Quick filters:
Page 1 of 2
Faience example Stock Photos and Images
RMW54D0M–Vase Vase, Vase of faience after the example of Chinese porcelain from the Kangxi period, Chinese (other cultural aspects), De Grieksche A, Delft, c. 1722 - c. 1757, h 26.2 cm × d 13 cm, Weesp, c. 1759–1771
RMPB1CFM–Greenstone polyhedron inscribed with letters of the Greek alphabet. Culture: Greek. Dimensions: Width (point to point greatest width): 3 3/8 in., 22.9oz. (8.6 cm, 647.9g) Width (point to point smallest): 3 5/16 in. (8.4 cm) Width (Side to side): 2 13/16 in. (7.2 cm). Date: 2nd-1st century B.C.. The polyhedron has 20 sides, each inscribed with a letter of the Greek alphabet from A (alpha) to Y (upsilon), so that only the last three letters (chi, psi, and omega) are missing. See a faience example (37.11.3) also displayed in this case. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHR3GX–Greenstone polyhedron inscribed with letters of the Greek alphabet 2nd–1st century B.C. Greek The polyhedron has 20 sides, each inscribed with a letter of the Greek alphabet from A (alpha) to Y (upsilon), so that only the last four letters (phi, chi, psi, and omega) are missing. See a faience example (37.11.3) also displayed in this case.. Greenstone polyhedron inscribed with letters of the Greek alphabet 252920 Greek, Greenstone polyhedron inscribed with letters of the Greek alphabet, 2nd?1st century B.C., Greenstone, Width (point to point greatest width): 3 3/8 in., 22.9oz. (8.6 cm, 647.9g)
RF2HTWX8H–Art inspired by Faience bowl, Hellenistic, 332–30 B.C., Ptolemaic, Faience, Diam.: 8 11/16 in. (22 cm), Miscellaneous-Faience, This bowl, preserved intact, is a fine example of Egyptian faience ware. The Egyptians mastered the production of this luxury ware as early as the late, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMECKA81–France, Moselle, Sarreguemines, faience tradition city, the old earthenware furnace, bottle-shaped, 11-meter high, rare example of the first industrial revolution of the 19th century (the only one in Europe)
RF2HTW6BT–Art inspired by Ewer, ca. 1710–20, French, Moustiers, Faience (tin-glazed earthenware), Height: 11 1/8 in. (28.3 cm), Ceramics-Pottery, The form of this ewer is based on a French silver example, and it is likely that it was originally accompanied by a basin. The painted designs of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2TDXHA3–Dish of multicolored painted Faïence, the double gift jug, c. 1700 - c. 1730 Dish of Faience. Rouaan for example. Multicolored painted. The dish is marked. Delft . Dish of Faience. Rouaan for example. Multicolored painted. The dish is marked. Delft .
RF2HW0T7N–Art inspired by Amulet: Woman Playing Lyre, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Light blue faience, H. 5.4 cm (2 1/8 in.); W. 2.1 cm (13/16 in.); D. 1.7 cm (11/16in.), This figure is a late example of a repertoire of figures mostly created in a distinctive spotted, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A524JT–Shawabty of Ditamenpaankh, c. 715-656 BC. High demand for shawabtys in the Late Period, a time when as many as 400 or more shawabtys were placed in the tomb with the deceased, gave rise to a specialized container for storing them: the shawabty box. This example is inscribed for the lady of the house, Ditamenpaankh, and was probably one of a pair originally made for her. The single-masted boat on the box's lid is perhaps an allusion to the pilgrimage of the deceased to the holy city of Abydos, the cult city of Osiris, king of the dead. The shawabtys inside are crude, mass-produced examples cas
RF2HJC0MF–The Iranian Mosque (Imam Hussein Mosque) in Dubai colorful dome with floral and geometric tiles patterns, example of Persian architecture.
