Gazette du Bon Ton Art Modes & Frovolites Famous Fashion Houses 1912 -1925 Lucien Vogel France Royal Twenties( Designs by George Lepape, Garcia Calderon, Francisco Gose, Andre Edouard Marty, Drian, Pierre Brissaud, Pierre Morgue, Robert Bonfils, Jose Zinovieuw )

RMID:F344HH

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Contributor:

Peter Horree / Alamy Stock Photo

Image ID:

F344HH

File size:

28.7 MB (2.8 MB Compressed download)

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Model - no | Property - noDo I need a release?

Dimensions:

3011 x 3336 px | 25.5 x 28.2 cm | 10 x 11.1 inches | 300dpi

Date taken:

15 September 2015

More information:

This image could have imperfections as it’s either historical or reportage.

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RMF36MK1–Arrow of Gold Gown 1925 from Gazette du Bon Ton Art - Modes & Frivolites by Paul French Paris France

RM2RWG3FK–The Woman with the Emerald. Tiger coat by Max-Leroy. Art-deco fashion illustration created for the Gazette du Bon Ton, a Parisian fashion magazine published between 1912-1915 and 1919-1925.

RM2GN03KK–Deux heures du matin / Manteaux, de Worth from Gazette du Bon Ton. Art- Modes & Frivolités No. 2 (1923) fashion illustration by George Barbier.

RMPD9G8K–Isola Bella. Beautiful Island. (Lake Maggiore, Italy). Robes de soir de Redfern. Evening dresses by Redfern. Art-deco fashion illustration by French artist Georges Barbier, 1882-1932. The work was created for the Gazette du Bon Ton, a Parisian fashion magazine published between 1912-1915 and 1919-1925.

RM2DNTN1P–George Barber, N'en dites Rien. Robe d'après midi de Paquin (Illustration from Gazette du Bon Ton, No.10 - Août 1913), paper, opaque watercolor, line over-etching, stencil printing (pochoir), pochoir and line etching, Total: Height: 24,5 cm; Width: 19 cm, signed and dated: recto u. r. in plate: G. BARBIER 1913, inscribed: recto u. in plate: N'EN DITES RIEN, Robe d'après-midi de Paquin, printmaking,printing, woman, fashion, clothing, dress, art deco

RF2HKA6CK–Inspired by Gazette du Bon Ton 1923, No. 5, Pl. 23: La Femme a l'Émeraude - Manteau en tigre, de Max-Leroy, Woman in fur coat with tiger motif by the designer Max-Leroy, walking past large plants. In the right hand, a large fan (?), print maker: Charles Martin, Max. A. Leroy, Paris, 1923, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2DNTN14–George Barbier, Cortège (illustration from Gazette du Bon Ton, No. 2, 1924-25), paper, line etching, stencil printing (pochoir), pochoir and line etching, Total: Height: 24.5 cm; Width: 19 cm, signed and dated: recto o. re. in the printing plate: GEORGE BARBIER 1924, inscribed: recto u. in the printing plate: CORTÈGE, ROBES DU SOIR, DE WORTH, prints, printed matter, fashionable, elegant woman, 'Belle', fashion, clothes, clothing, feathers (for clothes, fashion), fans, accessories, accessories of clothes, dress, art deco

RMRWBJ6X–Fashion plate from 'Gazette du Bon Ton' illustrating a coat by Paul Poiret, 1920, Art Deco, Georges Lepape

RF2FMPTT7–George Barbier - The Science Tree - 1914

RMCY6XA3–WOMENS' FASHION An evening dress from La Gazette du Bon Ton in 1914

RM2HCR95G–“Le Depart pour le Casino”, a vintage illustration by the French artist, George Barbier (1882–1932), letterpress print, 1923

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Gazette du Bon Ton Art Modes & Frovolites Famous Fashion Houses 1912 -1925 Lucien Vogel France Royal Twenties( Designs by George Lepape, Garcia Calderon, Francisco Gose, Andre Edouard Marty, Drian, Pierre Brissaud, Pierre Morgue, Robert Bonfils, Jose Zinovieuw )

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