Quick filters:
Page 1 of 7
1766 1839 Stock Photos and Images
The vicar receives his tithes 1792 Henry Singleton (1766–1839) UK United Kingdom England English British Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-vicar-receives-his-tithes-1792-henry-singleton-17661839-uk-united-78594881.htmlRMEFT8G1–The vicar receives his tithes 1792 Henry Singleton (1766–1839) UK United Kingdom England English British Britain
Henry Singleton, (artist), British, 1766 - 1839, Oriental with Beard, Reading a Book, Specimens of Polyautography, (series), 1803, pen-and-tusche lithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-singleton-artist-british-1766-1839-oriental-with-beard-reading-a-book-specimens-of-polyautography-series-1803-pen-and-tusche-lithograph-image386348480.htmlRM2DCFKC0–Henry Singleton, (artist), British, 1766 - 1839, Oriental with Beard, Reading a Book, Specimens of Polyautography, (series), 1803, pen-and-tusche lithograph
Inspired by Between Troy and Lansingburg, William Dunlap, American, 1766-1839, Watercolor, 7 1/4 x 11 1/2 in., 18.4 x 29.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-between-troy-and-lansingburg-william-dunlap-american-1766-1839-watercolor-7-14-x-11-12-in-184-x-292-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254232.htmlRF2HK4RCT–Inspired by Between Troy and Lansingburg, William Dunlap, American, 1766-1839, Watercolor, 7 1/4 x 11 1/2 in., 18.4 x 29.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Amelia Surprising Her Husband and Miss Matthews, Robert Laurie, 1755?–1836, British, after Henry Singleton, 1766–1839, British, 1790, Mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amelia-surprising-her-husband-and-miss-matthews-robert-laurie-17551836-british-after-henry-singleton-17661839-british-1790-mezzotint-image389761088.htmlRM2DJ346T–Amelia Surprising Her Husband and Miss Matthews, Robert Laurie, 1755?–1836, British, after Henry Singleton, 1766–1839, British, 1790, Mezzotint
. English: 'The Last Effort and Fall of Tippoo Sultaun' . circa 1800. Henry Singleton (1766 - 1839) 1194 Tipu death Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-last-effort-and-fall-of-tippoo-sultaun-circa-1800-henry-singleton-1766-1839-1194-tipu-death-image185712934.htmlRMMP3XMP–. English: 'The Last Effort and Fall of Tippoo Sultaun' . circa 1800. Henry Singleton (1766 - 1839) 1194 Tipu death
BRITISH PLENTY print about 1795 by Henry Singleton (1766-1839) showing British sailor with two girl friends Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-plenty-print-about-1795-by-henry-singleton-1766-1839-showing-british-sailor-with-two-girl-friends-image341298440.htmlRM2AR7DJ0–BRITISH PLENTY print about 1795 by Henry Singleton (1766-1839) showing British sailor with two girl friends
house and monument erected to John Pounds (founder of the Ragged Schools), Portsmouth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-house-and-monument-erected-to-john-pounds-founder-of-the-ragged-schools-35043123.htmlRMC109T3–house and monument erected to John Pounds (founder of the Ragged Schools), Portsmouth
JOHN POUNDS (1766-1839) A shoemaker in Bloomsbury, London, who was a pioneer of education for the poor via the Ragged Schools Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-pounds-1766-1839-a-shoemaker-in-bloomsbury-london-who-was-a-pioneer-23661000.htmlRMBADRRM–JOHN POUNDS (1766-1839) A shoemaker in Bloomsbury, London, who was a pioneer of education for the poor via the Ragged Schools
Jonathan Sewell 1766-1839. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-sewell-1766-1839-image374245343.htmlRM2CMT9N3–Jonathan Sewell 1766-1839.
193 Ernst friedrich herbert zu muenster 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/193-ernst-friedrich-herbert-zu-muenster-17661839-image187596011.htmlRMMW5MHF–193 Ernst friedrich herbert zu muenster 1766–1839
John 6th Duke of Bedford (1766-1839). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-6th-duke-of-bedford-1766-1839-image374183738.htmlRM2CMNF4X–John 6th Duke of Bedford (1766-1839).
The Bedford Children, St George and the Dragon. The Duke of Bedford with his brothers and Miss Vernon (Henrietta Greville (née Vernon), Countess of Warwick, 1760-1838, second wife of George Greville, 2nd Earl of Warwick. John Russell, 6th Duke of Bedford, 1766-1839, Landowner, Lord-Lieutenant of Ireland. Francis Russell, 5th Duke of Bedford, 1765-1802, Whig politician and agriculturist, and Lord William Russell, 1767-1840, Whig politician and MP for Surrey and Tavistock. From Mezzotints, published 1904. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bedford-children-st-george-and-the-dragon-the-duke-of-bedford-with-his-brothers-and-miss-vernon-henrietta-greville-ne-vernon-countess-of-warwick-1760-1838-second-wife-of-george-greville-2nd-earl-of-warwick-john-russell-6th-duke-of-bedford-1766-1839-landowner-lord-lieutenant-of-ireland-francis-russell-5th-duke-of-bedford-1765-1802-whig-politician-and-agriculturist-and-lord-william-russell-1767-1840-whig-politician-and-mp-for-surrey-and-tavistock-from-mezzotints-published-1904-image555175339.htmlRM2R76BPK–The Bedford Children, St George and the Dragon. The Duke of Bedford with his brothers and Miss Vernon (Henrietta Greville (née Vernon), Countess of Warwick, 1760-1838, second wife of George Greville, 2nd Earl of Warwick. John Russell, 6th Duke of Bedford, 1766-1839, Landowner, Lord-Lieutenant of Ireland. Francis Russell, 5th Duke of Bedford, 1765-1802, Whig politician and agriculturist, and Lord William Russell, 1767-1840, Whig politician and MP for Surrey and Tavistock. From Mezzotints, published 1904.
Handtekening Mr. Sybrand van Haersma (1766 - 1839). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handtekening-mr-sybrand-van-haersma-1766-1839-image352655626.htmlRM2BDMRRP–Handtekening Mr. Sybrand van Haersma (1766 - 1839).
Joachim-Jean-Xavier d'Isoard (1766-1839), obispo y cardenal francés. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joachim-jean-xavier-disoard-1766-1839-obispo-y-cardenal-francs-image212806177.htmlRMPA64CH–Joachim-Jean-Xavier d'Isoard (1766-1839), obispo y cardenal francés.
Blue Plaque to John Pounds, 1766-1839, High Street, Portsmouth, Hampshire, England, UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-plaque-to-john-pounds-1766-1839-high-street-portsmouth-hampshire-image65834010.htmlRFDR2YXJ–Blue Plaque to John Pounds, 1766-1839, High Street, Portsmouth, Hampshire, England, UK.
MARY PILKINGTON (nee Hopkins) writer Colourised version of : 10172640 Date: 1766 - 1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-pilkington-nee-hopkins-writer-colourised-version-of-10172640-date-1766-1839-image472812214.htmlRM2JD6CPE–MARY PILKINGTON (nee Hopkins) writer Colourised version of : 10172640 Date: 1766 - 1839
Alexander Wilson (1766-1813) teacher and ornithologist. Born in Paisley, Scotland, he emigrated to America in 1794 and became an American citizen in 1804. Considered by many to be the father of American ornithology. At the time of his death seven of the planned nine volumes of his 'American Ornithology' (1808-1814) had been published. The final two volumes were completed by his friend George Ord. From 'The Naturalist's Library' edited by William Jardine (Edinburgh and London 1839-1854). Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-alexander-wilson-1766-1813-teacher-and-ornithologist-born-in-paisley-57287474.htmlRMD95JN6–Alexander Wilson (1766-1813) teacher and ornithologist. Born in Paisley, Scotland, he emigrated to America in 1794 and became an American citizen in 1804. Considered by many to be the father of American ornithology. At the time of his death seven of the planned nine volumes of his 'American Ornithology' (1808-1814) had been published. The final two volumes were completed by his friend George Ord. From 'The Naturalist's Library' edited by William Jardine (Edinburgh and London 1839-1854). Engraving.
