Quick filters:
Page 1 of 5
0 99 cm Stock Photos and Images
Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Jasper, 0.39 in. (0.99 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-3rd7th-century-ad-iran-sasanian-jasper-039-in-099-cm-stone-stamp-seals-image344674150.htmlRM2B0N7B2–Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Jasper, 0.39 in. (0.99 cm), Stone-Stamp Seals
Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.77 x 2.76 x 0.39 in. (4.5 x 7.01 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-iron-age-ii-ca-9th-century-bc-iran-hasanlu-iran-ivory-177-x-276-x-039-in-45-x-701-x-099-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799375.htmlRF2HTX993–Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.77 x 2.76 x 0.39 in. (4.5 x 7.01 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plaque fragment. Culture: Iran. Dimensions: 0.59 x 1.42 x 0.39 in. (1.5 x 3.61 x 0.99 cm). Date: ca. 9th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-fragment-culture-iran-dimensions-059-x-142-x-039-in-15-x-361-x-099-cm-date-ca-9th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213163813.htmlRMPAPCH9–Plaque fragment. Culture: Iran. Dimensions: 0.59 x 1.42 x 0.39 in. (1.5 x 3.61 x 0.99 cm). Date: ca. 9th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Interior of Saint Peter's, Rome after 154 ( 0,74 x 0,99 cm )- Giovanni Paolo Panini - MET Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-of-saint-peters-rome-after-154-074-x-099-cm-giovanni-paolo-panini-met-image543898486.htmlRM2PGTM1X–Interior of Saint Peter's, Rome after 154 ( 0,74 x 0,99 cm )- Giovanni Paolo Panini - MET
. The Recital. Oil on canvas; 33.0 cm x 24.8 cm; signed and dated 99 lower left (according to the auction house, but if it is indeed 1899, it canot be by Accard who died in 1888), certified and titled to gallery label verso. Messrs H. & P. De Casseres, London . 1899. Eugène Accard (1824-1888) Accard The Recital Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-recital-oil-on-canvas-330-cm-x-248-cm-signed-and-dated-99-lower-left-according-to-the-auction-house-but-if-it-is-indeed-1899-it-canot-be-by-accard-who-died-in-1888-certified-and-titled-to-gallery-label-verso-messrs-h-p-de-casseres-london-1899-eugne-accard-1824-1888-accard-the-recital-image185018579.htmlRMMN092B–. The Recital. Oil on canvas; 33.0 cm x 24.8 cm; signed and dated 99 lower left (according to the auction house, but if it is indeed 1899, it canot be by Accard who died in 1888), certified and titled to gallery label verso. Messrs H. & P. De Casseres, London . 1899. Eugène Accard (1824-1888) Accard The Recital
![Saarlouis . Map information: Title: [Saarlouis]. 67.99. Place of publication: [France] Publisher: [unknown producer] Date of publication: [1700] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 33.0 x 46.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FDA9/saarlouis-map-information-title-saarlouis-6799-place-of-publication-france-publisher-unknown-producer-date-of-publication-1700-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-330-x-462-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FDA9.jpg "Saarlouis . Map information: Title: [Saarlouis]. 67.99. Place of publication: [France] Publisher: [unknown producer] Date of publication: [1700] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 33.0 x 46.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Saarlouis . Map information: Title: [Saarlouis]. 67.99. Place of publication: [France] Publisher: [unknown producer] Date of publication: [1700] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 33.0 x 46.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saarlouis-map-information-title-saarlouis-6799-place-of-publication-france-publisher-unknown-producer-date-of-publication-1700-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-330-x-462-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401710129.htmlRM2E9FDA9–Saarlouis . Map information: Title: [Saarlouis]. 67.99. Place of publication: [France] Publisher: [unknown producer] Date of publication: [1700] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 33.0 x 46.2 cm Former owner: George III, King of Great Britain, 1738-1820
«Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens Portrait of Ahmed III al-Hafsi Sultan of Tunis Alternative title(s): Portrait of Mulay Ahmad from 1613 until 1614. 1076 0 Le Sultan Mulay Ahmad de Tunis - Rubens - Museum of Fine Arts, Boston - 40.2 -(2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-sultan-mulay-ahmad-de-tunis-huile-sur-bois-hauteur-997-cm-largeur-715-cm-de-pierre-paul-rubens-daprs-jan-cornelisz-vermeyen-vers-1613-1614-prt-du-muse-des-beaux-arts-de-boston-photographie-lors-de-lexposition-temporaire-rubens-et-son-temps-au-muse-du-louvre-lens-portrait-of-ahmed-iii-al-hafsi-sultan-of-tunis-alternative-titles-portrait-of-mulay-ahmad-from-1613-until-1614-1076-0-le-sultan-mulay-ahmad-de-tunis-rubens-museum-of-fine-arts-boston-402-2-image185735525.htmlRMMP4YFH–«Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens Portrait of Ahmed III al-Hafsi Sultan of Tunis Alternative title(s): Portrait of Mulay Ahmad from 1613 until 1614. 1076 0 Le Sultan Mulay Ahmad de Tunis - Rubens - Museum of Fine Arts, Boston - 40.2 -(2)
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France reacts after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-of-france-reacts-after-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-zhang-yuxinhuaalamy-live-news-image439399210.htmlRM2GETA4X–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France reacts after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News
«Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens «Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens 1076 0 Le Sultan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-sultan-mulay-ahmad-de-tunis-huile-sur-bois-hauteur-997-cm-largeur-715-cm-de-pierre-paul-rubens-daprs-jan-cornelisz-vermeyen-vers-1613-1614-prt-du-muse-des-beaux-arts-de-boston-photographie-lors-de-lexposition-temporaire-rubens-et-son-temps-au-muse-du-louvre-lens-le-sultan-mulay-ahmad-de-tunis-huile-sur-bois-hauteur-997-cm-largeur-715-cm-de-pierre-paul-rubens-daprs-jan-cornelisz-vermeyen-vers-1613-1614-prt-du-muse-des-beaux-arts-de-boston-photographie-lors-de-lexposition-temporaire-rubens-et-son-temps-au-muse-du-louvre-lens-1076-0-le-sultan-image185581404.htmlRMMNWXY8–«Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens «Le Sultan Mulay Ahmad de Tunis», huile sur bois (Hauteur; 99.7 cm ; largeur. 71.5 cm) de Pierre Paul Rubens d'après Jan Cornelisz Vermeyen vers 1613-1614, prêt du Musée des beaux-arts de Boston, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens 1076 0 Le Sultan
11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Karl Robert ES in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-11072012-barcelona-spain-110m-hurdles-990-cm-decathlon-junior-karl-46966802.htmlRMCMBEHP–11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Karl Robert ES in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona.
Gedraaide ring Ring, versierd met eenvoudig gedraaid motief. Manufacturer : anoniemPlaats manufacture: Indonesië Dating: 450 - 750School / stijl: Indo-Javaans Material: goud Dimensions: d 2,3 cm. × d 0,8 cm. × g 8,99 gr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gedraaide-ring-ring-versierd-met-eenvoudig-gedraaid-motief-manufacturer-anoniemplaats-manufacture-indonesi-dating-450-750school-stijl-indo-javaans-material-goud-dimensions-d-23-cm-d-08-cm-g-899-gr-image348372149.htmlRM2B6NM6D–Gedraaide ring Ring, versierd met eenvoudig gedraaid motief. Manufacturer : anoniemPlaats manufacture: Indonesië Dating: 450 - 750School / stijl: Indo-Javaans Material: goud Dimensions: d 2,3 cm. × d 0,8 cm. × g 8,99 gr
Drachm MET DP-1113-001 322349 Parthian, Drachm, ca. 1st century B.C., Silver, 0.09 in. (0.23 cm). The Metropolitan Museum of Art, New York. Bequest of Joseph H. Durkee, 1898 (99.35.2951) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drachm-met-dp-1113-001-322349-parthian-drachm-ca-1st-century-bc-silver-168091147.htmlRMKND5Y7–Drachm MET DP-1113-001 322349 Parthian, Drachm, ca. 1st century B.C., Silver, 0.09 in. (0.23 cm). The Metropolitan Museum of Art, New York. Bequest of Joseph H. Durkee, 1898 (99.35.2951)
Gitaarluit Gitaarluit. Gemerkt: Giuseppe Carlo fratelli fiscer / fabricatori d'istrumenti in / Milano vicino alla balla 1780. Manufacturer : muziekinstrumentbouwer: Giuseppe Carlo Fratelli FiscerPlaats manufacture: Milaan Dating: 1780 Material: hout Dimensions: h 99,0 cm. × b 30,5 cm. × d 17,0 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gitaarluit-gitaarluit-gemerkt-giuseppe-carlo-fratelli-fiscer-fabricatori-distrumenti-in-milano-vicino-alla-balla-1780-manufacturer-muziekinstrumentbouwer-giuseppe-carlo-fratelli-fiscerplaats-manufacture-milaan-dating-1780-material-hout-dimensions-h-990-cm-b-305-cm-d-170-cm-image348415293.htmlRM2B6RK79–Gitaarluit Gitaarluit. Gemerkt: Giuseppe Carlo fratelli fiscer / fabricatori d'istrumenti in / Milano vicino alla balla 1780. Manufacturer : muziekinstrumentbouwer: Giuseppe Carlo Fratelli FiscerPlaats manufacture: Milaan Dating: 1780 Material: hout Dimensions: h 99,0 cm. × b 30,5 cm. × d 17,0 cm.
