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After jean françois millet Stock Photos and Images
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After jean françois millet Stock Photos and Images
The Village Dressmakers, After Jean-François Millet, 1835–1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-village-dressmakers-after-jean-franois-millet-18351900-162518296.htmlRMKCB9MT–The Village Dressmakers, After Jean-François Millet, 1835–1900
Art inspired by The Village Dressmakers, 1835–1900, Lithograph, Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Alphonse Mouilleron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-village-dressmakers-18351900-lithograph-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-alphonse-mouilleron-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970904.htmlRF2HW6434–Art inspired by The Village Dressmakers, 1835–1900, Lithograph, Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Alphonse Mouilleron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Village Dressmakers. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Alphonse Mouilleron. Date: 1835-1900. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-dressmakers-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-alphonse-mouilleron-date-1835-1900-museum-metropolitan-museum-of-art-new-york-usa-image213164059.htmlRMPAPCX3–The Village Dressmakers. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Alphonse Mouilleron. Date: 1835-1900. Museum: Metropolitan Museum of Art, New York, USA.
312 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/312-jean-baptise-millet-after-jean-franois-millet-la-grande-bergre-assise-image187809572.htmlRMMWFD0M–312 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise
Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptise-millet-after-jean-franois-millet-la-grande-bergre-assise-137884507.htmlRMJ0952K–Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise
WOMAN WITH A RAKE, by Jean-Francois Millet, 1856-57, French painting, oil on canvas. After 20 years as portrait painter, Millet emerged as a pioneering realist in the later 1840s. This work was painted from one of his woodcut series Labors of the Fields. Millet was a member of the Romantic realist Barbizon School (BSLOC 2017 9 110) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-with-a-rake-by-jean-francois-millet-1856-57-french-painting-170559321.htmlRMKWDJ49–WOMAN WITH A RAKE, by Jean-Francois Millet, 1856-57, French painting, oil on canvas. After 20 years as portrait painter, Millet emerged as a pioneering realist in the later 1840s. This work was painted from one of his woodcut series Labors of the Fields. Millet was a member of the Romantic realist Barbizon School (BSLOC 2017 9 110)
Jean-François Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-franois-millet-1814-1875-french-painter-one-of-the-founders-of-36978871.htmlRMC44EWY–Jean-François Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum.
The Sheepshearer, 19th century. After Jean-Francois Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sheepshearer-19th-century-after-jean-francois-millet-image349005087.htmlRM2B7PFFB–The Sheepshearer, 19th century. After Jean-Francois Millet
The Reaper 1853 After Jean-François Millet French. The Reaper 371537 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-reaper-1853-after-jean-franois-millet-french-the-reaper-371537-image458027935.htmlRM2HH4Y8F–The Reaper 1853 After Jean-François Millet French. The Reaper 371537
WOMAN WITH A RAKE, by Jean-Francois Millet, 1856-57, French painting, oil on canvas. After 20 years as portrait painter, Millet emerged as a pioneering realist in the later 1840s. This work was painted from one of his woodcut series Labors of the Fields. Millet was a member of the Romantic realist Barbizon School (BSLOC 2017 9 110) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-with-a-rake-by-jean-francois-millet-1856-57-french-painting-170560620.htmlRMKWDKPM–WOMAN WITH A RAKE, by Jean-Francois Millet, 1856-57, French painting, oil on canvas. After 20 years as portrait painter, Millet emerged as a pioneering realist in the later 1840s. This work was painted from one of his woodcut series Labors of the Fields. Millet was a member of the Romantic realist Barbizon School (BSLOC 2017 9 110)
The Diggers 1830–99 After Jean-François Millet French. The Diggers 371569 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-diggers-183099-after-jean-franois-millet-french-the-diggers-371569-image458152630.htmlRM2HHAJ9X–The Diggers 1830–99 After Jean-François Millet French. The Diggers 371569
digitally altered The Two Peasant Women Digging In A Snow-covered Field At Sunset, by Van Gogh after Jean-Francois Millet, 1890. E.G. Buhrle museum in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digitally-altered-the-two-peasant-women-digging-in-a-snow-covered-field-at-sunset-by-van-gogh-after-jean-francois-millet-1890-eg-buhrle-museum-in-image359581319.htmlRF2BW09HY–digitally altered The Two Peasant Women Digging In A Snow-covered Field At Sunset, by Van Gogh after Jean-Francois Millet, 1890. E.G. Buhrle museum in
Moonlight n.d. After Jean-François Millet French. Moonlight 371574 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moonlight-nd-after-jean-franois-millet-french-moonlight-371574-image458071004.htmlRM2HH6X6M–Moonlight n.d. After Jean-François Millet French. Moonlight 371574
agriculture, farm labour, fields, 'Two Men with Spades' after painting by Jean-Francois Millet (1814 - 1875), 1855 / 1856, drawing, 19th century, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-agriculture-farm-labour-fields-two-men-with-spades-after-painting-96397674.htmlRMFGR862–agriculture, farm labour, fields, 'Two Men with Spades' after painting by Jean-Francois Millet (1814 - 1875), 1855 / 1856, drawing, 19th century, Additional-Rights-Clearences-Not Available
Landscape 1830–75 After Jean-François Millet French. Landscape 371563 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-183075-after-jean-franois-millet-french-landscape-371563-image458488738.htmlRM2HHWY1P–Landscape 1830–75 After Jean-François Millet French. Landscape 371563
The glaneuses. Picture postcard, used 1909. Colour lithograph after the painting by Jean-François Millet , Jean-François Millet (postcard, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-glaneuses-picture-postcard-used-1909-colour-lithograph-after-the-painting-by-jean-franois-millet-jean-franois-millet-postcard-image247384201.htmlRMTAD921–The glaneuses. Picture postcard, used 1909. Colour lithograph after the painting by Jean-François Millet , Jean-François Millet (postcard, )
Millet Jean-François - After the Day's Work Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/millet-jean-franois-after-the-days-work-image211005064.htmlRFP78334–Millet Jean-François - After the Day's Work
Millet Jean-François - After the Day's Work - French School - 19th and Early 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/millet-jean-franois-after-the-days-work-french-school-19th-and-early-20th-century-image371905402.htmlRM2CH1N3P–Millet Jean-François - After the Day's Work - French School - 19th and Early 20th Century
Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-girls-surprised-by-indians-after-karl-bodmer-and-jean-franois-171838261.htmlRMKYFWCN–Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet
Sewing by Lamplight, After Jean-François Millet, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sewing-by-lamplight-after-jean-franois-millet-19th-century-162518312.htmlRMKCB9NC–Sewing by Lamplight, After Jean-François Millet, 19th century
Art inspired by The Sheepshearer, 19th century, Woodcut, Prints, Henry Linton (British, London 1815–1899), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-sheepshearer-19th-century-woodcut-prints-henry-linton-british-london-18151899-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805919.htmlRF2HTXHJR–Art inspired by The Sheepshearer, 19th century, Woodcut, Prints, Henry Linton (British, London 1815–1899), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Spinner from the Auvergne. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm) Sheet: 9 5/8 × 12 1/16 in. (24.4 × 30.6 cm). Date: 1830-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spinner-from-the-auvergne-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-dimensions-image-8-58-5-78-in-219-15-cm-sheet-9-58-12-116-in-244-306-cm-date-1830-99-museum-metropolitan-museum-of-art-new-york-usa-image213248469.htmlRMPAX8GN–Spinner from the Auvergne. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm) Sheet: 9 5/8 × 12 1/16 in. (24.4 × 30.6 cm). Date: 1830-99. Museum: Metropolitan Museum of Art, New York, USA.
