Quick filters:
Page 1 of 1
92,7 50,8 cm Stock Photos and Images
Art inspired by Design for window tracery for Chapman - full size, 1853–55, Ink and watercolor, sheet: 36 1/2 x 20 in. (92.7 x 50.8 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-window-tracery-for-chapman-full-size-185355-ink-and-watercolor-sheet-36-12-x-20-in-927-x-508-cm-drawings-alexander-jackson-davis-american-new-york-18031892-west-orange-new-jersey-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960552.htmlRF2HW5JWC–Art inspired by Design for window tracery for Chapman - full size, 1853–55, Ink and watercolor, sheet: 36 1/2 x 20 in. (92.7 x 50.8 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Harvey O. Young, Sunset, American, Harvey O. Young (1840–1901), ca. 1870–80, American, Oil on canvas, 20 × 30 in. (50.8 × 76.2 cm), Framed: 26 3/8 in. × 36 7/16 in. × 4 in. (67 × 92.5 × 10.2 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harvey-o-young-sunset-american-harvey-o-young-18401901-ca-187080-american-oil-on-canvas-20-30-in-508-762-cm-framed-26-38-in-36-716-in-4-in-67-925-102-cm-paintings-image344609361.htmlRM2B0J8N5–Harvey O. Young, Sunset, American, Harvey O. Young (1840–1901), ca. 1870–80, American, Oil on canvas, 20 × 30 in. (50.8 × 76.2 cm), Framed: 26 3/8 in. × 36 7/16 in. × 4 in. (67 × 92.5 × 10.2 cm), Paintings
Interior with Woman, Child and Nurse. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 71 1/4 × 47 1/2 in. (181 × 120.7 cm) Overall with mounting: 92 3/8 × 50 3/8 in. (234.6 × 128 cm) Overall with knobs: 92 3/8 × 54 3/8 in. (234.6 × 138.1 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-with-woman-child-and-nurse-artist-unidentified-artist-culture-china-dimensions-image-71-14-47-12-in-181-1207-cm-overall-with-mounting-92-38-50-38-in-2346-128-cm-overall-with-knobs-92-38-54-38-in-2346-1381-cm-date-late-18th-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213111789.htmlRMPAM279–Interior with Woman, Child and Nurse. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 71 1/4 × 47 1/2 in. (181 × 120.7 cm) Overall with mounting: 92 3/8 × 50 3/8 in. (234.6 × 128 cm) Overall with knobs: 92 3/8 × 54 3/8 in. (234.6 × 138.1 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Accession Number: 2008.92 Display Artist: Artist Unknown Display Title: The Essence of Painting Series Title: The Essence of Painting Creation Date: 1750 Medium: Woodblock Height: 9 7/8 in. Width: 6 11/16 in. Display Dimensions: 9 7/8 in. x 6 11/16 in. x 3/4 in. (25.08 cm x 16.99 cm x 1.91 cm) Publisher: Nishimuraya Genroku Credit Line: 'Gift of Captain George B. Powell, Jr., JAGC, USN' Label Copy: 'This sample book was published in the city of Osaka, and it contains black-and-white copies of paintings by popular Chinese and Japanese artists of the seventeenth and eighteenth centuri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-200892-display-artist-artist-unknown-display-title-the-essence-of-painting-series-title-the-essence-of-painting-creation-date-1750-medium-woodblock-height-9-78-in-width-6-1116-in-display-dimensions-9-78-in-x-6-1116-in-x-34-in-2508-cm-x-1699-cm-x-191-cm-publisher-nishimuraya-genroku-credit-line-gift-of-captain-george-b-powell-jr-jagc-usn-label-copy-this-sample-book-was-published-in-the-city-of-osaka-and-it-contains-black-and-white-copies-of-paintings-by-popular-chinese-and-japanese-artists-of-the-seventeenth-and-eighteenth-centuri-image185497415.htmlRMMNP3RK–. English: Accession Number: 2008.92 Display Artist: Artist Unknown Display Title: The Essence of Painting Series Title: The Essence of Painting Creation Date: 1750 Medium: Woodblock Height: 9 7/8 in. Width: 6 11/16 in. Display Dimensions: 9 7/8 in. x 6 11/16 in. x 3/4 in. (25.08 cm x 16.99 cm x 1.91 cm) Publisher: Nishimuraya Genroku Credit Line: 'Gift of Captain George B. Powell, Jr., JAGC, USN' Label Copy: 'This sample book was published in the city of Osaka, and it contains black-and-white copies of paintings by popular Chinese and Japanese artists of the seventeenth and eighteenth centuri
Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): cross-section through the top floor 1:50, roof floor plan above the hall 1:50. Colored pencil over a break on paper, 66.8 x 92.7 cm (including scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bhmer-franz-1907-1943-official-apartment-of-the-reich-foreign-minister-joachim-von-ribbentrop-in-berlin-mitte-1941-1941-cross-section-through-the-top-floor-150-roof-floor-plan-above-the-hall-150-colored-pencil-over-a-break-on-paper-668-x-927-cm-including-scan-edges-bhmer-petrich-dienstwohnung-des-reichsauenministers-joachim-von-ribbentrop-berlin-mitte-umbau-image477597757.htmlRM2JN0CPN–Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): cross-section through the top floor 1:50, roof floor plan above the hall 1:50. Colored pencil over a break on paper, 66.8 x 92.7 cm (including scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau
