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Les énigmes Stock Photos and Images
Enigmes Joyeuses pour les Bons Esprits, Jan van Haelbeeck, ca. 1615 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-jan-van-haelbeeck-ca-1615-162534656.htmlRMKCC2H4–Enigmes Joyeuses pour les Bons Esprits, Jan van Haelbeeck, ca. 1615
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 3, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-3-artist-jan-van-haelbeeck-jean-leclerc-iv-flemish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065253.htmlRF2HWACCN–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 3, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits 2016 by Jean Leclerc IV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-2016-by-jean-leclerc-iv-image576255619.htmlRM2TDEKWR–Enigmes Joyeuses pour les Bons Esprits 2016 by Jean Leclerc IV
Theatre Nouvelle ed., rev., corr & augm de plusieurs piéces qui n'ont point paru dans les précédentes . ubliois à dire que lEnigme qui eft àla fin du cinquième Aéte , neft point de raafaçon : mais dans le delTein que javois decritiquer les Enigmes, qui dordinaire ca-chent des fotifes fous de pompeufes paro-les , je crus ne pouvoir faire un meilleurchoix , pour en montrer tout le ridicule,q^uen jettant les yeux fur celle-là. A C TEV R s, O R O N T E, Gentilhomme, Coufin de lAuteur du Mercure Galant, & Amant de Cécile.IvlrDE BOISLUISANT, Père de Gccile,CECILE, Maitrelfe dOronte.MERLIN, Valet dOr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatre-nouvelle-ed-rev-corr-augm-de-plusieurs-pices-qui-nont-point-paru-dans-les-prcdentes-ubliois-dire-que-lenigme-qui-eft-la-fin-du-cinquime-ate-neft-point-de-raafaon-mais-dans-le-deltein-que-javois-decritiquer-les-enigmes-qui-dordinaire-ca-chent-des-fotifes-fous-de-pompeufes-paro-les-je-crus-ne-pouvoir-faire-un-meilleurchoix-pour-en-montrer-tout-le-ridiculequen-jettant-les-yeux-fur-celle-l-a-c-tev-r-s-o-r-o-n-t-e-gentilhomme-coufin-de-lauteur-du-mercure-galant-amant-de-ccileivlrde-boisluisant-pre-de-gccilececile-maitrelfe-dorontemerlin-valet-dor-image338451802.htmlRM2AJHPMA–Theatre Nouvelle ed., rev., corr & augm de plusieurs piéces qui n'ont point paru dans les précédentes . ubliois à dire que lEnigme qui eft àla fin du cinquième Aéte , neft point de raafaçon : mais dans le delTein que javois decritiquer les Enigmes, qui dordinaire ca-chent des fotifes fous de pompeufes paro-les , je crus ne pouvoir faire un meilleurchoix , pour en montrer tout le ridicule,q^uen jettant les yeux fur celle-là. A C TEV R s, O R O N T E, Gentilhomme, Coufin de lAuteur du Mercure Galant, & Amant de Cécile.IvlrDE BOISLUISANT, Père de Gccile,CECILE, Maitrelfe dOronte.MERLIN, Valet dOr
Enigmes Joyeuses pour les Bons Esprits, Plate 7 ca. 1615 Jan van Haelbeeck Seventh plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, standing on a piece of wool held by two wooden scaffolds, which he saws with the help of a woman who stands of the floor beneath him, in front of a town, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-7-ca-1615-jan-van-haelbeeck-seventh-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-working-class-man-standing-on-a-piece-of-wool-held-by-two-wooden-scaffolds-which-he-saws-with-the-help-of-a-woman-who-stands-of-the-floor-beneath-him-in-front-of-a-town-the-image457815466.htmlRM2HGR88A–Enigmes Joyeuses pour les Bons Esprits, Plate 7 ca. 1615 Jan van Haelbeeck Seventh plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, standing on a piece of wool held by two wooden scaffolds, which he saws with the help of a woman who stands of the floor beneath him, in front of a town, the
Enigmes Joyeuses pour les Bons Esprits, Plate 5, ca. 1615. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-5-ca-1615-image474668313.htmlRM2JG707N–Enigmes Joyeuses pour les Bons Esprits, Plate 5, ca. 1615.