271 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/271-jean-baptise-millet-after-jean-franois-millet-la-grande-bergre-assise-image189048734.htmlRMMYFWGE–271 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise
Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-girls-surprised-by-indians-after-karl-bodmer-and-jean-franois-137886890.htmlRMJ0983P–Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet
First Steps, after Millet, by Vincent Van Gogh, 1890, Dutch Post-Impressionist, oil on canvas. While a patient at the asylum in Saint-Remy, Van Gogh painted copies after realist Jean-Francois Millet (BSLOC 2017 5 50) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-first-steps-after-millet-by-vincent-van-gogh-1890-dutch-post-impressionist-170544645.htmlRMKWCYC5–First Steps, after Millet, by Vincent Van Gogh, 1890, Dutch Post-Impressionist, oil on canvas. While a patient at the asylum in Saint-Remy, Van Gogh painted copies after realist Jean-Francois Millet (BSLOC 2017 5 50)
1845 ca : The celebrated french Impressionist painter JEAN FRANCOIS MILLET ( October 4, 1814 – January 20, 1875 ) was a painter and one of the founders of the Barbizon school in rural France. He is noted for his scenes of peasant farmers. He was part of the movement termed ' realism '. Born in the village of Gruchy, in Greville-Hague (Normandy), Millet moved to Paris in 1838. He received his academic schooling with Paul Dumouchel, and with Jerome Langlois in Cherbourg. After 1840 he turned away from the official painting style and came under the influence of Honore' Daumier. In 1849 he withdre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1845-ca-the-celebrated-french-impressionist-painter-jean-francois-millet-october-4-1814-january-20-1875-was-a-painter-and-one-of-the-founders-of-the-barbizon-school-in-rural-france-he-is-noted-for-his-scenes-of-peasant-farmers-he-was-part-of-the-movement-termed-realism-born-in-the-village-of-gruchy-in-greville-hague-normandy-millet-moved-to-paris-in-1838-he-received-his-academic-schooling-with-paul-dumouchel-and-with-jerome-langlois-in-cherbourg-after-1840-he-turned-away-from-the-official-painting-style-and-came-under-the-influence-of-honore-daumier-in-1849-he-withdre-image539255686.htmlRM2P9963J–1845 ca : The celebrated french Impressionist painter JEAN FRANCOIS MILLET ( October 4, 1814 – January 20, 1875 ) was a painter and one of the founders of the Barbizon school in rural France. He is noted for his scenes of peasant farmers. He was part of the movement termed ' realism '. Born in the village of Gruchy, in Greville-Hague (Normandy), Millet moved to Paris in 1838. He received his academic schooling with Paul Dumouchel, and with Jerome Langlois in Cherbourg. After 1840 he turned away from the official painting style and came under the influence of Honore' Daumier. In 1849 he withdre
The Guardian of the Geese, after Millet 1924 by Jean-Francois Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-guardian-of-the-geese-after-millet-1924-by-jean-francois-millet-image591247829.htmlRM2W9WJHW–The Guardian of the Geese, after Millet 1924 by Jean-Francois Millet
The Sower, after Millet's Sower The Sower, to MilletDe Sower Property type: picture Item number: RP-P-OB-67.930 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Matthijs Mari to painting: Jean-François Millet Place manufacture: London Date : ca. 1881 - ca. 1882 Physical characteristics: etching and dry point material: paper Technique: etching / dry point measurements: plate edge: h 505 mm × W 405 mm Subject: sowing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sower-after-millets-sower-the-sower-to-milletde-sower-property-type-picture-item-number-rp-p-ob-67930-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-matthijs-mari-to-painting-jean-franois-millet-place-manufacture-london-date-ca-1881-ca-1882-physical-characteristics-etching-and-dry-point-material-paper-technique-etching-dry-point-measurements-plate-edge-h-505-mm-w-405-mm-subject-sowing-image348302672.htmlRM2B6JFH4–The Sower, after Millet's Sower The Sower, to MilletDe Sower Property type: picture Item number: RP-P-OB-67.930 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Matthijs Mari to painting: Jean-François Millet Place manufacture: London Date : ca. 1881 - ca. 1882 Physical characteristics: etching and dry point material: paper Technique: etching / dry point measurements: plate edge: h 505 mm × W 405 mm Subject: sowing
First Steps, after Millet, by Vincent Van Gogh, 1890, Dutch Post-Impressionist, oil on canvas. While a patient at the asylum in Saint-Remy, Van Gogh painted copies after realist Jean-Francois Millet (BSLOC 2017 5 50) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-first-steps-after-millet-by-vincent-van-gogh-1890-dutch-post-impressionist-170545348.htmlRMKWD098–First Steps, after Millet, by Vincent Van Gogh, 1890, Dutch Post-Impressionist, oil on canvas. While a patient at the asylum in Saint-Remy, Van Gogh painted copies after realist Jean-Francois Millet (BSLOC 2017 5 50)
Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-girls-surprised-by-indians-after-karl-bodmer-and-jean-franois-millet-image590616637.htmlRM2W8TWF9–Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet.
First Steps, after Millet, 1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-steps-after-millet-1890-image343014259.htmlRM2AX1J57–First Steps, after Millet, 1890.
