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. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY -FIRST ANNUAL REPORT PL. LXIIl ,- ^ ^ffi 1 •f w I ^^ ^ vm ^ i «oJjJ^^ V — **/ V 4 f V* *^ * f ^tfg S^^ ^ ™ i^b 1 &| k i 3^k m^ a Y ^ IL c 3 J I OWA c ^ ^^H V Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-bureau-of-american-ethnology-twenty-first-annual-report-pl-lxiil-ffi-1-f-w-i-vm-i-ojjj-v-v-4-f-v-f-tfg-s-ib-1-k-i-3k-m-a-y-il-c-3-j-i-owa-c-h-v-image370463814.htmlRM2CEM2AE–. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY -FIRST ANNUAL REPORT PL. LXIIl ,- ^ ^ffi 1 •f w I ^^ ^ vm ^ i «oJjJ^^ V — **/ V 4 f V* *^ * f ^tfg S^^ ^ ™ i^b 1 &| k i 3^k m^ a Y ^ IL c 3 J I OWA c ^ ^^H V
. Hopi Katcinas drawn by native artists. PUUKON HOYA PALUNA HOYA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-puukon-hoya-paluna-hoya-image370628256.htmlRM2CEYG3C–. Hopi Katcinas drawn by native artists. PUUKON HOYA PALUNA HOYA.
. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. LVIII. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-bureau-of-american-ethnology-twenty-first-annual-report-pl-lviii-image370493835.htmlRM2CENCJK–. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. LVIII.
. Hopi Katcinas drawn by native artists. a string under the chin,and to this tablet is attached a band which passes over the forehead,as shown in the picture. The tablet is made of flat boards, and con-sists of six parts, two vertical, two lateral, and two diagonal, eachrepresenting rain-cloud symbols tipped by eagle feathers. The red objects, one on each side between the lateral and verticalcomponents of the tablet, are symbolic squash blossoms, or the whorls inwhich Hopi maidens dress their hair. The cup-shaped, pedunculated a Journal of American Folk-Lore, vol. xii, 1899, p. 81-96. BUREAU O Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-a-string-under-the-chinand-to-this-tablet-is-attached-a-band-which-passes-over-the-foreheadas-shown-in-the-picture-the-tablet-is-made-of-flat-boards-and-con-sists-of-six-parts-two-vertical-two-lateral-and-two-diagonal-eachrepresenting-rain-cloud-symbols-tipped-by-eagle-feathers-the-red-objects-one-on-each-side-between-the-lateral-and-verticalcomponents-of-the-tablet-are-symbolic-squash-blossoms-or-the-whorls-inwhich-hopi-maidens-dress-their-hair-the-cup-shaped-pedunculated-a-journal-of-american-folk-lore-vol-xii-1899-p-81-96-bureau-o-image370514564.htmlRM2CEPB30–. Hopi Katcinas drawn by native artists. a string under the chin,and to this tablet is attached a band which passes over the forehead,as shown in the picture. The tablet is made of flat boards, and con-sists of six parts, two vertical, two lateral, and two diagonal, eachrepresenting rain-cloud symbols tipped by eagle feathers. The red objects, one on each side between the lateral and verticalcomponents of the tablet, are symbolic squash blossoms, or the whorls inwhich Hopi maidens dress their hair. The cup-shaped, pedunculated a Journal of American Folk-Lore, vol. xii, 1899, p. 81-96. BUREAU O
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . 444 AMERICAN ANTHROPOLOGIST [n. s., 15, 1913 is of about the same breadth throughout, is decorated with a num-ber of incised pits, one of which is placed medially over the fore-head. The fillet ends on each side of the face, near the cheeks, wherethere are depressions apparently representing ears. This head-band recalls those found on heads of three-pointed stones, withwhich it is seemingly homologous. The two ends of the filletmerge into the shoulders of the figure and continue to form. the arms. Th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-444-american-anthropologist-n-s-15-1913-is-of-about-the-same-breadth-throughout-is-decorated-with-a-num-ber-of-incised-pits-one-of-which-is-placed-medially-over-the-fore-head-the-fillet-ends-on-each-side-of-the-face-near-the-cheeks-wherethere-are-depressions-apparently-representing-ears-this-head-band-recalls-those-found-on-heads-of-three-pointed-stones-withwhich-it-is-seemingly-homologous-the-two-ends-of-the-filletmerge-into-the-shoulders-of-the-figure-and-continue-to-form-the-arms-th-image370149721.htmlRM2CE5NMW–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . 444 AMERICAN ANTHROPOLOGIST [n. s., 15, 1913 is of about the same breadth throughout, is decorated with a num-ber of incised pits, one of which is placed medially over the fore-head. The fillet ends on each side of the face, near the cheeks, wherethere are depressions apparently representing ears. This head-band recalls those found on heads of three-pointed stones, withwhich it is seemingly homologous. The two ends of the filletmerge into the shoulders of the figure and continue to form. the arms. Th
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . the panel, is aboutuniform in position, it varies in shape andsize in the several specimens. From itsgeneral shape and simplicity it would appearthat the panel in these specimens served as a baseto which another object, possibly a stone head,was attached. The specimen in the National Museum (fig. 124) issaid to have been collected at Vieques island, the onlylocality excepting Porto Rico from which elbow-stoneshave been recorded.1 The paneled arm of this speci-men is long and slender, the other limb s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-the-panel-is-aboutuniform-in-position-it-varies-in-shape-andsize-in-the-several-specimens-from-itsgeneral-shape-and-simplicity-it-would-appearthat-the-panel-in-these-specimens-served-as-a-baseto-which-another-object-possibly-a-stone-headwas-attached-the-specimen-in-the-national-museum-fig-124-issaid-to-have-been-collected-at-vieques-island-the-onlylocality-excepting-porto-rico-from-which-elbow-stoneshave-been-recorded1-the-paneled-arm-of-this-speci-men-is-long-and-slender-the-other-limb-s-image370149606.htmlRM2CE5NGP–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . the panel, is aboutuniform in position, it varies in shape andsize in the several specimens. From itsgeneral shape and simplicity it would appearthat the panel in these specimens served as a baseto which another object, possibly a stone head,was attached. The specimen in the National Museum (fig. 124) issaid to have been collected at Vieques island, the onlylocality excepting Porto Rico from which elbow-stoneshave been recorded.1 The paneled arm of this speci-men is long and slender, the other limb s
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . outer side ofthe small arm, near the angle, thereare two series of parallel lines, orchevrons, cut in the surface, recall-ing the decoration of a massivecollar elsewhere figured.1 In order to compare this elbow-stone with certain stone headsfigured by the author in his Abo-rigines of Porto Rico (pis. LI, lii,Lin) we may suppose that the twoarms are much reduced in length,as in plate lii here referred to, andthe face cut in high relief insteadof being low or flat. A still furtherreduction in the homol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-outer-side-ofthe-small-arm-near-the-angle-thereare-two-series-of-parallel-lines-orchevrons-cut-in-the-surface-recall-ing-the-decoration-of-a-massivecollar-elsewhere-figured1-in-order-to-compare-this-elbow-stone-with-certain-stone-headsfigured-by-the-author-in-his-abo-rigines-of-porto-rico-pis-li-liilin-we-may-suppose-that-the-twoarms-are-much-reduced-in-lengthas-in-plate-lii-here-referred-to-andthe-face-cut-in-high-relief-insteadof-being-low-or-flat-a-still-furtherreduction-in-the-homol-image370149678.htmlRM2CE5NKA–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . outer side ofthe small arm, near the angle, thereare two series of parallel lines, orchevrons, cut in the surface, recall-ing the decoration of a massivecollar elsewhere figured.1 In order to compare this elbow-stone with certain stone headsfigured by the author in his Abo-rigines of Porto Rico (pis. LI, lii,Lin) we may suppose that the twoarms are much reduced in length,as in plate lii here referred to, andthe face cut in high relief insteadof being low or flat. A still furtherreduction in the homol
