11 1 4 x 8 1 2 hi-res stock photography and images

Pectoral with Face 1–7 century Colombia Culture Calima - Yotoco Gold H. 8 3/4 x W. 11 x D. 1 3/8 in. (22.2 x 27.9 x 3.5 cm) Stock Photo

RMCTWW6C–Pectoral with Face 1–7 century Colombia Culture Calima - Yotoco Gold H. 8 3/4 x W. 11 x D. 1 3/8 in. (22.2 x 27.9 x 3.5 cm)

spoon, metal, bronze, 11.2 x 1.8 x 0.4 cm Stock Photo

RM2B0ET98–spoon, metal, bronze, 11.2 x 1.8 x 0.4 cm

Art inspired by Censer with Animal and Scroll Motifs, 13th century, North Italian, Copper alloy, Overall (with chain): 12 1/2 x 4 5/8 in. (31.8 x 11.7 cm), Metalwork-Copper alloy, Burning incense during church services symbolizes prayers rising to heaven. The architectural form of this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYH55–Art inspired by Censer with Animal and Scroll Motifs, 13th century, North Italian, Copper alloy, Overall (with chain): 12 1/2 x 4 5/8 in. (31.8 x 11.7 cm), Metalwork-Copper alloy, Burning incense during church services symbolizes prayers rising to heaven. The architectural form of this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

'Illinois' - From 'A New General Atlas' (11-1/4 x 8-1/2). Engraving by Young & Delleker. Original hand coloring. Circa. 1830 Stock Photo

RF2WT8PRN–'Illinois' - From 'A New General Atlas' (11-1/4 x 8-1/2). Engraving by Young & Delleker. Original hand coloring. Circa. 1830

Krishna and Balarama Touching the Feet of Vasudeva and Devaki, 1700-1725. Northern India, Himachal Pradesh, Pahari Kingdom of Chamba. Gum tempera, gold and silver on paper; page: 28.5 x 21.6 cm (11 1/4 x 8 1/2 in.); image: 24.3 x 16.5 cm (9 9/16 x 6 1/2 in.). In front of a massive white architectural facade, Krishna and Balarama offer veneration to their parents. Krishna kneels in the position of supplication, humbly reaching out to touch the foot of his father, Vasudeva. Balarama stands behind his older brother, exhibiting reverence by clasping his hands. Their mother extends her arm toward Stock Photo

RM2H0YF8N–Krishna and Balarama Touching the Feet of Vasudeva and Devaki, 1700-1725. Northern India, Himachal Pradesh, Pahari Kingdom of Chamba. Gum tempera, gold and silver on paper; page: 28.5 x 21.6 cm (11 1/4 x 8 1/2 in.); image: 24.3 x 16.5 cm (9 9/16 x 6 1/2 in.). In front of a massive white architectural facade, Krishna and Balarama offer veneration to their parents. Krishna kneels in the position of supplication, humbly reaching out to touch the foot of his father, Vasudeva. Balarama stands behind his older brother, exhibiting reverence by clasping his hands. Their mother extends her arm toward

i took these pictures while my trip in Taiwan this year, and i found the city is vivid and full of love. Stock Photo

RFT4PK1Y–i took these pictures while my trip in Taiwan this year, and i found the city is vivid and full of love.

. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 527 Thomas Keith - Woman in Doorway Stock Photo

RMMY49PD–. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 527 Thomas Keith - Woman in Doorway

Portrait of Jean Rion; Jean-Gabriel Eynard, Swiss, 1775 - 1863; about 1850; Daguerreotype; 1/2 plate, Image: 11.3 x 8.3 cm (4 7/16 x 3 1/4 in.) Stock Photo

RMECE7XM–Portrait of Jean Rion; Jean-Gabriel Eynard, Swiss, 1775 - 1863; about 1850; Daguerreotype; 1/2 plate, Image: 11.3 x 8.3 cm (4 7/16 x 3 1/4 in.)

Vasily Kandinsky. (French, born Russia. 1866-1944). Small Worlds IV ( Kleine Welten IV) from the portfolio Small Worlds (Kleine Welten). (1922). Lithograph, composition (irreg.): 10 1/2 x 10 1/16' (26.6 x 25.6 cm); sheet: 13 1/4 x 11 3/8' (33.6 x 28.9 cm). Publisher: PropylŠen-Verlag, Berlin. Printer: Staatliches Bauhaus, Weimar. Edition: 230 published in 1922 (1-30 deluxe edition on Japan and 31-230 on BŸtten paper). Gift of Abby Aldrich Rockefeller. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photo

RMKRHKEY–Vasily Kandinsky. (French, born Russia. 1866-1944). Small Worlds IV ( Kleine Welten IV) from the portfolio Small Worlds (Kleine Welten). (1922). Lithograph, composition (irreg.): 10 1/2 x 10 1/16' (26.6 x 25.6 cm); sheet: 13 1/4 x 11 3/8' (33.6 x 28.9 cm). Publisher: PropylŠen-Verlag, Berlin. Printer: Staatliches Bauhaus, Weimar. Edition: 230 published in 1922 (1-30 deluxe edition on Japan and 31-230 on BŸtten paper). Gift of Abby Aldrich Rockefeller. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

Frederick De Bourg Richards, head-and-shoulders length studio portrait, facing slightly right Abstract/medium: 1 photograph : salted paper print on card mount ; photo (oval) 7.4 x 6.2 cm, on sheet 18.5 x 11.8 cm, on mount 35.5 x 27.9 cm. Stock Photo

RMWBE91E–Frederick De Bourg Richards, head-and-shoulders length studio portrait, facing slightly right Abstract/medium: 1 photograph : salted paper print on card mount ; photo (oval) 7.4 x 6.2 cm, on sheet 18.5 x 11.8 cm, on mount 35.5 x 27.9 cm.