Archive image from page 99 of Current meter data from the. Current meter data from the slope waters off central California, 25 July 1978 - 1 June 1980 currentmeterdata00bird Year: 1984-07 ( oo 00 T CO u 0 < O) < z I 0) < z V) < Z CO CM >- - o o z UJ D O bJ CY li A1ISN3<3 lVdl33dS 92 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-99-of-current-meter-data-from-the-current-meter-data-from-the-slope-waters-off-central-california-25-july-1978-1-june-1980-currentmeterdata00bird-year-1984-07-oo-00-t-co-u-0-lt-o-lt-z-i-0-lt-z-v-lt-z-co-cm-gt-o-o-z-uj-d-o-bj-cy-li-a1isn3lt3-lvdl33ds-92-image264041053.htmlRMW9G31H–Archive image from page 99 of Current meter data from the. Current meter data from the slope waters off central California, 25 July 1978 - 1 June 1980 currentmeterdata00bird Year: 1984-07 ( oo 00 T CO u 0 < O) < z I 0) < z V) < Z CO CM >- - o o z UJ D O bJ CY li A1ISN3<3 lVdl33dS 92
Kaarsenkroon Kaarsenkroon van verguld en gebeeldhouwd lindehout. De vaasvormige stam is aan de rand met grote kelkbladeren versierd. De zes S-vormige armen zijn met bladvoluten versierd. De vaas is verder met rocaille- en bladmotieven versierd, evenals het ovale plafondstuk. Afkomstig uit het Huis Groeneveld te Baarn. Manufacturer : meubelmaker: anoniemPlaats manufactureNederland Dating: ca. 1750 - ca. 1770 Physical kenmerken: verguld lindehout Material: hout lindehout verguldsel Techniek: vergulden Dimensions: h 99,0 cm × d 114,0 cm Subjectrocaille ornament Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kaarsenkroon-kaarsenkroon-van-verguld-en-gebeeldhouwd-lindehout-de-vaasvormige-stam-is-aan-de-rand-met-grote-kelkbladeren-versierd-de-zes-s-vormige-armen-zijn-met-bladvoluten-versierd-de-vaas-is-verder-met-rocaille-en-bladmotieven-versierd-evenals-het-ovale-plafondstuk-afkomstig-uit-het-huis-groeneveld-te-baarn-manufacturer-meubelmaker-anoniemplaats-manufacturenederland-dating-ca-1750-ca-1770-physical-kenmerken-verguld-lindehout-material-hout-lindehout-verguldsel-techniek-vergulden-dimensions-h-990-cm-d-1140-cm-subjectrocaille-ornament-image348478978.htmlRM2B6XGDP–Kaarsenkroon Kaarsenkroon van verguld en gebeeldhouwd lindehout. De vaasvormige stam is aan de rand met grote kelkbladeren versierd. De zes S-vormige armen zijn met bladvoluten versierd. De vaas is verder met rocaille- en bladmotieven versierd, evenals het ovale plafondstuk. Afkomstig uit het Huis Groeneveld te Baarn. Manufacturer : meubelmaker: anoniemPlaats manufactureNederland Dating: ca. 1750 - ca. 1770 Physical kenmerken: verguld lindehout Material: hout lindehout verguldsel Techniek: vergulden Dimensions: h 99,0 cm × d 114,0 cm Subjectrocaille ornament
. Carpenter. U3piS3JJIE13U3£) xclxvhos 0 KvmiM • rt CO CO IA Aaxm sawvr cm -oseoc- CM ? CO 1 xaai MN NOINH TV001 1/ - r-l OS rt M It-OlOlO i I — <Ti i—« 99. rresponcten Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carpenter-u3pis3jjie13u3-xclxvhos-0-kvmim-rt-co-co-ia-aaxm-sawvr-cm-oseoc-cm-co-1-xaai-mn-noinh-tv001-1-r-l-os-rt-m-it-ololo-i-i-ltti-i-99-rresponcten-image337093476.htmlRM2AGBX4M–. Carpenter. U3piS3JJIE13U3£) xclxvhos 0 KvmiM • rt CO CO IA Aaxm sawvr cm -oseoc- CM ? CO 1 xaai MN NOINH TV001 1/ - r-l OS rt M It-OlOlO i I — <Ti i—« 99. rresponcten
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-099-assumed-outlier-image215969388.htmlRMPFA74C–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier
Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Quartz, milky, 0.39 in. (0.99 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-3rd7th-century-ad-iran-sasanian-quartz-milky-039-in-099-cm-stone-stamp-seals-image344674153.htmlRM2B0N7B5–Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Quartz, milky, 0.39 in. (0.99 cm), Stone-Stamp Seals
Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.59 x 1.42 x 0.39 in. (1.5 x 3.61 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-iron-age-ii-ca-9th-century-bc-iran-hasanlu-iran-ivory-059-x-142-x-039-in-15-x-361-x-099-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799372.htmlRF2HTX990–Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.59 x 1.42 x 0.39 in. (1.5 x 3.61 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cylinder seal and modern impression: pharaoh wearing Double Crown, kneeling figures below vultures holding shn symbols; ankh. Dimensions: 0.73 x 0.39 in. (1.85 x 0.99 cm). Date: ca. 1720-1650 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cylinder-seal-and-modern-impression-pharaoh-wearing-double-crown-kneeling-figures-below-vultures-holding-shn-symbols-ankh-dimensions-073-x-039-in-185-x-099-cm-date-ca-1720-1650-bc-museum-metropolitan-museum-of-art-new-york-usa-image213197886.htmlRMPAT026–Cylinder seal and modern impression: pharaoh wearing Double Crown, kneeling figures below vultures holding shn symbols; ankh. Dimensions: 0.73 x 0.39 in. (1.85 x 0.99 cm). Date: ca. 1720-1650 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
![Vues de Svede . Author Hackert, Philipp 111.99.e. Place of publication: [Naples , Paris] Publisher: [George Hackert]., Date of publication: [1766 c.] Item type: 1 print Medium: etching Dimensions: platemark 16.0 x 20.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G3DY/vues-de-svede-author-hackert-philipp-11199e-place-of-publication-naples-paris-publisher-george-hackert-date-of-publication-1766-c-item-type-1-print-medium-etching-dimensions-platemark-160-x-206-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G3DY.jpg "Vues de Svede . Author Hackert, Philipp 111.99.e. Place of publication: [Naples , Paris] Publisher: [George Hackert]., Date of publication: [1766 c.] Item type: 1 print Medium: etching Dimensions: platemark 16.0 x 20.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Vues de Svede . Author Hackert, Philipp 111.99.e. Place of publication: [Naples , Paris] Publisher: [George Hackert]., Date of publication: [1766 c.] Item type: 1 print Medium: etching Dimensions: platemark 16.0 x 20.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vues-de-svede-author-hackert-philipp-11199e-place-of-publication-naples-paris-publisher-george-hackert-date-of-publication-1766-c-item-type-1-print-medium-etching-dimensions-platemark-160-x-206-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401724343.htmlRM2E9G3DY–Vues de Svede . Author Hackert, Philipp 111.99.e. Place of publication: [Naples , Paris] Publisher: [George Hackert]., Date of publication: [1766 c.] Item type: 1 print Medium: etching Dimensions: platemark 16.0 x 20.6 cm. Former owner: George III, King of Great Britain, 1738-1820
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France reacts after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-of-france-reacts-after-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-zhang-yuxinhuaalamy-live-news-image439399206.htmlRM2GETA4P–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France reacts after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News
. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . Fig. 99. Ptilidium ciliare. Pflanze Verg. i^/^. (Original von P. Jauzen.) Meist Xerophyt. Pflanzen bis 8 cm hoch, fiederig verästelt, in rotbraunen Rasen auf Heideplätzen, an humosen Felsen, zwischen Gras an feuchten Stellen etc. Blätter entfernt gestellt, sehr groß, mit breiten, wenig gezähnten Lappen und großen Zellen (4:0/.i diam.) K. Müller, Lebermoose II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dr-l-rabenhorsts-kryptogamen-flora-von-deutschland-oesterreich-und-der-schweiz-fig-99-ptilidium-ciliare-pflanze-verg-i-original-von-p-jauzen-meist-xerophyt-pflanzen-bis-8-cm-hoch-fiederig-verstelt-in-rotbraunen-rasen-auf-heidepltzen-an-humosen-felsen-zwischen-gras-an-feuchten-stellen-etc-bltter-entfernt-gestellt-sehr-gro-mit-breiten-wenig-gezhnten-lappen-und-groen-zellen-40i-diam-k-mller-lebermoose-ii-image178493743.htmlRMMAB2GF–. Dr. L. Rabenhorst's Kryptogamen-Flora von Deutschland, Oesterreich und der Schweiz . Fig. 99. Ptilidium ciliare. Pflanze Verg. i^/^. (Original von P. Jauzen.) Meist Xerophyt. Pflanzen bis 8 cm hoch, fiederig verästelt, in rotbraunen Rasen auf Heideplätzen, an humosen Felsen, zwischen Gras an feuchten Stellen etc. Blätter entfernt gestellt, sehr groß, mit breiten, wenig gezähnten Lappen und großen Zellen (4:0/.i diam.) K. Müller, Lebermoose II.
11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Karl Robert ES and Arnes Broeders in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-11072012-barcelona-spain-110m-hurdles-990-cm-decathlon-junior-karl-46966804.htmlRMCMBEHT–11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Karl Robert ES and Arnes Broeders in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona.
Drachm MET DP-1113-002 322349 Parthian, Drachm, ca. 1st century B.C., Silver, 0.09 in. (0.23 cm). The Metropolitan Museum of Art, New York. Bequest of Joseph H. Durkee, 1898 (99.35.2951) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drachm-met-dp-1113-002-322349-parthian-drachm-ca-1st-century-bc-silver-168091143.htmlRMKND5Y3–Drachm MET DP-1113-002 322349 Parthian, Drachm, ca. 1st century B.C., Silver, 0.09 in. (0.23 cm). The Metropolitan Museum of Art, New York. Bequest of Joseph H. Durkee, 1898 (99.35.2951)
Chest MET 2604 189292 Swiss, Chest, 17th century, Walnut, H. 39 x W. 59 x D. 24 in. (99.1 x 149.9 x 61.0 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.217.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chest-met-2604-189292-swiss-chest-17th-century-walnut-h-39-x-w-59-168195910.htmlRMKNHYGP–Chest MET 2604 189292 Swiss, Chest, 17th century, Walnut, H. 39 x W. 59 x D. 24 in. (99.1 x 149.9 x 61.0 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.217.2)
Christiaan V (1646-99), king of Denmark, SK-A-4378 Portrait of Christian V (1646-99), King of Denmark. Bust, right, aanziend. Part of the collection portretminiaturen. Manufacturer : painter: anonymous location manufacture: Germany Date: 1690 - 1710 Physical characteristics: miniature on cardboard material: cardboard metal glass Dimensions: carrier: h 2.5 cm. B × 2 cm. external dimensions: h 3.4 cm. (Incl. Table and eye) × W 2.1 cm. (Incl. Range) × d 0.3 cm. OnderwerpWie: Christian V (king of Denmark and Norway) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christiaan-v-1646-99-king-of-denmark-sk-a-4378-portrait-of-christian-v-1646-99-king-of-denmark-bust-right-aanziend-part-of-the-collection-portretminiaturen-manufacturer-painter-anonymous-location-manufacture-germany-date-1690-1710-physical-characteristics-miniature-on-cardboard-material-cardboard-metal-glass-dimensions-carrier-h-25-cm-b-2-cm-external-dimensions-h-34-cm-incl-table-and-eye-w-21-cm-incl-range-d-03-cm-onderwerpwie-christian-v-king-of-denmark-and-norway-image348254883.htmlRM2B6GAJB–Christiaan V (1646-99), king of Denmark, SK-A-4378 Portrait of Christian V (1646-99), King of Denmark. Bust, right, aanziend. Part of the collection portretminiaturen. Manufacturer : painter: anonymous location manufacture: Germany Date: 1690 - 1710 Physical characteristics: miniature on cardboard material: cardboard metal glass Dimensions: carrier: h 2.5 cm. B × 2 cm. external dimensions: h 3.4 cm. (Incl. Table and eye) × W 2.1 cm. (Incl. Range) × d 0.3 cm. OnderwerpWie: Christian V (king of Denmark and Norway)
