Nature's revelations of character; or, physiognomy illustratedA description of the mental, moral and volitive dispositions of mankind, as manifested in the human form and countenance . Physioliarmonitiveness Large—Sarah and Jolin Eovin, aged respectiveh^i64 iiid 172 yeai-s of age. tion of material, and the absence of all ingredients nothaving a tendency to act in accord with the others. Theharmony of music is the result of compatibility and fitnessexisting between the different tones, and combining theirvarious powers of strength and richness, so as to producean aggregate of delicious harmony;
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Nature's revelations of character; or, physiognomy illustratedA description of the mental, moral and volitive dispositions of mankind, as manifested in the human form and countenance . Physioliarmonitiveness Large—Sarah and Jolin Eovin, aged respectiveh^i64 iiid 172 yeai-s of age. tion of material, and the absence of all ingredients nothaving a tendency to act in accord with the others. Theharmony of music is the result of compatibility and fitnessexisting between the different tones, and combining theirvarious powers of strength and richness, so as to producean aggregate of delicious harmony; and the parallelbetween the two is much closer and more exact than onewould at a first glance be inclined to suspect. The abovesigns will receive their full signification when taken inconnection with these remarks. PROPORTION ATIVENESS.—PROPORTION. RECOGNITION OF THE TRUE RELATION OF PARTS TO EACH OlHER. 2Vte physiognominal manifestations of Proportionative-ness are a due symmetrical proportion of one feature to THE FACULTIES, THEIR SIGNS AND PRINCIPLES 245 another joined in a body, whose parts and features avd mharmonious accord, producing beauty of form.