John Pounds, 1766 – 1839, a teacher responsible for the creation of the concept of Ragged schools Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pounds-1766-1839-a-teacher-responsible-for-the-creation-of-the-concept-of-ragged-schools-image418547279.htmlRM2F8XD93–John Pounds, 1766 – 1839, a teacher responsible for the creation of the concept of Ragged schools
Self-Portrait. Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-artist-william-dunlap-american-17661839-image463203792.htmlRM2HWGN4G–Self-Portrait. Artist: William Dunlap, American, 1766–1839
Sir Thomas Lawrence (1769-1830) - Ernest Frederick, Count Münster (1766-1839) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-1769-1830-ernest-frederick-count-mnster-1766-1839-image457494558.htmlRM2HG8JYA–Sir Thomas Lawrence (1769-1830) - Ernest Frederick, Count Münster (1766-1839)
![Mrs Pilkington. Original Poems. [With a portrait and plates.]. London, 1811. Mary Hopkins Pilkington (1766-1839). British poet. Portrait. Image taken from Original Poems. [With a portrait and plates.]. Originally published/produced in London, 1811. . Source: 11644.aaa.29, frontispiece. Language: English. Stock Photo](https://c8.alamy.com/comp/R5EPK5/mrs-pilkington-original-poems-with-a-portrait-and-plates-london-1811-mary-hopkins-pilkington-1766-1839-british-poet-portrait-image-taken-from-original-poems-with-a-portrait-and-plates-originally-publishedproduced-in-london-1811-source-11644aaa29-frontispiece-language-english-R5EPK5.jpg "Mrs Pilkington. Original Poems. [With a portrait and plates.]. London, 1811. Mary Hopkins Pilkington (1766-1839). British poet. Portrait. Image taken from Original Poems. [With a portrait and plates.]. Originally published/produced in London, 1811. . Source: 11644.aaa.29, frontispiece. Language: English. Stock Photo")
Mrs Pilkington. Original Poems. [With a portrait and plates.]. London, 1811. Mary Hopkins Pilkington (1766-1839). British poet. Portrait. Image taken from Original Poems. [With a portrait and plates.]. Originally published/produced in London, 1811. . Source: 11644.aaa.29, frontispiece. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-pilkington-original-poems-with-a-portrait-and-plates-london-1811-mary-hopkins-pilkington-1766-1839-british-poet-portrait-image-taken-from-original-poems-with-a-portrait-and-plates-originally-publishedproduced-in-london-1811-source-11644aaa29-frontispiece-language-english-image227133177.htmlRMR5EPK5–Mrs Pilkington. Original Poems. [With a portrait and plates.]. London, 1811. Mary Hopkins Pilkington (1766-1839). British poet. Portrait. Image taken from Original Poems. [With a portrait and plates.]. Originally published/produced in London, 1811. . Source: 11644.aaa.29, frontispiece. Language: English.
Inspired by Glen's Falls from the Bed of the River, William Dunlap, American, 1766-1839, Watercolor, 19th century, Image: 8 9/16 x 10 15/16 in., 21.7 x 27.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-glens-falls-from-the-bed-of-the-river-william-dunlap-american-1766-1839-watercolor-19th-century-image-8-916-x-10-1516-in-217-x-278-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254233.htmlRF2HK4RCW–Inspired by Glen's Falls from the Bed of the River, William Dunlap, American, 1766-1839, Watercolor, 19th century, Image: 8 9/16 x 10 15/16 in., 21.7 x 27.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Flight into Egypt, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Dorothea Lister, 1766–1839, British, 1790, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flight-into-egypt-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-dorothea-lister-17661839-british-1790-engraving-image389761784.htmlRM2DJ353M–The Flight into Egypt, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Dorothea Lister, 1766–1839, British, 1790, Engraving
Elmswell Old Hall, Driffield. Two thin paper prints owned by Gillian Holtby. Richard Holtby (1766 - 1839) lived here. Paper print, thought to be albumen process (1850 - 1900). Listed Grade 2 building. Built in 1634 for local farmer Henry Best, who wrote his Farming and Memorandum Books relating to the full range of farming and social activities in the region, a nationally-important archive of information for historians of all aspects of post-medieval rural life. One of the earliest brick buildings in Yorkshire. This building was left empty in 1965. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elmswell-old-hall-driffield-two-thin-paper-prints-owned-by-gillian-holtby-richard-holtby-1766-1839-lived-here-paper-print-thought-to-be-albumen-process-1850-1900-listed-grade-2-building-built-in-1634-for-local-farmer-henry-best-who-wrote-his-farming-and-memorandum-books-relating-to-the-full-range-of-farming-and-social-activities-in-the-region-a-nationally-important-archive-of-information-for-historians-of-all-aspects-of-post-medieval-rural-life-one-of-the-earliest-brick-buildings-in-yorkshire-this-building-was-left-empty-in-1965-image477713674.htmlRM2JN5MJJ–Elmswell Old Hall, Driffield. Two thin paper prints owned by Gillian Holtby. Richard Holtby (1766 - 1839) lived here. Paper print, thought to be albumen process (1850 - 1900). Listed Grade 2 building. Built in 1634 for local farmer Henry Best, who wrote his Farming and Memorandum Books relating to the full range of farming and social activities in the region, a nationally-important archive of information for historians of all aspects of post-medieval rural life. One of the earliest brick buildings in Yorkshire. This building was left empty in 1965.
John Thomas Smith, late Keeper of the Prints in the British Museum, author of Vagabondia, Nollekens and His Times, Antient Topography, 1766-1833. Copperplate engraving by William Skelton after a portrait by John Jackson from John Thomas Smith's The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-thomas-smith-late-keeper-of-the-prints-in-the-british-museum-author-of-vagabondia-nollekens-and-his-times-antient-topography-1766-1833-copperplate-engraving-by-william-skelton-after-a-portrait-by-john-jackson-from-john-thomas-smiths-the-cries-of-london-or-vagabondiana-2-edited-by-francis-douce-john-bowyer-nichols-london-1839-image491956839.htmlRM2KGAFY3–John Thomas Smith, late Keeper of the Prints in the British Museum, author of Vagabondia, Nollekens and His Times, Antient Topography, 1766-1833. Copperplate engraving by William Skelton after a portrait by John Jackson from John Thomas Smith's The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.
Emmanuel, marquis de Grouchy (1766-1847), French general and marshal, 1839.Artist: Geille Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emmanuel-marquis-de-grouchy-1766-1847-french-general-and-marshal-1839artist-geille-image262745591.htmlRMW7D2K3–Emmanuel, marquis de Grouchy (1766-1847), French general and marshal, 1839.Artist: Geille
Alexander Wilson (1766-1813) teacher and ornithologist. Born in Paisley, Scotland, he emigrated to America in 1794 and became an American citizen in 1804. Considered by many to be the father of American ornithology. At the time of his death seven of the planned nine volumes of his 'American Ornithology' (1808-1814) had been published. The final two volumes were completed by his friend George Ord. From 'The Naturalist's Library' edited by William Jardine (Edinburgh and London 1839-1854). Engraving. British Scientist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-wilson-1766-1813-teacher-and-ornithologist-born-in-paisley-scotland-he-emigrated-to-america-in-1794-and-became-an-american-citizen-in-1804-considered-by-many-to-be-the-father-of-american-ornithology-at-the-time-of-his-death-seven-of-the-planned-nine-volumes-of-his-american-ornithology-1808-1814-had-been-published-the-final-two-volumes-were-completed-by-his-friend-george-ord-from-the-naturalists-library-edited-by-william-jardine-edinburgh-and-london-1839-1854-engraving-british-scientist-image257301458.htmlRMTXH2HP–Alexander Wilson (1766-1813) teacher and ornithologist. Born in Paisley, Scotland, he emigrated to America in 1794 and became an American citizen in 1804. Considered by many to be the father of American ornithology. At the time of his death seven of the planned nine volumes of his 'American Ornithology' (1808-1814) had been published. The final two volumes were completed by his friend George Ord. From 'The Naturalist's Library' edited by William Jardine (Edinburgh and London 1839-1854). Engraving. British Scientist.