History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8-9-10-11: noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photo

RM2WCDT61–History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8-9-10-11: noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.

Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.) Stock Photo

RM2B8M0MH–Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.)

Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Stock Photo

RM2PMJE8K–Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)

Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Thomas MUELLER, MÜLLER, FCB 25 with trophy, Leon GORETZKA, FCB 18 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Javi MARTINEZ, FCB 8 Mickael (Michael) CUISANCE, FCB 11 Robert LEWANDOWSKI, FCB 9 Lucas HERNANDEZ (FCB 21) Alphonso DAVIES, Manuel NEUER, FCB 1 FCB 19 Trainer Hansi FLICK (FCB), team manager, headcoach, coach, David ALABA, FCB 27 Corentin TOLISSO, FCB 24 Alvaro ODRIOZOLA, FCB 2 Thomas MUELLER, MÜLLER, FCB 25 FCB Co-Trainer Hermann GERLAND, at the DFB Pokal Final match FC BAYERN MUENCHEN - BAYER 04 LEVERKUSEN 4- Stock Photo

RM2C5XMP7–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Thomas MUELLER, MÜLLER, FCB 25 with trophy, Leon GORETZKA, FCB 18 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Javi MARTINEZ, FCB 8 Mickael (Michael) CUISANCE, FCB 11 Robert LEWANDOWSKI, FCB 9 Lucas HERNANDEZ (FCB 21) Alphonso DAVIES, Manuel NEUER, FCB 1 FCB 19 Trainer Hansi FLICK (FCB), team manager, headcoach, coach, David ALABA, FCB 27 Corentin TOLISSO, FCB 24 Alvaro ODRIOZOLA, FCB 2 Thomas MUELLER, MÜLLER, FCB 25 FCB Co-Trainer Hermann GERLAND, at the DFB Pokal Final match FC BAYERN MUENCHEN - BAYER 04 LEVERKUSEN 4-

Courtesan and Shinzo. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: 1725-1770. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD7D4–Courtesan and Shinzo. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: 1725-1770. Museum: Metropolitan Museum of Art, New York, USA.

Bail handle MET 115030 187160 German, Bail handle, 17th century, Iron, tinned, 4 3/8 x 3 1/2 in. (11.1 x 8.9 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1888 (88.22.9) Stock Photo

RMKN4RWB–Bail handle MET 115030 187160 German, Bail handle, 17th century, Iron, tinned, 4 3/8 x 3 1/2 in. (11.1 x 8.9 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1888 (88.22.9)

RM2D56NB3–Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Dassault-Breguet France - Navy ATL-2 Atlantique 2 Long range maritime patrol Aircraft Stock Photo

RMAGJKJP–Dassault-Breguet France - Navy ATL-2 Atlantique 2 Long range maritime patrol Aircraft

Bird Pendant 10th–16th century Colombia Culture Muisca Gold H. 4 x W. 4 3/8 x D. 3/4 in. (10.2 x 11.1 x 1.9 cm) Colombian Stock Photo

RMCTWW7W–Bird Pendant 10th–16th century Colombia Culture Muisca Gold H. 4 x W. 4 3/8 x D. 3/4 in. (10.2 x 11.1 x 1.9 cm) Colombian

Ax, flint, ax, stone, flint, 11.5 x 4.8 x 2.1 cm, prehistory, France, unknown, unknown, Sormery Stock Photo

RM2B0F1M4–Ax, flint, ax, stone, flint, 11.5 x 4.8 x 2.1 cm, prehistory, France, unknown, unknown, Sormery

Art inspired by Reuben Genesis 49:3-4, from the series The Twelve Patriarchs, 1550, Etching; second state, image: 8 1/2 x 11 in. (21.6 x 27.9 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert (Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW601C–Art inspired by Reuben Genesis 49:3-4, from the series The Twelve Patriarchs, 1550, Etching; second state, image: 8 1/2 x 11 in. (21.6 x 27.9 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert (Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Quast Ferdinand von (1807-1877), external figures at the market church of St. Andreas and Erker on the market in Eisleben (27.05.1847): 2 leaves: 1) Above view of Saint figures with shield, 2) Below detailed ore below (made of quast sketchbook). Pencil on paper, 26.4 x 11.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Außenfiguren an der Marktkirche St. Andreas und Erker am Markt, Eisleben Stock Photo