Jean-François Millet, peasant and painter; . aux Arts offered Milletfifteen hundred francs. He had already sold it for two thousand.After the Salon, he received a medal — this was all. Barbizon, June 6th, 1864. My Dear Sensier : Thank you for the number of the Figaro thatyou sent. It is really very curious, and, by the way, gives me a desire to meetJean Rousseau if it could happen naturally. It might be of real use. He doesnot sufficiently understand that things are of value only according to theirfundamental ciualities, and he still believes that the care with which a thingis done, even if it Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-aux-arts-offered-milletfifteen-hundred-francs-he-had-already-sold-it-for-two-thousandafter-the-salon-he-received-a-medal-this-was-all-barbizon-june-6th-1864-my-dear-sensier-thank-you-for-the-number-of-the-figaro-thatyou-sent-it-is-really-very-curious-and-by-the-way-gives-me-a-desire-to-meetjean-rousseau-if-it-could-happen-naturally-it-might-be-of-real-use-he-doesnot-sufficiently-understand-that-things-are-of-value-only-according-to-theirfundamental-ciualities-and-he-still-believes-that-the-care-with-which-a-thingis-done-even-if-it-image339311457.htmlRM2AM0Y69–Jean-François Millet, peasant and painter; . aux Arts offered Milletfifteen hundred francs. He had already sold it for two thousand.After the Salon, he received a medal — this was all. Barbizon, June 6th, 1864. My Dear Sensier : Thank you for the number of the Figaro thatyou sent. It is really very curious, and, by the way, gives me a desire to meetJean Rousseau if it could happen naturally. It might be of real use. He doesnot sufficiently understand that things are of value only according to theirfundamental ciualities, and he still believes that the care with which a thingis done, even if it
Sewing by Lamplight 19th century After Jean-François Millet French. Sewing by Lamplight 371562 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sewing-by-lamplight-19th-century-after-jean-franois-millet-french-sewing-by-lamplight-371562-image458488754.htmlRM2HHWY2A–Sewing by Lamplight 19th century After Jean-François Millet French. Sewing by Lamplight 371562
Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-girls-surprised-by-indians-after-karl-bodmer-and-jean-franois-147716803.htmlRMJG9283–Young Girls Surprised by Indians after Karl Bodmer and Jean-François Millet
Spinner from the Auvergne, After Jean-François Millet, 1830–99 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-spinner-from-the-auvergne-after-jean-franois-millet-183099-162497053.htmlRMKCAAJ5–Spinner from the Auvergne, After Jean-François Millet, 1830–99
Art inspired by Moonlight, n.d., Woodcut, Image: 5 13/16 × 7 1/16 in. (14.8 × 18 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-moonlight-nd-woodcut-image-5-1316-7-116-in-148-18-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805909.htmlRF2HTXHJD–Art inspired by Moonlight, n.d., Woodcut, Image: 5 13/16 × 7 1/16 in. (14.8 × 18 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Noon. Jacques Adrien Lavieille (French, 1818-1862); after Jean François Millet (French, 1814-1875); printed by Jules Claye (French, 1806-1886). Date: 1860. Dimensions: 149 × 220 mm (image); 185 × 260 mm (chine); 239 × 340 mm (sheet). Wood engraving on light gray China paper on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noon-jacques-adrien-lavieille-french-1818-1862-after-jean-franois-millet-french-1814-1875-printed-by-jules-claye-french-1806-1886-date-1860-dimensions-149-220-mm-image-185-260-mm-chine-239-340-mm-sheet-wood-engraving-on-light-gray-china-paper-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image240165018.htmlRMRXMCX2–Noon. Jacques Adrien Lavieille (French, 1818-1862); after Jean François Millet (French, 1814-1875); printed by Jules Claye (French, 1806-1886). Date: 1860. Dimensions: 149 × 220 mm (image); 185 × 260 mm (chine); 239 × 340 mm (sheet). Wood engraving on light gray China paper on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
313 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/313-jean-baptise-millet-after-jean-franois-millet-la-grande-bergre-assise-image213916085.htmlRMPC0M45–313 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise
The Potato Harvest, 1855. After moving from Paris to the village of Barbizon on the edge of the Fontainebleau forest in 1851, Millet devoted himself to portraying the lives of his neighbors. Some critics interpreted his paintings of working farmers as a critique of the injustices inherent in the social conditions of his time. Others have seen his work as a representation of man's harmonious union with nature. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-potato-harvest-1855-after-moving-from-paris-to-the-village-of-barbizon-on-the-edge-of-the-fontainebleau-forest-in-1851-millet-devoted-himself-to-portraying-the-lives-of-his-neighbors-some-critics-interpreted-his-paintings-of-working-farmers-as-a-critique-of-the-injustices-inherent-in-the-social-conditions-of-his-time-others-have-seen-his-work-as-a-representation-of-mans-harmonious-union-with-nature-image575141901.htmlRM2TBKYA5–The Potato Harvest, 1855. After moving from Paris to the village of Barbizon on the edge of the Fontainebleau forest in 1851, Millet devoted himself to portraying the lives of his neighbors. Some critics interpreted his paintings of working farmers as a critique of the injustices inherent in the social conditions of his time. Others have seen his work as a representation of man's harmonious union with nature.
Jean-François Millet, peasant and painter; . ree narrow, lowrooms, which served as studio, kitchen, and bed-room for his wife andhis three children. Later, when the children increased to nine, thelittle house was lengthened by two other rooms. A studio was builtat the end of the garden, and Millet added a wash-house and achicken-yard in the middle of a garden which was leased to him.He had two occupations: in the morning he dug or planted,sowed or reaped; after lunch he went into the low, cold, dark roomcalled a studio. He did not dislike this shadowy nook, for there agreat part of his works w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-ree-narrow-lowrooms-which-served-as-studio-kitchen-and-bed-room-for-his-wife-andhis-three-children-later-when-the-children-increased-to-nine-thelittle-house-was-lengthened-by-two-other-rooms-a-studio-was-builtat-the-end-of-the-garden-and-millet-added-a-wash-house-and-achicken-yard-in-the-middle-of-a-garden-which-was-leased-to-himhe-had-two-occupations-in-the-morning-he-dug-or-plantedsowed-or-reaped-after-lunch-he-went-into-the-low-cold-dark-roomcalled-a-studio-he-did-not-dislike-this-shadowy-nook-for-there-agreat-part-of-his-works-w-image339331467.htmlRM2AM1TMY–Jean-François Millet, peasant and painter; . ree narrow, lowrooms, which served as studio, kitchen, and bed-room for his wife andhis three children. Later, when the children increased to nine, thelittle house was lengthened by two other rooms. A studio was builtat the end of the garden, and Millet added a wash-house and achicken-yard in the middle of a garden which was leased to him.He had two occupations: in the morning he dug or planted,sowed or reaped; after lunch he went into the low, cold, dark roomcalled a studio. He did not dislike this shadowy nook, for there agreat part of his works w