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen?), ca. 1600?1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 7, ca. 1615 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086832.htmlRMKND0D4–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen?), ca. 1600?1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 7, ca. 1615
MOVIE SCENE, ATLANTIS: MILO'S RETURN, 2003, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/movie-scene-atlantis-milos-return-2003-image472856867.htmlRM2JD8DN7–MOVIE SCENE, ATLANTIS: MILO'S RETURN, 2003,
MOVIE SCENE, ATLANTIS: MILO'S RETURN, 2003 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/movie-scene-atlantis-milos-return-2003-image485726334.htmlRM2K66MW2–MOVIE SCENE, ATLANTIS: MILO'S RETURN, 2003
MILO, ATLANTIS: MILO'S RETURN, 2003 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milo-atlantis-milos-return-2003-image485726374.htmlRM2K66MXE–MILO, ATLANTIS: MILO'S RETURN, 2003
ATLANTIS: MILO'S RETURN, MOVIE SCENE, 2003 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/atlantis-milos-return-movie-scene-2003-image490556182.htmlRM2KE2NBJ–ATLANTIS: MILO'S RETURN, MOVIE SCENE, 2003
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 9, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-9-162534660.htmlRMKCC2H8–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 9, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 5, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-5-artist-jan-van-haelbeeck-jean-leclerc-iv-flemish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065317.htmlRF2HWACF1–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 5, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 5 2016 by Jan van Haelbeeck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-5-2016-by-jan-van-haelbeeck-image576307658.htmlRM2TDH28A–Enigmes Joyeuses pour les Bons Esprits, Plate 5 2016 by Jan van Haelbeeck
. Devises heroïqves . ches en [on ah-fence : félon que la diffrofîcion du terns le recjueroît. Ceque confirme Dion efermant que icelui j£ugusle efiant Di°n-en <Attie,j£grippa & Mecenas aminijlroient les afaures à Romme : lefquel^ auoient puiffance Souurir &voir les lettres quil enuoyoit au Sénat auant tom au-tres. Et pour cette caufe receurent un cachet de lui,pour cacheter, auquel efloitgraué un Sphinx. Deuifetoutefois (comme dauantage dit Pline) qui ne fut fans p^ne-moquerie & irrifîon, par les Enigmes que ce Sphinxaportoit : vu que telle chofe donna ocafion au brocard,par lequel on difoi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/devises-heroqves-ches-en-on-ah-fence-flon-que-la-diffrofcion-du-terns-le-recjuerot-ceque-confirme-dion-efermant-que-icelui-jugusle-efiant-din-en-ltattiejgrippa-mecenas-aminijlroient-les-afaures-romme-lefquel-auoient-puiffance-souurir-voir-les-lettres-quil-enuoyoit-au-snat-auant-tom-au-tres-et-pour-cette-caufe-receurent-un-cachet-de-luipour-cacheter-auquel-efloitgrau-un-sphinx-deuifetoutefois-comme-dauantage-dit-pline-qui-ne-fut-fans-pne-moquerie-irrifon-par-les-enigmes-que-ce-sphinxaportoit-vu-que-telle-chofe-donna-ocafion-au-brocardpar-lequel-on-difoi-image375573800.htmlRM2CR0T60–. Devises heroïqves . ches en [on ah-fence : félon que la diffrofîcion du terns le recjueroît. Ceque confirme Dion efermant que icelui j£ugusle efiant Di°n-en <Attie,j£grippa & Mecenas aminijlroient les afaures à Romme : lefquel^ auoient puiffance Souurir &voir les lettres quil enuoyoit au Sénat auant tom au-tres. Et pour cette caufe receurent un cachet de lui,pour cacheter, auquel efloitgraué un Sphinx. Deuifetoutefois (comme dauantage dit Pline) qui ne fut fans p^ne-moquerie & irrifîon, par les Enigmes que ce Sphinxaportoit : vu que telle chofe donna ocafion au brocard,par lequel on difoi
Enigmes Joyeuses pour les Bons Esprits ca. 1615 Jan van Haelbeeck Group of 9 plates from a total of 10 with small domestic scenes, engraved by Jan van Haelbeeck, one of the first wave of Flemish artist to establish themselves in Paris in the early 17th century, which caused a revival in French printmaking and led to the important role France would play as a center of printmaking during the reign of King Louis XIV. Genre scenes of these kind were especially common in Northern Europe in the 17th century, and reveal the everyday lives of people from different strata. In this case, they show women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-ca-1615-jan-van-haelbeeck-group-of-9-plates-from-a-total-of-10-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-one-of-the-first-wave-of-flemish-artist-to-establish-themselves-in-paris-in-the-early-17th-century-which-caused-a-revival-in-french-printmaking-and-led-to-the-important-role-france-would-play-as-a-center-of-printmaking-during-the-reign-of-king-louis-xiv-genre-scenes-of-these-kind-were-especially-common-in-northern-europe-in-the-17th-century-and-reveal-the-everyday-lives-of-people-from-different-strata-in-this-case-they-show-women-image457815319.htmlRM2HGR833–Enigmes Joyeuses pour les Bons Esprits ca. 1615 Jan van Haelbeeck Group of 9 plates from a total of 10 with small domestic scenes, engraved by Jan van Haelbeeck, one of the first wave of Flemish artist to establish themselves in Paris in the early 17th century, which caused a revival in French printmaking and led to the important role France would play as a center of printmaking during the reign of King Louis XIV. Genre scenes of these kind were especially common in Northern Europe in the 17th century, and reveal the everyday lives of people from different strata. In this case, they show women
