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1 satin weave Stock Photos and Images
RM2AHTY15–Manchu. Cushion Cover. 1700–1750. China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7 1 satin weave
RM2A2KGA2–Kesa, late Edo period (1789–1868), mid–19th century, Japan, Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in weft-float faced 1:2 'Z' twill interlacings, patches: silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, 4:1 satin damask weave, 117.2 x 208 cm (46 1/8 x 79 in
RF2HTYE9E–Art inspired by Saint Martin and Saint Hilary, 1430–35, Flemish, Linen plain weave underlaid with linen plain weave (two layers) and embroidered with silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching, including or nué, Diameter (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXD0AF–Two Panels. France. Date: 1701-1721. Dimensions: a: 101.5 × 52.1 cm (40 × 20 1/2 in.) b: 102.6 × 52.1 cm (40 3/8 × 20 1/2 in.) Repeat: 52 × 25.5 cm (20 1/2 × 10 in.). Silk, gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 3:1 twill interlacings and self-patterned by areas of plain weave. Origin: France. Museum: The Chicago Art Institute.
RM2AHPX19–Fragment. 1706–1712. France. Silk, and silvered- and gilt-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts, supplementary patterning wefts, and self-patterned by areas of plain weave; b right selvage present
RM2A2KG9T–Kesa, late Edo period (1789–1868), early 19th century, Japan, Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4:1 satin weave, supplementary patterning wefts bound in weft-float faced 1:4 'Z' twill interlacings, patches: silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, plain weave, 116 x 205.4 cm (45 11/16 x 80 7/8 in
RF2B901KT–Ôhi (Stole), late Edo period (1789–1868), 1801/25, Japan, Silk and gold-leaf-over-lacquered-paper-strips, warp-float face 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts, patches: silk, warp-float faced 4:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warp and supplementary patterning wefts, lined with silk, plain weave, 156.2 x 31 cm (61 1/2 x 12 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a
RMRXMJW1–Mirror Showing King Charles II, Queen Catherine of Braganza, and Scenes from the Old Testament. England. Date: 1660-1670. Dimensions: 101.9 × 74.1 cm (40 1/8 × 29 1/4 in.). Silk, warp-float faced 7:1 satin weave; embroidered with silk floss and yarns, gilt-metal-strip-wrapped silk, gilt metal purl and cardboard in brick, overcast, running, satin, and split stitches; couching, padded couching and laid work; French knots, braided pom pons and seed pearls; in tortoise-shell frame. Origin: England. Museum: The Chicago Art Institute.
RM2AHR181–Panel. 1732–1752. Spitalfields. Silk, gold-gilt strip, and gold-gilt-strip-wound-around-a-silk-fiber core, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in 3 1 twill interlacing
RM2A2K4G4–Woman’s Waitao (Semiformal Domestic Surcoat), Qing dynasty (1644–1911), 1820/40, Han-Chinese, China, Silk, warp-float faced 7:1 satin weave, embroidered in knot, satin, and stem stitches, sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches, laid work and couching, edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned by ground weft floats, ribbon: silk
RF2B8XKYC–Empress’ Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1840/60, Manchu, China, Silk, warp-float faced 2:1 'S' twill weave, embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches, laid work and couching, sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave, edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementa
RMRX8XXG–Man's Jifu (Semiformal Court Robe). Manchu; China. Date: 1720-1740. Dimensions: 134 × 188.8 cm (52 3/4 × 74 3/8 in.). Silk and gold-leaf-over-lacquered-paper strips, 1:1 plain gauze weave with supplementary brocading wefts; cuff trim: silk, plain weave; neck trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave self-patterned by areas of 1:1 plain gauze crossings; cuffs lined with silk, plain weave; metal buttons. Origin: China. Museum: The Chicago Art Institute.
