Egypt, shard, earthenware, 13 x 6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-shard-earthenware-13-x-6-cm-image344511486.html
RM2B0DRWJ–Egypt, shard, earthenware, 13 x 6 cm
Art inspired by Sheet of Studies, 17th century, Black chalk, 13 x 6-7/8 in. (33.0 x 17.5 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sheet-of-studies-17th-century-black-chalk-13-x-6-78-in-330-x-175-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802664.html
RF2HTXDEG–Art inspired by Sheet of Studies, 17th century, Black chalk, 13 x 6-7/8 in. (33.0 x 17.5 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sheet of Studies. Artist: Anonymous, Italian, 17th century. Dimensions: 13 x 6-7/8 in. (33.0 x 17.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-of-studies-artist-anonymous-italian-17th-century-dimensions-13-x-6-78-in-330-x-175-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213119173.html
RMPAMBK1–Sheet of Studies. Artist: Anonymous, Italian, 17th century. Dimensions: 13 x 6-7/8 in. (33.0 x 17.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gothic-love-token-casket-france-15th-century-rectangular-wooden-31665187.html
RMBRED7F–A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,,
Yorktown Hand colored engraving, sheet: 5 1/8 x 2 9/16 in. (13 x 6.5 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yorktown-hand-colored-engraving-sheet-5-18-x-2-916-in-13-x-65-cm-european-art-image504729868.html
RM2M94C2M–Yorktown Hand colored engraving, sheet: 5 1/8 x 2 9/16 in. (13 x 6.5 cm). European Art
Thailand: King Rama X, Vajiralongkorn (28 July 1952 - ), 10th monarch of the Chakri Dynasty, 1987. Phra Bat Somdet Phra Paramendra Ramadhibodi Srisinra Maha Vajiralongkorn Mahisara Bhumibol Rajavarangkura Kitisirisumburna Adulyadej Sayamindradhipeshra Rajavarodom Borommanat Pobitra Phra Vajira Klao Chao Yu Hua, more commonly known as King Rama X and Vajiralongkorn, is the only son of Bhumibol Adulyadej, the 9th King of Thailand, and Queen Sirikit. He is ascended to the throne after his father's death on 13 October 2016, and his coronation was from 4-6 May 2019, aged 64 at the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-king-rama-x-vajiralongkorn-28-july-1952-10th-monarch-of-the-chakri-dynasty-1987-phra-bat-somdet-phra-paramendra-ramadhibodi-srisinra-maha-vajiralongkorn-mahisara-bhumibol-rajavarangkura-kitisirisumburna-adulyadej-sayamindradhipeshra-rajavarodom-borommanat-pobitra-phra-vajira-klao-chao-yu-hua-more-commonly-known-as-king-rama-x-and-vajiralongkorn-is-the-only-son-of-bhumibol-adulyadej-the-9th-king-of-thailand-and-queen-sirikit-he-is-ascended-to-the-throne-after-his-fathers-death-on-13-october-2016-and-his-coronation-was-from-4-6-may-2019-aged-64-at-the-time-image344232274.html
RM2B013NP–Thailand: King Rama X, Vajiralongkorn (28 July 1952 - ), 10th monarch of the Chakri Dynasty, 1987. Phra Bat Somdet Phra Paramendra Ramadhibodi Srisinra Maha Vajiralongkorn Mahisara Bhumibol Rajavarangkura Kitisirisumburna Adulyadej Sayamindradhipeshra Rajavarodom Borommanat Pobitra Phra Vajira Klao Chao Yu Hua, more commonly known as King Rama X and Vajiralongkorn, is the only son of Bhumibol Adulyadej, the 9th King of Thailand, and Queen Sirikit. He is ascended to the throne after his father's death on 13 October 2016, and his coronation was from 4-6 May 2019, aged 64 at the time.
Belt Buckle MET dp30372 465304 Frankish, Belt Buckle, 7th century, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.236) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-belt-buckle-met-dp30372-465304-frankish-belt-buckle-7th-century-copper-168257664.html
RMKNMPA8–Belt Buckle MET dp30372 465304 Frankish, Belt Buckle, 7th century, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.236)
Creation Date: ca. 1775 Display Dimensions: 7 27/32 in. x 5 11/32 in. (19.9 cm x 13.6 cm) Credit Line: Edwin Binney Koranic Mihrab Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/creation-date-ca-1775-display-dimensions-7-2732-in-x-5-1132-in-199-cm-x-136-cm-credit-line-edwin-binney-koranic-mihrab-image185732691.html
RMMP4RXB–Creation Date: ca. 1775 Display Dimensions: 7 27/32 in. x 5 11/32 in. (19.9 cm x 13.6 cm) Credit Line: Edwin Binney Koranic Mihrab
Canal Lock Under Construction; Unknown maker, American; about 1849; Daguerreotype; Whole plate, Image: 13.7 x 18.6 cm (5 3/8 x 7 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canal-lock-under-construction-unknown-maker-american-about-1849-daguerreotype-image60297073.html
RMDE2NEW–Canal Lock Under Construction; Unknown maker, American; about 1849; Daguerreotype; Whole plate, Image: 13.7 x 18.6 cm (5 3/8 x 7
Egypt, shard, earthenware, 13 x 6.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-shard-earthenware-13-x-65-cm-image344511444.html
RM2B0DRT4–Egypt, shard, earthenware, 13 x 6.5 cm
Art inspired by Three Pommel Plates of a Saddle, ca. 1510–20, German, Steel, gold, Center: 13¾ x 6¾ in. (34.9 x 17.1 cm); Right: 16 x 6½ in. (40.6 x 16.5 cm); Left: 16 x 6¾ in. (40.6 x 17.1 cm); W. 2 lb. 15 oz. (1329 g). Assembled: H. 7 in. (17.8 cm); W. 28 in. (71.1 cm)., Equestrian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-three-pommel-plates-of-a-saddle-ca-151020-german-steel-gold-center-13-x-6-in-349-x-171-cm-right-16-x-6-in-406-x-165-cm-left-16-x-6-in-406-x-171-cm-w-2-lb-15-oz-1329-g-assembled-h-7-in-178-cm-w-28-in-711-cm-equestrian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462754244.html
RF2HTT7N8–Art inspired by Three Pommel Plates of a Saddle, ca. 1510–20, German, Steel, gold, Center: 13¾ x 6¾ in. (34.9 x 17.1 cm); Right: 16 x 6½ in. (40.6 x 16.5 cm); Left: 16 x 6¾ in. (40.6 x 17.1 cm); W. 2 lb. 15 oz. (1329 g). Assembled: H. 7 in. (17.8 cm); W. 28 in. (71.1 cm)., Equestrian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Actor Nakamura Tomijuro. Artist: Katsukawa Shunko (Japanese, 1743-1812). Culture: Japan. Dimensions: 13 x 6 in. (33 x 15.2 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-nakamura-tomijuro-artist-katsukawa-shunko-japanese-1743-1812-culture-japan-dimensions-13-x-6-in-33-x-152-cm-date-ca-1790-museum-metropolitan-museum-of-art-new-york-usa-image212916164.html
RMPAB4MM–The Actor Nakamura Tomijuro. Artist: Katsukawa Shunko (Japanese, 1743-1812). Culture: Japan. Dimensions: 13 x 6 in. (33 x 15.2 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA.
A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gothic-love-token-casket-france-15th-century-rectangular-wooden-31665117.html
RMBRED51–A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,,
Textile Fragment, late 17th century. Turkey, late 17th century. Brocaded silk with metal thread weft; average: 33 x 16.5 cm (13 x 6 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-fragment-late-17th-century-turkey-late-17th-century-brocaded-silk-with-metal-thread-weft-average-33-x-165-cm-13-x-6-12-in-image448136251.html
RM2H12AA3–Textile Fragment, late 17th century. Turkey, late 17th century. Brocaded silk with metal thread weft; average: 33 x 16.5 cm (13 x 6 1/2 in.).
