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Sanguine drawing Stock Photos and Images
RM2T8NNDW–Rome, Palazzo Barberini, side portal of the great hall, preliminary design, 1631, architectural drawing, paper, medium weight; sanguine drawing; Drawing in sanguine, 23 x 13.7 cm
RFW3G3YG–Woman with casual clothes painting with sanguine or red chalk. Drawing at home in front of a sunny window with easel.
RM2T9RBKD–Domenico Passignano, The Head of a Youth, portrait drawing in sanguine on laid paper, 1600-1625
RMPNCEN3–Self-portrait. Drawing. Black chalk and sanguine on paper. Author: MARATTA, CARLO. Carlo Maratti.
RMHKGG46–Oratorium Christi ad radicem Montis Olivarum, seu antrum in quo solitus erat orare, in quo et sanguine et aqua sudavit, Cootwijck Johannes Van 1619
RM2B8N6A6–Drawing ornament: the arms of France, 1761 Anonyme. Dessin d'ornement : aux armes de France, 1761. Plume, sanguine, crayon. 1761. Paris, musée Carnavalet.
![Regarding his drawing work for the week. Transcription: and issue from the womb, the Landmarks of time flitting inexorable by, it behoves them to know for What they Live. And of false ends, and lastly of the true one, as manifest in that of Jesus Christ. / Return, walk up Broadway, and [177] Canal, oyster-stew and ale at the latter, en triumvirate. 6. Monday. To the Office, and saw Mr [Charles F.] Anderson, just about to start for Washington. Sanguine as to success. To the Era Office, then to [John N.] Genins. Afternoon to Era Office again, to the Office of Holden ?s Magazine, to ?ǣLife ? Off Stock Photo](https://c8.alamy.com/comp/MAKNE7/regarding-his-drawing-work-for-the-week-transcription-and-issue-from-the-womb-the-landmarks-of-time-flitting-inexorable-by-it-behoves-them-to-know-for-what-they-live-and-of-false-ends-and-lastly-of-the-true-one-as-manifest-in-that-of-jesus-christ-return-walk-up-broadway-and-177-canal-oyster-stew-and-ale-at-the-latter-en-triumvirate-6-monday-to-the-office-and-saw-mr-charles-f-anderson-just-about-to-start-for-washington-sanguine-as-to-success-to-the-era-office-then-to-john-n-genins-afternoon-to-era-office-again-to-the-office-of-holden-s-magazine-to-life-off-MAKNE7.jpg "Regarding his drawing work for the week. Transcription: and issue from the womb, the Landmarks of time flitting inexorable by, it behoves them to know for What they Live. And of false ends, and lastly of the true one, as manifest in that of Jesus Christ. / Return, walk up Broadway, and [177] Canal, oyster-stew and ale at the latter, en triumvirate. 6. Monday. To the Office, and saw Mr [Charles F.] Anderson, just about to start for Washington. Sanguine as to success. To the Era Office, then to [John N.] Genins. Afternoon to Era Office again, to the Office of Holden ?s Magazine, to ?ǣLife ? Off Stock Photo")
RMMAKNE7–Regarding his drawing work for the week. Transcription: and issue from the womb, the Landmarks of time flitting inexorable by, it behoves them to know for What they Live. And of false ends, and lastly of the true one, as manifest in that of Jesus Christ. / Return, walk up Broadway, and [177] Canal, oyster-stew and ale at the latter, en triumvirate. 6. Monday. To the Office, and saw Mr [Charles F.] Anderson, just about to start for Washington. Sanguine as to success. To the Era Office, then to [John N.] Genins. Afternoon to Era Office again, to the Office of Holden ?s Magazine, to ?ǣLife ? Off
RM2T8NNE5–Rome, Palazzo Barberini, main hall, side portal, preliminary design, 1631, architectural drawing, paper, medium weight; sanguine drawing; Construction and drawing in red chalk, 23 x 13.7 cm
RFW4A14D–Woman with casual clothes and glasses painting with sanguine or red chalk. Drawing at home in front of a sunny window with easel.