![. Hopi Katcinas drawn by native artists. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV. LAPUKTI PEWKES] KAXCINAti APPEARINct IX IALiLIKOXTI 87 PalulCkonti (Ankwanti) Festival MACIBOL(Plate XXVI) These two figures represent masked men who sometimes appear inthe March festival (Anliwaiiti) eairying effigies of the Great Serpent.with which they appear to struggle, twisting them about their bodiesand causing them to make various gyrations in a startling manner. One of the arms represented in the picture is a false one, which ishung on the shoulder of the performer, the Stock Photo](https://c8.alamy.com/comp/2CF00B2/hopi-katcinas-drawn-by-native-artists-nakiatcop-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxv-lapukti-pewkes-kaxcinati-appearinct-ix-ialilikoxti-87-palulckonti-ankwanti-festival-macibolplate-xxvi-these-two-figures-represent-masked-men-who-sometimes-appear-inthe-march-festival-anliwaiiti-eairying-effigies-of-the-great-serpentwith-which-they-appear-to-struggle-twisting-them-about-their-bodiesand-causing-them-to-make-various-gyrations-in-a-startling-manner-one-of-the-arms-represented-in-the-picture-is-a-false-one-which-ishung-on-the-shoulder-of-the-performer-the-2CF00B2.jpg ". Hopi Katcinas drawn by native artists. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV. LAPUKTI PEWKES] KAXCINAti APPEARINct IX IALiLIKOXTI 87 PalulCkonti (Ankwanti) Festival MACIBOL(Plate XXVI) These two figures represent masked men who sometimes appear inthe March festival (Anliwaiiti) eairying effigies of the Great Serpent.with which they appear to struggle, twisting them about their bodiesand causing them to make various gyrations in a startling manner. One of the arms represented in the picture is a false one, which ishung on the shoulder of the performer, the Stock Photo")
. Hopi Katcinas drawn by native artists. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV. LAPUKTI PEWKES] KAXCINAti APPEARINct IX IALiLIKOXTI 87 PalulCkonti (Ankwanti) Festival MACIBOL(Plate XXVI) These two figures represent masked men who sometimes appear inthe March festival (Anliwaiiti) eairying effigies of the Great Serpent.with which they appear to struggle, twisting them about their bodiesand causing them to make various gyrations in a startling manner. One of the arms represented in the picture is a false one, which ishung on the shoulder of the performer, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-nakiatcop-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxv-lapukti-pewkes-kaxcinati-appearinct-ix-ialilikoxti-87-palulckonti-ankwanti-festival-macibolplate-xxvi-these-two-figures-represent-masked-men-who-sometimes-appear-inthe-march-festival-anliwaiiti-eairying-effigies-of-the-great-serpentwith-which-they-appear-to-struggle-twisting-them-about-their-bodiesand-causing-them-to-make-various-gyrations-in-a-startling-manner-one-of-the-arms-represented-in-the-picture-is-a-false-one-which-ishung-on-the-shoulder-of-the-performer-the-image370637878.htmlRM2CF00B2–. Hopi Katcinas drawn by native artists. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV. LAPUKTI PEWKES] KAXCINAti APPEARINct IX IALiLIKOXTI 87 PalulCkonti (Ankwanti) Festival MACIBOL(Plate XXVI) These two figures represent masked men who sometimes appear inthe March festival (Anliwaiiti) eairying effigies of the Great Serpent.with which they appear to struggle, twisting them about their bodiesand causing them to make various gyrations in a startling manner. One of the arms represented in the picture is a false one, which ishung on the shoulder of the performer, the
. Hopi Katcinas drawn by native artists. VOHOZRO WUQTI POWAMU HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. yi;i. WUKOKOTI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-vohozro-wuqti-powamu-heliotvpe-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-yii-wukokoti-image370642406.htmlRM2CF064P–. Hopi Katcinas drawn by native artists. VOHOZRO WUQTI POWAMU HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. yi;i. WUKOKOTI
. Hopi Katcinas drawn by native artists. similar to those of the Hopi,except that the former have terraced figures or rain-cloud symbols ineach lower corner, and a red instead of a black beard. The male wearsa red kilt, tied by a belt of silver disks, which are common Navahoornaments. The dress of the girl consists of a black velvet shirt and a red calicoskirt, with a piece of calico over her shoulders. She wears a Navahonecklace. Her coiflure is a cue tied behind the head, like that of the Navahos.The projecting lip, illustrating a habit of gesticulating with the lowerjaw so common among Nava Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-similar-to-those-of-the-hopiexcept-that-the-former-have-terraced-figures-or-rain-cloud-symbols-ineach-lower-corner-and-a-red-instead-of-a-black-beard-the-male-wearsa-red-kilt-tied-by-a-belt-of-silver-disks-which-are-common-navahoornaments-the-dress-of-the-girl-consists-of-a-black-velvet-shirt-and-a-red-calicoskirt-with-a-piece-of-calico-over-her-shoulders-she-wears-a-navahonecklace-her-coiflure-is-a-cue-tied-behind-the-head-like-that-of-the-navahosthe-projecting-lip-illustrating-a-habit-of-gesticulating-with-the-lowerjaw-so-common-among-nava-image370636516.htmlRM2CEYXJC–. Hopi Katcinas drawn by native artists. similar to those of the Hopi,except that the former have terraced figures or rain-cloud symbols ineach lower corner, and a red instead of a black beard. The male wearsa red kilt, tied by a belt of silver disks, which are common Navahoornaments. The dress of the girl consists of a black velvet shirt and a red calicoskirt, with a piece of calico over her shoulders. She wears a Navahonecklace. Her coiflure is a cue tied behind the head, like that of the Navahos.The projecting lip, illustrating a habit of gesticulating with the lowerjaw so common among Nava
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eir extremities, and the faceis cut on the right limb. Instead of the encircling grooves on thearm bearing the face, the arm is perforated near its end, where it iscrossed by a single transverse groove supposed to serve the samepurpose as the grooves in the fluted specimens above considered;in other words, for attachment to a staff or some other object. Theoval face, eyes, nose, and mouth are typical of Antillean art. Thehead-band has a pit medially placed above the forehead and is 1 The Latimer Coll Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-eir-extremities-and-the-faceis-cut-on-the-right-limb-instead-of-the-encircling-grooves-on-thearm-bearing-the-face-the-arm-is-perforated-near-its-end-where-it-iscrossed-by-a-single-transverse-groove-supposed-to-serve-the-samepurpose-as-the-grooves-in-the-fluted-specimens-above-consideredin-other-words-for-attachment-to-a-staff-or-some-other-object-theoval-face-eyes-nose-and-mouth-are-typical-of-antillean-art-thehead-band-has-a-pit-medially-placed-above-the-forehead-and-is-1-the-latimer-coll-image370149645.htmlRM2CE5NJ5–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eir extremities, and the faceis cut on the right limb. Instead of the encircling grooves on thearm bearing the face, the arm is perforated near its end, where it iscrossed by a single transverse groove supposed to serve the samepurpose as the grooves in the fluted specimens above considered;in other words, for attachment to a staff or some other object. Theoval face, eyes, nose, and mouth are typical of Antillean art. Thehead-band has a pit medially placed above the forehead and is 1 The Latimer Coll