RM2AKNJCC–Examples of household taste . Ornamental Tile Mantlepiece : Minion, Hollis & Co., London. 386 THE INTERNATIONAL EXHIBITION, 1876. the second firing. The effect is to produce an even surface, under which theornamentation is seen in shades of color varying with the thickness of theglaze. An example of this kind in the group before us is the oblong plaquewith rabbits, grotesquely shaped birds and scrolls. Below this plaque is a jardiniere, made of faience, with masks and fancifulfigures painted upon the surface in colors, mostly green, blue, brown, and yellow,like in the faience of Gien. The rema
RF2AC88RC–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW54HFC–Plate, Plate of faience. Multicolored painted after Japanese Kakiemon example., anonymous, Delft, 1710 - 1740, d 23.1 cm × h 3.1 cm
RMPB0E1X–Faience bowl. Culture: Ptolemaic. Dimensions: Diam.: 8 11/16 in. (22 cm). Date: 332-30 B.C.. This bowl, preserved intact, is a fine example of Egyptian faience ware. The Egyptians mastered the production of this luxury ware as early as the late Predynastic period (late fourth millennium B.C.). Faience continued to be used for both sacred and secular objects into Hellenistic and Roman times. Museum: Metropolitan Museum of Art, New York, USA.
RM2TDXPW1–Vase, the Greek A, c. 1722 - c. 1757 Vase van Faience after the example of the Chinese porcelain from the Kangxi period. Delft . Vase van Faience after the example of the Chinese porcelain from the Kangxi period. Delft .
RF2HW14T9–Art inspired by Monkey or meerkat, Late Period–Ptolemaic Period, 500–200 BC, From Egypt, Faience, H. 5 × W. 1.1 × D. 1.9 cm (1 15/16 × 7/16 × 3/4 in.), Depictions of monkeys are popular throughout Egyptian history. Standing monkeys balancing on their tails seem to date to the Late, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HKARWM–Inspired by Horse with rider, Horseman of undecorated faience. The horse stands on a rectangular base and the rider sits loose on it. The rider wears a bereb hat and a German uniform from the second half of the 18th century. The horse has its left foreleg raised. The rider is accompanied by an, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2HJC0GE–Dubai, UAE, 24.09.21. The Iranian Mosque (Imam Hussein Mosque) in Dubai, entrance hall with colorful tiles facade, example of Persian architecture.
RM2AKRK29–The masterpieces of the Centennial international exhibition of 1876 .. . / Tile Ahiitlepieci: Million, Hnllis i^ Co., London. 386 THE INTERNATIONAL EXHIBITION, i8j6. the second firing. The effect is to produce an even surface, under which theornamentation is seen in shades ot color varying with the thicl<ness of theglaze. An example of this kind in the group before us is the oblong plaquewith rabbits, grotesquely shaped birds and scrolls. Below this plaque is a jardiniere, made of faience, with masks and fancifulfigures painted upon the surface in colors, mostly green, blue, brown, and yell
RF2AC88RH–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW54HFB–Plate, Plate of faience. Multicolored painted after Japanese Kakiemon example., anonymous, Delft, 1710 - 1740, d 22.8 cm × h 3.0 cm
RMPAPB4H–Ewer. Culture: American. Designer: Designed by Edward Lycett (1833-1910). Dimensions: H. 22 in. (55.9 cm). Manufacturer: Faience Manufacturing Company (American, New York, 1881-1892). Date: 1886-90. At 22 inches high, this ewer is one of the five largest known vessels produced by the Faience Manufacturing Company, and this example displays one of at least four different motifs associated with this form. Rising from a bulbous double-gourd-form body, stacked elements that display classicizing ornament emphasize the ewer's elongated form. Opposing foliate scrolls, joined by an illusionistic gilt
RM2TDK383–Vase, c. 1760 - c. 1800 Vase van Faience, painted in blue in the glaze with a landscape after Chinese example. Delft . Vase van Faience, painted in blue in the glaze with a landscape after Chinese example. Delft .