The Village Dressmakers 1835–1900 After Jean-François Millet French. The Village Dressmakers 371565 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-dressmakers-18351900-after-jean-franois-millet-french-the-village-dressmakers-371565-image458488742.htmlRM2HHWY1X–The Village Dressmakers 1835–1900 After Jean-François Millet French. The Village Dressmakers 371565
Spinner from the Auvergne 1830–99 After Jean-François Millet French. Spinner from the Auvergne 371571 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spinner-from-the-auvergne-183099-after-jean-franois-millet-french-spinner-from-the-auvergne-371571-image458245750.htmlRM2HHEW3J–Spinner from the Auvergne 1830–99 After Jean-François Millet French. Spinner from the Auvergne 371571
De Zaaier, to Millet, the upper half, Matthijs Maris, After Jean François Millet, 1849 - 1917 drawing paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-zaaier-to-millet-the-upper-half-matthijs-maris-after-jean-franois-millet-1849-1917-drawing-paper-image595571453.htmlRM2WGXHD1–De Zaaier, to Millet, the upper half, Matthijs Maris, After Jean François Millet, 1849 - 1917 drawing paper
The Guardian of the Geese, after Millet, After Jean-François Millet, 1888–99 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-guardian-of-the-geese-after-millet-after-jean-franois-millet-188899-162518308.htmlRMKCB9N8–The Guardian of the Geese, after Millet, After Jean-François Millet, 1888–99
Art inspired by Landscape, 1830–75, Etching, Plate: 6 1/4 × 4 3/4 in. (15.9 × 12.1 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Alfred Taïée (French, born 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-183075-etching-plate-6-14-4-34-in-159-121-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-alfred-tae-french-born-1820-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805878.htmlRF2HTXHHA–Art inspired by Landscape, 1830–75, Etching, Plate: 6 1/4 × 4 3/4 in. (15.9 × 12.1 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Alfred Taïée (French, born 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Angelus. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: image: 17 5/16 x 20 in. (44 x 50.8 cm) sheet: 21 1/16 x 23 1/2 in. (53.5 x 59.7 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angelus-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-charles-albert-waltner-french-paris-1846-1925-paris-dimensions-image-17-516-x-20-in-44-x-508-cm-sheet-21-116-x-23-12-in-535-x-597-cm-date-1881-museum-metropolitan-museum-of-art-new-york-usa-image213073698.htmlRMPAJ9JX–Angelus. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: image: 17 5/16 x 20 in. (44 x 50.8 cm) sheet: 21 1/16 x 23 1/2 in. (53.5 x 59.7 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.
313 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/313-jean-baptise-millet-after-jean-franois-millet-la-grande-bergre-assise-image188332187.htmlRMMXB7HF–313 Jean-Baptise Millet (after Jean-François Millet) - La grande bergère assise
Sketches, after 1863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketches-after-1863-image462408865.htmlRM2HT8F69–Sketches, after 1863.
Jean-François Millet, peasant and painter; . . Engraved on Wood, by T. H. Heard 115 The Gleaners. Crayon. Collection of M. Alfred Lebrun. . Yves & Barret 121 Sabots, and Signature 127 The Angelus. Lithograph, by M. Emile Vernier, after Oil Painting in Collection of M. John Wilson Yves & Barret 129 .The Sheep-shearers. Crayon. Collection of M. Alfred Lebrun. Yves & Barret 135 Woman Carding Wool. Etching. Yves & Barret 155 The Resurrection. Crayon. Collection of M. Charles Tillot. Yves & Barret 161 Shepherdess. Pen and Ink. Collection of M. Alfred Lebrun. Yves & Barret 173 The Washerwomen. Crayo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-engraved-on-wood-by-t-h-heard-115-the-gleaners-crayon-collection-of-m-alfred-lebrun-yves-barret-121-sabots-and-signature-127-the-angelus-lithograph-by-m-emile-vernier-after-oil-painting-in-collection-of-m-john-wilson-yves-barret-129-the-sheep-shearers-crayon-collection-of-m-alfred-lebrun-yves-barret-135-woman-carding-wool-etching-yves-barret-155-the-resurrection-crayon-collection-of-m-charles-tillot-yves-barret-161-shepherdess-pen-and-ink-collection-of-m-alfred-lebrun-yves-barret-173-the-washerwomen-crayo-image339336077.htmlRM2AM22HH–Jean-François Millet, peasant and painter; . . Engraved on Wood, by T. H. Heard 115 The Gleaners. Crayon. Collection of M. Alfred Lebrun. . Yves & Barret 121 Sabots, and Signature 127 The Angelus. Lithograph, by M. Emile Vernier, after Oil Painting in Collection of M. John Wilson Yves & Barret 129 .The Sheep-shearers. Crayon. Collection of M. Alfred Lebrun. Yves & Barret 135 Woman Carding Wool. Etching. Yves & Barret 155 The Resurrection. Crayon. Collection of M. Charles Tillot. Yves & Barret 161 Shepherdess. Pen and Ink. Collection of M. Alfred Lebrun. Yves & Barret 173 The Washerwomen. Crayo
De Zaaier, to Millet, the bottom half, Matthijs Maris, After Jean François Millet, c. 1849 - c. 1917 drawing paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-zaaier-to-millet-the-bottom-half-matthijs-maris-after-jean-franois-millet-c-1849-c-1917-drawing-paper-image595543722.htmlRM2WGWA2J–De Zaaier, to Millet, the bottom half, Matthijs Maris, After Jean François Millet, c. 1849 - c. 1917 drawing paper
A Farmer Grafting a Tree, After Jean-François Millet, 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-farmer-grafting-a-tree-after-jean-franois-millet-1881-162497343.htmlRMKCAB0F–A Farmer Grafting a Tree, After Jean-François Millet, 1881
Art inspired by The Diggers, 1830–99, Woodcut, Image: 4 3/16 × 5 9/16 in. (10.7 × 14.1 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Eugène Froment (French, Sens 1844–1900 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-diggers-183099-woodcut-image-4-316-5-916-in-107-141-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-eugne-froment-french-sens-18441900-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805871.htmlRF2HTXHH3–Art inspired by The Diggers, 1830–99, Woodcut, Image: 4 3/16 × 5 9/16 in. (10.7 × 14.1 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Eugène Froment (French, Sens 1844–1900 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Diggers. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Eugène Froment (French, Sens 1844-1900 Paris). Dimensions: Image: 4 3/16 × 5 9/16 in. (10.7 × 14.1 cm) Sheet: 12 1/16 × 9 9/16 in. (30.6 × 24.3 cm). Date: 1830-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-diggers-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-eugne-froment-french-sens-1844-1900-paris-dimensions-image-4-316-5-916-in-107-141-cm-sheet-12-116-9-916-in-306-243-cm-date-1830-99-museum-metropolitan-museum-of-art-new-york-usa-image213330438.htmlRMPB2146–The Diggers. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Eugène Froment (French, Sens 1844-1900 Paris). Dimensions: Image: 4 3/16 × 5 9/16 in. (10.7 × 14.1 cm) Sheet: 12 1/16 × 9 9/16 in. (30.6 × 24.3 cm). Date: 1830-99. Museum: Metropolitan Museum of Art, New York, USA.