Bouguereau William-Adolphe - Private Collection - The annunciation - 1888 - oil on canvas 92,7 x 50,8 cm - bo02 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bouguereau-william-adolphe-private-collection-the-annunciation-1888-oil-on-canvas-927-x-508-cm-bo02-image457716279.htmlRF2HGJNNY–Bouguereau William-Adolphe - Private Collection - The annunciation - 1888 - oil on canvas 92,7 x 50,8 cm - bo02
Textile, Le temple de l'amour (The temple of Love); Made by Gorgerat Frères et Cie.; France; cotton; Warp x Weft: 92.5 x 137.5 cm (36 7/16 x 54 1/8 in.); Bequest of Elinor Merrell; 1995-50-104 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-le-temple-de-lamour-the-temple-of-love-made-by-gorgerat-frres-et-cie-france-cotton-warp-x-weft-925-x-1375-cm-36-716-x-54-18-in-bequest-of-elinor-merrell-1995-50-104-image546227904.htmlRM2PMJR7C–Textile, Le temple de l'amour (The temple of Love); Made by Gorgerat Frères et Cie.; France; cotton; Warp x Weft: 92.5 x 137.5 cm (36 7/16 x 54 1/8 in.); Bequest of Elinor Merrell; 1995-50-104
Mountains and Ravine, 1805. Suzuki Fuyō (Japanese, 1749-1816). Hanging scroll; ink and color on silk; painting only: 50 x 74 cm (19 11/16 x 29 1/8 in.); including mounting: 160 x 92.7 cm (63 x 36 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountains-and-ravine-1805-suzuki-fuy-japanese-1749-1816-hanging-scroll-ink-and-color-on-silk-painting-only-50-x-74-cm-19-1116-x-29-18-in-including-mounting-160-x-927-cm-63-x-36-12-in-image448061763.htmlRM2H0XY9R–Mountains and Ravine, 1805. Suzuki Fuyō (Japanese, 1749-1816). Hanging scroll; ink and color on silk; painting only: 50 x 74 cm (19 11/16 x 29 1/8 in.); including mounting: 160 x 92.7 cm (63 x 36 1/2 in.).
Hand Sewing Machine MET DP236131 488564 Artist: Arthur Dove, American, Canandaigua, New York 1880?1946 Huntington, New York, Hand Sewing Machine, 1927, Oil, cut and pasted linen, resin, and graphite on sheet metal, with artist-made frame, 14 7/8 x 19 3/4 in. (37.8 x 50.2 cm). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.92.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hand-sewing-machine-met-dp236131-488564-artist-arthur-dove-american-168028925.htmlRMKNAAH1–Hand Sewing Machine MET DP236131 488564 Artist: Arthur Dove, American, Canandaigua, New York 1880?1946 Huntington, New York, Hand Sewing Machine, 1927, Oil, cut and pasted linen, resin, and graphite on sheet metal, with artist-made frame, 14 7/8 x 19 3/4 in. (37.8 x 50.2 cm). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.92.2)
Panel (Furnishing Fabric), 1892/93, United States, Cotton, plain weave, roller printed, two loom widths pieced, 236 x 127.9 cm (92 7/8 x 50 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-furnishing-fabric-189293-united-states-cotton-plain-weave-roller-printed-two-loom-widths-pieced-236-x-1279-cm-92-78-x-50-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349693260.htmlRF2B8WW90–Panel (Furnishing Fabric), 1892/93, United States, Cotton, plain weave, roller printed, two loom widths pieced, 236 x 127.9 cm (92 7/8 x 50 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-099-assumed-outlier-image215969388.htmlRMPFA74C–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier
Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-52-of-development-of-a-portable-sand-development-of-a-portable-sand-trap-for-use-in-the-nearshore-developmentofpor00rosa-year-1989-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-0-image259036907.htmlRMW1C463–Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0
Jean-Baptiste I. Tuart, Slant-top desk, French, Jean-Baptiste I. Tuart (ca. 1700–ca. 1767, master 1741), mid-18th century, French, Tulipwood, satiné, satinwood, kingwood and green-stained wood, leather, 38 × 36 1/2 × 20 in. (96.5 × 92.7 × 50.8 cm), Woodwork-Furniture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-i-tuart-slant-top-desk-french-jean-baptiste-i-tuart-ca-1700ca-1767-master-1741-mid-18th-century-french-tulipwood-satin-satinwood-kingwood-and-green-stained-wood-leather-38-36-12-20-in-965-927-508-cm-woodwork-furniture-image344582921.htmlRM2B0H30W–Jean-Baptiste I. Tuart, Slant-top desk, French, Jean-Baptiste I. Tuart (ca. 1700–ca. 1767, master 1741), mid-18th century, French, Tulipwood, satiné, satinwood, kingwood and green-stained wood, leather, 38 × 36 1/2 × 20 in. (96.5 × 92.7 × 50.8 cm), Woodwork-Furniture
Piece. Culture: French. Dimensions: 20 x 10 1/2 inches (50.8 x 26.7 cm). Date: 1774-92. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-20-x-10-12-inches-508-x-267-cm-date-1774-92-museum-metropolitan-museum-of-art-new-york-usa-image213297880.htmlRMPB0FHC–Piece. Culture: French. Dimensions: 20 x 10 1/2 inches (50.8 x 26.7 cm). Date: 1774-92. Museum: Metropolitan Museum of Art, New York, USA.