Belt Buckle MET dp30372 465304 Frankish, Belt Buckle, 7th century, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.236) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-belt-buckle-met-dp30372-465304-frankish-belt-buckle-7th-century-copper-168407531.html
RMKNYHEK–Belt Buckle MET dp30372 465304 Frankish, Belt Buckle, 7th century, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.236)
. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 601 The Visit to the Brickmaker's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-visit-to-the-brickmakers-by-phiz-hablot-knight-browne-for-bleak-house-p-73-3-34-x-5-14-inches-6-february-2012-151357-hablot-knight-browne-phiz-601-the-visit-to-the-brickmakers-image187566260.html
RMMW4AK0–. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 601 The Visit to the Brickmaker's
Portrait of M. Quatrehomme du Lys; Charles Le Brun, French, 1619 - 1690; 1657; Black, white, and red chalk and pastel; 35.2 x 27.6 cm (13 7/8 x 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-m-quatrehomme-du-lys-charles-le-brun-french-1619-1690-76529640.html
RMECE69C–Portrait of M. Quatrehomme du Lys; Charles Le Brun, French, 1619 - 1690; 1657; Black, white, and red chalk and pastel; 35.2 x 27.6 cm (13 7/8 x 10 7/8 in.)
beard, statue, limestone, 13 x 6 x 11 cm, Middle Kingdom, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beard-statue-limestone-13-x-6-x-11-cm-middle-kingdom-egypt-image344534930.html
RM2B0EWPX–beard, statue, limestone, 13 x 6 x 11 cm, Middle Kingdom, Egypt
Art inspired by Belt Buckle, 7th century, Frankish, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-belt-buckle-7th-century-frankish-copper-alloy-tinned-surface-overall-5-18-x-2-716-x-58-in-13-x-62-x-16-cm-metalwork-copper-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462832403.html
RF2HTYRCK–Art inspired by Belt Buckle, 7th century, Frankish, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Shokei Celebrated Waterfall. Artist: Yanagawa Shigenobu (Japanese, 1787-1832). Culture: Japan. Dimensions: 13 x 6 3/4 in. (33 x 17.1 cm). Date: 1820-1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shokei-celebrated-waterfall-artist-yanagawa-shigenobu-japanese-1787-1832-culture-japan-dimensions-13-x-6-34-in-33-x-171-cm-date-1820-1830-museum-metropolitan-museum-of-art-new-york-usa-image212899716.html
RMPAABN8–Shokei Celebrated Waterfall. Artist: Yanagawa Shigenobu (Japanese, 1787-1832). Culture: Japan. Dimensions: 13 x 6 3/4 in. (33 x 17.1 cm). Date: 1820-1830. Museum: Metropolitan Museum of Art, New York, USA.
A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gothic-love-token-casket-france-15th-century-rectangular-wooden-31665111.html
RMBRED4R–A Gothic love token casket, France, 15th century Rectangular wooden body (small restoration on the left rim of the lid) covered with tooled leather. Surrounded by finely made, riveted iron bands with floral decoration. On the front the original hasp and integral lock (key missing), with two additional hasps on either side, but the padlock-loops missing. Moveable carrying handles on the sides (one missing). The inside still has the original red leather lining. Dimensions 13.5 x 13 x 6 cm. historic, historical, 15th century, handicrafts, handcraft, craft, object,,
Woman's Bridal Socks, early 1900s. Yugoslavia, Serbia, 20th century. Embroidered wool, gold thread, sequins, knitting; overall: 33 x 15.9 cm (13 x 6 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/womans-bridal-socks-early-1900s-yugoslavia-serbia-20th-century-embroidered-wool-gold-thread-sequins-knitting-overall-33-x-159-cm-13-x-6-14-in-image448059223.html
RM2H0XT33–Woman's Bridal Socks, early 1900s. Yugoslavia, Serbia, 20th century. Embroidered wool, gold thread, sequins, knitting; overall: 33 x 15.9 cm (13 x 6 1/4 in.).
. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 525 The Visit to the Brickmaker's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-visit-to-the-brickmakers-by-phiz-hablot-knight-browne-for-bleak-house-p-73-3-34-x-5-14-inches-6-february-2012-151357-hablot-knight-browne-phiz-525-the-visit-to-the-brickmakers-image188840529.html
RMMY6C0H–. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 525 The Visit to the Brickmaker's
L'Offerta (The Offering); Baron Wilhelm von Gloeden, German, 1856 - 1931; Taormina, Sicily, Italy, Europe; 1902; Albumen silver print; Image: 22.4 x 16.8 cm (8 13/16 x 6 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lofferta-the-offering-baron-wilhelm-von-gloeden-german-1856-1931-taormina-76541886.html
RMECENXP–L'Offerta (The Offering); Baron Wilhelm von Gloeden, German, 1856 - 1931; Taormina, Sicily, Italy, Europe; 1902; Albumen silver print; Image: 22.4 x 16.8 cm (8 13/16 x 6 5/8 in.)
mummy-shaped, Neferrenpet, shashti, limestone, 13 x 6.5 cm, New Kingdom, 19th Dynasty, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mummy-shaped-neferrenpet-shashti-limestone-13-x-65-cm-new-kingdom-19th-dynasty-egypt-image344484982.html
RM2B0CJ32–mummy-shaped, Neferrenpet, shashti, limestone, 13 x 6.5 cm, New Kingdom, 19th Dynasty, Egypt
Art inspired by Limestone model of a sheepfold, Hellenistic, ca. 3rd century B.C.?, Cypriot, Limestone, H.: 2 3/4 x 5 1/8 in., 6.6 cm (7 x 13 x 6.6 cm), Stone Sculpture, In a trapezoidal pen, open on the smallest side, lie six very schematic sheep; one of the smallest lies near a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-limestone-model-of-a-sheepfold-hellenistic-ca-3rd-century-bc-cypriot-limestone-h-2-34-x-5-18-in-66-cm-7-x-13-x-66-cm-stone-sculpture-in-a-trapezoidal-pen-open-on-the-smallest-side-lie-six-very-schematic-sheep-one-of-the-smallest-lies-near-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462926400.html
RF2HW439M–Art inspired by Limestone model of a sheepfold, Hellenistic, ca. 3rd century B.C.?, Cypriot, Limestone, H.: 2 3/4 x 5 1/8 in., 6.6 cm (7 x 13 x 6.6 cm), Stone Sculpture, In a trapezoidal pen, open on the smallest side, lie six very schematic sheep; one of the smallest lies near a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Actor Ichikawa Danjuro V. Artist: Katsukawa Shunsho (Japanese, 1726-1792) , New York, NY (1936; sold to MMA).. Culture: Japan. Dimensions: 13 x 6 in. (33 x 15.2 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-ichikawa-danjuro-v-artist-katsukawa-shunsho-japanese-1726-1792-new-york-ny-1936-sold-to-mma-culture-japan-dimensions-13-x-6-in-33-x-152-cm-date-ca-1790-museum-metropolitan-museum-of-art-new-york-usa-image213299716.html
RMPB0HY0–The Actor Ichikawa Danjuro V. Artist: Katsukawa Shunsho (Japanese, 1726-1792) , New York, NY (1936; sold to MMA).. Culture: Japan. Dimensions: 13 x 6 in. (33 x 15.2 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA.