MARY PILKINGTON Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-pilkington-image65712226.htmlRMDPWCH6–MARY PILKINGTON
194 Ernst friedrich herbert zu muenster 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/194-ernst-friedrich-herbert-zu-muenster-17661839-image188128851.htmlRMMX207F–194 Ernst friedrich herbert zu muenster 1766–1839
MARY PILKINGTON (nee Hopkins) writer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-pilkington-nee-hopkins-writer-image504891377.htmlRM2M9BP2W–MARY PILKINGTON (nee Hopkins) writer
Elizabeth Chandler Putnam ca. 1826 by William Dunlap, born Perth Amboy, NJ 1766-died New York City 1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elizabeth-chandler-putnam-ca-1826-by-william-dunlap-born-perth-amboy-nj-1766-died-new-york-city-1839-image555895690.htmlRM2R8B6HE–Elizabeth Chandler Putnam ca. 1826 by William Dunlap, born Perth Amboy, NJ 1766-died New York City 1839
Mary Fairlie Cooper, probably 1810s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-fairlie-cooper-probably-1810s-image330105861.htmlRM2A51HB1–Mary Fairlie Cooper, probably 1810s.
Joachim-Jean-Xavier d'Isoard (1766-1839), obispo y cardenal francés. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joachim-jean-xavier-disoard-1766-1839-obispo-y-cardenal-francs-image212366930.htmlRMP9E456–Joachim-Jean-Xavier d'Isoard (1766-1839), obispo y cardenal francés.
. Programme. ess. t Giuseppe Siboni, celebrated tenor, was born at Bologna in 1782. He was for along time at the opera-house in Prague. He died at Copenhagen in 1839. § Joseph Mayseder, violinist and composer (1780-1863), was born at Vienna, andhe died there. He seldom gave concerts, and he never went on tours ; yet, as a virtuoso,he was admired by Paganini. There were several operas founded on the story of Aline,Queen of Golconda. The most famous were by Monsigny (1766), Berton (1803),Boieldieu (1808), Donizetti (1828). 3ye^i3/ ANNOUNCE NEW MODES FOR THE SOCIAL SEASON GOWNS WRAPS MILLINERY po Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/programme-ess-t-giuseppe-siboni-celebrated-tenor-was-born-at-bologna-in-1782-he-was-for-along-time-at-the-opera-house-in-prague-he-died-at-copenhagen-in-1839-joseph-mayseder-violinist-and-composer-1780-1863-was-born-at-vienna-andhe-died-there-he-seldom-gave-concerts-and-he-never-went-on-tours-yet-as-a-virtuosohe-was-admired-by-paganini-there-were-several-operas-founded-on-the-story-of-alinequeen-of-golconda-the-most-famous-were-by-monsigny-1766-berton-1803boieldieu-1808-donizetti-1828-3yei3-announce-new-modes-for-the-social-season-gowns-wraps-millinery-po-image336699903.htmlRM2AFP04F–. Programme. ess. t Giuseppe Siboni, celebrated tenor, was born at Bologna in 1782. He was for along time at the opera-house in Prague. He died at Copenhagen in 1839. § Joseph Mayseder, violinist and composer (1780-1863), was born at Vienna, andhe died there. He seldom gave concerts, and he never went on tours ; yet, as a virtuoso,he was admired by Paganini. There were several operas founded on the story of Aline,Queen of Golconda. The most famous were by Monsigny (1766), Berton (1803),Boieldieu (1808), Donizetti (1828). 3ye^i3/ ANNOUNCE NEW MODES FOR THE SOCIAL SEASON GOWNS WRAPS MILLINERY po
Grave of John Pounds Portsmouth UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-grave-of-john-pounds-portsmouth-uk-29740924.htmlRMBMAPRT–Grave of John Pounds Portsmouth UK
![Thomas Pennant (1726-1798) British naturalist and traveller, c1776. [c1840]. Pennant is sitting by a tree holding a book representing his 'British Zoology', 1766. Engraving after Thomas Gainsborough (1727-1788) from 'The Naturalist's Library', W Jardine, [Edinburgh & London 1839-54]. Stock Photo](https://c8.alamy.com/comp/D96P4B/thomas-pennant-1726-1798-british-naturalist-and-traveller-c1776-c1840-D96P4B.jpg "Thomas Pennant (1726-1798) British naturalist and traveller, c1776. [c1840]. Pennant is sitting by a tree holding a book representing his 'British Zoology', 1766. Engraving after Thomas Gainsborough (1727-1788) from 'The Naturalist's Library', W Jardine, [Edinburgh & London 1839-54]. Stock Photo")
Thomas Pennant (1726-1798) British naturalist and traveller, c1776. [c1840]. Pennant is sitting by a tree holding a book representing his 'British Zoology', 1766. Engraving after Thomas Gainsborough (1727-1788) from 'The Naturalist's Library', W Jardine, [Edinburgh & London 1839-54]. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-thomas-pennant-1726-1798-british-naturalist-and-traveller-c1776-c1840-57312091.htmlRMD96P4B–Thomas Pennant (1726-1798) British naturalist and traveller, c1776. [c1840]. Pennant is sitting by a tree holding a book representing his 'British Zoology', 1766. Engraving after Thomas Gainsborough (1727-1788) from 'The Naturalist's Library', W Jardine, [Edinburgh & London 1839-54].
John Pounds, 1766 – 1839, a teacher responsible for the creation of the concept of Ragged schools Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pounds-1766-1839-a-teacher-responsible-for-the-creation-of-the-concept-of-ragged-schools-image418547607.htmlRM2F8XDMR–John Pounds, 1766 – 1839, a teacher responsible for the creation of the concept of Ragged schools
Self-Portrait. Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-artist-william-dunlap-american-17661839-image463203838.htmlRM2HWGN66–Self-Portrait. Artist: William Dunlap, American, 1766–1839
Portrait of Joseph Franz Freiherr von Jacquin or Baron Joseph von Jacquin, 1766- 1839, an Austrian scientist who studied medicin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-joseph-franz-freiherr-von-jacquin-or-baron-joseph-von-image63665225.htmlRMDKG5J1–Portrait of Joseph Franz Freiherr von Jacquin or Baron Joseph von Jacquin, 1766- 1839, an Austrian scientist who studied medicin
Sir William Beechey (1753-1839) - Charlotte, Princess Royal (1766-1828) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-william-beechey-1753-1839-charlotte-princess-royal-1766-1828-image457494810.htmlRM2HG8K8A–Sir William Beechey (1753-1839) - Charlotte, Princess Royal (1766-1828)
Inspired by Robert Snow, William Dunlap, American, 1766-1839, Oil on panel, 1831, 33 9/16 x 26 11/16 in., 85.2 x 67.8 cm, American, book, brown, portrait, velvet, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-robert-snow-william-dunlap-american-1766-1839-oil-on-panel-1831-33-916-x-26-1116-in-852-x-678-cm-american-book-brown-portrait-velvet-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263351.htmlRF2HK572F–Inspired by Robert Snow, William Dunlap, American, 1766-1839, Oil on panel, 1831, 33 9/16 x 26 11/16 in., 85.2 x 67.8 cm, American, book, brown, portrait, velvet, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Measure... Act V, Scene 2, Jan J. van den Bergh, active 1793–1800, after Henry Singleton, 1766–1839, British, April 20, 1800, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/measure-act-v-scene-2-jan-j-van-den-bergh-active-17931800-after-henry-singleton-17661839-british-april-20-1800-engraving-image389641108.htmlRM2DHWK5T–Measure... Act V, Scene 2, Jan J. van den Bergh, active 1793–1800, after Henry Singleton, 1766–1839, British, April 20, 1800, Engraving
Elmswell Old Hall, Driffield. Two thin paper prints owned by Gillian Holtby. Richard Holtby (1766 - 1839) lived here. Paper print, thought to be albumen process (1850 - 1900). Listed Grade 2 building. Built in 1634 for local farmer Henry Best, who wrote his Farming and Memorandum Books relating to the full range of farming and social activities in the region, a nationally-important archive of information for historians of all aspects of post-medieval rural life. One of the earliest brick buildings in Yorkshire. This building was left empty in 1965. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elmswell-old-hall-driffield-two-thin-paper-prints-owned-by-gillian-holtby-richard-holtby-1766-1839-lived-here-paper-print-thought-to-be-albumen-process-1850-1900-listed-grade-2-building-built-in-1634-for-local-farmer-henry-best-who-wrote-his-farming-and-memorandum-books-relating-to-the-full-range-of-farming-and-social-activities-in-the-region-a-nationally-important-archive-of-information-for-historians-of-all-aspects-of-post-medieval-rural-life-one-of-the-earliest-brick-buildings-in-yorkshire-this-building-was-left-empty-in-1965-image477713677.htmlRM2JN5MJN–Elmswell Old Hall, Driffield. Two thin paper prints owned by Gillian Holtby. Richard Holtby (1766 - 1839) lived here. Paper print, thought to be albumen process (1850 - 1900). Listed Grade 2 building. Built in 1634 for local farmer Henry Best, who wrote his Farming and Memorandum Books relating to the full range of farming and social activities in the region, a nationally-important archive of information for historians of all aspects of post-medieval rural life. One of the earliest brick buildings in Yorkshire. This building was left empty in 1965.