Fragment; silk; Warp x Weft (a): 93.3 × 50.8 cm (36 3/4 in. × 20 in.) Warp x Weft (b): 92.7 × 53.7 cm (36 1/2 × 21 1/8 in.); 1952-171-2-a,b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-silk-warp-x-weft-a-933-508-cm-36-34-in-20-in-warp-x-weft-b-927-537-cm-36-12-21-18-in-1952-171-2-ab-image546171941.htmlRM2PMG7TN–Fragment; silk; Warp x Weft (a): 93.3 × 50.8 cm (36 3/4 in. × 20 in.) Warp x Weft (b): 92.7 × 53.7 cm (36 1/2 × 21 1/8 in.); 1952-171-2-a,b
Seated Amitābha, late 1500s-early 1600s. Chinese, Ming dynasty (1368-1644). Hanging scroll, ink and color on silk; overall: 234.9 x 105.7 cm (92 1/2 x 41 5/8 in.); painting only: 128.5 x 73 cm (50 9/16 x 28 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-amitbha-late-1500s-early-1600s-chinese-ming-dynasty-1368-1644-hanging-scroll-ink-and-color-on-silk-overall-2349-x-1057-cm-92-12-x-41-58-in-painting-only-1285-x-73-cm-50-916-x-28-34-in-image448107735.htmlRM2H111YK–Seated Amitābha, late 1500s-early 1600s. Chinese, Ming dynasty (1368-1644). Hanging scroll, ink and color on silk; overall: 234.9 x 105.7 cm (92 1/2 x 41 5/8 in.); painting only: 128.5 x 73 cm (50 9/16 x 28 3/4 in.).
Textile, Fables of Fontaine; probably France; cotton; Warp x Weft (a): 86 × 92 cm (33 7/8 × 36 1/4 in.) Warp x Weft (b): 63 × 91.5 cm (24 13/16 in. × 36 in.); Bequest of Elinor Merrell; 1995-50-42-a,b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-fables-of-fontaine-probably-france-cotton-warp-x-weft-a-86-92-cm-33-78-36-14-in-warp-x-weft-b-63-915-cm-24-1316-in-36-in-bequest-of-elinor-merrell-1995-50-42-ab-image546161978.htmlRM2PMFR4X–Textile, Fables of Fontaine; probably France; cotton; Warp x Weft (a): 86 × 92 cm (33 7/8 × 36 1/4 in.) Warp x Weft (b): 63 × 91.5 cm (24 13/16 in. × 36 in.); Bequest of Elinor Merrell; 1995-50-42-a,b
. Die Orthodiagraphie : ein Lehrbuch für Aerzte. Mit 75 Abbildungen und 3 Tafeln . = 92, LgFlR=100, LgFlL=:104, LgFIR + L = 204,PhFl = 35 17% der Gesamt-Lungenfläche. Bild 69. Herr, 58 Jahre. Kp.-Gw. 50,9 kg, Kp.-Lg. 163 cm.Phthisis sinistra. Die linke Lunge ist vollständigundurchdringlich für Röntgenlicht. Links jedenfalls aus-gedehnte Schwartenbildung der Pleura. Schrumpfungdes Lungengewebes durch Cirrhosis und Verminde-rung von dessen Luftgehalt. Rechts: D = 7-8,HJ= 19,3, LgF1R= 145,5 qcm. Die Mittelmasse fürMänner sind: 8,46, 17,3 und 143. Diese Lunge istalso sehr hoch, doch offenbar von Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-orthodiagraphie-ein-lehrbuch-fr-aerzte-mit-75-abbildungen-und-3-tafeln-=-92-lgflr=100-lgfll=104-lgfir-l-=-204phfl-=-35-17-der-gesamt-lungenflche-bild-69-herr-58-jahre-kp-gw-509-kg-kp-lg-163-cmphthisis-sinistra-die-linke-lunge-ist-vollstndigundurchdringlich-fr-rntgenlicht-links-jedenfalls-aus-gedehnte-schwartenbildung-der-pleura-schrumpfungdes-lungengewebes-durch-cirrhosis-und-verminde-rung-von-dessen-luftgehalt-rechts-d-=-7-8hj=-193-lgf1r=-1455-qcm-die-mittelmasse-frmnner-sind-846-173-und-143-diese-lunge-istalso-sehr-hoch-doch-offenbar-von-image375983314.htmlRM2CRKEFE–. Die Orthodiagraphie : ein Lehrbuch für Aerzte. Mit 75 Abbildungen und 3 Tafeln . = 92, LgFlR=100, LgFlL=:104, LgFIR + L = 204,PhFl = 35 17% der Gesamt-Lungenfläche. Bild 69. Herr, 58 Jahre. Kp.-Gw. 50,9 kg, Kp.-Lg. 163 cm.Phthisis sinistra. Die linke Lunge ist vollständigundurchdringlich für Röntgenlicht. Links jedenfalls aus-gedehnte Schwartenbildung der Pleura. Schrumpfungdes Lungengewebes durch Cirrhosis und Verminde-rung von dessen Luftgehalt. Rechts: D = 7-8,HJ= 19,3, LgF1R= 145,5 qcm. Die Mittelmasse fürMänner sind: 8,46, 17,3 und 143. Diese Lunge istalso sehr hoch, doch offenbar von
