Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jetee-en-bois-dans-le-port-de-honfleur-johan-barthold-jongkind-dutch-1819-1891-etching-and-drypoint-on-china-paper-laid-down-1865-9-716-x-12-58-in-239-x-32-cm-image454283239.html
RM2HB2AWB–Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm
Inspired by Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-jetee-en-bois-dans-le-port-de-honfleur-johan-barthold-jongkind-dutch-1819-1891-etching-and-drypoint-on-china-paper-laid-down-1865-9-716-x-12-58-in-239-x-32-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264367.html
RF2HK58AR–Inspired by Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Major Allan J. Pinkerton (25 August 1819 - 1 July 1884) was a Scottish cooper, abolitionist, detective, and spy, best known for creating the Pinkerton National Detective Agency during his time in the United States. Major Allan J. Pinkerton at the Secret Service Headquarters during the American Civil War (April 12, 1861 - May 9, 1865) a civil war in the United States between the Union states and the Confederacy states Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/major-allan-j-pinkerton-25-august-1819-1-july-1884-was-a-scottish-cooper-abolitionist-detective-and-spy-best-known-for-creating-the-pinkerton-national-detective-agency-during-his-time-in-the-united-states-major-allan-j-pinkerton-at-the-secret-service-headquarters-during-the-american-civil-war-april-12-1861-may-9-1865-a-civil-war-in-the-united-states-between-the-union-states-and-the-confederacy-states-image482077722.html
RM2K08F1E–Major Allan J. Pinkerton (25 August 1819 - 1 July 1884) was a Scottish cooper, abolitionist, detective, and spy, best known for creating the Pinkerton National Detective Agency during his time in the United States. Major Allan J. Pinkerton at the Secret Service Headquarters during the American Civil War (April 12, 1861 - May 9, 1865) a civil war in the United States between the Union states and the Confederacy states
Art inspired by A Winter Landscape, 1854, Watercolor, sheet: 9 1/8 x 12 5/8 in. (23.2 x 32.1 cm), Drawings, Johannes Franciscus Hoppenbrouwers (Dutch, 1819–1866, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-winter-landscape-1854-watercolor-sheet-9-18-x-12-58-in-232-x-321-cm-drawings-johannes-franciscus-hoppenbrouwers-dutch-18191866-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462967959.html
RF2HW609Y–Art inspired by A Winter Landscape, 1854, Watercolor, sheet: 9 1/8 x 12 5/8 in. (23.2 x 32.1 cm), Drawings, Johannes Franciscus Hoppenbrouwers (Dutch, 1819–1866, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
[Self-Portrait]. Artist: Roger Fenton (British, 1819-1869). Dimensions: Image: 12.2 x 9 cm (4 13/16 x 3 9/16 in.). Date: February 1852. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-artist-roger-fenton-british-1819-1869-dimensions-image-122-x-9-cm-4-1316-x-3-916-in-date-february-1852-museum-metropolitan-museum-of-art-new-york-usa-image233328872.html
RMRFH1A0–[Self-Portrait]. Artist: Roger Fenton (British, 1819-1869). Dimensions: Image: 12.2 x 9 cm (4 13/16 x 3 9/16 in.). Date: February 1852. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Artist, Resting with his Guide, 1819, Etching; fourth state, sheet: 9 1/4 x 12 1/16 in. (23.5 x 30.6 cm), Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-artist-resting-with-his-guide-1819-etching-fourth-state-sheet-9-14-x-12-116-in-235-x-306-cm-prints-johann-christoph-erhard-german-nuremberg-17951822-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961191.html
RF2HW5KM7–Art inspired by The Artist, Resting with his Guide, 1819, Etching; fourth state, sheet: 9 1/4 x 12 1/16 in. (23.5 x 30.6 cm), Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: The French consul Fauvel at Athens. Lithograph Français : Le Consul Fauvel à Athènes. Lithographie . 1819. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:37023592 ISNI:0000 0000 6654 6197 ULAN:500032385 LC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-the-french-consul-fauvel-at-athens-lithograph-franais-le-consul-fauvel-athnes-lithographie-1819-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lc-image210025366.html
RMP5KDDX–N/A. English: The French consul Fauvel at Athens. Lithograph Français : Le Consul Fauvel à Athènes. Lithographie . 1819. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:37023592 ISNI:0000 0000 6654 6197 ULAN:500032385 LC
Art inspired by Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jetee-en-bois-dans-le-port-de-honfleur-johan-barthold-jongkind-dutch-1819-1891-etching-and-drypoint-on-china-paper-laid-down-1865-9-716-x-12-58-in-239-x-32-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573758.html
RF2HKKB0E–Art inspired by Jetee en bois dans le port de Honfleur, Johan Barthold Jongkind, Dutch, 1819-1891, Etching and drypoint on China paper laid down, 1865, 9 7/16 x 12 5/8 in., 23.9 x 32 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Souliotis in Corfu Ελληνικά: Σουλιώτης στην Κέρκυρα, Ο Νικολός Περβόλης . 12 April 2007 (original upload date). Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 50003 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-souliotis-in-corfu-12-april-2007-original-upload-date-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan50003-image185592568.html
RMMNXD60–. English: Souliotis in Corfu Ελληνικά: Σουλιώτης στην Κέρκυρα, Ο Νικολός Περβόλης . 12 April 2007 (original upload date). Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 50003
General Blücher in Laon, die Schlacht bei Laon fand statt am 9. und 10. März 1814 während des Winterfeldzugs 1814 der Befreiungskriege in Frankreich, Gebhard Leberecht von Blücher, ab 1814 Fürst Blücher von Wahlstatt, 16. Dezember 1742 - 12. September 1819, war ein preußischer Generalfeldmarschall / General Blücher in Laon, the Battle of Laon took place on March 9 and 10, 1814 during the Winter Campaign 1814 of the Wars of Liberation in France, Gebhard Leberecht von Blücher, from 1814 Prince Blücher von Wahlstatt, December 16, 1742 - September 12, 1819, was a Prussian Field Marshal, Historis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-blcher-in-laon-die-schlacht-bei-laon-fand-statt-am-9-und-10-mrz-1814-whrend-des-winterfeldzugs-1814-der-befreiungskriege-in-frankreich-gebhard-leberecht-von-blcher-ab-1814-frst-blcher-von-wahlstatt-16-dezember-1742-12-september-1819-war-ein-preuischer-generalfeldmarschall-general-blcher-in-laon-the-battle-of-laon-took-place-on-march-9-and-10-1814-during-the-winter-campaign-1814-of-the-wars-of-liberation-in-france-gebhard-leberecht-von-blcher-from-1814-prince-blcher-von-wahlstatt-december-16-1742-september-12-1819-was-a-prussian-field-marshal-historis-image465276378.html
RF2J0Y4NE–General Blücher in Laon, die Schlacht bei Laon fand statt am 9. und 10. März 1814 während des Winterfeldzugs 1814 der Befreiungskriege in Frankreich, Gebhard Leberecht von Blücher, ab 1814 Fürst Blücher von Wahlstatt, 16. Dezember 1742 - 12. September 1819, war ein preußischer Generalfeldmarschall / General Blücher in Laon, the Battle of Laon took place on March 9 and 10, 1814 during the Winter Campaign 1814 of the Wars of Liberation in France, Gebhard Leberecht von Blücher, from 1814 Prince Blücher von Wahlstatt, December 16, 1742 - September 12, 1819, was a Prussian Field Marshal, Historis
Louis Dupré (9 January 1789, Versailles – October 12, 1837, Paris) was a French painter, especially noted for his travels in Greece and the Ottoman Empire and his numerous paintings with Orientalist and Philhellene themes. He often traveled and changed his work location, including Paris, Kassel (1811–1814), Naples (1814–1816), Rome (1816–1819, 1824–1831), Naples (1819–1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820–1837), and Vienna (1820–1824). His visit to Greece was on the very eve of the Greek War of Independence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-dupr-9-january-1789-versailles-october-12-1837-paris-was-a-french-painter-especially-noted-for-his-travels-in-greece-and-the-ottoman-empire-and-his-numerous-paintings-with-orientalist-and-philhellene-themes-he-often-traveled-and-changed-his-work-location-including-paris-kassel-18111814-naples-18141816-rome-18161819-18241831-naples-18191820-istanbul-ca-1820-greece-ca-1820-paris-18201837-and-vienna-18201824-his-visit-to-greece-was-on-the-very-eve-of-the-greek-war-of-independence-image344256033.html
RM2B02629–Louis Dupré (9 January 1789, Versailles – October 12, 1837, Paris) was a French painter, especially noted for his travels in Greece and the Ottoman Empire and his numerous paintings with Orientalist and Philhellene themes. He often traveled and changed his work location, including Paris, Kassel (1811–1814), Naples (1814–1816), Rome (1816–1819, 1824–1831), Naples (1819–1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820–1837), and Vienna (1820–1824). His visit to Greece was on the very eve of the Greek War of Independence.