RM2AHTJK9–Mathevon et Bouvard (Producer). Panel. 1860–1880. France. Silk, warp-float faced 4 1 satin weave with plain and 1 3 'S' or weft-float faced 3 1 twill interlacings of secondary binding warps and supplementary patterning wefts
RM2A2KGAD–Woman’s Vest, Qing dynasty (1644–1911), 1875/1900, Manchu, China, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches, laid work, couching and Chinese knots, inner tape: silk and cotton, plain weave self-patterned by main warp floats, outer tape: silk, warp-float faced 7:1 satin weave, embroidered with silk in satin and stem stitches, edged with silk, warp-float faced 7:1 satin weave, lined with silk, plain weave, button loops: silk, warp-float faced 7:1 satin weave, metal buttons, 64 × 57
RF2HK69WA–Inspired by Fragment of Textile with Design of Scrolling Lotus Flowers, Stems, and Leaves, Chinese, Ming dynasty, 1368–1644, Zhengde period, 1506–1521, through Wanli period, 1573–1619, 16th century, Swivel-weave satin (zhuang hua duan), China, Asia, Textiles, 21 1/4 x 35 1/16 in. (54 x 89 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRXJG17–Panel. Manchu; China. Date: 1775-1800. Dimensions: 167 × 73.8 cm (65 3/4 × 29 in.). Center: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; inner tape: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; outer tape: silk, warp-float faced 7:1 satin weave self-patterned by complementary ground weft floats; edged with cotton, warp-float faced 4:1 satin weave; glazed; backed with cotton, plain weave. Origin: China. Museum: The Chicago Art Institute.
RM2AHPPJY–Sutra Cover. 1590–1599. China. Silk, warp-float faced 4 1 satin weave with supplementary patterning wefts bound in weft-float faced 1 4 satin interlacings; label silk, plain weave; painted with ink; over paper
RM2A2KMTD–Woman’s Surcoat, Qing dynasty (1644–1911), 1860/90, Han-Chinese, China, Body: silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped wild silk in laid work and couching, neck, front, hem, sides and sleeves: silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk wrapped cotton in knot, satin and stem stitches, laid work and couching, edged with silk, warp-float faced 7:1 satin weave, sleeve bands: silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-
RF2HKMH95–Art inspired by Fragment of Textile with Design of Scrolling Lotus Flowers, Stems, and Leaves, Chinese, Ming dynasty, 1368-1644, Zhengde period, 1506-1521, through Wanli period, 1573-1619, 16th century, Swivel-weave satin (zhuang hua duan), China, Asia, Textiles, 21 1/4 x 35 1/16 in. (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXFCH7–Baptismal Robe. Norway. Date: 1712-1713. Dimensions: 163.4 x 67.4 cm (64 1/4 x 26 1/2 in.) Repeat: 67.9 x 23.7 cm (26 3/4 x 9 3/8 in.). Silk, gilt-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces; lined with silk and gilt-metal strips; plain weave with supplementary patterning wefts; edged with silk, gilt-metal-strip-wrapped silk, plain weave with supplementary patterning warps, and eccentric wefts. Origin: Norway. Museum: The Chicago Art Institute.