Finger Ring MET sf17-191-99s1 465151 Frankish, Finger Ring, 1st?4th century, Gold wire, Overall: 1/2 x 1/16 in. (1.3 x 0.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.99) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-finger-ring-met-sf17-191-99s1-465151-frankish-finger-ring-1st4th-century-168406759.htmlRMKNYGF3–Finger Ring MET sf17-191-99s1 465151 Frankish, Finger Ring, 1st?4th century, Gold wire, Overall: 1/2 x 1/16 in. (1.3 x 0.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.99)
Transactions of the Royal Society of New Zealand . e is prevented by means of a tubecontaining pumice moistened with sulphuric acid. An acid prepared inthis way will be found to be practically colourless, and to have a specificgravity and titration value corresponding to over 99 per cent, of parenitric acid. 2. As soon as the acid is prepared a number of thin-walled glass bulbs,each capable of holding about 0-2 grams of acid, and blown on capillarystems about 3 cm. in length, are filled with the acid by placing the bulbswith the open end of the stem downwards in a beaker containing theacid and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transactions-of-the-royal-society-of-new-zealand-e-is-prevented-by-means-of-a-tubecontaining-pumice-moistened-with-sulphuric-acid-an-acid-prepared-inthis-way-will-be-found-to-be-practically-colourless-and-to-have-a-specificgravity-and-titration-value-corresponding-to-over-99-per-cent-of-parenitric-acid-2-as-soon-as-the-acid-is-prepared-a-number-of-thin-walled-glass-bulbseach-capable-of-holding-about-0-2-grams-of-acid-and-blown-on-capillarystems-about-3-cm-in-length-are-filled-with-the-acid-by-placing-the-bulbswith-the-open-end-of-the-stem-downwards-in-a-beaker-containing-theacid-and-image339474392.htmlRM2AM8B1C–Transactions of the Royal Society of New Zealand . e is prevented by means of a tubecontaining pumice moistened with sulphuric acid. An acid prepared inthis way will be found to be practically colourless, and to have a specificgravity and titration value corresponding to over 99 per cent, of parenitric acid. 2. As soon as the acid is prepared a number of thin-walled glass bulbs,each capable of holding about 0-2 grams of acid, and blown on capillarystems about 3 cm. in length, are filled with the acid by placing the bulbswith the open end of the stem downwards in a beaker containing theacid and
Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-52-of-development-of-a-portable-sand-development-of-a-portable-sand-trap-for-use-in-the-nearshore-developmentofpor00rosa-year-1989-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-0-image259036907.htmlRMW1C463–Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0
. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. 144 I. 3Ioch!inische und pbysiknllsclic Uiilorsucliiin)?. a. K (1 r n u n K- Tiefe der Ent- nahme cm Bodenart Grand Sand Tonhaltige Teile Zu- über 2 mm 2 1 0,5 ! 0,2 ))is bis bis bis 1 0,5 0,2 0,1 mm mm mm mm 0,1 bis 0,05 mm Staub Fein- 0,05 stes bis unter 0,01 1 0,01 mm j mm sam- men 1-^30 Schwach humoser bis humoser Ton') — 13,40 86,50 99,90 0:30 1,30 1,43 2,87 7,50 29,00 57,50 30—80 Schwach humoser, sandiger Ton 2) Sand — 47,09 52,89 99,98 — 0,03 3,66 ' 24,50 18,90 16,63 1 36,26 80-200 Nicht gesc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-tropenpflanzer-zeitschrift-fr-tropische-landwirtschaft-tropical-plants-tropical-crops-144-i-3ioch!inische-und-pbysiknllsclic-uiilorsucliiin-a-k-1-r-n-u-n-k-tiefe-der-ent-nahme-cm-bodenart-grand-sand-tonhaltige-teile-zu-ber-2-mm-2-1-05-!-02-is-bis-bis-bis-1-05-02-01-mm-mm-mm-mm-01-bis-005-mm-staub-fein-005-stes-bis-unter-001-1-001-mm-j-mm-sam-men-1-30-schwach-humoser-bis-humoser-ton-1340-8650-9990-030-130-143-287-750-2900-5750-3080-schwach-humoser-sandiger-ton-2-sand-4709-5289-9998-003-366-2450-1890-1663-1-3626-80-200-nicht-gesc-image216007865.htmlRMPFC06H–. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. 144 I. 3Ioch!inische und pbysiknllsclic Uiilorsucliiin)?. a. K (1 r n u n K- Tiefe der Ent- nahme cm Bodenart Grand Sand Tonhaltige Teile Zu- über 2 mm 2 1 0,5 ! 0,2 ))is bis bis bis 1 0,5 0,2 0,1 mm mm mm mm 0,1 bis 0,05 mm Staub Fein- 0,05 stes bis unter 0,01 1 0,01 mm j mm sam- men 1-^30 Schwach humoser bis humoser Ton') — 13,40 86,50 99,90 0:30 1,30 1,43 2,87 7,50 29,00 57,50 30—80 Schwach humoser, sandiger Ton 2) Sand — 47,09 52,89 99,98 — 0,03 3,66 ' 24,50 18,90 16,63 1 36,26 80-200 Nicht gesc
Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.39 in. (0.99 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-3rd7th-century-ad-iran-or-mesopotamia-sasanian-agate-039-in-099-cm-stone-stamp-seals-inscribed-image344674152.htmlRM2B0N7B4–Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.39 in. (0.99 cm), Stone-Stamp Seals-Inscribed
Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.06 x 1.93 x 0.39 in. (2.69 x 4.9 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-iron-age-ii-ca-9th-century-bc-iran-hasanlu-iran-ivory-106-x-193-x-039-in-269-x-49-x-099-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799363.htmlRF2HTX98K–Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.06 x 1.93 x 0.39 in. (2.69 x 4.9 x 0.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Openwork furniture plaque with sphinx. Culture: Assyrian. Dimensions: 4.06 x 2.44 x 0.39 in. (10.31 x 6.2 x 0.99 cm). Date: ca. 9th-8th century B.C.. During the early first millennium B.C., ivory carving was one of the major luxury arts that flourished throughout the ancient Near East. Elephant tusks were carved into small decorative objects such as cosmetic boxes and plaques used to adorn wooden furniture. Gold foil, paint, and semiprecious stone and glass inlay embellishments enlivened these magnificent works of art. Based on certain stylistic, formal, and technical characteristics also vis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/openwork-furniture-plaque-with-sphinx-culture-assyrian-dimensions-406-x-244-x-039-in-1031-x-62-x-099-cm-date-ca-9th-8th-century-bc-during-the-early-first-millennium-bc-ivory-carving-was-one-of-the-major-luxury-arts-that-flourished-throughout-the-ancient-near-east-elephant-tusks-were-carved-into-small-decorative-objects-such-as-cosmetic-boxes-and-plaques-used-to-adorn-wooden-furniture-gold-foil-paint-and-semiprecious-stone-and-glass-inlay-embellishments-enlivened-these-magnificent-works-of-art-based-on-certain-stylistic-formal-and-technical-characteristics-also-vis-image213145099.htmlRMPANGMY–Openwork furniture plaque with sphinx. Culture: Assyrian. Dimensions: 4.06 x 2.44 x 0.39 in. (10.31 x 6.2 x 0.99 cm). Date: ca. 9th-8th century B.C.. During the early first millennium B.C., ivory carving was one of the major luxury arts that flourished throughout the ancient Near East. Elephant tusks were carved into small decorative objects such as cosmetic boxes and plaques used to adorn wooden furniture. Gold foil, paint, and semiprecious stone and glass inlay embellishments enlivened these magnificent works of art. Based on certain stylistic, formal, and technical characteristics also vis
![A drawn plan of the City of Cork and Suburbs. Map information: Title: A drawn plan of the City of Cork and Suburbs. 52.10.2. Place of publication: [Ireland], Date of publication: about 1680. Item type: 1 map Medium: watercolour with pen and ink over pencil Dimensions: 72.2 x 99.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F5B0/a-drawn-plan-of-the-city-of-cork-and-suburbs-map-information-title-a-drawn-plan-of-the-city-of-cork-and-suburbs-52102-place-of-publication-ireland-date-of-publication-about-1680-item-type-1-map-medium-watercolour-with-pen-and-ink-over-pencil-dimensions-722-x-990-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F5B0.jpg "A drawn plan of the City of Cork and Suburbs. Map information: Title: A drawn plan of the City of Cork and Suburbs. 52.10.2. Place of publication: [Ireland], Date of publication: about 1680. Item type: 1 map Medium: watercolour with pen and ink over pencil Dimensions: 72.2 x 99.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A drawn plan of the City of Cork and Suburbs. Map information: Title: A drawn plan of the City of Cork and Suburbs. 52.10.2. Place of publication: [Ireland], Date of publication: about 1680. Item type: 1 map Medium: watercolour with pen and ink over pencil Dimensions: 72.2 x 99.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-drawn-plan-of-the-city-of-cork-and-suburbs-map-information-title-a-drawn-plan-of-the-city-of-cork-and-suburbs-52102-place-of-publication-ireland-date-of-publication-about-1680-item-type-1-map-medium-watercolour-with-pen-and-ink-over-pencil-dimensions-722-x-990-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401703876.htmlRM2E9F5B0–A drawn plan of the City of Cork and Suburbs. Map information: Title: A drawn plan of the City of Cork and Suburbs. 52.10.2. Place of publication: [Ireland], Date of publication: about 1680. Item type: 1 map Medium: watercolour with pen and ink over pencil Dimensions: 72.2 x 99.0 cm Former owner: George III, King of Great Britain, 1738-1820
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France celebrates after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Li Yan/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-of-france-celebrates-after-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-li-yanxinhuaalamy-live-news-image439399222.htmlRM2GETA5A–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France celebrates after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Li Yan/Xinhua/Alamy Live News
. Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission . 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecological-study-of-the-amoco-cadiz-oil-spill-report-of-the-noaa-cnexo-joint-scientific-commission-1phc-c3p-202119-9-vq-9-c3o8t-350-310-230-figure-352-august-1979-iphc-c3p-202lngggt-iiig91-c3obt-0-5-m-5-10-10-15-15-20-mv1-i-100-550-100-amoco-cadiz-oil-pyrogenic-biogenic-130-170-0-2-mm-1-10-mm-1-2-cm-2-3-cm-31-cm-1-5-cm-5-locm-imc-tpggl-5900-3100-3-300-3-700-22000-3300-8810-c3p-20299-c3o8t-330-1-100-lie-grande-oiled-sedi-ment-cores-75-image178482182.htmlRMMAAFRJ–. Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission . 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75
11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Arne Broeders BEL Karl Robert EST and James Turner Canada in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-11072012-barcelona-spain-110m-hurdles-990-cm-decathlon-junior-arne-46966801.htmlRMCMBEHN–11.07.2012 Barcelona, Spain. 110m Hurdles 99.0 cm Decathlon Junior Arne Broeders BEL Karl Robert EST and James Turner Canada in action during day two of the IAAF World Junior Championships from the Montjuic Olympic Stadium in Barcelona.