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 6, ca. 1615, Copper engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086833.htmlRMKND0D5–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 6, ca. 1615, Copper engraving
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 2, Artist, Jean Leclerc IV, Jan van Haelbeeck, French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-2-162534659.htmlRMKCC2H7–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 2, Artist, Jean Leclerc IV, Jan van Haelbeeck, French
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 2, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-2-artist-jean-leclerc-iv-jan-van-haelbeeck-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065301.htmlRF2HWACED–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 2, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 9 2016 by Jan van Haelbeeck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-9-2016-by-jan-van-haelbeeck-image576307532.htmlRM2TDH23T–Enigmes Joyeuses pour les Bons Esprits, Plate 9 2016 by Jan van Haelbeeck
Les Huguenots : opéra en cinq actes . y., l<i, mes ser m énigmes serments eî ma fo^mèssermentsefmafoi.,. ) k$ttr*%^-ïti -1^9 foi -g- -* V W7T3jBr ?*5: > pbg^-^—^ SH N.55^ -r- Dieu, ?E T^r jjreixisjnfie, itHt ;ili!gT;in!l)ieu! IztEE^t f-f1^ ÉË -f= S pjcei)<is.Tii. î^rt ments tt i)JH 1(11, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-huguenots-opra-en-cinq-actes-y-llti-mes-ser-m-nigmes-serments-e-ma-fomssermentsefmafoi-kttr-ti-19-foi-g-v-w7t3jbr-5-gt-pbg-sh-n55-r-dieu-e-tr-jjreixisjnfie-itht-ili!gtin!lieu!-izteet-f-f1-f=-s-pjceiltistii-rt-ments-tt-ijh-111-image339927750.htmlRM2AN118P–Les Huguenots : opéra en cinq actes . y., l<i, mes ser m énigmes serments eî ma fo^mèssermentsefmafoi.,. ) k$ttr*%^-ïti -1^9 foi -g- -* V W7T3jBr ?*5: > pbg^-^—^ SH N.55^ -r- Dieu, ?E T^r jjreixisjnfie, itHt ;ili!gT;in!l)ieu! IztEE^t f-f1^ ÉË -f= S pjcei)<is.Tii. î^rt ments tt i)JH 1(11,
Enigmes Joyeuses pour les Bons Esprits, Plate 5 ca. 1615 Jan van Haelbeeck Fifth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class woman, weaves a textile inside a dark room with a small window. She reclines over the loom, while weaving the cloth, and a basket with rolls of wool is placed undern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-5-ca-1615-jan-van-haelbeeck-fifth-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-working-class-woman-weaves-a-textile-inside-a-dark-room-with-a-small-window-she-reclines-over-the-loom-while-weaving-the-cloth-and-a-basket-with-rolls-of-wool-is-placed-undern-image457815357.htmlRM2HGR84D–Enigmes Joyeuses pour les Bons Esprits, Plate 5 ca. 1615 Jan van Haelbeeck Fifth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class woman, weaves a textile inside a dark room with a small window. She reclines over the loom, while weaving the cloth, and a basket with rolls of wool is placed undern
Enigmes Joyeuses pour les Bons Esprits, Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen?), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 5, ca. 1615, Copper engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086834.htmlRMKND0D6–Enigmes Joyeuses pour les Bons Esprits, Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen?), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 5, ca. 1615, Copper engraving
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 5, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-5-162534662.htmlRMKCC2HA–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 5, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 6, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-6-artist-jan-van-haelbeeck-jean-leclerc-iv-flemish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065309.htmlRF2HWACEN–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 6, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 4 2016 by Jean Leclerc IV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-4-2016-by-jean-leclerc-iv-image576255622.htmlRM2TDEKWX–Enigmes Joyeuses pour les Bons Esprits, Plate 4 2016 by Jean Leclerc IV
. Lettres d'un François. ang des occupations vainestoutes celles qui nont pas des fonde-mens plus réels. Ceil abufer de la Géo-métrie que de ne Tx^mployer quà cal-culer des Enigmes , car jappelle ainfîtoutes ces Queftions arbitraires que Tonembarraife exprès pour avoir le plaifirde les développer par le Calcul, & doùil ne réfuite dautre avantage que le mé-rrite de la difficulté vaincue. Combien deProblêmes ne font en effet que des Eni-gmes plus compliquées que les Logo-grypbes du Mercure , mais aulfi inutilesà lavancement de nos connoifTances !Les Sçavans devroient penfer aifez-biendeux-mêmes, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lettres-dun-franois-ang-des-occupations-vainestoutes-celles-qui-nont-pas-des-fonde-mens-plus-rels-ceil-abufer-de-la-go-mtrie-que-de-ne-txmployer-qu-cal-culer-des-enigmes-car-jappelle-ainftoutes-ces-queftions-arbitraires-que-tonembarraife-exprs-pour-avoir-le-plaifirde-les-dvelopper-par-le-calcul-doil-ne-rfuite-dautre-avantage-que-le-m-rrite-de-la-difficult-vaincue-combien-deproblmes-ne-font-en-effet-que-des-eni-gmes-plus-compliques-que-les-logo-grypbes-du-mercure-mais-aulfi-inutiles-lavancement-de-nos-connoiftances-!les-savans-devroient-penfer-aifez-biendeux-mmes-image337059552.htmlRM2AGAAW4–. Lettres d'un François. ang des occupations vainestoutes celles qui nont pas des fonde-mens plus réels. Ceil abufer de la Géo-métrie que de ne Tx^mployer quà cal-culer des Enigmes , car jappelle ainfîtoutes ces Queftions arbitraires que Tonembarraife exprès pour avoir le plaifirde les développer par le Calcul, & doùil ne réfuite dautre avantage que le mé-rrite de la difficulté vaincue. Combien deProblêmes ne font en effet que des Eni-gmes plus compliquées que les Logo-grypbes du Mercure , mais aulfi inutilesà lavancement de nos connoifTances !Les Sçavans devroient penfer aifez-biendeux-mêmes,