The Gleaners after 1857. Jean-François Millet (1814–1875) Alternative names Jean-François Millet (II) Description French plowman, painter, engraver and draftsperson Date of birth/death 4 October 1814 20 January 1875 Location of birth/death Gruchy near Cherbourg (Manche) Barbizon Work location Paris; Barbizon Authority control : Q148458 VIAF: 59179782 ISNI: 0000 0001 2134 9912 ULAN: 500012529 LCCN: n50033212 NLA: 35353608 WorldCat 714 Les glaneuses (Millet)-acquaforte Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gleaners-after-1857-jean-franois-millet-18141875-alternative-names-jean-franois-millet-ii-description-french-plowman-painter-engraver-and-draftsperson-date-of-birthdeath-4-october-1814-20-january-1875-location-of-birthdeath-gruchy-near-cherbourg-manche-barbizon-work-location-paris-barbizon-authority-control-q148458-viaf59179782-isni0000-0001-2134-9912-ulan500012529-lccnn50033212-nla35353608-worldcat-714-les-glaneuses-millet-acquaforte-image185809915.htmlRMMP8ACB–The Gleaners after 1857. Jean-François Millet (1814–1875) Alternative names Jean-François Millet (II) Description French plowman, painter, engraver and draftsperson Date of birth/death 4 October 1814 20 January 1875 Location of birth/death Gruchy near Cherbourg (Manche) Barbizon Work location Paris; Barbizon Authority control : Q148458 VIAF: 59179782 ISNI: 0000 0001 2134 9912 ULAN: 500012529 LCCN: n50033212 NLA: 35353608 WorldCat 714 Les glaneuses (Millet)-acquaforte
Reaper, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reaper-1853-after-drawing-made-in-1852-image469800677.htmlRM2J897FH–Reaper, 1853, after drawing made in 1852.
. Jean-François Millet, peasant and painter;. eaux Arts offered Milletfifteen hundred francs. He had already sold it for two thousand.After the Sa/on, he received a medal — this was all. Barbizon, June 6th, 1864. My Dear Sensier : Thank you for the number of the Figaro thatyou sent. It is really very curious, and, by the way, gives me a desire to meetJean Rousseau if it could happen naturally. It might be of real use. He doesnot sufficiently understand that things are of value only according to theirfundamental qualities, and he still believes that the care with which a thingis done, even if i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-eaux-arts-offered-milletfifteen-hundred-francs-he-had-already-sold-it-for-two-thousandafter-the-saon-he-received-a-medal-this-was-all-barbizon-june-6th-1864-my-dear-sensier-thank-you-for-the-number-of-the-figaro-thatyou-sent-it-is-really-very-curious-and-by-the-way-gives-me-a-desire-to-meetjean-rousseau-if-it-could-happen-naturally-it-might-be-of-real-use-he-doesnot-sufficiently-understand-that-things-are-of-value-only-according-to-theirfundamental-qualities-and-he-still-believes-that-the-care-with-which-a-thingis-done-even-if-i-image370507631.htmlRM2CEP27B–. Jean-François Millet, peasant and painter;. eaux Arts offered Milletfifteen hundred francs. He had already sold it for two thousand.After the Sa/on, he received a medal — this was all. Barbizon, June 6th, 1864. My Dear Sensier : Thank you for the number of the Figaro thatyou sent. It is really very curious, and, by the way, gives me a desire to meetJean Rousseau if it could happen naturally. It might be of real use. He doesnot sufficiently understand that things are of value only according to theirfundamental qualities, and he still believes that the care with which a thingis done, even if i
Two young seamstresses at work, Adolphe Mouilleron, After Jean François Millet, 1851 - 1862 print Paris paper. sewing. adult woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-young-seamstresses-at-work-adolphe-mouilleron-after-jean-franois-millet-1851-1862-print-paris-paper-sewing-adult-woman-image593844607.htmlRM2WE3XRY–Two young seamstresses at work, Adolphe Mouilleron, After Jean François Millet, 1851 - 1862 print Paris paper. sewing. adult woman
Spring, after a pastel by Millet, After Jean-François Millet, 1887 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-spring-after-a-pastel-by-millet-after-jean-franois-millet-1887-162487849.htmlRMKC9XWD–Spring, after a pastel by Millet, After Jean-François Millet, 1887
Art inspired by Angelus, 1881, Etching on thin wove paper (simili-vellum), image: 17 5/16 x 20 in. (44 x 50.8 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Charles-Albert Waltner (French, Paris 1846–1925 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-angelus-1881-etching-on-thin-wove-paper-simili-vellum-image-17-516-x-20-in-44-x-508-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-charles-albert-waltner-french-paris-18461925-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805879.htmlRF2HTXHHB–Art inspired by Angelus, 1881, Etching on thin wove paper (simili-vellum), image: 17 5/16 x 20 in. (44 x 50.8 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Charles-Albert Waltner (French, Paris 1846–1925 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Guardian of the Geese, after Millet. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: Sheet: 8 7/16 × 11 3/4 in. (21.4 × 29.8 cm) Plate: 5 1/2 × 7 3/8 in. (14 × 18.8 cm). Engraver: Émile Boilvin (French, Metz 1845-1899 Paris). Date: 1888-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-guardian-of-the-geese-after-millet-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-dimensions-sheet-8-716-11-34-in-214-298-cm-plate-5-12-7-38-in-14-188-cm-engraver-mile-boilvin-french-metz-1845-1899-paris-date-1888-99-museum-metropolitan-museum-of-art-new-york-usa-image213207819.htmlRMPATCMY–The Guardian of the Geese, after Millet. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: Sheet: 8 7/16 × 11 3/4 in. (21.4 × 29.8 cm) Plate: 5 1/2 × 7 3/8 in. (14 × 18.8 cm). Engraver: Émile Boilvin (French, Metz 1845-1899 Paris). Date: 1888-99. Museum: Metropolitan Museum of Art, New York, USA.
Thresher, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thresher-1853-after-drawing-made-in-1852-image469800680.htmlRM2J897FM–Thresher, 1853, after drawing made in 1852.