RM2AHPKDA–Panel. 1775–1800. Japan. Silk and silvered-paper-strips, warp-float faced 4 1 satin weave with weft-float faced 1 2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave
RM2A2K515–Woman’s Ao (Short Robe), Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches, laid work and couching, sleeve facing: silk, 7:1 satin damask weave, embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite), edging and cloud collar: silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin
RF2B8YW5D–Panel, 1800/50, France, Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, 183.1 × 55.6 cm (72 1/8 × 21 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXKD0A–Fukusa (Gift Cover). Japan. Date: 1801-1825. Dimensions: 71.5 x 65.8 cm (28 1/8 x 25 7/8 in.). Patterned side: silk, warp-float faced 4:1 satin weave (shusu); embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in Chinese knot, satin, single satin, surface satin, stem and straight stitches; paper-strip wrapped cotton padded satin stitches; laidwork and couching; painted India ink (sumi) details Lined (re-lined) with silk, plain weave with creped wefts (chirimen); interlined with cotton; plain weave; padded with waste silk Sewn with padded lining extending beyond front
RM2AHR834–Panel. 1855–1895. France. Silk, gilt-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in twill interlacings, some bound by supplementary binding warps, and self-patterned by areas of twill interlacing
RM2A2JYF0–Altar Frontal, 1450/1500, Italy, Silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut, voided velvet, 91.5 x 172.8 cm (36 x 68 in.), Untitled, 1855/68, Georgina Cowper, attributed, English, mid 19th century, England, Albumen print, 16.4 × 20.7 cm (image/paper), 29.1 × 23.3 cm (album page), Untitled, 1861, Georgina Cowper, attributed, English, mid 19th century, England, Albumen print and ink on paper, 7.9 × 5.9 cm (image/paper), 29.1 × 23.3 cm (album page), Untitled, 1861, Georgina Cowper, attributed, English, mid 19th century, England, Albumen print and ink on paper
RF2B90D6M–Kesa, Edo period (1615–1868), 1711/81, Japan, Silk, plain weave with supplementary brocading wefts, lined with silk, warp-float faced 4:1 satin weave, 108.2 x 166.2 cm (42 5/8 x 65 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXHT3E–Vestment (For a First-degree Taoist Priest). Zheng Wuda? (Hui- chang, active c. 1793); Han-Chinese; China. Date: 1793. Dimensions: 139.6 × 156.2 cm (55 × 61 1/2 in.). Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with lai
RM2AHW6W2–Panel (Dress Fabric). 1715–1735. France. Silk and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts and supplementary binding warps tying some self-patterning ground wefts in plain interlacing
RM2A2K0P7–Pair of Banners, Qing dynasty(1644–1911), 1650/1700, China, Silk, 7:1 satin damask weave over boards, streamers: silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts, lined with cotton, plain weave, b: 282.7 × 40.6 cm (111 1/4 × 16 in
RF2B90AER–Band, 19th century, England, Cotton, plain weave, embroidered with silk in chain and cross stitches, backed with silk, weft-float faced 4:1 satin weave, bow of silk, weft-float faced 4:1 satin weave, 11.2 × 22.2 cm (4 1/2 × 8 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXKCTY–Kesa. Japan. Date: 1801-1850. Dimensions: 116 x 205.4 cm (45 11/16 x 80 7/8 in.) Weft repeat: 11.2 cm (4 3/8 in.). Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4:1 satin weave, supplementary patterning wefts bound in weft-float faced 1:4 'Z' twill interlacings; patches: silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute.
RM2AHPPM1–Sutra Cover. 1590–1599. China. Silk, warp-float faced 4 1 satin weave with supplementary patterning wefts bound in 1 4 weft-float faced satin interlacings; label silk, plain weave; painted with ink; over board
RM2A2KNT8–Scroll, Qing dynasty (1644–1911), c. 1840, China, Mount and lower scroll bar fragments: silk, 4:1 satin damask weave, center panel: silk, warp-float faced 7:1 satin weave, embroidered with silk in satin and stem stitches, couching and laidwork, painted, cord: rayon, braid over cotton cores, 165.2 × 72.1 cm (65 × 28 3/8 in
RF2B8WT7P–Jacket, 1855/65, Probably England, England, Silk and mohair, Pusher machine lace with silk, warp frame machine border, and cotton, plain weave undersleeves edged with cotton crochet border, lined with silk, warp-float faced 7:1 satin weave, 78.3 × 90.7 cm (30 7/8 × 35 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX6T3F–Cope. Spain or Italy. Date: 1401-1450. Dimensions: 121.7 x 313.8 cm (47 7/8 x 123 1/2 in.) Repeat: 54 x 28.5 cm (21 1/4 x 11 1/4 in.). Silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut, solid velvet; embroidered with silk and gilt-metal-strip-wrapped silk laidwork and couching; later additions: hood and orphrey: rayon, warp-float faced 4:1 satin weave; edged with gilt-metal-strip-wrapped cotton 2:2 twill oblique interlacing; lined with linen, plain weave. Origin: Spain. Museum: The Chicago Art Institute.