RM2JMWX52–Quast Ferdinand von (1807-1877), external figures at the market church of St. Andreas and Erker on the market in Eisleben (27.05.1847): 2 leaves: 1) Above view of Saint figures with shield, 2) Below detailed ore below (made of quast sketchbook). Pencil on paper, 26.4 x 11.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Außenfiguren an der Marktkirche St. Andreas und Erker am Markt, Eisleben

. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 605 Thomas Keith - Woman in Doorway Stock Photo

RMMWRM1Y–. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 605 Thomas Keith - Woman in Doorway

Portrait of Victor Striedbeck; Charles H. Winter, French, 1821 - 1904; about 1852; Daguerreotype; 1/2 plate, Image: 11.4 x 8.9 cm (4 1/2 x 3 1/2 in.) Stock Photo

RMECE828–Portrait of Victor Striedbeck; Charles H. Winter, French, 1821 - 1904; about 1852; Daguerreotype; 1/2 plate, Image: 11.4 x 8.9 cm (4 1/2 x 3 1/2 in.)

Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photo

RF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin

Vestment; silk and metal; Overall: 235 x 11.5 cm (7 ft. 8 1/2 in. x 4 1/2 in.) Stock Photo

RM2PMK1B6–Vestment; silk and metal; Overall: 235 x 11.5 cm (7 ft. 8 1/2 in. x 4 1/2 in.)

RM2C5XMPM–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Thomas MUELLER, MÜLLER, FCB 25 with trophy, Leon GORETZKA, FCB 18 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Javi MARTINEZ, FCB 8 Mickael (Michael) CUISANCE, FCB 11 Robert LEWANDOWSKI, FCB 9 Lucas HERNANDEZ (FCB 21) Alphonso DAVIES, Manuel NEUER, FCB 1 FCB 19 Trainer Hansi FLICK (FCB), team manager, headcoach, coach, David ALABA, FCB 27 Corentin TOLISSO, FCB 24 Alvaro ODRIOZOLA, FCB 2 Thomas MUELLER, MÜLLER, FCB 25 FCB Co-Trainer Hermann GERLAND, at the DFB Pokal Final match FC BAYERN MUENCHEN - BAYER 04 LEVERKUSEN 4-

The Evening Bell of the Clock (Tokei no bansho), from the series 'Eight Views of the Parlor (Zashiki hakkei)'. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 28.5 x 21.7 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXKYK8–The Evening Bell of the Clock (Tokei no bansho), from the series 'Eight Views of the Parlor (Zashiki hakkei)'. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 28.5 x 21.7 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Andiron MET 127219 87 Andiron, 1730?70, Brass, 19 1/4 x 19 1/2 x 11 3/4 in. (48.9 x 49.5 x 29.8 cm). The Metropolitan Museum of Art, New York. Bequest of W. Gedney Beatty, 1941 (41.160.345) Stock Photo

RMKN4PF0–Andiron MET 127219 87 Andiron, 1730?70, Brass, 19 1/4 x 19 1/2 x 11 3/4 in. (48.9 x 49.5 x 29.8 cm). The Metropolitan Museum of Art, New York. Bequest of W. Gedney Beatty, 1941 (41.160.345)

RM2D56NCK–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Flint tool., Tool, stone, flint, 11.4 x 8.2 x 2.1 cm, prehistory, Belgium, unknown, unknown, Spiennes Stock Photo

RM2B0F2W0–Flint tool., Tool, stone, flint, 11.4 x 8.2 x 2.1 cm, prehistory, Belgium, unknown, unknown, Spiennes

Art inspired by Beaker, late 16th century, Hungarian, possibly Nagyszombat, Silver, partly gilded, Overall: 4 7/16 x 3 1/4 in. (11.3 x 8.2 cm), Metalwork-Silver, The gracefully curved, tapering sides of this beaker are characteristic of late sixteenth-century examples. The engraved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWBK9–Art inspired by Beaker, late 16th century, Hungarian, possibly Nagyszombat, Silver, partly gilded, Overall: 4 7/16 x 3 1/4 in. (11.3 x 8.2 cm), Metalwork-Silver, The gracefully curved, tapering sides of this beaker are characteristic of late sixteenth-century examples. The engraved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377) Stock Photo

RM2HH6CDR–The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377)

. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 604 Thomas Keith - Woman in Doorway Stock Photo

RMMW1JBK–. Woman in Doorway. Calotype, 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm). circa 1854. Thomas Keith Scottish, 1827–1895 604 Thomas Keith - Woman in Doorway

Magdalene (Brookfield); Julia Margaret Cameron, British, born India, 1815 - 1879; London, England, Europe; May 1865; Albumen silver print; Image: 27.1 x 22.2 cm (10 11/16 x 8 3/4 in.) Stock Photo

RFECE840–Magdalene (Brookfield); Julia Margaret Cameron, British, born India, 1815 - 1879; London, England, Europe; May 1865; Albumen silver print; Image: 27.1 x 22.2 cm (10 11/16 x 8 3/4 in.)