RM2MFG0JH–Gian Lorenzo Bernini, Male portrait in three-quarter profile to the right, drawing in chalk and sanguine, circa 1635
RMGD28B0–fine arts, Giorgione (Giorgio Barbarelli da Castelfranco, 1478 - 1510), drawing, landscape with city wall, sanguine, after 1500, Academia, Vienna, Artist's Copyright has not to be cleared
RME9KAAJ–Turin, Italy. 28th October, 2014. Leonardo da Vinci self portrait (portrait of a man in red chalk). An exhibition of Leonardo and other artist drawings opens in the vaults of the Royal Library of Torino, Italy.
RMPNDA6X–Head of an Old Bearded Man, 1584-1586. Date/Period: From 1584 until 1586. Drawing. Black chalk, white chalk, sanguine and pastel (Black, white, and red chalk, brown, ocher, and pink pastel). Author: BAROCCI, FEDERICO. Barocci, Federigo.
RM2WJX2BY–Jan Van Goyen (1596-1656), Dutch school. 'Dunes landscape with a mill'. 1652 or 1655. Black and blood stone with white pencil enhancers and a few touches of blue. Museum of Fine Arts of the City of Paris, Petit Palais. Dunes landscape with a mill Agriculture, Black Chalk, Blue Stroke, Bovin, Horse Attle, White Pencil, Cattle, Cow, Drawing, Drawing, Dune, Dutch School, Dutch School, Electric Power, Harnessed Horse, Highlight, Landscape, Black Pierre, Red, Sanguine , Blue touch, cow, white pencil, windmill, landscape, mill, scene
RFF53AC2–Clutch pencil with drawing hawk on the wooden background. Clutch pencil and different kinds of art materials: sanguine, graphite
RM2B91GKF–Saint Mathieu, preparatory drawing the decoration of the choir of Notre-Dame de Clignancourt Romain Cazes (1810-1881). Saint Mathieu, dessin préparatoire au décor du chœur de Notre-Dame de Clignancourt. Sanguine. Paris, musée Carnavalet.
RM2X1B35H–Nicolai, Friedrich, picture (almost half-length, right profile), sanguine by Daniel Chodowiecki on cardboard, on package clad. with two ink lines and interjacent interpret gilt wrapper top and on both sides of rectangular rim. without legend, - 19300101 PD19326 - Rechteinfo: Rights Managed (RM)
RM2T8MEAG–Little dead boy with hourglass, imprint, imprint of a sanguine drawing, 14.3 x 15.6 cm, r.l. Duke Albert of Saxe-Teschen, M. o. 'MORS OMNIA AEQVAT' (mutually
RFW3G3Y9–Woman with casual clothes painting with sanguine or red chalk. Drawing a greek portrait in front of a bright window with easel and orange pencil.
RMDDY7Y5–Leonardo da Vinci, 15.4.1452 - 2.5.1519, Italian painter, sculptor and architect, portrait, self-portrait, sanguine, circa 1512, Biblioteca Reale, Torino,
RME9KDFH–Torino, Italy. 28th October 2014. Leonardo da Vinci self portrait (portrait of a man in red chalk). An exhibition of Leonardo and other artist drawings opens in the vaults of the Royal Library of Torino, Italy.
RMPNEB05–Head of a Woman, 1568-1569. Date/Period: From 1568 until 1569. Drawing. Black chalk, white chalk, sanguine and pastel on paper (Black, white, and red chalk, ocher and pink pastel). Author: BAROCCI, FEDERICO. Barocci, Federigo.
RM2WJT37H–Jean-Baptiste-Marie Pierre (1714-1789). 'The windmill near the village', around 1754. Sanguine on paper. Paris, Cognacq-Jay museum. 25930-11 Drawing, windmill, blood on paper, village
RM2PMHF1J–Drawing, Pastorale; Jean-Baptiste Huët (1745 – 1811); France; black chalk, sanguine on cream laid paper; 25 x 19.3 cm (9 13/16 x 7 5/8 in.)
