Quick filters:
1400s art Stock Photos and Images
Lucchese School Late 15th Century, Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin, Late 1400s, Tempera on canvas and board, transferred from wood panel, Walker Art Gallery, Liverpool, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucchese-school-late-15th-century-virgin-and-child-with-saints-nicholas-sebastian-roch-and-martin-late-1400s-tempera-on-canvas-and-board-transferred-from-wood-panel-walker-art-gallery-liverpool-england-image230668840.htmlRMRB7TCT–Lucchese School Late 15th Century, Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin, Late 1400s, Tempera on canvas and board, transferred from wood panel, Walker Art Gallery, Liverpool, England.
Greece: Alexander the Great's war fleet on the rampage, probably during the Siege of Tyre (332 BCE). Painting by an unidentified French artist, c. 1400s. Alexander III of Macedon (356—323 BCE), popularly known as Alexander the Great, was a king of Macedon or Macedonia, a state in the northeast of Greece. By the age of 30, he was the creator of one of the largest empires in ancient history, stretching from the Ionian Sea to the Himalayas. He was undefeated in battle and is considered one of the most successful commanders of all time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greece-alexander-the-greats-war-fleet-on-the-rampage-probably-during-the-siege-of-tyre-332-bce-painting-by-an-unidentified-french-artist-c-1400s-alexander-iii-of-macedon-356323-bce-popularly-known-as-alexander-the-great-was-a-king-of-macedon-or-macedonia-a-state-in-the-northeast-of-greece-by-the-age-of-30-he-was-the-creator-of-one-of-the-largest-empires-in-ancient-history-stretching-from-the-ionian-sea-to-the-himalayas-he-was-undefeated-in-battle-and-is-considered-one-of-the-most-successful-commanders-of-all-time-image344233141.htmlRM2B014TN–Greece: Alexander the Great's war fleet on the rampage, probably during the Siege of Tyre (332 BCE). Painting by an unidentified French artist, c. 1400s. Alexander III of Macedon (356—323 BCE), popularly known as Alexander the Great, was a king of Macedon or Macedonia, a state in the northeast of Greece. By the age of 30, he was the creator of one of the largest empires in ancient history, stretching from the Ionian Sea to the Himalayas. He was undefeated in battle and is considered one of the most successful commanders of all time.
Byzantine tryptych depicting Vergin and Child with saints, painting on wood, Greece 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-tryptych-depicting-vergin-and-child-with-saints-painting-on-wood-greece-1400s-image601668767.htmlRF2WXTAJ7–Byzantine tryptych depicting Vergin and Child with saints, painting on wood, Greece 1400s
Painting titled 'The Virgin and Child with Saints Francis and Sebastian', 1491 by Carlo Crivelli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-virgin-and-child-with-saints-francis-and-sebastian-1491-by-carlo-crivelli-image377035191.htmlRM2CWBC6F–Painting titled 'The Virgin and Child with Saints Francis and Sebastian', 1491 by Carlo Crivelli
Agriculture-1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agriculture-1400s-image352791455.htmlRM2BDY12R–Agriculture-1400s
Seated Buddha, Ming dynasty, Ming dynasty, 1400s, lacquered wood with gilt, H: 10 in., Asian Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-buddha-ming-dynasty-ming-dynasty-1400s-lacquered-wood-with-gilt-h-10-in-asian-art-image328775124.htmlRM2A2W00M–Seated Buddha, Ming dynasty, Ming dynasty, 1400s, lacquered wood with gilt, H: 10 in., Asian Art
Fra Angelico (c.1395-1455), Christ Glorified in the Court of Heaven: Central Predella Panel, egg tempera on wood, c. 1423/4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-angelico-c1395-1455-christ-glorified-in-the-court-of-heaven-central-predella-panel-egg-tempera-on-wood-c-14234-image465886939.htmlRM2J1XYF7–Fra Angelico (c.1395-1455), Christ Glorified in the Court of Heaven: Central Predella Panel, egg tempera on wood, c. 1423/4
Italian 15th century art - Painting of Mary of Mercy, by painter Giovanni da Gaeta, Naples. Now exhibited in Wawel Castle Museum interior, Krakow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-15th-century-art-painting-of-mary-of-mercy-by-painter-giovanni-da-gaeta-naples-now-exhibited-in-wawel-castle-museum-interior-krakow-image504047647.htmlRM2M819WK–Italian 15th century art - Painting of Mary of Mercy, by painter Giovanni da Gaeta, Naples. Now exhibited in Wawel Castle Museum interior, Krakow
Crucifixion, 15 century icon, Museum of Old Russian art, Moscow, Russia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crucifixion-15-century-icon-museum-of-old-russian-art-moscow-russia-21364248.htmlRMB6N68T–Crucifixion, 15 century icon, Museum of Old Russian art, Moscow, Russia
Noah builds the arch with an axe, fresco from the 1400s in Lynge church, Denmark, February 12, 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noah-builds-the-arch-with-an-axe-fresco-from-the-1400s-in-lynge-church-denmark-february-12-2024-image596600538.htmlRF2WJHE22–Noah builds the arch with an axe, fresco from the 1400s in Lynge church, Denmark, February 12, 2024
Four Mandalas of the Vajravali Series, thangka and gouache on cotton, 15th Century Tibetan Art, 1429-1456 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-mandalas-of-the-vajravali-series-thangka-and-gouache-on-cotton-15th-century-tibetan-art-1429-1456-image572321296.htmlRM2T73DJ8–Four Mandalas of the Vajravali Series, thangka and gouache on cotton, 15th Century Tibetan Art, 1429-1456
The 1906 caption reads: 'Albrecht Durer - a self portrait - in the Old Pinakothek in Munich.' Albrecht Durer (1471-1528) was a German artist well known for his prints and drawings of keen observation and rich detail. He was born in Nuremberg and had a studio there. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-1906-caption-reads-albrecht-durer-a-self-portrait-in-the-old-pinakothek-in-munich-albrecht-durer-1471-1528-was-a-german-artist-well-known-for-his-prints-and-drawings-of-keen-observation-and-rich-detail-he-was-born-in-nuremberg-and-had-a-studio-there-image549248025.htmlRF2PWGBCW–The 1906 caption reads: 'Albrecht Durer - a self portrait - in the Old Pinakothek in Munich.' Albrecht Durer (1471-1528) was a German artist well known for his prints and drawings of keen observation and rich detail. He was born in Nuremberg and had a studio there.