. Hopi Katcinas drawn by native artists. TCOSBUCI AND SOYAN EP. iMnl I T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcosbuci-and-soyan-ep-imnl-i-t-image370639905.htmlRM2CF02YD–. Hopi Katcinas drawn by native artists. TCOSBUCI AND SOYAN EP. iMnl I T
. Hopi Katcinas drawn by native artists. TIWENU PANWU Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tiwenu-panwu-image370533331.htmlRM2CER717–. Hopi Katcinas drawn by native artists. TIWENU PANWU
. Hopi Katcinas drawn by native artists. TEUK PAKWABI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLVII Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-teuk-pakwabi-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xlvii-image370527224.htmlRM2CEPY74–. Hopi Katcinas drawn by native artists. TEUK PAKWABI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLVII
. Hopi Katcinas drawn by native artists. SIWAP TAVVA HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIX Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-siwap-tavva-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxxix-image370536459.htmlRM2CERB0Y–. Hopi Katcinas drawn by native artists. SIWAP TAVVA HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIX
![. Hopi Katcinas drawn by native artists. HOTSKO. TURPOCKWA YAUPA HELIOTYPE CO., BOSTON. FEWKE.i] KATCINAS APPEARING IN POWAMU 79 JlOXWf Wf(^TI (Platr XVI) The Owl woman and her two young are figured in this jDicture,and need no explanation additional to that given of the Owl katcinawith -whom she i.s associated. SALAB MONWl}(Plate XVII) The head shown in this picture is readilj- recognized as that of anOwl. He wears a kilt made of buckskin, and has a belt with silverdisks. He carries a pine biancth and bow in the left hand, u rattle inthe right. HOTSKO (Piatt- XVII) The figure of Hotsko is owl Stock Photo](https://c8.alamy.com/comp/2CF0FRH/hopi-katcinas-drawn-by-native-artists-hotsko-turpockwa-yaupa-heliotype-co-boston-fewkei-katcinas-appearing-in-powamu-79-jloxwf-wfti-platr-xvi-the-owl-woman-and-her-two-young-are-figured-in-this-jdictureand-need-no-explanation-additional-to-that-given-of-the-owl-katcinawith-whom-she-is-associated-salab-monwlplate-xvii-the-head-shown-in-this-picture-is-readilj-recognized-as-that-of-anowl-he-wears-a-kilt-made-of-buckskin-and-has-a-belt-with-silverdisks-he-carries-a-pine-biancth-and-bow-in-the-left-hand-u-rattle-inthe-right-hotsko-piatt-xvii-the-figure-of-hotsko-is-owl-2CF0FRH.jpg ". Hopi Katcinas drawn by native artists. HOTSKO. TURPOCKWA YAUPA HELIOTYPE CO., BOSTON. FEWKE.i] KATCINAS APPEARING IN POWAMU 79 JlOXWf Wf(^TI (Platr XVI) The Owl woman and her two young are figured in this jDicture,and need no explanation additional to that given of the Owl katcinawith -whom she i.s associated. SALAB MONWl}(Plate XVII) The head shown in this picture is readilj- recognized as that of anOwl. He wears a kilt made of buckskin, and has a belt with silverdisks. He carries a pine biancth and bow in the left hand, u rattle inthe right. HOTSKO (Piatt- XVII) The figure of Hotsko is owl Stock Photo")
. Hopi Katcinas drawn by native artists. HOTSKO. TURPOCKWA YAUPA HELIOTYPE CO., BOSTON. FEWKE.i] KATCINAS APPEARING IN POWAMU 79 JlOXWf Wf(^TI (Platr XVI) The Owl woman and her two young are figured in this jDicture,and need no explanation additional to that given of the Owl katcinawith -whom she i.s associated. SALAB MONWl}(Plate XVII) The head shown in this picture is readilj- recognized as that of anOwl. He wears a kilt made of buckskin, and has a belt with silverdisks. He carries a pine biancth and bow in the left hand, u rattle inthe right. HOTSKO (Piatt- XVII) The figure of Hotsko is owl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hotsko-turpockwa-yaupa-heliotype-co-boston-fewkei-katcinas-appearing-in-powamu-79-jloxwf-wfti-platr-xvi-the-owl-woman-and-her-two-young-are-figured-in-this-jdictureand-need-no-explanation-additional-to-that-given-of-the-owl-katcinawith-whom-she-is-associated-salab-monwlplate-xvii-the-head-shown-in-this-picture-is-readilj-recognized-as-that-of-anowl-he-wears-a-kilt-made-of-buckskin-and-has-a-belt-with-silverdisks-he-carries-a-pine-biancth-and-bow-in-the-left-hand-u-rattle-inthe-right-hotsko-piatt-xvii-the-figure-of-hotsko-is-owl-image370649989.htmlRM2CF0FRH–. Hopi Katcinas drawn by native artists. HOTSKO. TURPOCKWA YAUPA HELIOTYPE CO., BOSTON. FEWKE.i] KATCINAS APPEARING IN POWAMU 79 JlOXWf Wf(^TI (Platr XVI) The Owl woman and her two young are figured in this jDicture,and need no explanation additional to that given of the Owl katcinawith -whom she i.s associated. SALAB MONWl}(Plate XVII) The head shown in this picture is readilj- recognized as that of anOwl. He wears a kilt made of buckskin, and has a belt with silverdisks. He carries a pine biancth and bow in the left hand, u rattle inthe right. HOTSKO (Piatt- XVII) The figure of Hotsko is owl
. Hopi Katcinas drawn by native artists. HOSPOA PATSZRO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hospoa-patszro-image370649009.htmlRM2CF0EGH–. Hopi Katcinas drawn by native artists. HOSPOA PATSZRO
. Hopi Katcinas drawn by native artists. & v3^,<<iiitu<&,/^ FIGURINES OF CORN MAIDENS. TACAB ANA AND MANA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-v3ltltiiitult-figurines-of-corn-maidens-tacab-ana-and-mana-image370635385.htmlRM2CEYW61–. Hopi Katcinas drawn by native artists. & v3^,<<iiitu<&,/^ FIGURINES OF CORN MAIDENS. TACAB ANA AND MANA
. Hopi Katcinas drawn by native artists. HOKYANA. HOKYANA AND MANA HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hokyana-hokyana-and-mana-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxxiv-image370544565.htmlRM2CERNAD–. Hopi Katcinas drawn by native artists. HOKYANA. HOKYANA AND MANA HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIV
. Hopi Katcinas drawn by native artists. thers, and to each of the angles of the lateral terrace a turkey tailfeather and a sprig of grass. The whole tablet is rimmed with redand painted green, with designs upon it. Symbols of sprouting cornand terraced rain clouds appear on the flat sides. The face of the helmet is divided medially by a black band, in whichare three white rings. On the right half of the face, which is blue,there is on each side of the eye-slit a sjmibol of the sprouting squashor gourd, replaced on the left side of the face l)y small symbols of rainclouds. Humis has a collar o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-thers-and-to-each-of-the-angles-of-the-lateral-terrace-a-turkey-tailfeather-and-a-sprig-of-grass-the-whole-tablet-is-rimmed-with-redand-painted-green-with-designs-upon-it-symbols-of-sprouting-cornand-terraced-rain-clouds-appear-on-the-flat-sides-the-face-of-the-helmet-is-divided-medially-by-a-black-band-in-whichare-three-white-rings-on-the-right-half-of-the-face-which-is-bluethere-is-on-each-side-of-the-eye-slit-a-sjmibol-of-the-sprouting-squashor-gourd-replaced-on-the-left-side-of-the-face-ly-small-symbols-of-rainclouds-humis-has-a-collar-o-image370645903.htmlRM2CF0AHK–. Hopi Katcinas drawn by native artists. thers, and to each of the angles of the lateral terrace a turkey tailfeather and a sprig of grass. The whole tablet is rimmed with redand painted green, with designs upon it. Symbols of sprouting cornand terraced rain clouds appear on the flat sides. The face of the helmet is divided medially by a black band, in whichare three white rings. On the right half of the face, which is blue,there is on each side of the eye-slit a sjmibol of the sprouting squashor gourd, replaced on the left side of the face l)y small symbols of rainclouds. Humis has a collar o
. Hopi Katcinas drawn by native artists. TEUK PAKWABI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLVII. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-teuk-pakwabi-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xlvii-image370526548.htmlRM2CEPXB0–. Hopi Katcinas drawn by native artists. TEUK PAKWABI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLVII.