RM2AHTDA1–Fragment. 1702–1725. France. Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 4 1 satin weave with secondary binding warps tying supplementary brocading wefts and two-color complementary ground wefts in twill interlacings
RM2A2JYP9–Woman’s Magua (Semiformal Domestic Short Robe), 1880/1900, Qing dynasty (1644–1911), Manchu, China, Silk, warp-float faced 7:1 satin damask weave, facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts, ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-
RF2B8Y3GX–Jiasha (Mantle), Qing dynasty (1644–1911), 1700/50, Han-Chinese, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts, pieced, painted details, edged with silk, warp-float faced 4:1 satin weave, lined with silk, plain weave, 152.3 × 283.3 cm (60 × 111 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXK83R–Woman's Waitao (Semiformal Domestic Surcoat). Han-Chinese; China. Date: 1820-1840. Dimensions: 114.7 × 133.8 cm (45 1/8 × 52 5/8 in.). Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches; sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned b
RM2AHT0W3–Chasuble. 1800–1850. England. Linen, plain weave; embroidered with wool yarns and silk floss in cross and tent stitches; edged with cotton and silk, plain weave with supplementary patterning wefts; lined with cotton, weft-float faced 4 1 satin weave
RM2A2HPMX–Chasuble, 16th century, Italy, Silk, warp-float faced 3:1 'S' twill weave with supplementary pile warps forming cut solid velvet, Orphrey: silk, warp-float faced 7:1 satin weave, embroidered with silk and gilt-metal-strip-wrapped silk in satin, split, stem and straight stitches, couching, edged with gilt-metal-strip-wrapped linen diamond twill and gilt-metal-strip-wrapped silk plain weave tapes, 129.6 x 69.4 cm (51 x 27 1/4 in
RF2B8XMBJ–Valance, Qing dynasty(1644–1911), 1799, China, Top: cotton, plain weave, block printed, narrow band: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts, upper and lower panels: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts, painted details, outer bands: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, dovetailed tapestry weave, ribbon: silk, plain weave with supplementary patterning warps, outer edging: silk, warp-float
RMRXK4NW–Fukusa (Gift Cover). Japan. Date: 1775-1800. Dimensions: 57.5 x 56.5 cm (22 5/8 x 22 1/4 in.). Patterned side: silk, warp-float faced 7:1 satin weave self-pattered by areas of weft-float faced 1:3 'Z' twill interlacings; appliquéd with silk and gold-leaf-over- lacquered-paper-strip wrapped silk in surface satin stitches; laid work and couching; lined with silk, plain weave with creped wefts (chirimen) (possibly dyed with safflower (beni); interlined with cotton, plain weave; sewn with padded lining extending beyond front at center on all four sides (Yatsuzuma); silk, running 'controlling' sti
RM2AHPRGT–Panel (Dress Fabric). 1725–1775. China. Silk, warp-float faced 7 1 satin weave with supplementary binding warps tying supplementary patterning wefts in twill and self-patterning ground wefts in plain interlacings; two selvages present
RM2A2KGAE–Ôhi (Stole), late Edo period (1789–1868), 1801/25, Japan, Silk and gold-leaf-over-lacquered-paper-strips, warp-float face 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts, patches: silk, warp-float faced 4:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warp and supplementary patterning wefts, lined with silk, plain weave, 156.2 x 31 cm (61 1/2 x 12 1/8 in
RF2B8XDG7–Thanka (Religious Picture), Qing dynasty(1644–1911), 1743/44, Manchu, China, Silk, slit tapestry weave with interlaced outlining wefts, painted details in colors, black, and with gold leaf, outer scroll top: silk, warp-float faced 5:1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats, scroll wrapper: silk, warp-float faced 5:1 satin weave with 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts and self-patterned by main warp and ground weft floats, rayon and cotton ties, scroll wrapper lined with silk, warp-float face
RMRXHDJD–Valance. China. Date: 1799. Dimensions: 113.4 × 126 cm (44 3/4 × 49 5/8 in.). Top: cotton, plain weave; block printed; narrow band: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts; upper and lower panels: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; outer bands: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, dovetailed tapestry weave; ribbon: silk, plain weave with supplementary patterning warps;