Enigmes Joyeuses pour les Bons Esprits, Plate 4 ca. 1615 Jan van Haelbeeck Fourth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, dressed with hat, jacket and boots, and wearing an apron tied around his waist, which holds a small knife, pushes a barrel inside a room with a door. Other bar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-4-ca-1615-jan-van-haelbeeck-fourth-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-working-class-man-dressed-with-hat-jacket-and-boots-and-wearing-an-apron-tied-around-his-waist-which-holds-a-small-knife-pushes-a-barrel-inside-a-room-with-a-door-other-bar-image457815425.htmlRM2HGR86W–Enigmes Joyeuses pour les Bons Esprits, Plate 4 ca. 1615 Jan van Haelbeeck Fourth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, dressed with hat, jacket and boots, and wearing an apron tied around his waist, which holds a small knife, pushes a barrel inside a room with a door. Other bar
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 8, ca. 1615, Copper engraving, Sheet: 4 5/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086828.htmlRMKND0D0–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 8, ca. 1615, Copper engraving, Sheet: 4 5/8
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 3, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-3-162534655.htmlRMKCC2H3–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 3, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 8, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-8-artist-jean-leclerc-iv-jan-van-haelbeeck-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065305.htmlRF2HWACEH–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 8, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 3 2016 by Jan van Haelbeeck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-3-2016-by-jan-van-haelbeeck-image576307531.htmlRM2TDH23R–Enigmes Joyeuses pour les Bons Esprits, Plate 3 2016 by Jan van Haelbeeck
![Dictionnaire de conversation à l'usage des dames et des jeunes personnes : ou, Complément nécessaire de toute bonne éducation . on fcoIéopt(>re); eten botanique, uneespècHi dagaric.—Les anciens Egyptiensdonnaientce nomà un mons-tre ayant le cou dun lionet une tète dhomme ou dofemme. — Le sphinx, ouplutôt la sphinx la pluscélèbre est celle de Thè-bes. La fiible la fait naîtredFchydna et de Typhon,le monsti-e fut envoyépar .lunon sur le territoirede Thèbes ])our venger(^ injure. Il habitait lemont lhicée , proposaitdes énigmes aux passants,et dévorait ceux ([ui nepouvaient les expli(|uer. Stock Photo](https://c8.alamy.com/comp/2AX6GEN/dictionnaire-de-conversation-lusage-des-dames-et-des-jeunes-personnes-ou-complment-ncessaire-de-toute-bonne-ducation-on-fcoioptgtre-eten-botanique-uneespchi-dagaricles-anciens-egyptiensdonnaientce-nom-un-mons-tre-ayant-le-cou-dun-lionet-une-tte-dhomme-ou-dofemme-le-sphinx-ouplutt-la-sphinx-la-plusclbre-est-celle-de-th-bes-la-fiible-la-fait-natredfchydna-et-de-typhonle-monsti-e-fut-envoypar-lunon-sur-le-territoirede-thbes-our-venger-injure-il-habitait-lemont-lhice-proposaitdes-nigmes-aux-passantset-dvorait-ceux-ui-nepouvaient-les-expliuer-2AX6GEN.jpg "Dictionnaire de conversation à l'usage des dames et des jeunes personnes : ou, Complément nécessaire de toute bonne éducation . on fcoIéopt(>re); eten botanique, uneespècHi dagaric.—Les anciens Egyptiensdonnaientce nomà un mons-tre ayant le cou dun lionet une tète dhomme ou dofemme. — Le sphinx, ouplutôt la sphinx la pluscélèbre est celle de Thè-bes. La fiible la fait naîtredFchydna et de Typhon,le monsti-e fut envoyépar .lunon sur le territoirede Thèbes ])our venger(^ injure. Il habitait lemont lhicée , proposaitdes énigmes aux passants,et dévorait ceux ([ui nepouvaient les expli(|uer. Stock Photo")
Dictionnaire de conversation à l'usage des dames et des jeunes personnes : ou, Complément nécessaire de toute bonne éducation . on fcoIéopt(>re); eten botanique, uneespècHi dagaric.—Les anciens Egyptiensdonnaientce nomà un mons-tre ayant le cou dun lionet une tète dhomme ou dofemme. — Le sphinx, ouplutôt la sphinx la pluscélèbre est celle de Thè-bes. La fiible la fait naîtredFchydna et de Typhon,le monsti-e fut envoyépar .lunon sur le territoirede Thèbes ])our venger(^ injure. Il habitait lemont lhicée , proposaitdes énigmes aux passants,et dévorait ceux ([ui nepouvaient les expli(|uer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-de-conversation-lusage-des-dames-et-des-jeunes-personnes-ou-complment-ncessaire-de-toute-bonne-ducation-on-fcoioptgtre-eten-botanique-uneespchi-dagaricles-anciens-egyptiensdonnaientce-nom-un-mons-tre-ayant-le-cou-dun-lionet-une-tte-dhomme-ou-dofemme-le-sphinx-ouplutt-la-sphinx-la-plusclbre-est-celle-de-th-bes-la-fiible-la-fait-natredfchydna-et-de-typhonle-monsti-e-fut-envoypar-lunon-sur-le-territoirede-thbes-our-venger-injure-il-habitait-lemont-lhice-proposaitdes-nigmes-aux-passantset-dvorait-ceux-ui-nepouvaient-les-expliuer-image343122717.htmlRM2AX6GEN–Dictionnaire de conversation à l'usage des dames et des jeunes personnes : ou, Complément nécessaire de toute bonne éducation . on fcoIéopt(>re); eten botanique, uneespècHi dagaric.—Les anciens Egyptiensdonnaientce nomà un mons-tre ayant le cou dun lionet une tète dhomme ou dofemme. — Le sphinx, ouplutôt la sphinx la pluscélèbre est celle de Thè-bes. La fiible la fait naîtredFchydna et de Typhon,le monsti-e fut envoyépar .lunon sur le territoirede Thèbes ])our venger(^ injure. Il habitait lemont lhicée , proposaitdes énigmes aux passants,et dévorait ceux ([ui nepouvaient les expli(|uer.