Winslow Homer, Prisoners from the Front, American, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), 1866, American, Oil on canvas, 24 x 38in. (61 x 96.5cm), Framed: 36 1/2 × 50 5/8 × 4 1/2 in. (92.7 × 128.6 × 11.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winslow-homer-prisoners-from-the-front-american-winslow-homer-american-boston-massachusetts-18361910-prouts-neck-maine-1866-american-oil-on-canvas-24-x-38in-61-x-965cm-framed-36-12-50-58-4-12-in-927-1286-114-cm-paintings-image344626306.htmlRM2B0K2AA–Winslow Homer, Prisoners from the Front, American, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), 1866, American, Oil on canvas, 24 x 38in. (61 x 96.5cm), Framed: 36 1/2 × 50 5/8 × 4 1/2 in. (92.7 × 128.6 × 11.4 cm), Paintings
Blanket chest. American; New England. Date: 1650-1700. Dimensions: 92.1 x 129.2 x 55.9 cm (36 1/4 x 50 7/8 x 22 in.). Oak, pine, and maple. Origin: New England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blanket-chest-american-new-england-date-1650-1700-dimensions-921-x-1292-x-559-cm-36-14-x-50-78-x-22-in-oak-pine-and-maple-origin-new-england-museum-the-chicago-art-institute-image240058165.htmlRMRXFGHW–Blanket chest. American; New England. Date: 1650-1700. Dimensions: 92.1 x 129.2 x 55.9 cm (36 1/4 x 50 7/8 x 22 in.). Oak, pine, and maple. Origin: New England. Museum: The Chicago Art Institute.
Woman with a Cape, early 1901. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 92.4 x 69.9 x 7.9 cm (36 3/8 x 27 1/2 x 3 1/8 in.); unframed: 73 x 50.2 cm (28 3/4 x 19 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-with-a-cape-early-1901-pablo-picasso-spanish-1881-1973-oil-on-canvas-framed-924-x-699-x-79-cm-36-38-x-27-12-x-3-18-in-unframed-73-x-502-cm-28-34-x-19-34-in-image448097542.htmlRM2H10GYJ–Woman with a Cape, early 1901. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 92.4 x 69.9 x 7.9 cm (36 3/8 x 27 1/2 x 3 1/8 in.); unframed: 73 x 50.2 cm (28 3/4 x 19 3/4 in.).
. Die Gartenwelt. Gardening. 92 Die Cr arten weit. XVIIl, 7 schöner, glatter, runder Form sind, feines Fleisch und dünne Schale haben, erreichen ein Gewicht von 90—95 g und hängen traubenartig zu 6—8 Stück zusammen. Die Aussaat erfolgte Ende Dezember. Die Pflänzchen wurden pikiert, nach und nach in größere, zuletzt in 16 cm große Töpfe umgesetzt, alsdann an Stäbe gebunden, während die Seitentriebe ausgebrochen wurden. Die Pflanzen erreichten eine Höhe von etwa 2,50 m und waren mit je 10—12 Trauben besetzt. Als Pflanzerde wurde eine kräftig gedüngte Rasenerde verwendet. Hugo Herrmann, Obergärtn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-gartenwelt-gardening-92-die-cr-arten-weit-xviil-7-schner-glatter-runder-form-sind-feines-fleisch-und-dnne-schale-haben-erreichen-ein-gewicht-von-9095-g-und-hngen-traubenartig-zu-68-stck-zusammen-die-aussaat-erfolgte-ende-dezember-die-pflnzchen-wurden-pikiert-nach-und-nach-in-grere-zuletzt-in-16-cm-groe-tpfe-umgesetzt-alsdann-an-stbe-gebunden-whrend-die-seitentriebe-ausgebrochen-wurden-die-pflanzen-erreichten-eine-hhe-von-etwa-250-m-und-waren-mit-je-1012-trauben-besetzt-als-pflanzerde-wurde-eine-krftig-gedngte-rasenerde-verwendet-hugo-herrmann-obergrtn-image231543488.htmlRMRCKM28–. Die Gartenwelt. Gardening. 92 Die Cr arten weit. XVIIl, 7 schöner, glatter, runder Form sind, feines Fleisch und dünne Schale haben, erreichen ein Gewicht von 90—95 g und hängen traubenartig zu 6—8 Stück zusammen. Die Aussaat erfolgte Ende Dezember. Die Pflänzchen wurden pikiert, nach und nach in größere, zuletzt in 16 cm große Töpfe umgesetzt, alsdann an Stäbe gebunden, während die Seitentriebe ausgebrochen wurden. Die Pflanzen erreichten eine Höhe von etwa 2,50 m und waren mit je 10—12 Trauben besetzt. Als Pflanzerde wurde eine kräftig gedüngte Rasenerde verwendet. Hugo Herrmann, Obergärtn
