Programme . s entitled: Sinfonia 5tada lyuigi van Beethoven. The dedication was suppressed when the score was published in1826, and the title then read: Cinquieme Sinfonie en ut mineur;C moll: de Louis van Beethoven. The rehearsals for the first performance were stormy. The orchestraresented Beethovens brusque behavior. In the performance of theFantasia with chorus at the concert, the orchestra made a mistake,and Beethoven arose and exclaimed to the players: Silence! silence!Thats not right. Once more, once more. He thought it was his dutyto correct the fault, and that the audience deserved a

Programme . s entitled: Sinfonia 5tada lyuigi van Beethoven. The dedication was suppressed when the score was published in1826, and the title then read: Cinquieme Sinfonie en ut mineur;C moll: de Louis van Beethoven. The rehearsals for the first performance were stormy. The orchestraresented Beethovens brusque behavior. In the performance of theFantasia with chorus at the concert, the orchestra made a mistake,and Beethoven arose and exclaimed to the players: Silence! silence!Thats not right. Once more, once more. He thought it was his dutyto correct the fault, and that the audience deserved a Stock Photo
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Programme . s entitled: Sinfonia 5tada lyuigi van Beethoven. The dedication was suppressed when the score was published in1826, and the title then read: Cinquieme Sinfonie en ut mineur;C moll: de Louis van Beethoven. The rehearsals for the first performance were stormy. The orchestraresented Beethovens brusque behavior. In the performance of theFantasia with chorus at the concert, the orchestra made a mistake, and Beethoven arose and exclaimed to the players: Silence! silence!Thats not right. Once more, once more. He thought it was his dutyto correct the fault, and that the audience deserved a perfect perform-ance. The Viennese correspondent of the Allgemeine MusikalischeZeitung of Leipsic stated in his short account of the concert that theperformance was generally weak. In 1810 E. T. A. Hoffmann wrote the first long analysis and seriousreview of the work, and it may be said that this fantastical writer andmusician was the first man of acknowledged reputation to appreciatethe grandeur of the work.. HATS AND FURS PROPER SHAPES IN LADIES ROUND HATS, ^A^ALKING, GOLFING, AND HUNTING HATS. RICH FURS OF EVERY DESCRIPTION COLLINS & FAIRBANKS COHPANY, . BOSTON ait INewLngland , Conservatory OF MUSIC Huntington Avenue, Boston.GEORGE W. CHADWICK, Director. The management takes pleasure in announcing the engage-ment of SIGNOR PIETRO VALLINI of Milan, Italy, as a member of the Vocal Faculty. Among his pupils may be mentioned Signor Costantini, nowwith the Metropolitan Opera Company ; Signor Augustini, thefamous tenor, who has sung in the leading cities of Europe ;Madame Darclee, who was selected by Gounod to succeed Pattiin the soprano role in Romeo and Juliet. Other pupils fa-mous in Europe as opera singers are Burchi, Montanari, Guidice, Othon, Julia, and Cioni. Signor Vallini will be in daily attendance at the Conservatory as a teacher of voice, and will conduct the Opera School, whichwas so successfully initiated by the late Signor Oreste Bimboni. FOR TERMS APPLY TO RALPH L. T