. Hopi Katcinas drawn by native artists. HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY V/iNTY-FIRST ANNUAL REPORT PL. XXVIII. OWANOZROZRO GOTO WALPli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-heliotvpe-co-boston-bureau-of-american-ethnology-vinty-first-annual-report-pl-xxviii-owanozrozro-goto-walpli-image370633242.htmlRM2CEYPDE–. Hopi Katcinas drawn by native artists. HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY V/iNTY-FIRST ANNUAL REPORT PL. XXVIII. OWANOZROZRO GOTO WALPli
. Hopi Katcinas drawn by native artists. HOKYANA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hokyana-image370544905.htmlRM2CERNPH–. Hopi Katcinas drawn by native artists. HOKYANA
. Hopi Katcinas drawn by native artists. TCAKWAINA TAAMU. TCAKWAINA MANA •3 ® TCAKWAINA YUADTA HELIOTVPE CO., BOSTON. FEWKEs) KAT01NA8 APPEABING IN PAMURTI 63 TCAKWAINA MaNA A number of traditions are extant regarding a warrior maiden whowas dressing her hair in whorls above her ears when the pueblo inwhich she lived was attacked by hostiles. The men, according tothese stories, were away when the attack began, and the defense fellupon the women. The girls, with their coiffures half made, seizedbows and arrows and rushed to defend the pueblo. The eldest sistersof the Tcakwaina, often called the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcakwaina-taamu-tcakwaina-mana-3-tcakwaina-yuadta-heliotvpe-co-boston-fewkes-kat01na8-appeabing-in-pamurti-63-tcakwaina-mana-a-number-of-traditions-are-extant-regarding-a-warrior-maiden-whowas-dressing-her-hair-in-whorls-above-her-ears-when-the-pueblo-inwhich-she-lived-was-attacked-by-hostiles-the-men-according-tothese-stories-were-away-when-the-attack-began-and-the-defense-fellupon-the-women-the-girls-with-their-coiffures-half-made-seizedbows-and-arrows-and-rushed-to-defend-the-pueblo-the-eldest-sistersof-the-tcakwaina-often-called-the-image370569379.htmlRM2CETW0K–. Hopi Katcinas drawn by native artists. TCAKWAINA TAAMU. TCAKWAINA MANA •3 ® TCAKWAINA YUADTA HELIOTVPE CO., BOSTON. FEWKEs) KAT01NA8 APPEABING IN PAMURTI 63 TCAKWAINA MaNA A number of traditions are extant regarding a warrior maiden whowas dressing her hair in whorls above her ears when the pueblo inwhich she lived was attacked by hostiles. The men, according tothese stories, were away when the attack began, and the defense fellupon the women. The girls, with their coiffures half made, seizedbows and arrows and rushed to defend the pueblo. The eldest sistersof the Tcakwaina, often called the
. Hopi Katcinas drawn by native artists. SIO HUMIS TAAMU Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-sio-humis-taamu-image370567549.htmlRM2CETPK9–. Hopi Katcinas drawn by native artists. SIO HUMIS TAAMU
![. Hopi Katcinas drawn by native artists. TCILIKOMATO MACMAHOLA HELIOTYPE CO., BOSTON. FEWKE8] KATCINAS APPEARING IN WAWAC 115 liEMICO(Plate L) The picture represents an Indian pursued hy the dreaded katcinacalled Hemico. The bundle of paper-bread and a few ears of roastedcorn which hang above them are prizes. Hemico has in his hand a pair of sheep shears, with which, if heovertakes his opponent in the race, he cuts off his hair. In his righthand he carries a yucca whip, with which he also flogs his opponent.Other characteristic symbols of this being are parallel liands of coloracross the foreh Stock Photo](https://c8.alamy.com/comp/2CEPF4H/hopi-katcinas-drawn-by-native-artists-tcilikomato-macmahola-heliotype-co-boston-fewke8-katcinas-appearing-in-wawac-115-liemicoplate-l-the-picture-represents-an-indian-pursued-hy-the-dreaded-katcinacalled-hemico-the-bundle-of-paper-bread-and-a-few-ears-of-roastedcorn-which-hang-above-them-are-prizes-hemico-has-in-his-hand-a-pair-of-sheep-shears-with-which-if-heovertakes-his-opponent-in-the-race-he-cuts-off-his-hair-in-his-righthand-he-carries-a-yucca-whip-with-which-he-also-flogs-his-opponentother-characteristic-symbols-of-this-being-are-parallel-liands-of-coloracross-the-foreh-2CEPF4H.jpg ". Hopi Katcinas drawn by native artists. TCILIKOMATO MACMAHOLA HELIOTYPE CO., BOSTON. FEWKE8] KATCINAS APPEARING IN WAWAC 115 liEMICO(Plate L) The picture represents an Indian pursued hy the dreaded katcinacalled Hemico. The bundle of paper-bread and a few ears of roastedcorn which hang above them are prizes. Hemico has in his hand a pair of sheep shears, with which, if heovertakes his opponent in the race, he cuts off his hair. In his righthand he carries a yucca whip, with which he also flogs his opponent.Other characteristic symbols of this being are parallel liands of coloracross the foreh Stock Photo")
. Hopi Katcinas drawn by native artists. TCILIKOMATO MACMAHOLA HELIOTYPE CO., BOSTON. FEWKE8] KATCINAS APPEARING IN WAWAC 115 liEMICO(Plate L) The picture represents an Indian pursued hy the dreaded katcinacalled Hemico. The bundle of paper-bread and a few ears of roastedcorn which hang above them are prizes. Hemico has in his hand a pair of sheep shears, with which, if heovertakes his opponent in the race, he cuts off his hair. In his righthand he carries a yucca whip, with which he also flogs his opponent.Other characteristic symbols of this being are parallel liands of coloracross the foreh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcilikomato-macmahola-heliotype-co-boston-fewke8-katcinas-appearing-in-wawac-115-liemicoplate-l-the-picture-represents-an-indian-pursued-hy-the-dreaded-katcinacalled-hemico-the-bundle-of-paper-bread-and-a-few-ears-of-roastedcorn-which-hang-above-them-are-prizes-hemico-has-in-his-hand-a-pair-of-sheep-shears-with-which-if-heovertakes-his-opponent-in-the-race-he-cuts-off-his-hair-in-his-righthand-he-carries-a-yucca-whip-with-which-he-also-flogs-his-opponentother-characteristic-symbols-of-this-being-are-parallel-liands-of-coloracross-the-foreh-image370517745.htmlRM2CEPF4H–. Hopi Katcinas drawn by native artists. TCILIKOMATO MACMAHOLA HELIOTYPE CO., BOSTON. FEWKE8] KATCINAS APPEARING IN WAWAC 115 liEMICO(Plate L) The picture represents an Indian pursued hy the dreaded katcinacalled Hemico. The bundle of paper-bread and a few ears of roastedcorn which hang above them are prizes. Hemico has in his hand a pair of sheep shears, with which, if heovertakes his opponent in the race, he cuts off his hair. In his righthand he carries a yucca whip, with which he also flogs his opponent.Other characteristic symbols of this being are parallel liands of coloracross the foreh
![. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . enerally,but not always, bear surface evidences of worn grooves indicatinga former attachment by cords or bands. Especially are theseevident in three-pointed stones belonging to the first and secondtypes, where a ridge is often found back of a groove at the base ofthe conoid apex. The wear of the lashing by which it was tied FEWKES] PORTO RICAN ELBOW-STONES 455 can sometimes be observed in this groove, where the stone is quitesmooth. The general likeness of the three-pointed stones and theelbow-stone Stock Photo](https://c8.alamy.com/comp/2CE5NET/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-enerallybut-not-always-bear-surface-evidences-of-worn-grooves-indicatinga-former-attachment-by-cords-or-bands-especially-are-theseevident-in-three-pointed-stones-belonging-to-the-first-and-secondtypes-where-a-ridge-is-often-found-back-of-a-groove-at-the-base-ofthe-conoid-apex-the-wear-of-the-lashing-by-which-it-was-tied-fewkes-porto-rican-elbow-stones-455-can-sometimes-be-observed-in-this-groove-where-the-stone-is-quitesmooth-the-general-likeness-of-the-three-pointed-stones-and-theelbow-stone-2CE5NET.jpg ". Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . enerally,but not always, bear surface evidences of worn grooves indicatinga former attachment by cords or bands. Especially are theseevident in three-pointed stones belonging to the first and secondtypes, where a ridge is often found back of a groove at the base ofthe conoid apex. The wear of the lashing by which it was tied FEWKES] PORTO RICAN ELBOW-STONES 455 can sometimes be observed in this groove, where the stone is quitesmooth. The general likeness of the three-pointed stones and theelbow-stone Stock Photo")
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . enerally,but not always, bear surface evidences of worn grooves indicatinga former attachment by cords or bands. Especially are theseevident in three-pointed stones belonging to the first and secondtypes, where a ridge is often found back of a groove at the base ofthe conoid apex. The wear of the lashing by which it was tied FEWKES] PORTO RICAN ELBOW-STONES 455 can sometimes be observed in this groove, where the stone is quitesmooth. The general likeness of the three-pointed stones and theelbow-stone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-enerallybut-not-always-bear-surface-evidences-of-worn-grooves-indicatinga-former-attachment-by-cords-or-bands-especially-are-theseevident-in-three-pointed-stones-belonging-to-the-first-and-secondtypes-where-a-ridge-is-often-found-back-of-a-groove-at-the-base-ofthe-conoid-apex-the-wear-of-the-lashing-by-which-it-was-tied-fewkes-porto-rican-elbow-stones-455-can-sometimes-be-observed-in-this-groove-where-the-stone-is-quitesmooth-the-general-likeness-of-the-three-pointed-stones-and-theelbow-stone-image370149552.htmlRM2CE5NET–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . enerally,but not always, bear surface evidences of worn grooves indicatinga former attachment by cords or bands. Especially are theseevident in three-pointed stones belonging to the first and secondtypes, where a ridge is often found back of a groove at the base ofthe conoid apex. The wear of the lashing by which it was tied FEWKES] PORTO RICAN ELBOW-STONES 455 can sometimes be observed in this groove, where the stone is quitesmooth. The general likeness of the three-pointed stones and theelbow-stone
![. Hopi Katcinas drawn by native artists. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON,. BWKES] AHULANI, 80YAL KATCINA 121 ALOSAKA(Plate LIX) Two pictures of Alosaka were drawn ))y the Hopi artist. One ofthese has a mask with two short, curved horns, such as novices wearin the Aaltu society. In the left hand this Alosak.; carries a deerhorn, and in the right a representation of a badge (nioiikohu) made ofa slat of wood. The second picture of Alosaka* is more elaborate than the first.It has the two horns on the head, and the chin is painted black. Thesemicircular figure above the head represents Stock Photo](https://c8.alamy.com/comp/2CEMRXF/hopi-katcinas-drawn-by-native-artists-paiakyamu-kaisale-mana-heuotvpe-co-boston-bwkes-ahulani-80yal-katcina-121-alosakaplate-lix-two-pictures-of-alosaka-were-drawn-y-the-hopi-artist-one-ofthese-has-a-mask-with-two-short-curved-horns-such-as-novices-wearin-the-aaltu-society-in-the-left-hand-this-alosak-carries-a-deerhorn-and-in-the-right-a-representation-of-a-badge-nioiikohu-made-ofa-slat-of-wood-the-second-picture-of-alosaka-is-more-elaborate-than-the-firstit-has-the-two-horns-on-the-head-and-the-chin-is-painted-black-thesemicircular-figure-above-the-head-represents-2CEMRXF.jpg ". Hopi Katcinas drawn by native artists. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON,. BWKES] AHULANI, 80YAL KATCINA 121 ALOSAKA(Plate LIX) Two pictures of Alosaka were drawn ))y the Hopi artist. One ofthese has a mask with two short, curved horns, such as novices wearin the Aaltu society. In the left hand this Alosak.; carries a deerhorn, and in the right a representation of a badge (nioiikohu) made ofa slat of wood. The second picture of Alosaka* is more elaborate than the first.It has the two horns on the head, and the chin is painted black. Thesemicircular figure above the head represents Stock Photo"){kind=icon}
. Hopi Katcinas drawn by native artists. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON,. BWKES] AHULANI, 80YAL KATCINA 121 ALOSAKA(Plate LIX) Two pictures of Alosaka were drawn ))y the Hopi artist. One ofthese has a mask with two short, curved horns, such as novices wearin the Aaltu society. In the left hand this Alosak.; carries a deerhorn, and in the right a representation of a badge (nioiikohu) made ofa slat of wood. The second picture of Alosaka* is more elaborate than the first.It has the two horns on the head, and the chin is painted black. Thesemicircular figure above the head represents Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-paiakyamu-kaisale-mana-heuotvpe-co-boston-bwkes-ahulani-80yal-katcina-121-alosakaplate-lix-two-pictures-of-alosaka-were-drawn-y-the-hopi-artist-one-ofthese-has-a-mask-with-two-short-curved-horns-such-as-novices-wearin-the-aaltu-society-in-the-left-hand-this-alosak-carries-a-deerhorn-and-in-the-right-a-representation-of-a-badge-nioiikohu-made-ofa-slat-of-wood-the-second-picture-of-alosaka-is-more-elaborate-than-the-firstit-has-the-two-horns-on-the-head-and-the-chin-is-painted-black-thesemicircular-figure-above-the-head-represents-image370480727.htmlRM2CEMRXF–. Hopi Katcinas drawn by native artists. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON,. BWKES] AHULANI, 80YAL KATCINA 121 ALOSAKA(Plate LIX) Two pictures of Alosaka were drawn ))y the Hopi artist. One ofthese has a mask with two short, curved horns, such as novices wearin the Aaltu society. In the left hand this Alosak.; carries a deerhorn, and in the right a representation of a badge (nioiikohu) made ofa slat of wood. The second picture of Alosaka* is more elaborate than the first.It has the two horns on the head, and the chin is painted black. Thesemicircular figure above the head represents
. Hopi Katcinas drawn by native artists. KWACUS ALEK TAKA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kwacus-alek-taka-image370525944.htmlRM2CEPWHC–. Hopi Katcinas drawn by native artists. KWACUS ALEK TAKA
. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XIII. TCABAIYO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-bureau-of-american-ethnology-twenty-first-annual-report-pl-xiii-tcabaiyo-image370557120.htmlRM2CET9AT–. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XIII. TCABAIYO
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . PE There are one or two aberrant specimens that are doubtfullyidentified as elbow-stones. In discussing the Guesde collectionProfessor Mason figured1 and described an unusual object from Punto Duo (?), alliedto elbow-stones but ofhighly aberrant form, asfollows: Fig. 195. An ornamentalpiece, of bluish green color.It is rare in form but notabsolutely unique. In theAmerican Museum at NewYork is a similar specimen.The chamfering and flutingare gracefully blended. Theleft-hand extremity is perfo-rated fo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-pe-there-are-one-or-two-aberrant-specimens-that-are-doubtfullyidentified-as-elbow-stones-in-discussing-the-guesde-collectionprofessor-mason-figured1-and-described-an-unusual-object-from-punto-duo-alliedto-elbow-stones-but-ofhighly-aberrant-form-asfollows-fig-195-an-ornamentalpiece-of-bluish-green-colorit-is-rare-in-form-but-notabsolutely-unique-in-theamerican-museum-at-newyork-is-a-similar-specimenthe-chamfering-and-flutingare-gracefully-blended-theleft-hand-extremity-is-perfo-rated-fo-image370149608.htmlRM2CE5NGT–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . PE There are one or two aberrant specimens that are doubtfullyidentified as elbow-stones. In discussing the Guesde collectionProfessor Mason figured1 and described an unusual object from Punto Duo (?), alliedto elbow-stones but ofhighly aberrant form, asfollows: Fig. 195. An ornamentalpiece, of bluish green color.It is rare in form but notabsolutely unique. In theAmerican Museum at NewYork is a similar specimen.The chamfering and flutingare gracefully blended. Theleft-hand extremity is perfo-rated fo
. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XIII Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-bureau-of-american-ethnology-twenty-first-annual-report-pl-xiii-image370557665.htmlRM2CETA29–. Hopi Katcinas drawn by native artists. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XIII
. Hopi Katcinas drawn by native artists. TCUKAPELLI. KONA PALABIKUNA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcukapelli-kona-palabikuna-image370518444.htmlRM2CEPG1G–. Hopi Katcinas drawn by native artists. TCUKAPELLI. KONA PALABIKUNA
. Hopi Katcinas drawn by native artists. KEME HOTCANI. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-keme-hotcani-image370537064.htmlRM2CERBPG–. Hopi Katcinas drawn by native artists. KEME HOTCANI.
. Hopi Katcinas drawn by native artists. WUPAMAU. MUCAIAS TAKA MUCAIAS MANA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-wupamau-mucaias-taka-mucaias-mana-image370625840.htmlRM2CEYD14–. Hopi Katcinas drawn by native artists. WUPAMAU. MUCAIAS TAKA MUCAIAS MANA
. Hopi Katcinas drawn by native artists. OWANOZROZRO GOTO WALPli. GOTO lORAiBh 90 H(.)P1 KATCINAS [eth. axn. 21 KOKYAN WtjQTl(Plate XXIX) When the Putikoii katcinas danced ia the Aiikwanti there accom-panied the dancers a personation called So wtiqti, Grandmother woman,and as the grandmother of Piiukofi is Kokyan wuqti (Spider woman),So wiiqti is supposed to be another name for this being. The mask is perfectly black, with yellow crescentic eyes and whitehair. She wears a dark-l)lue blanket, over which is a white cere-monial blanket with rain-cloud and butteiflj sj^mbols. She carries asprig of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-owanozrozro-goto-walpli-goto-loraibh-90-hp1-katcinas-eth-axn-21-kokyan-wtjqtlplate-xxix-when-the-putikoii-katcinas-danced-ia-the-aiikwanti-there-accom-panied-the-dancers-a-personation-called-so-wtiqti-grandmother-womanand-as-the-grandmother-of-piiukofi-is-kokyan-wuqti-spider-womanso-wiiqti-is-supposed-to-be-another-name-for-this-being-the-mask-is-perfectly-black-with-yellow-crescentic-eyes-and-whitehair-she-wears-a-dark-llue-blanket-over-which-is-a-white-cere-monial-blanket-with-rain-cloud-and-butteiflj-sjmbols-she-carries-asprig-of-image370632262.htmlRM2CEYN6E–. Hopi Katcinas drawn by native artists. OWANOZROZRO GOTO WALPli. GOTO lORAiBh 90 H(.)P1 KATCINAS [eth. axn. 21 KOKYAN WtjQTl(Plate XXIX) When the Putikoii katcinas danced ia the Aiikwanti there accom-panied the dancers a personation called So wtiqti, Grandmother woman,and as the grandmother of Piiukofi is Kokyan wuqti (Spider woman),So wiiqti is supposed to be another name for this being. The mask is perfectly black, with yellow crescentic eyes and whitehair. She wears a dark-l)lue blanket, over which is a white cere-monial blanket with rain-cloud and butteiflj sj^mbols. She carries asprig of
. Hopi Katcinas drawn by native artists. TOTCA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-totca-image370552242.htmlRM2CET34J–. Hopi Katcinas drawn by native artists. TOTCA
. Hopi Katcinas drawn by native artists. PAUTIWA CIPIKNE. ^3 Jp HAKTO CAIASTACANA MELIOT.PE on, , CT. ? BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. Ill Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-pautiwa-cipikne-3-jp-hakto-caiastacana-meliotpe-on-ct-bureau-of-american-ethnology-twenty-first-annual-report-pl-ill-image370577403.htmlRM2CEW777–. Hopi Katcinas drawn by native artists. PAUTIWA CIPIKNE. ^3 Jp HAKTO CAIASTACANA MELIOT.PE on, , CT. ? BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. Ill
. Hopi Katcinas drawn by native artists. HOPINYU ISAUU CLAN). POHAHA ITE CLAN) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hopinyu-isauu-clan-pohaha-ite-clan-image370522742.htmlRM2CEPNF2–. Hopi Katcinas drawn by native artists. HOPINYU ISAUU CLAN). POHAHA ITE CLAN)
. Hopi Katcinas drawn by native artists. AHOTE AHOTE. PATCOSK HOTOTE HELIOTYPE CO., BOSTON. ™KEsj 80Y0HIM KATCINAS 99 ahote(Plate XXXVII) Two pictures, both called Ahote, from the cry uttered bj the per-sonator, differ widely from each other in symbolism. The name ofone has the accent on the penult, that of the other on the antepenult. Ahote has a helmet painted yellow, with goggle eyes, a prominentsnout, and face covered with red and black four-pointed stars. Thefigure has two bandoleers, a white kilt with pendent fox skin, andan embroidered sash. A large string of eagle feathers hangs downth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-ahote-ahote-patcosk-hotote-heliotype-co-boston-kesj-80y0him-katcinas-99-ahoteplate-xxxvii-two-pictures-both-called-ahote-from-the-cry-uttered-bj-the-per-sonator-differ-widely-from-each-other-in-symbolism-the-name-ofone-has-the-accent-on-the-penult-that-of-the-other-on-the-antepenult-ahote-has-a-helmet-painted-yellow-with-goggle-eyes-a-prominentsnout-and-face-covered-with-red-and-black-four-pointed-stars-thefigure-has-two-bandoleers-a-white-kilt-with-pendent-fox-skin-andan-embroidered-sash-a-large-string-of-eagle-feathers-hangs-downth-image370538945.htmlRM2CERE5N–. Hopi Katcinas drawn by native artists. AHOTE AHOTE. PATCOSK HOTOTE HELIOTYPE CO., BOSTON. ™KEsj 80Y0HIM KATCINAS 99 ahote(Plate XXXVII) Two pictures, both called Ahote, from the cry uttered bj the per-sonator, differ widely from each other in symbolism. The name ofone has the accent on the penult, that of the other on the antepenult. Ahote has a helmet painted yellow, with goggle eyes, a prominentsnout, and face covered with red and black four-pointed stars. Thefigure has two bandoleers, a white kilt with pendent fox skin, andan embroidered sash. A large string of eagle feathers hangs downth
