.[b] Stock Photo](https://c8.alamy.com/comp/2C5FGRD/painting-of-joan-of-arc-at-the-siege-of-orlans-eugne-lenepveu-the-siege-of-orlans-12-october-1428-8-may-1429-was-the-watershed-of-the-hundred-years-war-between-france-and-england-it-was-the-french-royal-armys-first-major-military-victory-to-follow-the-crushing-defeat-at-the-battle-of-agincourt-in-1415-and-also-the-first-while-joan-of-arc-was-with-the-army-b-2C5FGRD.jpg "Painting of Joan of Arc at the Siege of Orléans Eugène Lenepveu - The Siege of Orléans (12 October 1428 – 8 May 1429) was the watershed of the Hundred Years' War between France and England. It was the French royal army's first major military victory to follow the crushing defeat at the Battle of Agincourt in 1415, and also the first while Joan of Arc was with the army.[b] Stock Photo")
Painting of Joan of Arc at the Siege of Orléans Eugène Lenepveu - The Siege of Orléans (12 October 1428 – 8 May 1429) was the watershed of the Hundred Years' War between France and England. It was the French royal army's first major military victory to follow the crushing defeat at the Battle of Agincourt in 1415, and also the first while Joan of Arc was with the army.[b] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-joan-of-arc-at-the-siege-of-orlans-eugne-lenepveu-the-siege-of-orlans-12-october-1428-8-may-1429-was-the-watershed-of-the-hundred-years-war-between-france-and-england-it-was-the-french-royal-armys-first-major-military-victory-to-follow-the-crushing-defeat-at-the-battle-of-agincourt-in-1415-and-also-the-first-while-joan-of-arc-was-with-the-army-b-image364833489.htmlRM2C5FGRD–Painting of Joan of Arc at the Siege of Orléans Eugène Lenepveu - The Siege of Orléans (12 October 1428 – 8 May 1429) was the watershed of the Hundred Years' War between France and England. It was the French royal army's first major military victory to follow the crushing defeat at the Battle of Agincourt in 1415, and also the first while Joan of Arc was with the army.[b]
Dokument von 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dokument-von-1428-142853398.htmlRMJ8BEY2–Dokument von 1428
Saints Jerome and John the Baptist, ca 1428-1429. Artist: Masaccio (1401-1428) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saints-jerome-and-john-the-baptist-ca-1428-1429-artist-masaccio-1401-image60396101.htmlRMDE77RH–Saints Jerome and John the Baptist, ca 1428-1429. Artist: Masaccio (1401-1428)
English: Crucifixion between 1428 and 1430. 869 Masolino - Crucifixion - WGA14240 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-crucifixion-between-1428-and-1430-869-masolino-crucifixion-wga14240-image185848891.htmlRMMPA44B–English: Crucifixion between 1428 and 1430. 869 Masolino - Crucifixion - WGA14240
Putto playing wooden recorder after painting by Bellini (1428-1516) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/putto-playing-wooden-recorder-after-painting-by-bellini-1428-1516-image157816607.htmlRMK4N4KB–Putto playing wooden recorder after painting by Bellini (1428-1516)
GB 1428, X-Ray Jet, Composite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gb-1428-x-ray-jet-composite-135014166.htmlRMHRJBXE–GB 1428, X-Ray Jet, Composite
![RICHARD NEVILLE, EARL OF WARWICK ("THE KINGMAKER") Aided Yorkists in the Wars of the Roses; virtual ruler in the early reign of Edward IV. Date: 1428 - 1471 Stock Photo](https://c8.alamy.com/comp/G3B124/richard-neville-earl-of-warwick-quotthe-kingmakerquot-aided-yorkists-G3B124.jpg "RICHARD NEVILLE, EARL OF WARWICK ("THE KINGMAKER") Aided Yorkists in the Wars of the Roses; virtual ruler in the early reign of Edward IV. Date: 1428 - 1471 Stock Photo")