Kano artist after Kano Tan'yū, Sketch for a Painting of Scholars at the Game of Go, Japan, Edo period (1615–1868), Kano artist after Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 in. (84.1 x 40.6 cm), Overall with mounting: 36 1/2 x 18 5/8 in. (92.7 x 47.3 cm), Framed: 37 7/16 x 19 7/8 in. (95.1 x 50.5 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kano-artist-after-kano-tany-sketch-for-a-painting-of-scholars-at-the-game-of-go-japan-edo-period-16151868-kano-artist-after-kano-tany-japanese-16021674-dated-1666-japan-hanging-scroll-mounted-as-a-panel-ink-and-color-on-paper-image-33-18-x-16-in-841-x-406-cm-overall-with-mounting-36-12-x-18-58-in-927-x-473-cm-framed-37-716-x-19-78-in-951-x-505-cm-paintings-image344592747.htmlRM2B0HFFR–Kano artist after Kano Tan'yū, Sketch for a Painting of Scholars at the Game of Go, Japan, Edo period (1615–1868), Kano artist after Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 in. (84.1 x 40.6 cm), Overall with mounting: 36 1/2 x 18 5/8 in. (92.7 x 47.3 cm), Framed: 37 7/16 x 19 7/8 in. (95.1 x 50.5 cm), Paintings
Panel (Furnishing Fabric). United States. Date: 1892-1893. Dimensions: 236 x 127.9 cm (92 7/8 x 50 3/8 in.). Cotton, plain weave; roller printed; two loom widths pieced. Origin: United States. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-furnishing-fabric-united-states-date-1892-1893-dimensions-236-x-1279-cm-92-78-x-50-38-in-cotton-plain-weave-roller-printed-two-loom-widths-pieced-origin-united-states-museum-the-chicago-art-institute-image240047832.htmlRMRXF3CT–Panel (Furnishing Fabric). United States. Date: 1892-1893. Dimensions: 236 x 127.9 cm (92 7/8 x 50 3/8 in.). Cotton, plain weave; roller printed; two loom widths pieced. Origin: United States. Museum: The Chicago Art Institute.
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-099-assumed-outlier-image231628579.htmlRMRCRGH7–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier
Kano artist After Kano Tan'yū, Sketch for a Painting of Mi Fu Inscribing a Poem on a Rock, Japan, Edo period (1615–1868), Kano artist After Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 1/4 in. (84.1 x 41.3 cm), Overall with mounting: 36 1/2 x 18 7/8 in. (92.7 x 47.9 cm), Framed: 37 3/4 x 19 7/8 in. (95.9 x 50.5 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kano-artist-after-kano-tany-sketch-for-a-painting-of-mi-fu-inscribing-a-poem-on-a-rock-japan-edo-period-16151868-kano-artist-after-kano-tany-japanese-16021674-dated-1666-japan-hanging-scroll-mounted-as-a-panel-ink-and-color-on-paper-image-33-18-x-16-14-in-841-x-413-cm-overall-with-mounting-36-12-x-18-78-in-927-x-479-cm-framed-37-34-x-19-78-in-959-x-505-cm-paintings-image344592735.htmlRM2B0HFFB–Kano artist After Kano Tan'yū, Sketch for a Painting of Mi Fu Inscribing a Poem on a Rock, Japan, Edo period (1615–1868), Kano artist After Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 1/4 in. (84.1 x 41.3 cm), Overall with mounting: 36 1/2 x 18 7/8 in. (92.7 x 47.9 cm), Framed: 37 3/4 x 19 7/8 in. (95.9 x 50.5 cm), Paintings
Padded Quilt. Dated: c. 1938. Dimensions: overall: 50.8 x 42.7 cm (20 x 16 13/16 in.) Original IAD Object: 92' long; 83' wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/padded-quilt-dated-c-1938-dimensions-overall-508-x-427-cm-20-x-16-1316-in-original-iad-object-92-long-83-wide-medium-watercolor-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-eva-wilson-image225583216.htmlRMR305KC–Padded Quilt. Dated: c. 1938. Dimensions: overall: 50.8 x 42.7 cm (20 x 16 13/16 in.) Original IAD Object: 92' long; 83' wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson.