The Vision of Tundale - Follower of Hieronymous Bosch, late 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-vision-of-tundale-follower-of-hieronymous-bosch-late-1400s-93062682.htmlRMFBBAB6–The Vision of Tundale - Follower of Hieronymous Bosch, late 1400s
The Virgin Annunciate - by Carlo Crivelli, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-annunciate-by-carlo-crivelli-1400s-image62050942.htmlRMDGXJH2–The Virgin Annunciate - by Carlo Crivelli, 1400s
Ars Moriendi, the Art of Dying, the temptation of lack of faith. Latin text c. 1450 offering advice on death, with allegorical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ars-moriendi-the-art-of-dying-the-temptation-of-lack-of-faith-latin-131473362.htmlRMHHW3H6–Ars Moriendi, the Art of Dying, the temptation of lack of faith. Latin text c. 1450 offering advice on death, with allegorical
Art inspired by Pharmacy Jar, early 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 11 15/16 x 7 1/2 in. (30.4 x 19 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pharmacy-jar-early-1400s-made-in-florence-tuscany-italy-italian-tin-glazed-earthenware-overall-11-1516-x-7-12-in-304-x-19-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836441.htmlRF2HW00GW–Art inspired by Pharmacy Jar, early 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 11 15/16 x 7 1/2 in. (30.4 x 19 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
John Talbot, 1st Earl of Shrewsbury, with his characteristic dog presenting the book as a gift to Margaret of Anjou and Henry VI - 1400's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-talbot-1st-earl-of-shrewsbury-with-his-characteristic-dog-presenting-the-book-as-a-gift-to-margaret-of-anjou-and-henry-vi-1400s-image470203629.htmlRF2J8YHEN–John Talbot, 1st Earl of Shrewsbury, with his characteristic dog presenting the book as a gift to Margaret of Anjou and Henry VI - 1400's
Altarpieces, after 1470, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-altarpieces-after-1470-national-gallery-of-medieval-art-st-agnes-convent-173559784.htmlRMM2A97M–Altarpieces, after 1470, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic
This image features the majestic Manasija Monastery in Despotovac, Serbia, constructed around 1400. Known for its fortified walls and towers built by Despot Stefan Lazarević, the monastery is a prime example of medieval Serbian architecture. The complex includes the Church of the Holy Trinity, which is adorned with some of the finest frescoes in Serbian medieval art, showcasing vibrant colors and detailed depictions of religious scenes. The robust fortifications and serene environment make Manasija not only a spiritual center but also a testament to the historical strife and cultural richness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-image-features-the-majestic-manasija-monastery-in-despotovac-serbia-constructed-around-1400-known-for-its-fortified-walls-and-towers-built-by-despot-stefan-lazarevi-the-monastery-is-a-prime-example-of-medieval-serbian-architecture-the-complex-includes-the-church-of-the-holy-trinity-which-is-adorned-with-some-of-the-finest-frescoes-in-serbian-medieval-art-showcasing-vibrant-colors-and-detailed-depictions-of-religious-scenes-the-robust-fortifications-and-serene-environment-make-manasija-not-only-a-spiritual-center-but-also-a-testament-to-the-historical-strife-and-cultural-richness-image603812862.htmlRM2X2A1D2–This image features the majestic Manasija Monastery in Despotovac, Serbia, constructed around 1400. Known for its fortified walls and towers built by Despot Stefan Lazarević, the monastery is a prime example of medieval Serbian architecture. The complex includes the Church of the Holy Trinity, which is adorned with some of the finest frescoes in Serbian medieval art, showcasing vibrant colors and detailed depictions of religious scenes. The robust fortifications and serene environment make Manasija not only a spiritual center but also a testament to the historical strife and cultural richness
Pharmacy Jar. Culture: Italian. Dimensions: Overall: 9 x 7 3/16 in. (22.9 x 18.3 cm). Date: 1400s. Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as demonstrated by this particularly fine pair. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pharmacy-jar-culture-italian-dimensions-overall-9-x-7-316-in-229-x-183-cm-date-1400s-maiolica-storage-jars-for-italian-pharmacies-were-highly-decorative-and-frequently-combined-animal-and-floral-motifs-as-demonstrated-by-this-particularly-fine-pair-museum-metropolitan-museum-of-art-new-york-usa-image213261036.htmlRMPAXTHG–Pharmacy Jar. Culture: Italian. Dimensions: Overall: 9 x 7 3/16 in. (22.9 x 18.3 cm). Date: 1400s. Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as demonstrated by this particularly fine pair. Museum: Metropolitan Museum of Art, New York, USA.
The Virgin and Child with Two Angels - Andrea del Verrocchio and assistant (Lorenzo di Credi) c 1475 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-two-angels-andrea-del-verrocchio-and-assistant-lorenzo-di-credi-c-1475-image574119867.htmlRM2TA1BMY–The Virgin and Child with Two Angels - Andrea del Verrocchio and assistant (Lorenzo di Credi) c 1475
The Calvary, painting by Italian artist Andrea Mantegna, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-calvary-painting-by-italian-artist-andrea-mantegna-1400s-image471905791.htmlRM2JBN4J7–The Calvary, painting by Italian artist Andrea Mantegna, 1400s
A portrait by Robert Campin titled 'St Joseph', c1425. St Joseph is portrayed as a medieval carpenter from the Merode Altarpiece. Part of the collection of the Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-by-robert-campin-titled-st-joseph-c1425-st-joseph-is-portrayed-as-a-medieval-carpenter-from-the-merode-altarpiece-part-of-the-collection-of-the-metropolitan-museum-of-art-new-york-usa-image377035355.htmlRM2CWBCCB–A portrait by Robert Campin titled 'St Joseph', c1425. St Joseph is portrayed as a medieval carpenter from the Merode Altarpiece. Part of the collection of the Metropolitan Museum of Art, New York, USA.