Enigmes Joyeuses pour les Bons Esprits, Plate 9 ca. 1615 Jan van Haelbeeck Last plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class woman pulls a bucket with water from a stone well, whila a man looks at her from a window in one of the buildings that surround her. Most of the plates in the series Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-9-ca-1615-jan-van-haelbeeck-last-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-working-class-woman-pulls-a-bucket-with-water-from-a-stone-well-whila-a-man-looks-at-her-from-a-window-in-one-of-the-buildings-that-surround-her-most-of-the-plates-in-the-series-image457815465.htmlRM2HGR889–Enigmes Joyeuses pour les Bons Esprits, Plate 9 ca. 1615 Jan van Haelbeeck Last plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class woman pulls a bucket with water from a stone well, whila a man looks at her from a window in one of the buildings that surround her. Most of the plates in the series
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 2, ca. 1615, Copper engraving, Sheet: 5 1/16 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086829.htmlRMKND0D1–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 2, ca. 1615, Copper engraving, Sheet: 5 1/16
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 7, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-7-162534661.htmlRMKCC2H9–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 7, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 9, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-9-artist-jan-van-haelbeeck-jean-leclerc-iv-flemish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065334.htmlRF2HWACFJ–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 9, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 6 2016 by Jean Leclerc IV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-6-2016-by-jean-leclerc-iv-image576255627.htmlRM2TDEKX3–Enigmes Joyeuses pour les Bons Esprits, Plate 6 2016 by Jean Leclerc IV
Caractâeristiques des saints dans l'art populaire . Tré fort lial)i-lemcntros énigmes il y a une vingtaine dannées. Je nai donc pas be-soin de revenir sur un travail si bien fait, quoiquil puisse jeter beau-coup do jour sur des monuments inspirés par une jiensée semblable. 2. Jemprunte les dessins à lcuviage intitulé Délia hasilka diS. Paolo, opéra di Mec. Mar. Nicolai; Roma, 1815, in-fol. Ces portesfurent exécutées à Constantinopic sur la fin du xi^ siècle, et cest cequi exi)liquc non-seulement lemploi du grec avec celui du latindans les inscriptions, mais r(irtli(if;i:iplie byzantine de bien Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caracteristiques-des-saints-dans-lart-populaire-tr-fort-liali-lemcntros-nigmes-il-y-a-une-vingtaine-dannes-je-nai-donc-pas-be-soin-de-revenir-sur-un-travail-si-bien-fait-quoiquil-puisse-jeter-beau-coup-do-jour-sur-des-monuments-inspirs-par-une-jiense-semblable-2-jemprunte-les-dessins-lcuviage-intitul-dlia-hasilka-dis-paolo-opra-di-mec-mar-nicolai-roma-1815-in-fol-ces-portesfurent-excutes-constantinopic-sur-la-fin-du-xi-sicle-et-cest-cequi-exiliquc-non-seulement-lemploi-du-grec-avec-celui-du-latindans-les-inscriptions-mais-rirtliifiiplie-byzantine-de-bien-image340284909.htmlRM2ANH8TD–Caractâeristiques des saints dans l'art populaire . Tré fort lial)i-lemcntros énigmes il y a une vingtaine dannées. Je nai donc pas be-soin de revenir sur un travail si bien fait, quoiquil puisse jeter beau-coup do jour sur des monuments inspirés par une jiensée semblable. 2. Jemprunte les dessins à lcuviage intitulé Délia hasilka diS. Paolo, opéra di Mec. Mar. Nicolai; Roma, 1815, in-fol. Ces portesfurent exécutées à Constantinopic sur la fin du xi^ siècle, et cest cequi exi)liquc non-seulement lemploi du grec avec celui du latindans les inscriptions, mais r(irtli(if;i:iplie byzantine de bien
Enigmes Joyeuses pour les Bons Esprits, Plate 3 ca. 1615 Jan van Haelbeeck Third plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman dressed in full 17th-century court dress, stands next to a table covered with a cloth, on which a bowl with sweetmeats stands, in a room furnished with a daybed and a chair; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-3-ca-1615-jan-van-haelbeeck-third-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-woman-dressed-in-full-17th-century-court-dress-stands-next-to-a-table-covered-with-a-cloth-on-which-a-bowl-with-sweetmeats-stands-in-a-room-furnished-with-a-daybed-and-a-chair-image457815452.htmlRM2HGR87T–Enigmes Joyeuses pour les Bons Esprits, Plate 3 ca. 1615 Jan van Haelbeeck Third plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman dressed in full 17th-century court dress, stands next to a table covered with a cloth, on which a bowl with sweetmeats stands, in a room furnished with a daybed and a chair;
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 3, ca. 1615, Copper engraving, Sheet: 4 1/2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086825.htmlRMKND0CW–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 3, ca. 1615, Copper engraving, Sheet: 4 1/2
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 4, Artist, Jean Leclerc IV, Jan van Haelbeeck, French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-4-162534657.htmlRMKCC2H5–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 4, Artist, Jean Leclerc IV, Jan van Haelbeeck, French
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 7, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-7-artist-jan-van-haelbeeck-jean-leclerc-iv-flemish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065313.htmlRF2HWACEW–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 7, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 7 2016 by Jan van Haelbeeck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-7-2016-by-jan-van-haelbeeck-image576307533.htmlRM2TDH23W–Enigmes Joyeuses pour les Bons Esprits, Plate 7 2016 by Jan van Haelbeeck