Photos National Committee 'Freies Deutschland' (NKFD) - Russian Front A total of 81 pictures (formats between 6 x 9 cm and 13 x 18 cm), inserted into a stamp album. The pictures predominantly with Russian captions at back, a unique colle 20th century, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photos-national-committee-freies-deutschland-nkfd-russian-front-a-total-of-81-pictures-formats-between-6-x-9-cm-and-13-x-18-cm-inserted-into-a-stamp-album-the-pictures-predominantly-with-russian-captions-at-back-a-unique-colle-20th-century-editorial-use-only-image246341194.html
RMT8NPKP–Photos National Committee 'Freies Deutschland' (NKFD) - Russian Front A total of 81 pictures (formats between 6 x 9 cm and 13 x 18 cm), inserted into a stamp album. The pictures predominantly with Russian captions at back, a unique colle 20th century, Editorial-Use-Only
The Actor Ichikawa Raizo as Soga No Goro, mid-1770s. Katsukawa Shunshō (Japanese, 1726-1792). Color woodblock print; sheet: 33 x 15.2 cm (13 x 6 in.). Soga No Goro was the hero of a play dealing with the revenge of the Soga brothers upon the slayer of their father. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-ichikawa-raizo-as-soga-no-goro-mid-1770s-katsukawa-shunsh-japanese-1726-1792-color-woodblock-print-sheet-33-x-152-cm-13-x-6-in-soga-no-goro-was-the-hero-of-a-play-dealing-with-the-revenge-of-the-soga-brothers-upon-the-slayer-of-their-father-image448067101.html
RM2H0Y64D–The Actor Ichikawa Raizo as Soga No Goro, mid-1770s. Katsukawa Shunshō (Japanese, 1726-1792). Color woodblock print; sheet: 33 x 15.2 cm (13 x 6 in.). Soga No Goro was the hero of a play dealing with the revenge of the Soga brothers upon the slayer of their father.
. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 602 The Visit to the Brickmaker's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-visit-to-the-brickmakers-by-phiz-hablot-knight-browne-for-bleak-house-p-73-3-34-x-5-14-inches-6-february-2012-151357-hablot-knight-browne-phiz-602-the-visit-to-the-brickmakers-image188121149.html
RMMX1JCD–. English: The Visit to the Brickmaker's by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 73. 3 3/4 x 5 1/4 inches. 6 February 2012, 15:13:57. Hablot Knight Browne (Phiz) 602 The Visit to the Brickmaker's
Portrait of a Jewelry Salesman; Attributed to Robert H. Vance, American, 1825 - 1876; 1853 - 1854; Daguerreotype, hand-colored; 1/6 plate, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-jewelry-salesman-attributed-to-robert-h-vance-american-76541897.html
RMECENY5–Portrait of a Jewelry Salesman; Attributed to Robert H. Vance, American, 1825 - 1876; 1853 - 1854; Daguerreotype, hand-colored; 1/6 plate, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.)
inscription, relief, limestone, 5 x 13 x 6.5 cm, Middle Kingdom, 12th Dynasty, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-relief-limestone-5-x-13-x-65-cm-middle-kingdom-12th-dynasty-egypt-image344521022.html
RM2B0E826–inscription, relief, limestone, 5 x 13 x 6.5 cm, Middle Kingdom, 12th Dynasty, Egypt
Inspired by Standing Figurine, Olmec, Middle Formative period, c.900–300 BC, c.750–550 BC, Stone, Veracruz, Mexico, North and Central America, Jades, 5 1/8 x 2 3/8 x 1 7/8 in. (13 x 6 x 4.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-standing-figurine-olmec-middle-formative-period-c900300-bc-c750550-bc-stone-veracruz-mexico-north-and-central-america-jades-5-18-x-2-38-x-1-78-in-13-x-6-x-48-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459282029.html
RF2HK62WH–Inspired by Standing Figurine, Olmec, Middle Formative period, c.900–300 BC, c.750–550 BC, Stone, Veracruz, Mexico, North and Central America, Jades, 5 1/8 x 2 3/8 x 1 7/8 in. (13 x 6 x 4.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Three Pommel Plates of a Saddle. Culture: German. Dimensions: Center: 13¾ x 6¾ in. (34.9 x 17.1 cm); Right: 16 x 6½ in. (40.6 x 16.5 cm); Left: 16 x 6¾ in. (40.6 x 17.1 cm); W. 2 lb. 15 oz. (1329 g). Assembled: H. 7 in. (17.8 cm); W. 28 in. (71.1 cm).. Date: ca. 1510-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-pommel-plates-of-a-saddle-culture-german-dimensions-center-13-x-6-in-349-x-171-cm-right-16-x-6-in-406-x-165-cm-left-16-x-6-in-406-x-171-cm-w-2-lb-15-oz-1329-g-assembled-h-7-in-178-cm-w-28-in-711-cm-date-ca-1510-20-museum-metropolitan-museum-of-art-new-york-usa-image213259367.html
RMPAXPDY–Three Pommel Plates of a Saddle. Culture: German. Dimensions: Center: 13¾ x 6¾ in. (34.9 x 17.1 cm); Right: 16 x 6½ in. (40.6 x 16.5 cm); Left: 16 x 6¾ in. (40.6 x 17.1 cm); W. 2 lb. 15 oz. (1329 g). Assembled: H. 7 in. (17.8 cm); W. 28 in. (71.1 cm).. Date: ca. 1510-20. Museum: Metropolitan Museum of Art, New York, USA.
Photos National Committee 'Freies Deutschland' (NKFD) - Russian Front A total of 81 pictures (formats between 6 x 9 cm and 13 x 18 cm), inserted into a stamp album. The pictures predominantly with Russian captions at back, a unique colle 20th century, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photos-national-committee-freies-deutschland-nkfd-russian-front-a-total-of-81-pictures-formats-between-6-x-9-cm-and-13-x-18-cm-inserted-into-a-stamp-album-the-pictures-predominantly-with-russian-captions-at-back-a-unique-colle-20th-century-editorial-use-only-image246341193.html
RMT8NPKN–Photos National Committee 'Freies Deutschland' (NKFD) - Russian Front A total of 81 pictures (formats between 6 x 9 cm and 13 x 18 cm), inserted into a stamp album. The pictures predominantly with Russian captions at back, a unique colle 20th century, Editorial-Use-Only
Tile panel with a Chinese landscape, anonymous, c. 1700 Tile tableau of 78 tiles (13 x 6) with a multicolored Chinese performance. At the top of the God Quanyin, underneath a landscape with buildings horsemen and three dark Indians. Delft earthenware. tin glaze. frame: metal majolica Tile tableau of 78 tiles (13 x 6) with a multicolored Chinese performance. At the top of the God Quanyin, underneath a landscape with buildings horsemen and three dark Indians. Delft earthenware. tin glaze. frame: metal majolica Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tile-panel-with-a-chinese-landscape-anonymous-c-1700-tile-tableau-of-78-tiles-13-x-6-with-a-multicolored-chinese-performance-at-the-top-of-the-god-quanyin-underneath-a-landscape-with-buildings-horsemen-and-three-dark-indians-delft-earthenware-tin-glaze-frame-metal-majolica-tile-tableau-of-78-tiles-13-x-6-with-a-multicolored-chinese-performance-at-the-top-of-the-god-quanyin-underneath-a-landscape-with-buildings-horsemen-and-three-dark-indians-delft-earthenware-tin-glaze-frame-metal-majolica-image585079095.html
RM2TYTJ9Y–Tile panel with a Chinese landscape, anonymous, c. 1700 Tile tableau of 78 tiles (13 x 6) with a multicolored Chinese performance. At the top of the God Quanyin, underneath a landscape with buildings horsemen and three dark Indians. Delft earthenware. tin glaze. frame: metal majolica Tile tableau of 78 tiles (13 x 6) with a multicolored Chinese performance. At the top of the God Quanyin, underneath a landscape with buildings horsemen and three dark Indians. Delft earthenware. tin glaze. frame: metal majolica
. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 135 Coavinses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-coavinses-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-of-dickenss-bleak-house-6-february-2012-151351-hablot-knight-browne-phiz-135-coavinses-image187566258.html
RMMW4AJX–. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 135 Coavinses
Miss Elizabeth Rigby; Hill & Adamson, Scottish, active 1843 - 1848; 1844 - 1845; Salted paper print from a Calotype negative; Image: 21 x 15.9 cm (8 1/4 x 6 1/4 in.), Mount: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-miss-elizabeth-rigby-hill-adamson-scottish-active-1843-1848-1844-1845-76541884.html
RMECENXM–Miss Elizabeth Rigby; Hill & Adamson, Scottish, active 1843 - 1848; 1844 - 1845; Salted paper print from a Calotype negative; Image: 21 x 15.9 cm (8 1/4 x 6 1/4 in.), Mount: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.)