RM2AHRDJ6–Three Panels. 1700–1721. France. Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in twill interlacings and self-patterned by ground wefts in twill and plain interlacings
RM2A2HN80–Man’s Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), c.1780s/90s, Manchu, China, Silk, 1:1 plain gauze weave, embroidered in stem filling stitches, sleeves: silk, 1:1 plain gauze weave (figured), edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts, neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk, sleeves and cuffs lined with silk, 1:1 plain gauze weave, 138.4 × 202.9 cm (54 1/2 × 79 7/8 in
RF2B8XMBH–Buddhist Monk’s Cape (Incomplete), Qing dynasty (1644–1911), 1650/1700, China, Silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining wefts, painted details, edged with silk, warp-float faced 7:1 satin weave, top facing edged with silk, plain weave, lined with silk, plain weave, 128.3 × 225.8 cm (50 1/2 × 89 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technolog
RMRXHW3F–Two Panels and Two Fragments from an Image Robe. France (robe made in Spain or Italy, possibly much later). Date: 1719-1740. Dimensions: a: 71.4 × 52 cm (28 × 20 1/2 in.) b: 70.4 × 51.4 cm (27 3/4 × 20 1/4 in.) c: 11.3 × 21.7 cm (4 1/2 × 8 1/2 in.) d: 12.6 × 22 cm (5 × 8 5/8 in.). Silk, warp-float faced 7:1 satin weave with supplementary binding warps tying some self-patterning ground wefts in plain interlacing; fragmentary selvages present. Origin: France. Museum: The Chicago Art Institute.
RM2AHTAXP–Panel. 1720–1740. France. Silk, gilt-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts, supplementary binding wefts and self-patterning ground wefts tied by supplementary binding warps in plain interlacing
RM2A2JT10–Empress’ Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1840/60, Manchu, China, Silk, warp-float faced 2:1 'S' twill weave, embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches, laid work and couching, sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave, edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and
RF2B907MD–Boy’s Baijia Pao (One Hundred Household Robe), Qing dynasty (1644–1911), 1850/1900, Han-Chinese, China, Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave, pieced, medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk, neck facing: silk, warp-float faced 7:1 satin weave, embroidered in satin, single satin, and stem stitches, trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning war
RMRX77W1–Dalmatic. Italy. Date: 1475-1500. Dimensions: 114.3 x 145.6 cm (45 x 57 1/4 in.) Velvet repeat: 52.6 x 29.2 cm (20 3/4 x 11 1/2 in.). Silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut voided velvet; apparels: silk, warp-float faced 7:1 satin weave; appliquéd with warp-float faced 7:1 satin weave; painted; embroidered and appliquéd with silk in laid work and couching; fringe: silk, warp faced plain weave with extended ground weft fringe; lining: cotton, warp-float faced 4:1 satin weave; underlining: hemp. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHPXP7–Fragment (From an Orphrey Band). 1425–1475. Italy. Silk and gilt-animal-substrate-wrapped linen, warp-float faced 4 1 satin weave with weft-float faced 1 2 'S' twill interlacings of secondary binding warps and supplementary patterning wefts
RM2A2KDRH–Panel, 1800/50, France, Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts, 183.1 × 55.6 cm (72 1/8 × 21 7/8 in
RF2B909EY–Fukusa (Gift Cover), early Meiji period (1868–1912), 1870/80, Japan, Mon side: wool, plain weave, fulled (gorofukuren), embroidered with silk and gold-leaf-on-lacqueréd-paper-strip wrapped cotton in laidwork, couching and paper padded couching, lined with silk, weft-float faced 4:1 satin weave (shusu), outer edges interlined with paper, sewn with front and lining matched in size (Tachikiri awase), 69.1 x 66.3 cm (27 1/4 x 26 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by f
RMRXK8H8–Vestment (For a Second-degree Taoist Priest). Han-Chinese; China. Date: 1801-1850. Dimensions: 143.5 × 189.5 cm (56 1/2 × 74 5/8 in.) Repeat: 36.8 × 7.3 cm (14 1/2 × 2 7/8 in.). Silk, warp-float faced 3:1 'S' twill weave self-patterned by areas of plain weave; edge bands and center back: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered paper, and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and knot stitches; laid work and couching; inner collar and closures: silk, weft-float faced 1:7 satin weave; collar patches: silk, warp-float faced 7:1