. Jean-François Millet, peasant and painter;. e narrow, lowrooms, which served as studio, kitchen, and bed-room for his wife andhis three children. Later, when the children increased to nine, thelittle house was lengthened by two other rooms. A studio was builtat the end of the garden, and Millet added a wash-house and achicken-yard in the middle of a garden which was leased to him.He had two occupations: in the morning he dug or planted,sowed or reaped ; after lunch he went into the low, cold, dark roomcalled a studio. He did not dislike this shadowy nook, for there agreat part of his works w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-e-narrow-lowrooms-which-served-as-studio-kitchen-and-bed-room-for-his-wife-andhis-three-children-later-when-the-children-increased-to-nine-thelittle-house-was-lengthened-by-two-other-rooms-a-studio-was-builtat-the-end-of-the-garden-and-millet-added-a-wash-house-and-achicken-yard-in-the-middle-of-a-garden-which-was-leased-to-himhe-had-two-occupations-in-the-morning-he-dug-or-plantedsowed-or-reaped-after-lunch-he-went-into-the-low-cold-dark-roomcalled-a-studio-he-did-not-dislike-this-shadowy-nook-for-there-agreat-part-of-his-works-w-image370509021.htmlRM2CEP411–. Jean-François Millet, peasant and painter;. e narrow, lowrooms, which served as studio, kitchen, and bed-room for his wife andhis three children. Later, when the children increased to nine, thelittle house was lengthened by two other rooms. A studio was builtat the end of the garden, and Millet added a wash-house and achicken-yard in the middle of a garden which was leased to him.He had two occupations: in the morning he dug or planted,sowed or reaped ; after lunch he went into the low, cold, dark roomcalled a studio. He did not dislike this shadowy nook, for there agreat part of his works w
Girl Sewing by Lamplight, 1911. Timothy Cole (American, 1852-1931), after Jean-François Millet (French, 1814-1875). Wood engraving; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-sewing-by-lamplight-1911-timothy-cole-american-1852-1931-after-jean-franois-millet-french-1814-1875-wood-engraving-image448138451.htmlRM2H12D4K–Girl Sewing by Lamplight, 1911. Timothy Cole (American, 1852-1931), after Jean-François Millet (French, 1814-1875). Wood engraving;
Morning, from the series, Four Times of the Day, After Jean-François Millet, 1830–75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-morning-from-the-series-four-times-of-the-day-after-jean-franois-millet-162496980.htmlRMKCAAFG–Morning, from the series, Four Times of the Day, After Jean-François Millet, 1830–75
Art inspired by The Guardian of the Geese, after Millet, 1888–99, Etching, Sheet: 8 7/16 × 11 3/4 in. (21.4 × 29.8 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-guardian-of-the-geese-after-millet-188899-etching-sheet-8-716-11-34-in-214-298-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970903.htmlRF2HW6433–Art inspired by The Guardian of the Geese, after Millet, 1888–99, Etching, Sheet: 8 7/16 × 11 3/4 in. (21.4 × 29.8 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Farmer Grafting a Tree. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Victor Focillon (active ca. 1881). Dimensions: image: 17 x 21 5/8 in. (43.2 x 55 cm) sheet: 21 5/8 x 26 in. (55 x 66 cm). Publisher: Published by Knoedler and Co. , New York. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-farmer-grafting-a-tree-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-victor-focillon-active-ca-1881-dimensions-image-17-x-21-58-in-432-x-55-cm-sheet-21-58-x-26-in-55-x-66-cm-publisher-published-by-knoedler-and-co-new-york-date-1881-museum-metropolitan-museum-of-art-new-york-usa-image213146097.htmlRMPANJ0H–A Farmer Grafting a Tree. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Victor Focillon (active ca. 1881). Dimensions: image: 17 x 21 5/8 in. (43.2 x 55 cm) sheet: 21 5/8 x 26 in. (55 x 66 cm). Publisher: Published by Knoedler and Co. , New York. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.
Sheaf-Binder, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheaf-binder-1853-after-drawing-made-in-1852-image469800599.htmlRM2J897CR–Sheaf-Binder, 1853, after drawing made in 1852.
. Jean-François Millet, peasant and painter;. Engraved on Wood, by T. H. Heard 115 The Gleaners. Crayon. Collection of M. Alfred Lebrun. . Yves & Barret 121 Sabots, and Signature 127 The Angelus. Lithograph, by M. Emile Vernier, after Oil Painting in Collection of M. John Wilson. ......... Yves & Barret 129 The Sheep-shearers. Crayon. Collection of M. Alfred Lebrun. Yves & Barret 135 Woman Carding Wool. Etching Yves & Barret 155 The Resurrection. Crayon. Collection of M. Charles Tillot. Yves & Barret 161 Shepherdess. Pen and Ink. Collection of M. Alfred Lebrun. Yves & Barret 173The Washerwomen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-franois-millet-peasant-and-painter-engraved-on-wood-by-t-h-heard-115-the-gleaners-crayon-collection-of-m-alfred-lebrun-yves-barret-121-sabots-and-signature-127-the-angelus-lithograph-by-m-emile-vernier-after-oil-painting-in-collection-of-m-john-wilson-yves-barret-129-the-sheep-shearers-crayon-collection-of-m-alfred-lebrun-yves-barret-135-woman-carding-wool-etching-yves-barret-155-the-resurrection-crayon-collection-of-m-charles-tillot-yves-barret-161-shepherdess-pen-and-ink-collection-of-m-alfred-lebrun-yves-barret-173the-washerwomen-image370509664.htmlRM2CEP4T0–. Jean-François Millet, peasant and painter;. Engraved on Wood, by T. H. Heard 115 The Gleaners. Crayon. Collection of M. Alfred Lebrun. . Yves & Barret 121 Sabots, and Signature 127 The Angelus. Lithograph, by M. Emile Vernier, after Oil Painting in Collection of M. John Wilson. ......... Yves & Barret 129 The Sheep-shearers. Crayon. Collection of M. Alfred Lebrun. Yves & Barret 135 Woman Carding Wool. Etching Yves & Barret 155 The Resurrection. Crayon. Collection of M. Charles Tillot. Yves & Barret 161 Shepherdess. Pen and Ink. Collection of M. Alfred Lebrun. Yves & Barret 173The Washerwomen
Landscape with path along a stream, Léopold Flameng, After Jean François Millet, 1860 print paper. etching / engraving water course Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-path-along-a-stream-lopold-flameng-after-jean-franois-millet-1860-print-paper-etching-engraving-water-course-image592823377.htmlRM2WCDC7D–Landscape with path along a stream, Léopold Flameng, After Jean François Millet, 1860 print paper. etching / engraving water course
Night, from the series, Four Times of the Day, After Jean-François Millet, 1830–75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-night-from-the-series-four-times-of-the-day-after-jean-franois-millet-162496979.htmlRMKCAAFF–Night, from the series, Four Times of the Day, After Jean-François Millet, 1830–75
Art inspired by Spring, after a pastel by Millet, 1887, Etching; ninth state of nine, sheet: 25 3/4 x 19 1/2 in. (65.4 x 49.5 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Félix Bracquemond (French, Paris 1833–1914 Sèvres, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spring-after-a-pastel-by-millet-1887-etching-ninth-state-of-nine-sheet-25-34-x-19-12-in-654-x-495-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-flix-bracquemond-french-paris-18331914-svres-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970896.htmlRF2HW642T–Art inspired by Spring, after a pastel by Millet, 1887, Etching; ninth state of nine, sheet: 25 3/4 x 19 1/2 in. (65.4 x 49.5 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Félix Bracquemond (French, Paris 1833–1914 Sèvres, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Evening, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm) Sheet: 8 7/16 × 11 3/8 in. (21.4 × 28.9 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/evening-from-the-series-four-times-of-the-day-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-jacques-adrien-lavieille-french-1818-1862-dimensions-block-5-78-x-8-58-in-15-x-219-cm-sheet-8-716-11-38-in-214-289-cm-date-1830-75-museum-metropolitan-museum-of-art-new-york-usa-image233767657.htmlRMRG910W–Evening, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm) Sheet: 8 7/16 × 11 3/8 in. (21.4 × 28.9 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.