RM2B91GK9–Saint John, preparatory drawing the decoration of the choir of Notre-Dame de Clignancourt Romain Cazes (1810-1881). Saint Jean, dessin préparatoire au décor du choeur de Notre-Dame de Clignancourt. Sanguine. Paris, musée Carnavalet.
RM2X1B2JB–Study based on a statue (daughter of the Niobe), Sudie based on an ancient statue. head from the Niobid group (daughter of the Niobe) sanguine by Louis-Francois II de Bourbon, duke (prince) of Condé (Skip, Conty), signed and dated 'Par Francois Bourbon 1791. ', 1791, - 17910101 PD0051 - Rechteinfo: Rights Managed (RM)
RM2T8NKGA–Rome, Palazzo Pamphilj, ground plan piano nobile, 1644-1650, architectural drawing, paper, firm; graphite and sanguine; Drawing (traced) and inscription in graphite, hatching in red chalk, 42.7 x 70.1 cm, 'Piano Nobbile', 'Ringhiera', 'Sala', 'Camera', 'Camerone', 'Salotto', 'Cappella', 'Scala', 'Camerino', 'Aria del Cortile', 'Salone', 'Cortile pensolo', 'Loggia', 'Anticamera', 'Aria di Piazza Navona
RFW4A13C–Woman with casual clothes painting with sanguine or red chalk. Drawing a greek portrait in front of a sunny window with easel and orange pencil.
RMTYGX3Y–Adrian Shounebek, Peter Pikart, Feodor III of Russia, 1661-1682, portrait drawing/painting, 1676
RMFGRK63–fine arts, Kobell, Wilhelm von (1766 - 1853), graphic, 'Stubenmädel Traudel' (Parlour Maid Traudel), 1795, lead and sanguine, 34.5 x 21.4 cm, National Gallery, Berlin, Additional-Rights-Clearences-Not Available
RME9KBKF–Torino, Italy. 28th October 2014. Detail of Leonardo da Vinci self portrait (portrait of a man in red chalk). An exhibition of Leonardo and other artist drawings opens in the vaults of the Royal Library of Torino, Italy.
RMPNCHHY–Boy with a Broken Egg, c. 1756. Date/Period: Ca. 1756. Drawing. Black chalk, sanguine and white chalk on brown paper. Author: Jean-Baptiste Greuze. Jean Baptiste Greuze. GREUZE, JEAN-BAPTISTE.
RM2WJWMBX–Jean-François Brémond (1807-1868). Burk of the decor of Saint-Jacques-Saint-Christophe de la Villette: descent of the Holy Spirit. Blood. Museum of Fine Arts of the City of Paris, Petit Palais. 100462-7 Symbolic animal, apotre, Christian art, religious art, Christianity, dove, drawing, religious figure, Christian iconography, religious iconography, Holy Spirit, Sanguine, Animal symbol, Saint, XIXth XIX 19th 19th 19th 19th 19th century, XXth XX 20th 20e 20 century
RF2R1N8XT–Sanguine temperament, the four different temperaments, documented on types of people. The four temperaments are the sanguine, the choleric, the phlegmatic and the melancholic temperament, 1767, Germany, Historical, digitally restored reproduction from a 19th century original / Sanguinisches Temperament, die vier verschiedenen Temperamente, dokumentiert an Menschentypen. Bei den vier Temperamenten handelt es sich um das sanguinische, das cholerische, das phlegmatische und das melancholische Temperament, 1767, Deutschland, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem
RF2WTER6Y–Study portrait of brunette girl hand-drawn in sepia, sanguine pastel, charcoal on white paper
RM2B91GJM–St. Mark preparatory drawing the decoration of the choir of Notre-Dame de Clignancourt Romain Cazes (1810-1881). Saint Marc, dessin préparatoire au décor du chœur de Notre-Dame de Clignancourt. Sanguine. Paris, musée Carnavalet.