QUEEN MARY'S BOWER, CHATSWORTH PARK, DERBYSHI. Seat of His Grace the Duke of Devonshi. Visual Material information: Title: QUEEN MARY'S BOWER, CHATSWORTH PARK, DERBYSHI. - Seat of His Grace the Duke of Devonshi. 11.12.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1819] Item type: 1 print Medium: etching Dimensions: sheet 3.9 x 6.4 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-marys-bower-chatsworth-park-derbyshi-seat-of-his-grace-the-duke-of-devonshi-visual-material-information-title-queen-marys-bower-chatsworth-park-derbyshi-seat-of-his-grace-the-duke-of-devonshi-1112f-place-of-publication-london-publisher-w-peacock-date-of-publication-1819-item-type-1-print-medium-etching-dimensions-sheet-39-x-64-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401722396.html
RM2E9G10C–QUEEN MARY'S BOWER, CHATSWORTH PARK, DERBYSHI. Seat of His Grace the Duke of Devonshi. Visual Material information: Title: QUEEN MARY'S BOWER, CHATSWORTH PARK, DERBYSHI. - Seat of His Grace the Duke of Devonshi. 11.12.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1819] Item type: 1 print Medium: etching Dimensions: sheet 3.9 x 6.4 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/types-of-hygrometers-18th-century-to-measure-moisture-content-by-anderson-8-dr-robert-hooke-910-dr-hale-11-james-ferguson-1213-and-bradfords-hydrostatical-instrument-for-weighing-coin-and-checking-weight-and-purity-1-3-copperplate-engraving-by-wilson-lowry-from-abraham-rees-cyclopedia-or-universal-dictionary-of-arts-sciences-and-literature-longman-hurst-rees-orme-and-brown-london-1819-image331977396.html
RM2A82TFG–Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Diebitsch Carl von (1819-1869), armchair, Cairo. (?) (Without Dat.): View of a armchair with a high backrest without armrests. Pencil on cardboard, 24.2 x 12.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Sessel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diebitsch-carl-von-1819-1869-armchair-cairo-without-dat-view-of-a-armchair-with-a-high-backrest-without-armrests-pencil-on-cardboard-242-x-129-cm-including-scan-edges-diebitsch-carl-von-1819-1869-sessel-image477504666.html
RM2JMT622–Diebitsch Carl von (1819-1869), armchair, Cairo. (?) (Without Dat.): View of a armchair with a high backrest without armrests. Pencil on cardboard, 24.2 x 12.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Sessel
Diebitsch Carl von (1819-1869), Alhambra, Granada. (?) (Without Dat.): Details border with stylized leaves and cones, back with unrecognizable sketch. Pencil on cardboard, 12.6 x 12.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada (?) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diebitsch-carl-von-1819-1869-alhambra-granada-without-dat-details-border-with-stylized-leaves-and-cones-back-with-unrecognizable-sketch-pencil-on-cardboard-126-x-129-cm-including-scan-edges-diebitsch-carl-von-1819-1869-alhambra-granada-image477506198.html
RM2JMT80P–Diebitsch Carl von (1819-1869), Alhambra, Granada. (?) (Without Dat.): Details border with stylized leaves and cones, back with unrecognizable sketch. Pencil on cardboard, 12.6 x 12.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada (?)
Jan Hendrik van Kinsbergen (1735-1819) Vice-admiraal, buitengewoon maarschalk der Hollandse zeemacht, SK-A-4658 Portrait of Jan Hendrik van Kinsbergen (1735-1819). Vice Admiral, exceptionally marshal of the Dutch navy. Bust left. Part of the collection portretminiaturen. Manufacturer : artist: anonymous place manufacture: Holland Dating: ca. 1810 Physical features: miniature on ivory material: ivory wood glass Dimensions: support: h 9,5 cm. B × 7.5 cm. outer size: 15.6 cm h. (Incl. List) × W 12.9 cm. (Incl. Range) × d 1.3 cm. OnderwerpWie: esquire Jan Hendrik van Kinsbergen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-hendrik-van-kinsbergen-1735-1819-vice-admiraal-buitengewoon-maarschalk-der-hollandse-zeemacht-sk-a-4658-portrait-of-jan-hendrik-van-kinsbergen-1735-1819-vice-admiral-exceptionally-marshal-of-the-dutch-navy-bust-left-part-of-the-collection-portretminiaturen-manufacturer-artist-anonymous-place-manufacture-holland-dating-ca-1810-physical-features-miniature-on-ivory-material-ivory-wood-glass-dimensions-support-h-95-cm-b-75-cm-outer-size-156-cm-h-incl-list-w-129-cm-incl-range-d-13-cm-onderwerpwie-esquire-jan-hendrik-van-kinsbergen-image348460208.html
RM2B6WMFC–Jan Hendrik van Kinsbergen (1735-1819) Vice-admiraal, buitengewoon maarschalk der Hollandse zeemacht, SK-A-4658 Portrait of Jan Hendrik van Kinsbergen (1735-1819). Vice Admiral, exceptionally marshal of the Dutch navy. Bust left. Part of the collection portretminiaturen. Manufacturer : artist: anonymous place manufacture: Holland Dating: ca. 1810 Physical features: miniature on ivory material: ivory wood glass Dimensions: support: h 9,5 cm. B × 7.5 cm. outer size: 15.6 cm h. (Incl. List) × W 12.9 cm. (Incl. Range) × d 1.3 cm. OnderwerpWie: esquire Jan Hendrik van Kinsbergen
Landscape with Farmhouse, 1892. Henri Joseph Harpignies (French, 1819-1916). Watercolor with graphite underdrawing; sheet: 12 x 16.9 cm (4 3/4 x 6 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-farmhouse-1892-henri-joseph-harpignies-french-1819-1916-watercolor-with-graphite-underdrawing-sheet-12-x-169-cm-4-34-x-6-58-in-image448139585.html
RM2H12EH5–Landscape with Farmhouse, 1892. Henri Joseph Harpignies (French, 1819-1916). Watercolor with graphite underdrawing; sheet: 12 x 16.9 cm (4 3/4 x 6 5/8 in.).
The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European Paintings, Female, food, food and drink, French, Frere, genre, Girl, humanism, Interiors, kitchen, La Petite cuisiniere, ladle, lifestyle, meal, onion, painting, Pierre Edouard Frere, pitcher, pot, rural life, seated, spoon, stove, The Little Cook, turnip, vegetables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-little-cook-la-petite-cuisinire-pierre-douard-frre-french-1819-1886-oil-on-panel-europe-1858-12-18-x-9-14in-308-x-235cm-1858-19th-century-apron-bowls-cabbage-child-child-labor-childhood-cooking-daily-life-domestic-scene-european-european-paintings-female-food-food-and-drink-french-frere-genre-girl-humanism-interiors-kitchen-la-petite-cuisiniere-ladle-lifestyle-meal-onion-painting-pierre-edouard-frere-pitcher-pot-rural-life-seated-spoon-stove-the-little-cook-turnip-vegetables-image454266887.html
RM2HB1J1B–The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European Paintings, Female, food, food and drink, French, Frere, genre, Girl, humanism, Interiors, kitchen, La Petite cuisiniere, ladle, lifestyle, meal, onion, painting, Pierre Edouard Frere, pitcher, pot, rural life, seated, spoon, stove, The Little Cook, turnip, vegetables
Female model, semi -figure with swollen arms Chassériau, Théodore 1819 - 1856 Drawing French drawings and watercolours 19th - 20th centuries. French Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Jan Würtz Frandsen, nr. 47, C 25932, 2002. Udstilling af franske Haandtegninger fra det 19. og. 20: Aarhundrede i Statens Museum for Kunst. Maj 1939, Ubekendt, nr. 12, 14587, 1939. Franske Tegninger i dansk eje, Kaj Borchsenius, p.9-10, afb.s.(43), 16202, 1944. Seks aarhundreders europæisk tegnekunst: udvalgte arbejder fra Den kgl. Kobberstiksamling, Erik Fischer, s.101, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-model-semi-figure-with-swollen-arms-chassriau-thodore-1819-1856-drawing-french-drawings-and-watercolours-19th-20th-centuries-french-drawings-in-the-department-of-prints-and-drawings-statens-museum-for-kunst-jan-wrtz-frandsen-nr-47-c-25932-2002-udstilling-af-franske-haandtegninger-fra-det-19-og-20-aarhundrede-i-statens-museum-for-kunst-maj-1939-ubekendt-nr-12-14587-1939-franske-tegninger-i-dansk-eje-kaj-borchsenius-p9-10-afbs43-16202-1944-seks-aarhundreders-europisk-tegnekunst-udvalgte-arbejder-fra-den-kgl-kobberstiksamling-erik-fischer-s101-image613384486.html
RM2XHX24P–Female model, semi -figure with swollen arms Chassériau, Théodore 1819 - 1856 Drawing French drawings and watercolours 19th - 20th centuries. French Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Jan Würtz Frandsen, nr. 47, C 25932, 2002. Udstilling af franske Haandtegninger fra det 19. og. 20: Aarhundrede i Statens Museum for Kunst. Maj 1939, Ubekendt, nr. 12, 14587, 1939. Franske Tegninger i dansk eje, Kaj Borchsenius, p.9-10, afb.s.(43), 16202, 1944. Seks aarhundreders europæisk tegnekunst: udvalgte arbejder fra Den kgl. Kobberstiksamling, Erik Fischer, s.101,
Archive image from page 204 of The cyclopaedia; or, Universal dictionary. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature cyclopaediaoruni28rees Year: 1819 POPULATION. GRAND TOTALS. Population. Area in Square Miles. In 1700-. In 1750. In ISOl. In 18 11. England - - - Wa es - - - Scotland - - - 5,108,500 366,500 1,048,000 6,017,700 449,300 1,403,000 8,609,000 559>°oo 1,652,100. 9,855,400 632,600 1,865,000 50,210 8,125 29,167 6,523,000 7,860,000 10,820,100 12,353,000 87,502 „ f Males En-gland -j p,,,, -„ V Males Walks | ,3 f Males Scotland I pl Army. M Sea: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-204-of-the-cyclopaedia-or-universal-dictionary-the-cyclopaedia-or-universal-dictionary-of-arts-sciences-and-literature-cyclopaediaoruni28rees-year-1819-population-grand-totals-population-area-in-square-miles-in-1700-in-1750-in-isol-in-18-11-england-wa-es-scotland-5108500-366500-1048000-6017700-449300-1403000-8609000-559gtoo-1652100-9855400-632600-1865000-50210-8125-29167-6523000-7860000-10820100-12353000-87502-f-males-en-gland-j-p-v-males-walks-3-f-males-scotland-i-pl-army-m-sea-image259476282.html