Finger Ring MET sf17-191-99s1 465151 Frankish, Finger Ring, 1st?4th century, Gold wire, Overall: 1/2 x 1/16 in. (1.3 x 0.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.99) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-finger-ring-met-sf17-191-99s1-465151-frankish-finger-ring-1st4th-century-168256879.htmlRMKNMNA7–Finger Ring MET sf17-191-99s1 465151 Frankish, Finger Ring, 1st?4th century, Gold wire, Overall: 1/2 x 1/16 in. (1.3 x 0.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.99)
Collisions of slow moving electrons with nitrogen molecules . U. OF 1. S. S. FORM 3 I DATA FOP CUDV^ NO. 6 Accelerating: P.D. 5 volts Initial Pressure .0235 ram.Retarding P.D. 2 volts Final Pressure .0237 mra.Reading of Eg 105 Heating Current 11.00 amp. Readingof Galvanomet erG zero — 0 Readingof w J. ElectrometerEl zero = 250 Electrometeri Cathetomet erd Distance i.iCOl/IUUC moveddld2 lOgii- x2 12. 0 mra. 150. 0 mm.150. 1 99.95 mm. 12. 07 cm. 0 cm. 0 12. 0 152. 8 153. 1 97.05 11. 77 . 30 . 0128 12. 0 159.0159. 0 91. 0 11. 46 . 61 . 0407 12. 0 164. C164.0 86.0 11.01 . 96 . 0653 12. 0 173. 517 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/collisions-of-slow-moving-electrons-with-nitrogen-molecules-u-of-1-s-s-form-3-i-data-fop-cudv-no-6-accelerating-pd-5-volts-initial-pressure-0235-ramretarding-pd-2-volts-final-pressure-0237-mrareading-of-eg-105-heating-current-1100-amp-readingof-galvanomet-erg-zero-0-readingof-w-j-electrometerel-zero-=-250-electrometeri-cathetomet-erd-distance-iicoliuuc-moveddld2-logii-x2-12-0-mra-150-0-mm150-1-9995-mm-12-07-cm-0-cm-0-12-0-152-8-153-1-9705-11-77-30-0128-12-0-1590159-0-91-0-11-46-61-0407-12-0-164-c1640-860-1101-96-0653-12-0-173-517-image340270987.htmlRM2ANGK37–Collisions of slow moving electrons with nitrogen molecules . U. OF 1. S. S. FORM 3 I DATA FOP CUDV^ NO. 6 Accelerating: P.D. 5 volts Initial Pressure .0235 ram.Retarding P.D. 2 volts Final Pressure .0237 mra.Reading of Eg 105 Heating Current 11.00 amp. Readingof Galvanomet erG zero — 0 Readingof w J. ElectrometerEl zero = 250 Electrometeri Cathetomet erd Distance i.iCOl/IUUC moveddld2 lOgii- x2 12. 0 mra. 150. 0 mm.150. 1 99.95 mm. 12. 07 cm. 0 cm. 0 12. 0 152. 8 153. 1 97.05 11. 77 . 30 . 0128 12. 0 159.0159. 0 91. 0 11. 46 . 61 . 0407 12. 0 164. C164.0 86.0 11.01 . 96 . 0653 12. 0 173. 517
Efficiency of two operant procedures in building fluency in dressing skills of profoundly handicapped children efficiencyoftwoo00saulrich Year: 1981 99 3inNllV H36 INHOJ m .O a AS u o 0) 00 c •H «9 9 DO c •H (0 CO 0) •o Ci 3 60 a •H •rl CO J2 U •o u <d o cd u 0) T-) .a CM « u 3 00 •H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/efficiency-of-two-operant-procedures-in-building-fluency-in-dressing-skills-of-profoundly-handicapped-children-efficiencyoftwoo00saulrich-year-1981-99-3innllv-h36-inhoj-m-o-a-as-u-o-0-00-c-h-9-9-do-c-h-0-co-0-o-ci-3-60-a-h-rl-co-j2-u-o-u-ltd-o-cd-u-0-t-a-cm-u-3-00-h-image240727552.htmlRMRYJ2CG–Efficiency of two operant procedures in building fluency in dressing skills of profoundly handicapped children efficiencyoftwoo00saulrich Year: 1981 99 3inNllV H36 INHOJ m .O a AS u o 0) 00 c •H «9 9 DO c •H (0 CO 0) •o Ci 3 60 a •H •rl CO J2 U •o u <d o cd u 0) T-) .a CM « u 3 00 •H
Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sealing-sasanian-sasanian-date-ca-7th-century-ad-iran-qasr-i-abu-nasr-sasanian-un-baked-clay-039-in-099-cm-clay-sealings-image344667292.htmlRM2B0MXJ4–Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings
Art inspired by Cylinder seal and modern impression: pharaoh wearing Double Crown, kneeling figures below vultures holding shn symbols; ankh, Old Syrian, ca. 1720–1650 B.C., Syria, Hematite, 0.73 x 0.39 in. (1.85 x 0.99 cm), Stone-Cylinder Seals-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cylinder-seal-and-modern-impression-pharaoh-wearing-double-crown-kneeling-figures-below-vultures-holding-shn-symbols-ankh-old-syrian-ca-17201650-bc-syria-hematite-073-x-039-in-185-x-099-cm-stone-cylinder-seals-inscribed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945023.htmlRF2HW4Y2R–Art inspired by Cylinder seal and modern impression: pharaoh wearing Double Crown, kneeling figures below vultures holding shn symbols; ankh, Old Syrian, ca. 1720–1650 B.C., Syria, Hematite, 0.73 x 0.39 in. (1.85 x 0.99 cm), Stone-Cylinder Seals-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Furniture plaque carved in relief with volutes and a palmette. Culture: Assyrian. Dimensions: 9.84 x 2.32 x 0.39 in. (24.99 x 5.89 x 0.99 cm). Date: ca. 8th century B.C.. This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Like many other panels from the same storage room, it was part of a chair or couch back or the headboard of a bed. Twenty pieces of furniture were discovered stacked in orderly rows in this room, where they had been stored before the destr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/furniture-plaque-carved-in-relief-with-volutes-and-a-palmette-culture-assyrian-dimensions-984-x-232-x-039-in-2499-x-589-x-099-cm-date-ca-8th-century-bc-this-ivory-panel-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-like-many-other-panels-from-the-same-storage-room-it-was-part-of-a-chair-or-couch-back-or-the-headboard-of-a-bed-twenty-pieces-of-furniture-were-discovered-stacked-in-orderly-rows-in-this-room-where-they-had-been-stored-before-the-destr-image213154278.htmlRMPAP0CP–Furniture plaque carved in relief with volutes and a palmette. Culture: Assyrian. Dimensions: 9.84 x 2.32 x 0.39 in. (24.99 x 5.89 x 0.99 cm). Date: ca. 8th century B.C.. This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Like many other panels from the same storage room, it was part of a chair or couch back or the headboard of a bed. Twenty pieces of furniture were discovered stacked in orderly rows in this room, where they had been stored before the destr
Art inspired by Furniture plaque carved in relief with volutes and palmette, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 9.84 x 2.32 x 0.39 in. (24.99 x 5.89 x 0.99 cm), Ivory/Bone-Reliefs, This ivory panel was found in a storage room in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-furniture-plaque-carved-in-relief-with-volutes-and-palmette-neo-assyrian-ca-8th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-ivory-984-x-232-x-039-in-2499-x-589-x-099-cm-ivorybone-reliefs-this-ivory-panel-was-found-in-a-storage-room-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944856.htmlRF2HW4XTT–Art inspired by Furniture plaque carved in relief with volutes and palmette, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 9.84 x 2.32 x 0.39 in. (24.99 x 5.89 x 0.99 cm), Ivory/Bone-Reliefs, This ivory panel was found in a storage room in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Openwork furniture plaque with sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.06 x 2.44 x 0.39 in. (10.31 x 6.2 x 0.99 cm), Ivory/Bone-Reliefs, During the early first millennium B.C., ivory carving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-openwork-furniture-plaque-with-sphinx-neo-assyrian-ca-9th8th-century-bc-syria-probably-from-arslan-tash-ancient-hadatu-assyrian-ivory-406-x-244-x-039-in-1031-x-62-x-099-cm-ivorybone-reliefs-during-the-early-first-millennium-bc-ivory-carving-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944752.htmlRF2HW4XN4–Art inspired by Openwork furniture plaque with sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.06 x 2.44 x 0.39 in. (10.31 x 6.2 x 0.99 cm), Ivory/Bone-Reliefs, During the early first millennium B.C., ivory carving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![A New And Correct Map Of The County Of York In All Its Divisions By Actual Survey and Dimensuration the Arts and Seats of the Nobility and Gentry, the Distances in Miles and Furlongs between each of the Market Town Author Warburton, John 44.4.8 tab.end. Place of publication: [London] Publisher: [publisher not identified] Date of publication: 1720. Item type: 1 mapcopper plate engraving Dimensions: 99.0 x 127.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EP23/a-new-and-correct-map-of-the-county-of-york-in-all-its-divisions-by-actual-survey-and-dimensuration-the-arts-and-seats-of-the-nobility-and-gentry-the-distances-in-miles-and-furlongs-between-each-of-the-market-town-author-warburton-john-4448-tabend-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-1720-item-type-1-mapcopper-plate-engraving-dimensions-990-x-1272-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EP23.jpg "A New And Correct Map Of The County Of York In All Its Divisions By Actual Survey and Dimensuration the Arts and Seats of the Nobility and Gentry, the Distances in Miles and Furlongs between each of the Market Town Author Warburton, John 44.4.8 tab.end. Place of publication: [London] Publisher: [publisher not identified] Date of publication: 1720. Item type: 1 mapcopper plate engraving Dimensions: 99.0 x 127.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A New And Correct Map Of The County Of York In All Its Divisions By Actual Survey and Dimensuration the Arts and Seats of the Nobility and Gentry, the Distances in Miles and Furlongs between each of the Market Town Author Warburton, John 44.4.8 tab.end. Place of publication: [London] Publisher: [publisher not identified] Date of publication: 1720. Item type: 1 mapcopper plate engraving Dimensions: 99.0 x 127.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-new-and-correct-map-of-the-county-of-york-in-all-its-divisions-by-actual-survey-and-dimensuration-the-arts-and-seats-of-the-nobility-and-gentry-the-distances-in-miles-and-furlongs-between-each-of-the-market-town-author-warburton-john-4448-tabend-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-1720-item-type-1-mapcopper-plate-engraving-dimensions-990-x-1272-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401695003.htmlRM2E9EP23–A New And Correct Map Of The County Of York In All Its Divisions By Actual Survey and Dimensuration the Arts and Seats of the Nobility and Gentry, the Distances in Miles and Furlongs between each of the Market Town Author Warburton, John 44.4.8 tab.end. Place of publication: [London] Publisher: [publisher not identified] Date of publication: 1720. Item type: 1 mapcopper plate engraving Dimensions: 99.0 x 127.2 cm Former owner: George III, King of Great Britain, 1738-1820
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France celebrates after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Li Yan/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-of-france-celebrates-after-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-li-yanxinhuaalamy-live-news-image439399051.htmlRM2GET9Y7–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya of France celebrates after the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Li Yan/Xinhua/Alamy Live News