RF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin

Drawing, Design for a Printed Fabric; France; pen and ink, brush and gouache on paper; 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.) Stock Photo

RM2PMEF41–Drawing, Design for a Printed Fabric; France; pen and ink, brush and gouache on paper; 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.)

Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Joshua KIMMICH, FCB 32 with trophy, Leon GORETZKA, FCB 18 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Javi MARTINEZ, FCB 8 Mickael (Michael) CUISANCE, FCB 11 Robert LEWANDOWSKI, FCB 9 Lucas HERNANDEZ (FCB 21) Alphonso DAVIES, Manuel NEUER, FCB 1 FCB 19 Trainer Hansi FLICK (FCB), team manager, headcoach, coach, David ALABA, FCB 27 Corentin TOLISSO, FCB 24 Alvaro ODRIOZOLA, FCB 2 Thomas MUELLER, MÜLLER, FCB 25 FCB Co-Trainer Hermann GERLAND, at the DFB Pokal Final match FC BAYERN MUENCHEN - BAYER 04 LEVERKUSEN 4-2 in s Stock Photo

RM2C5XMP6–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Joshua KIMMICH, FCB 32 with trophy, Leon GORETZKA, FCB 18 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Javi MARTINEZ, FCB 8 Mickael (Michael) CUISANCE, FCB 11 Robert LEWANDOWSKI, FCB 9 Lucas HERNANDEZ (FCB 21) Alphonso DAVIES, Manuel NEUER, FCB 1 FCB 19 Trainer Hansi FLICK (FCB), team manager, headcoach, coach, David ALABA, FCB 27 Corentin TOLISSO, FCB 24 Alvaro ODRIOZOLA, FCB 2 Thomas MUELLER, MÜLLER, FCB 25 FCB Co-Trainer Hermann GERLAND, at the DFB Pokal Final match FC BAYERN MUENCHEN - BAYER 04 LEVERKUSEN 4-2 in s

Victor Hugo (three-quarter view). Artist: Auguste Rodin (French, Paris 1840-1917 Meudon). Dimensions: Image: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm) Plate: 8 7/8 x 6 15/16 in. (22.5 x 17.6 cm) Sheet: 11 1/4 x 8 1/2 in. (28.5 x 21.6 cm). Sitter: Portrait of Victor Hugo (French, Besançon 1802-1885 Paris). Date: 1885. The author of Notre-Dame de Paris(1831) and Les Misérables (1862) was an old man when Rodin proposed to make his portrait. Hugo's patience with sittings had been strained to the breaking point by another sculptor whose efforts are reported to have produced a mediocre bust. Moreover, Stock Photo

RMPPEME6–Victor Hugo (three-quarter view). Artist: Auguste Rodin (French, Paris 1840-1917 Meudon). Dimensions: Image: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm) Plate: 8 7/8 x 6 15/16 in. (22.5 x 17.6 cm) Sheet: 11 1/4 x 8 1/2 in. (28.5 x 21.6 cm). Sitter: Portrait of Victor Hugo (French, Besançon 1802-1885 Paris). Date: 1885. The author of Notre-Dame de Paris(1831) and Les Misérables (1862) was an old man when Rodin proposed to make his portrait. Hugo's patience with sittings had been strained to the breaking point by another sculptor whose efforts are reported to have produced a mediocre bust. Moreover,

Amulet, Thueris MET 74514488 243756 Amulet, Thueris, Clay, glazed, Other: 1 11/16 x 7/16 x 11/16 in. (4.4 x 1.2 x 1.8 cm). The Metropolitan Museum of Art, New York. The Cesnola Collection, Purchased by subscription, 1874?76 (74.51.4488) Stock Photo

RMKND654–Amulet, Thueris MET 74514488 243756 Amulet, Thueris, Clay, glazed, Other: 1 11/16 x 7/16 x 11/16 in. (4.4 x 1.2 x 1.8 cm). The Metropolitan Museum of Art, New York. The Cesnola Collection, Purchased by subscription, 1874?76 (74.51.4488)

RM2D56NAN–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Mssnchen, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Edmund Milne, American, 1724–1822, Tablespoon, c. 1760, Silver, Overall: 8 3/4 x 1 11/16 in. (22.2 x 4.3 cm Stock Photo

RM2B0GYGD–Edmund Milne, American, 1724–1822, Tablespoon, c. 1760, Silver, Overall: 8 3/4 x 1 11/16 in. (22.2 x 4.3 cm

Art inspired by Tankard, ca. 1650, Hungarian, Brassó, Gilded silver, Overall: 8 1/8 x 4 1/2 in. (20.6 x 11.5 cm), Metalwork-Silver, The harmonious proportions, the careful distinction between matte and polished areas, and the powerful lid with its sculptural finial give this great, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWBMN–Art inspired by Tankard, ca. 1650, Hungarian, Brassó, Gilded silver, Overall: 8 1/8 x 4 1/2 in. (20.6 x 11.5 cm), Metalwork-Silver, The harmonious proportions, the careful distinction between matte and polished areas, and the powerful lid with its sculptural finial give this great, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hentzelt Wolfgang (1888-1916), small apartment house. Monthly competition November 1912 (11.1912): floor plan ground floor, (1st to 4th) upper floor, cross section 1: 200; Riß street view 1: 100; 2 scale strips, calculation. Tusche watercolor on the box, 73.1 x 51.8 cm (including scan edges) Hentzelt Wolfgang (1888-1916): Kleinwohnungshaus. Monatskonkurrenz November 1912 Stock Photo

