Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicely stretched. 18th century. Prado Museum. Madrid. Spain.

RMID:EGTC7E

Preview

Buy the print

Image details

Contributor:

PRISMA ARCHIVO / Alamy Stock Photo

Image ID:

EGTC7E

File size:

46 MB (5 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3375 x 4765 px | 28.6 x 40.3 cm | 11.3 x 15.9 inches | 300dpi

Date taken:

14 November 2011

Photographer:

Prisma Archivo

More information:

This image could have imperfections as it’s either historical or reportage.

Search stock photos by tags

Similar stock images

RMEGTC82–Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid.

RMP53058–Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid.

RMB1576G–fine arts, Goya y Lucientes, Francisco de (1746 - 1828), graphic, etching, 'Los Caprichos' (That dust), from the series 'Los Caprichos' (The caprices), 1796 / 1797, private collection, Artist's Copyright has not to be cleared

RM2TCNCJP–‘Que viene el Coco’ [Here comes the bogey-man] plate 3 from Los Caprichos [The Caprices] a series of 80 illustrations about the universal follies and foolishness in Spanish society created by Francisco Goya (1746-1828) published in 1799.

RF2HW4YDC–Art inspired by The Caprices (Los Caprichos), plates 1-80, 1799, Etching, aquatint, drypoint, and burin, Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2A52EB4–The Caprichos: A Bad Night, 1799. A Bad Night is from Los Caprichos (Caprices), a set of 80 prints that satirize the vices and follies of contemporary Spanish society. Goya explored the themes of superstition and sensuality, greed and violence, and immorality and deceit practiced by men and women who appear alternately as aggressors and victims. He parodied ignorance and studipity as well as the corruption of the church and government. Goya exploited aquatint to create a dramatic contrast of light and shade through the biting and burnishing of richly textured or velvet-smooth aquatint grains.

RMEGTD4W–Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts. Prado Museum. Madrid.

RMP5305M–Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid.

RMAT55YT–fine arts, Goya y Lucientes, Francisco de (1746 - 1828), graphic, etching, 'Bien tirada esta', from the series 'Los Caprichos' (The caprices), 1796 / 1797, 18.6 cm x 12.5 cm, private collection, Artist's Copyright has not to be cleared

RF2HW5075–Art inspired by Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799, Etching, burnished aquatint and burin, Image: 8 7/16 × 6 3/16 in. (21.5 × 15.7 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2A52EBM–The Caprices: They Spin Finely (Los Caprichos: Hilan Delgado), 1799.

RMEGTE0W–Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid.

RMP5304T–Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts. Prado Museum. Madrid.

Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicely stretched. 18th century. Prado Museum. Madrid. Spain.

Image details

Search stock photos by tags

Get great features with your free account

Get inspired for your next project!