RICHARD NEVILLE, EARL OF WARWICK ("THE KINGMAKER") Aided Yorkists in the Wars of the Roses; virtual ruler in the early reign of Edward IV. Date: 1428 - 1471 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-richard-neville-earl-of-warwick-quotthe-kingmakerquot-aided-yorkists-105348492.htmlRMG3B124–RICHARD NEVILLE, EARL OF WARWICK ("THE KINGMAKER") Aided Yorkists in the Wars of the Roses; virtual ruler in the early reign of Edward IV. Date: 1428 - 1471
THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Robert Campin ( 1375 – 1444) Dutch Flemish Belgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-flmalle-panels-ca-142830-master-of-flmalle-robert-campin-1375-78559885.htmlRMEFPKX5–THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Robert Campin ( 1375 – 1444) Dutch Flemish Belgian
Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/massolino-da-panicale-tommaso-di-cristoforo-fini-called-1383-1440-italian-painter-miracle-of-the-snow-assumption-of-the-virgin-1423-1428-farnese-collection-national-museum-of-capodimonte-naples-italy-image211444401.htmlRMP803DN–Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Mercedes Benz 1428AF water tender of a Swiss fire brigade. Rear view of with water pump controls and valves. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mercedes-benz-1428af-water-tender-of-a-swiss-fire-brigade-rear-view-141873801.htmlRMJ6PWDD–Mercedes Benz 1428AF water tender of a Swiss fire brigade. Rear view of with water pump controls and valves.
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228861.htmlRM2B00YBW–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
The Virgin and Child with Angels 1428 A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-angels-1428-ad-image68544863.htmlRMDYEDJR–The Virgin and Child with Angels 1428 A.D.
Old bay window with coat of arms of Magdalene College, 1428, Magdalene Street, Cambridge, Cambridgeshire, England, United Kingd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-bay-window-with-coat-of-arms-of-magdalene-college-1428-magdalene-29092752.htmlRMBK982T–Old bay window with coat of arms of Magdalene College, 1428, Magdalene Street, Cambridge, Cambridgeshire, England, United Kingd
Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-massolino-da-panicale-tommaso-di-cristoforo-fini-called-1383-1440-133984935.htmlRMHNYF47–Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Mare de Déu dels Consellers (Virgin of the Counsellors) by Lluis Dalmau (1428-1461), oil on oak panel, c.1443-45 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mare-de-du-dels-consellers-virgin-of-the-counsellors-by-lluis-dalmau-1428-1461-oil-on-oak-panel-c1443-45-image222283881.htmlRMPWHWA1–Mare de Déu dels Consellers (Virgin of the Counsellors) by Lluis Dalmau (1428-1461), oil on oak panel, c.1443-45
![Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photo](https://c8.alamy.com/comp/H4KTP4/attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-H4KTP4.jpg "Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photo")
Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-sperandio-italian-c-1425-1428-c-1504-standing-young-123367724.htmlRMH4KTP4–Attributed to Sperandio, Italian (c. 1425-1428 -c. 1504), Standing Young Man [verso], pen and brown ink on laid paper
Richard Neville, 16th Earl of Warwick, 22 November 1428 - 14 April 1471, was an English nobleman. He was known among his contemporaries as Warwick the Kingmaker. The richest man in England outside the royal family, he used to his wealth and power, a native of the House of Lancaster, King Henry VI. depose / Richard Neville, 16. Earl of Warwick, 22. November 1428 - 14. April 1471, war ein englischer Adliger. Er war unter seinen Zeitgenossen auch als Warwick der Königsmacher bekannt. Als reichster Mann Englands außerhalb der königlichen Familie nutzte er seinen Reichtum und seine Macht