RM2AHPM6H–Fragments (Dress Fabric). 1740–1760. China. Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 4 1 satin weave with weft-float faced 1 2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts
RM2A2KNWT–Kesa, Edo period (1615–1868), 1711/81, Japan, Silk, plain weave with supplementary brocading wefts, lined with silk, warp-float faced 4:1 satin weave, 108.2 x 166.2 cm (42 5/8 x 65 3/8 in
RF2B8XMBK–Hanging Scroll (Furnishing Fabric), Qing dynasty(1644–1911), 1801/50, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and single dovetailed tapestry weave with interlaced outlining wefts, painted details, mounting: silk, 4:1 satin damask weave, outer edge mounting: silk, plain weave, outer wrapper: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 6:1 satin weave with supplementary brocading wefts bound in plain interlacings, inner wrapper: silk, plain weave, wooden scroll ends, 232.4 × 92.2 cm (91 1/2 × 36 1/4 in.), Reimagined by Gibon, desig
RMRX7XR0–Thanka (Religious Picture). Manchu; China. Date: 1743-1744. Dimensions: 371.1 × 126.2 cm (146 × 49 3/4 in.) Wrapper: 128.4 × 42.1 cm (50 1/2 × 16 1/2 in.) Cover repeat: 56.4 × 12 cm (22 1/4 × 4 3/4 in.) Lining repeat (width): 16.5 cm (6 1/2 in.). Silk, slit tapestry weave with interlaced outlining wefts; painted details in colors, black, and with gold leaf; outer scroll top: silk, warp-float faced 5:1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats; scroll wrapper: silk, warp-float faced 5:1 satin weave with 1:2 'S' twill interlacings of secondary bi
RM2AHPPKA–Sutra Cover. 1590–1599. China. Silk, warp-float faced 4 1 satin weave with supplementary patterning wefts bound in weft-float faced 1 4 satin interlacings; label silk, plain weave; painted with ink; mounted over paper
RM2A2KMW3–Band, 19th century, England, Cotton, plain weave, embroidered with silk in chain and cross stitches, backed with silk, weft-float faced 4:1 satin weave, bow of silk, weft-float faced 4:1 satin weave, 11.2 × 22.2 cm (4 1/2 × 8 3/4 in
RF2B901M1–Panel, Qing dynasty (1644–1911), 1775/1800, Manchu, China, Center: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu), painted, inner tape: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps, outer tape: silk, warp-float faced 7:1 satin weave self-patterned by complementary ground weft floats, edged with cotton, warp-float faced 4:1 satin weave, glazed, backed with cotton, plain weave, 167 × 73.8 cm (65 3/4 × 29 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays
RMRYKC04–Panel (formerly a Curtain from a Sedan Chair). France. Date: 1715-1725. Dimensions: a: 180.3 x 107.2 cm (71 x 42 1/8 in.) b: 96.5 x 53.7 cm (37 7/8 x 21 1/4 in.) c: 98.5 x 53.9 cm (38 3/4 x 21 1/4 in.) Warp repeat: 68- 70.4 cm (26 3/4-27 3/4 in.) Loom width: 54 cm (21 1/4 in.) Width between selvages: 52.8 cm (20 3/4 in.). Silk, gold and silver gilt strips wound around silk fiber core, warp-float faced 7:1 satin weave with supplementary brocading wefts tied by supplementary binding warps in 3:1 twill interlacing and self-patterned by areas of plain weave. Origin: France. Museum: The Chicag
RM2AHRD44–Panel. 1680–1700. France. Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts and self-patterned by areas of weft-float faced 1 3 'S' weft chevron twill weave
RM2A2JA60–Jacket, 1855/65, Probably England, England, Silk and mohair, Pusher machine lace with silk, warp frame machine border, and cotton, plain weave undersleeves edged with cotton crochet border, lined with silk, warp-float faced 7:1 satin weave, 78.3 × 90.7 cm (30 7/8 × 35 3/4 in
RF2B8YWDM–Panel, 1860/80, Produced by Mathevon et Bouvard, 1810–1895, France, Lyon, Lyon, Silk and linen, warp-float faced 7:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 136.6 x 57.7 cm (53 3/4 x 21 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX5MTW–Stomacher. England. Date: 1601-1700. Dimensions: 35.4 × 21.5 cm (13 7/8 × 8 1/2 in.). Silk, weft-faced plain weave; embroidered with silk and metal threads in couched, satin and outline stitches. Origin: England. Museum: The Chicago Art Institute.