RF2HKXAP5–Art inspired by Horse with rider, Horseman of undecorated faience. The horse stands on a rectangular base and the rider sits loose on it. The rider wears a bereb hat and a German uniform from the second half of the 18th century. The horse has its left foreleg raised. The rider is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HJC0KN–Dubai, UAE, 24.09.21. The Iranian Mosque (Imam Hussein Mosque) in Dubai, colorful tiles facade and roof, example of Persian architecture and Islamic c
RF2HW0TGN–Art inspired by Isis amulet, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 2.8 cm (1 1/8 in.); W. 0.6 cm (1/4 in.); D. 1 cm (3/8 in.), This exquisitely shaped amulet depicts the goddess Isis. On her head is a throne, which is the hieroglyph that represents her name. Isis was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AKXK43–The masterpieces of the Centennial international exhibition of 1876 .. . Faience: Russian Court. the green ware. This makes litde cushions, which, when colored, give to thewhole an appearance suggestive of the squares of worsted on canvass-work.We engrave a number of specimens of this ware on this page, the group beingmade up from the display in the Russian Court. On page 274 we engrave an illustration of a very remarkable example ofwood-carving exhibited in the Italian Court. It is the work of Signor Luigi, afamous artist in thisparticular, and will be found well to repay careful exami-nation
RF2HW971K–Art inspired by Taweret amulet with double head, New Kingdom, Dynasty 18, late–Dynasty 19, ca. 1390–1213 B.C., From Egypt, Blue faience, H. 2 cm (13/16 in.); W. 1.4 cm (9/16 in.); D. 0.4 cm (3/16 in.), Double-headed amulets of the domestic goddess Taweret are rare forms and date to the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW0RYE–Art inspired by Spacer with Hathor head, Third Intermediate Period (including Kushite), Dynasty 21–25, ca. 1070–664 B.C., From Egypt, Faience, L. 5.2 cm (2 1/16 in.); H. 3 cm (1 3/16 in.); D. 0.5 cm (3/16 in.), A spacer is an element intended to keep multiple strands of a bracelet or, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2AC88T4–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RF2HW0PDA–Art inspired by Broad Collar, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Faience, Diam. 31.5 cm (12 3/8 in); Terminals: L. 8.7 cm (3 7/16 in.); W. 2.5 cm (1 in.); Th. 0.6 cm (1/4 in.), This necklace of faience beads, called a broad collar, is a durable, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMW55F2B–Vase, Vase of faience, painted in blue in the glaze with a landscape after Chinese example., anonymous, Delft, c. 1760 - c. 1800, h 19 cm × d 14 cm
RMPANGT3–Cippus (magical stela) where Pataikos replaces Horus on the crocodiles and is flanked by Isis and Nephthys. Dimensions: H 7.7 cm (3 1/16 in); w. 5.5 cm (2 3/16 in); d. 2.5 (1 in). Date: ca. 1070-525 BC. On most cippi or magical stelae, an image of the infant Horus on the front beneath a Bes-image is shown subduing dangerous animals. The Metternich Stela (acc. 50.85) is the largest and most elaborate example of the genre. This faience cippus is a variant where Pataikos replaces the Horus child and stands on the crocodiles usually trodden by Horus the child. On either shoulder figure Ba birds,
RF2B99A7A–Vase Vase, Vase of faience after the example of Chinese porcelain from the Kangxi period, Chinese (other cultural aspects), De Grieksche A, Delft, c. 1722 - c. 1757, h 26.2 cm × d 13 cm, Weesp, c. 1759–1771, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2HW2R15–Art inspired by Ewer, 1886–90, Made in Brooklyn, New York, American, Cream-colored earthenware, H. 22 in. (55.9 cm), Ceramics, At 22 inches high, this ewer is one of the five largest known vessels produced by the Faience Manufacturing Company, and this example displays one of at least, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2TDP0B2–Faïence board with flower decoration, the Greek A, c. 1690 - c. 1700 Faïence board with a flower decoration following the example of the Chinese porcelain from the Kangxi period. Delft . Faïence board with a flower decoration following the example of the Chinese porcelain from the Kangxi period. Delft .