RMW244J2–Archive image from page 204 of The cyclopaedia; or, Universal dictionary. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature cyclopaediaoruni28rees Year: 1819 POPULATION. GRAND TOTALS. Population. Area in Square Miles. In 1700-. In 1750. In ISOl. In 18 11. England - - - Wa es - - - Scotland - - - 5,108,500 366,500 1,048,000 6,017,700 449,300 1,403,000 8,609,000 559>°oo 1,652,100. 9,855,400 632,600 1,865,000 50,210 8,125 29,167 6,523,000 7,860,000 10,820,100 12,353,000 87,502 „ f Males En-gland -j p,,,, -„ V Males Walks | ,3 f Males Scotland I pl Army. M Sea:
Collection d'antiques 12 Figures en pâte de porcelaine; 3-69102122 en bois peint; 7812-15 en basalte; 11 bas-reliefs en pierre; 16172023 Masques en terre; 1819 en bronze [1.2.9.10.18.19. - grandeur naturelle, 3-6. - à moitié, 7.8. - au cinquième.]; Collection d'antiques. 1.2. Figures en pâte de porcelaine; 3-6.9.10.21.22. en bois peint; 7.8.12-15. en basalte; 11. bas-reliefs en pierre; 16.17.20.23. Masques en terre; 18.19. en bronze. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collection-dantiques-12-figures-en-pate-de-porcelaine-3-69102122-en-bois-peint-7812-15-en-basalte-11-bas-reliefs-en-pierre-16172023-masques-en-terre-1819-en-bronze-129101819-grandeur-naturelle-3-6-moiti-78-au-cinquime-collection-dantiques-12-figures-en-pte-de-porcelaine-3-69102122-en-bois-peint-7812-15-en-basalte-11-bas-reliefs-en-pierre-16172023-masques-en-terre-1819-en-bronze-image339518518.html
RM2AMAB9A–Collection d'antiques 12 Figures en pâte de porcelaine; 3-69102122 en bois peint; 7812-15 en basalte; 11 bas-reliefs en pierre; 16172023 Masques en terre; 1819 en bronze [1.2.9.10.18.19. - grandeur naturelle, 3-6. - à moitié, 7.8. - au cinquième.]; Collection d'antiques. 1.2. Figures en pâte de porcelaine; 3-6.9.10.21.22. en bois peint; 7.8.12-15. en basalte; 11. bas-reliefs en pierre; 16.17.20.23. Masques en terre; 18.19. en bronze.
The Third Segawa Kikunojo in the Role of Maizuru. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm). Date: 2nd month, 1789. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-third-segawa-kikunojo-in-the-role-of-maizuru-artist-katsukawa-shunei-japanese-1762-1819-culture-japan-dimensions-12-58-x-5-78-in-321-x-149-cm-date-2nd-month-1789-museum-metropolitan-museum-of-art-new-york-usa-image213211561.html
RMPATHEH–The Third Segawa Kikunojo in the Role of Maizuru. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm). Date: 2nd month, 1789. Museum: Metropolitan Museum of Art, New York, USA.
. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. V. Tippelskirch & Co. Einziges SpeziaJg^eschäft Deutschlands für komp/ete Tropenausrüstung. BERLIIT W. 9. Potisflamerstraisse 127/12 8». Preislisten stehen zur Vertug^ung, Trockenelemente Elektrische Taschenlampen mit I^-Batterien speziell für die Tropen exportfähig. Prospekte gratis und franko. F. Heintze, Berlin SO.-Rixdorf Cannerstrasse 1819.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-tropenpflanzer-zeitschrift-fr-tropische-landwirtschaft-tropical-plants-tropical-crops-v-tippelskirch-amp-co-einziges-speziajgeschft-deutschlands-fr-kompete-tropenausrstung-berliit-w-9-potisflamerstraisse-12712-8-preislisten-stehen-zur-vertugung-trockenelemente-elektrische-taschenlampen-mit-i-batterien-speziell-fr-die-tropen-exportfhig-prospekte-gratis-und-franko-f-heintze-berlin-so-rixdorf-cannerstrasse-1819-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-image216008209.html
RMPFC0JW–. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. V. Tippelskirch & Co. Einziges SpeziaJg^eschäft Deutschlands für komp/ete Tropenausrüstung. BERLIIT W. 9. Potisflamerstraisse 127/12 8». Preislisten stehen zur Vertug^ung, Trockenelemente Elektrische Taschenlampen mit I^-Batterien speziell für die Tropen exportfähig. Prospekte gratis und franko. F. Heintze, Berlin SO.-Rixdorf Cannerstrasse 1819.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance
Inspired by The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European Paintings, Female, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-little-cook-la-petite-cuisinire-pierre-douard-frre-french-1819-1886-oil-on-panel-europe-1858-12-18-x-9-14in-308-x-235cm-1858-19th-century-apron-bowls-cabbage-child-child-labor-childhood-cooking-daily-life-domestic-scene-european-european-paintings-female-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244074.html
RF2HK4AE2–Inspired by The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European Paintings, Female, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: From a collection of French books guard Colonies dated 1894. Sergent Blandan (9 February 1819 - 12 April 1842)[1] was a French soldier, Jean Pierre Hippolyte Blandan, known for his historic resistance on the battlefield at Boufarik in Algeria . 28 June 2014, 00:53:07. Unknown 92 Sergent Blandan fighting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-from-a-collection-of-french-books-guard-colonies-dated-1894-sergent-blandan-9-february-1819-12-april-1842-1-was-a-french-soldier-jean-pierre-hippolyte-blandan-known-for-his-historic-resistance-on-the-battlefield-at-boufarik-in-algeria-28-june-2014-005307-unknown-92-sergent-blandan-fighting-image206541085.html
RMP00N79–. English: From a collection of French books guard Colonies dated 1894. Sergent Blandan (9 February 1819 - 12 April 1842)[1] was a French soldier, Jean Pierre Hippolyte Blandan, known for his historic resistance on the battlefield at Boufarik in Algeria . 28 June 2014, 00:53:07. Unknown 92 Sergent Blandan fighting
Art inspired by Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British, Rotheram 1797–1861 Brompton), This delicately painted watercolor, made when Cowen was twenty-two, demonstrates the fresh vision British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-frascati-near-rome-1819-watercolor-pen-and-ink-sheet-9-116-x-12-916-in-23-x-319-cm-drawings-william-cowen-british-rotheram-17971861-brompton-this-delicately-painted-watercolor-made-when-cowen-was-twenty-two-demonstrates-the-fresh-vision-british-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811564.html
RF2HTXTTC–Art inspired by Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British, Rotheram 1797–1861 Brompton), This delicately painted watercolor, made when Cowen was twenty-two, demonstrates the fresh vision British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Lithograph Français : Lithographie . 1825. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Dupre-Parhenon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lithograph-franais-lithographie-1825-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-dupre-parhenon-image184795810.html
RMMMJ4XA–. English: Lithograph Français : Lithographie . 1825. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Dupre-Parhenon
Art inspired by The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-little-cook-la-petite-cuisinire-pierre-douard-frre-french-1819-1886-oil-on-panel-europe-1858-12-18-x-9-14in-308-x-235cm-1858-19th-century-apron-bowls-cabbage-child-child-labor-childhood-cooking-daily-life-domestic-scene-european-european-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561999.html
RF2HKJT0F–Art inspired by The Little Cook, La Petite cuisinière, Pierre-Édouard Frère, French, 1819-1886, Oil on panel, Europe, 1858, 12 1/8 x 9 1/4in., 30.8 x 23.5cm, 1858, 19th Century, apron, bowls, cabbage, child, child labor, childhood, cooking, daily life, Domestic Scene, European, European, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Self-Portrait, February 1852, Albumen silver print from glass negative, Image: 12.2 x 9 cm (4 13/16 x 3 9/16 in.), Photographs, Roger Fenton (British, 1819–1869, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-self-portrait-february-1852-albumen-silver-print-from-glass-negative-image-122-x-9-cm-4-1316-x-3-916-in-photographs-roger-fenton-british-18191869-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793075.html
RF2HTX183–Art inspired by Self-Portrait, February 1852, Albumen silver print from glass negative, Image: 12.2 x 9 cm (4 13/16 x 3 9/16 in.), Photographs, Roger Fenton (British, 1819–1869, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Winslow memorial : family records of the Winslows and their descendants in America, with the English ancestry as far as knownKenelm Winslow ... . was unmarried. He was mate of the first whaleship fromFreetown. 9. Capt. Henry-Harrison6, b. 19 Mar. 1819, L.; m. Stonington, Ct., 18Oct. 1848, Mary-Ann6 Porter, b. 12 Nov. 1822, F., dau. of Henry6 andBetsey6 (Tisdale) of Freetown, Mass., captain in the war of 1812; gr.dau. of Rebecca4 (Tisdale) and Capt. Benjamin Porter of F., soldier in the French and Indian war; gr. gr. dau. of Church of Little Compton, R.I., and Samuel3 Tisdale, captain of militi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winslow-memorial-family-records-of-the-winslows-and-their-descendants-in-america-with-the-english-ancestry-as-far-as-knownkenelm-winslow-was-unmarried-he-was-mate-of-the-first-whaleship-fromfreetown-9-capt-henry-harrison6-b-19-mar-1819-l-m-stonington-ct-18oct-1848-mary-ann6-porter-b-12-nov-1822-f-dau-of-henry6-andbetsey6-tisdale-of-freetown-mass-captain-in-the-war-of-1812-grdau-of-rebecca4-tisdale-and-capt-benjamin-porter-of-f-soldier-in-the-french-and-indian-war-gr-gr-dau-of-church-of-little-compton-ri-and-samuel3-tisdale-captain-of-militi-image339961679.html