dazu, de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-neville-16th-earl-of-warwick-22-november-1428-14-april-1471-was-an-english-nobleman-he-was-known-among-his-contemporaries-as-warwick-the-kingmaker-the-richest-man-in-england-outside-the-royal-family-he-used-to-his-wealth-and-power-a-native-of-the-house-of-lancaster-king-henry-vi-depose-richard-neville-16-earl-of-warwick-22-november-1428-14-april-1471-war-ein-englischer-adliger-er-war-unter-seinen-zeitgenossen-auch-als-warwick-der-knigsmacher-bekannt-als-reichster-mann-englands-auerhalb-der-kniglichen-familie-nutzte-er-seinen-reichtum-und-seine-macht-dazu-de-image356545424.htmlRF2BM2194–Richard Neville, 16th Earl of Warwick, 22 November 1428 - 14 April 1471, was an English nobleman. He was known among his contemporaries as Warwick the Kingmaker. The richest man in England outside the royal family, he used to his wealth and power, a native of the House of Lancaster, King Henry VI. depose / Richard Neville, 16. Earl of Warwick, 22. November 1428 - 14. April 1471, war ein englischer Adliger. Er war unter seinen Zeitgenossen auch als Warwick der Königsmacher bekannt. Als reichster Mann Englands außerhalb der königlichen Familie nutzte er seinen Reichtum und seine Macht dazu, de
JOHN WYCLIFFE (c 1320-1384) English theologian. Engraving from Foxe's Book of Martyrs showing his exhumation in 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-wycliffe-c-1320-1384-english-theologian-engraving-from-foxes-book-of-martyrs-showing-his-exhumation-in-1428-image329190310.htmlRM2A3FWGP–JOHN WYCLIFFE (c 1320-1384) English theologian. Engraving from Foxe's Book of Martyrs showing his exhumation in 1428
Masaccio - Trinity 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masaccio-trinity-1428-image417033771.htmlRF2F6DER7–Masaccio - Trinity 1428
Alvaro pirez d'evora, santa caterina d'alessandria, 1428. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alvaro-pirez-devora-santa-caterina-dalessandria-1428-image214492301.htmlRMPCXY39–Alvaro pirez d'evora, santa caterina d'alessandria, 1428.
023 02 1428 februar 9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-023-02-1428-februar-9-142542867.htmlRMJ7WATK–023 02 1428 februar 9
The Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist, ca 1400. Artist: Andrea di Bartolo (bef. 1389-1428) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-mary-magdalene-and-st-john-the-evangelist-image60396978.htmlRMDE78XX–The Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist, ca 1400. Artist: Andrea di Bartolo (bef. 1389-1428)
The Marriage of the Virgin circa 1428. 1067 Robert Campin - The Marriage of Mary - WGA14404 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-of-the-virgin-circa-1428-1067-robert-campin-the-marriage-of-mary-wga14404-image185579563.htmlRMMNWTHF–The Marriage of the Virgin circa 1428. 1067 Robert Campin - The Marriage of Mary - WGA14404
Angel playing recorder. Detail from Ancona painting of Virgin and child by Giovanni Bellini 1428- 1516. Venetian artist. Cherub. Renaissance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-angel-playing-recorder-detail-from-ancona-painting-of-virgin-and-child-163030983.htmlRMKD6KK3–Angel playing recorder. Detail from Ancona painting of Virgin and child by Giovanni Bellini 1428- 1516. Venetian artist. Cherub. Renaissance
GB 1428, X-Ray Jet, X-Ray image Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gb-1428-x-ray-jet-x-ray-image-135014164.htmlRMHRJBXC–GB 1428, X-Ray Jet, X-Ray image
Earl Of Warwick 1428 71 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/earl-of-warwick-1428-71-image6080794.htmlRMA31NNB–Earl Of Warwick 1428 71
Madonna of Humility and Angels,1420 ,Domenico di Bartolo, 1428-1447, Siena, Christian Art, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-of-humility-and-angels1420-domenico-di-bartolo-1428-1447-siena-christian-art-italy-italian-image499922077.htmlRM2M19BKW–Madonna of Humility and Angels,1420 ,Domenico di Bartolo, 1428-1447, Siena, Christian Art, Italy, Italian.
Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Detail. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/massolino-da-panicale-tommaso-di-cristoforo-fini-called-1383-1440-italian-painter-miracle-of-the-snow-assumption-of-the-virgin-1423-1428-detail-farnese-collection-national-museum-of-capodimonte-naples-italy-image211444406.htmlRMP803DX–Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Detail. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Maxillaria tetragona - Edwards' vol. 17 (1831) pl. 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maxillaria-tetragona-edwards-vol-17-1831-pl-1428-133423576.htmlRMHN1Y3M–Maxillaria tetragona - Edwards' vol. 17 (1831) pl. 1428
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228858.htmlRM2B00YBP–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
Vietnamese Grand circular plate, decorated with a Feiyu (dragon-fish), chrysanthemums. 16th century, Later The Dynasty (1428-1789) stoneware (ceramic), With decoration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vietnamese-grand-circular-plate-decorated-with-a-feiyu-dragon-fish-57358844.htmlRMD98WP4–Vietnamese Grand circular plate, decorated with a Feiyu (dragon-fish), chrysanthemums. 16th century, Later The Dynasty (1428-1789) stoneware (ceramic), With decoration.
Steinway Tower, 111 W. 57th Street, NYC, USA, 2021 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/steinway-tower-111-w-57th-street-nyc-usa-2021-image449588479.htmlRM2H3CEKB–Steinway Tower, 111 W. 57th Street, NYC, USA, 2021
Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Detail. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-massolino-da-panicale-tommaso-di-cristoforo-fini-called-1383-1440-133984934.htmlRMHNYF46–Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Detail. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vlad-the-impaler-portrait-of-vlad-iii-known-as-vlad-the-impaler-or-vlad-dracula-c142831-147677-who-was-ruler-of-wallachia-three-times-painting-oil-on-canvas-mid-16th-century-image376332176.htmlRM2CT7BET–Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century.
Richard Nevil, der Königmacher, 1428-71 : ein Beitrag zur Geschichte der Kriege zwischen Lancaster und York : Bensemann, Walther Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-nevil-der-knigmacher-1428-71-ein-beitrag-zur-geschichte-der-kriege-zwischen-lancaster-und-york-bensemann-walther-image261424244.htmlRMW58W84–Richard Nevil, der Königmacher, 1428-71 : ein Beitrag zur Geschichte der Kriege zwischen Lancaster und York : Bensemann, Walther
Arrival of the maid of Orleans in the castle of Chinon on March 6, 1428, France, digital improved reproduction of an original from the year 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arrival-of-the-maid-of-orleans-in-the-castle-of-chinon-on-march-6-172336782.htmlRFM0AH92–Arrival of the maid of Orleans in the castle of Chinon on March 6, 1428, France, digital improved reproduction of an original from the year 1880
SIEGE OF ORLEANS 12 October 1428-8 May 1429. Thomas Montagu, 4th Earl of Salisbury is fatally injured on 3 November 1428. An image from the Vigiles de Charles VII Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siege-of-orleans-12-october-1428-8-may-1429-thomas-montagu-4th-earl-of-salisbury-is-fatally-injured-on-3-november-1428-an-image-from-the-vigiles-de-charles-vii-image562270429.htmlRM2RJNHJN–SIEGE OF ORLEANS 12 October 1428-8 May 1429. Thomas Montagu, 4th Earl of Salisbury is fatally injured on 3 November 1428. An image from the Vigiles de Charles VII
Masaccio - Birth Tray 1428 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masaccio-birth-tray-1428-image417033731.htmlRF2F6DENR–Masaccio - Birth Tray 1428
Dokument von 1428. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dokument-von-1428-image264584728.htmlRMWACTEG–Dokument von 1428.