RF2B99DEM–Plate, Plate of faience. Multicolored painted after Japanese Kakiemon example., anonymous, Delft, 1710 - 1740, d 23.1 cm × h 3.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AKTDFK–Examples of household taste . Faience : Russian Court the green ware. This makes little cushions, which, when colored, give to thewhole an appearance suggestive of the squares of worsted on canvass-work.We engrave a number of specimens of this ware on this page, the group beingmade up from the display in the Russian Court. On page 274 we engrave an illustration of a very remarkable example ofwood-carving exhibited in the Italian Court. It is the work of Signor Luigi, afamous artist in this particular, and will be found well to repay careful exami-nation. It was a very bold conception thus to m
RF2AC88P1–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW561XF–Dish of multicolored painted faience, Dish of faience. To Rouen example. Multicolored painted. The dish is marked., De Dubbele Schenkkan, Delft, c. 1700 - c. 1730, d 26.8 cm × h 5.7 cm
RMPB5TYJ–Amulet: Woman Playing Lyre. Dimensions: H. 5.4 × W. 2.1 × D.1.9 cm (2 1/8 × 13/16 × 3/4 in.). Dynasty: Dynasty 26-30. Date: 664-332 B.C.. This figure is a late example of a repertoire of figures mostly created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through
RM2TDKBG4–Dish of faience and straw with flower decoration, the drawbar, c. 1680 - c. 1710 Dish van FaiSence and straw with a floral decoration following the example of the Chinese porcelain from the Wanli period. Delft . Dish van FaiSence and straw with a floral decoration following the example of the Chinese porcelain from the Wanli period. Delft .
RF2B99DEH–Plate, Plate of faience. Multicolored painted after Japanese Kakiemon example., anonymous, Delft, 1710 - 1740, d 22.8 cm × h 3.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2CEP5B5–. A history and description of the old French faïence, with an account of the revival of faïence painting in France. existence. Greattechnical ability was displayed in the potting of these hugepieces, much in demand at the time for the embeUishment ofgardens and for architectural purposes; some of them standfrom three to four feet high. A curious example of theapphcation of faience to the adornment of pubhc buildingsis still to be seen inserted in the pediment of the BordeauxExchange Hall. It is a white clock dial, painted in blue,composed of six separate sections forming together a circlefift
RF2AC88RJ–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW54T3H–Charles I, King of England, Plaque of Faience. Painted blue with the portrait of Charles I, king of England. Possibly a fake after Dutch or English example. The object is (probably) a FAKE, England, Charles I (King of England), anonymous, Netherlands (possibly), 1720 - 1740 and/or 1830 - 1880, h 23.5 cm
RMPAX4MN–Broad Collar. Dimensions: Diam. 31.5 cm (12 3/8 in); Terminals: L. 8.7 cm (3 7/16 in.); W. 2.5 cm (1 in.); Th. 0.6 cm (1/4 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. This necklace of faience beads, called a broad collar, is a durable version of the elaborate perishable floral collars worn by banquet guests (see 09.184.216). The beads in this example imitate a row of cornflowers (center), three rows of dates (middle), and a row of lotus petals (outside). These rows are joined by strands of small ring beads. The rows end in rectangular terminals adorned with
RM2TDHHM7–Cup and saucer of faience and straw with flower decoration, the drawbar, c. 1680 - c. 1710 Cup and saucer of faience and straw with a floral decoration following the example of the Chinese porcelain from the Wanli period. Delft . Cup and saucer of faience and straw with a floral decoration following the example of the Chinese porcelain from the Wanli period. Delft .
RF2B9A3JM–Vase, Vase of faience, painted in blue in the glaze with a landscape after Chinese example., anonymous, Delft, c. 1760 - c. 1800, h 19 cm × d 14 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2CDAD4G–. Pottery and porcelain, from early times down to the Philadelphia exhibition of 1876 . Fio. Hi.—Example of Old SaUuma Ware. tion: the one is called Kaga Ware, the other Satsuma, fromthe districts where they are produced. Most of the Kaga ware broughtto ns is of a thick, heavy body, and colored with a dark sort of Indian-red, touched with lines of gilding. Some of the finer specimens, how- 224 POTTERY AND PORCELAIN. ever, like the vases shown in the recent work of Messrs. Audeslej andBowes, are in polychrome, and very beautiful. The Satsuma faience is made of a rich, creamy paste, and is thick
RF2AC88W6–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW54T3K–George I, King of England, Plaque of Faience. Painted blue with the portrait of George I, King of England (1714-1728). Possibly a fake after Dutch or English example. The object is (probably) a DECREASE, England, George I (King of Great Britain and Ireland), anonymous, Netherlands (possibly), 1720 - 1740 and/or 1830 - 1880, h 23.5 cm
RMPA98BW–Reconstructed lotiform chalice. Dimensions: As reconstructed: H. 9.9 cm (3 7/8 in.); Diam. 9.3 cm (3 11/16 in.). Dynasty: Dynasty 21-25. Date: ca. 1070-664 B.C.. Made of faience glazed a rich turquoise, this goblet takes the shape of the fragrant blue lotus. Reconstructed from eight fragments, it would originally have stood on a slender column imitating the flower's stalk. (For a complete example, see 13.182.53.) This type of chalice, which is seen first in the New Kingdom, appears to have been used primarily as a cult vessel. Both the shape and the imagery of this chalice are closely linked
RM2TDGGJ6–Head of faience and straw with flower decoration, the drawbar, c. 1680 - c. 1710 Kop van Faience and straw with a floral decoration according to the example of the Chinese porcelain from the Wanli period. Delft . Kop van Faience and straw with a floral decoration according to the example of the Chinese porcelain from the Wanli period. Delft .