. Text-fig. 38. Cnemidocarpa verrucosa (Lesson) (St. 366): A, gut of specimen 0-4 cm. long; B, gut of specimen 4-0 cm. long. St. 366: S. Sandwich Islands, 332-155 m. St. 370: S. Sandwich Islands, 80-18 m. St. 371: S. Sand- wich Islands, 99-161 m. St. 474: S. Georgia, 199 m. St. 599: S. Shetlands, 203 m. St. 1159: between Bouvet Island and Crozet Island, 230-0 m. St. 1952: S. Shetlands, 367-383 m. St. WS 25: S. Georgia, 18-27 m- St- WS 71: Falkland Islands, 82-80 m. St. WS 81: Falkland Islands, 81-82 m. St. WS 85: Falkland Islands, 79 m. St. WS 823 : Patagonian Shelf, 80-95 m. St. MS 68: S. Geo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-fig-38-cnemidocarpa-verrucosa-lesson-st-366-a-gut-of-specimen-0-4-cm-long-b-gut-of-specimen-4-0-cm-long-st-366-s-sandwich-islands-332-155-m-st-370-s-sandwich-islands-80-18-m-st-371-s-sand-wich-islands-99-161-m-st-474-s-georgia-199-m-st-599-s-shetlands-203-m-st-1159-between-bouvet-island-and-crozet-island-230-0-m-st-1952-s-shetlands-367-383-m-st-ws-25-s-georgia-18-27-m-st-ws-71-falkland-islands-82-80-m-st-ws-81-falkland-islands-81-82-m-st-ws-85-falkland-islands-79-m-st-ws-823-patagonian-shelf-80-95-m-st-ms-68-s-geo-image179958612.htmlRMMCNR18–. Text-fig. 38. Cnemidocarpa verrucosa (Lesson) (St. 366): A, gut of specimen 0-4 cm. long; B, gut of specimen 4-0 cm. long. St. 366: S. Sandwich Islands, 332-155 m. St. 370: S. Sandwich Islands, 80-18 m. St. 371: S. Sand- wich Islands, 99-161 m. St. 474: S. Georgia, 199 m. St. 599: S. Shetlands, 203 m. St. 1159: between Bouvet Island and Crozet Island, 230-0 m. St. 1952: S. Shetlands, 367-383 m. St. WS 25: S. Georgia, 18-27 m- St- WS 71: Falkland Islands, 82-80 m. St. WS 81: Falkland Islands, 81-82 m. St. WS 85: Falkland Islands, 79 m. St. WS 823 : Patagonian Shelf, 80-95 m. St. MS 68: S. Geo
Back Plate of a Belt Buckle MET dp30390 465827 Frankish, Back Plate of a Belt Buckle, late 6th?7th century, Iron with silver inlay, Overall: 1 7/8 x 1/4 x 1 3/4 in. (4.7 x 0.7 x 4.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.99) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-back-plate-of-a-belt-buckle-met-dp30390-465827-frankish-back-plate-168429028.htmlRMKP0GXC–Back Plate of a Belt Buckle MET dp30390 465827 Frankish, Back Plate of a Belt Buckle, late 6th?7th century, Iron with silver inlay, Overall: 1 7/8 x 1/4 x 1 3/4 in. (4.7 x 0.7 x 4.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.99)
Journal of the ..Illinois Annual Conference of the Methodist Episcopal Church . r<i No. of LocalPreachers.. No. of FullMembers. 00Tl-00-0 (^J 00 O 00 t^ fO ^ -f O^ <v,^rvi^r)^Tj-{Mfvj-<fO t^NJiooOOOsCMvOOQOf^l c^i r^i IN ^ -I lo »-• CM CM r^i ^^ .^^f^^Cvj^Tj-CM<^—<^ • ^ T-i 0-I CM f^ iO<v5r*5,-H^H,—icoCMCM-* CMiO^^^OOoOCMLOO^Hrs.Tl-ir)Lrj !.—it^r<i<Nii^(NjcM<^3-> cPh i; c^*. no/ •^ cp t: c -yi r- :U ,<« mcquuuouQOO — i^l^Tj-io^l^OCOvO^CM^-^ 1912 STATISTICS 99 -^-22^^^?5^K5S?^^a^-^-------i^51i ^-.ooo0^^ ooio o o 8 :^ oooooooooo OOiOOOi^OOOO ooo O 0 0 0- .^H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/journal-of-the-illinois-annual-conference-of-the-methodist-episcopal-church-rlti-no-of-localpreachers-no-of-fullmembers-00tl-00-0-j-00-o-00-t-fo-f-o-ltvrvirtj-mfvj-ltfo-tnjioooooscmvooqofl-ci-ri-in-i-lo-cm-cm-ri-fcvjtj-cmltlt-t-i-0-i-cm-f-ioltv5r5-hhicocmcm-cmiooooocmloohrstl-irlrj-!itrltiltniinjcmlt3-gt-cph-i-c-no-cp-t-c-yi-r-u-lt-mcquuuouqoo-iltj-iolocovocm-1912-statistics-99-225k5sa-i51i-ooo0-ooio-o-o-8-oooooooooo-ooioooioooo-ooo-o-0-0-0-h-image339390078.htmlRM2AM4FE6–Journal of the ..Illinois Annual Conference of the Methodist Episcopal Church . r<i No. of LocalPreachers.. No. of FullMembers. 00Tl-00-0 (^J 00 O 00 t^ fO ^ -f O^ <v,^rvi^r)^Tj-{Mfvj-<fO t^NJiooOOOsCMvOOQOf^l c^i r^i IN ^ -I lo »-• CM CM r^i ^^ .^^f^^Cvj^Tj-CM<^—<^ • ^ T-i 0-I CM f^ iO<v5r*5,-H^H,—icoCMCM-* CMiO^^^OOoOCMLOO^Hrs.Tl-ir)Lrj !.—it^r<i<Nii^(NjcM<^3-> cPh i; c^*. no/ •^ cp t: c -yi r- :U ,<« mcquuuouQOO — i^l^Tj-io^l^OCOvO^CM^-^ 1912 STATISTICS 99 -^-22^^^?5^K5S?^^a^-^-------i^51i ^-.ooo0^^ ooio o o 8 :^ oooooooooo OOiOOOi^OOOO ooo O 0 0 0- .^H
Efficiency of two operant procedures Efficiency of two operant procedures in building fluency in dressing skills of profoundly handicapped children efficiencyoftwoo00saulrich Year: 1981 99 3inNllV H36 INHOJ m .O a AS u o 0) 00 c •H «9 9 DO c •H (0 CO 0) •o Ci 3 60 a •H •rl CO J2 U •o u <d o cd u 0) T-) .a CM « u 3 00 •H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/efficiency-of-two-operant-procedures-efficiency-of-two-operant-procedures-in-building-fluency-in-dressing-skills-of-profoundly-handicapped-children-efficiencyoftwoo00saulrich-year-1981-99-3innllv-h36-inhoj-m-o-a-as-u-o-0-00-c-h-9-9-do-c-h-0-co-0-o-ci-3-60-a-h-rl-co-j2-u-o-u-ltd-o-cd-u-0-t-a-cm-u-3-00-h-image239877751.htmlRMRX7AEF–Efficiency of two operant procedures Efficiency of two operant procedures in building fluency in dressing skills of profoundly handicapped children efficiencyoftwoo00saulrich Year: 1981 99 3inNllV H36 INHOJ m .O a AS u o 0) 00 c •H «9 9 DO c •H (0 CO 0) •o Ci 3 60 a •H •rl CO J2 U •o u <d o cd u 0) T-) .a CM « u 3 00 •H
Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sealing-sasanian-sasanian-date-ca-7th-century-ad-iran-qasr-i-abu-nasr-sasanian-un-baked-clay-039-in-099-cm-clay-sealings-image344667286.htmlRM2B0MXHX–Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings
Cylinder seal. Culture: Achaemenid. Dimensions: 0.99 in. (2.51 cm). Date: ca. 5th-4th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cylinder-seal-culture-achaemenid-dimensions-099-in-251-cm-date-ca-5th-4th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213209366.htmlRMPATEM6–Cylinder seal. Culture: Achaemenid. Dimensions: 0.99 in. (2.51 cm). Date: ca. 5th-4th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Cylinder seal, Achaemenid, ca. 5th–4th century B.C., Iran, Achaemenid, Stone, gray, 0.99 in. (2.51 cm), Stone-Cylinder Seals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cylinder-seal-achaemenid-ca-5th4th-century-bc-iran-achaemenid-stone-gray-099-in-251-cm-stone-cylinder-seals-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799424.htmlRF2HTX9AT–Art inspired by Cylinder seal, Achaemenid, ca. 5th–4th century B.C., Iran, Achaemenid, Stone, gray, 0.99 in. (2.51 cm), Stone-Cylinder Seals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Plan Of Newcastle Upon Tyne and Gateshead, Taken From an Accurate survey finished in the Yeat 1770 by Charles Hutton Mathematician. Author Hutton, Charles 32.54. Place of publication: London Publisher: Published as the Act directs by C. Hutton, Date of publication: 16th March 1772. Item type: 1 map Medium: copper plate engraving Dimensions: 66.5 x 93.5 cm, on sheet 72.0 x 99.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-plan-of-newcastle-upon-tyne-and-gateshead-taken-from-an-accurate-survey-finished-in-the-yeat-1770-by-charles-hutton-mathematician-author-hutton-charles-3254-place-of-publication-london-publisher-published-as-the-act-directs-by-c-hutton-date-of-publication-16th-march-1772-item-type-1-map-medium-copper-plate-engraving-dimensions-665-x-935-cm-on-sheet-720-x-995-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759440.htmlRM2E9HM7C–A Plan Of Newcastle Upon Tyne and Gateshead, Taken From an Accurate survey finished in the Yeat 1770 by Charles Hutton Mathematician. Author Hutton, Charles 32.54. Place of publication: London Publisher: Published as the Act directs by C. Hutton, Date of publication: 16th March 1772. Item type: 1 map Medium: copper plate engraving Dimensions: 66.5 x 93.5 cm, on sheet 72.0 x 99.5 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Small Bouquets, 1659–99, Engraving, Overall: 16 1/4 x 11 7/16 x 3/16 in. (41.2 x 29 x 0.4 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-small-bouquets-165999-engraving-overall-16-14-x-11-716-x-316-in-412-x-29-x-04-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803653.htmlRF2HTXENW–Art inspired by Small Bouquets, 1659–99, Engraving, Overall: 16 1/4 x 11 7/16 x 3/16 in. (41.2 x 29 x 0.4 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (L) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-l-of-france-competes-during-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-zhang-yuxinhuaalamy-live-news-image439399211.htmlRM2GETA4Y–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (L) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Zhang Yu/Xinhua/Alamy Live News
Art inspired by Pommel in the shape of coiled animals, ca. 6th century B.C., Eurasian steppes, Scythian, Gold, 0.91 x 1.57 in. (2.31 x 3.99 cm), Metalwork-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pommel-in-the-shape-of-coiled-animals-ca-6th-century-bc-eurasian-steppes-scythian-gold-091-x-157-in-231-x-399-cm-metalwork-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945082.htmlRF2HW4Y4X–Art inspired by Pommel in the shape of coiled animals, ca. 6th century B.C., Eurasian steppes, Scythian, Gold, 0.91 x 1.57 in. (2.31 x 3.99 cm), Metalwork-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Small Bouquets Tied With A Ribbon, 1656–99, Engraving, Overall: 16 1/4 x 11 7/8 x 3/16 in. (41.3 x 30.1 x 0.4 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-small-bouquets-tied-with-a-ribbon-165699-engraving-overall-16-14-x-11-78-x-316-in-413-x-301-x-04-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803655.htmlRF2HTXENY–Art inspired by Small Bouquets Tied With A Ribbon, 1656–99, Engraving, Overall: 16 1/4 x 11 7/8 x 3/16 in. (41.3 x 30.1 x 0.4 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.87 x 2.36 in. (2.21 x 5.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-panel-fragment-iron-age-iii-ca-8th7th-century-bc-iran-said-to-be-from-ziwiye-iran-ivory-087-x-236-in-221-x-599-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799266.htmlRF2HTX956–Art inspired by Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.87 x 2.36 in. (2.21 x 5.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Back Plate of a Belt Buckle MET dp30390 465827 Frankish, Back Plate of a Belt Buckle, late 6th?7th century, Iron with silver inlay, Overall: 1 7/8 x 1/4 x 1 3/4 in. (4.7 x 0.7 x 4.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.99) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-back-plate-of-a-belt-buckle-met-dp30390-465827-frankish-back-plate-168269109.htmlRMKNN8Y1–Back Plate of a Belt Buckle MET dp30390 465827 Frankish, Back Plate of a Belt Buckle, late 6th?7th century, Iron with silver inlay, Overall: 1 7/8 x 1/4 x 1 3/4 in. (4.7 x 0.7 x 4.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.99)