Building fragment of stone, building fragment, stone, 13 x 6 x 6,5 cm, Netherlands, unknown, unknown, unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-fragment-of-stone-building-fragment-stone-13-x-6-x-65-cm-netherlands-unknown-unknown-unknown-image344478972.html
RM2B0CACC–Building fragment of stone, building fragment, stone, 13 x 6 x 6,5 cm, Netherlands, unknown, unknown, unknown
Art inspired by The Actor Nakamura Tomijuro, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-actor-nakamura-tomijuro-edo-period-16151868-ca-1790-japan-polychrome-woodblock-print-ink-and-color-on-paper-13-x-6-in-33-x-152-cm-prints-katsukawa-shunk-japanese-17431812-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918417.html
RF2HW3N4H–Art inspired by The Actor Nakamura Tomijuro, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ivory Crozier Head with Christ in Majesty and Throne of Wisdom. Culture: Italian or German. Dimensions: Overall (ab together): 7 3/16 x 3 3/4 x 1 1/8 in. (18.2 x 9.5 x 2.9 cm) a head only: 3 3/8 x 11/16 in. (8.6 x 1.7 cm) b shaft only: 5 7/16 x 1 1/2 x 1 1/8 in. (13.8 x 3.8 x 2.9 cm) c base only: 5 1/8 x 2 11/16 x 2 11/16 in. (13 x 6.9 x 6.9 cm) Overall (abc together when object came in): 12 5/16 x 4 9/16 x 2 11/16 in. (31.3 x 11.6 x 6.9 cm). Date: 13th century and later. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-crozier-head-with-christ-in-majesty-and-throne-of-wisdom-culture-italian-or-german-dimensions-overall-ab-together-7-316-x-3-34-x-1-18-in-182-x-95-x-29-cm-a-head-only-3-38-x-1116-in-86-x-17-cm-b-shaft-only-5-716-x-1-12-x-1-18-in-138-x-38-x-29-cm-c-base-only-5-18-x-2-1116-x-2-1116-in-13-x-69-x-69-cm-overall-abc-together-when-object-came-in-12-516-x-4-916-x-2-1116-in-313-x-116-x-69-cm-date-13th-century-and-later-museum-metropolitan-museum-of-art-new-york-usa-image213150331.html
RMPANRBR–Ivory Crozier Head with Christ in Majesty and Throne of Wisdom. Culture: Italian or German. Dimensions: Overall (ab together): 7 3/16 x 3 3/4 x 1 1/8 in. (18.2 x 9.5 x 2.9 cm) a head only: 3 3/8 x 11/16 in. (8.6 x 1.7 cm) b shaft only: 5 7/16 x 1 1/2 x 1 1/8 in. (13.8 x 3.8 x 2.9 cm) c base only: 5 1/8 x 2 11/16 x 2 11/16 in. (13 x 6.9 x 6.9 cm) Overall (abc together when object came in): 12 5/16 x 4 9/16 x 2 11/16 in. (31.3 x 11.6 x 6.9 cm). Date: 13th century and later. Museum: Metropolitan Museum of Art, New York, USA.
An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-inscribed-photograph-album-with-excellent-photographs-for-identifying-aircraft-84-outstanding-pictures-size-mainly-10-x-6-cm-to-13-x-9-cm-on-19-pages-covered-with-protective-sheets-of-tissue-paper-the-album-cover-hand-coloured-showing-a-biplane-with-identification-inscribed-tr-german-and-enemy-aircraft-and-the-squadron-insignia-propeller-with-the-letter-e-and-the-number-6-in-the-album-various-types-of-monoplanes-biplanes-and-triplanes-of-the-countries-at-war-germany-england-and-france-the-photographs-show-customised-paintwork-identifications-tech-editorial-use-only-image255278688.html
RMTR8XG0–An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only
Jousting Glove (Main-de-Fer Gauntlet), c.1530–60. South Germany, 16th century. Steel; overall: 33 x 16.8 cm (13 x 6 5/8 in.). This armor was developed for the joust--a sporting combat between two mounted contestants. Although all of the elements of this armor date from the same period, they are not all from the same suit. This armor is thus called 'composed.' It also shows the asymmetry of jousting armor. The participants rode along a wall-like barrier known as a 'tilt' with their left sides facing one another. Consequently, armor on that side of the body had to be thicker. Note the large pla Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jousting-glove-main-de-fer-gauntlet-c153060-south-germany-16th-century-steel-overall-33-x-168-cm-13-x-6-58-in-this-armor-was-developed-for-the-joust-a-sporting-combat-between-two-mounted-contestants-although-all-of-the-elements-of-this-armor-date-from-the-same-period-they-are-not-all-from-the-same-suit-this-armor-is-thus-called-composed-it-also-shows-the-asymmetry-of-jousting-armor-the-participants-rode-along-a-wall-like-barrier-known-as-a-tilt-with-their-left-sides-facing-one-another-consequently-armor-on-that-side-of-the-body-had-to-be-thicker-note-the-large-pla-image448089724.html
RM2H1070C–Jousting Glove (Main-de-Fer Gauntlet), c.1530–60. South Germany, 16th century. Steel; overall: 33 x 16.8 cm (13 x 6 5/8 in.). This armor was developed for the joust--a sporting combat between two mounted contestants. Although all of the elements of this armor date from the same period, they are not all from the same suit. This armor is thus called 'composed.' It also shows the asymmetry of jousting armor. The participants rode along a wall-like barrier known as a 'tilt' with their left sides facing one another. Consequently, armor on that side of the body had to be thicker. Note the large pla
. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 116 Coavinses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-coavinses-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-of-dickenss-bleak-house-6-february-2012-151351-hablot-knight-browne-phiz-116-coavinses-image188840528.html
RMMY6C0G–. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 116 Coavinses
Flint stone, flint stone, stone, flint, 13 x 6 x 3.5 cm, prehistory, Belgium, unknown, unknown, Rullen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flint-stone-flint-stone-stone-flint-13-x-6-x-35-cm-prehistory-belgium-unknown-unknown-rullen-image344537742.html
RM2B0F1BA–Flint stone, flint stone, stone, flint, 13 x 6 x 3.5 cm, prehistory, Belgium, unknown, unknown, Rullen
Inspired by Standing Female Figurine, Tlapacoya, Early Formative period, c.2500–900 BC, c.1200–900 BC, Ceramic, Tlapacoya, México state, Mexico, North and Central America, Ceramics, sculpture, 5 1/8 x 2 11/16 x 1 in. (13 x 6.8 x 2.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-standing-female-figurine-tlapacoya-early-formative-period-c2500900-bc-c1200900-bc-ceramic-tlapacoya-mxico-state-mexico-north-and-central-america-ceramics-sculpture-5-18-x-2-1116-x-1-in-13-x-68-x-26-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459272604.html
RF2HK5JW0–Inspired by Standing Female Figurine, Tlapacoya, Early Formative period, c.2500–900 BC, c.1200–900 BC, Ceramic, Tlapacoya, México state, Mexico, North and Central America, Ceramics, sculpture, 5 1/8 x 2 11/16 x 1 in. (13 x 6.8 x 2.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Monkey Trainer and His Monkey. Okumura Masanobu; Japanese, 1686-1764. Date: 1720-1730. Dimensions: 32.8 x 16.1 cm (13 x 6 1/4 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-monkey-trainer-and-his-monkey-okumura-masanobu-japanese-1686-1764-date-1720-1730-dimensions-328-x-161-cm-13-x-6-14-in-hand-colored-woodblock-print-hosoban-urushi-e-origin-japan-museum-the-chicago-art-institute-image240099457.html
RMRXHD8H–A Monkey Trainer and His Monkey. Okumura Masanobu; Japanese, 1686-1764. Date: 1720-1730. Dimensions: 32.8 x 16.1 cm (13 x 6 1/4 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute.