L'illustration : journal universel . din-ventions, on saccommode assez volontiers du vieux, et ilfaudra que la nouvelle année sarrange des nouveautés deses anciennes. Il est trop vrai quau milieu du progrès géné-ra! le bonbon reste slalionnaire, on sen lient à la dragée et aufruit confit ; les chinoiseries font la même grimace; ainsi dela littérature du bonbon, qui ne sort pas de la devise et durébus. Après cinquante ans d exercice, nous en sommes en-core aux énigmes du FiJe/e Berger. .:lleurs. ce sont les mê-mes bons hommes plus ou moins réjouissants, les représen-tants de la république du r Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lillustration-journal-universel-din-ventions-on-saccommode-assez-volontiers-du-vieux-et-ilfaudra-que-la-nouvelle-anne-sarrange-des-nouveauts-deses-anciennes-il-est-trop-vrai-quau-milieu-du-progrs-gn-ra!-le-bonbon-reste-slalionnaire-on-sen-lient-la-drage-et-aufruit-confit-les-chinoiseries-font-la-mme-grimace-ainsi-dela-littrature-du-bonbon-qui-ne-sort-pas-de-la-devise-et-durbus-aprs-cinquante-ans-d-exercice-nous-en-sommes-en-core-aux-nigmes-du-fijee-berger-lleurs-ce-sont-les-m-mes-bons-hommes-plus-ou-moins-rjouissants-les-reprsen-tants-de-la-rpublique-du-r-image340186415.htmlRM2ANCR6R–L'illustration : journal universel . din-ventions, on saccommode assez volontiers du vieux, et ilfaudra que la nouvelle année sarrange des nouveautés deses anciennes. Il est trop vrai quau milieu du progrès géné-ra! le bonbon reste slalionnaire, on sen lient à la dragée et aufruit confit ; les chinoiseries font la même grimace; ainsi dela littérature du bonbon, qui ne sort pas de la devise et durébus. Après cinquante ans d exercice, nous en sommes en-core aux énigmes du FiJe/e Berger. .:lleurs. ce sont les mê-mes bons hommes plus ou moins réjouissants, les représen-tants de la république du r
Enigmes Joyeuses pour les Bons Esprits, Plate 2 ca. 1615 Jan van Haelbeeck Second plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, stands in front of a man who, sitting on a wooden chair in front of her, is getting dressed, putting on his boots, one of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-2-ca-1615-jan-van-haelbeeck-second-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-woman-dressed-in-full-17th-century-aristocratic-style-stands-in-front-of-a-man-who-sitting-on-a-wooden-chair-in-front-of-her-is-getting-dressed-putting-on-his-boots-one-of-image457815454.htmlRM2HGR87X–Enigmes Joyeuses pour les Bons Esprits, Plate 2 ca. 1615 Jan van Haelbeeck Second plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, stands in front of a man who, sitting on a wooden chair in front of her, is getting dressed, putting on his boots, one of
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 1, ca. 1615, Copper engraving, Sheet: 4 3/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086826.htmlRMKND0CX–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 1, ca. 1615, Copper engraving, Sheet: 4 3/8
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 6, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-6-162534663.htmlRMKCC2HB–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 6, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish
Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 4, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-4-artist-jean-leclerc-iv-jan-van-haelbeeck-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065307.htmlRF2HWACEK–Art inspired by Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 4, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 8 2016 by Jean Leclerc IV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-8-2016-by-jean-leclerc-iv-image576255623.htmlRM2TDEKWY–Enigmes Joyeuses pour les Bons Esprits, Plate 8 2016 by Jean Leclerc IV
. Les antiquités d'Herculanum : avec leurs explications en françois . Toui.IlL. S2 5. Tom. 111 ( 197 )il pas à la dérobélffance, sil ne rendoît fes Ordonnances quepar énigmes ? Lévidence doit être la première qualité dunelégiflation , ainfi que dun culte, Diodore de Sicile ^ lîl. 35, parle du Sphinx comme dunanimal qui neft rien moins que fabuleux. Il eft vraifemblableque les Anciens donnèrent ce nom à une éfpèce de fmges. Interjlmias hahcntur & Sphinges (dit Solin. Cap. ^J. ). Villofa comis,jnammis prominuUs ac profundis : & on obfervera avec Saumaife,que les Latins , du mot Sphïnge , avoient Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-antiquits-dherculanum-avec-leurs-explications-en-franois-touiill-s2-5-tom-111-197-il-pas-la-droblffance-sil-ne-rendot-fes-ordonnances-quepar-nigmes-lvidence-doit-tre-la-premire-qualit-dunelgiflation-ainfi-que-dun-culte-diodore-de-sicile-ll-35-parle-du-sphinx-comme-dunanimal-qui-neft-rien-moins-que-fabuleux-il-eft-vraifemblableque-les-anciens-donnrent-ce-nom-une-fpce-de-fmges-interjlmias-hahcntur-sphinges-dit-solin-cap-j-villofa-comisjnammis-prominuus-ac-profundis-on-obfervera-avec-saumaifeque-les-latins-du-mot-sphnge-avoient-image369673348.htmlRM2CDC23G–. Les antiquités d'Herculanum : avec leurs explications en françois . Toui.IlL. S2 5. Tom. 111 ( 197 )il pas à la dérobélffance, sil ne rendoît fes Ordonnances quepar énigmes ? Lévidence doit être la première qualité dunelégiflation , ainfi que dun culte, Diodore de Sicile ^ lîl. 35, parle du Sphinx comme dunanimal qui neft rien moins que fabuleux. Il eft vraifemblableque les Anciens donnèrent ce nom à une éfpèce de fmges. Interjlmias hahcntur & Sphinges (dit Solin. Cap. ^J. ). Villofa comis,jnammis prominuUs ac profundis : & on obfervera avec Saumaife,que les Latins , du mot Sphïnge , avoient
Enigmes Joyeuses pour les Bons Esprits, Plate 6 ca. 1615 Jan van Haelbeeck Sixth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, two women, dressed in 17th-century court dress, and a man, also wearing aristocratic clothes, play a game on top of a clothed table, inside a room with clean tiles and open windows. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-6-ca-1615-jan-van-haelbeeck-sixth-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-two-women-dressed-in-17th-century-court-dress-and-a-man-also-wearing-aristocratic-clothes-play-a-game-on-top-of-a-clothed-table-inside-a-room-with-clean-tiles-and-open-windows-image457815432.htmlRM2HGR874–Enigmes Joyeuses pour les Bons Esprits, Plate 6 ca. 1615 Jan van Haelbeeck Sixth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, two women, dressed in 17th-century court dress, and a man, also wearing aristocratic clothes, play a game on top of a clothed table, inside a room with clean tiles and open windows.