Mary Fairlie Cooper. William Dunlap (American, 1766-1839). Oil on canvas; unframed: 74 x 62 cm (29 1/8 x 24 7/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-fairlie-cooper-william-dunlap-american-1766-1839-oil-on-canvas-unframed-74-x-62-cm-29-18-x-24-716-in-image240386312.htmlRMRY2F5C–Mary Fairlie Cooper. William Dunlap (American, 1766-1839). Oil on canvas; unframed: 74 x 62 cm (29 1/8 x 24 7/16 in
. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus g©n©ralement connus et cultiv©s. Fruit-culture. 722 REI [reinette osn nous l'avons prouvé. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement étudiée, arbre et fruit, la nommant tons Reinette d'Orléans, quelques-uns même la représentant de grandeur naturelle et parfaitement coloriée. Si donc nos voisins les Belges n'ont pu, comme ils l'affirment, la rencontrer dans les recueils spéciaux, ⢠c'est qu'ils les auron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-culture-722-rei-reinette-osn-nous-lavons-prouv-knoop-en-1766-diel-en-1799-sickler-en-1803-dittrich-en-1839-et-autres-lavaient-longuement-tudie-arbre-et-fruit-la-nommant-tons-reinette-dorlans-quelques-uns-mme-la-reprsentant-de-grandeur-naturelle-et-parfaitement-colorie-si-donc-nos-voisins-les-belges-nont-pu-comme-ils-laffirment-la-rencontrer-dans-les-recueils-spciaux-cest-quils-les-auron-image215988693.htmlRMPFB3NW–. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus g©n©ralement connus et cultiv©s. Fruit-culture. 722 REI [reinette osn nous l'avons prouvé. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement étudiée, arbre et fruit, la nommant tons Reinette d'Orléans, quelques-uns même la représentant de grandeur naturelle et parfaitement coloriée. Si donc nos voisins les Belges n'ont pu, comme ils l'affirment, la rencontrer dans les recueils spéciaux, ⢠c'est qu'ils les auron
Earl Howe, Samuel William Reynolds, 1773–1835, British, after Henry Singleton, 1766–1839, British, 1799, Mezzotint, Sheet: 24 3/4 x 16in. (62.9 x 40.6cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/earl-howe-samuel-william-reynolds-17731835-british-after-henry-singleton-17661839-british-1799-mezzotint-sheet-24-34-x-16in-629-x-406cm-image389670400.htmlRM2DHY0G0–Earl Howe, Samuel William Reynolds, 1773–1835, British, after Henry Singleton, 1766–1839, British, 1799, Mezzotint, Sheet: 24 3/4 x 16in. (62.9 x 40.6cm
167 Ernst friedrich herbert zu muenster 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/167-ernst-friedrich-herbert-zu-muenster-17661839-image188894354.htmlRMMY8TJX–167 Ernst friedrich herbert zu muenster 1766–1839
Oriental with a Beard, Reading a Book. Henry Singleton; English, 1766-1839. Date: 1803. Dimensions: . Lithograph on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oriental-with-a-beard-reading-a-book-henry-singleton-english-1766-1839-date-1803-dimensions-lithograph-on-paper-origin-england-museum-the-chicago-art-institute-image240132900.htmlRMRXJYY0–Oriental with a Beard, Reading a Book. Henry Singleton; English, 1766-1839. Date: 1803. Dimensions: . Lithograph on paper. Origin: England. Museum: The Chicago Art Institute.
. Genealogical and memorial history of the state of New Jersey ... ru-ary 8, 1763, died February 2, 1836. 4. Levi,February 27, 1765, died September 17, 1819.5. George. December 30, 1766. died January 20. 1819. 6. Daniel. August 10, 1768. diedFebruary 15, 1822. 7. Sabra, January 22,1770, died March 8, 1839. 8. Theodosia, Feb-ruary 4, 1773, died October 14, 1865. 9. Solo-mon, December 22, 1774, died April 25, 1828.10. Elihu, July 6, 1777, see forward. 11. Abi-gail, May 7, 1780, died November 23, 1828. (VII) Elihu, son of Captain Levi and .Abi-gail (Sergeant) Ely, was born in West Spring-field, M Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genealogical-and-memorial-history-of-the-state-of-new-jersey-ru-ary-8-1763-died-february-2-1836-4-levifebruary-27-1765-died-september-17-18195-george-december-30-1766-died-january-20-1819-6-daniel-august-10-1768-diedfebruary-15-1822-7-sabra-january-221770-died-march-8-1839-8-theodosia-feb-ruary-4-1773-died-october-14-1865-9-solo-mon-december-22-1774-died-april-25-182810-elihu-july-6-1777-see-forward-11-abi-gail-may-7-1780-died-november-23-1828-vii-elihu-son-of-captain-levi-and-abi-gail-sergeant-ely-was-born-in-west-spring-field-m-image336973929.htmlRM2AG6DK5–. Genealogical and memorial history of the state of New Jersey ... ru-ary 8, 1763, died February 2, 1836. 4. Levi,February 27, 1765, died September 17, 1819.5. George. December 30, 1766. died January 20. 1819. 6. Daniel. August 10, 1768. diedFebruary 15, 1822. 7. Sabra, January 22,1770, died March 8, 1839. 8. Theodosia, Feb-ruary 4, 1773, died October 14, 1865. 9. Solo-mon, December 22, 1774, died April 25, 1828.10. Elihu, July 6, 1777, see forward. 11. Abi-gail, May 7, 1780, died November 23, 1828. (VII) Elihu, son of Captain Levi and .Abi-gail (Sergeant) Ely, was born in West Spring-field, M
Replica of John Pounds workshop Portsmouth UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-replica-of-john-pounds-workshop-portsmouth-uk-29762742.htmlRMBMBPK2–Replica of John Pounds workshop Portsmouth UK
Blue plaque commemorating John Pounds Portsmouth UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blue-plaque-commemorating-john-pounds-portsmouth-uk-30148538.htmlRMBN1ANE–Blue plaque commemorating John Pounds Portsmouth UK
Elizabeth Woolsey Dunlap (1768–1848). Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elizabeth-woolsey-dunlap17681848-artist-william-dunlap-american-17661839-image463203666.htmlRM2HWGN02–Elizabeth Woolsey Dunlap (1768–1848). Artist: William Dunlap, American, 1766–1839
Archive image from page 285 of Dictionnaire de pomologie, contenant l'histoire,. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gÂnÂralement connus et cultivÂs . dictionnairedepo04lero Year: 1867 722 REI [reinette osn nous l'avons prouvÃ. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement ÃtudiÃe, arbre et fruit, la nommant tons Reinette d'OrlÃans, quelques-uns même la reprÃsentant de grandeur naturelle et parfaitement coloriÃe. Si donc nos voisins les Belges n'ont pu, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-285-of-dictionnaire-de-pomologie-contenant-lhistoire-dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-dictionnairedepo04lero-year-1867-722-rei-reinette-osn-nous-lavons-prouv-knoop-en-1766-diel-en-1799-sickler-en-1803-dittrich-en-1839-et-autres-lavaient-longuement-tudie-arbre-et-fruit-la-nommant-tons-reinette-dorlans-quelques-uns-mme-la-reprsentant-de-grandeur-naturelle-et-parfaitement-colorie-si-donc-nos-voisins-les-belges-nont-pu-image258915062.htmlRMW16GPE–Archive image from page 285 of Dictionnaire de pomologie, contenant l'histoire,. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gÂnÂralement connus et cultivÂs . dictionnairedepo04lero Year: 1867 722 REI [reinette osn nous l'avons prouvÃ. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement ÃtudiÃe, arbre et fruit, la nommant tons Reinette d'OrlÃans, quelques-uns même la reprÃsentant de grandeur naturelle et parfaitement coloriÃe. Si donc nos voisins les Belges n'ont pu,