RF2B9ADW8–Dish of multicolored painted faience, Dish of faience. To Rouen example. Multicolored painted. The dish is marked., De Dubbele Schenkkan, Delft, c. 1700 - c. 1730, d 26.8 cm × h 5.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HHWFBK–Faience bowl 332–30 B.C. Ptolemaic This bowl, preserved intact, is a fine example of Egyptian faience ware. The Egyptians mastered the production of this luxury ware as early as the late Predynastic period (late fourth millennium B.C.). Faience continued to be used for both sacred and secular objects into Hellenistic and Roman times.. Faience bowl 259249
RF2HW95YT–Art inspired by Lentoid Bottle ('New Year's Bottle') inscribed for the God's Father Amenhotep, son of the God's Father Iufaa, Late Period, 664–525 B.C., From Egypt, Faience, H. 21 cm (8 1/4 in); diam. 18 cm (7 1/16 in), This lentoid flask, inscribed for a priest named Amenhotep, is an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2T2F218–Lentoid Bottle ('New Year's Bottle') Late Period 664–332 B.C. Faience flasks of this type, often inscribed with good wishes and apparently filled with water from the Nile, were given as presents at the New Year. This example is missing its neck. View more. Lentoid Bottle ('New Year's Bottle'). 664–332 B.C.. Faience. Late Period. From Egypt. Dynasty 26–30
RM2TDKGC7–Dish, painted with the judgment of King Solomon, c. 1655 - c. 1660 Dish of Faïence, blue painted in the enamel. On the flat a representation of the judgment of King Solomon. On the edge of flowers, butterflies and birds to Chinese example. Haarlem . Dish of Faïence, blue painted in the enamel. On the flat a representation of the judgment of King Solomon. On the edge of flowers, butterflies and birds to Chinese example. Haarlem .
RM2CDAR7E–. Pottery and porcelain, from early times down to the Philadelphia exhibition of 1876 . Fig. Si.—Rouen Faience. Some pieces in tlic Sevres Museum, in.nkcd witli the fleur-de-lis^ mayliavu l)elonfjed ti) tliis. ^[iiny of tlic lirli ainl tlic iioMl- followed liis example, and theresult was that a marvelous impulse was i^iveii lo the increase and theperfection of the faiences at liuuen. IJefore the final clo.-in^- of the ROUEX POTTERY. Ii5 works, about 1TS9 or 1790, some eigliteen extensive fabrif^ues were in active work. The variety of articles made at Eoiien was very great, ranging fromsalt-cel
RF2AC88RM–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMW55F27–Saucer, painted with the judgment of King Solomon, Saucer of faience, painted blue in the glaze. On the shelf a representation of the Judgment of King Solomon. On the border flowers, butterflies and birds after a Chinese example, the judgment of Solomon (1 Kings 3: 16-28), Willem Jansz. Verstraeten (attributed to workshop of), Haarlem, c. 1655 - c. 1660, h 6.5 cm × d 38.7 cm
RMPAAKDP–Decorated spoon. Dimensions: L. 19 cm (7 1/2 in). Dynasty: Dynasty 19-20 or later. Date: ca. 1295-1070 B.C. or later. Decorated spoons in the form of an arm and hand holding a shell have a long history in Egyptian Art. The Late New Kingdom and Third Intermediate Period through Saite Period has produced a number of spoons consisting of a large shell-shaped bowl gripped by a long-fingered hand provided with only a wrist and lower forearm. Faience and fine grained stones are generally used. A number of examples of this kind are inscribed with names of gods and donors. This example and one othe
RM2DNRRCB–Adrianus Kocks, De Grieksche A, Tulip vase with hunting scenes, faience, painted (ceramic), Total: Height: 35 cm; Width: 60 cm; Depth: 45,5 cm, Porcelain mark: AK, Keramik, Jagen, Jagd, Jagd, Fabulous animals, Plant ornaments, Following the example of Chinese blue-white porcelain, special containers made of faience are produced in the Netherlands. They are equipped with water reservoirs in which cut flowers are kept fresh for several days. To accentuate the individual flowers, the vases are fitted with spouts. European hunting scenes and Chinese motifs, such as dragons with their mouths open