. Hopi Katcinas drawn by native artists. COTOKINUNWU KAISALE. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-cotokinunwu-kaisale-paiakyamu-kaisale-mana-heuotvpe-co-boston-image370487567.htmlRM2CEN4JR–. Hopi Katcinas drawn by native artists. COTOKINUNWU KAISALE. PAIAKYAMU KAISALE MANA HEUOTVPE CO., BOSTON,
![. Hopi Katcinas drawn by native artists. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV. HELiOTvrE CO B^JSTON PAWIh: FEWKEs] KATCINAS APPEARING IN POWAMtJ ( i in the celebration of the Departure of the Katcinus. On the lastmorning of that festival he is accompanied h three other katcinaswho march around the kiva entrance, holding conversation with theohief below and receiving offerings, as has been described elsewhere. The god Eototo was introduced from the old pueblo, Sik3atki, andhis old mask or helmet is in the keeping of the descendants Stock Photo](https://c8.alamy.com/comp/2CET5H6/hopi-katcinas-drawn-by-native-artists-masauu-eototo-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xv-heliotvre-co-bjston-pawih-fewkes-katcinas-appearing-in-powamtj-i-in-the-celebration-of-the-departure-of-the-katcinus-on-the-lastmorning-of-that-festival-he-is-accompanied-h-three-other-katcinaswho-march-around-the-kiva-entrance-holding-conversation-with-theohief-below-and-receiving-offerings-as-has-been-described-elsewhere-the-god-eototo-was-introduced-from-the-old-pueblo-sik3atki-andhis-old-mask-or-helmet-is-in-the-keeping-of-the-descendants-2CET5H6.jpg ". Hopi Katcinas drawn by native artists. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV. HELiOTvrE CO B^JSTON PAWIh: FEWKEs] KATCINAS APPEARING IN POWAMtJ ( i in the celebration of the Departure of the Katcinus. On the lastmorning of that festival he is accompanied h three other katcinaswho march around the kiva entrance, holding conversation with theohief below and receiving offerings, as has been described elsewhere. The god Eototo was introduced from the old pueblo, Sik3atki, andhis old mask or helmet is in the keeping of the descendants Stock Photo")
. Hopi Katcinas drawn by native artists. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV. HELiOTvrE CO B^JSTON PAWIh: FEWKEs] KATCINAS APPEARING IN POWAMtJ ( i in the celebration of the Departure of the Katcinus. On the lastmorning of that festival he is accompanied h three other katcinaswho march around the kiva entrance, holding conversation with theohief below and receiving offerings, as has been described elsewhere. The god Eototo was introduced from the old pueblo, Sik3atki, andhis old mask or helmet is in the keeping of the descendants Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-masauu-eototo-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xv-heliotvre-co-bjston-pawih-fewkes-katcinas-appearing-in-powamtj-i-in-the-celebration-of-the-departure-of-the-katcinus-on-the-lastmorning-of-that-festival-he-is-accompanied-h-three-other-katcinaswho-march-around-the-kiva-entrance-holding-conversation-with-theohief-below-and-receiving-offerings-as-has-been-described-elsewhere-the-god-eototo-was-introduced-from-the-old-pueblo-sik3atki-andhis-old-mask-or-helmet-is-in-the-keeping-of-the-descendants-image370554162.htmlRM2CET5H6–. Hopi Katcinas drawn by native artists. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV. HELiOTvrE CO B^JSTON PAWIh: FEWKEs] KATCINAS APPEARING IN POWAMtJ ( i in the celebration of the Departure of the Katcinus. On the lastmorning of that festival he is accompanied h three other katcinaswho march around the kiva entrance, holding conversation with theohief below and receiving offerings, as has been described elsewhere. The god Eototo was introduced from the old pueblo, Sik3atki, andhis old mask or helmet is in the keeping of the descendants
. Hopi Katcinas drawn by native artists. SALAB MONWU. HOTSKO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-salab-monwu-hotsko-image370650529.htmlRM2CF0GEW–. Hopi Katcinas drawn by native artists. SALAB MONWU. HOTSKO
. Hopi Katcinas drawn by native artists. n his hands. SOYOHIM KaTOINAS Under this name the Hopis include many masked personages whichappear in dances called by the same name (called here also AbbreviatedKatcina dances). KAE(Plate XXXVI) Very few of the Hopis identified the picture of this katcina as Kaeor Corn katcina, the name given to it by the artist. The validity ofthis identification is supported by the predominance of the maizesymbol, which covers the whole back of the mask. To the rear lower part of the head are attached feathers, two ofwhich are vertically placed. The right side of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-n-his-hands-soyohim-katoinas-under-this-name-the-hopis-include-many-masked-personages-whichappear-in-dances-called-by-the-same-name-called-here-also-abbreviatedkatcina-dances-kaeplate-xxxvi-very-few-of-the-hopis-identified-the-picture-of-this-katcina-as-kaeor-corn-katcina-the-name-given-to-it-by-the-artist-the-validity-ofthis-identification-is-supported-by-the-predominance-of-the-maizesymbol-which-covers-the-whole-back-of-the-mask-to-the-rear-lower-part-of-the-head-are-attached-feathers-two-ofwhich-are-vertically-placed-the-right-side-of-the-image370542121.htmlRM2CERJ75–. Hopi Katcinas drawn by native artists. n his hands. SOYOHIM KaTOINAS Under this name the Hopis include many masked personages whichappear in dances called by the same name (called here also AbbreviatedKatcina dances). KAE(Plate XXXVI) Very few of the Hopis identified the picture of this katcina as Kaeor Corn katcina, the name given to it by the artist. The validity ofthis identification is supported by the predominance of the maizesymbol, which covers the whole back of the mask. To the rear lower part of the head are attached feathers, two ofwhich are vertically placed. The right side of the
. Hopi Katcinas drawn by native artists. CITULILU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-citulilu-image370527444.htmlRM2CEPYF0–. Hopi Katcinas drawn by native artists. CITULILU.