Art inspired by Between Troy and Lansingburg, William Dunlap, American, 1766-1839, Watercolor, 7 1/4 x 11 1/2 in., 18.4 x 29.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-between-troy-and-lansingburg-william-dunlap-american-1766-1839-watercolor-7-14-x-11-12-in-184-x-292-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568726.htmlRF2HKK4GP–Art inspired by Between Troy and Lansingburg, William Dunlap, American, 1766-1839, Watercolor, 7 1/4 x 11 1/2 in., 18.4 x 29.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. 722 REI [reinette osnJ nous l'avons prouvé. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement étudiée, arbre et fruit, la nommant tous Reinette d'Orléans, quelques-uns même la représentant de grandeur naturelle et parfaitement coloriée. Si donc nos voisins les Belges n'ont pu, comme ils l'affirment, la rencontrer dans les recueils spéciaux, c'est qu'ils les auront feuille Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-722-rei-reinette-osnj-nous-lavons-prouv-knoop-en-1766-diel-en-1799-sickler-en-1803-dittrich-en-1839-et-autres-lavaient-longuement-tudie-arbre-et-fruit-la-nommant-tous-reinette-dorlans-quelques-uns-mme-la-reprsentant-de-grandeur-naturelle-et-parfaitement-colorie-si-donc-nos-voisins-les-belges-nont-pu-comme-ils-laffirment-la-rencontrer-dans-les-recueils-spciaux-cest-quils-les-auront-feuille-image215980898.htmlRMPFANRE–. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. 722 REI [reinette osnJ nous l'avons prouvé. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement étudiée, arbre et fruit, la nommant tous Reinette d'Orléans, quelques-uns même la représentant de grandeur naturelle et parfaitement coloriée. Si donc nos voisins les Belges n'ont pu, comme ils l'affirment, la rencontrer dans les recueils spéciaux, c'est qu'ils les auront feuille
Admiral Edward Vernon, John Jones, ca. 1745–1797, British, after Henry Singleton, 1766–1839, British, 1791, Mezzotint, Sheet: 17 x 26 1/2in. (43.2 x 67.3cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/admiral-edward-vernon-john-jones-ca-17451797-british-after-henry-singleton-17661839-british-1791-mezzotint-sheet-17-x-26-12in-432-x-673cm-image389652045.htmlRM2DHX54D–Admiral Edward Vernon, John Jones, ca. 1745–1797, British, after Henry Singleton, 1766–1839, British, 1791, Mezzotint, Sheet: 17 x 26 1/2in. (43.2 x 67.3cm
William Dunlap, American, 1766-1839, Major David Van Horne, ca. 1790, oil on canvas, Unframed: 30 1/4 × 24 1/4 inches (76.8 × 61.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-dunlap-american-1766-1839-major-david-van-horne-ca-1790-oil-on-canvas-unframed-30-14-24-14-inches-768-616-cm-image328729031.htmlRM2A2PW6F–William Dunlap, American, 1766-1839, Major David Van Horne, ca. 1790, oil on canvas, Unframed: 30 1/4 × 24 1/4 inches (76.8 × 61.6 cm
194 Ernst friedrich herbert zu muenster 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/194-ernst-friedrich-herbert-zu-muenster-17661839-image214153130.htmlRMPCBEE2–194 Ernst friedrich herbert zu muenster 1766–1839
Portraits of the Royal Academicians, Charles Bestland, 1763–ca. 1837, British, after Henry Singleton, 1766–1839, British, 1802, Stipple engraving, Sheet: 25 3/4 x 31 7/8in. (65.4 x 81cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portraits-of-the-royal-academicians-charles-bestland-1763ca-1837-british-after-henry-singleton-17661839-british-1802-stipple-engraving-sheet-25-34-x-31-78in-654-x-81cm-image389763404.htmlRM2DJ375G–Portraits of the Royal Academicians, Charles Bestland, 1763–ca. 1837, British, after Henry Singleton, 1766–1839, British, 1802, Stipple engraving, Sheet: 25 3/4 x 31 7/8in. (65.4 x 81cm
. English: Jonathan Sewell (1766-1839) . 19th century. 1113 Jonsewell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-jonathan-sewell-1766-1839-19th-century-1113-jonsewell-image185588491.htmlRMMNX80B–. English: Jonathan Sewell (1766-1839) . 19th century. 1113 Jonsewell
Ruined Vault. Attributed to Hendrik Voogd; Dutch, 1766-1839. Date: 1687-1714. Dimensions: 373 × 271 mm. Brush and brown wash with black chalk, on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruined-vault-attributed-to-hendrik-voogd-dutch-1766-1839-date-1687-1714-dimensions-373-271-mm-brush-and-brown-wash-with-black-chalk-on-cream-laid-paper-origin-holland-museum-the-chicago-art-institute-image240104832.htmlRMRXHM4G–Ruined Vault. Attributed to Hendrik Voogd; Dutch, 1766-1839. Date: 1687-1714. Dimensions: 373 × 271 mm. Brush and brown wash with black chalk, on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute.
John, 6th Duke Of Bedford 735 John, 6th Duke of Bedford (1766-1839) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-6th-duke-of-bedford-735-john-6th-duke-of-bedford-1766-1839-image185778841.htmlRMMP6XPH–John, 6th Duke Of Bedford 735 John, 6th Duke of Bedford (1766-1839)
. Our native birds of song and beauty, being a complete history of all the songbirds, flycatchers, hummingbirds, swifts, goatsuckers, woodpeckers, kingfishers, trogons, cuckoos, and parrots, of North America . ris-de-fer (Buff.). SCIENTIFIC NAMES: Motac/7/a cam//ca Linn. (1766). Sr/i/a cacro/ta Lath. (17901. Cukivor.i caeniicaDOrb. (1839). Sylvania cacnilca Nntt. (1840). POLIOPTTLA CAERULEA Sclat. (1855), etc. DESCRIPTION: Above clear ashy-blue, brightest on crown, hoary on rump; below whitish; tail long, black,outer feather almost wholly white, next about half white, third tipped with white; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-native-birds-of-song-and-beauty-being-a-complete-history-of-all-the-songbirds-flycatchers-hummingbirds-swifts-goatsuckers-woodpeckers-kingfishers-trogons-cuckoos-and-parrots-of-north-america-ris-de-fer-buff-scientific-names-motac7a-camca-linn-1766-sria-cacrota-lath-17901-cukivori-caeniicadorb-1839-sylvania-cacnilca-nntt-1840-poliopttla-caerulea-sclat-1855-etc-description-above-clear-ashy-blue-brightest-on-crown-hoary-on-rump-below-whitish-tail-long-blackouter-feather-almost-wholly-white-next-about-half-white-third-tipped-with-white-image375107782.htmlRM2CP7HPE–. Our native birds of song and beauty, being a complete history of all the songbirds, flycatchers, hummingbirds, swifts, goatsuckers, woodpeckers, kingfishers, trogons, cuckoos, and parrots, of North America . ris-de-fer (Buff.). SCIENTIFIC NAMES: Motac/7/a cam//ca Linn. (1766). Sr/i/a cacro/ta Lath. (17901. Cukivor.i caeniicaDOrb. (1839). Sylvania cacnilca Nntt. (1840). POLIOPTTLA CAERULEA Sclat. (1855), etc. DESCRIPTION: Above clear ashy-blue, brightest on crown, hoary on rump; below whitish; tail long, black,outer feather almost wholly white, next about half white, third tipped with white;
. Portrait of Alexei Alexeyevich Turchaninov (1766—1839) . Q43218479 . 1777 278 Alexey Turchaninov Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-alexei-alexeyevich-turchaninov-17661839-q43218479-1777-278-alexey-turchaninov-image206728033.htmlRMP097M1–. Portrait of Alexei Alexeyevich Turchaninov (1766—1839) . Q43218479 . 1777 278 Alexey Turchaninov
Eleanora Westray Darley (1780–1849). Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eleanora-westray-darley17801849-artist-william-dunlap-american-17661839-image463203823.htmlRM2HWGN5K–Eleanora Westray Darley (1780–1849). Artist: William Dunlap, American, 1766–1839