Staircase balustrade, British, probably ca. 1747, British, Wrought iron, Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm), top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm); Confirmed wt of conserved balcony railing: 185 lbs., Crated components:, 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm), 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm), 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm), 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/staircase-balustrade-british-probably-ca-1747-british-wrought-iron-assembled-dim-h-approx-35-ft-10675-m-h-of-stair-railings-2-3-ft-61-914-cm-w-between-rails-12-ft-366-m-w-of-top-of-stairs-8-ft-244-m-h-of-tread-4-in-102-cm-top-rail-36-12-76-3-12-in-927-193-89-cm-confirmed-wt-of-conserved-balcony-railing-185-lbs-crated-components-4-crates-6-x-172-x-36-in-152-x-4369-x-914-cm-1-crate-6-x-131-x-34-in-152-x-3327-x-864-cm-2-crates-37-x-78-x-22-in-94-x-1981-x-559-cm-1-crate-38-x-77-x-20-in-965-x-1956-x-508-cm-image344664876.htmlRM2B0MRFT–Staircase balustrade, British, probably ca. 1747, British, Wrought iron, Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm), top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm); Confirmed wt of conserved balcony railing: 185 lbs., Crated components:, 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm), 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm), 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm), 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm
Procession by a Lake. Dated: 19th century. Dimensions: overall: 76.2 x 111.8 cm (30 x 44 in.) framed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in.). Medium: oil on fabric. Museum: National Gallery of Art, Washington DC. Author: Chinese Qing Dynasty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-by-a-lake-dated-19th-century-dimensions-overall-762-x-1118-cm-30-x-44-in-framed-927-x-1283-x-51-cm-36-12-x-50-12-x-2-in-medium-oil-on-fabric-museum-national-gallery-of-art-washington-dc-author-chinese-qing-dynasty-image218805326.htmlRMPKYCBX–Procession by a Lake. Dated: 19th century. Dimensions: overall: 76.2 x 111.8 cm (30 x 44 in.) framed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in.). Medium: oil on fabric. Museum: National Gallery of Art, Washington DC. Author: Chinese Qing Dynasty.
Giuseppe Galli Bibiena, Italian, 1696-1757, A Fantastic View of a City, between 1696 and 1757, pen and brown, black and blue inks, brush and black ink, gray and blue washes on light buff laid paper, Sheet: 19 7/8 × 36 9/16 inches (50.5 × 92.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giuseppe-galli-bibiena-italian-1696-1757-a-fantastic-view-of-a-city-between-1696-and-1757-pen-and-brown-black-and-blue-inks-brush-and-black-ink-gray-and-blue-washes-on-light-buff-laid-paper-sheet-19-78-36-916-inches-505-929-cm-image328732129.htmlRM2A2R155–Giuseppe Galli Bibiena, Italian, 1696-1757, A Fantastic View of a City, between 1696 and 1757, pen and brown, black and blue inks, brush and black ink, gray and blue washes on light buff laid paper, Sheet: 19 7/8 × 36 9/16 inches (50.5 × 92.9 cm
Landscape. Dated: 1898. Dimensions: overall: 50.2 x 61.6 cm (19 3/4 x 24 1/4 in.) framed: 80.9 x 92.4 x 9.5 cm (31 7/8 x 36 3/8 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Henri-Joseph Harpignies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-dated-1898-dimensions-overall-502-x-616-cm-19-34-x-24-14-in-framed-809-x-924-x-95-cm-31-78-x-36-38-x-3-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-henri-joseph-harpignies-image225773033.htmlRMR38RPH–Landscape. Dated: 1898. Dimensions: overall: 50.2 x 61.6 cm (19 3/4 x 24 1/4 in.) framed: 80.9 x 92.4 x 9.5 cm (31 7/8 x 36 3/8 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Henri-Joseph Harpignies.
Panel (Furnishing Fabric), 1892/93, United States, Cotton, plain weave, roller printed, two loom widths pieced, 236 x 127.9 cm (92 7/8 x 50 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-furnishing-fabric-189293-united-states-cotton-plain-weave-roller-printed-two-loom-widths-pieced-236-x-1279-cm-92-78-x-50-38-in-image328630066.htmlRM2A2JB02–Panel (Furnishing Fabric), 1892/93, United States, Cotton, plain weave, roller printed, two loom widths pieced, 236 x 127.9 cm (92 7/8 x 50 3/8 in
Head of a Woman. Dated: 1913. Dimensions: overall with base: 50.8 x 32.7 x 31.27 cm (20 x 12 7/8 x 12 5/16 in.) overall without base: 35.56 x 14.92 x 16.03 cm (14 x 5 7/8 x 6 5/16 in.) base: 15.2 x 17.8 x 15.2 cm (6 x 7 x 6 in.). Medium: carved and painted oak. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-woman-dated-1913-dimensions-overall-with-base-508-x-327-x-3127-cm-20-x-12-78-x-12-516-in-overall-without-base-3556-x-1492-x-1603-cm-14-x-5-78-x-6-516-in-base-152-x-178-x-152-cm-6-x-7-x-6-in-medium-carved-and-painted-oak-museum-national-gallery-of-art-washington-dc-author-ernst-ludwig-kirchner-image225660990.htmlRMR33MW2–Head of a Woman. Dated: 1913. Dimensions: overall with base: 50.8 x 32.7 x 31.27 cm (20 x 12 7/8 x 12 5/16 in.) overall without base: 35.56 x 14.92 x 16.03 cm (14 x 5 7/8 x 6 5/16 in.) base: 15.2 x 17.8 x 15.2 cm (6 x 7 x 6 in.). Medium: carved and painted oak. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.