RF2K3Y8K3–Schizophrenia, depression, bipolar disorder, male heads, lineart. Illustration of connected Male heads. Concept symbolizing mental illness.
RM2PMD0R7–Drawing, Virgin and Child with Saints; Designed by Charles Mellin (1620–1649); Italy; pen and brown ink, brush and sepia wash over sanguine traces on laid paper; 26.1 x 13.2 cm (10 1/4 x 5 3/16 in.)
RM2T8NKXE–Rome, San Carlo alle Quattro Fontane, monastery facade to Via Pia, 1662, architectural drawing, paper, fine; feather and sanguine; Drawing and inscription in red chalk, partially overdrawn with black pen, 27.2 cm x 21 cm
RMDB14YM–Munthe, Axel, 31.10.1857 - 11.2.1949, Swedish medic / physician and author /writer, portrait, Sir William Rothenstein (1872 - 1945), sanguine, early 1930s,
RME9KBM2–Torino, Italy. 28th October 2014. Leonardo da Vinci self portrait (portrait of a man in red chalk). An exhibition of Leonardo and other artist drawings opens in the vaults of the Royal Library of Torino, Italy.
RMPNCMRH–Rubens's Son Nicolaas Wearing a Red Felt Cap, 1625-1627. Date/Period: From 1625 until 1627. Drawing. White chalk, black chalk and sanguine on paper. Author: PETER PAUL RUBENS. RUBENS, PETER PAUL. Rubens, Pieter Paul.
RM2WJXRAK–Jean-François Brémond (1807-1868). Friscence of the decor of Saint-Jacques-Saint-Christophe de la Villette: 'Communion'. Sanguine and white chalk on gray paper. Drawing put on the tile. Museum of Fine Arts of the City of Paris, Petit Palais. 122540-8 Apoter, Chretian art, figurative art, religious art, cene, Christianity, communion, last meal, drawing, Saint-Jacques-Saint-Christophe de la Villette, child, eucharist, family, religious meconography, mother, , Monochrome, religious rite, religious ritual, Saint-Sacrement, blood, 19th 19th 19th 19th 19th 19th century
RM2AHPD14–William Wynne Ryland. Bathsheba, from A Collection of Prints in Imitation of Drawings. 1764. England. Stipple engraving in sanguine on cream laid paper Publisher John Boydell sought to elevate the stature of British connoisseurship of art and to rival France in the production and trade of prints. This print by William Wynne Ryland is a copy of a drawing by François Boucher, now in the British Museum, that was once owned by well-known collector William Esdaile.Ryland’s studies of crayon-manner engraving in Paris inspired him to develop a simplified version he called stipple engraving, in which
RM2GYNXBH–Coal and chalk drawing 'Portrait of Poet Valery Bryusov' by Russian modernist artist Mikhail Vrubel (1906) on display at the exhibition 'Icons of Modern Art from the Morozov Collection' in the Fondation Louis Vuitton in Paris, France. The exhibition runs till 22 February 2022.
RM2PMCEK4–Drawing, study for hands holding an open book with drapery from clothing; Elihu Vedder (American, 1836 – 1923); USA; pencil, black, sanguine crayon, on salmon-pink paper; 16.2 x 17.7 cm (6 3/8 x 6 15/16 in.)
RMR5753R–Anatomical drawing. Heart. Circulatory system. Blood vessels. Arteries. Valves. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles. Paris France 1826. Anatomical print of the human body with natural dimensions. Heart. Circulatory system. Blood vessels. Arteries. Valves. ANTOMMARCHI, C. Francesco. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles, accompagneÌes d’un texte explicatif ... PublieÌes par le cte de Lasteyrie. (Explication des planches anatomiques, etc.). Source: 1899.h.24 Tab.41 fig. 4. Language: French
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