Archive image from page 285 of Dictionnaire de pomologie contenant. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gÃnÃralement connus et cultivÃs . dictionnairedepo004lero Year: 1867 722 REI [reinette osnJ nous l'avons prouvÃ. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement ÃtudiÃe, arbre et fruit, la nommant tous Reinette d'OrlÃans, quelques-uns même la reprÃsentant de grandeur naturelle et parfaitement coloriÃe. Si donc nos voisins les Belges n'ont pu, comme ils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-285-of-dictionnaire-de-pomologie-contenant-dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-dictionnairedepo004lero-year-1867-722-rei-reinette-osnj-nous-lavons-prouv-knoop-en-1766-diel-en-1799-sickler-en-1803-dittrich-en-1839-et-autres-lavaient-longuement-tudie-arbre-et-fruit-la-nommant-tous-reinette-dorlans-quelques-uns-mme-la-reprsentant-de-grandeur-naturelle-et-parfaitement-colorie-si-donc-nos-voisins-les-belges-nont-pu-comme-ils-image258915044.htmlRMW16GNT–Archive image from page 285 of Dictionnaire de pomologie contenant. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gÃnÃralement connus et cultivÃs . dictionnairedepo004lero Year: 1867 722 REI [reinette osnJ nous l'avons prouvÃ. Knoop en 1766, Diel en 1799, Sickler en 1803, Dittrich en 1839, et autres, l'avaient longuement ÃtudiÃe, arbre et fruit, la nommant tous Reinette d'OrlÃans, quelques-uns même la reprÃsentant de grandeur naturelle et parfaitement coloriÃe. Si donc nos voisins les Belges n'ont pu, comme ils
Art inspired by Glen's Falls from the Bed of the River, William Dunlap, American, 1766-1839, Watercolor, 19th century, Image: 8 9/16 x 10 15/16 in., 21.7 x 27.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-glens-falls-from-the-bed-of-the-river-william-dunlap-american-1766-1839-watercolor-19th-century-image-8-916-x-10-1516-in-217-x-278-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568766.htmlRF2HKK4J6–Art inspired by Glen's Falls from the Bed of the River, William Dunlap, American, 1766-1839, Watercolor, 19th century, Image: 8 9/16 x 10 15/16 in., 21.7 x 27.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Queen Philippa Interceding for the Brave citizens of Calais, Print made by John Jones, ca. 1745–1797, British, after Henry Singleton, 1766–1839, British, 1792, Stipple engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-philippa-interceding-for-the-brave-citizens-of-calais-print-made-by-john-jones-ca-17451797-british-after-henry-singleton-17661839-british-1792-stipple-engraving-on-medium-slightly-textured-cream-wove-paper-image389830191.htmlRM2DJ68AR–Queen Philippa Interceding for the Brave citizens of Calais, Print made by John Jones, ca. 1745–1797, British, after Henry Singleton, 1766–1839, British, 1792, Stipple engraving on medium, slightly textured, cream wove paper
Mrs. John Adams Conant. Artist: William Dunlap (Perth Amboy, New Jersey 1766-1839 New York). Dimensions: 30 1/8 x 25 in. (76.8 x 63.5 cm). Date: 1829. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-john-adams-conant-artist-william-dunlap-perth-amboy-new-jersey-1766-1839-new-york-dimensions-30-18-x-25-in-768-x-635-cm-date-1829-museum-metropolitan-museum-of-art-new-york-usa-image213317784.htmlRMPB1D08–Mrs. John Adams Conant. Artist: William Dunlap (Perth Amboy, New Jersey 1766-1839 New York). Dimensions: 30 1/8 x 25 in. (76.8 x 63.5 cm). Date: 1829. Museum: Metropolitan Museum of Art, New York, USA.
. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. Jord, b. 9 Sept. 1759,rf. iU May 1790. 3 Hon. General Robert, b. 26 Nov. 1760, d.23 May 1839. 4 Lady Sarah, b. 10 May 1762, d. 9 June1775. 5 Hon. Cloticorthy,b. 31 Oct. 1763, createdBaron Langford in Ireland, in consequenceof his marriage with the daughter and heirof the last Viscount Langford; d. 13 Sept.1825, leaving issue.—See Langford. 6 Lady Henrietta, b. 7 Aug. 1766, m. 31May 1791, Chambre - Brabazon Ponsonby-Barker, Esq.,—see Bessborough, and d. 12Jan. 1838 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-peerage-of-the-british-empire-as-at-present-existing-arranged-and-printed-from-the-personal-communications-of-the-nobility-jord-b-9-sept-1759rf-iu-may-1790-3-hon-general-robert-b-26-nov-1760-d23-may-1839-4-lady-sarah-b-10-may-1762-d-9-june1775-5-hon-cloticorthyb-31-oct-1763-createdbaron-langford-in-ireland-in-consequenceof-his-marriage-with-the-daughter-and-heirof-the-last-viscount-langford-d-13-sept1825-leaving-issuesee-langford-6-lady-henrietta-b-7-aug-1766-m-31may-1791-chambre-brabazon-ponsonby-barker-esqsee-bessborough-and-d-12jan-1838-image370330396.htmlRM2CEE05G–. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. Jord, b. 9 Sept. 1759,rf. iU May 1790. 3 Hon. General Robert, b. 26 Nov. 1760, d.23 May 1839. 4 Lady Sarah, b. 10 May 1762, d. 9 June1775. 5 Hon. Cloticorthy,b. 31 Oct. 1763, createdBaron Langford in Ireland, in consequenceof his marriage with the daughter and heirof the last Viscount Langford; d. 13 Sept.1825, leaving issue.—See Langford. 6 Lady Henrietta, b. 7 Aug. 1766, m. 31May 1791, Chambre - Brabazon Ponsonby-Barker, Esq.,—see Bessborough, and d. 12Jan. 1838
. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 14 1stEarlOfZetland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lawrence-dundas-1st-earl-of-zetland-1766-1839-contemporary-portrait-this-file-is-lacking-author-information-14-1stearlofzetland-image188153228.htmlRMMX33A4–. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 14 1stEarlOfZetland
John T. Woolsey (?) (d. 1798). Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-t-woolsey-d1798-artist-william-dunlap-american-17661839-image463203662.htmlRM2HWGMYX–John T. Woolsey (?) (d. 1798). Artist: William Dunlap, American, 1766–1839
Art inspired by Robert Snow, William Dunlap, American, 1766-1839, Oil on panel, 1831, 33 9/16 x 26 11/16 in., 85.2 x 67.8 cm, American, book, brown, portrait, velvet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-robert-snow-william-dunlap-american-1766-1839-oil-on-panel-1831-33-916-x-26-1116-in-852-x-678-cm-american-book-brown-portrait-velvet-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573231.htmlRF2HKKA9K–Art inspired by Robert Snow, William Dunlap, American, 1766-1839, Oil on panel, 1831, 33 9/16 x 26 11/16 in., 85.2 x 67.8 cm, American, book, brown, portrait, velvet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Self-portrait, ca. 1825, Watercolor on ivory, 3 x 2 in. (7.6 x 5.1 cm), Paintings, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-self-portrait-ca-1825-watercolor-on-ivory-3-x-2-in-76-x-51-cm-paintings-william-dunlap-perth-amboy-new-jersey-17661839-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898004.htmlRF2HW2R3G–Art inspired by Self-portrait, ca. 1825, Watercolor on ivory, 3 x 2 in. (7.6 x 5.1 cm), Paintings, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Forum of Trajan, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-forum-of-trajan-rome-late-18thmid-19th-century-drawing-in-pen-and-ink-and-gray-wash-3-116-x-4-316in-78-x-106cm-drawings-giovanni-battista-cipriani-italian-siena-17661839-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962206.htmlRF2HW5N0E–Art inspired by The Forum of Trajan, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Absent Father or the Sorrows of War, William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1797, Stipple engraving, Sheet: 13 7/8 x 11 5/8in. (35.2 x 29.5cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-absent-father-or-the-sorrows-of-war-william-nutter-17541802-british-after-henry-singleton-17661839-british-1797-stipple-engraving-sheet-13-78-x-11-58in-352-x-295cm-image389764296.htmlRM2DJ389C–The Absent Father or the Sorrows of War, William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1797, Stipple engraving, Sheet: 13 7/8 x 11 5/8in. (35.2 x 29.5cm