Woman Spinning, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-spinning-1853-after-drawing-made-in-1852-image469800694.htmlRM2J897G6–Woman Spinning, 1853, after drawing made in 1852.
Landscape with traveler, Anonymous, After Jean François Millet (I), 1652 - 1679 print paper. etching landscapes. 'en route', traveller under way Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-traveler-anonymous-after-jean-franois-millet-i-1652-1679-print-paper-etching-landscapes-en-route-traveller-under-way-image595104309.htmlRM2WG59H9–Landscape with traveler, Anonymous, After Jean François Millet (I), 1652 - 1679 print paper. etching landscapes. 'en route', traveller under way
Evening, from the series, Four Times of the Day, After Jean-François Millet, 1830–75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-evening-from-the-series-four-times-of-the-day-after-jean-franois-millet-162497045.htmlRMKCAAHW–Evening, from the series, Four Times of the Day, After Jean-François Millet, 1830–75
Art inspired by Spinner from the Auvergne, 1830–99, Woodcut, Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spinner-from-the-auvergne-183099-woodcut-image-8-58-5-78-in-219-15-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970890.htmlRF2HW642J–Art inspired by Spinner from the Auvergne, 1830–99, Woodcut, Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Night, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 13/16 x 8 11/16 in. (14.7 x 22 cm) Sheet: 8 3/4 × 11 3/8 in. (22.2 × 28.9 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/night-from-the-series-four-times-of-the-day-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-jacques-adrien-lavieille-french-1818-1862-dimensions-block-5-1316-x-8-1116-in-147-x-22-cm-sheet-8-34-11-38-in-222-289-cm-date-1830-75-museum-metropolitan-museum-of-art-new-york-usa-image233767625.htmlRMRG90YN–Night, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 13/16 x 8 11/16 in. (14.7 x 22 cm) Sheet: 8 3/4 × 11 3/8 in. (22.2 × 28.9 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Lesson in Horsemanship, 1913, Wood engraving, Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lesson-in-horsemanship-1913-wood-engraving-image-6-516-5-316-in-16-131-cm-prints-engraved-by-timothy-cole-american-london-18521931-poughkeepsie-new-york-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023541.htmlRF2HW8F71–Art inspired by Lesson in Horsemanship, 1913, Wood engraving, Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Morning, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Morning, from the series, 'Four Times of the Day' 371550 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morning-from-the-series-four-times-of-the-day-183075-after-jean-franois-millet-french-morning-from-the-series-four-times-of-the-day-371550-image458576091.htmlRM2HJ1XDF–Morning, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Morning, from the series, 'Four Times of the Day' 371550
Art inspired by A Farmer Grafting a Tree, 1881, Etching on thin wove paper (simili-vellum), image: 17 x 21 5/8 in. (43.2 x 55 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Victor Focillon (active ca. 1881, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-farmer-grafting-a-tree-1881-etching-on-thin-wove-paper-simili-vellum-image-17-x-21-58-in-432-x-55-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-victor-focillon-active-ca-1881-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970895.htmlRF2HW642R–Art inspired by A Farmer Grafting a Tree, 1881, Etching on thin wove paper (simili-vellum), image: 17 x 21 5/8 in. (43.2 x 55 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Victor Focillon (active ca. 1881, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Evening, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Evening, from the series, 'Four Times of the Day' 371548 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/evening-from-the-series-four-times-of-the-day-183075-after-jean-franois-millet-french-evening-from-the-series-four-times-of-the-day-371548-image458115601.htmlRM2HH8Y3D–Evening, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Evening, from the series, 'Four Times of the Day' 371548
Night, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Night, from the series, 'Four Times of the Day' 371551 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/night-from-the-series-four-times-of-the-day-183075-after-jean-franois-millet-french-night-from-the-series-four-times-of-the-day-371551-image458477565.htmlRM2HHWCPN–Night, from the series, 'Four Times of the Day' 1830–75 After Jean-François Millet French. Night, from the series, 'Four Times of the Day' 371551
Farmer's family for a fence, Gustave Marie Greux, after Jean François Millet, c. 1883 print paper etching learning to walk, the first steps Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farmers-family-for-a-fence-gustave-marie-greux-after-jean-franois-millet-c-1883-print-paper-etching-learning-to-walk-the-first-steps-image594024760.htmlRM2WEC4J0–Farmer's family for a fence, Gustave Marie Greux, after Jean François Millet, c. 1883 print paper etching learning to walk, the first steps
Sketches, after 1863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketches-after-1863-image462408711.htmlRM2HT8F0R–Sketches, after 1863.