The history of the two Ulster manors of Finagh, in the county of Tyrone, and Coole, otherwise manor Atkinson, in the county of Fermanagh, and of their owners . f 5. El a o a ° cu bo d o <P 8 s K g 33 ft o W . . J v.... 2 A 2 348 c3 .9 a ii .2 u CD 1 •si C3 -(-J <d cd p TO O H ® s 02 o3O § e<i a cm d r/2 o O s $ 02 02 I I II I I I I III I c3 mr 4 o o g.1 l-a CD CD »0 *0 o .*?> cd £-B ° 8 ^3.So Mi $ ° c o«£ IN ?5e 99 CD ^. s 3 P 5P I 3 bD C I -£ g $ « p.5** 5B CD -^ o ^ Bo md S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-of-the-two-ulster-manors-of-finagh-in-the-county-of-tyrone-and-coole-otherwise-manor-atkinson-in-the-county-of-fermanagh-and-of-their-owners-f-5-el-a-o-a-cu-bo-d-o-ltp-8-s-k-g-33-ft-o-w-j-v-2-a-2-348-c3-9-a-ii-2-u-cd-1-si-c3-j-ltd-cd-p-to-o-h-s-02-o3o-elti-a-cm-d-r2-o-o-s-02-02-i-i-ii-i-i-i-i-iii-i-c3-mr-4-o-o-g1-l-a-cd-cd-0-0-o-gt-cd-b-8-3so-mi-c-o-in-5e-99-cd-s-3-p-5p-i-3-bd-c-i-g-p5-5b-cd-o-bo-md-s-image340232995.htmlRM2ANEXJB–The history of the two Ulster manors of Finagh, in the county of Tyrone, and Coole, otherwise manor Atkinson, in the county of Fermanagh, and of their owners . f 5. El a o a ° cu bo d o <P 8 s K g 33 ft o W . . J v.... 2 A 2 348 c3 .9 a ii .2 u CD 1 •si C3 -(-J <d cd p TO O H ® s 02 o3O § e<i a cm d r/2 o O s $ 02 02 I I II I I I I III I c3 mr 4 o o g.1 l-a CD CD »0 *0 o .*?> cd £-B ° 8 ^3.So Mi $ ° c o«£ IN ?5e 99 CD ^. s 3 P 5P I 3 bD C I -£ g $ « p.5** 5B CD -^ o ^ Bo md S
The ecology of Tijuana Estuary, The ecology of Tijuana Estuary, California : a national estuarine research reserve ecologyoftijuana00zedl Year: 1992 Table 3.2. Percent occurrence of the more abundant species in the transition from upland to wetland at the northernmost part of Tijuana Estuary. Data are from 0.25 m2 circular quadrats (numbers sampled in parentheses) taken per 40-cm elevation class (Zedler unpubl. data). Elevation Class3 Species 1 2 3 4 5 6 7 8 91011 (29) (99) (52) (25) (33) (30) (31) (34) (22) (33) ( 8 ) Artemisia californica Eriogonum fasciculatum Haplopappus venetus Rhus laur Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ecology-of-tijuana-estuary-the-ecology-of-tijuana-estuary-california-a-national-estuarine-research-reserve-ecologyoftijuana00zedl-year-1992-table-32-percent-occurrence-of-the-more-abundant-species-in-the-transition-from-upland-to-wetland-at-the-northernmost-part-of-tijuana-estuary-data-are-from-025-m2-circular-quadrats-numbers-sampled-in-parentheses-taken-per-40-cm-elevation-class-zedler-unpubl-data-elevation-class3-species-1-2-3-4-5-6-7-8-91011-29-99-52-25-33-30-31-34-22-33-8-artemisia-californica-eriogonum-fasciculatum-haplopappus-venetus-rhus-laur-image239846104.htmlRMRX5X48–The ecology of Tijuana Estuary, The ecology of Tijuana Estuary, California : a national estuarine research reserve ecologyoftijuana00zedl Year: 1992 Table 3.2. Percent occurrence of the more abundant species in the transition from upland to wetland at the northernmost part of Tijuana Estuary. Data are from 0.25 m2 circular quadrats (numbers sampled in parentheses) taken per 40-cm elevation class (Zedler unpubl. data). Elevation Class3 Species 1 2 3 4 5 6 7 8 91011 (29) (99) (52) (25) (33) (30) (31) (34) (22) (33) ( 8 ) Artemisia californica Eriogonum fasciculatum Haplopappus venetus Rhus laur
Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sealing-sasanian-sasanian-date-ca-7th-century-ad-iran-qasr-i-abu-nasr-sasanian-un-baked-clay-039-in-099-cm-clay-sealings-image344667283.htmlRM2B0MXHR–Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings
Pommel in the shape of coiled animals. Culture: Scythian. Dimensions: 0.91 x 1.57 in. (2.31 x 3.99 cm). Date: ca. 6th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pommel-in-the-shape-of-coiled-animals-culture-scythian-dimensions-091-x-157-in-231-x-399-cm-date-ca-6th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213081684.htmlRMPAJKT4–Pommel in the shape of coiled animals. Culture: Scythian. Dimensions: 0.91 x 1.57 in. (2.31 x 3.99 cm). Date: ca. 6th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
![Carte GeÃÅneÃÅrale de la Syrie, de la Palestine, et de l'Isle de Chypre Author L'Isle, Guillaume de 3.99. Place of publication: [Paris] Publisher: et PublieÃÅe par Joseph Nicolas de l'Isle frere de l'Auteur 1er Astronome GeÃÅog. de la Marine, Doyen ses Profess. Roy.e et de l'Acad. R.le des Sc. Sous les Auspices de M.gr le Duc de Choiseul Ministre et Secretaire d'Etat. ,c. ,c., Date of publication: Juillet 1764. Item type: 1 map Medium: copperplate engraving Dimensions: 35.0 x 48.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HK84/carte-generale-de-la-syrie-de-la-palestine-et-de-lisle-de-chypre-author-lisle-guillaume-de-399-place-of-publication-paris-publisher-et-publiee-par-joseph-nicolas-de-lisle-frere-de-lauteur-1er-astronome-geog-de-la-marine-doyen-ses-profess-roye-et-de-lacad-rle-des-sc-sous-les-auspices-de-mgr-le-duc-de-choiseul-ministre-et-secretaire-detat-c-c-date-of-publication-juillet-1764-item-type-1-map-medium-copperplate-engraving-dimensions-350-x-484-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HK84.jpg "Carte GeÃÅneÃÅrale de la Syrie, de la Palestine, et de l'Isle de Chypre Author L'Isle, Guillaume de 3.99. Place of publication: [Paris] Publisher: et PublieÃÅe par Joseph Nicolas de l'Isle frere de l'Auteur 1er Astronome GeÃÅog. de la Marine, Doyen ses Profess. Roy.e et de l'Acad. R.le des Sc. Sous les Auspices de M.gr le Duc de Choiseul Ministre et Secretaire d'Etat. ,c. ,c., Date of publication: Juillet 1764. Item type: 1 map Medium: copperplate engraving Dimensions: 35.0 x 48.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Carte GeÃÅneÃÅrale de la Syrie, de la Palestine, et de l'Isle de Chypre Author L'Isle, Guillaume de 3.99. Place of publication: [Paris] Publisher: et PublieÃÅe par Joseph Nicolas de l'Isle frere de l'Auteur 1er Astronome GeÃÅog. de la Marine, Doyen ses Profess. Roy.e et de l'Acad. R.le des Sc. Sous les Auspices de M.gr le Duc de Choiseul Ministre et Secretaire d'Etat. ,c. ,c., Date of publication: Juillet 1764. Item type: 1 map Medium: copperplate engraving Dimensions: 35.0 x 48.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carte-generale-de-la-syrie-de-la-palestine-et-de-lisle-de-chypre-author-lisle-guillaume-de-399-place-of-publication-paris-publisher-et-publiee-par-joseph-nicolas-de-lisle-frere-de-lauteur-1er-astronome-geog-de-la-marine-doyen-ses-profess-roye-et-de-lacad-rle-des-sc-sous-les-auspices-de-mgr-le-duc-de-choiseul-ministre-et-secretaire-detat-c-c-date-of-publication-juillet-1764-item-type-1-map-medium-copperplate-engraving-dimensions-350-x-484-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758676.htmlRM2E9HK84–Carte GeÃÅneÃÅrale de la Syrie, de la Palestine, et de l'Isle de Chypre Author L'Isle, Guillaume de 3.99. Place of publication: [Paris] Publisher: et PublieÃÅe par Joseph Nicolas de l'Isle frere de l'Auteur 1er Astronome GeÃÅog. de la Marine, Doyen ses Profess. Roy.e et de l'Acad. R.le des Sc. Sous les Auspices de M.gr le Duc de Choiseul Ministre et Secretaire d'Etat. ,c. ,c., Date of publication: Juillet 1764. Item type: 1 map Medium: copperplate engraving Dimensions: 35.0 x 48.4 cm Former owner: George III, King of Great Britain, 1738-1820
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (C) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Dong Jianghui/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-c-of-france-competes-during-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-dong-jianghuixinhuaalamy-live-news-image439399216.htmlRM2GETA54–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (C) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Dong Jianghui/Xinhua/Alamy Live News
Klomp Johannes Franziskus (1865-1946), Burgerwershuis, Kampen (0-0): Cutting and cutting the facade. Tusche watercolor on the box, 99.5 x 64.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Burgerwershuis, Kampen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/klomp-johannes-franziskus-1865-1946-burgerwershuis-kampen-0-0-cutting-and-cutting-the-facade-tusche-watercolor-on-the-box-995-x-644-cm-including-scan-edges-klomp-johannes-franziskus-1865-1946-burgerwershuis-kampen-image477592309.htmlRM2JN05T5–Klomp Johannes Franziskus (1865-1946), Burgerwershuis, Kampen (0-0): Cutting and cutting the facade. Tusche watercolor on the box, 99.5 x 64.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Burgerwershuis, Kampen
N.N., Bankalized Fulda from Kassel to Hannoversch Münden: Power map of the Fulda from KM 0.6 to 3.0: Depending plan 1: 2000. Lithograph colored on paper, 66.8 x 99.5 cm (including scan edges) N.N. : Kanalisierte Fulda von Kassel bis Hann. Münden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nn-bankalized-fulda-from-kassel-to-hannoversch-mnden-power-map-of-the-fulda-from-km-06-to-30-depending-plan-1-2000-lithograph-colored-on-paper-668-x-995-cm-including-scan-edges-nn-kanalisierte-fulda-von-kassel-bis-hann-mnden-image477631510.htmlRM2JN1YT6–N.N., Bankalized Fulda from Kassel to Hannoversch Münden: Power map of the Fulda from KM 0.6 to 3.0: Depending plan 1: 2000. Lithograph colored on paper, 66.8 x 99.5 cm (including scan edges) N.N. : Kanalisierte Fulda von Kassel bis Hann. Münden
Art inspired by Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.87 x 2.36 in. (2.21 x 5.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-panel-fragment-iron-age-iii-ca-8th7th-century-bc-iran-said-to-be-from-ziwiye-iran-ivory-087-x-236-in-221-x-599-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799237.htmlRF2HTX945–Art inspired by Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.87 x 2.36 in. (2.21 x 5.99 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Madame Réjane, 1898, Lithograph on wove paper, 18-1/2 x 13 in. (47.0 x 32.99 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-madame-rjane-1898-lithograph-on-wove-paper-18-12-x-13-in-470-x-3299-cm-prints-henri-de-toulouse-lautrec-french-albi-18641901-saint-andr-du-bois-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799854.htmlRF2HTX9X6–Art inspired by Madame Réjane, 1898, Lithograph on wove paper, 18-1/2 x 13 in. (47.0 x 32.99 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo](https://c8.alamy.com/comp/2AXH6RC/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-2AXH6RC.jpg "Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo")
Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-image343356592.htmlRM2AXH6RC–Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i—
Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.57 x 0.98 x 0.12 in. (3.99 x 2.49 x 0.3 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-iron-age-ii-ca-9th-century-bc-iran-hasanlu-iran-ivory-157-x-098-x-012-in-399-x-249-x-03-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799367.htmlRF2HTX98R–Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.57 x 0.98 x 0.12 in. (3.99 x 2.49 x 0.3 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Early Devonian fishes from Utah : Heteroostraci earlydevonianfis117deni Year: 1953 DENISON: EARLY DEVONIAN FISHES 341 The ornamentation consists of flat-topped ridges that number, on the dorsal disc, about 57 per cm. in the midhne anteriorly and about 79 per cm. laterally. In the dorsal disc, the maximum width (W) is 47.4 mm. and the length anterior to the growth center is estimated to be 48 mm., giving a W L ratio of 0.99. This is somewhat Fig. 78. Protaspis cf. bucheri, ventral view of dorsal shield; U.S.N.M. 20524 (X VA). narrower than in the Beartooth Butte P. bucheri of comparable si Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/early-devonian-fishes-from-utah-heteroostraci-earlydevonianfis117deni-year-1953-denison-early-devonian-fishes-341-the-ornamentation-consists-of-flat-topped-ridges-that-number-on-the-dorsal-disc-about-57-per-cm-in-the-midhne-anteriorly-and-about-79-per-cm-laterally-in-the-dorsal-disc-the-maximum-width-w-is-474-mm-and-the-length-anterior-to-the-growth-center-is-estimated-to-be-48-mm-giving-a-w-l-ratio-of-099-this-is-somewhat-fig-78-protaspis-cf-bucheri-ventral-view-of-dorsal-shield-usnm-20524-x-va-narrower-than-in-the-beartooth-butte-p-bucheri-of-comparable-si-image240690584.htmlRMRYGB88–Early Devonian fishes from Utah : Heteroostraci earlydevonianfis117deni Year: 1953 DENISON: EARLY DEVONIAN FISHES 341 The ornamentation consists of flat-topped ridges that number, on the dorsal disc, about 57 per cm. in the midhne anteriorly and about 79 per cm. laterally. In the dorsal disc, the maximum width (W) is 47.4 mm. and the length anterior to the growth center is estimated to be 48 mm., giving a W L ratio of 0.99. This is somewhat Fig. 78. Protaspis cf. bucheri, ventral view of dorsal shield; U.S.N.M. 20524 (X VA). narrower than in the Beartooth Butte P. bucheri of comparable si
Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sealing-sasanian-sasanian-date-ca-7th-century-ad-iran-qasr-i-abu-nasr-sasanian-un-baked-clay-039-in-099-cm-clay-sealings-image344667308.htmlRM2B0MXJM–Sealing, Sasanian, Sasanian, Date ca. 7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Un-baked clay, 0.39 in. (0.99 cm), Clay-Sealings
Plaque fragment. Culture: Iran. Dimensions: 1.18 x 1.57 x 0.31 in. (3 x 3.99 x 0.79 cm). Date: ca. 9th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-fragment-culture-iran-dimensions-118-x-157-x-031-in-3-x-399-x-079-cm-date-ca-9th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213324309.htmlRMPB1N99–Plaque fragment. Culture: Iran. Dimensions: 1.18 x 1.57 x 0.31 in. (3 x 3.99 x 0.79 cm). Date: ca. 9th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (R) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Dong Jianghui/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-sasha-zhoya-r-of-france-competes-during-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-dong-jianghuixinhuaalamy-live-news-image439399197.htmlRM2GETA4D–Nairobi, Kenya. 21st Aug, 2021. Sasha Zhoya (R) of France competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Dong Jianghui/Xinhua/Alamy Live News
N.N., channeled Fulda from Kassel to Hannoversch Münden: Power map of the Fulda from KM 15.3 to 17.0: Department 1: 2000. Lithograph colored on paper, 62.3 x 99.7 cm (including scan edges) N.N. : Kanalisierte Fulda von Kassel bis Hann. Münden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nn-channeled-fulda-from-kassel-to-hannoversch-mnden-power-map-of-the-fulda-from-km-153-to-170-department-1-2000-lithograph-colored-on-paper-623-x-997-cm-including-scan-edges-nn-kanalisierte-fulda-von-kassel-bis-hann-mnden-image477631531.htmlRM2JN1YTY–N.N., channeled Fulda from Kassel to Hannoversch Münden: Power map of the Fulda from KM 15.3 to 17.0: Department 1: 2000. Lithograph colored on paper, 62.3 x 99.7 cm (including scan edges) N.N. : Kanalisierte Fulda von Kassel bis Hann. Münden
Seasonal Flowers Sakai Hoitsu (Japanese, 1761-1828). , 19th century. Hanging scroll, ink and color on silk, image: 39 x 13 in. (99.1 x 33.0 cm). Asian Art 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seasonal-flowers-sakai-hoitsu-japanese-1761-1828-19th-century-hanging-scroll-ink-and-color-on-silk-image-39-x-13-in-991-x-330-cm-asian-art-19th-century-image504720429.htmlRM2M9401H–Seasonal Flowers Sakai Hoitsu (Japanese, 1761-1828). , 19th century. Hanging scroll, ink and color on silk, image: 39 x 13 in. (99.1 x 33.0 cm). Asian Art 19th century
Unknown architect, village church with 300 seats. Monthly competition in January 1865 (01.1865): Tower and entrance view tower; 1:60, scale bar. Ink and pencil on cardboard, 99 x 59.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-village-church-with-300-seats-monthly-competition-in-january-1865-011865-tower-and-entrance-view-tower-160-scale-bar-ink-and-pencil-on-cardboard-99-x-596-cm-including-scan-edges-image477435960.htmlRM2JMN2C8–Unknown architect, village church with 300 seats. Monthly competition in January 1865 (01.1865): Tower and entrance view tower; 1:60, scale bar. Ink and pencil on cardboard, 99 x 59.6 cm (including scan edges)
Michigan official directory and legislative manual for the years .. . ft^ OS „ - lis II«itlt ? Il «I s s^.l isiS5!555?53S !5. 1 284 INCORPORATED CITIES OF MICHIGAN. M * $ g SffiS-r ft j cm 99 ft 2; ^ ti^i * a ^£ H-^^ftO ... „ft03 13 . o eo a dj .-as* agtc ftp! H & TO CO PS. •J5 co 10 j co 0) -i 3 . -cc CM CCr-0> lO .wto . ft^i gftft«^M ?„ft .> *3a£ «T •-cc TO to cf c3o »o ,-t CO OOlH 2 CO CO 2 ^giftifti^ CO . ..O. ft . ft - ft£-CO - ^-i lO S-i CO ! i roSgggggcSg^ CO^HO^^gft ^8? TO os aft to TO to « ft -f o e» *»jco co £ £«w^gs >^<ffl CM a © ft CO - a) aft© sa a ^2 8§a sa W TO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michigan-official-directory-and-legislative-manual-for-the-years-ft-os-lis-iiitlt-il-i-s-sl-isis5!55553s-!5-1-284-incorporated-cities-of-michigan-m-g-sffis-r-ft-j-cm-99-ft-2-tii-a-h-fto-ft03-13-o-eo-a-dj-as-agtc-ftp!-h-to-co-ps-j5-co-10-j-co-0-i-3-cc-cm-ccr-0gt-lo-wto-fti-gftftm-ft-gt-3a-t-cc-to-to-cf-c3o-o-t-co-oolh-2-co-co-2-giftifti-co-o-ft-ft-ft-co-i-lo-s-i-co-!-i-rosgggggcsg-cohogft-8-to-os-aft-to-to-to-ft-f-o-e-jco-co-wgs-gtltffl-cm-a-ft-co-a-aft-sa-a-2-8a-sa-w-to-image339140284.htmlRM2AKN4W0–Michigan official directory and legislative manual for the years .. . ft^ OS „ - lis II«itlt ? Il «I s s^.l isiS5!555?53S !5. 1 284 INCORPORATED CITIES OF MICHIGAN. M * $ g SffiS-r ft j cm 99 ft 2; ^ ti^i * a ^£ H-^^ftO ... „ft03 13 . o eo a dj .-as* agtc ftp! H & TO CO PS. •J5 co 10 j co 0) -i 3 . -cc CM CCr-0> lO .wto . ft^i gftft«^M ?„ft .> *3a£ «T •-cc TO to cf c3o »o ,-t CO OOlH 2 CO CO 2 ^giftifti^ CO . ..O. ft . ft - ft£-CO - ^-i lO S-i CO ! i roSgggggcSg^ CO^HO^^gft ^8? TO os aft to TO to « ft -f o e» *»jco co £ £«w^gs >^<ffl CM a © ft CO - a) aft© sa a ^2 8§a sa W TO
Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.18 x 1.57 x 0.31 in. (3 x 3.99 x 0.79 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-iron-age-ii-ca-9th-century-bc-iran-hasanlu-iran-ivory-118-x-157-x-031-in-3-x-399-x-079-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799368.htmlRF2HTX98T–Art inspired by Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.18 x 1.57 x 0.31 in. (3 x 3.99 x 0.79 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jansen Hermann (1869-1945), total development plan Ankara. Partial development plan exterior (01.03.1930): southern city expansion, overview plan of the traffic roads 1: 4000. Ink on transparent, 67.5 x 99.2 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Teilbebauungsplan äußere Stadt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-partial-development-plan-exterior-01031930-southern-city-expansion-overview-plan-of-the-traffic-roads-1-4000-ink-on-transparent-675-x-992-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-teilbebauungsplan-uere-stadt-image477496103.htmlRM2JMRR47–Jansen Hermann (1869-1945), total development plan Ankara. Partial development plan exterior (01.03.1930): southern city expansion, overview plan of the traffic roads 1: 4000. Ink on transparent, 67.5 x 99.2 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Teilbebauungsplan äußere Stadt
Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Rock crystal, 0.28 x 0.39 in. (0.71 x 0.99 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-3rd7th-century-ad-iran-sasanian-rock-crystal-028-x-039-in-071-x-099-cm-stone-stamp-seals-image344674151.htmlRM2B0N7B3–Stamp seal, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Sasanian, Rock crystal, 0.28 x 0.39 in. (0.71 x 0.99 cm), Stone-Stamp Seals
The ecology of Tijuana Estuary, California : a national estuarine research reserve ecologyoftijuana00zedl Year: 1992 Table 3.2. Percent occurrence of the more abundant species in the transition from upland to wetland at the northernmost part of Tijuana Estuary. Data are from 0.25 m2 circular quadrats (numbers sampled in parentheses) taken per 40-cm elevation class (Zedler unpubl. data). Elevation Class3 Species 1 2 3 4 5 6 7 8 91011 (29) (99) (52) (25) (33) (30) (31) (34) (22) (33) ( 8 ) Artemisia californica Eriogonum fasciculatum Haplopappus venetus Rhus laurina Atriplex semibaccata Cressa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ecology-of-tijuana-estuary-california-a-national-estuarine-research-reserve-ecologyoftijuana00zedl-year-1992-table-32-percent-occurrence-of-the-more-abundant-species-in-the-transition-from-upland-to-wetland-at-the-northernmost-part-of-tijuana-estuary-data-are-from-025-m2-circular-quadrats-numbers-sampled-in-parentheses-taken-per-40-cm-elevation-class-zedler-unpubl-data-elevation-class3-species-1-2-3-4-5-6-7-8-91011-29-99-52-25-33-30-31-34-22-33-8-artemisia-californica-eriogonum-fasciculatum-haplopappus-venetus-rhus-laurina-atriplex-semibaccata-cressa-image240665854.htmlRMRYF7N2–The ecology of Tijuana Estuary, California : a national estuarine research reserve ecologyoftijuana00zedl Year: 1992 Table 3.2. Percent occurrence of the more abundant species in the transition from upland to wetland at the northernmost part of Tijuana Estuary. Data are from 0.25 m2 circular quadrats (numbers sampled in parentheses) taken per 40-cm elevation class (Zedler unpubl. data). Elevation Class3 Species 1 2 3 4 5 6 7 8 91011 (29) (99) (52) (25) (33) (30) (31) (34) (22) (33) ( 8 ) Artemisia californica Eriogonum fasciculatum Haplopappus venetus Rhus laurina Atriplex semibaccata Cressa
Madame Réjane. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 18-1/2 x 13 in. (47.0 x 32.99 cm). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madame-rjane-artist-henri-de-toulouse-lautrec-french-albi-1864-1901-saint-andr-du-bois-dimensions-18-12-x-13-in-470-x-3299-cm-date-1898-museum-metropolitan-museum-of-art-new-york-usa-image213247925.htmlRMPAX7W9–Madame Réjane. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 18-1/2 x 13 in. (47.0 x 32.99 cm). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.