Astrological Chart, 1405 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/astrological-chart-1405-image352793922.htmlRM2BDY46X–Astrological Chart, 1405
Processional cross, late 15th century, 14 1/2 x 8 7/16 x 1 5/16 in. (36.83 x 21.43 x 3.33 cm), Brass, Ethiopia, 15th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art in Ethiopia was flourishing, combining Christian imagery with an expressive use of pattern and form. Nowhere else, for instance, are there so many types of Christian crosses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/processional-cross-late-15th-century-14-12-x-8-716-x-1-516-in-3683-x-2143-x-333-cm-brass-ethiopia-15th-century-ethiopia-was-the-first-african-nation-to-adopt-christianity-more-than-1600-years-ago-by-the-1400s-christian-art-in-ethiopia-was-flourishing-combining-christian-imagery-with-an-expressive-use-of-pattern-and-form-nowhere-else-for-instance-are-there-so-many-types-of-christian-crosses-image573481985.htmlRM2T90A3D–Processional cross, late 15th century, 14 1/2 x 8 7/16 x 1 5/16 in. (36.83 x 21.43 x 3.33 cm), Brass, Ethiopia, 15th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art in Ethiopia was flourishing, combining Christian imagery with an expressive use of pattern and form. Nowhere else, for instance, are there so many types of Christian crosses
Fra Angelico (c.1395-1455), Madonna of Humility, tempera on panel, c.1440 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-angelico-c1395-1455-madonna-of-humility-tempera-on-panel-c1440-image370721670.htmlRM2CF3R7J–Fra Angelico (c.1395-1455), Madonna of Humility, tempera on panel, c.1440
Giovanni Bellini painting, 'The Resurrection of Christ', 1475-79, Italian Renaissance art, The Gemaldegalerie Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-bellini-painting-the-resurrection-of-christ-1475-79-italian-renaissance-art-the-gemaldegalerie-berlin-image593872112.htmlRM2WE55X8–Giovanni Bellini painting, 'The Resurrection of Christ', 1475-79, Italian Renaissance art, The Gemaldegalerie Berlin
15th century clock from Jena, Germany. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/15th-century-clock-from-jena-germany-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507201238.htmlRM2MD509X–15th century clock from Jena, Germany. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
UK, England, Dorset, Trent, The Chantry, old 1400s house covered in creeper, 1911 line illustration by, Sydney R Jones Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-uk-england-dorset-trent-the-chantry-old-1400s-house-covered-in-creeper-93282161.htmlRMFBNA9N–UK, England, Dorset, Trent, The Chantry, old 1400s house covered in creeper, 1911 line illustration by, Sydney R Jones
Crucifix and 15th century ceiling paintings in the Church of St. Lawrence in Pernio, Finland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crucifix-and-15th-century-ceiling-paintings-in-the-church-of-st-lawrence-47281506.htmlRMCMWT16–Crucifix and 15th century ceiling paintings in the Church of St. Lawrence in Pernio, Finland
This image shows a lesson in a garden. The photo dates to 1910. The image was found on a colored box from the time of Timur. The original is in an art collection in Paris. Timur, later Timūr Gurkānī, was a Turco-Mongol conqueror who founded the Timurid Empire in and around modern-day Afghanistan, Iran, and Central Asia, becoming the first ruler of the Timurid dynasty. He ruled from 1370 to 1405. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-image-shows-a-lesson-in-a-garden-the-photo-dates-to-1910-the-image-was-found-on-a-colored-box-from-the-time-of-timur-the-original-is-in-an-art-collection-in-paris-timur-later-timr-gurkn-was-a-turco-mongol-conqueror-who-founded-the-timurid-empire-in-and-around-modern-day-afghanistan-iran-and-central-asia-becoming-the-first-ruler-of-the-timurid-dynasty-he-ruled-from-1370-to-1405-image490262776.htmlRF2KDHB4T–This image shows a lesson in a garden. The photo dates to 1910. The image was found on a colored box from the time of Timur. The original is in an art collection in Paris. Timur, later Timūr Gurkānī, was a Turco-Mongol conqueror who founded the Timurid Empire in and around modern-day Afghanistan, Iran, and Central Asia, becoming the first ruler of the Timurid dynasty. He ruled from 1370 to 1405.
Madonna and Child with Saints - Sano di Pietro - 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-and-child-with-saints-sano-di-pietro-1400s-92258762.htmlRMFA2MYP–Madonna and Child with Saints - Sano di Pietro - 1400s
Head of Christ - by Master of the Orcagnesque Misericordia, 1400's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-christ-by-master-of-the-orcagnesque-misericordia-1400s-image62660898.htmlRMDHXCH6–Head of Christ - by Master of the Orcagnesque Misericordia, 1400's
ILLUMINATED MANUSCRIPT 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illuminated-manuscript-1400s-59021752.htmlRMDC0JRM–ILLUMINATED MANUSCRIPT 1400s
Art inspired by Pharmacy Jar, 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 9 x 7 3/16 in. (22.9 x 18.3 cm), Ceramics, Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pharmacy-jar-1400s-made-in-florence-tuscany-italy-italian-tin-glazed-earthenware-overall-9-x-7-316-in-229-x-183-cm-ceramics-maiolica-storage-jars-for-italian-pharmacies-were-highly-decorative-and-frequently-combined-animal-and-floral-motifs-as-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836425.htmlRF2HW00G9–Art inspired by Pharmacy Jar, 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 9 x 7 3/16 in. (22.9 x 18.3 cm), Ceramics, Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marie Bracquemond - Woman with Hennin (a high cone-shaped headdress usually with a thin veil pendent from the top worn by European women in the 1400's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marie-bracquemond-woman-with-hennin-a-high-cone-shaped-headdress-usually-with-a-thin-veil-pendent-from-the-top-worn-by-european-women-in-the-1400s-image611690557.htmlRF2XF4WF9–Marie Bracquemond - Woman with Hennin (a high cone-shaped headdress usually with a thin veil pendent from the top worn by European women in the 1400's
Madonna around 1460, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-around-1460-national-gallery-of-medieval-art-st-agnes-convent-173484241.htmlRMM26TWN–Madonna around 1460, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic
Unknown Dutch artist mid 1400's - Venus - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-dutch-artist-mid-1400s-venus-google-art-project-134786355.htmlRMHR81AB–Unknown Dutch artist mid 1400's - Venus - Google Art Project
Coffret. Culture: Italian. Dimensions: Overall: 8 1/8 x 24 13/16 x 7 15/16 in. (20.6 x 63 x 20.2 cm). Date: early 1400s. The inscription along the top, 'onessta fa belladonna,' can be translated as, 'Virtue makes a woman beautiful.'. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coffret-culture-italian-dimensions-overall-8-18-x-24-1316-x-7-1516-in-206-x-63-x-202-cm-date-early-1400s-the-inscription-along-the-top-onessta-fa-belladonna-can-be-translated-as-virtue-makes-a-woman-beautiful-museum-metropolitan-museum-of-art-new-york-usa-image212899443.htmlRMPAABBF–Coffret. Culture: Italian. Dimensions: Overall: 8 1/8 x 24 13/16 x 7 15/16 in. (20.6 x 63 x 20.2 cm). Date: early 1400s. The inscription along the top, 'onessta fa belladonna,' can be translated as, 'Virtue makes a woman beautiful.'. Museum: Metropolitan Museum of Art, New York, USA.
Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin Late 1400s. 831 Lucchese School Late 15th Century - Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-with-saints-nicholas-sebastian-roch-and-martin-late-1400s-831-lucchese-school-late-15th-century-virgin-and-child-with-saints-nicholas-sebastian-roch-and-martin-google-art-project-image185841701.htmlRMMP9PYH–Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin Late 1400s. 831 Lucchese School Late 15th Century - Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin - Google Art Project
Annunciation, artwork by Italian painter Piero della Francesca, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-artwork-by-italian-painter-piero-della-francesca-1400s-image471906612.htmlRM2JBN5KG–Annunciation, artwork by Italian painter Piero della Francesca, 1400s
A portrait by Andrea del Castagno titled 'Saint Sebastian', 1457. Sebastian was a Christian saint and martyr, who is said to have died under the persecution of Christians by the Roman emperor Diocletian in the 3rd century. From the collection of the Metropolitan Museum of Modern Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-by-andrea-del-castagno-titled-saint-sebastian-1457-sebastian-was-a-christian-saint-and-martyr-who-is-said-to-have-died-under-the-persecution-of-christians-by-the-roman-emperor-diocletian-in-the-3rd-century-from-the-collection-of-the-metropolitan-museum-of-modern-art-new-york-usa-image377035267.htmlRM2CWBC97–A portrait by Andrea del Castagno titled 'Saint Sebastian', 1457. Sebastian was a Christian saint and martyr, who is said to have died under the persecution of Christians by the Roman emperor Diocletian in the 3rd century. From the collection of the Metropolitan Museum of Modern Art, New York, USA.
Astrological Chart, 1405 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/astrological-chart-1405-image352793939.htmlRM2BDY47F–Astrological Chart, 1405
Cross pendant, late 19th-early 20th century, 2 11/16 × 1 3/4 × 1/4 in. (6.83 × 4.45 × 0.64 cm), Silver, Ethiopia, 19th-20th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art in Ethiopia was flourishing, combining Christian imagery with an expressive use of pattern and form. Nowhere else, for instance, are there so many types of Christian crosses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cross-pendant-late-19th-early-20th-century-2-1116-1-34-14-in-683-445-064-cm-silver-ethiopia-19th-20th-century-ethiopia-was-the-first-african-nation-to-adopt-christianity-more-than-1600-years-ago-by-the-1400s-christian-art-in-ethiopia-was-flourishing-combining-christian-imagery-with-an-expressive-use-of-pattern-and-form-nowhere-else-for-instance-are-there-so-many-types-of-christian-crosses-image573487536.htmlRM2T90H5M–Cross pendant, late 19th-early 20th century, 2 11/16 × 1 3/4 × 1/4 in. (6.83 × 4.45 × 0.64 cm), Silver, Ethiopia, 19th-20th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art in Ethiopia was flourishing, combining Christian imagery with an expressive use of pattern and form. Nowhere else, for instance, are there so many types of Christian crosses
The Virgin and Child by the Italian artist, Giovanni Santi (c. 1435-1494), egg and oil on wood, c. 1488 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-by-the-italian-artist-giovanni-santi-c-1435-1494-egg-and-oil-on-wood-c-1488-image470240106.htmlRM2J9181E–The Virgin and Child by the Italian artist, Giovanni Santi (c. 1435-1494), egg and oil on wood, c. 1488
Sandro Botticelli painting; 'The Virgin and Child with Singing Angels'; c. 1478, 15th century Italian Renaissance art, a round painting or 'Tondo' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sandro-botticelli-painting-the-virgin-and-child-with-singing-angels-c-1478-15th-century-italian-renaissance-art-a-round-painting-or-tondo-image593872116.htmlRM2WE55XC–Sandro Botticelli painting; 'The Virgin and Child with Singing Angels'; c. 1478, 15th century Italian Renaissance art, a round painting or 'Tondo'
Stone portal from the 1400s with depictions of God and the sun on the facade of the church of San Domenico in Tocco da Casauria. Abuzzo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-portal-from-the-1400s-with-depictions-of-god-and-the-sun-on-the-facade-of-the-church-of-san-domenico-in-tocco-da-casauria-abuzzo-image557613152.htmlRM2RB5D7C–Stone portal from the 1400s with depictions of God and the sun on the facade of the church of San Domenico in Tocco da Casauria. Abuzzo
Powder Flask, 1600s. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/powder-flask-1600s-powder-flasks-are-small-portable-containers-designed-to-hold-gunpowder-from-the-1400s-to-the-1800s-powder-flasks-were-indispensable-for-charging-and-priming-firearms-of-all-types-without-powder-flasks-firearms-were-of-little-use-to-their-owners-many-highly-decorated-flasks-rank-as-works-of-art-image330114244.htmlRM2A5202C–Powder Flask, 1600s. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art.
St Jerome by the Master of the Legend of St Lucy, late 1400s, oil on panel National Museum of Western Art, Tokyo DSC08103 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-by-the-master-of-the-legend-of-st-lucy-late-1400s-oil-on-image153209909.htmlRMJW78PD–St Jerome by the Master of the Legend of St Lucy, late 1400s, oil on panel National Museum of Western Art, Tokyo DSC08103
15th century damascened iron clock. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/15th-century-damascened-iron-clock-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507201233.htmlRM2MD509N–15th century damascened iron clock. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
Murakka (calligraphic album) 1400s by Seyh Hamdullah (attributed) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/murakka-calligraphic-album-1400s-by-seyh-hamdullah-attributed-image545458186.htmlRM2PKBNDE–Murakka (calligraphic album) 1400s by Seyh Hamdullah (attributed)
Aristotle, published in Nuremberg Chronicle, 1400's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aristotle-published-in-nuremberg-chronicle-1400s-image62669234.htmlRMDHXR6X–Aristotle, published in Nuremberg Chronicle, 1400's
Erasmus Grasser, 'Morris Dancer', 1480 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-erasmus-grasser-morris-dancer-1480-110344013.htmlRMGBEGWH–Erasmus Grasser, 'Morris Dancer', 1480
Art inspired by Pharmacy Jar, 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 9 3/16 x 6 7/8 in. (23.4 x 17.4 cm), Ceramics, Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pharmacy-jar-1400s-made-in-florence-tuscany-italy-italian-tin-glazed-earthenware-overall-9-316-x-6-78-in-234-x-174-cm-ceramics-maiolica-storage-jars-for-italian-pharmacies-were-highly-decorative-and-frequently-combined-animal-and-floral-motifs-as-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836399.htmlRF2HW00FB–Art inspired by Pharmacy Jar, 1400s, Made in Florence, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 9 3/16 x 6 7/8 in. (23.4 x 17.4 cm), Ceramics, Maiolica storage jars for Italian pharmacies were highly decorative and frequently combined animal and floral motifs, as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rose window, stained glass window, stained glass, religious art, house of worship, Cathedral, Seville, Seville Province, Spain, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rose-window-stained-glass-window-stained-glass-religious-art-house-27881499.htmlRMBHA33R–rose window, stained glass window, stained glass, religious art, house of worship, Cathedral, Seville, Seville Province, Spain, Europe