RM2AN2GGF–Winslow memorial : family records of the Winslows and their descendants in America, with the English ancestry as far as knownKenelm Winslow ... . was unmarried. He was mate of the first whaleship fromFreetown. 9. Capt. Henry-Harrison6, b. 19 Mar. 1819, L.; m. Stonington, Ct., 18Oct. 1848, Mary-Ann6 Porter, b. 12 Nov. 1822, F., dau. of Henry6 andBetsey6 (Tisdale) of Freetown, Mass., captain in the war of 1812; gr.dau. of Rebecca4 (Tisdale) and Capt. Benjamin Porter of F., soldier in the French and Indian war; gr. gr. dau. of Church of Little Compton, R.I., and Samuel3 Tisdale, captain of militi
Art inspired by Road near La Côte-Saint-André, 1885, Watercolor over black chalk, 7 1/16 x 12 13/16 in. (17.9 x 32.5 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-André, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-road-near-la-cte-saint-andr-1885-watercolor-over-black-chalk-7-116-x-12-1316-in-179-x-325-cm-drawings-johan-barthold-jongkind-dutch-latrop-18191891-la-cte-saint-andr-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947838.html
RF2HW52KA–Art inspired by Road near La Côte-Saint-André, 1885, Watercolor over black chalk, 7 1/16 x 12 13/16 in. (17.9 x 32.5 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-André, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Tennis Session of 1848, from Actualités, published in Le Charivari, November, 1848, Lithograph, Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm), Prints, CHAM (Amédée Charles Henri, Comte de Noé) (French, Paris 1819–1879 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tennis-session-of-1848-from-actualits-published-in-le-charivari-november-1848-lithograph-sheet-9-1516-12-58-in-253-32-cm-prints-cham-amde-charles-henri-comte-de-no-french-paris-18191879-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991385.html
RF2HW726H–Art inspired by Tennis Session of 1848, from Actualités, published in Le Charivari, November, 1848, Lithograph, Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm), Prints, CHAM (Amédée Charles Henri, Comte de Noé) (French, Paris 1819–1879 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Théodore Chassériau, French, 1819–1856, Othello Suite: No. 12 (Act 5, Scene 2), 1844, Etching on paper, image: 10 7/8 x 9 1/16 in. (27.7 x 23 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thodore-chassriau-french-18191856-othello-suite-no-12-act-5-scene-2-1844-etching-on-paper-image-10-78-x-9-116-in-277-x-23-cm-image344577354.html
RM2B0GRX2–Théodore Chassériau, French, 1819–1856, Othello Suite: No. 12 (Act 5, Scene 2), 1844, Etching on paper, image: 10 7/8 x 9 1/16 in. (27.7 x 23 cm
Art inspired by Portrait of Jennins, 1838, Graphite and touches of black chalk on beige laid paper, Sheet: 12 1/2 x 9 1/4 in. (31.8 x 23.5cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-jennins-1838-graphite-and-touches-of-black-chalk-on-beige-laid-paper-sheet-12-12-x-9-14-in-318-x-235cm-drawings-thodore-chassriau-french-le-limon-saint-domingue-west-indies-18191856-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799821.html
RF2HTX9W1–Art inspired by Portrait of Jennins, 1838, Graphite and touches of black chalk on beige laid paper, Sheet: 12 1/2 x 9 1/4 in. (31.8 x 23.5cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Portal of the Convent of Sancti Spiritu, Salamanca, 1853, Albumen silver print from paper negative, Image: 39.9 x 31.4 cm (15 11/16 x 12 3/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863), In his search for subjects of historic interest, Charles Clifford, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portal-of-the-convent-of-sancti-spiritu-salamanca-1853-albumen-silver-print-from-paper-negative-image-399-x-314-cm-15-1116-x-12-38-in-photographs-charles-clifford-welsh-18191863-in-his-search-for-subjects-of-historic-interest-charles-clifford-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462936888.html
RF2HW4GM8–Art inspired by Portal of the Convent of Sancti Spiritu, Salamanca, 1853, Albumen silver print from paper negative, Image: 39.9 x 31.4 cm (15 11/16 x 12 3/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863), In his search for subjects of historic interest, Charles Clifford, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-artists-copyright-has-not-to-48656958.html
RMCR4ECE–Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared
Kabuki Actor Otani Oniji III as a Samurai. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: 12 15/16 x 5 2/3 in. (32.9 x 14.4 cm). Date: ca. 1792. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kabuki-actor-otani-oniji-iii-as-a-samurai-artist-katsukawa-shunei-japanese-1762-1819-culture-japan-dimensions-12-1516-x-5-23-in-329-x-144-cm-date-ca-1792-museum-metropolitan-museum-of-art-new-york-usa-image213328866.html
RMPB1Y42–Kabuki Actor Otani Oniji III as a Samurai. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: 12 15/16 x 5 2/3 in. (32.9 x 14.4 cm). Date: ca. 1792. Museum: Metropolitan Museum of Art, New York, USA.
The Actor Ichikawa Monnosuke II as Karigane no Ofumi Katsukawa Shunei (Japanese, 1762-1819). The Actor Ichikawa Monnosuke II as Karigane no Ofumi, 1792. Color woodblock print on paper, 12 3/4 x 5 9/16 in. (32.0 x 14.2 cm). Asian Art 1792 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-katsukawa-shunei-japanese-1762-1819-the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-1792-color-woodblock-print-on-paper-12-34-x-5-916-in-320-x-142-cm-asian-art-1792-image504713878.html
RM2M93KKJ–The Actor Ichikawa Monnosuke II as Karigane no Ofumi Katsukawa Shunei (Japanese, 1762-1819). The Actor Ichikawa Monnosuke II as Karigane no Ofumi, 1792. Color woodblock print on paper, 12 3/4 x 5 9/16 in. (32.0 x 14.2 cm). Asian Art 1792
. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Cope 1^,:JtJ K^K.. 1871, Vol. 12, p. 80, fig. 3, 4, 5, 6, sec- tions of canine mo- lars of a large ex- tinct sloth; 5 a side . view of 5 from in- side, 9; Sections of. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lesley, J. P. (J. Peter), 1819-1903; Pennsylvania. Board of Commissioners Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-the-fossils-of-pennsylvania-and-neighboring-states-named-in-the-reports-and-catalogues-of-the-survey-paleontology-cope-1jtj-kk-1871-vol-12-p-80-fig-3-4-5-6-sec-tions-of-canine-mo-lars-of-a-large-ex-tinct-sloth-5-a-side-view-of-5-from-in-side-9-sections-of-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-lesley-j-p-j-peter-1819-1903-pennsylvania-board-of-commissioners-image216335991.html
RMPFXXNB–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Cope 1^,:JtJ K^K.. 1871, Vol. 12, p. 80, fig. 3, 4, 5, 6, sec- tions of canine mo- lars of a large ex- tinct sloth; 5 a side . view of 5 from in- side, 9; Sections of. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lesley, J. P. (J. Peter), 1819-1903; Pennsylvania. Board of Commissioners
. English: watercolor Français : aquarelle . 1825. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Ali-Pacha-Butrinto 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-watercolor-franais-aquarelle-1825-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-ali-pacha-butrinto-2-image184795821.html
RMMMJ4XN–. English: watercolor Français : aquarelle . 1825. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Ali-Pacha-Butrinto 2
. English: Armenian Ελληνικά: Αρμένιος . Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Armenian by Louis Dupre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-armenian-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-armenian-by-louis-dupre-image184897339.html
RMMMPPCB–. English: Armenian Ελληνικά: Αρμένιος . Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Armenian by Louis Dupre
Circular of information concerning the School of Pharmacy . 1.2.3.4.6.6.7. Pharmacy Inorganic Chemistry Organic Chemistry Inorganic Qualitative Analysis .Organic Qualitative Analysis .., Materia Medica Botany Total number of hours for the year.Average per week :. SECOND YEAR. 8. 9.10.11.12.13. Pharmacy Prescription Work Inorganic Pharmaceutical ChemistryOrganic Pharmaceutical Chemistry.. Materia Medica Recognition Total number of hours for the year.Average per week. TOTAL NUMBER OF HOURS. In In Lecture Labora- Total. Room. tory. Both years (sixty-five weeks) .. 912 907 1819 14 14 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/circular-of-information-concerning-the-school-of-pharmacy-1234667-pharmacy-inorganic-chemistry-organic-chemistry-inorganic-qualitative-analysis-organic-qualitative-analysis-materia-medica-botany-total-number-of-hours-for-the-yearaverage-per-week-second-year-8-910111213-pharmacy-prescription-work-inorganic-pharmaceutical-chemistryorganic-pharmaceutical-chemistry-materia-medica-recognition-total-number-of-hours-for-the-yearaverage-per-week-total-number-of-hours-in-in-lecture-labora-total-room-tory-both-years-sixty-five-weeks-912-907-1819-14-14-28-image343158738.html