Nairobi, Kenya. 21st Aug, 2021. Cheung Siu Hang (R) of Hong Kong of China competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Long Lei/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-cheung-siu-hang-r-of-hong-kong-of-china-competes-during-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-long-leixinhuaalamy-live-news-image439451025.htmlRM2GEXM7D–Nairobi, Kenya. 21st Aug, 2021. Cheung Siu Hang (R) of Hong Kong of China competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Long Lei/Xinhua/Alamy Live News
Report of the Bureau of Mines of the Department of Internal Affairs of Pennsylvania . COeOCMC^O CO t- W^ L-tl CO MCQfHiaC) rH04 t-^r-cooo^ecgeoc rH L3 rH CO CO r-i-^coooioc^c;oi c^ »ra rnVi w ^ -rpooo(Meoc5 ^i^ - O C^ -*4; £ cd 5<m C^l«S I-H O CC OJ ^^-»-<* lO CO 00 »H fH Ol QOooo o O ro-C0 og O CO « GO T-^ g> ca »rt -»j< 2; 2 5 ) OC CM Ol G ) ; ! C-- 00 lO o 1M 55 w •- CO poJ C5 o^ o i-H <o to ? r= T? <»-^ N 5; f<-^lO00 11-. in cri O <M t- 000<0 CO t-t-eO «3 CMOO O ^ CO c3 •?^ ^ C — 0) ^ <3J3 C SB : ? Tj ? • ? ? ?« e S ^ - • ?^ ^- : tc S C--10-99 xxxlv ANNUAL REP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/report-of-the-bureau-of-mines-of-the-department-of-internal-affairs-of-pennsylvania-coeocmco-co-t-w-l-tl-co-mcqfhiac-rh04-t-r-coooecgeoc-rh-l3-rh-co-co-r-i-coooioccoi-c-ra-rnvi-w-rpooomeoc5-i-o-c-4-cd-5ltm-cls-i-h-o-cc-oj-lt-lo-co-00-h-fh-ol-qoooo-o-o-ro-c0-og-o-co-go-t-ggt-ca-rt-jlt-2-2-5-oc-cm-ol-g-!-c-00-lo-o-1m-55-w-co-poj-c5-o-o-i-h-lto-to-r=-t-lt-n-5-flt-lo00-11-in-cri-o-ltm-t-000lt0-co-t-t-eo-3-cmoo-o-co-c3-c-0-lt3j3-c-sb-tj-e-s-tc-s-c-10-99-xxxlv-annual-rep-image338300502.htmlRM2AJAWMP–Report of the Bureau of Mines of the Department of Internal Affairs of Pennsylvania . COeOCMC^O CO t- W^ L-tl CO MCQfHiaC) rH04 t-^r-cooo^ecgeoc rH L3 rH CO CO r-i-^coooioc^c;oi c^ »ra rnVi w ^ -rpooo(Meoc5 ^i^ - O C^ -*4; £ cd 5<m C^l«S I-H O CC OJ ^^-»-<* lO CO 00 »H fH Ol QOooo o O ro-C0 og O CO « GO T-^ g> ca »rt -»j< 2; 2 5 ) OC CM Ol G ) ; ! C-- 00 lO o 1M 55 w •- CO poJ C5 o^ o i-H <o to ? r= T? <»-^ N 5; f<-^lO00 11-. in cri O <M t- 000<0 CO t-t-eO «3 CMOO O ^ CO c3 •?^ ^ C — 0) ^ <3J3 C SB : ? Tj ? • ? ? ?« e S ^ - • ?^ ^- : tc S C--10-99 xxxlv ANNUAL REP
Art inspired by Christ Presented to the People, 1560–99, Pen and gray ink and gray wash, with white heightening, 10.9 x 7.0 in. (27.7 x 17.8 cm), Drawings, Caspar Fraisinger (German, Ochsenhausen near Biberach ca. 1560–1599 Ingolstadt, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-presented-to-the-people-156099-pen-and-gray-ink-and-gray-wash-with-white-heightening-109-x-70-in-277-x-178-cm-drawings-caspar-fraisinger-german-ochsenhausen-near-biberach-ca-15601599-ingolstadt-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950861.htmlRF2HW56F9–Art inspired by Christ Presented to the People, 1560–99, Pen and gray ink and gray wash, with white heightening, 10.9 x 7.0 in. (27.7 x 17.8 cm), Drawings, Caspar Fraisinger (German, Ochsenhausen near Biberach ca. 1560–1599 Ingolstadt, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jansen Hermann (1869-1945), total development plan Ankara. Partial development plan Outer Stadt (April 11, 1930): Overview plan on basic map 1: 2000, 2 street profiles, Yeni Sehir, overall planning including the government district. Ink and pencil on transparent, 99.9 x 85.3 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Teilbebauungsplan äußere Stadt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-partial-development-plan-outer-stadt-april-11-1930-overview-plan-on-basic-map-1-2000-2-street-profiles-yeni-sehir-overall-planning-including-the-government-district-ink-and-pencil-on-transparent-999-x-853-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-teilbebauungsplan-uere-stadt-image477496100.htmlRM2JMRR44–Jansen Hermann (1869-1945), total development plan Ankara. Partial development plan Outer Stadt (April 11, 1930): Overview plan on basic map 1: 2000, 2 street profiles, Yeni Sehir, overall planning including the government district. Ink and pencil on transparent, 99.9 x 85.3 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Teilbebauungsplan äußere Stadt
Cylinder seal and modern impression, Mitanni, Mitanni, Date ca. 1500–1350 B.C., Syria, Mitanni, Chalcedony, 0.71 x 0.39 in. (1.8 x 0.99 cm), Stone-Cylinder Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cylinder-seal-and-modern-impression-mitanni-mitanni-date-ca-15001350-bc-syria-mitanni-chalcedony-071-x-039-in-18-x-099-cm-stone-cylinder-seals-image344674006.htmlRM2B0N75X–Cylinder seal and modern impression, Mitanni, Mitanni, Date ca. 1500–1350 B.C., Syria, Mitanni, Chalcedony, 0.71 x 0.39 in. (1.8 x 0.99 cm), Stone-Cylinder Seals
Ecological study of the Amoco Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission ecologicalstudyo00noaa Year: 1982 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecological-study-of-the-amoco-ecological-study-of-the-amoco-cadiz-oil-spill-report-of-the-noaa-cnexo-joint-scientific-commission-ecologicalstudyo00noaa-year-1982-1phc-c3p-202119-9-vq-9-c3o8t-350-310-230-figure-352-august-1979-iphc-c3p-202lngggt-iiig91-c3obt-0-5-m-5-10-10-15-15-20-mv1-i-100-550-100-amoco-cadiz-oil-pyrogenic-biogenic-130-170-0-2-mm-1-10-mm-1-2-cm-2-3-cm-31-cm-1-5-cm-5-locm-imc-tpggl-5900-3100-3-300-3-700-22000-3300-8810-c3p-20299-c3o8t-330-1-100-lie-grande-oiled-sedi-ment-cores-75-image239850650.htmlRMRX63XJ–Ecological study of the Amoco Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission ecologicalstudyo00noaa Year: 1982 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75
Sword Guard (Tsuba). Culture: Japanese. Dimensions: Diam. 3 1/4 in. (8.3 cm); thickness 3/16 in. (0.5 cm); Wt. 3.5 oz. (99.2 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-dimensions-diam-3-14-in-83-cm-thickness-316-in-05-cm-wt-35-oz-992-g-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212873999.htmlRMPA96XR–Sword Guard (Tsuba). Culture: Japanese. Dimensions: Diam. 3 1/4 in. (8.3 cm); thickness 3/16 in. (0.5 cm); Wt. 3.5 oz. (99.2 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Nairobi, Kenya. 21st Aug, 2021. Cheung Siu Hang (C) of Hong Kong of China competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Long Lei/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nairobi-kenya-21st-aug-2021-cheung-siu-hang-c-of-hong-kong-of-china-competes-during-the-mens-110m-hurdles-990-cm-final-at-the-2021-world-athletics-u20-championships-in-nairobi-kenya-aug-21-2021-credit-long-leixinhuaalamy-live-news-image439451050.htmlRM2GEXM8A–Nairobi, Kenya. 21st Aug, 2021. Cheung Siu Hang (C) of Hong Kong of China competes during the men's 110m hurdles (99.0 cm) final at the 2021 World Athletics U20 Championships in Nairobi, Kenya, Aug. 21, 2021. Credit: Long Lei/Xinhua/Alamy Live News
Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . m JZ 3 0> -a — G - d n OO a c 0 «5 > C3 «.^ cO o , Efl o ^ U- X Q EQ E ^ E en E o -C r- O0 (N) (U < i X J3op 3 00 X CM r- cs ^E !Q E s co«^ < in C/3 mJ OO 3C ^^3 O 00 T. „ Os u -m — .0 45 C OC «J 1 u 3 *:> 0 08 < -C cw 13 t/i c-a H c0 U CL S £ < E vn 00 [fi <N N w - J3 „ .2P r <u X X .-3 -C d z in u — s ca OS oc .5P£ 176 ANNALS OF THE SOUTH AFRICAN MUSEUM. Fig. 99. Utensil, 176. Beer-beaker, Mpondo, Flagstaff district, Transkei 1932 (UCT 32/41). Height 292 mm. OBJECTS OTHER THAN BASKETS Ba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annals-of-the-south-african-museumannale-van-die-suid-afrikaanse-museum-m-jz-3-0gt-a-g-d-n-oo-a-c-0-5-gt-c3-co-o-efl-o-u-x-q-eq-e-e-en-e-o-c-r-o0-n-u-lt-i-x-j3op-3-00-x-cm-r-cs-e-!q-e-s-co-lt-in-c3-mj-oo-3c-3-o-00-t-os-u-m-0-45-c-oc-j-1-u-3-gt-0-08-lt-c-cw-13-ti-c-a-h-c0-u-cl-s-lt-e-vn-00-fi-ltn-n-w-j3-2p-r-ltu-x-x-3-c-d-z-in-u-s-ca-os-oc-5p-176-annals-of-the-south-african-museum-fig-99-utensil-176-beer-beaker-mpondo-flagstaff-district-transkei-1932-uct-3241-height-292-mm-objects-other-than-baskets-ba-image342712500.htmlRM2AWFW84–Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . m JZ 3 0> -a — G - d n OO a c 0 «5 > C3 «.^ cO o , Efl o ^ U- X Q EQ E ^ E en E o -C r- O0 (N) (U < i X J3op 3 00 X CM r- cs ^E !Q E s co«^ < in C/3 mJ OO 3C ^^3 O 00 T. „ Os u -m — .0 45 C OC «J 1 u 3 *:> 0 08 < -C cw 13 t/i c-a H c0 U CL S £ < E vn 00 [fi <N N w - J3 „ .2P r <u X X .-3 -C d z in u — s ca OS oc .5P£ 176 ANNALS OF THE SOUTH AFRICAN MUSEUM. Fig. 99. Utensil, 176. Beer-beaker, Mpondo, Flagstaff district, Transkei 1932 (UCT 32/41). Height 292 mm. OBJECTS OTHER THAN BASKETS Ba
Art inspired by Illustrated letter to M. Roland, 1840–99, Pen and brown ink on machine-laid paper, 8 1/8 x 10 5/8 in. (20.6 x 27.0 cm), Drawings, Marie-Rosalie Bonheur (French, Bordeaux 1822–1899 Melun, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-illustrated-letter-to-m-roland-184099-pen-and-brown-ink-on-machine-laid-paper-8-18-x-10-58-in-206-x-270-cm-drawings-marie-rosalie-bonheur-french-bordeaux-18221899-melun-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956520.htmlRF2HW5DNC–Art inspired by Illustrated letter to M. Roland, 1840–99, Pen and brown ink on machine-laid paper, 8 1/8 x 10 5/8 in. (20.6 x 27.0 cm), Drawings, Marie-Rosalie Bonheur (French, Bordeaux 1822–1899 Melun, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Stamp seal, Bactria-Margiana Archaeological Complex, Bronze Age, Date ca. late 3rd–early 2nd millennium B.C., Bactria-Margiana, Bactria-Margiana Archaeological Complex, Copper alloy, 0.39 in. (0.99 cm), Metalwork-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-bactria-margiana-archaeological-complex-bronze-age-date-ca-late-3rdearly-2nd-millennium-bc-bactria-margiana-bactria-margiana-archaeological-complex-copper-alloy-039-in-099-cm-metalwork-stamp-seals-image344673907.htmlRM2B0N72B–Stamp seal, Bactria-Margiana Archaeological Complex, Bronze Age, Date ca. late 3rd–early 2nd millennium B.C., Bactria-Margiana, Bactria-Margiana Archaeological Complex, Copper alloy, 0.39 in. (0.99 cm), Metalwork-Stamp Seals
Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission ecologicalstudyo00noaa Year: 1982 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecological-study-of-the-amoco-cadiz-oil-spill-report-of-the-noaa-cnexo-joint-scientific-commission-ecologicalstudyo00noaa-year-1982-1phc-c3p-202119-9-vq-9-c3o8t-350-310-230-figure-352-august-1979-iphc-c3p-202lngggt-iiig91-c3obt-0-5-m-5-10-10-15-15-20-mv1-i-100-550-100-amoco-cadiz-oil-pyrogenic-biogenic-130-170-0-2-mm-1-10-mm-1-2-cm-2-3-cm-31-cm-1-5-cm-5-locm-imc-tpggl-5900-3100-3-300-3-700-22000-3300-8810-c3p-20299-c3o8t-330-1-100-lie-grande-oiled-sedi-ment-cores-75-image240707158.htmlRMRYH4C6–Ecological study of the Amoco Cadiz oil spill : report of the NOAA-CNEXO Joint Scientific Commission ecologicalstudyo00noaa Year: 1982 1PHC C3P 202119 9 vq 9) C3O8T 350 310 230 FIGURE 3.52. AUGUST 1979 IPHC C3P 202lng,g> iiig/91 C3OBT 0-5 ^M 5-10 10-15 15-20 Mv1' I 100 550 100 AMOCO CADIZ OIL PYROGENIC BIOGENIC 130 170 0-2 mm ,1 -10 mm 1-2 cm 2-3 cm ^ ^ 3—1 cm 1-5 cm 5-lOcm I?MC tpg.gl 5900 3100 3 300 3 700 22000 3300 8810 C3P 202(^99) C3O8T 330 1 100 lie Grande (oiled) sedi- ment cores. 75
Sword Guard (Tsuba). Culture: Japanese. Dimensions: Diam. 3 3/16 in. (8.1 cm); thickness 3/16 in. (0.5 cm); Wt. 3.5 oz. (99.2 g). Date: 17th-18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-dimensions-diam-3-316-in-81-cm-thickness-316-in-05-cm-wt-35-oz-992-g-date-17th-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213083031.htmlRMPAJNG7–Sword Guard (Tsuba). Culture: Japanese. Dimensions: Diam. 3 3/16 in. (8.1 cm); thickness 3/16 in. (0.5 cm); Wt. 3.5 oz. (99.2 g). Date: 17th-18th century. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 0 99 cm Stock Photos and Images (477)
Page 1 of 5