RM2JMWNJH–Hentzelt Wolfgang (1888-1916), small apartment house. Monthly competition November 1912 (11.1912): floor plan ground floor, (1st to 4th) upper floor, cross section 1: 200; Riß street view 1: 100; 2 scale strips, calculation. Tusche watercolor on the box, 73.1 x 51.8 cm (including scan edges) Hentzelt Wolfgang (1888-1916): Kleinwohnungshaus. Monatskonkurrenz November 1912

. English: Benjamin West, American, 1738–1820 Eagle Bringing cup to Psyche, 1802 (?) Oil on wooden panel 29.8 x 42.6 cm (11 3/4 x 16 3/4 in.) frame: 41.6 × 54 × 5.5 cm (16 3/8 × 21 1/4 × 2 3/16 in.) Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund y1952-62 The information shown has not been approved by a curator. . circa 1802 6 1802, West, Benjamin, Eagle Bringing cup to Psyche Stock Photo

RMMX283M–. English: Benjamin West, American, 1738–1820 Eagle Bringing cup to Psyche, 1802 (?) Oil on wooden panel 29.8 x 42.6 cm (11 3/4 x 16 3/4 in.) frame: 41.6 × 54 × 5.5 cm (16 3/8 × 21 1/4 × 2 3/16 in.) Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund y1952-62 The information shown has not been approved by a curator. . circa 1802 6 1802, West, Benjamin, Eagle Bringing cup to Psyche

Charles Hay Cameron; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; 1864; Albumen silver print; Image: 29.2 x 22.4 cm (11 1/2 x 8 13/16 in.) Stock Photo

RMECE83N–Charles Hay Cameron; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; 1864; Albumen silver print; Image: 29.2 x 22.4 cm (11 1/2 x 8 13/16 in.)

RF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin

Drawing, Portrait of a Man; Winslow Homer (American, 1836–1910); USA; graphite on cardboard; 11.6 x 8.2 cm (4 9/16 x 3 1/4 in.) Stock Photo

RM2PMK71W–Drawing, Portrait of a Man; Winslow Homer (American, 1836–1910); USA; graphite on cardboard; 11.6 x 8.2 cm (4 9/16 x 3 1/4 in.)

Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M Stock Photo

RM2C5XMPD–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

Dog (Mantel Ornament). Dated: c. 1938. Dimensions: overall: 28.5 x 21.6 cm (11 1/4 x 8 1/2 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Z. S. Lupus. Stock Photo

RMR32FEA–Dog (Mantel Ornament). Dated: c. 1938. Dimensions: overall: 28.5 x 21.6 cm (11 1/4 x 8 1/2 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Z. S. Lupus.

Christ Bound to the Column MET 36995 187223 Spanish, Christ Bound to the Column, early 17th century, Wood and ivory, 11-3/4 x 6-1/2 in. (29.8 x 16.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. A.M. Minturn, 1890 (90.3.3) Stock Photo

RMKN4TWF–Christ Bound to the Column MET 36995 187223 Spanish, Christ Bound to the Column, early 17th century, Wood and ivory, 11-3/4 x 6-1/2 in. (29.8 x 16.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. A.M. Minturn, 1890 (90.3.3)

RM2D56NYD–Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Ancient Europe, dagger with sheath ?, metal, iron, bronze, 11.1 x 2.4 x 0.8 cm and 5.0 x 2.2 x 1.4 cm, Location, France, Amiens Stock Photo

RM2B0CTF5–Ancient Europe, dagger with sheath ?, metal, iron, bronze, 11.1 x 2.4 x 0.8 cm and 5.0 x 2.2 x 1.4 cm, Location, France, Amiens

Art inspired by Study of Legs, 1861–67, Albumen silver print from glass negative, 11.4 x 13.7 cm (4 1/2 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), The countess enjoyed transgressing the standards of propriety for women of her social class. By addressing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWXDY–Art inspired by Study of Legs, 1861–67, Albumen silver print from glass negative, 11.4 x 13.7 cm (4 1/2 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), The countess enjoyed transgressing the standards of propriety for women of her social class. By addressing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bookplate: The University Club, Cleveland, 1900. overall: 11.2 x 8 cm (4 7/16 x 3 1/8 in.). Stock Photo

RM2H104TT–Bookplate: The University Club, Cleveland, 1900. overall: 11.2 x 8 cm (4 7/16 x 3 1/8 in.).

