N/A. Portrait of Nancy Storace (1765–1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make i

N/A.  Portrait of Nancy Storace (1765–1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42.   This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make i Stock Photo
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Contributor:

The Picture Art Collection / Alamy Stock Photo

Image ID:

P5K03J

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14.3 MB (851.4 KB Compressed download)

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1970 x 2536 px | 16.7 x 21.5 cm | 6.6 x 8.5 inches | 300dpi

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This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

N/A. Portrait of Nancy Storace (1765–1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make it look like the best possible copy of the mass-produced hand-tinted engraving..   . 1788. N/A 26 Nancy Storace Portrait By Pietro Bettelini 2 crop

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