Chinese Qing Dynasty, (artist), Procession by a Lake, 19th century, oil on fabric, overall: 76.2 x 111.8 cm (30 x 44 in.), framed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-qing-dynasty-artist-procession-by-a-lake-19th-century-oil-on-fabric-overall-762-x-1118-cm-30-x-44-in-framed-927-x-1283-x-51-cm-36-12-x-50-12-x-2-in-image386252371.htmlRM2DCB8RF–Chinese Qing Dynasty, (artist), Procession by a Lake, 19th century, oil on fabric, overall: 76.2 x 111.8 cm (30 x 44 in.), framed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in
Pricket candlestick (one of a pair). Artist: Workshop of Vincenzo Grandi (mentioned 1507-1577/78); and Gian Gerolamo Grandi (1508-1560). Culture: Italian, Trent or Padua. Dimensions: Overall (confirmed): 36 1/2 × 12 1/2 × 13 in. (92.7 × 31.8 × 33 cm). Date: ca. 1545-50. Analogies of texture and composition (figures from which a Byzantine stiffness has not altogether disappeared) between these and three flagpole stands by Alessandro Leopardi in Piazza S. Marco, Venice, permit an attribution of the candlesticks at least to Leopardi's sphere of influence. The candlesticks were part of a set of s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pricket-candlestick-one-of-a-pair-artist-workshop-of-vincenzo-grandi-mentioned-1507-157778-and-gian-gerolamo-grandi-1508-1560-culture-italian-trent-or-padua-dimensions-overall-confirmed-36-12-12-12-13-in-927-318-33-cm-date-ca-1545-50-analogies-of-texture-and-composition-figures-from-which-a-byzantine-stiffness-has-not-altogether-disappeared-between-these-and-three-flagpole-stands-by-alessandro-leopardi-in-piazza-s-marco-venice-permit-an-attribution-of-the-candlesticks-at-least-to-leopardis-sphere-of-influence-the-candlesticks-were-part-of-a-set-of-s-image213199089.htmlRMPAT1H5–Pricket candlestick (one of a pair). Artist: Workshop of Vincenzo Grandi (mentioned 1507-1577/78); and Gian Gerolamo Grandi (1508-1560). Culture: Italian, Trent or Padua. Dimensions: Overall (confirmed): 36 1/2 × 12 1/2 × 13 in. (92.7 × 31.8 × 33 cm). Date: ca. 1545-50. Analogies of texture and composition (figures from which a Byzantine stiffness has not altogether disappeared) between these and three flagpole stands by Alessandro Leopardi in Piazza S. Marco, Venice, permit an attribution of the candlesticks at least to Leopardi's sphere of influence. The candlesticks were part of a set of s
Seated Amitābha, late 1500s-early 1600s. Chinese, Ming dynasty (1368-1644). Hanging scroll, ink and color on silk; overall: 234.9 x 105.7 cm (92 1/2 x 41 5/8 in.); painting only: 128.5 x 73 cm (50 9/16 x 28 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-amitbha-late-1500s-early-1600s-chinese-ming-dynasty-1368-1644-hanging-scroll-ink-and-color-on-silk-overall-2349-x-1057-cm-92-12-x-41-58-in-painting-only-1285-x-73-cm-50-916-x-28-34-in-image240462021.htmlRMRY5YN9–Seated Amitābha, late 1500s-early 1600s. Chinese, Ming dynasty (1368-1644). Hanging scroll, ink and color on silk; overall: 234.9 x 105.7 cm (92 1/2 x 41 5/8 in.); painting only: 128.5 x 73 cm (50 9/16 x 28 3/4 in
Henri-Joseph Harpignies, (artist), French, 1819 - 1916, Landscape, 1898, oil on canvas, overall: 50.2 x 61.6 cm (19 3/4 x 24 1/4 in.), framed: 80.9 x 92.4 x 9.5 cm (31 7/8 x 36 3/8 x 3 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henri-joseph-harpignies-artist-french-1819-1916-landscape-1898-oil-on-canvas-overall-502-x-616-cm-19-34-x-24-14-in-framed-809-x-924-x-95-cm-31-78-x-36-38-x-3-34-in-image386226790.htmlRM2DCA45X–Henri-Joseph Harpignies, (artist), French, 1819 - 1916, Landscape, 1898, oil on canvas, overall: 50.2 x 61.6 cm (19 3/4 x 24 1/4 in.), framed: 80.9 x 92.4 x 9.5 cm (31 7/8 x 36 3/8 x 3 3/4 in
Staircase balustrade. Culture: British. Dimensions: Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm); top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm) Crated components: 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm) 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm) 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm) 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm) 1 crate: 35 x 50 x 22 in. (88.9 x 127 x 55.9 cm). Date: probably ca. 1747 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/staircase-balustrade-culture-british-dimensions-assembled-dim-h-approx-35-ft-10675-m-h-of-stair-railings-2-3-ft-61-914-cm-w-between-rails-12-ft-366-m-w-of-top-of-stairs-8-ft-244-m-h-of-tread-4-in-102-cm-top-rail-36-12-76-3-12-in-927-193-89-cm-crated-components-4-crates-6-x-172-x-36-in-152-x-4369-x-914-cm-1-crate-6-x-131-x-34-in-152-x-3327-x-864-cm-2-crates-37-x-78-x-22-in-94-x-1981-x-559-cm-1-crate-38-x-77-x-20-in-965-x-1956-x-508-cm-1-crate-35-x-50-x-22-in-889-x-127-x-559-cm-date-probably-ca-1747-image213395216.htmlRMPB4YNM–Staircase balustrade. Culture: British. Dimensions: Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm); top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm) Crated components: 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm) 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm) 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm) 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm) 1 crate: 35 x 50 x 22 in. (88.9 x 127 x 55.9 cm). Date: probably ca. 1747