An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-inscribed-photograph-album-with-excellent-photographs-for-identifying-aircraft-84-outstanding-pictures-size-mainly-10-x-6-cm-to-13-x-9-cm-on-19-pages-covered-with-protective-sheets-of-tissue-paper-the-album-cover-hand-coloured-showing-a-biplane-with-identification-inscribed-tr-german-and-enemy-aircraft-and-the-squadron-insignia-propeller-with-the-letter-e-and-the-number-6-in-the-album-various-types-of-monoplanes-biplanes-and-triplanes-of-the-countries-at-war-germany-england-and-france-the-photographs-show-customised-paintwork-identifications-tech-editorial-use-only-image255278698.html
RMTR8XGA–An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only
Panel ornaments (part of a set) 17th–18th century French. Panel ornaments (part of a set) 189797 French, Panel ornaments (part of a set), 17th?18th century, Gilt bronze, Overall (.a confirmed): 13 x 6 1/2 x 1 3/8 in. (33 x 16.5 x 3.5 cm); Overall (.b confirmed): 13 x 6 3/8 x 1 3/8 in. (33 x 16.2 x 3.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.510.42a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-ornaments-part-of-a-set-17th18th-century-french-panel-ornaments-part-of-a-set-189797-french-panel-ornaments-part-of-a-set-17th18th-century-gilt-bronze-overall-a-confirmed-13-x-6-12-x-1-38-in-33-x-165-x-35-cm-overall-b-confirmed-13-x-6-38-x-1-38-in-33-x-162-x-35-cm-the-metropolitan-museum-of-art-new-york-gift-of-j-pierpont-morgan-1906-0722551042a-b-image458112217.html
RM2HH8PPH–Panel ornaments (part of a set) 17th–18th century French. Panel ornaments (part of a set) 189797 French, Panel ornaments (part of a set), 17th?18th century, Gilt bronze, Overall (.a confirmed): 13 x 6 1/2 x 1 3/8 in. (33 x 16.5 x 3.5 cm); Overall (.b confirmed): 13 x 6 3/8 x 1 3/8 in. (33 x 16.2 x 3.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.510.42a, b)
. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 135 Coavinses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-coavinses-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-of-dickenss-bleak-house-6-february-2012-151351-hablot-knight-browne-phiz-135-coavinses-image188121147.html
RMMX1JCB–. English: Coavinses Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52 of Dickens's Bleak House . 6 February 2012, 15:13:51. Hablot Knight Browne (Phiz) 135 Coavinses
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771485.html
RM2A2TRAN–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Art inspired by Nakayama Tomisaburo in a Female Role, Edo period (1615–1868), 1769–1825, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-nakayama-tomisaburo-in-a-female-role-edo-period-16151868-17691825-japan-polychrome-woodblock-print-ink-and-color-on-paper-13-x-6-in-33-x-152-cm-prints-utagawa-toyokuni-i-japanese-17691825-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917371.html
RF2HW3KR7–Art inspired by Nakayama Tomisaburo in a Female Role, Edo period (1615–1868), 1769–1825, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
In the Style of a Young Man (Wakashu fu), Left Sheet of Triptych (Sanpukutsui hidari). Nishimura Shigenaga; Japanese, 1697 (?)-1756. Date: 1725-1735. Dimensions: 13 x 6 3/8 in. Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-style-of-a-young-man-wakashu-fu-left-sheet-of-triptych-sanpukutsui-hidari-nishimura-shigenaga-japanese-1697-1756-date-1725-1735-dimensions-13-x-6-38-in-hand-colored-woodblock-print-hosoban-urushi-e-origin-japan-museum-the-chicago-art-institute-image240056396.html
RMRXFEAM–In the Style of a Young Man (Wakashu fu), Left Sheet of Triptych (Sanpukutsui hidari). Nishimura Shigenaga; Japanese, 1697 (?)-1756. Date: 1725-1735. Dimensions: 13 x 6 3/8 in. Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute.
An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-inscribed-photograph-album-with-excellent-photographs-for-identifying-aircraft-84-outstanding-pictures-size-mainly-10-x-6-cm-to-13-x-9-cm-on-19-pages-covered-with-protective-sheets-of-tissue-paper-the-album-cover-hand-coloured-showing-a-biplane-with-identification-inscribed-tr-german-and-enemy-aircraft-and-the-squadron-insignia-propeller-with-the-letter-e-and-the-number-6-in-the-album-various-types-of-monoplanes-biplanes-and-triplanes-of-the-countries-at-war-germany-england-and-france-the-photographs-show-customised-paintwork-identifications-tech-editorial-use-only-image255278693.html
RMTR8XG5–An inscribed photograph album with excellent photographs for identifying aircraft 84 outstanding pictures (size mainly 10 x 6 cm to 13 x 9 cm) on 19 pages, covered with protective sheets of tissue paper. The album cover hand coloured, showing a biplane with identification, inscribed (tr.) 'German and enemy aircraft' and the squadron insignia (propeller with the letter 'E' and the number '6'). In the album, various types of monoplanes, biplanes and triplanes of the countries at war. Germany, England and France. The photographs show customised paintwork, identifications, tech, Editorial-Use-Only
. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 366 Miss Jellyby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-miss-jellyby-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-31-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151336-hablot-knight-browne-phiz-366-miss-jellyby-image188840521.html
RMMY6C09–. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 366 Miss Jellyby
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771483.html
RM2A2TRAK–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Art inspired by Shōkei, Celebrated Waterfall, Edo period (1615–1868), 1820–1830, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 3/4 in. (33 x 17.1 cm), Prints, Yanagawa Shigenobu (Japanese, 1787–1832, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-shkei-celebrated-waterfall-edo-period-16151868-18201830-japan-polychrome-woodblock-print-ink-and-color-on-paper-13-x-6-34-in-33-x-171-cm-prints-yanagawa-shigenobu-japanese-17871832-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918337.html
RF2HW3N1N–Art inspired by Shōkei, Celebrated Waterfall, Edo period (1615–1868), 1820–1830, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 3/4 in. (33 x 17.1 cm), Prints, Yanagawa Shigenobu (Japanese, 1787–1832, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Oshichi Carrying a Blossoming Cherry Branch. Attributed to Okumura Toshinobu; Japanese, active c. 1717-50. Date: 1722-1735. Dimensions: 32.7 x 15.8 cm (13 x 6 1/8 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oshichi-carrying-a-blossoming-cherry-branch-attributed-to-okumura-toshinobu-japanese-active-c-1717-50-date-1722-1735-dimensions-327-x-158-cm-13-x-6-18-in-hand-colored-woodblock-print-hosoban-urushi-e-origin-japan-museum-the-chicago-art-institute-image239998072.html
RMRXCRYM–Oshichi Carrying a Blossoming Cherry Branch. Attributed to Okumura Toshinobu; Japanese, active c. 1717-50. Date: 1722-1735. Dimensions: 32.7 x 15.8 cm (13 x 6 1/8 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute.