Mid-Day, from the series, Four Times of the Day, After Jean-François Millet, 1830–75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mid-day-from-the-series-four-times-of-the-day-after-jean-franois-millet-162496976.htmlRMKCAAFC–Mid-Day, from the series, Four Times of the Day, After Jean-François Millet, 1830–75
Girl Sewing by Lamplight. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). Dimensions: Image: 6 13/16 × 5 1/4 in. (17.3 × 13.3 cm) Sheet: 12 × 9 9/16 in. (30.5 × 24.3 cm). Date: 1911. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-sewing-by-lamplight-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-timothy-cole-american-london-1852-1931-poughkeepsie-new-york-dimensions-image-6-1316-5-14-in-173-133-cm-sheet-12-9-916-in-305-243-cm-date-1911-museum-metropolitan-museum-of-art-new-york-usa-image212906419.htmlRMPAAM8K–Girl Sewing by Lamplight. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). Dimensions: Image: 6 13/16 × 5 1/4 in. (17.3 × 13.3 cm) Sheet: 12 × 9 9/16 in. (30.5 × 24.3 cm). Date: 1911. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Sewing by Lamplight, 19th century, Etching, Sheet: 5 11/16 × 4 7/16 in. (14.4 × 11.2 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Paul-Edme Le Rat (French, Paris 1849–1892 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sewing-by-lamplight-19th-century-etching-sheet-5-1116-4-716-in-144-112-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-engraved-by-paul-edme-le-rat-french-paris-18491892-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970897.htmlRF2HW642W–Art inspired by Sewing by Lamplight, 19th century, Etching, Sheet: 5 11/16 × 4 7/16 in. (14.4 × 11.2 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Paul-Edme Le Rat (French, Paris 1849–1892 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Girl Sewing by Lamplight, 1911, Wood engraving, Image: 6 13/16 × 5 1/4 in. (17.3 × 13.3 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-girl-sewing-by-lamplight-1911-wood-engraving-image-6-1316-5-14-in-173-133-cm-prints-engraved-by-timothy-cole-american-london-18521931-poughkeepsie-new-york-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023524.htmlRF2HW8F6C–Art inspired by Girl Sewing by Lamplight, 1911, Wood engraving, Image: 6 13/16 × 5 1/4 in. (17.3 × 13.3 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Churner, ca. 1886, Etching, sheet: 9 7/16 x 6 5/8 in. (23.9 x 16.8 cm), Prints, William Merritt Chase (American, Williamsburg, Indiana 1849–1916 New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-churner-ca-1886-etching-sheet-9-716-x-6-58-in-239-x-168-cm-prints-william-merritt-chase-american-williamsburg-indiana-18491916-new-york-after-jean-franois-millet-french-gruchy-18141875-barbizon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804991.htmlRF2HTXGDK–Art inspired by The Churner, ca. 1886, Etching, sheet: 9 7/16 x 6 5/8 in. (23.9 x 16.8 cm), Prints, William Merritt Chase (American, Williamsburg, Indiana 1849–1916 New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Woman Harken, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). raking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-harken-jacques-eugne-adrien-lavieille-after-jean-franois-millet-ii-1853-print-paper-letterpress-printing-crafts-and-industries-agricultural-processes-raking-image594119814.htmlRM2WEGDTP–Woman Harken, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). raking
Woman Pulling Flax, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-pulling-flax-1853-after-drawing-made-in-1852-image469800693.htmlRM2J897G5–Woman Pulling Flax, 1853, after drawing made in 1852.
The Sheepshearer, 19th century, Woodcut, Prints, Henry Linton (British, London 1815–1899), After Jean-François Millet (French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-sheepshearer-19th-century-woodcut-prints-henry-linton-british-162497373.htmlRMKCAB1H–The Sheepshearer, 19th century, Woodcut, Prints, Henry Linton (British, London 1815–1899), After Jean-François Millet (French
Lesson in Horsemanship. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). Dimensions: Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm) Sheet: 12 × 9 9/16 in. (30.5 × 24.3 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lesson-in-horsemanship-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-timothy-cole-american-london-1852-1931-poughkeepsie-new-york-dimensions-image-6-516-5-316-in-16-131-cm-sheet-12-9-916-in-305-243-cm-date-1913-museum-metropolitan-museum-of-art-new-york-usa-image213110631.htmlRMPAM0NY–Lesson in Horsemanship. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). Dimensions: Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm) Sheet: 12 × 9 9/16 in. (30.5 × 24.3 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Morning, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French, 1818–1862, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-morning-from-the-series-four-times-of-the-day-183075-wood-engraving-on-chine-coll-block-5-78-x-8-1116-in-15-x-22-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-jacques-adrien-lavieille-french-18181862-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970877.htmlRF2HW6425–Art inspired by Morning, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French, 1818–1862, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dorser at work, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). threshing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dorser-at-work-jacques-eugne-adrien-lavieille-after-jean-franois-millet-ii-1853-print-paper-letterpress-printing-crafts-and-industries-agricultural-processes-threshing-image594124834.htmlRM2WEGM82–Dorser at work, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). threshing
Woman Crushing Flax, 1853, after drawing made in 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-crushing-flax-1853-after-drawing-made-in-1852-image469800688.htmlRM2J897G0–Woman Crushing Flax, 1853, after drawing made in 1852.
Moonlight, n.d., Woodcut, Image: 5 13/16 × 7 1/16 in. (14.8 × 18 cm), Prints, After Jean-François Millet (French, Gruchy 1814 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-moonlight-nd-woodcut-image-5-1316-7-116-in-148-18-cm-prints-after-162497050.htmlRMKCAAJ2–Moonlight, n.d., Woodcut, Image: 5 13/16 × 7 1/16 in. (14.8 × 18 cm), Prints, After Jean-François Millet (French, Gruchy 1814
Sewing by Lamplight. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Paul-Edme Le Rat (French, Paris 1849-1892 Paris). Dimensions: Sheet: 5 11/16 × 4 7/16 in. (14.4 × 11.2 cm) Mount: 16 3/16 in. × 12 7/16 in. (41.1 × 31.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sewing-by-lamplight-artist-after-jean-franois-millet-french-gruchy-1814-1875-barbizon-engraved-by-paul-edme-le-rat-french-paris-1849-1892-paris-dimensions-sheet-5-1116-4-716-in-144-112-cm-mount-16-316-in-12-716-in-411-316-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212914424.htmlRMPAB2EG–Sewing by Lamplight. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Paul-Edme Le Rat (French, Paris 1849-1892 Paris). Dimensions: Sheet: 5 11/16 × 4 7/16 in. (14.4 × 11.2 cm) Mount: 16 3/16 in. × 12 7/16 in. (41.1 × 31.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Evening, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French, 1818–1862, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-evening-from-the-series-four-times-of-the-day-183075-wood-engraving-on-chine-coll-block-5-78-x-8-58-in-15-x-219-cm-prints-after-jean-franois-millet-french-gruchy-18141875-barbizon-jacques-adrien-lavieille-french-18181862-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970833.htmlRF2HW640H–Art inspired by Evening, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French, 1818–1862, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Schovenbinder at work, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). sheaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/schovenbinder-at-work-jacques-eugne-adrien-lavieille-after-jean-franois-millet-ii-1853-print-paper-letterpress-printing-crafts-and-industries-agricultural-processes-sheaf-image594124763.htmlRM2WEGM5F–Schovenbinder at work, Jacques Eugène Adrien Lavieille, After Jean François Millet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). sheaf
Search Results for After jean françois millet Stock Photos and Images (308)
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