RMMMMHRN–. English: Benjamin West, American, 1738–1820 Eagle Bringing cup to Psyche, 1802 (?) Oil on wooden panel 29.8 x 42.6 cm (11 3/4 x 16 3/4 in.) frame: 41.6 × 54 × 5.5 cm (16 3/8 × 21 1/4 × 2 3/16 in.) Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund y1952-62 The information shown has not been approved by a curator. 2 6 1802, West, Benjamin, Eagle Bringing cup to Psyche

Self-Portrait with Daguerreotype of the Roman Forum; Jean-Gabriel Eynard, Swiss, 1775 - 1863; about 1845; Daguerreotype; 1/2 plate in passe partout, Image: 11.4 x 8.4 cm (4 1/2 x 3 5/16 in.) Stock Photo

RMECE7XK–Self-Portrait with Daguerreotype of the Roman Forum; Jean-Gabriel Eynard, Swiss, 1775 - 1863; about 1845; Daguerreotype; 1/2 plate in passe partout, Image: 11.4 x 8.4 cm (4 1/2 x 3 5/16 in.)

Drawing, Design for a printed fabric; France; pen, brush and black ink, gouache on paper; 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.) Stock Photo

RM2PMDD94–Drawing, Design for a printed fabric; France; pen, brush and black ink, gouache on paper; 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.)

RM2C5XMC5–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

Picking Persimmons. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1762-1770. Dimensions: 28.5 x 21.3 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXJ12K–Picking Persimmons. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1762-1770. Dimensions: 28.5 x 21.3 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Gold diadem composed of twelve plaques MET DP257459-471110 254583 Etruscan, Gold diadem composed of twelve plaques, 5th?4th century B.C., Gold, Overall: 1 3/8 x 15/16 in. (3.5 x 2.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1947 (47.11.10) Stock Photo

RMKNAFH7–Gold diadem composed of twelve plaques MET DP257459-471110 254583 Etruscan, Gold diadem composed of twelve plaques, 5th?4th century B.C., Gold, Overall: 1 3/8 x 15/16 in. (3.5 x 2.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1947 (47.11.10)

RM2D56NBF–Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

sculpture, bronze, 10.3 x 5.5 x 1.5 cm., Fixed plinth (hxwxd): 2 x 4 x 4 cm., Transport size (lxwxd): 11.8 x 5.5 x 4 cm. ,, Italy Stock Photo

RM2B0EJWE–sculpture, bronze, 10.3 x 5.5 x 1.5 cm., Fixed plinth (hxwxd): 2 x 4 x 4 cm., Transport size (lxwxd): 11.8 x 5.5 x 4 cm. ,, Italy

Art inspired by Intaglio Seal with the Crucifixion, 9th–11th century, Byzantine, Rock crystal, Overall: 13/16 x 11/16 x 15/16 in. (2 x 1.8 x 2.4 cm), Lapidary Work-Crystal, Pyramid-shaped seals were often carved of semiprecious stones believed to have protective properties. Hung from a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW91AN–Art inspired by Intaglio Seal with the Crucifixion, 9th–11th century, Byzantine, Rock crystal, Overall: 13/16 x 11/16 x 15/16 in. (2 x 1.8 x 2.4 cm), Lapidary Work-Crystal, Pyramid-shaped seals were often carved of semiprecious stones believed to have protective properties. Hung from a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Tweezers, 1600s. Europe, 17th century. overall: 11.5 x 2.9 cm (4 1/2 x 1 1/8 in.). Stock Photo

RM2H105HW–Tweezers, 1600s. Europe, 17th century. overall: 11.5 x 2.9 cm (4 1/2 x 1 1/8 in.).

RMMY6WB8–. English: Benjamin West, American, 1738–1820 Eagle Bringing cup to Psyche, 1802 (?) Oil on wooden panel 29.8 x 42.6 cm (11 3/4 x 16 3/4 in.) frame: 41.6 × 54 × 5.5 cm (16 3/8 × 21 1/4 × 2 3/16 in.) Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund y1952-62 The information shown has not been approved by a curator. . circa 1802 5 1802, West, Benjamin, Eagle Bringing cup to Psyche

Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.) Stock Photo

RMECE833–Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.)

Painting, Storm over Hudson Valley; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on canvas; 11.4 x 22.7 cm (4 1/2 x 8 15/16 in.) Stock Photo

RM2PMMB08–Painting, Storm over Hudson Valley; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on canvas; 11.4 x 22.7 cm (4 1/2 x 8 15/16 in.)

RM2C5XMPX–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

The Call of the Cuckoo from above the Clouds (parody of Minamoto no Yorimasa). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 11 1/4 x 8 1/2 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXJ1B0–The Call of the Cuckoo from above the Clouds (parody of Minamoto no Yorimasa). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 11 1/4 x 8 1/2 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Gold diadem composed of twelve plaques MET DP257459 254583 Etruscan, Gold diadem composed of twelve plaques, 5th?4th century B.C., Gold, Overall: 1 3/8 x 15/16 in. (3.5 x 2.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1947 (47.11.10) Stock Photo

RMKNAFH8–Gold diadem composed of twelve plaques MET DP257459 254583 Etruscan, Gold diadem composed of twelve plaques, 5th?4th century B.C., Gold, Overall: 1 3/8 x 15/16 in. (3.5 x 2.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1947 (47.11.10)