023 01 1428 februar 9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-023-01-1428-februar-9-142542866.htmlRMJ7WATJ–023 01 1428 februar 9
Christ appearing to David and a group of Camaldolese monks, 1390-1410. Artist: Andrea di Bartolo (bef. 1389-1428) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-appearing-to-david-and-a-group-of-camaldolese-monks-1390-1410-image60396977.htmlRMDE78XW–Christ appearing to David and a group of Camaldolese monks, 1390-1410. Artist: Andrea di Bartolo (bef. 1389-1428)
Trinity (detail) between 1425 and 1428. 868 Masaccio - Trinity (detail) - WGA14210 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trinity-detail-between-1425-and-1428-868-masaccio-trinity-detail-wga14210-image185848775.htmlRMMPA407–Trinity (detail) between 1425 and 1428. 868 Masaccio - Trinity (detail) - WGA14210
Warwick the King Maker, c1483-84. By John Rous (d1492). Richard Neville, 16th Earl of Warwick (1428-1471), known as Warwick the Kingmaker. Neville was an English nobleman, administrator, and military commander. Neville can be found in William Shakespeare's Henry VI, Parts 2 and 3. From The Rous Roll by John Rous (d1492). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warwick-the-king-maker-c1483-84-by-john-rous-d1492-richard-neville-16th-earl-of-warwick-1428-1471-known-as-warwick-the-kingmaker-neville-was-an-english-nobleman-administrator-and-military-commander-neville-can-be-found-in-william-shakespeares-henry-vi-parts-2-and-3-from-the-rous-roll-by-john-rous-d1492-image357272191.htmlRM2BN7493–Warwick the King Maker, c1483-84. By John Rous (d1492). Richard Neville, 16th Earl of Warwick (1428-1471), known as Warwick the Kingmaker. Neville was an English nobleman, administrator, and military commander. Neville can be found in William Shakespeare's Henry VI, Parts 2 and 3. From The Rous Roll by John Rous (d1492).
Arrival of Joan of Arc at the Chateau de Chinon, March 6th 1428. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arrival-of-joan-of-arc-at-the-chateau-de-chinon-march-6th-1428-33409490.htmlRMBX9X42–Arrival of Joan of Arc at the Chateau de Chinon, March 6th 1428.
Joan of Arc / Jeanne d'Arc. Siege of Orleans (1428 - 1429). Liebig collectors' card, 1937 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joan-of-arc-jeanne-darc-siege-of-orleans-1428-1429-liebig-collectors-147099098.htmlRMJF8XB6–Joan of Arc / Jeanne d'Arc. Siege of Orleans (1428 - 1429). Liebig collectors' card, 1937
THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Portrait of St. Veronica by Robert Campin ( 1375 – 1444) Dutch Flemish Belgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-flmalle-panels-ca-142830-master-of-flmalle-portrait-of-st-veronica-78559873.htmlRMEFPKWN–THE FLÉMALLE PANELS, CA. 1428–30 “MASTER OF FLÉMALLE” Portrait of St. Veronica by Robert Campin ( 1375 – 1444) Dutch Flemish Belgian
Pedro González de Mendoza (1428-1495). Castilian ecclesiastic, statesman, military and patron. Coat of arms of Cardinal Mendoza. Anonymous, 17th century. Multi-coloured ceramics on glazed surface. Museum of Santa Cruz. Toledo. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pedro-gonzlez-de-mendoza-1428-1495-castilian-ecclesiastic-statesman-military-and-patron-coat-of-arms-of-cardinal-mendoza-anonymous-17th-century-multi-coloured-ceramics-on-glazed-surface-museum-of-santa-cruz-toledo-spain-image604632550.htmlRM2X3KAYJ–Pedro González de Mendoza (1428-1495). Castilian ecclesiastic, statesman, military and patron. Coat of arms of Cardinal Mendoza. Anonymous, 17th century. Multi-coloured ceramics on glazed surface. Museum of Santa Cruz. Toledo. Spain.
Search Results for 1428 Stock Photos and Images (2,332)
Page 1 of 24