Portrait of a Woman. Artist: In the style of Giuseppe Castiglione (Italian, Milan 1688-1766 Beijing); Attributed to Tsukioka Sessai (Japanese, 1761-1839). Culture: Japan. Dimensions: 35 3/4 x 27 in. (90.8 x 68.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-artist-in-the-style-of-giuseppe-castiglione-italian-milan-1688-1766-beijing-attributed-to-tsukioka-sessai-japanese-1761-1839-culture-japan-dimensions-35-34-x-27-in-908-x-686-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212882776.htmlRMPA9J48–Portrait of a Woman. Artist: In the style of Giuseppe Castiglione (Italian, Milan 1688-1766 Beijing); Attributed to Tsukioka Sessai (Japanese, 1761-1839). Culture: Japan. Dimensions: 35 3/4 x 27 in. (90.8 x 68.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. The history of Newport, New Hampshire, from 1766 to 1878 . V GeoEIPexirn ,^lfio^^. GENEALOGY. 517 militia. He was a shrewd trader, but a man of the strictestintegrity, one of the most obliging of neighbors, and wasthrough life a democrat of the Jeffersonian school. He d. Oct.30, 1871. M., April 8, 1817, Fanny Richards, of Dedham,Mass., b. Sept. i, 1791, who d. Aug. 11, 1854; m., 2d, MariaBardwell; m., 3d, Mrs. Martha B. Garfield. ^Dexter, b. Sept. 5, 1818. Emily, b. Jan. 2, 1820; m., Aug. 16, 1848, Parley S. Coffin. Elizabeth, b. Nov. 19, 1821 ; m., Jan. 9, 1839, John S. Parmelee. Fanny, b. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-of-newport-new-hampshire-from-1766-to-1878-v-geoeipexirn-lfio-genealogy-517-militia-he-was-a-shrewd-trader-but-a-man-of-the-strictestintegrity-one-of-the-most-obliging-of-neighbors-and-wasthrough-life-a-democrat-of-the-jeffersonian-school-he-d-oct30-1871-m-april-8-1817-fanny-richards-of-dedhammass-b-sept-i-1791-who-d-aug-11-1854-m-2d-mariabardwell-m-3d-mrs-martha-b-garfield-dexter-b-sept-5-1818-emily-b-jan-2-1820-m-aug-16-1848-parley-s-coffin-elizabeth-b-nov-19-1821-m-jan-9-1839-john-s-parmelee-fanny-b-image369660786.htmlRM2CDBE2X–. The history of Newport, New Hampshire, from 1766 to 1878 . V GeoEIPexirn ,^lfio^^. GENEALOGY. 517 militia. He was a shrewd trader, but a man of the strictestintegrity, one of the most obliging of neighbors, and wasthrough life a democrat of the Jeffersonian school. He d. Oct.30, 1871. M., April 8, 1817, Fanny Richards, of Dedham,Mass., b. Sept. i, 1791, who d. Aug. 11, 1854; m., 2d, MariaBardwell; m., 3d, Mrs. Martha B. Garfield. ^Dexter, b. Sept. 5, 1818. Emily, b. Jan. 2, 1820; m., Aug. 16, 1848, Parley S. Coffin. Elizabeth, b. Nov. 19, 1821 ; m., Jan. 9, 1839, John S. Parmelee. Fanny, b.
. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 12 1stEarlOfZetland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lawrence-dundas-1st-earl-of-zetland-1766-1839-contemporary-portrait-this-file-is-lacking-author-information-12-1stearlofzetland-image188899796.htmlRMMY93H8–. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 12 1stEarlOfZetland
Danforth Billings. Artist: Unknown Artist, formerly attributed to: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/danforthbillings-artist-unknown-artist-formerly-attributed-to-william-dunlap-american-17661839-image463207533.htmlRM2HWGWX5–Danforth Billings. Artist: Unknown Artist, formerly attributed to: William Dunlap, American, 1766–1839
Art inspired by The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-trevi-fountain-rome-late-18thmid-19th-century-drawing-in-pen-and-ink-and-gray-wash-3-116-x-4-316in-78-x-106cm-drawings-giovanni-battista-cipriani-italian-siena-17661839-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946495.htmlRF2HW50YB–Art inspired by The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Portrait of a Woman, Edo period (1615–1868), 19th century, Japan, Framed painting; ink and color on silk, 35 3/4 x 27 in. (90.8 x 68.6 cm), Paintings, Attributed to Tsukioka Sessai (Japanese, 1761–1839), In the Style of Giuseppe Castiglione (Italian, Milan 1688–1766, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-woman-edo-period-16151868-19th-century-japan-framed-painting-ink-and-color-on-silk-35-34-x-27-in-908-x-686-cm-paintings-attributed-to-tsukioka-sessai-japanese-17611839-in-the-style-of-giuseppe-castiglione-italian-milan-16881766-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910948.htmlRF2HW3BHT–Art inspired by Portrait of a Woman, Edo period (1615–1868), 19th century, Japan, Framed painting; ink and color on silk, 35 3/4 x 27 in. (90.8 x 68.6 cm), Paintings, Attributed to Tsukioka Sessai (Japanese, 1761–1839), In the Style of Giuseppe Castiglione (Italian, Milan 1688–1766, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird, Henry Singleton, 1766-1839 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surrender-of-the-two-sons-of-tipu-sahib-sultan-of-mysore-to-sir-david-baird-henry-singleton-1766-1839-reimagined-image230452383.htmlRFRAX0A7–The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird, Henry Singleton, 1766-1839 reimagined
The Farm-Yard, Print made by William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm), cow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-farm-yard-print-made-by-william-nutter-17541802-british-after-henry-singleton-17661839-british-1790-stipple-printed-in-colors-sheet-15-58-x-11-12in-397-x-292cm-cow-image389731162.htmlRM2DJ1P22–The Farm-Yard, Print made by William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm), cow
William Dunlap, John Adams Conant, American, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York), 1829, American, Oil on wood, 30 1/8 x 25 in. (76.5 x 63.5 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-dunlap-john-adams-conant-american-william-dunlap-perth-amboy-new-jersey-17661839-new-york-1829-american-oil-on-wood-30-18-x-25-in-765-x-635-cm-paintings-image344608645.htmlRM2B0J7RH–William Dunlap, John Adams Conant, American, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York), 1829, American, Oil on wood, 30 1/8 x 25 in. (76.5 x 63.5 cm), Paintings
John Thomas Smith, late Keeper of the Prints in the British Museum, author of Vagabondia, Nollekens and His Times, Antient Topography, 1766-1833. Copperplate engraving by William Skelton after a portrait by John Jackson from John Thomas Smith's The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-thomas-smith-late-keeper-of-the-prints-in-the-british-museum-author-of-vagabondia-nollekens-and-his-times-antient-topography-1766-1833-copperplate-engraving-by-william-skelton-after-a-portrait-by-john-jackson-from-john-thomas-smiths-the-cries-of-london-or-vagabondiana-2-edited-by-francis-douce-john-bowyer-nichols-london-1839-image571916790.htmlRM2T6D1KJ–John Thomas Smith, late Keeper of the Prints in the British Museum, author of Vagabondia, Nollekens and His Times, Antient Topography, 1766-1833. Copperplate engraving by William Skelton after a portrait by John Jackson from John Thomas Smith's The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.