RM2AX86D6–Circular of information concerning the School of Pharmacy . 1.2.3.4.6.6.7. Pharmacy Inorganic Chemistry Organic Chemistry Inorganic Qualitative Analysis .Organic Qualitative Analysis .., Materia Medica Botany Total number of hours for the year.Average per week :. SECOND YEAR. 8. 9.10.11.12.13. Pharmacy Prescription Work Inorganic Pharmaceutical ChemistryOrganic Pharmaceutical Chemistry.. Materia Medica Recognition Total number of hours for the year.Average per week. TOTAL NUMBER OF HOURS. In In Lecture Labora- Total. Room. tory. Both years (sixty-five weeks) .. 912 907 1819 14 14 28
Théodore Chassériau, French, 1819–1856, Othello Suite, No. 12 (Act 5, Scene 2), 1900, Etching on paper, image: 12 1/16 x 9 3/16 in. (30.7 x 23.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thodore-chassriau-french-18191856-othello-suite-no-12-act-5-scene-2-1900-etching-on-paper-image-12-116-x-9-316-in-307-x-234-cm-image344577363.html
RM2B0GRXB–Théodore Chassériau, French, 1819–1856, Othello Suite, No. 12 (Act 5, Scene 2), 1900, Etching on paper, image: 12 1/16 x 9 3/16 in. (30.7 x 23.4 cm
Art inspired by Zaragoza, Patio de la Casa Conocida con el Nombre de los Infantes, 1860, Albumen silver print from glass negative, Image: 30.9 × 42.5 cm (12 3/16 × 16 3/4 in.), Photographs, Charles Clifford (Welsh, 1819–1863), This print is from an album of fifty-six plates entitled ', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-zaragoza-patio-de-la-casa-conocida-con-el-nombre-de-los-infantes-1860-albumen-silver-print-from-glass-negative-image-309-425-cm-12-316-16-34-in-photographs-charles-clifford-welsh-18191863-this-print-is-from-an-album-of-fifty-six-plates-entitled-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938741.html
RF2HW4K2D–Art inspired by Zaragoza, Patio de la Casa Conocida con el Nombre de los Infantes, 1860, Albumen silver print from glass negative, Image: 30.9 × 42.5 cm (12 3/16 × 16 3/4 in.), Photographs, Charles Clifford (Welsh, 1819–1863), This print is from an album of fifty-six plates entitled ', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-artists-copyright-has-not-to-23532849.html
RMBA80AW–Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared
Art inspired by From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets), April 1814, Etching, hand-colored, plate: 9 5/8 x 12 7/8 in. (24.5 x 32.7 cm), Prints, Elie (French, active 1813–1819), Published in Paris shortly after Napoleon’s abdication, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-from-top-to-bottom-or-cause-and-effect-du-haut-en-basou-les-causes-et-les-effets-april-1814-etching-hand-colored-plate-9-58-x-12-78-in-245-x-327-cm-prints-elie-french-active-18131819-published-in-paris-shortly-after-napoleons-abdication-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995187.html
RF2HW772B–Art inspired by From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets), April 1814, Etching, hand-colored, plate: 9 5/8 x 12 7/8 in. (24.5 x 32.7 cm), Prints, Elie (French, active 1813–1819), Published in Paris shortly after Napoleon’s abdication, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Eugène F.-M.-J. Devéria (1805–1865), painter, 1828–38, French, Bronze, Diameter: 5 1/16 in. (12.9 cm), Medals and Plaquettes, Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eugne-f-m-j-devria-18051865-painter-182838-french-bronze-diameter-5-116-in-129-cm-medals-and-plaquettes-pierre-jean-david-dangers-was-the-most-prolific-and-one-of-the-most-important-french-sculptors-of-the-first-half-of-the-nineteenth-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462923751.html
RF2HW3YY3–Art inspired by Eugène F.-M.-J. Devéria (1805–1865), painter, 1828–38, French, Bronze, Diameter: 5 1/16 in. (12.9 cm), Medals and Plaquettes, Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-artists-copyright-has-not-to-23618190.html
RMBABW6P–Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared
Road near La Côte-Saint-André. Artist: Johan Barthold Jongkind (Dutch, Latrop 1819-1891 La-Côte-Saint-André). Dimensions: 7 1/16 x 12 13/16 in. (17.9 x 32.5 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-near-la-cte-saint-andr-artist-johan-barthold-jongkind-dutch-latrop-1819-1891-la-cte-saint-andr-dimensions-7-116-x-12-1316-in-179-x-325-cm-date-1885-museum-metropolitan-museum-of-art-new-york-usa-image212916134.html
RMPAB4KJ–Road near La Côte-Saint-André. Artist: Johan Barthold Jongkind (Dutch, Latrop 1819-1891 La-Côte-Saint-André). Dimensions: 7 1/16 x 12 13/16 in. (17.9 x 32.5 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA.
Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-artists-copyright-has-not-to-23618391.html
RMBABWDY–Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared
Inspired by The Actor Ichikawa Monnosuke II as Karigane no Ofumi, Katsukawa Shunei, Japanese, 1762-1819, Color woodblock print on paper, Japan, 1792, Edo period, 12 3/4 x 5 9/16 in., 32.0 x 14.2 cm, bijin, bijinga, drape, kimono, obi, pattern, stripe, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-katsukawa-shunei-japanese-1762-1819-color-woodblock-print-on-paper-japan-1792-edo-period-12-34-x-5-916-in-320-x-142-cm-bijin-bijinga-drape-kimono-obi-pattern-stripe-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244475.html
RF2HK4B0B–Inspired by The Actor Ichikawa Monnosuke II as Karigane no Ofumi, Katsukawa Shunei, Japanese, 1762-1819, Color woodblock print on paper, Japan, 1792, Edo period, 12 3/4 x 5 9/16 in., 32.0 x 14.2 cm, bijin, bijinga, drape, kimono, obi, pattern, stripe, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, drawing, circa 1900, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-33372537.html
RMBX8709–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, drawing, circa 1900, ,
. The hospodar of Moldavia, Michael Soutzos . 1820. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 500032385 LCCN: no2007123003 GND: 132160331 WorldCat 893 Mihai Sutu Lemercier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hospodar-of-moldavia-michael-soutzos-1820-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-893-mihai-sutu-lemercier-image185864133.html
RMMPARGN–. The hospodar of Moldavia, Michael Soutzos . 1820. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 500032385 LCCN: no2007123003 GND: 132160331 WorldCat 893 Mihai Sutu Lemercier
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-29116468.html
RMBKAA9T–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, ,
The Actor Ichikawa Monnosuke II as Karigane no Ofumi Katsukawa Shunei (Japanese, 1762-1819). The Actor Ichikawa Monnosuke II as Karigane no Ofumi, 1792. Color woodblock print on paper, 12 3/4 x 5 9/16 in. (32.0 x 14.2 cm). Asian Art 1792 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-katsukawa-shunei-japanese-1762-1819-the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-1792-color-woodblock-print-on-paper-12-34-x-5-916-in-320-x-142-cm-asian-art-1792-image504713883.html
RM2M93KKR–The Actor Ichikawa Monnosuke II as Karigane no Ofumi Katsukawa Shunei (Japanese, 1762-1819). The Actor Ichikawa Monnosuke II as Karigane no Ofumi, 1792. Color woodblock print on paper, 12 3/4 x 5 9/16 in. (32.0 x 14.2 cm). Asian Art 1792
The ancestors of Ebenezer Buckingham, who was born in 1748, and of his descendants . t. 3, 1819, at Glastonbury, Ct., to AnnaHale who was born March 9, 1795, the sixth child of Benjamin Hale,(who was born October 30, 1759, and died December 24, 1831),and Martha Welles, his wife (w^ho was born Aug. 12, 1759, and diedApril 20, 1837). Mrs. Anna Buckingham died on Monday, September 23, 1867, at13 East 12th Street, New York City. Mr. Alvah Buckingham died October 4, 1867, in Putnam, Ohio,and both are interred in Woodlawn Cemetery, Putnam (now Zanesville),,Ohio. In 1794 his parents removed to Cooper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ancestors-of-ebenezer-buckingham-who-was-born-in-1748-and-of-his-descendants-t-3-1819-at-glastonbury-ct-to-annahale-who-was-born-march-9-1795-the-sixth-child-of-benjamin-halewho-was-born-october-30-1759-and-died-december-24-1831and-martha-welles-his-wife-who-was-born-aug-12-1759-and-diedapril-20-1837-mrs-anna-buckingham-died-on-monday-september-23-1867-at13-east-12th-street-new-york-city-mr-alvah-buckingham-died-october-4-1867-in-putnam-ohioand-both-are-interred-in-woodlawn-cemetery-putnam-now-zanesvilleohio-in-1794-his-parents-removed-to-cooper-image339048687.html
RM2AKH01K–The ancestors of Ebenezer Buckingham, who was born in 1748, and of his descendants . t. 3, 1819, at Glastonbury, Ct., to AnnaHale who was born March 9, 1795, the sixth child of Benjamin Hale,(who was born October 30, 1759, and died December 24, 1831),and Martha Welles, his wife (w^ho was born Aug. 12, 1759, and diedApril 20, 1837). Mrs. Anna Buckingham died on Monday, September 23, 1867, at13 East 12th Street, New York City. Mr. Alvah Buckingham died October 4, 1867, in Putnam, Ohio,and both are interred in Woodlawn Cemetery, Putnam (now Zanesville),,Ohio. In 1794 his parents removed to Cooper
Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-la-ville-de-maaslins-1862-johan-barthold-jongkind-dutch-1819-1891-etching-sheet-358-x-473-cm-14-18-x-18-58-in-platemark-237-x-323-cm-9-516-x-12-1116-in-image448086545.html
RM2H102XW–Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.).