RM2HB63KN–Horse with rider, Horseman of undecorated faience. The horse stands on a rectangular base and the rider sits loose on it. The rider wears a bereb hat and a German uniform from the second half of the 18th century. The horse has its left foreleg raised. The rider is accompanied by an identical example, anonymous, Delft, c. 1700 - c. 1800, earthenware, tin glaze, height 32 cm
RM2T912RK–Coffee pot, c. 1765, 9 x 7 1/2 in. (22.9 x 19.05 cm), Stoneware with enamel decoration, England, 18th century, This coffeepot and the red example nearby are both made of stoneware, but with decidely different results. Here the body of the coffepot retains the more typical orange-peel texture associated with 17th- and 18th-century white and brown English stonewares. The jewel-like enamel colors provide a refined floral adornment, similar to that seen on the French faience or tin-glazed earthenware plate
RF2HW96JN–Art inspired by Cippus (magical stela) where Pataikos replaces Horus on the crocodiles and is flanked by Isis and Nephthys, Third Intermediate Period–Late Period, ca. 1070–525 BC, From Egypt, Faience, H 7.7 cm (3 1/16 in); w. 5.5 cm (2 3/16 in); d. 2.5 (1 in), On most cippi or magical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B99J18–Charles I, King of England, Plaque of Faience. Painted blue with the portrait of Charles I, king of England. Possibly a fake after Dutch or English example. The object is (probably) a FAKE, England, Charles I (King of England), anonymous, Netherlands (possibly), 1720 - 1740 and/or 1830 - 1880, h 23.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2TE1WJ8–Charles I, King of England, Anonymous, 1830 - 1880 Plaque van Faience. Blue painted with the portrait of Charles I, King of England. Possibly a falsification to a Dutch or English example. The object is (probably) a counterfeit. Netherlands (possibly) . England Plaque van Faience. Blue painted with the portrait of Charles I, King of England. Possibly a falsification to a Dutch or English example. The object is (probably) a counterfeit. Netherlands (possibly) . England
RM2CDARK3–. Pottery and porcelain, from early times down to the Philadelphia exhibition of 1876 . Work was done for the table, some of ^vhich holds high rank. WhenLouis XIV. sent his silver to be minted in 1713, to pay for hisextravagant wars, he had it replaced by a service made at Rouen. 144 POTTERY AND PORCELAIN.. Fig. Si.—Rouen Faience. Some pieces in tlic Sevres Museum, in.nkcd witli the fleur-de-lis^ mayliavu l)elonfjed ti) tliis. ^[iiny of tlic lirli ainl tlic iioMl- followed liis example, and theresult was that a marvelous impulse was i^iveii lo the increase and theperfection of the faiences at
RM2HHW2JM–Ewer ca. 1710–20 French, Moustiers The form of this ewer is based on a French silver example, and it is likely that it was originally accompanied by a basin. The painted designs of arabesques and fanciful figures reflect the influence of the French court designer, Jean Bérain (1640-1711), whose work had enormous influence on the decorative arts in the decades around 1700.. Ewer. French, Moustiers. ca. 1710–20. Faience (tin-glazed earthenware). Ceramics-Pottery
RM2TG2F1H–George I, King of England, Anonymous, 1830 - 1880 Plaque van Faience. Blue painted with the portrait of George I, King of England (1714-1728). Possibly a falsification to a Dutch or English example. The object is (probably) a falsification. Netherlands (possibly) . England Plaque van Faience. Blue painted with the portrait of George I, King of England (1714-1728). Possibly a falsification to a Dutch or English example. The object is (probably) a falsification. Netherlands (possibly) . England