A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-large-original-photo-grouping-of-a-member-of-ss-infantry-regiment-no-2-in-ss-panzergrenadier-division-leibstandarte-adolf-hitler-the-circa-550-photos-have-reverse-inscriptions-for-the-most-part-and-are-in-sizes-from-6-x-7-cm-to-13-x-18-cm-subjects-comprise-training-partly-at-the-junker-school-in-braunschweig-service-in-berlin-among-which-are-rare-images-directly-from-the-new-reich-chancellery-and-predominately-operations-in-france-and-russia-excellent-uniform-related-material-camo-uniforms-trenches-tanks-and-vehicles-award-ceremonies-parades-portraits-with-c-editorial-use-only-image247738588.html
RMTB1D2M–A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 366 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-366-miss-flite-image188840519.html
RMMY6C07–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 366 Miss Flite
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771488.html
RM2A2TRAT–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Art inspired by The Actor Ichikawa Danjuro V, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792), New York, NY (1936; sold to MMA, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-actor-ichikawa-danjuro-v-edo-period-16151868-ca-1790-japan-polychrome-woodblock-print-ink-and-color-on-paper-13-x-6-in-33-x-152-cm-prints-katsukawa-shunsh-japanese-17261792-new-york-ny-1936-sold-to-mma-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918741.html
RF2HW3NG5–Art inspired by The Actor Ichikawa Danjuro V, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792), New York, NY (1936; sold to MMA, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment. Italy. Date: 1601-1650. Dimensions: 25.7 x 24.5 cm (10 1/8 x 9 5/8 in.) Repeat: 13 x 6.65 cm (5 1/8 x 2 5/8 in.). Silk, satin damask weave. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-italy-date-1601-1650-dimensions-257-x-245-cm-10-18-x-9-58-in-repeat-13-x-665-cm-5-18-x-2-58-in-silk-satin-damask-weave-origin-italy-museum-the-chicago-art-institute-image240097206.html
RMRXHAC6–Fragment. Italy. Date: 1601-1650. Dimensions: 25.7 x 24.5 cm (10 1/8 x 9 5/8 in.) Repeat: 13 x 6.65 cm (5 1/8 x 2 5/8 in.). Silk, satin damask weave. Origin: Italy. Museum: The Chicago Art Institute.
A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-large-original-photo-grouping-of-a-member-of-ss-infantry-regiment-no-2-in-ss-panzergrenadier-division-leibstandarte-adolf-hitler-the-circa-550-photos-have-reverse-inscriptions-for-the-most-part-and-are-in-sizes-from-6-x-7-cm-to-13-x-18-cm-subjects-comprise-training-partly-at-the-junker-school-in-braunschweig-service-in-berlin-among-which-are-rare-images-directly-from-the-new-reich-chancellery-and-predominately-operations-in-france-and-russia-excellent-uniform-related-material-camo-uniforms-trenches-tanks-and-vehicles-award-ceremonies-parades-portraits-with-c-editorial-use-only-image247738589.html
RMTB1D2N–A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-420-miss-flite-image187566255.html
RMMW4AJR–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771486.html
RM2A2TRAP–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Art inspired by Standing Figurine, Olmec, Middle Formative period, c.900-300 BC, c.750-550 BC, Stone, Veracruz, Mexico, North and Central America, Jades, 5 1/8 x 2 3/8 x 1 7/8 in. (13 x 6 x 4.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-standing-figurine-olmec-middle-formative-period-c900-300-bc-c750-550-bc-stone-veracruz-mexico-north-and-central-america-jades-5-18-x-2-38-x-1-78-in-13-x-6-x-48-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459594682.html
RF2HKM9KP–Art inspired by Standing Figurine, Olmec, Middle Formative period, c.900-300 BC, c.750-550 BC, Stone, Veracruz, Mexico, North and Central America, Jades, 5 1/8 x 2 3/8 x 1 7/8 in. (13 x 6 x 4.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Actor Otani Hiroemon III as Shinoda Jirodayu in the Play Keisei Momiji no Uchikake, Performed at the Morita Theater in the Seventh Month, 1772. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1767-1777. Dimensions: 33 x 15.3 cm (13 x 6 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-otani-hiroemon-iii-as-shinoda-jirodayu-in-the-play-keisei-momiji-no-uchikake-performed-at-the-morita-theater-in-the-seventh-month-1772-katsukawa-shunsho-japanese-1726-1792-date-1767-1777-dimensions-33-x-153-cm-13-x-6-in-color-woodblock-print-hosoban-origin-japan-museum-the-chicago-art-institute-image239829714.html
RMRX556X–The Actor Otani Hiroemon III as Shinoda Jirodayu in the Play Keisei Momiji no Uchikake, Performed at the Morita Theater in the Seventh Month, 1772. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1767-1777. Dimensions: 33 x 15.3 cm (13 x 6 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute.
A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-large-original-photo-grouping-of-a-member-of-ss-infantry-regiment-no-2-in-ss-panzergrenadier-division-leibstandarte-adolf-hitler-the-circa-550-photos-have-reverse-inscriptions-for-the-most-part-and-are-in-sizes-from-6-x-7-cm-to-13-x-18-cm-subjects-comprise-training-partly-at-the-junker-school-in-braunschweig-service-in-berlin-among-which-are-rare-images-directly-from-the-new-reich-chancellery-and-predominately-operations-in-france-and-russia-excellent-uniform-related-material-camo-uniforms-trenches-tanks-and-vehicles-award-ceremonies-parades-portraits-with-c-editorial-use-only-image247738590.html
RMTB1D2P–A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only
. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 420 Miss Jellyby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-miss-jellyby-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-31-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151336-hablot-knight-browne-phiz-420-miss-jellyby-image188121142.html
RMMX1JC6–. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 420 Miss Jellyby
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771482.html
RM2A2TRAJ–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Art inspired by Standing Female Figurine, Tlapacoya, Early Formative period, c.2500-900 BC, c.1200-900 BC, Ceramic, Tlapacoya, México state, Mexico, North and Central America, Ceramics, sculpture, 5 1/8 x 2 11/16 x 1 in. (13 x 6.8 x 2.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-standing-female-figurine-tlapacoya-early-formative-period-c2500-900-bc-c1200-900-bc-ceramic-tlapacoya-mxico-state-mexico-north-and-central-america-ceramics-sculpture-5-18-x-2-1116-x-1-in-13-x-68-x-26-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459584671.html
RF2HKKTX7–Art inspired by Standing Female Figurine, Tlapacoya, Early Formative period, c.2500-900 BC, c.1200-900 BC, Ceramic, Tlapacoya, México state, Mexico, North and Central America, Ceramics, sculpture, 5 1/8 x 2 11/16 x 1 in. (13 x 6.8 x 2.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Pilgrim Praying through the Night to the Buddha (kannenbutsu) is Startled by a Ghostly Head Lying on the Snow-Covered Ground. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1763-1773. Dimensions: 33.1 x 16.2 cm (13 x 6 3/8 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-pilgrim-praying-through-the-night-to-the-buddha-kannenbutsu-is-startled-by-a-ghostly-head-lying-on-the-snow-covered-ground-katsukawa-shunsho-japanese-1726-1792-date-1763-1773-dimensions-331-x-162-cm-13-x-6-38-in-color-woodblock-print-hosoban-origin-japan-museum-the-chicago-art-institute-image240175984.html
RMRXMXWM–A Pilgrim Praying through the Night to the Buddha (kannenbutsu) is Startled by a Ghostly Head Lying on the Snow-Covered Ground. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1763-1773. Dimensions: 33.1 x 16.2 cm (13 x 6 3/8 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute.