Borthwick Castle, Henry Le Keux, Engraver (English, 1787-1868), After Joseph Mallord William Turner (English, 1775-1851), 1819, engraving, 6-3/8 x 9-3/4 in. (image) 8-3/4 x 12 in. (sheet), series, Provincial Antiquities and Picturesque Scenery of Scotland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borthwick-castle-henry-le-keux-engraver-english-1787-1868-after-joseph-mallord-william-turner-english-1775-1851-1819-engraving-6-38-x-9-34-in-image-8-34-x-12-in-sheet-series-provincial-antiquities-and-picturesque-scenery-of-scotland-image328782134.html
RM2A2W8Y2–Borthwick Castle, Henry Le Keux, Engraver (English, 1787-1868), After Joseph Mallord William Turner (English, 1775-1851), 1819, engraving, 6-3/8 x 9-3/4 in. (image) 8-3/4 x 12 in. (sheet), series, Provincial Antiquities and Picturesque Scenery of Scotland
Art of the Lithograph: Psalter- Initial B, Plate VIII, 1818-1819. Alois Senefelder (German, 1771-1834). Color lithograph; sheet: 22.9 x 30.8 cm (9 x 12 1/8 in.); image: 14.5 x 22.2 cm (5 11/16 x 8 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-the-lithograph-psalter-initial-b-plate-viii-1818-1819-alois-senefelder-german-1771-1834-color-lithograph-sheet-229-x-308-cm-9-x-12-18-in-image-145-x-222-cm-5-1116-x-8-34-in-image448144737.html
RM2H12N55–Art of the Lithograph: Psalter- Initial B, Plate VIII, 1818-1819. Alois Senefelder (German, 1771-1834). Color lithograph; sheet: 22.9 x 30.8 cm (9 x 12 1/8 in.); image: 14.5 x 22.2 cm (5 11/16 x 8 3/4 in.).
The Actor Sawamura Sojuro 3rd as a Man Stnding in a Pleasure-boat. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: H. 12 9/16 in. (31.9 cm); W. 5 5/8 in. (14.3 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-sawamura-sojuro-3rd-as-a-man-stnding-in-a-pleasure-boat-artist-katsukawa-shunei-japanese-1762-1819-culture-japan-dimensions-h-12-916-in-319-cm-w-5-58-in-143-cm-date-ca-1790-museum-metropolitan-museum-of-art-new-york-usa-image213396830.html
RMPB51RA–The Actor Sawamura Sojuro 3rd as a Man Stnding in a Pleasure-boat. Artist: Katsukawa Shun'ei (Japanese, 1762-1819). Culture: Japan. Dimensions: H. 12 9/16 in. (31.9 cm); W. 5 5/8 in. (14.3 cm). Date: ca. 1790. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Actor Ichikawa Monnosuke II as Karigane no Ofumi, Katsukawa Shunei, Japanese, 1762-1819, Color woodblock print on paper, Japan, 1792, Edo period, 12 3/4 x 5 9/16 in., 32.0 x 14.2 cm, bijin, bijinga, drape, kimono, obi, pattern, stripe, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-ichikawa-monnosuke-ii-as-karigane-no-ofumi-katsukawa-shunei-japanese-1762-1819-color-woodblock-print-on-paper-japan-1792-edo-period-12-34-x-5-916-in-320-x-142-cm-bijin-bijinga-drape-kimono-obi-pattern-stripe-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562176.html
RF2HKJT6T–Art inspired by The Actor Ichikawa Monnosuke II as Karigane no Ofumi, Katsukawa Shunei, Japanese, 1762-1819, Color woodblock print on paper, Japan, 1792, Edo period, 12 3/4 x 5 9/16 in., 32.0 x 14.2 cm, bijin, bijinga, drape, kimono, obi, pattern, stripe, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-solitude-or-the-reading-magdalen-liber-studiorum-part-xi-plate-53-may-12-1814-etching-and-mezzotint-first-state-of-seven-finberg-plate-7-x-10-316-in-178-x-259-cm-prints-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978083.html
RF2HW6D7F–Art inspired by Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-29116599.html
RMBKAAEF–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, ,
Art inspired by Have you pray'd tonight, Dedesmona?': plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900), plate: 12 5/8 x 9 11/16 in. (32 x 24.6 cm), Prints, Théodore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-have-you-prayd-tonight-dedesmona-plate-12-from-othello-act-5-scene-2-etched-1844-reprinted-1900-etching-engraving-and-roulette-on-chine-coll-second-edition-gazette-des-beaux-arts-1900-plate-12-58-x-9-1116-in-32-x-246-cm-prints-thodore-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970718.html
RF2HW63TE–Art inspired by Have you pray'd tonight, Dedesmona?': plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900), plate: 12 5/8 x 9 11/16 in. (32 x 24.6 cm), Prints, Théodore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Costache Aristia (1800 - 1880), Romanian actor . 1830s. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Costache Aristia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costache-aristia-1800-1880-romanian-actor-1830s-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-costache-aristia-image184963648.html
RMMMWR0G–. Costache Aristia (1800 - 1880), Romanian actor . 1830s. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:?37023592 ISNI:?0000 0000 6654 6197 ULAN:?500032385 LCCN:?no2007123003 GND:?132160331 WorldCat Costache Aristia
Art inspired by Portrait of Madame Gabrielle Marcotte de Quivières, 1845, Graphite on white wove paper darkened to buff, mounted on stiff paper, 12 13/16 x 10 3/4 in. (32.5 x 27.3 cm); Rabbet: 22 x 16 in. (55.9 x 40.6 cm.); Overall Frame: H x W x D: 18 x 24 x 1 1/4 in. (45.7 x 61 x 3.2, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-madame-gabrielle-marcotte-de-quivires-1845-graphite-on-white-wove-paper-darkened-to-buff-mounted-on-stiff-paper-12-1316-x-10-34-in-325-x-273-cm-rabbet-22-x-16-in-559-x-406-cm-overall-frame-h-x-w-x-d-18-x-24-x-1-14-in-457-x-61-x-32-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030250.html
RF2HW8RPJ–Art inspired by Portrait of Madame Gabrielle Marcotte de Quivières, 1845, Graphite on white wove paper darkened to buff, mounted on stiff paper, 12 13/16 x 10 3/4 in. (32.5 x 27.3 cm); Rabbet: 22 x 16 in. (55.9 x 40.6 cm.); Overall Frame: H x W x D: 18 x 24 x 1 1/4 in. (45.7 x 61 x 3.2, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Johan Barthold Jongkind, Dutch, 1819-1891, Vue de la ville de Maaslins, 1862, etching printed in black ink on chine-collé, Plate: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-barthold-jongkind-dutch-1819-1891-vue-de-la-ville-de-maaslins-1862-etching-printed-in-black-ink-on-chine-coll-plate-9-38-12-34-inches-238-324-cm-image328726528.html
RM2A2PP14–Johan Barthold Jongkind, Dutch, 1819-1891, Vue de la ville de Maaslins, 1862, etching printed in black ink on chine-collé, Plate: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm
Art inspired by The Lion Court at the Alhambra, Viewed from Beneath the Portico Temple, 1862, Albumen silver print from glass negative, Image: 42 x 32.1 cm (16 9/16 x 12 5/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-lion-court-at-the-alhambra-viewed-from-beneath-the-portico-temple-1862-albumen-silver-print-from-glass-negative-image-42-x-321-cm-16-916-x-12-58-in-photographs-charles-clifford-welsh-18191863-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462940659.html
RF2HW4NEY–Art inspired by The Lion Court at the Alhambra, Viewed from Beneath the Portico Temple, 1862, Albumen silver print from glass negative, Image: 42 x 32.1 cm (16 9/16 x 12 5/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The triumvirate to explain the city of Nijmegen: v.l.n.r. Johannes Hendrikus Graadt van Roggen (1831 - 1902), mr. Walraven Francken (1822 - 1894) and Hermanus Lambertus Terwindt (1819 - 1892). A painting from 1903 by Antoon van Welie (18-12-1866-24-9-1956); Oil on canvas (141 cm x 181 cm) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumvirate-to-explain-the-city-of-nijmegen-vlnr-johannes-hendrikus-graadt-van-roggen-1831-1902-mr-walraven-francken-1822-1894-and-hermanus-lambertus-terwindt-1819-1892-a-painting-from-1903-by-antoon-van-welie-18-12-1866-24-9-1956-oil-on-canvas-141-cm-x-181-cm-image474425305.html
RM2JFRX8W–The triumvirate to explain the city of Nijmegen: v.l.n.r. Johannes Hendrikus Graadt van Roggen (1831 - 1902), mr. Walraven Francken (1822 - 1894) and Hermanus Lambertus Terwindt (1819 - 1892). A painting from 1903 by Antoon van Welie (18-12-1866-24-9-1956); Oil on canvas (141 cm x 181 cm)
Art inspired by A Select Collection of Views and Ruins in Rome and Its Vicinity. Recently Executed from Drawings Made Upon the Spot, ca. 1819, Colored aquatint, 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm), Books, J. Merigot (French, active 1772–1814, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-select-collection-of-views-and-ruins-in-rome-and-its-vicinity-recently-executed-from-drawings-made-upon-the-spot-ca-1819-colored-aquatint-12-34-x-9-34-in-324-x-248-cm-books-j-merigot-french-active-17721814-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960433.html