RF2AC88RY–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RM2HH3BF1–Profile Face Inlay 664 B.C.–30 B.C Late Period–Ptolemaic Period Inlay elements made from either glass or faience were often used in composite reliefs on pieces of furniture and funerary equipment. The bright colors not only enhanced the object’s appearance, but and also had its own symbolic value. For example, blue-green related to regeneration.. Profile Face Inlay. 664 B.C.–30 B.C. Faience. Late Period–Ptolemaic Period. From Egypt
RMPA9END–Model collar of Hapiankhtifi. Dimensions: W. 17 × Th. 1.5 cm (6 11/16 × 9/16 in.). Dynasty: Dynasty 12. Date: ca. 1981-1802 B.C.. Elaborate broad collars were worn by the Egyptian elite for a variety of festival and religious occasions. These could be floral, made from actual plant material, or crafted from individual elements of faience, metal, or semi-precious stone. This model collar of wood, gilded and engraved with representations of small beads in rows, echoing an actual example, was found on the chest of Hapiankhtifi's mummy. A string would have been passed through the holes in the two
RM2T90H65–Scarab, 1567-1320 BCE, 13/16 x 9/16 in. (2.1 x 1.4 cm), faience, Egypt, 16th-14th century BCE, The belief in the power of amulets to protect the wearer continues to this day, for example, with the practice of carrying lucky coins or rabbit’s feet. In ancient Egypt, amulets accompanied the living and the dead, and took many forms, from animals to gods. On mummies, they were arranged in elaborate patterns to accompany the dead to the next world. The Djed pillar amulets indicate firmness, stability, and preservation. Often called the 'backbone of Osiris,' they were placed near the mummy’s neck
RMKCE6PG–Faience bowl, Hellenistic, 332–30 B.C., Ptolemaic, Faience, Diam.: 8 11/16 in. (22 cm), Miscellaneous-Faience, This bowl
RMKCC6RW–Ewer, ca. 1710–20, French, Moustiers, Faience (tin-glazed earthenware), Height: 11 1/8 in. (28.3 cm), Ceramics-Pottery, The form
RF2B99J1A–George I, King of England, Plaque of Faience. Painted blue with the portrait of George I, King of England (1714-1728). Possibly a fake after Dutch or English example. The object is (probably) a DECREASE, England, George I (King of Great Britain and Ireland), anonymous, Netherlands (possibly), 1720 - 1740 and/or 1830 - 1880, h 23.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMR726X5–Faience plate from Italy, with blue brushstrokes decor, bottom of the bows, plate crockery holder soil find ceramic earthenware glaze tin glaze, hand-turned baked decorated glazed fried Plate on wide stand ring. Yellow-orange shard entirely covered with tin glaze. Blue decors on white fond At the top brush strokes decor and curved lines very familiar decor from the majolica period underside bow design to Spanish example. Cooked Saucer with deep flat high shoulder and slightly angled flag archeology Valckensteyn Poortugaal Albrandswaard indigenous pottery import serving serve archaeological fin
RMKCD9PH–Monkey or meerkat, Late Period–Ptolemaic Period, 500–200 BC, From Egypt, Faience, H. 5 × W. 1.1 × D. 1.9 cm (1 15/16 × 7/16 × 3
RMKC34D8–Spacer with Hathor head, Third Intermediate Period (including Kushite), Dynasty 21–25, ca. 1070–664 B.C., From Egypt, Faience
RF2AC891M–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RM2HH4JCC–Plate ca. 1740 French, Rouen This plate is made of Rouen ware, a distinctive type of faience, or tin-enameled earthenware, produced in the Norman city of Rouen from the fifteenth century through the eighteenth. The elaborate border of floral scrolls on this example surrounds four staves of music simply titled 'Aria.' Although the opera for which the piece was composed has not been identified, its lyric is suited to the pastoral comic genre that was popular in France in the early eighteenth century. It translates as follows: 'Though the world be at war, my soul is still at peace, and in my cave