Madonna around 1420, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-around-1420-national-gallery-of-medieval-art-st-agnes-convent-173463096.htmlRMM25WXG–Madonna around 1420, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic
This photo, taken in 1976, shows a painted wall in the Minoan palace at Knossos on the island of Crete. These are just two of many wall paintings adorning the enormous Minoan Palace that once stood there. The Minoans covered the walls with a mixture of mud and straw, then thinly coated with lime plaster, and lastly with layers of fine plaster. The Minoans had a distinct painting style with shapes formed by curvilinear lines that add a feeling of liveliness to the paintings. The Minoan civilization was a Bronze Age Aegean civilization on the island of Crete and other Aegean Islands, flourishing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-photo-taken-in-1976-shows-a-painted-wall-in-the-minoan-palace-at-knossos-on-the-island-of-crete-these-are-just-two-of-many-wall-paintings-adorning-the-enormous-minoan-palace-that-once-stood-there-the-minoans-covered-the-walls-with-a-mixture-of-mud-and-straw-then-thinly-coated-with-lime-plaster-and-lastly-with-layers-of-fine-plaster-theminoanshad-a-distinctpaintingstyle-with-shapes-formed-by-curvilinear-lines-that-add-a-feeling-of-liveliness-to-thepaintings-theminoancivilization-was-a-bronze-age-aegean-civilization-on-the-island-of-crete-and-other-aegean-islands-flourishing-image396470623.htmlRF2E10P93–This photo, taken in 1976, shows a painted wall in the Minoan palace at Knossos on the island of Crete. These are just two of many wall paintings adorning the enormous Minoan Palace that once stood there. The Minoans covered the walls with a mixture of mud and straw, then thinly coated with lime plaster, and lastly with layers of fine plaster. The Minoans had a distinct painting style with shapes formed by curvilinear lines that add a feeling of liveliness to the paintings. The Minoan civilization was a Bronze Age Aegean civilization on the island of Crete and other Aegean Islands, flourishing
Jug. Culture: German. Dimensions: Overall: 9 1/8 x 5 1/2 x 4 3/4 in. (23.1 x 13.9 x 12.1 cm). Date: late 1300s or early 1400s. Stoneware, a specialty of medieval German potters, is a hard, nonporous ceramic. As it is both strong and impervious to liquids, it was ideally suited for domestic purposes. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-culture-german-dimensions-overall-9-18-x-5-12-x-4-34-in-231-x-139-x-121-cm-date-late-1300s-or-early-1400s-stoneware-a-specialty-of-medieval-german-potters-is-a-hard-nonporous-ceramic-as-it-is-both-strong-and-impervious-to-liquids-it-was-ideally-suited-for-domestic-purposes-museum-metropolitan-museum-of-art-new-york-usa-image212911813.htmlRMPAAY59–Jug. Culture: German. Dimensions: Overall: 9 1/8 x 5 1/2 x 4 3/4 in. (23.1 x 13.9 x 12.1 cm). Date: late 1300s or early 1400s. Stoneware, a specialty of medieval German potters, is a hard, nonporous ceramic. As it is both strong and impervious to liquids, it was ideally suited for domestic purposes. Museum: Metropolitan Museum of Art, New York, USA.
Virgin and Child with an Angel Date: 1475/85 Artist: Sandro Botticelli Italian, 1444/45–1510 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-with-an-angel-date-147585-artist-sandro-botticelli-italian-1444451510-image551196947.htmlRF2R0N597–Virgin and Child with an Angel Date: 1475/85 Artist: Sandro Botticelli Italian, 1444/45–1510
Flagellation, artwork by Italian painter Piero della Francesca, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flagellation-artwork-by-italian-painter-piero-della-francesca-1400s-image471906640.htmlRM2JBN5MG–Flagellation, artwork by Italian painter Piero della Francesca, 1400s
Paris and Helen, c1406. Illustration from L'Epistre Othea by Christine de Pisan. It is from the collection of the Bibliotheque Nationale, Paris and the artist is unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-and-helen-c1406-illustration-from-lepistre-othea-by-christine-de-pisan-it-is-from-the-collection-of-the-bibliotheque-nationale-paris-and-the-artist-is-unknown-image377035561.htmlRM2CWBCKN–Paris and Helen, c1406. Illustration from L'Epistre Othea by Christine de Pisan. It is from the collection of the Bibliotheque Nationale, Paris and the artist is unknown.
Two Women Making Pasta, 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-women-making-pasta-15th-century-image352804483.htmlRM2BDYHM3–Two Women Making Pasta, 15th Century
The Adoration of the Kings - Filippino Lucci, circa 1480 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-adoration-of-the-kings-filippino-lucci-circa-1480-148013353.htmlRMJGPGF5–The Adoration of the Kings - Filippino Lucci, circa 1480
The Ghent Altarpiece: Adoration of the Mystic Lamb, detail of the Lamb with kneeling Angels by Jan van Eyck (c.1390-1441), 1432 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ghent-altarpiece-adoration-of-the-mystic-lamb-detail-of-the-lamb-with-kneeling-angels-by-jan-van-eyck-c1390-1441-1432-image441743349.htmlRM2GJK445–The Ghent Altarpiece: Adoration of the Mystic Lamb, detail of the Lamb with kneeling Angels by Jan van Eyck (c.1390-1441), 1432
Medieval art; Renaissance painting; Leonardo da Vinci painting, portrait of 'Lady with an Ermine', 1489-1491; in the Czartoryski Museum, Krakow Poland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-art-renaissance-painting-leonardo-da-vinci-painting-portrait-of-lady-with-an-ermine-1489-1491-in-the-czartoryski-museum-krakow-poland-image504040358.htmlRM2M810HA–Medieval art; Renaissance painting; Leonardo da Vinci painting, portrait of 'Lady with an Ermine', 1489-1491; in the Czartoryski Museum, Krakow Poland
Venus About 1460. 1214 Unknown Dutch artist mid 1400's - Venus - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-about-1460-1214-unknown-dutch-artist-mid-1400s-venus-google-art-project-image185605552.htmlRMMNY1NM–Venus About 1460. 1214 Unknown Dutch artist mid 1400's - Venus - Google Art Project
Powder Flask, c. 1680. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/powder-flask-c-1680-powder-flasks-are-small-portable-containers-designed-to-hold-gunpowder-from-the-1400s-to-the-1800s-powder-flasks-were-indispensable-for-charging-and-priming-firearms-of-all-types-without-powder-flasks-firearms-were-of-little-use-to-their-owners-many-highly-decorated-flasks-rank-as-works-of-art-image330114237.htmlRM2A52025–Powder Flask, c. 1680. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art.