RF2HW5JN5–Art inspired by A Select Collection of Views and Ruins in Rome and Its Vicinity. Recently Executed from Drawings Made Upon the Spot, ca. 1819, Colored aquatint, 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm), Books, J. Merigot (French, active 1772–1814, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Passaic valley, New Jersey, in three centuries.. . .JEPTHA H. B.LDW1N.. ISAAC 1. ISAI.UWI.N. 108 THE PASSAIC VALLEY City to Louis Kossuth. He married Abby Dean, October 12,1S42, aud had ehildreu as follows: Jane Augusta, bornApril 2, 1814; Frank Wilfred, born June 2G, ISltJ; JepthaHarrison, born March 9, 1819; Mary Estelle, born August 11,1851; Abbie Caroline, born November 2, 1853; Gertrude,born in 18(55; and Elizabeth and Walter, who died in in-fancy. Jeptha Harrison Baldwin attended the Orange publicschool until he was twelve years old. In 1SG2 he enteredthe Orange Journid office, and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-passaic-valley-new-jersey-in-three-centuries-jeptha-h-bldw1n-isaac-1-isaiuwin-108-the-passaic-valley-city-to-louis-kossuth-he-married-abby-dean-october-121s42-aud-had-ehildreu-as-follows-jane-augusta-bornapril-2-1814-frank-wilfred-born-june-2g-isltj-jepthaharrison-born-march-9-1819-mary-estelle-born-august-111851-abbie-caroline-born-november-2-1853-gertrudeborn-in-1855-and-elizabeth-and-walter-who-died-in-in-fancy-jeptha-harrison-baldwin-attended-the-orange-publicschool-until-he-was-twelve-years-old-in-1sg2-he-enteredthe-orange-journid-office-and-image340081399.html
RM2AN8187–The Passaic valley, New Jersey, in three centuries.. . .JEPTHA H. B.LDW1N.. ISAAC 1. ISAI.UWI.N. 108 THE PASSAIC VALLEY City to Louis Kossuth. He married Abby Dean, October 12,1S42, aud had ehildreu as follows: Jane Augusta, bornApril 2, 1814; Frank Wilfred, born June 2G, ISltJ; JepthaHarrison, born March 9, 1819; Mary Estelle, born August 11,1851; Abbie Caroline, born November 2, 1853; Gertrude,born in 18(55; and Elizabeth and Walter, who died in in-fancy. Jeptha Harrison Baldwin attended the Orange publicschool until he was twelve years old. In 1SG2 he enteredthe Orange Journid office, and
Art inspired by The Third Segawa Kikunojo in the Role of Maizuru, Edo period (1615–1868), 2nd month, 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-third-segawa-kikunojo-in-the-role-of-maizuru-edo-period-16151868-2nd-month-1789-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-58-x-5-78-in-321-x-149-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904798.html
RF2HW33P6–Art inspired by The Third Segawa Kikunojo in the Role of Maizuru, Edo period (1615–1868), 2nd month, 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Actor Ichikawa Monosuke II in an Unidentified Female Role, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 9/16 in. (31.4 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-ichikawa-monosuke-ii-in-an-unidentified-female-role-edo-period-16151868-ca-1789-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-38-x-5-916-in-314-x-141-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918731.html
RF2HW3NFR–Art inspired by The Actor Ichikawa Monosuke II in an Unidentified Female Role, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 9/16 in. (31.4 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
[The Lion Court at the Alhambra, Viewed from Beneath the Portico Temple]. Artist: Charles Clifford (Welsh, 1819-1863). Dimensions: Image: 42 x 32.1 cm (16 9/16 x 12 5/8 in.) Mount: 63.3 x 46.3 cm (24 15/16 x 18 1/4 in.). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lion-court-at-the-alhambra-viewed-from-beneath-the-portico-temple-artist-charles-clifford-welsh-1819-1863-dimensions-image-42-x-321-cm-16-916-x-12-58-in-mount-633-x-463-cm-24-1516-x-18-14-in-date-1862-museum-metropolitan-museum-of-art-new-york-usa-image220483378.html
RMPPKTPA–[The Lion Court at the Alhambra, Viewed from Beneath the Portico Temple]. Artist: Charles Clifford (Welsh, 1819-1863). Dimensions: Image: 42 x 32.1 cm (16 9/16 x 12 5/8 in.) Mount: 63.3 x 46.3 cm (24 15/16 x 18 1/4 in.). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA.
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-29116655.html
RMBKAAGF–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, ,
N/A. painting . 1821. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:37023592 ISNI:0000 0000 6654 6197 ULAN:500032385 LCCN:no2007123003 GND:132160331 WorldCat 85 Ali-Pacha-Butrinto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-painting-1821-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-85-ali-pacha-butrinto-image210044702.html
RMP5MA4E–N/A. painting . 1821. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF:37023592 ISNI:0000 0000 6654 6197 ULAN:500032385 LCCN:no2007123003 GND:132160331 WorldCat 85 Ali-Pacha-Butrinto
1 Dutch Pound 1000 wedges kilograms, closing weight of brass from 1 Dutch Pound. In cardboard oval box. Consisting of 12 parts with inscription :, Netherlands, anonymous, 1819, brass (alloy), doos, h 7 cm × w 10 cm × d 8 gr d 6.5 cm w 1000 gr d 6.5 cm × w 500 gr d 5.6 cm × w 200 gr d 4.7 cm × w 100 gr d 4.2 cm × w 100 gr d 3.5 cm × w 50 gr d 3 cm × w 20 gr d 2.5 cm × w 10 gr d 2.2 cm × w 10 gr d 1.9 cm × w 5 gr d 1.5 cm × w 2 gr d 1.3 cm × w 2 gr d 1 cm × w 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1-dutch-pound-1000-wedges-kilograms-closing-weight-of-brass-from-1-dutch-pound-in-cardboard-oval-box-consisting-of-12-parts-with-inscription-netherlands-anonymous-1819-brass-alloy-doos-h-7-cm-w-10-cm-d-8-gr-d-65-cm-w-1000-gr-d-65-cm-w-500-gr-d-56-cm-w-200-gr-d-47-cm-w-100-gr-d-42-cm-w-100-gr-d-35-cm-w-50-gr-d-3-cm-w-20-gr-d-25-cm-w-10-gr-d-22-cm-w-10-gr-d-19-cm-w-5-gr-d-15-cm-w-2-gr-d-13-cm-w-2-gr-d-1-cm-w-1-image261377689.html
RMW56NWD–1 Dutch Pound 1000 wedges kilograms, closing weight of brass from 1 Dutch Pound. In cardboard oval box. Consisting of 12 parts with inscription :, Netherlands, anonymous, 1819, brass (alloy), doos, h 7 cm × w 10 cm × d 8 gr d 6.5 cm w 1000 gr d 6.5 cm × w 500 gr d 5.6 cm × w 200 gr d 4.7 cm × w 100 gr d 4.2 cm × w 100 gr d 3.5 cm × w 50 gr d 3 cm × w 20 gr d 2.5 cm × w 10 gr d 2.2 cm × w 10 gr d 1.9 cm × w 5 gr d 1.5 cm × w 2 gr d 1.3 cm × w 2 gr d 1 cm × w 1
Jetee en bois dans le port de Honfleur Johan Barthold Jongkind (Dutch, 1819-1891). Jetee en bois dans le port de Honfleur, 1865. Etching and drypoint on China paper laid down, 9 7/16 x 12 5/8 in. (23.9 x 32 cm). European Art 1865 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jetee-en-bois-dans-le-port-de-honfleur-johan-barthold-jongkind-dutch-1819-1891-jetee-en-bois-dans-le-port-de-honfleur-1865-etching-and-drypoint-on-china-paper-laid-down-9-716-x-12-58-in-239-x-32-cm-european-art-1865-image504718838.html
RM2M93X0P–Jetee en bois dans le port de Honfleur Johan Barthold Jongkind (Dutch, 1819-1891). Jetee en bois dans le port de Honfleur, 1865. Etching and drypoint on China paper laid down, 9 7/16 x 12 5/8 in. (23.9 x 32 cm). European Art 1865
Cases on the conflict of laws : selected from decisions of English and American courts . nited States with regard to creditors who were not parties to such proceed-ings (Phelps V. Borland [18S0] 103 N. Y. 406, 9 N. E. 307, 57 Am. St. Rep. 755[obiter]); at least if the debt was made in and with reference to the laws ofthis country or a country other than the one where the discharge was had.McMillan v. McNeill, 4 ^Vheat. 209, 4 L. Ed. 552 (1819); Green v. Sarmiento,Fed. Cas. No. 5,760 (1810); In re Shepard (1868) Fed. Cas. No. 12,753 (obiter).With respect to corporations created under the laws o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cases-on-the-conflict-of-laws-selected-from-decisions-of-english-and-american-courts-nited-states-with-regard-to-creditors-who-were-not-parties-to-such-proceed-ings-phelps-v-borland-18s0-103-n-y-406-9-n-e-307-57-am-st-rep-755-obiter-at-least-if-the-debt-was-made-in-and-with-reference-to-the-laws-ofthis-country-or-a-country-other-than-the-one-where-the-discharge-was-hadmcmillan-v-mcneill-4-vheat-209-4-l-ed-552-1819-green-v-sarmientofed-cas-no-5760-1810-in-re-shepard-1868-fed-cas-no-12753-obiterwith-respect-to-corporations-created-under-the-laws-o-image340002066.html