A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-large-original-photo-grouping-of-a-member-of-ss-infantry-regiment-no-2-in-ss-panzergrenadier-division-leibstandarte-adolf-hitler-the-circa-550-photos-have-reverse-inscriptions-for-the-most-part-and-are-in-sizes-from-6-x-7-cm-to-13-x-18-cm-subjects-comprise-training-partly-at-the-junker-school-in-braunschweig-service-in-berlin-among-which-are-rare-images-directly-from-the-new-reich-chancellery-and-predominately-operations-in-france-and-russia-excellent-uniform-related-material-camo-uniforms-trenches-tanks-and-vehicles-award-ceremonies-parades-portraits-with-c-editorial-use-only-image247738600.html
RMTB1D34–A large original photo grouping of a member of SS Infantry Regiment no. 2 in SS Panzergrenadier Division Leibstandarte Adolf Hitler, The circa 550 photos have reverse inscriptions for the most part and are in sizes from 6 x 7 cm to 13 x 18 cm. Subjects comprise training, partly at the Junker School in Braunschweig, service in Berlin among which are rare images directly from the new Reich Chancellery, and predominately operations in France and Russia. Excellent uniform-related material (camo uniforms), trenches, tanks and vehicles, award ceremonies, parades. Portraits with c, Editorial-Use-Only
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-420-miss-flite-image188121141.html
RMMX1JC5–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite
kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kachina-doll-hopi-people-1930-1960-wood-pigment-cloth-13-x-6-14-x-4-in-native-arts-of-the-americas-image328771489.html
RM2A2TRAW–kachina doll, Hopi people, 1930-1960, wood, pigment, cloth, 13 x 6-1/4 x 4 in., Native Arts of the Americas
Inspired by Shrove-Tuesday, Engraving, Sheet: 13 5/8 x 9 5/8 in., 34.6 x 24.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-shrove-tuesday-engraving-sheet-13-58-x-9-58-in-346-x-244-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248935.html
RF2HK4GKK–Inspired by Shrove-Tuesday, Engraving, Sheet: 13 5/8 x 9 5/8 in., 34.6 x 24.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The actor Fujimura Handayu II as Nowake no Mae in the play 'Tategami Teika Kazura,' performed at the Ichimura Theater in the eleventh month, 1719. Okumura Toshinobu; Japanese, active c. 1717-50. Date: 1719. Dimensions: 33.3 x 15.4 cm (13 x 6 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-fujimura-handayu-ii-as-nowake-no-mae-in-the-play-tategami-teika-kazura-performed-at-the-ichimura-theater-in-the-eleventh-month-1719-okumura-toshinobu-japanese-active-c-1717-50-date-1719-dimensions-333-x-154-cm-13-x-6-in-hand-colored-woodblock-print-hosoban-urushi-e-origin-japan-museum-the-chicago-art-institute-image240165402.html
RMRXMDBP–The actor Fujimura Handayu II as Nowake no Mae in the play 'Tategami Teika Kazura,' performed at the Ichimura Theater in the eleventh month, 1719. Okumura Toshinobu; Japanese, active c. 1717-50. Date: 1719. Dimensions: 33.3 x 15.4 cm (13 x 6 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute.
. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 420 Miss Jellyby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-miss-jellyby-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-31-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151336-hablot-knight-browne-phiz-420-miss-jellyby-image187566256.html
RMMW4AJT–. English: Miss Jellyby Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 31, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:36. Hablot Knight Browne (Phiz) 420 Miss Jellyby
Figure, 12th–13th century, Attributed to Iran, Earthenware; unglazed, 5 1/8 x 2 1/2 in. (13 x 6.4 cm), Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-12th13th-century-attributed-to-iran-earthenware-unglazed-5-18-x-2-12-in-13-x-64-cm-ceramics-image344672650.html
RM2B0N5DE–Figure, 12th–13th century, Attributed to Iran, Earthenware; unglazed, 5 1/8 x 2 1/2 in. (13 x 6.4 cm), Ceramics
Inspired by Portrait of a Woman, Oil on panel, 6 9/16 x 5 3/8 in., 16.7 x 13.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-a-woman-oil-on-panel-6-916-x-5-38-in-167-x-137-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250229.html
RF2HK4J9W–Inspired by Portrait of a Woman, Oil on panel, 6 9/16 x 5 3/8 in., 16.7 x 13.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Actor Osagawa Tsuneyo II as the Courtesan Miyagino (?) in the Play Go Taiheiki Shiraishi-banashi (?), Performed at the Morita Theater in the Fourth Month, 1780 (?). Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1775-1785. Dimensions: 33 x 15.2 cm (13 x 6 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-osagawa-tsuneyo-ii-as-the-courtesan-miyagino-in-the-play-go-taiheiki-shiraishi-banashi-performed-at-the-morita-theater-in-the-fourth-month-1780-katsukawa-shunsho-japanese-1726-1792-date-1775-1785-dimensions-33-x-152-cm-13-x-6-in-color-woodblock-print-hosoban-origin-japan-museum-the-chicago-art-institute-image240173736.html
RMRXMT1C–The Actor Osagawa Tsuneyo II as the Courtesan Miyagino (?) in the Play Go Taiheiki Shiraishi-banashi (?), Performed at the Morita Theater in the Fourth Month, 1780 (?). Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1775-1785. Dimensions: 33 x 15.2 cm (13 x 6 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute.
. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 597 The Lord Chancellor Copies from Memory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-lord-chancellor-copies-from-memory-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151346-hablot-knight-browne-phiz-597-the-lord-chancellor-copies-from-memory-image187566257.html
RMMW4AJW–. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 597 The Lord Chancellor Copies from Memory
tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobacco-box-gerardus-h-nieuwenhuyzen-1805-engraved-general-18-x-13-x-66cm-18-x-130-x-66mm-1995-1996-image387990143.html
RM2DF6DAR–tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996
Inspired by Virgin as Queen of Heaven, Oil on panel, 6 1/4 x 4 13/16 in., 15.9 x 12.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-virgin-as-queen-of-heaven-oil-on-panel-6-14-x-4-1316-in-159-x-122-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254302.html
RF2HK4RFA–Inspired by Virgin as Queen of Heaven, Oil on panel, 6 1/4 x 4 13/16 in., 15.9 x 12.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Actor Yamashita Kinsaku holding a puppet of the Empress in the play 'Diary Kept on a Journey by Sea to Izu (Funadama Izu Nikki),' performed at the Nakamura Theater in the first month, 1725. Torii Kiyonobu II; Japanese, active c. 1725-61. Date: 1725. Dimensions: 32.7 x 15.3 cm (13 x 6 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-yamashita-kinsaku-holding-a-puppet-of-the-empress-in-the-play-diary-kept-on-a-journey-by-sea-to-izu-funadama-izu-nikki-performed-at-the-nakamura-theater-in-the-first-month-1725-torii-kiyonobu-ii-japanese-active-c-1725-61-date-1725-dimensions-327-x-153-cm-13-x-6-in-hand-colored-woodblock-print-hosoban-urushi-e-origin-japan-museum-the-chicago-art-institute-image240176666.html
RMRXMYP2–The Actor Yamashita Kinsaku holding a puppet of the Empress in the play 'Diary Kept on a Journey by Sea to Izu (Funadama Izu Nikki),' performed at the Nakamura Theater in the first month, 1725. Torii Kiyonobu II; Japanese, active c. 1725-61. Date: 1725. Dimensions: 32.7 x 15.3 cm (13 x 6 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute.
. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 521 The Lord Chancellor Copies from Memory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-lord-chancellor-copies-from-memory-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151346-hablot-knight-browne-phiz-521-the-lord-chancellor-copies-from-memory-image188840522.html
RMMY6C0A–. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 521 The Lord Chancellor Copies from Memory
tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobacco-box-gerardus-h-nieuwenhuyzen-1805-engraved-general-18-x-13-x-66cm-18-x-130-x-66mm-1995-1996-image387990137.html
RM2DF6DAH–tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996
Inspired by 11 Tassels, Fragments, Chancay, Camelid fiber, 1000-1532, Late Intermediate Period, 2 3/8 x 13/16in., 6 x 2cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-11-tassels-fragments-chancay-camelid-fiber-1000-1532-late-intermediate-period-2-38-x-1316in-6-x-2cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257167.html
RF2HK4Y5K–Inspired by 11 Tassels, Fragments, Chancay, Camelid fiber, 1000-1532, Late Intermediate Period, 2 3/8 x 13/16in., 6 x 2cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vase. Culture: American. Dimensions: 13 x 6 7/8 in. (33 x 17.5 cm). Maker: George E. Ohr (American, Biloxi, Mississippi 1857-1918 Biloxi, Mississippi). Date: 1897-1900. In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-culture-american-dimensions-13-x-6-78-in-33-x-175-cm-maker-george-e-ohr-american-biloxi-mississippi-1857-1918-biloxi-mississippi-date-1897-1900-in-many-ways-george-edgar-ohr-was-the-quintessential-arts-and-crafts-potter-combining-artistic-vision-with-extraordinary-skill-with-his-hands-working-in-the-seaside-resort-town-of-biloxi-mississippi-he-dug-the-clay-processed-and-prepared-it-threw-the-shape-on-the-wheel-altered-the-piece-according-to-his-vision-mixed-and-applied-his-own-glazes-fired-the-kiln-created-his-own-style-of-advertising-and-took-his-wares-o-image213258189.html
RMPAXMYW–Vase. Culture: American. Dimensions: 13 x 6 7/8 in. (33 x 17.5 cm). Maker: George E. Ohr (American, Biloxi, Mississippi 1857-1918 Biloxi, Mississippi). Date: 1897-1900. In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares o
. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 597 The Lord Chancellor Copies from Memory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-lord-chancellor-copies-from-memory-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-52-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151346-hablot-knight-browne-phiz-597-the-lord-chancellor-copies-from-memory-image188121144.html
RMMX1JC8–. English: The Lord Chancellor Copies from Memory Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 52, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:46. Hablot Knight Browne (Phiz) 597 The Lord Chancellor Copies from Memory
tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobacco-box-gerardus-h-nieuwenhuyzen-1805-engraved-general-18-x-13-x-66cm-18-x-130-x-66mm-1995-1996-image387990148.html
RM2DF6DB0–tobacco box, Gerardus H. Nieuwenhuyzen, 1805, engraved, General: 1.8 x 13 x 6.6cm (18 x 130 x 66mm), 1995, 1996
Inspired by Portrait of a Man, Dutch School, Oil on oak, Netherlands, 17th century, 6 5/8 x 5 1/4 in., 16.8 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-a-man-dutch-school-oil-on-oak-netherlands-17th-century-6-58-x-5-14-in-168-x-133-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252782.html
RF2HK4NH2–Inspired by Portrait of a Man, Dutch School, Oil on oak, Netherlands, 17th century, 6 5/8 x 5 1/4 in., 16.8 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Ring. Dimensions: 13/16 x 5/8 in. (2 x 1.6 cm). Date: 9th-11th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ring-dimensions-1316-x-58-in-2-x-16-cm-date-9th-11th-century-museum-metropolitan-museum-of-art-new-york-usa-image212863626.html
RMPA8NMA–Ring. Dimensions: 13/16 x 5/8 in. (2 x 1.6 cm). Date: 9th-11th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Sarre Rug Swastika Konya-Seljuk-Ganzhorn-5 . 6 November 2013, 13:13:25. Sarre Friedrich - Mittelalterliche Knüpfteppiche, Kunst und Handwerk. X,1907, pages 503-525. Sarre Friedrich - Erzeugnisse Islamischer Kunst. Volume 1-2,1907, Teil II, pages 51 and plates 22-25. www.rugtracker.com archive, 2012.05.01 1096 Sarre Rug Swastika Konya-Seljuk-Ganzhorn-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-sarre-rug-swastika-konya-seljuk-ganzhorn-5-6-november-2013-131325-sarre-friedrich-mittelalterliche-knpfteppiche-kunst-und-handwerk-x1907-pages-503-525-sarre-friedrich-erzeugnisse-islamischer-kunst-volume-1-21907-teil-ii-pages-51-and-plates-22-25-wwwrugtrackercom-archive-20120501-1096-sarre-rug-swastika-konya-seljuk-ganzhorn-5-image185585206.html
RMMNX3R2–. English: Sarre Rug Swastika Konya-Seljuk-Ganzhorn-5 . 6 November 2013, 13:13:25. Sarre Friedrich - Mittelalterliche Knüpfteppiche, Kunst und Handwerk. X,1907, pages 503-525. Sarre Friedrich - Erzeugnisse Islamischer Kunst. Volume 1-2,1907, Teil II, pages 51 and plates 22-25. www.rugtracker.com archive, 2012.05.01 1096 Sarre Rug Swastika Konya-Seljuk-Ganzhorn-5
Piece, Japan, 18th–19th century, Japan, Silk, 9 1/2 x 2 3/4 in. (24.13 x 6.99 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-japan-18th19th-century-japan-silk-9-12-x-2-34-in-2413-x-699-cm-textiles-woven-image344611538.html
RM2B0JBEX–Piece, Japan, 18th–19th century, Japan, Silk, 9 1/2 x 2 3/4 in. (24.13 x 6.99 cm), Textiles-Woven
Inspired by Mrs. Mierkin, Wood engraving on fine tissue paper, 1899, Image: 6 7/16 x 5 3/16 in., 16.4 x 13.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-mrs-mierkin-wood-engraving-on-fine-tissue-paper-1899-image-6-716-x-5-316-in-164-x-132-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263327.html
RF2HK571K–Inspired by Mrs. Mierkin, Wood engraving on fine tissue paper, 1899, Image: 6 7/16 x 5 3/16 in., 16.4 x 13.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Lock and Key. Dimensions: 8 1/2 x 5 1/8 in. (21.6 x 13 cm). Date: 1700-1730. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lock-and-key-dimensions-8-12-x-5-18-in-216-x-13-cm-date-1700-1730-museum-metropolitan-museum-of-art-new-york-usa-image231217948.html
RMRC4TRT–Lock and Key. Dimensions: 8 1/2 x 5 1/8 in. (21.6 x 13 cm). Date: 1700-1730. Museum: Metropolitan Museum of Art, New York, USA.
. English: Sarre Rug Swastika Konya-Seljuk-Ganzhorn-124 . 6 November 2013, 13:13:25. Sarre Friedrich - Mittelalterliche Knüpfteppiche, Kunst und Handwerk. X,1907, pages 503-525. Sarre Friedrich - Erzeugnisse Islamischer Kunst. Volume 1-2,1907, Teil II, pages 51 and plates 22-25. www.rugtracker.com archive, 2012.05.01 1096 Sarre Rug Swastika Konya-Seljuk-Ganzhorn-124 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-sarre-rug-swastika-konya-seljuk-ganzhorn-124-6-november-2013-131325-sarre-friedrich-mittelalterliche-knpfteppiche-kunst-und-handwerk-x1907-pages-503-525-sarre-friedrich-erzeugnisse-islamischer-kunst-volume-1-21907-teil-ii-pages-51-and-plates-22-25-wwwrugtrackercom-archive-20120501-1096-sarre-rug-swastika-konya-seljuk-ganzhorn-124-image185585208.html
RMMNX3R4–. English: Sarre Rug Swastika Konya-Seljuk-Ganzhorn-124 . 6 November 2013, 13:13:25. Sarre Friedrich - Mittelalterliche Knüpfteppiche, Kunst und Handwerk. X,1907, pages 503-525. Sarre Friedrich - Erzeugnisse Islamischer Kunst. Volume 1-2,1907, Teil II, pages 51 and plates 22-25. www.rugtracker.com archive, 2012.05.01 1096 Sarre Rug Swastika Konya-Seljuk-Ganzhorn-124
Fragment of a pot of dark brown earth. Unstable old bonding and additions, 1 loose shard., Pot, fragment, pottery, 13.5 x 13 x 6.5 cm, prehistory -1200 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-pot-of-dark-brown-earth-unstable-old-bonding-and-additions-1-loose-shard-pot-fragment-pottery-135-x-13-x-65-cm-prehistory-1200-image344558812.html
RM2B0G07T–Fragment of a pot of dark brown earth. Unstable old bonding and additions, 1 loose shard., Pot, fragment, pottery, 13.5 x 13 x 6.5 cm, prehistory -1200
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