Gaillon. The Plan of the Bastiment with the court of hault also the gallery and bastion closing the Jardrin of both sides, Château de Gaillon in France, Signed: FD, Imp. Lemercier, A. Levy, Fig. 62, T. 1. 60., Cerceau, Jacques Androuet du (del.), Faure-Dujarric, Pierre-Lucien (sc.), Imprimerie Lemercier (imp.), Levy, A. (ed.), 1868, Jacques Androuet du Cerceau, Hippolyte A. Destailleur: Les plus excellents bastiments de France. Paris: A. Lévy, Libraire-Editeur, M DCCC LXVIII - M DCCC LXX. [1868-1870], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. C
![Gaillon. The Plan of the Bastiment with the court of hault also the gallery and bastion closing the Jardrin of both sides, Château de Gaillon in France, Signed: FD, Imp. Lemercier, A. Levy, Fig. 62, T. 1. 60., Cerceau, Jacques Androuet du (del.), Faure-Dujarric, Pierre-Lucien (sc.), Imprimerie Lemercier (imp.), Levy, A. (ed.), 1868, Jacques Androuet du Cerceau, Hippolyte A. Destailleur: Les plus excellents bastiments de France. Paris: A. Lévy, Libraire-Editeur, M DCCC LXVIII - M DCCC LXX. [1868-1870], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. C Stock Photo](https://c8.alamy.com/comp/2B94GN0/gaillon-the-plan-of-the-bastiment-with-the-court-of-hault-also-the-gallery-and-bastion-closing-the-jardrin-of-both-sides-chteau-de-gaillon-in-france-signed-fd-imp-lemercier-a-levy-fig-62-t-1-60-cerceau-jacques-androuet-du-del-faure-dujarric-pierre-lucien-sc-imprimerie-lemercier-imp-levy-a-ed-1868-jacques-androuet-du-cerceau-hippolyte-a-destailleur-les-plus-excellents-bastiments-de-france-paris-a-lvy-libraire-editeur-m-dccc-lxviii-m-dccc-lxx-1868-1870-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-c-2B94GN0.jpg)
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Penta Springs Limited / Alamy Stock PhotoImage ID:
2B94GN0File size:
103.4 MB (3.4 MB Compressed download)Releases:
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7142 x 5062 px | 60.5 x 42.9 cm | 23.8 x 16.9 inches | 300dpiPhotographer:
Gibon ArtMore information:
This image could have imperfections as it’s either historical or reportage.