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 4, ca. 1615, Copper engraving, Sheet: 4 13/16 in. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086827.htmlRMKND0CY–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 4, ca. 1615, Copper engraving, Sheet: 4 13/16 in.
Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 8, Artist, Jean Leclerc IV, Jan van Haelbeeck, French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-enigmes-joyeuses-pour-les-bons-esprits-plate-8-162534658.htmlRMKCC2H6–Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 8, Artist, Jean Leclerc IV, Jan van Haelbeeck, French
Art inspired by Enigmes Joyeuses pour les Bons Esprits, ca. 1615, Copper engravings, Each: 4 5/16 × 5 1/2 in. (11 × 14 cm), Prints, Jan van Haelbeeck (Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630), Jean Leclerc IV (French, baptized 1560, died Paris, 1622, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-enigmes-joyeuses-pour-les-bons-esprits-ca-1615-copper-engravings-each-4-516-5-12-in-11-14-cm-prints-jan-van-haelbeeck-flemish-active-paris-and-copenhagen-ca-16001630-died-paris-ca-1630-jean-leclerc-iv-french-baptized-1560-died-paris-1622-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463044425.htmlRF2HW9DTW–Art inspired by Enigmes Joyeuses pour les Bons Esprits, ca. 1615, Copper engravings, Each: 4 5/16 × 5 1/2 in. (11 × 14 cm), Prints, Jan van Haelbeeck (Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630), Jean Leclerc IV (French, baptized 1560, died Paris, 1622, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Enigmes Joyeuses pour les Bons Esprits, Plate 2 2016 by Jean Leclerc IV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-2-2016-by-jean-leclerc-iv-image576255625.htmlRM2TDEKX1–Enigmes Joyeuses pour les Bons Esprits, Plate 2 2016 by Jean Leclerc IV
. Les seins dans l'histoire . Fio-. 253. — Nourrice du Xégus dAbyssinie. I)ai)rés la pholograpliie de Zaïigaivi. (Voir p. ilQ.) Le bal des Quat zarts. — Cette année le bal a eu lieu le 24 avril, àlElysée-Munlmartre, avec son éclat habituel : le costume moyen âgeétait de rigueur. Chacun des grands ateliers de peinture ou darchi-tecture a rivalisé de zèle et doriginalité dans la conception de la loge POST-SCRIPTIMI 331 dosUnéc a -arnir la salle de bal et du char qui défile dans le cortège. Les princii)ales recompenses ont été décernées aux chars représentant. Fi£ -^ LÉniiime des Enigmes. la Mess Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-seins-dans-lhistoire-fio-253-nourrice-du-xgus-dabyssinie-iairs-la-pholograpliie-de-zaigaivi-voir-p-ilq-le-bal-des-quat-zarts-cette-anne-le-bal-a-eu-lieu-le-24-avril-lelyse-munlmartre-avec-son-clat-habituel-le-costume-moyen-getait-de-rigueur-chacun-des-grands-ateliers-de-peinture-ou-darchi-tecture-a-rivalis-de-zle-et-doriginalit-dans-la-conception-de-la-loge-post-scriptimi-331-dosunc-a-arnir-la-salle-de-bal-et-du-char-qui-dfile-dans-le-cortge-les-princiiales-recompenses-ont-t-dcernes-aux-chars-reprsentant-fi-lniiime-des-enigmes-la-mess-image369816238.htmlRM2CDJGAP–. Les seins dans l'histoire . Fio-. 253. — Nourrice du Xégus dAbyssinie. I)ai)rés la pholograpliie de Zaïigaivi. (Voir p. ilQ.) Le bal des Quat zarts. — Cette année le bal a eu lieu le 24 avril, àlElysée-Munlmartre, avec son éclat habituel : le costume moyen âgeétait de rigueur. Chacun des grands ateliers de peinture ou darchi-tecture a rivalisé de zèle et doriginalité dans la conception de la loge POST-SCRIPTIMI 331 dosUnéc a -arnir la salle de bal et du char qui défile dans le cortège. Les princii)ales recompenses ont été décernées aux chars représentant. Fi£ -^ LÉniiime des Enigmes. la Mess
Enigmes Joyeuses pour les Bons Esprits, Plate 8 ca. 1615 Jan van Haelbeeck Eighth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, sits on a chair, next to a table covered with a cloth, playing a cello, inside a room with an open window and furnished wi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enigmes-joyeuses-pour-les-bons-esprits-plate-8-ca-1615-jan-van-haelbeeck-eighth-plate-of-a-group-of-9-plates-with-small-domestic-scenes-engraved-by-jan-van-haelbeeck-which-were-either-were-made-for-or-reused-by-jean-leclerc-around-1615-in-the-sonnet-series-enigmes-joyeuses-pour-les-bons-esprits-in-which-they-were-each-published-with-a-sonnet-that-hinted-at-the-double-meaning-of-the-activities-in-this-plate-a-woman-dressed-in-full-17th-century-aristocratic-style-sits-on-a-chair-next-to-a-table-covered-with-a-cloth-playing-a-cello-inside-a-room-with-an-open-window-and-furnished-wi-image457815442.htmlRM2HGR87E–Enigmes Joyeuses pour les Bons Esprits, Plate 8 ca. 1615 Jan van Haelbeeck Eighth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, sits on a chair, next to a table covered with a cloth, playing a cello, inside a room with an open window and furnished wi
Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 9, ca. 1615, Copper engraving, Sheet: 5 1/16 in. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-enigmes-joyeuses-pour-les-bons-esprits-artist-jan-van-haelbeeck-flemish-168086830.htmlRMKND0D2–Enigmes Joyeuses pour les Bons Esprits Artist: Jan van Haelbeeck, Flemish, active Paris (and Copenhagen), ca. 1600-1630, died Paris, ca. 1630, Artist: Jean Leclerc IV, French, baptized 1560, died Paris, 1622, Enigmes Joyeuses pour les Bons Esprits, Plate 9, ca. 1615, Copper engraving, Sheet: 5 1/16 in.