RM2D56N9N–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Isaac Liger, British, free 1704; died 1730, Two-Handled Cup and Cover, c. 1705, Silver, 7 1/8 x 7 9/16 x 4 7/16 in. (18.1 x 19.2 x 11.3 cm Stock Photo

RM2B0GJ70–Isaac Liger, British, free 1704; died 1730, Two-Handled Cup and Cover, c. 1705, Silver, 7 1/8 x 7 9/16 x 4 7/16 in. (18.1 x 19.2 x 11.3 cm

Art inspired by Bottle with cover, 1874–75, British, London, Silver, glass, Overall: 4 3/8 x 2 x 2 in. (11.1 x 5.1 x 5.1 cm), Metalwork-Silver, The building of railroads during the first half of the nineteenth century led to a tremendous increase in travel, which stimulated the demand, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWC0T–Art inspired by Bottle with cover, 1874–75, British, London, Silver, glass, Overall: 4 3/8 x 2 x 2 in. (11.1 x 5.1 x 5.1 cm), Metalwork-Silver, The building of railroads during the first half of the nineteenth century led to a tremendous increase in travel, which stimulated the demand, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragment, 1800s. China, 19th century. Silk; overall: 14.3 x 11.5 cm (5 5/8 x 4 1/2 in.). Stock Photo

RM2H0YRG8–Fragment, 1800s. China, 19th century. Silk; overall: 14.3 x 11.5 cm (5 5/8 x 4 1/2 in.).

RMMW4KRH–. English: Benjamin West, American, 1738–1820 Eagle Bringing cup to Psyche, 1802 (?) Oil on wooden panel 29.8 x 42.6 cm (11 3/4 x 16 3/4 in.) frame: 41.6 × 54 × 5.5 cm (16 3/8 × 21 1/4 × 2 3/16 in.) Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund y1952-62 The information shown has not been approved by a curator. . circa 1802 6 1802, West, Benjamin, Eagle Bringing cup to Psyche

The Last Judgment; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.) Stock Photo

RF2AAJCJY–The Last Judgment; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.)

Drawing, View of the Acropolis, Sunrise; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 11.4 x 22.6 cm (4 1/2 x 8 7/8 in.) Stock Photo

RM2PMC8P2–Drawing, View of the Acropolis, Sunrise; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 11.4 x 22.6 cm (4 1/2 x 8 7/8 in.)

RM2C5XMC8–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

Pewter Flagon. Dated: c. 1936. Dimensions: overall: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in.) Original IAD Object: 10 1/4' high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: A. Zaidenberg. Stock Photo

RMR35TB0–Pewter Flagon. Dated: c. 1936. Dimensions: overall: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in.) Original IAD Object: 10 1/4' high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: A. Zaidenberg.

Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photo

RMKN9C7J–Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)

RM2D56NCJ–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Vincennes Porcelain Manufactory, French, c. 1740–1756, River God, c. 1750, Soft-paste porcelain, 11 1/8 x 10 1/8 x 8 3/4 in. (28.3 x 25.7 x 22.2 cm Stock Photo

RM2B0GRFJ–Vincennes Porcelain Manufactory, French, c. 1740–1756, River God, c. 1750, Soft-paste porcelain, 11 1/8 x 10 1/8 x 8 3/4 in. (28.3 x 25.7 x 22.2 cm

Art inspired by Female Figure, late 3rd millennium B.C., Ecuador, Valdivia, Ceramic, H. 4 5/8 x W. 1 in. (11.7 x 2.5 cm), Ceramics-Sculpture, In the third millennium B.C., inhabitants of Ecuador's southwest coast developed the earliest known ceramic figurine tradition in the Americas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX5Y8–Art inspired by Female Figure, late 3rd millennium B.C., Ecuador, Valdivia, Ceramic, H. 4 5/8 x W. 1 in. (11.7 x 2.5 cm), Ceramics-Sculpture, In the third millennium B.C., inhabitants of Ecuador's southwest coast developed the earliest known ceramic figurine tradition in the Americas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragment, 700s. China or Japan, 8th century. Tabby weave; overall: 30.2 x 21 cm (11 7/8 x 8 1/4 in.). Stock Photo

RM2H10B7Y–Fragment, 700s. China or Japan, 8th century. Tabby weave; overall: 30.2 x 21 cm (11 7/8 x 8 1/4 in.).

Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena) Saint Michael, mid-1430s Tempera on wood with silver, gold ground; Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm.) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.28A) http://www.metmuseum.org/Collections/search-the-collections/459257 St Michael mid 1430s. 995 Pietro di Giovanni d'Ambrogio. mid 1430's St Michael. Met.museum N-Y Stock Photo

RMMP6M89–Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena) Saint Michael, mid-1430s Tempera on wood with silver, gold ground; Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm.) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.28A) http://www.metmuseum.org/Collections/search-the-collections/459257 St Michael mid 1430s. 995 Pietro di Giovanni d'Ambrogio. mid 1430's St Michael. Met.museum N-Y

The Way to Calvary; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.) Stock Photo

RF2AAJCJP–The Way to Calvary; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.)