RMKC49ME–Broad Collar, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Faience, Diam. 31.5 cm (12 3/8 in
RMPAKRYG–Taweret amulet with double head. Dimensions: H. 2 cm (13/16 in.); W. 1.4 cm (9/16 in.); D. 0.4 cm (3/16 in.). Dynasty: Dynasty 18, late-Dynasty 19. Date: ca. 1390-1213 B.C.. Double-headed amulets of the domestic goddess Taweret are rare forms and date to the 18th dynasty,. Amarna is among the known findspots for these, although this particular example is without provenance. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHY5KX–Amulet: Woman Playing Lyre 664–332 B.C. Late Period This figure is a late example of a repertoire of figures mostly created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many deta
RM2HH3C0R–Two-Handled Amphora ca. 30 B.C.–A.D. 364 Roman Period This amphora-shaped vase is made out of Egyptian faience, a ceramic-like material often characterized by a bright turquoise blue glaze, like the example here. Of a minimalist design, with no decoration, its main features are its high size and handles terminating in ivy leaves, showcasing the quality of Egyptian craftmanship during the Roman Period.. Two-Handled Amphora. ca. 30 B.C.–A.D. 364. Faience. Roman Period. From Egypt
RF2B9A3JK–Saucer, painted with the judgment of King Solomon, Saucer of faience, painted blue in the glaze. On the shelf a representation of the Judgment of King Solomon. On the border flowers, butterflies and birds after a Chinese example, the judgment of Solomon (1 Kings 3: 16-28), Willem Jansz. Verstraeten (attributed to workshop of), Haarlem, c. 1655 - c. 1660, h 6.5 cm × d 38.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, move
RF2AC88RT–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RMKC7H6B–Amulet: Woman Playing Lyre, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Light blue faience, H. 5.4 cm (2 1/8 in.); W
RMPAXNPD–Lentoid Bottle ('New Year's Bottle') inscribed for the God's Father Amenhotep, son of the God's Father Iufaa. Dimensions: H. 21 cm (8 1/4 in); diam. 18 cm (7 1/16 in). Date: 664-525 B.C.. This lentoid flask, inscribed for a priest named Amenhotep, is an example of a New Year's bottle. Filled perhaps with perfume, oil, or water from the Nile, it would have been a gift associated with the celebration of the beginning of the year. Around the shoulders of the vase are incised bands of floral patterns, meant to echo the vegetal collar that would have been worn by a participant in a ceremonial or f
RF2BA3C9Y–Great example of the Hungarian Art Nouveau the 'Cifrapalota' Cifra Palace in Kecskemet, Hungary.
RM2HH3E2D–Jug with coat-of-arms of the Cleminius Family ca. 1700 Abraham Helmhack The end of the Thirty Years War in 1648 saw the revival of domestic industries such as decorated faience wares, which catered to the German bourgeoisie. Abraham Helmhack (1654–1724) was a Hausmaler, or independent decorator, who specialized in biblical motifs, flowers, and coats-of-arms. This example, painted for the Cleminius family, features a coat-of-arms set within a lavish floral border. His monogram AH can be found at the foot of the vessel.. Jug with coat-of-arms of the Cleminius Family. German, Frankfurt with Nurem
RF2B9GK4M–Faience plate from Italy, with blue brushstrokes decor, bottom of the bows, plate crockery holder soil find ceramic earthenware glaze tin glaze, hand-turned baked decorated glazed fried Plate on wide stand ring. Yellow-orange shard entirely covered with tin glaze. Blue decors on white fond At the top brush strokes decor and curved lines very familiar decor from the majolica period underside bow design to Spanish example. Cooked Saucer with deep flat high shoulder and slightly angled flag archeology Valckensteyn Poortugaal Albrandswaard indigenous pottery import serving serve archaeological fin
Search Results for Faience example Stock Photos and Images (133)
Page 1 of 2