RM2AN4C2X–Cases on the conflict of laws : selected from decisions of English and American courts . nited States with regard to creditors who were not parties to such proceed-ings (Phelps V. Borland [18S0] 103 N. Y. 406, 9 N. E. 307, 57 Am. St. Rep. 755[obiter]); at least if the debt was made in and with reference to the laws ofthis country or a country other than the one where the discharge was had.McMillan v. McNeill, 4 ^Vheat. 209, 4 L. Ed. 552 (1819); Green v. Sarmiento,Fed. Cas. No. 5,760 (1810); In re Shepard (1868) Fed. Cas. No. 12,753 (obiter).With respect to corporations created under the laws o
Art inspired by The Actor Morita Kanya VIII as Tatsugorō, Edo period (1615–1868), 1794 (Kansei 6), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 9/16 in. (14.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-morita-kanya-viii-as-tatsugor-edo-period-16151868-1794-kansei-6-japan-polychrome-woodblock-print-ink-and-color-on-paper-h-12-18-in-308-cm-w-5-916-in-141-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462915081.html
RF2HW3GWD–Art inspired by The Actor Morita Kanya VIII as Tatsugorō, Edo period (1615–1868), 1794 (Kansei 6), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 9/16 in. (14.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Kabuki Actor Ōtani Oniji III as a Samurai, 三代目大谷鬼次, Edo period (1615–1868), ca. 1792, Japan, Polychrome woodblock print; ink and color on paper, 12 15/16 x 5 2/3 in. (32.9 x 14.4 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-kabuki-actor-tani-oniji-iii-as-a-samurai-edo-period-16151868-ca-1792-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-1516-x-5-23-in-329-x-144-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756905.html
RF2HTTB49–Art inspired by Kabuki Actor Ōtani Oniji III as a Samurai, 三代目大谷鬼次, Edo period (1615–1868), ca. 1792, Japan, Polychrome woodblock print; ink and color on paper, 12 15/16 x 5 2/3 in. (32.9 x 14.4 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tennis Session of 1848, from Actualités, published in Le Charivari. Artist: CHAM (Amédée Charles Henri, Comte de Noé) (French, Paris 1819-1879 Paris). Dimensions: Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm) Image: 7 13/16 × 9 5/8 in. (19.9 × 24.5 cm). Printer: Aubert et Cie. Date: November, 1848. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tennis-session-of-1848-from-actualits-published-in-le-charivari-artist-cham-amde-charles-henri-comte-de-no-french-paris-1819-1879-paris-dimensions-sheet-9-1516-12-58-in-253-32-cm-image-7-1316-9-58-in-199-245-cm-printer-aubert-et-cie-date-november-1848-museum-metropolitan-museum-of-art-new-york-usa-image213319216.html
RMPB1ERC–Tennis Session of 1848, from Actualités, published in Le Charivari. Artist: CHAM (Amédée Charles Henri, Comte de Noé) (French, Paris 1819-1879 Paris). Dimensions: Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm) Image: 7 13/16 × 9 5/8 in. (19.9 × 24.5 cm). Printer: Aubert et Cie. Date: November, 1848. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Mass, ca. 1837–38, Brush, ink and gray wash, heightened with white over graphite on beige laid paper, Sheet: 12 1/16 x 9 3/16 in. (30.7 x 23.4cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mass-ca-183738-brush-ink-and-gray-wash-heightened-with-white-over-graphite-on-beige-laid-paper-sheet-12-116-x-9-316-in-307-x-234cm-drawings-thodore-chassriau-french-le-limon-saint-domingue-west-indies-18191856-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799895.html
RF2HTX9YK–Art inspired by Mass, ca. 1837–38, Brush, ink and gray wash, heightened with white over graphite on beige laid paper, Sheet: 12 1/16 x 9 3/16 in. (30.7 x 23.4cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Actor Ichikawa Komazo Second with Raised Sword, Edo period (1615–1868), ca. 1793, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Overall: H. 12 9/16 in. (31.9 cm); W. 11 1/2 in. (29.2 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-ichikawa-komazo-second-with-raised-sword-edo-period-16151868-ca-1793-japan-diptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-overall-h-12-916-in-319-cm-w-11-12-in-292-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903767.html
RF2HW32DB–Art inspired by The Actor Ichikawa Komazo Second with Raised Sword, Edo period (1615–1868), ca. 1793, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Overall: H. 12 9/16 in. (31.9 cm); W. 11 1/2 in. (29.2 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-28636836.html
RMBJGEG4–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving, 19th century, ,
Art inspired by The Actor Sawamura Sojuro 3rd as a Man Stnding in a Pleasure-boat, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 12 9/16 in. (31.9 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-sawamura-sojuro-3rd-as-a-man-stnding-in-a-pleasure-boat-edo-period-16151868-ca-1790-japan-polychrome-woodblock-print-ink-and-color-on-paper-h-12-916-in-319-cm-w-5-58-in-143-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462916823.html
RF2HW3K3K–Art inspired by The Actor Sawamura Sojuro 3rd as a Man Stnding in a Pleasure-boat, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 12 9/16 in. (31.9 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving by Moritz Klinkicht, 1912, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-29119951.html
RMBKAEP7–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, wood engraving by Moritz Klinkicht, 1912, ,
. The hospodar of Moldavia, Michael Soutzos . 1820. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 500032385 LCCN: no2007123003 GND: 132160331 WorldCat 824 Louis-Dupre-Pacha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hospodar-of-moldavia-michael-soutzos-1820-louis-dupr-17891837-alternative-names-louis-dupre-louis-1789-dupr-description-french-painter-date-of-birthdeath-9-january-1789-12-october-1837-location-of-birthdeath-versailles-paris-work-location-paris-kassel-1811-1814-naples-1814-1816-rome-1816-1819-1824-1831-naples-1819-1820-istanbul-ca-1820-greece-ca-1820-paris-1820-1837-vienna-1820-1824-authority-control-q1400174-viaf37023592-isni0000-0000-6654-6197-ulan500032385-lccnno2007123003-gnd132160331-worldcat-824-louis-dupre-pacha-image185840547.html
RMMP9NEB–. The hospodar of Moldavia, Michael Soutzos . 1820. Louis Dupré (1789–1837) Alternative names Louis Dupre; Louis (1789) Dupré Description French painter Date of birth/death 9 January 1789 12 October 1837 Location of birth/death Versailles Paris Work location Paris, Kassel (1811-1814), Naples (1814-1816), Rome (1816-1819, 1824-1831), Naples (1819-1820), Istanbul (ca. 1820), Greece (ca. 1820), Paris (1820-1837), Vienna (1820-1824) Authority control : Q1400174 VIAF: 37023592 ISNI: 0000 0000 6654 6197 ULAN: 500032385 LCCN: no2007123003 GND: 132160331 WorldCat 824 Louis-Dupre-Pacha
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, lithograph by F. L. Groeger, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-48712819.html
RMCR71KF–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, portrait, lithograph by F. L. Groeger, 19th century, ,
Constant Bourgeois, French, 1767–1841, Ruins of the Abbey of La Trappe, 1819, Lithograph on paper, image: 8 1/4 x 12 5/16 in. (20.9 x 31.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/constant-bourgeois-french-17671841-ruins-of-the-abbey-of-la-trappe-1819-lithograph-on-paper-image-8-14-x-12-516-in-209-x-312-cm-image344577201.html
RM2B0GRMH–Constant Bourgeois, French, 1767–1841, Ruins of the Abbey of La Trappe, 1819, Lithograph on paper, image: 8 1/4 x 12 5/16 in. (20.9 x 31.2 cm
Blücher, Gebhard Leberecht von, 16.12.1742 - 12.9.1819, Prussian general, portrait, ivory, painting, signature of Girault, 1838, porcelain frame by Hutschenreuther, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-1291819-prussian-general-portrait-48689502.html
RMCR5YXP–Blücher, Gebhard Leberecht von, 16.12.1742 - 12.9.1819, Prussian general, portrait, ivory, painting, signature of Girault, 1838, porcelain frame by Hutschenreuther,
Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-frascati-near-rome-1819-watercolor-pen-and-ink-sheet-9-116-x-12-916-162495156.html
RMKCA86C–Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British
Bluecher, Gebhard Leberecht von, 16.12.1742 - 12.9.1819, Prussian general, proclamation 'An Sachsens Einwohner' (To the people of Saxony), Breslau, 23.3.1813, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16121742-1291819-prussian-general-proclamation-47977531.html
RMCP1FR7–Bluecher, Gebhard Leberecht von, 16.12.1742 - 12.9.1819, Prussian general, proclamation 'An Sachsens Einwohner' (To the people of Saxony), Breslau, 23.3.1813,
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