RM2AHRFE1–Panel (Showing Lace Design). 1716–1736. France. Silk, silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts and supplementary binding warps tying some self-patterning ground wefts in plain interlacing
RM2A2K20W–Jiasha (Mantle), Qing dynasty (1644–1911), 1700/50, Han-Chinese, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts, pieced, painted details, edged with silk, warp-float faced 4:1 satin weave, lined with silk, plain weave, 152.3 × 283.3 cm (60 × 111 1/2 in
RF2B8YMXA–Circular Chair Seat, c. 1780, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, Lyon, Silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill interlacings, 61.4 x 56.8 cm (24 1/8 x 22 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXF3B8–Picture. England. Date: 1634. Dimensions: 22.8 × 28.6 cm (9 × 11 1/4 in.). Silk, satin weave; embroidered. Origin: England. Museum: The Chicago Art Institute.
RM2AHRD4J–Panel. 1675–1700. France. Silk and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts bound in weft-float faced 3 1 twill interlacings and self-patterned by areas of plain weave
RM2A2JT87–Buddhist Monk’s Cape (Incomplete), Qing dynasty (1644–1911), 1650/1700, China, Silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining wefts, painted details, edged with silk, warp-float faced 7:1 satin weave, top facing edged with silk, plain weave, lined with silk, plain weave, 128.3 × 225.8 cm (50 1/2 × 89 in
RF2B8YTB9–Panel (Dress Fabric), c. 1880, Possibly from a dress designed by the House of Worth, Possibly Lyon, France, Silk, warp-float faced 7:1 satin weave with supplementary patterning wefts and self-patterned by ground weft floats and areas of plain weave, 152.4 × 60.4 cm (60 × 23 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXHDP0–Fragment. Italy. Date: 1635-1650. Dimensions: 19 x 19 cm (7 1/2 x 7 1/2 in.). Silk, satin damask weave. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHPM61–Panel from an Apron. 1850–1900. Europe. Stripes of cotton and silk, warp-float faced 7 1 satin weave self-patterned by areas of ground weft floats, and stripes of 1 1 plain gauze weave self-patterned by areas of ground weft floats
RM2A2HR82–Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Panel: Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining wefts, painted, borders: silk and cotton, warp-float faced 5:1 satin weave, inner and outer edges: silk, warp-float faced 4:1 satin weave, lining: cotton, plain weave, 93.3 × 27 cm (36 3/4 × 10 1/2 in
RF2B8YPCW–Panel (Furnishing Fabric), 1760s, Design in the Style of Jean Baptiste Pillement (French, 1728–1808), Probably France, France, Silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by areas of weft-float faced 3:1 twill interlacings, 107.7 × 81.5 cm (42 3/8 × 32 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXHKEK–Chasuble. Spain. Date: 1601-1700. Dimensions: 67.3 x 109.2 cm (26 1/2 x 43 in.). Silk, satin weave; embroidery and couching. Origin: Spain. Museum: The Chicago Art Institute.