Landscape with Castles, attributed to Bartolomeo Montagna, late 1400s to early 1500s, oil on panel (tondo) National Museum of Western Art, Tokyo DSC08053 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-castles-attributed-to-bartolomeo-montagna-late-1400s-image153209895.htmlRMJW78NY–Landscape with Castles, attributed to Bartolomeo Montagna, late 1400s to early 1500s, oil on panel (tondo) National Museum of Western Art, Tokyo DSC08053
Leonardo da Vinci (1452-1519), Italian polymath of the High Renaissance, is widely considered one of the greatest painters of all time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-1452-1519-italian-polymath-of-the-high-renaissance-is-widely-considered-one-of-the-greatest-painters-of-all-time-image381528298.htmlRM2D4M36J–Leonardo da Vinci (1452-1519), Italian polymath of the High Renaissance, is widely considered one of the greatest painters of all time.
The famous portico entrance to Palmera Cathedral designed by Domenico and Antonello Gagini in the late 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-famous-portico-entrance-to-palmera-cathedral-designed-by-domenico-and-antonello-gagini-in-the-late-1400s-image331534087.htmlRF2A7AK33–The famous portico entrance to Palmera Cathedral designed by Domenico and Antonello Gagini in the late 1400s
Portrait of a Man - by Hugo van der Goes, 1400's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-by-hugo-van-der-goes-1400s-image62660398.htmlRMDHXBYA–Portrait of a Man - by Hugo van der Goes, 1400's
Wild Men of the Woods Hunting, tapestry, circa 1400 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wild-men-of-the-woods-hunting-tapestry-circa-1400-110584078.htmlRMGBWF3A–Wild Men of the Woods Hunting, tapestry, circa 1400
Art inspired by Tiles with a Lion on a Shield, late 1400s or early 1500s, Made in Seville, Spain, Spanish, Tin-glazed earthenware (cuerda seca technique), Overall: 11 1/8 x 5 9/16 x 5/8 in. (28.3 x 14.1 x 1.6 cm), Ceramics-Tiles, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tiles-with-a-lion-on-a-shield-late-1400s-or-early-1500s-made-in-seville-spain-spanish-tin-glazed-earthenware-cuerda-seca-technique-overall-11-18-x-5-916-x-58-in-283-x-141-x-16-cm-ceramics-tiles-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463032869.htmlRF2HW8Y45–Art inspired by Tiles with a Lion on a Shield, late 1400s or early 1500s, Made in Seville, Spain, Spanish, Tin-glazed earthenware (cuerda seca technique), Overall: 11 1/8 x 5 9/16 x 5/8 in. (28.3 x 14.1 x 1.6 cm), Ceramics-Tiles, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rose window, stained glass window, stained glass, religious art, house of worship, Cathedral, Seville, Seville Province, Spain, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rose-window-stained-glass-window-stained-glass-religious-art-house-image7640508.htmlRMADBTYD–rose window, stained glass window, stained glass, religious art, house of worship, Cathedral, Seville, Seville Province, Spain, Europe
Altarpiece from Hyrov, after 1430,, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-altarpiece-from-hyrov-after-1430-national-gallery-of-medieval-art-173559632.htmlRMM2A928–Altarpiece from Hyrov, after 1430,, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic
This 1899 illustration shows Queen Isabella of Spain as painted by Becquer. Isabella I was Queen of Castile from 1474 until she died in 1504, reigning over a dynastically unified Spain jointly with her husband, King Ferdinand II of Aragon. She was Queen of Aragon after Ferdinand ascended in 1479. Together they are known as the Catholic Monarchs. Gustavo Adolfo Bécquer (died 1870) was a Spanish Romanticist poet and writer, also a playwright, literary columnist, and talented in drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1899-illustration-shows-queen-isabella-of-spain-as-painted-by-becquer-isabella-i-was-queen-of-castile-from-1474-until-she-died-in-1504-reigning-over-a-dynastically-unified-spain-jointly-with-her-husband-king-ferdinand-ii-of-aragon-she-was-queen-of-aragon-after-ferdinand-ascended-in-1479-together-they-are-known-as-the-catholic-monarchs-gustavo-adolfo-bcquer-died-1870-was-a-spanish-romanticist-poet-and-writer-also-a-playwright-literary-columnist-and-talented-in-drawing-image432891198.htmlRF2G47W3X–This 1899 illustration shows Queen Isabella of Spain as painted by Becquer. Isabella I was Queen of Castile from 1474 until she died in 1504, reigning over a dynastically unified Spain jointly with her husband, King Ferdinand II of Aragon. She was Queen of Aragon after Ferdinand ascended in 1479. Together they are known as the Catholic Monarchs. Gustavo Adolfo Bécquer (died 1870) was a Spanish Romanticist poet and writer, also a playwright, literary columnist, and talented in drawing
Pharmacy Jar. Culture: Italian. Dimensions: Overall: 9 1/8 x 5 9/16 in. (23.1 x 14.2 cm). Date: 1450-70. The ivy-leaf pattern is derived from Valencian lusterware, which was imported into Tuscany in large quantities during the 1400s. Italian potters, who at the time had not yet learned how to produce the sheen of lusterware, simulated the effect with paint. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pharmacy-jar-culture-italian-dimensions-overall-9-18-x-5-916-in-231-x-142-cm-date-1450-70-the-ivy-leaf-pattern-is-derived-from-valencian-lusterware-which-was-imported-into-tuscany-in-large-quantities-during-the-1400s-italian-potters-who-at-the-time-had-not-yet-learned-how-to-produce-the-sheen-of-lusterware-simulated-the-effect-with-paint-museum-metropolitan-museum-of-art-new-york-usa-image213394915.htmlRMPB4YAY–Pharmacy Jar. Culture: Italian. Dimensions: Overall: 9 1/8 x 5 9/16 in. (23.1 x 14.2 cm). Date: 1450-70. The ivy-leaf pattern is derived from Valencian lusterware, which was imported into Tuscany in large quantities during the 1400s. Italian potters, who at the time had not yet learned how to produce the sheen of lusterware, simulated the effect with paint. Museum: Metropolitan Museum of Art, New York, USA.