. Devises heroiques, et emblemes . ent les affaires a Rome : le/quelsauoient puiffance ci ouvrir y ^ hoiries let-tres quil en^ovoit au Sénat a^ant tous au-très. F ^ur cette caufe receurent yn cachetde Inj;^ auquel efloit graye)>n Sfnx.De^tfi-fe toutefois comme dit Vline qui ne fut pinsmoquerie, ^ irrifion, par les Engmes que ce Sfinx aportoit: ^eu que telle chofi donnk H E R O I Ç^JV E 3. 37 eccaflon nu, brocardy par lequel on dijoit qtidnefionf^ de merueillesji le Sfinx fropofoitdes Enigmes, ^ raijôn dejuoy ^Hgufle cef-ft le plii^ en ^Jcr , d^ fi^allèrent ^n temsde t image dAlexandre le G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/devises-heroiques-et-emblemes-ent-les-affaires-a-rome-lequelsauoient-puiffance-ci-ouvrir-y-hoiries-let-tres-quil-enovoit-au-snat-aant-tous-au-trs-f-ur-cette-caufe-receurent-yn-cachetde-inj-auquel-efloit-grayegtn-sfnxdetfi-fe-toutefois-comme-dit-vline-qui-ne-fut-pinsmoquerie-irrifion-par-les-engmes-que-ce-sfinx-aportoit-eu-que-telle-chofi-donnk-h-e-r-o-i-jv-e-3-37-eccaflon-nu-brocardy-par-lequel-on-dijoit-qtidnefionf-de-merueillesji-le-sfinx-fropofoitdes-enigmes-raijn-dejuoy-hgufle-cef-ft-le-plii-en-jcr-d-fiallrent-n-temsde-t-image-dalexandre-le-g-image376225501.htmlRM2CT2FD1–. Devises heroiques, et emblemes . ent les affaires a Rome : le/quelsauoient puiffance ci ouvrir y ^ hoiries let-tres quil en^ovoit au Sénat a^ant tous au-très. F ^ur cette caufe receurent yn cachetde Inj;^ auquel efloit graye)>n Sfnx.De^tfi-fe toutefois comme dit Vline qui ne fut pinsmoquerie, ^ irrifion, par les Engmes que ce Sfinx aportoit: ^eu que telle chofi donnk H E R O I Ç^JV E 3. 37 eccaflon nu, brocardy par lequel on dijoit qtidnefionf^ de merueillesji le Sfinx fropofoitdes Enigmes, ^ raijôn dejuoy ^Hgufle cef-ft le plii^ en ^Jcr , d^ fi^allèrent ^n temsde t image dAlexandre le G
. Annales du Musée d'histoire naturelle de Marseille, published aux frais de la ville ... Comparaison avec les formes vivantes. — La forme, que nous analysons, fait partie d'un groupe prototypique, qui renferme un grand nombre de types rapportés tantôt à une feuille, tantôt à une autre, et qui constituent dans les flores fossiles anciennes une de ces énigmes bien faite pour captiver l'attention des paléobotanistes. Nous n'insisterons pas sur la comparaison qu'on pourrait tenter avec les. F[C. 54. — Ptatanus Schimpcri f Fragment de lobe portant des dents plus trapues (Coll. de TEcoIe des Mines Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annales-du-muse-dhistoire-naturelle-de-marseille-published-aux-frais-de-la-ville-comparaison-avec-les-formes-vivantes-la-forme-que-nous-analysons-fait-partie-dun-groupe-prototypique-qui-renferme-un-grand-nombre-de-types-rapports-tantt-une-feuille-tantt-une-autre-et-qui-constituent-dans-les-flores-fossiles-anciennes-une-de-ces-nigmes-bien-faite-pour-captiver-lattention-des-palobotanistes-nous-ninsisterons-pas-sur-la-comparaison-quon-pourrait-tenter-avec-les-f-c-54-ptatanus-schimpcri-f-fragment-de-lobe-portant-des-dents-plus-trapues-coll-de-tecoie-des-mines-image236572927.htmlRMRMTR53–. Annales du Musée d'histoire naturelle de Marseille, published aux frais de la ville ... Comparaison avec les formes vivantes. — La forme, que nous analysons, fait partie d'un groupe prototypique, qui renferme un grand nombre de types rapportés tantôt à une feuille, tantôt à une autre, et qui constituent dans les flores fossiles anciennes une de ces énigmes bien faite pour captiver l'attention des paléobotanistes. Nous n'insisterons pas sur la comparaison qu'on pourrait tenter avec les. F[C. 54. — Ptatanus Schimpcri f Fragment de lobe portant des dents plus trapues (Coll. de TEcoIe des Mines
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