The Ale-House Door, 'Come my Dear! I'll pledge you!', William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ale-house-door-come-my-dear!-ill-pledge-you!-william-nutter-17541802-british-after-henry-singleton-17661839-british-1790-stipple-printed-in-colors-sheet-15-58-x-11-12in-397-x-292cm-image389731429.htmlRM2DJ1PBH–The Ale-House Door, 'Come my Dear! I'll pledge you!', William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm
. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 14 1stEarlOfZetland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lawrence-dundas-1st-earl-of-zetland-1766-1839-contemporary-portrait-this-file-is-lacking-author-information-14-1stearlofzetland-image187631585.htmlRMMW7A01–. Lawrence Dundas, 1st Earl of Zetland (1766-1839) . Contemporary portrait. This file is lacking author information. 14 1stEarlOfZetland
William Dunlap, Mrs. John Adams Conant, American, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York), 1829, American, Oil on wood, 30 1/8 x 25 in. (76.8 x 63.5 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-dunlap-mrs-john-adams-conant-american-william-dunlap-perth-amboy-new-jersey-17661839-new-york-1829-american-oil-on-wood-30-18-x-25-in-768-x-635-cm-paintings-image344608646.htmlRM2B0J7RJ–William Dunlap, Mrs. John Adams Conant, American, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York), 1829, American, Oil on wood, 30 1/8 x 25 in. (76.8 x 63.5 cm), Paintings
. English: William Dunlap, American, 1766 - 1839 Self-Portrait . English: William Dunlap, American, 1766 - 1839 Self-Portrait . circa 1812 648 William dunlap Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-william-dunlap-american-1766-1839-self-portrait-english-william-dunlap-american-1766-1839-self-portrait-circa-1812-648-william-dunlap-image187560537.htmlRMMW43AH–. English: William Dunlap, American, 1766 - 1839 Self-Portrait . English: William Dunlap, American, 1766 - 1839 Self-Portrait . circa 1812 648 William dunlap
Christ in the Temple, Henry Singleton, 1766–1839, British, undated, Black chalk on medium, slightly textured, brown wove paper, Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm), crowd, figures, religious and mythological subject, sketches, temples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-temple-henry-singleton-17661839-british-undated-black-chalk-on-medium-slightly-textured-brown-wove-paper-sheet-8-34-11-inches-222-279-cm-crowd-figures-religious-and-mythological-subject-sketches-temples-image389623375.htmlRM2DHTTGF–Christ in the Temple, Henry Singleton, 1766–1839, British, undated, Black chalk on medium, slightly textured, brown wove paper, Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm), crowd, figures, religious and mythological subject, sketches, temples
Timothy Dwight (1752-1817) BA 1769, MA 1772. Artist: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/timothy-dwight-1752-1817-ba-1769-ma1772-artist-william-dunlap-american-17661839-image463203800.htmlRM2HWGN4T–Timothy Dwight (1752-1817) BA 1769, MA 1772. Artist: William Dunlap, American, 1766–1839
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird, Henry Singleton, 1766–1839, British, ca. 1800, Oil on canvas, Support (PTG): 17 x 21 inches (43.2 x 53.3 cm), gowns, historical subject, Orientalism, sons, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surrender-of-the-two-sons-of-tipu-sahib-sultan-of-mysore-to-sir-david-baird-henry-singleton-17661839-british-ca-1800-oil-on-canvas-support-ptg-17-x-21-inches-432-x-533-cm-gowns-historical-subject-orientalism-sons-india-image389599315.htmlRM2DHRNW7–The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird, Henry Singleton, 1766–1839, British, ca. 1800, Oil on canvas, Support (PTG): 17 x 21 inches (43.2 x 53.3 cm), gowns, historical subject, Orientalism, sons, India
. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. k, b. 6 Dec. 1838. 4 Hon. Percy Arthur,b. 30 Nov. 1839. 5 Hon. Gertnide-EIizabeth, 6. 4 Feb. 1842. 6 Hon. Constance-Harriet, b. 28 Feb. 1843. 7 Hon. Jeffery-Charles, b. 3 Oct. 1844. 8. Hon. Josceline-George-Herbert, /;. 7 June 1846. 5 Hon. Frederick-Campbell, b. 10 March 1807, d. 12 Oct. 1829. His Lordships father, Lieut.-Gen. William Amherst, hrotlier of Jeffrey, 1st Lord,was b. 1732, and d. 13 May 1781; having m. 31 M.irch 1766, Elizabeth, daughterof Thomas Patt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-peerage-of-the-british-empire-as-at-present-existing-arranged-and-printed-from-the-personal-communications-of-the-nobility-k-b-6-dec-1838-4-hon-percy-arthurb-30-nov-1839-5-hon-gertnide-eiizabeth-6-4-feb-1842-6-hon-constance-harriet-b-28-feb-1843-7-hon-jeffery-charles-b-3-oct-1844-8-hon-josceline-george-herbert-7-june-1846-5-hon-frederick-campbell-b-10-march-1807-d-12-oct-1829-his-lordships-father-lieut-gen-william-amherst-hrotlier-of-jeffrey-1st-lordwas-b-1732-and-d-13-may-1781-having-m-31-mirch-1766-elizabeth-daughterof-thomas-patt-image370360401.htmlRM2CEFAD5–. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. k, b. 6 Dec. 1838. 4 Hon. Percy Arthur,b. 30 Nov. 1839. 5 Hon. Gertnide-EIizabeth, 6. 4 Feb. 1842. 6 Hon. Constance-Harriet, b. 28 Feb. 1843. 7 Hon. Jeffery-Charles, b. 3 Oct. 1844. 8. Hon. Josceline-George-Herbert, /;. 7 June 1846. 5 Hon. Frederick-Campbell, b. 10 March 1807, d. 12 Oct. 1829. His Lordships father, Lieut.-Gen. William Amherst, hrotlier of Jeffrey, 1st Lord,was b. 1732, and d. 13 May 1781; having m. 31 M.irch 1766, Elizabeth, daughterof Thomas Patt
British Plenty, Charles Knight, 1743–c.1826, British, after Henry Singleton, 1766–1839, British, 1794, Stipple engraving, partially printed in color, Plate: 20 1/4 x 16in. (51.4 x 40.6cm) and Sheet: 22 1/2 x 17 3/4in. (57.2 x 45.1cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-plenty-charles-knight-1743c1826-british-after-henry-singleton-17661839-british-1794-stipple-engraving-partially-printed-in-color-plate-20-14-x-16in-514-x-406cm-and-sheet-22-12-x-17-34in-572-x-451cm-image389731153.htmlRM2DJ1P1N–British Plenty, Charles Knight, 1743–c.1826, British, after Henry Singleton, 1766–1839, British, 1794, Stipple engraving, partially printed in color, Plate: 20 1/4 x 16in. (51.4 x 40.6cm) and Sheet: 22 1/2 x 17 3/4in. (57.2 x 45.1cm
The Wandering Sailor The Ballad Seller, Henry Singleton, 1766-1839, British. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wandering-sailor-the-ballad-seller-henry-singleton-1766-1839-british-reimagined-by-gibon-classic-art-with-a-reimagined-image230452382.htmlRFRAX0A6–The Wandering Sailor The Ballad Seller, Henry Singleton, 1766-1839, British. Reimagined by Gibon. Classic art with a reimagined
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird. Date/Period: Ca. 1800. Painting. Oil on canvas. Height: 432 mm (17 in); Width: 533 mm (20.98 in). Author: Henry Singleton. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surrender-of-the-two-sons-of-tipu-sahib-sultan-of-mysore-to-sir-david-baird-dateperiod-ca-1800-painting-oil-on-canvas-height-432-mm-17-in-width-533-mm-2098-in-author-henry-singleton-image233302048.htmlRMRFFR40–The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird. Date/Period: Ca. 1800. Painting. Oil on canvas. Height: 432 mm (17 in); Width: 533 mm (20.98 in). Author: Henry Singleton.
. English: William Dunlap, American, 1766 - 1839 Self-Portrait . English: William Dunlap, American, 1766 - 1839 Self-Portrait . circa 1812 564 William dunlap Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-william-dunlap-american-1766-1839-self-portrait-english-william-dunlap-american-1766-1839-self-portrait-circa-1812-564-william-dunlap-image188832497.htmlRMMY61NN–. English: William Dunlap, American, 1766 - 1839 Self-Portrait . English: William Dunlap, American, 1766 - 1839 Self-Portrait . circa 1812 564 William dunlap
. English: Portrait of Otto Christian Kynde (1766-1839) Councillor of State, district revenue officer in Hillerød. He wears a blue jacket and a white waistcoat , ca. 1800 78 Otto Christian Kynde (1766-1839) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-otto-christian-kynde-1766-1839-councillor-of-state-district-revenue-officer-in-hillerd-he-wears-a-blue-jacket-and-a-white-waistcoat-ca-1800-78-otto-christian-kynde-1766-1839-image206538482.htmlRMP00HXA–. English: Portrait of Otto Christian Kynde (1766-1839) Councillor of State, district revenue officer in Hillerød. He wears a blue jacket and a white waistcoat , ca. 1800 78 Otto Christian Kynde (1766-1839)
The Right Reverend Richard Channing Moore, D.D.. Artist: Peter Rushton Maverick, American, 1755–1811After: William Dunlap, American, 1766–1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-right-reverend-richard-channing-moore-dd-artist-peter-rushton-maverick-american-17551811after-william-dunlap-american-17661839-image463199884.htmlRM2HWGG50–The Right Reverend Richard Channing Moore, D.D.. Artist: Peter Rushton Maverick, American, 1755–1811After: William Dunlap, American, 1766–1839
Search Results for 1766 1839 Stock Photos and Images (674)
Page 1 of 7