1400s MEDIEVAL ART STIGMATA OF ST. FRANCIS BY STEFAN LOCHNER circa 1410 - 1451 - kr61691 PHT001 HARS APPEARANCE CRUCIFIXION CONNECTION CONCEPTUAL STILL LIFE MIRACLE ST. WOUNDS FAITHFUL CIRCA FAITH LISBON LOCATIONS MARK MYSTIC PORTUGAL SPIRITUAL STILL LIFE WRISTS BELIEF CATHOLIC FOUNDER FRANCIS FRIAR INSPIRATIONAL JESUS CHRIST OLD FASHIONED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1400s-medieval-art-stigmata-of-st-francis-by-stefan-lochner-circa-1410-1451-kr61691-pht001-hars-appearance-crucifixion-connection-conceptual-still-life-miracle-st-wounds-faithful-circa-faith-lisbon-locations-mark-mystic-portugal-spiritual-still-life-wrists-belief-catholic-founder-francis-friar-inspirational-jesus-christ-old-fashioned-image491165491.htmlRM2KF2EGK–1400s MEDIEVAL ART STIGMATA OF ST. FRANCIS BY STEFAN LOCHNER circa 1410 - 1451 - kr61691 PHT001 HARS APPEARANCE CRUCIFIXION CONNECTION CONCEPTUAL STILL LIFE MIRACLE ST. WOUNDS FAITHFUL CIRCA FAITH LISBON LOCATIONS MARK MYSTIC PORTUGAL SPIRITUAL STILL LIFE WRISTS BELIEF CATHOLIC FOUNDER FRANCIS FRIAR INSPIRATIONAL JESUS CHRIST OLD FASHIONED
Charles the Bold, Duke of Burgundy, illustration from manuscript, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-the-bold-duke-of-burgundy-illustration-from-manuscript-1400s-image601668759.htmlRF2WXTAHY–Charles the Bold, Duke of Burgundy, illustration from manuscript, 1400s
The Legend of Saint Lucie, Virgin and Child with Saints' (detail), 15th century. From the Art Museum of Estonia, Tallinn. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-legend-of-saint-lucie-virgin-and-child-with-saints-detail-15th-century-from-the-art-museum-of-estonia-tallinn-image377037865.htmlRM2CWBFJ1–The Legend of Saint Lucie, Virgin and Child with Saints' (detail), 15th century. From the Art Museum of Estonia, Tallinn.
Alchemical distillation, 1475. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alchemical-distillation-1475-image246586492.htmlRMT94YGC–Alchemical distillation, 1475.
The Virgin and Child, Ambrogio Bergognone, circa 1490 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-virgin-and-child-ambrogio-bergognone-circa-1490-147832053.htmlRMJGE985–The Virgin and Child, Ambrogio Bergognone, circa 1490
The Ghent Altarpiece: Adoration of the Mystic Lamb, detail of female saints, martyrs and confessors. by Jan van Eyck (c.1390-1441), 1432 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ghent-altarpiece-adoration-of-the-mystic-lamb-detail-of-female-saints-martyrs-and-confessors-by-jan-van-eyck-c1390-1441-1432-image441743320.htmlRM2GJK434–The Ghent Altarpiece: Adoration of the Mystic Lamb, detail of female saints, martyrs and confessors. by Jan van Eyck (c.1390-1441), 1432
Saaremaa church; Medieval murals and medieval paintings dating from the 1400s, Karja Church, a lutheran church, Saaremaa island, Estonia Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saaremaa-church-medieval-murals-and-medieval-paintings-dating-from-the-1400s-karja-church-a-lutheran-church-saaremaa-island-estonia-europe-image474940735.htmlRM2JGKBN3–Saaremaa church; Medieval murals and medieval paintings dating from the 1400s, Karja Church, a lutheran church, Saaremaa island, Estonia Europe
392 Crucifixion with the Virgin and Saint John, saints, and angels holding the Veil of Veronica, probably a tabernacle door, German, late 1400s, wood - Princeton University Art Museum - DSC06744 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/392-crucifixion-with-the-virgin-and-saint-john-saints-and-angels-holding-the-veil-of-veronica-probably-a-tabernacle-door-german-late-1400s-wood-princeton-university-art-museum-dsc06744-image209967941.htmlRMP5GT71–392 Crucifixion with the Virgin and Saint John, saints, and angels holding the Veil of Veronica, probably a tabernacle door, German, late 1400s, wood - Princeton University Art Museum - DSC06744
Powder Flask, c. 1560-1570. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/powder-flask-c-1560-1570-powder-flasks-are-small-portable-containers-designed-to-hold-gunpowder-from-the-1400s-to-the-1800s-powder-flasks-were-indispensable-for-charging-and-priming-firearms-of-all-types-without-powder-flasks-firearms-were-of-little-use-to-their-owners-many-highly-decorated-flasks-rank-as-works-of-art-image330114231.htmlRM2A5201Y–Powder Flask, c. 1560-1570. Powder flasks are small, portable containers designed to hold gunpowder. From the 1400s to the 1800s, powder flasks were indispensable for charging and priming firearms of all types. Without powder flasks firearms were of little use to their owners. Many highly decorated flasks rank as works of art.
Landscape with Castles, attributed to Bartolomeo Montagna, late 1400s to early 1500s, oil on panel (tondo) National Museum of Western Art, Tokyo DSC08053 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-castles-attributed-to-bartolomeo-montagna-late-1400s-image153829495.htmlRMJX7F2F–Landscape with Castles, attributed to Bartolomeo Montagna, late 1400s to early 1500s, oil on panel (tondo) National Museum of Western Art, Tokyo DSC08053
Leonardo da Vinci (1452-1519), Italian polymath of the High Renaissance, is widely considered one of the greatest painters of all time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-1452-1519-italian-polymath-of-the-high-renaissance-is-widely-considered-one-of-the-greatest-painters-of-all-time-image381528301.htmlRM2D4M36N–Leonardo da Vinci (1452-1519), Italian polymath of the High Renaissance, is widely considered one of the greatest painters of all time.
Engraving of a virtuous woman threatening to throw herself out of the castle window rather than submit to a tyrannical marriage. From an illustrated copy of Ivanhoe, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-a-virtuous-woman-threatening-to-throw-herself-out-of-the-castle-window-rather-than-submit-to-a-tyrannical-marriage-from-an-illustrated-copy-of-ivanhoe-1878-image209511385.htmlRMP4T1WD–Engraving of a virtuous woman threatening to throw herself out of the castle window rather than submit to a tyrannical marriage. From an illustrated copy of Ivanhoe, 1878.
Miraculous Communion of Saint Catherine of Siena - by Giovanni di Paolo, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-miraculous-communion-of-saint-catherine-of-siena-by-giovanni-di-paolo-73233740.htmlRME742AM–Miraculous Communion of Saint Catherine of Siena - by Giovanni di Paolo, 1400s
Chester, UK. 8th Dec, 2016. Mid-Winter Watch Parade, Chester's 15th-century tradition of ‘Setting the Watch'. Karamba Samba a ‘ghost band' led a fun parade of skeletons, angels and devils as they celebrated the Winter solstice. This event with dancers, fire breathing and sword fights, dates from the 1400's, where the city leaders would hand over the keys of Chester to the City Watch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chester-uk-8th-dec-2016-mid-winter-watch-parade-chesters-15th-century-128240527.htmlRMHCHT2R–Chester, UK. 8th Dec, 2016. Mid-Winter Watch Parade, Chester's 15th-century tradition of ‘Setting the Watch'. Karamba Samba a ‘ghost band' led a fun parade of skeletons, angels and devils as they celebrated the Winter solstice. This event with dancers, fire breathing and sword fights, dates from the 1400's, where the city leaders would hand over the keys of Chester to the City Watch.