Drawing, Seascape, Newfoundland; Frederic Edwin Church (American, 1826–1900); Canada; graphite, brush and white gouache on light brown paper; 11.4 x 20.6 cm (4 1/2 x 8 1/8 in. ) Stock Photo

RM2PME1RJ–Drawing, Seascape, Newfoundland; Frederic Edwin Church (American, 1826–1900); Canada; graphite, brush and white gouache on light brown paper; 11.4 x 20.6 cm (4 1/2 x 8 1/8 in. )

RM2C5XMP8–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

RMRXMYKR–The Evening Bell of the Clock (Tokei no bansho), from the series 'Eight Views of the Parlor (Zashiki hakkei)'. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 11 1/4 x 8 1/2 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photo

RMKNJ1F7–Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)

RM2D56NC7–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News

Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm Stock Photo

RM2B0GJ5E–Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm

Art inspired by Two fragments of a limestone sarcophagus lid with snakes, Classical, first half of the 5th century B.C., Cypriot, Limestone, Overall: 8 x 11 1/2 x 8 1/4 in. (20.3 x 29.2 x 21 cm), Stone Sculpture, The two nonjoining fragments belong to the lid of a large sarcophagus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW433B–Art inspired by Two fragments of a limestone sarcophagus lid with snakes, Classical, first half of the 5th century B.C., Cypriot, Limestone, Overall: 8 x 11 1/2 x 8 1/4 in. (20.3 x 29.2 x 21 cm), Stone Sculpture, The two nonjoining fragments belong to the lid of a large sarcophagus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Saucer, c. 1800-1810. France, 19th century. Porcelain; overall: 2.9 x 11.8 cm (1 1/8 x 4 5/8 in.). Stock Photo

RM2H1025H–Saucer, c. 1800-1810. France, 19th century. Porcelain; overall: 2.9 x 11.8 cm (1 1/8 x 4 5/8 in.).

. English: Accession Number: 1957.89 Display Artist: Isoda Koryusai Display Title: Tiger in bamboo grove Creation Date: 1770-1780 Medium: Woodblock Height: 24 3/8 in. Width: 4 1/2 in. Display Dimensions: 24 3/8 in. x 4 1/2 in. (61.91 cm x 11.43 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Since tigers are not indigenous to Japan, artists rendered them in imaginative ways that are not entirely naturalistic. The combination of tiger and bamboo was a popular motif for folding screens, hanging scrolls, and sliding doors of wealthy households. Merchant class homes had woodblock Stock Photo

RMMNWW8A–. English: Accession Number: 1957.89 Display Artist: Isoda Koryusai Display Title: Tiger in bamboo grove Creation Date: 1770-1780 Medium: Woodblock Height: 24 3/8 in. Width: 4 1/2 in. Display Dimensions: 24 3/8 in. x 4 1/2 in. (61.91 cm x 11.43 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Since tigers are not indigenous to Japan, artists rendered them in imaginative ways that are not entirely naturalistic. The combination of tiger and bamboo was a popular motif for folding screens, hanging scrolls, and sliding doors of wealthy households. Merchant class homes had woodblock

The Crucifixion; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.); Ms. 40, fol. 61v Stock Photo

RM2AAJA0P–The Crucifixion; Masters of Dirc van Delf (Dutch, active about 1400 - about 1410); Utrecht (probably), Netherlands; about 1405 - 1410; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.); Ms. 40, fol. 61v

Drawing, High Clouds across the Hudson; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 28.2 x 38.7 cm (11 1/8 x 15 1/4 in.) Stock Photo

RM2PMEB01–Drawing, High Clouds across the Hudson; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 28.2 x 38.7 cm (11 1/8 x 15 1/4 in.)

RM2C5XMEH–Berlin, Germany, 4 th July 2020, Celebration winner ceremony: Serge GNABRY, FCB 22 Leon GORETZKA, FCB 18 Jerome BOATENG (FCB 17) Kingsley COMAN, FCB 29 Corentin TOLISSO, FCB 24 Manuel NEUER, FCB 1 Mickael (Michael) CUISANCE, FCB 11 Ivan PERISIC, FCB 14 Benjamin PAVARD, FCB 5 Lucas HERNANDEZ (FCB 21) Javi MARTINEZ, FCB 8 Alvaro ODRIOZOLA, FCB 2 Philippe COUTINHO, FCB 10 Thiago ALCANTARA, FCB 6 Sarpreet SINGH , FCB 28. Niklas SUELE, FCB 4 Christian FRÜCHTL goal keeper, Sven ULREICH, FCB 26 Torwart Thomas MUELLER, MÜLLER, FCB 25 Robert LEWANDOWSKI, FCB 9 Joshua ZIRKZEE, FCB 35 Oliver BATISTA M

Beauty Teasing a Young Man Fshing. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1763-1770. Dimensions: 28.5 x 21.5 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXHYBC–Beauty Teasing a Young Man Fshing. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1763-1770. Dimensions: 28.5 x 21.5 cm (11 1/4 x 8 1/2 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

11 1 4 x 8 1 2 Stock Photos and Images

11 1 4 x 8 1 2 Stock Photos and Images

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