RM2AHTJM1–Mathevon et Bouvard (Producer). Panel. 1860–1880. France. Silk and linen, warp-float faced 7 1 satin weave with 1 2 'S' or weft-float faced 1 2 twill interlacings of secondary binding warps and supplementary patterning and brocading wefts
RM2A2HR7R–Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Panels: Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining wefts, painted, borders: silk and cotton, warp-float faced 5:1 satin weave, inner and outer edges: silk, warp-float faced 4:1 satin weave, lining: cotton, plain weave, 92.7 × 26.8 cm (36 1/2 × 10 1/2 in
RF2B8YABM–Panel (Furnishing Fabric), late Ming (1368–1644) or early Qing dynasty (1644–1912), China, Guangzhou (Canton) or Macao, China, Silk, warp-float faced 7:1 satin weave self-patterned by ground wefts bound in weft-float faced 1:3 'Z' twill interlacings, 170 × 51.8 cm (67 × 20 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX5D0Y–Fragment. Italy. Date: 1360-1380. Dimensions: 11 x 21.6 cm (4 3/8 x 8 1/2 in.). Silk, satin damask weave. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHW3KB–Claude Bonnefond (Engraver). Portrait of Joseph Marie Jacquard (1752–1834). 1801–1900. France. Silk, warp float-faced 10 1 satin weave self-patterned by main warp and ground weft floats and by areas of twill weaves; woven on loom with Jacquard attachment
RM2A2HR7Y–Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining wefts, painted, borders: silk and cotton, warp-float faced 5:1 satin weave, inner and outer edges: silk, warp-float faced 4:1 satin weave, lining: cotton, plain weave, 103.8 × 26.7 cm (40 7/8 × 10 1/2 in
RF2B8YD9B–Uncut Yardage (For Woman’s Semiformal Domestic Ao (Short Coat), Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Silk, warp-float faced 7:1 satin weave, ink outlines, embroidered in back, cross, eyelet, fly, knot, single satin, satin, split, and stem stitches, couching, 100 × 75.7 cm (39 3/8 × 29 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXK8TA–Sari. India, Tamil Nadu, Ayyampettai. Date: 1820. Dimensions: 734 x 112.4 cm (289 x 44 1/4 in.). Silk and cotton, compound satin weave. Origin: India. Museum: The Chicago Art Institute.
RM2AHW15E–Manchu. Buzi (Court Rank Badge). 1825–1850. China. Silk, warp-float faced 7 1 satin weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; lined with silk, plain weave
RM2A2HR7P–Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Panels: Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining wefts, painted, borders: silk and cotton, warp-float faced 5:1 satin weave, inner and outer edges: silk, warp-float faced 4:1 satin weave, lining: cotton, plain weave, 94.9 × 26.8 cm (37 3/8 × 10 1/2 in
RF2B8Y65F–Sampler, 1887, Probably executed by Maggie Curtain (Belgian, active c. 1887), Belgium, Belgium, Forty-two bands of cotton and linen, plain weaves with cut and drawn work and embroidered with cotton, linen, and silk, and of cotton and linen, crochet, knitting, lacis, and lace, backed with cotton, warp-float faced 4:1 satin weave, edged with silk, plain weave, 650.5 × 33.3 cm (256 1/8 × 13 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of m
RMRXHAEF–Panel. England. Date: 1601-1700. Dimensions: 32.5 × 26.7 cm (14 3/4 × 10 1/2 in.). Silk, satin weave; embroidered. Origin: England. Museum: The Chicago Art Institute.
RM2AHW343–Panel. 1801–1825. Russia. Silk, cotton, and gilt- and silvered-metal-strip-wrapped cotton, warp-float faced 7 1 twill weave with supplementary brocading wefts; edged with silk, warp-float faced 7 1 satin weave; lined with cotton, plain weave
RM2A2HR7W–Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Panels: Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining wefts, painted, borders: silk and cotton, warp-float faced 5:1 satin weave, inner and outer edges: silk, warp-float faced 4:1 satin weave, lining: cotton, plain weave, 95.6 × 26.7 cm (37 5/8 × 10 1/2 in
RF2B8YWD8–Panel, 1860/80, Produced by Mathevon et Bouvard, 1810–1895, France, Lyon, France, Silk and linen, warp-float faced 7:1 satin weave with 1:2 'S' or weft-float faced 1:2 twill interlacings of secondary binding warps and supplementary patterning and brocading wefts, 104.3 × 54.9 cm (55 1/4 × 21 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Search Results for 1 satin weave Stock Photos and Images (2,045)
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