Art inspired by Purse, 1400s, French, Tooled leather, Overall: 6 11/16 x 7 7/16 x 3/4 in. (17 x 18.9 x 1.9 cm), Leatherwork, The wearer of this purse would have passed a girdle or belt between the two loops at the top. The inscription in French translates as, 'Love holds me: Holds me, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-purse-1400s-french-tooled-leather-overall-6-1116-x-7-716-x-34-in-17-x-189-x-19-cm-leatherwork-the-wearer-of-this-purse-would-have-passed-a-girdle-or-belt-between-the-two-loops-at-the-top-the-inscription-in-french-translates-as-love-holds-me-holds-me-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462844088.htmlRF2HW0AA0–Art inspired by Purse, 1400s, French, Tooled leather, Overall: 6 11/16 x 7 7/16 x 3/4 in. (17 x 18.9 x 1.9 cm), Leatherwork, The wearer of this purse would have passed a girdle or belt between the two loops at the top. The inscription in French translates as, 'Love holds me: Holds me, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Maria Lactans on a Crescent Moon attributed to the Dutch painter Master of the Legend of the Magdalen painted in oil on oak circa 1490 showing the Virgin Mary nursing Christ on a moon symbolising her purity. Credit: Private Collection / Universal Art Archive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maria-lactans-on-a-crescent-moon-attributed-to-the-dutch-painter-master-of-the-legend-of-the-magdalen-painted-in-oil-on-oak-circa-1490-showing-the-virgin-mary-nursing-christ-on-a-moon-symbolising-her-purity-credit-private-collection-universal-art-archive-image617967887.htmlRM2XWAT9K–Maria Lactans on a Crescent Moon attributed to the Dutch painter Master of the Legend of the Magdalen painted in oil on oak circa 1490 showing the Virgin Mary nursing Christ on a moon symbolising her purity. Credit: Private Collection / Universal Art Archive
Madonna Enthroned around 1380, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-enthroned-around-1380-national-gallery-of-medieval-art-st-173463195.htmlRMM25X23–Madonna Enthroned around 1380, National Gallery of Medieval Art, St Agnes Convent, Prague, Czech Republic
This 1899 illustration shows Queen Isabella of Spain as painted by Becquer. Isabella I was Queen of Castile from 1474 until she died in 1504, reigning over a dynastically unified Spain jointly with her husband, King Ferdinand II of Aragon. She was Queen of Aragon after Ferdinand ascended in 1479. Together they are known as the Catholic Monarchs. Gustavo Adolfo Bécquer (died 1870) was a Spanish Romanticist poet and writer, also a playwright, literary columnist, and talented in drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1899-illustration-shows-queen-isabella-of-spain-as-painted-by-becquer-isabella-i-was-queen-of-castile-from-1474-until-she-died-in-1504-reigning-over-a-dynastically-unified-spain-jointly-with-her-husband-king-ferdinand-ii-of-aragon-she-was-queen-of-aragon-after-ferdinand-ascended-in-1479-together-they-are-known-as-the-catholic-monarchs-gustavo-adolfo-bcquer-died-1870-was-a-spanish-romanticist-poet-and-writer-also-a-playwright-literary-columnist-and-talented-in-drawing-image432891202.htmlRF2G47W42–This 1899 illustration shows Queen Isabella of Spain as painted by Becquer. Isabella I was Queen of Castile from 1474 until she died in 1504, reigning over a dynastically unified Spain jointly with her husband, King Ferdinand II of Aragon. She was Queen of Aragon after Ferdinand ascended in 1479. Together they are known as the Catholic Monarchs. Gustavo Adolfo Bécquer (died 1870) was a Spanish Romanticist poet and writer, also a playwright, literary columnist, and talented in drawing
Fragment from a Vessel. Culture: North Italian. Dimensions: Overall: 7 x 5 1/4 x 2 3/4 in. (17.8 x 13.3 x 7 cm). Date: late 1400s. In northern Italy few potters made use of the technique of tin glazing. Rather, they coated clay objects with a creamy slip of liquid clay, into which they incised a design. They then applied additional colors, often in yellow and green, before a final firing. Even a small fragment reveals the virtuosity of line often found in these wares. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-from-a-vessel-culture-north-italian-dimensions-overall-7-x-5-14-x-2-34-in-178-x-133-x-7-cm-date-late-1400s-in-northern-italy-few-potters-made-use-of-the-technique-of-tin-glazing-rather-they-coated-clay-objects-with-a-creamy-slip-of-liquid-clay-into-which-they-incised-a-design-they-then-applied-additional-colors-often-in-yellow-and-green-before-a-final-firing-even-a-small-fragment-reveals-the-virtuosity-of-line-often-found-in-these-wares-museum-metropolitan-museum-of-art-new-york-usa-image212882619.htmlRMPA9HXK–Fragment from a Vessel. Culture: North Italian. Dimensions: Overall: 7 x 5 1/4 x 2 3/4 in. (17.8 x 13.3 x 7 cm). Date: late 1400s. In northern Italy few potters made use of the technique of tin glazing. Rather, they coated clay objects with a creamy slip of liquid clay, into which they incised a design. They then applied additional colors, often in yellow and green, before a final firing. Even a small fragment reveals the virtuosity of line often found in these wares. Museum: Metropolitan Museum of Art, New York, USA.
Pulpit inside the medieval stone Church of St. Olaf which was built in the middle of the 15th century, Lemu, Finland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pulpit-inside-the-medieval-stone-church-of-st-olaf-which-was-built-43185121.htmlRMCE771N–Pulpit inside the medieval stone Church of St. Olaf which was built in the middle of the 15th century, Lemu, Finland
Madonna with child and saints, artwork by Italian painter Piero della Francesca, 1400s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-child-and-saints-artwork-by-italian-painter-piero-della-francesca-1400s-image471906638.htmlRM2JBN5ME–Madonna with child and saints, artwork by Italian painter Piero della Francesca, 1400s
A painting by Italian artist Gentile da Fabriano titled 'Adoration of the Magi', (The Strozzi Altarpiece)', (detail), 1423. It was discovered in the collection of the Galleria degli Uffizi, Florence, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-painting-by-italian-artist-gentile-da-fabriano-titled-adoration-of-the-magi-the-strozzi-altarpiece-detail-1423-it-was-discovered-in-the-collection-of-the-galleria-degli-uffizi-florence-italy-image377035256.htmlRM2CWBC8T–A painting by Italian artist Gentile da Fabriano titled 'Adoration of the Magi', (The Strozzi Altarpiece)', (detail), 1423. It was discovered in the collection of the Galleria degli Uffizi, Florence, Italy.