Attributed to the Master of Pedret, The Virgin and Child in Majesty and the Adoration of the Magi, Catalan, Attributed to the Master of Pedret (Spanish, Catalonia, 12th century), ca. 1100, Made in Lerida, Catalonia, Spain, Catalan, Fresco, transferred to canvas, Overall (a-c): 127 x 233 1/4 in. (322.6 x 592.5 cm), Overall (d): 36 1/2 x 17 3/4 in. (92.7 x 45.1 cm), Overall (e): 33 1/4 x 18 1/2 in. (84.5 x 47 cm), Overall (f): 43 x 17 in. (109.2 x 43.2 cm), Overall (g): 57 1/4 x 18 3/4 in. (145.4 x 47.6 cm), Overall (h): 46 3/4 x 20 1/4 in. (118.7 x 51.4 cm), Overall (i): 53 x 20 1/4 in. (134.6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-the-master-of-pedret-the-virgin-and-child-in-majesty-and-the-adoration-of-the-magi-catalan-attributed-to-the-master-of-pedret-spanish-catalonia-12th-century-ca-1100-made-in-lerida-catalonia-spain-catalan-fresco-transferred-to-canvas-overall-a-c-127-x-233-14-in-3226-x-5925-cm-overall-d-36-12-x-17-34-in-927-x-451-cm-overall-e-33-14-x-18-12-in-845-x-47-cm-overall-f-43-x-17-in-1092-x-432-cm-overall-g-57-14-x-18-34-in-1454-x-476-cm-overall-h-46-34-x-20-14-in-1187-x-514-cm-overall-i-53-x-20-14-in-1346-image344664186.htmlRM2B0MPK6–Attributed to the Master of Pedret, The Virgin and Child in Majesty and the Adoration of the Magi, Catalan, Attributed to the Master of Pedret (Spanish, Catalonia, 12th century), ca. 1100, Made in Lerida, Catalonia, Spain, Catalan, Fresco, transferred to canvas, Overall (a-c): 127 x 233 1/4 in. (322.6 x 592.5 cm), Overall (d): 36 1/2 x 17 3/4 in. (92.7 x 45.1 cm), Overall (e): 33 1/4 x 18 1/2 in. (84.5 x 47 cm), Overall (f): 43 x 17 in. (109.2 x 43.2 cm), Overall (g): 57 1/4 x 18 3/4 in. (145.4 x 47.6 cm), Overall (h): 46 3/4 x 20 1/4 in. (118.7 x 51.4 cm), Overall (i): 53 x 20 1/4 in. (134.6
Portrait of Captain Samuel Chester Reid, 1815, John Wesley Jarvis, American, 1780–1839, 50 1/2 x 36 3/8 in. (128.27 x 92.39 cm) (canvas)58 7/8 x 44 5/8 x 4 in. (149.54 x 113.35 x 10.16 cm) (outer frame), Oil on canvas, United States, 19th century, Captain Samuel Reid was one of the heroes of the War of 1812, defeating the British in 1814 and saving New Orleans from British conquest. In 1817, two years after this portrait was painted, Reid designed the present pattern of the American flag of stars and bars, with thirteen stripes representing the original American colonies Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-captain-samuel-chester-reid-1815-john-wesley-jarvis-american-17801839-50-12-x-36-38-in-12827-x-9239-cm-canvas58-78-x-44-58-x-4-in-14954-x-11335-x-1016-cm-outer-frame-oil-on-canvas-united-states-19th-century-captain-samuel-reid-was-one-of-the-heroes-of-the-war-of-1812-defeating-the-british-in-1814-and-saving-new-orleans-from-british-conquest-in-1817-two-years-after-this-portrait-was-painted-reid-designed-the-present-pattern-of-the-american-flag-of-stars-and-bars-with-thirteen-stripes-representing-the-original-american-colonies-image573511122.htmlRM2T91K82–Portrait of Captain Samuel Chester Reid, 1815, John Wesley Jarvis, American, 1780–1839, 50 1/2 x 36 3/8 in. (128.27 x 92.39 cm) (canvas)58 7/8 x 44 5/8 x 4 in. (149.54 x 113.35 x 10.16 cm) (outer frame), Oil on canvas, United States, 19th century, Captain Samuel Reid was one of the heroes of the War of 1812, defeating the British in 1814 and saving New Orleans from British conquest. In 1817, two years after this portrait was painted, Reid designed the present pattern of the American flag of stars and bars, with thirteen stripes representing the original American colonies
Design for window tracery for Chapman - full size, Alexander Jackson Davis, 1853–55 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-window-tracery-for-chapman-full-size-alexander-jackson-162569413.htmlRMKCDJXD–Design for window tracery for Chapman - full size, Alexander Jackson Davis, 1853–55
Search Results for 92,7 50,8 cm Stock Photos and Images (41)
Page 1 of 1