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . Fig, 129.—Two views of a stone ceremonial baton in the Museum fur VolkerkundejBerlin. (About one-third size.) round the larger end, the two parts coalescing at one end and unitingby a transverse band on the other. On the sides of this mediancrest are the protuberances, each with a circular pit and extensionfrom the margin. The only object known to the writer that ap-proaches in form the stone referred to is one made of burnt clayfound in Barbados, many miles away. This specimen1 also has an 1 Now in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-fig-129two-views-of-a-stone-ceremonial-baton-in-the-museum-fur-volkerkundejberlin-about-one-third-size-round-the-larger-end-the-two-parts-coalescing-at-one-end-and-unitingby-a-transverse-band-on-the-other-on-the-sides-of-this-mediancrest-are-the-protuberances-each-with-a-circular-pit-and-extensionfrom-the-margin-the-only-object-known-to-the-writer-that-ap-proaches-in-form-the-stone-referred-to-is-one-made-of-burnt-clayfound-in-barbados-many-miles-away-this-specimen1-also-has-an-1-now-in-image370149340.htmlRM2CE5N78–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . Fig, 129.—Two views of a stone ceremonial baton in the Museum fur VolkerkundejBerlin. (About one-third size.) round the larger end, the two parts coalescing at one end and unitingby a transverse band on the other. On the sides of this mediancrest are the protuberances, each with a circular pit and extensionfrom the margin. The only object known to the writer that ap-proaches in form the stone referred to is one made of burnt clayfound in Barbados, many miles away. This specimen1 also has an 1 Now in
. Hopi Katcinas drawn by native artists. OLD MASK (HONAU CLAN) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-old-mask-honau-clan-image370523886.htmlRM2CEPPYX–. Hopi Katcinas drawn by native artists. OLD MASK (HONAU CLAN)
. Hopi Katcinas drawn by native artists. TELAVAI ^M. OWA AND MANA HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-telavai-m-owa-and-mana-heliotvpe-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxi-image370645079.htmlRM2CF09G7–. Hopi Katcinas drawn by native artists. TELAVAI ^M. OWA AND MANA HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXI
. Hopi Katcinas drawn by native artists. ancient katcina peculiar to the puebloHano, but now rarely personated. TUMAE (Plate XLII) The picture of this katcina has a face divided into a yellow andgreen section by a vertical black line. The lower part of the face isseparated from both by a horizontal black line, and is colored red.In the middle of this red zone there is a rectangular chin paintedwhite, the pigment which gives the name to the figure. Both Hopisand Tewas call this katcina Tumae (white earth), referring to the whitepigment on the chin. MATIA(Plate XLII) This figure has a human hand Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-ancient-katcina-peculiar-to-the-pueblohano-but-now-rarely-personated-tumae-plate-xlii-the-picture-of-this-katcina-has-a-face-divided-into-a-yellow-andgreen-section-by-a-vertical-black-line-the-lower-part-of-the-face-isseparated-from-both-by-a-horizontal-black-line-and-is-colored-redin-the-middle-of-this-red-zone-there-is-a-rectangular-chin-paintedwhite-the-pigment-which-gives-the-name-to-the-figure-both-hopisand-tewas-call-this-katcina-tumae-white-earth-referring-to-the-whitepigment-on-the-chin-matiaplate-xlii-this-figure-has-a-human-hand-image370529295.htmlRM2CER1W3–. Hopi Katcinas drawn by native artists. ancient katcina peculiar to the puebloHano, but now rarely personated. TUMAE (Plate XLII) The picture of this katcina has a face divided into a yellow andgreen section by a vertical black line. The lower part of the face isseparated from both by a horizontal black line, and is colored red.In the middle of this red zone there is a rectangular chin paintedwhite, the pigment which gives the name to the figure. Both Hopisand Tewas call this katcina Tumae (white earth), referring to the whitepigment on the chin. MATIA(Plate XLII) This figure has a human hand
. Hopi Katcinas drawn by native artists. OLD MASK KATCINA CLAN> ALO MANA. mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-old-mask-katcina-clangt-alo-mana-mm-image370525014.htmlRM2CEPTC6–. Hopi Katcinas drawn by native artists. OLD MASK KATCINA CLAN> ALO MANA. mm
. Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kwewu-heuotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xli-image370532030.htmlRM2CER5AP–. Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI
. Hopi Katcinas drawn by native artists. HELILULU. y fv.- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-helilulu-y-fv-image370565674.htmlRM2CETM8A–. Hopi Katcinas drawn by native artists. HELILULU. y fv.-
. Hopi Katcinas drawn by native artists. ed theprizes, generally a string of paper-bread (piki), hanging above thepicture. ATA(Plate L) This katcina appears in pairs in the Wawac, or Racing Katcina,and is readily recognized by the rattle (aya), which has swastika deco-rations on both sides, forming the head. The snout is seen in the blueprojection near the left hand. Aya wears the belt in a peculiar way, the ends hanging in frontand behind, not on one side as is usually the case. The red objects above the pictures represent rolls of paper-bread,the prizes in the races. LETOTOBI (Plate L) The t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-ed-theprizes-generally-a-string-of-paper-bread-piki-hanging-above-thepicture-ataplate-l-this-katcina-appears-in-pairs-in-the-wawac-or-racing-katcinaand-is-readily-recognized-by-the-rattle-aya-which-has-swastika-deco-rations-on-both-sides-forming-the-head-the-snout-is-seen-in-the-blueprojection-near-the-left-hand-aya-wears-the-belt-in-a-peculiar-way-the-ends-hanging-in-frontand-behind-not-on-one-side-as-is-usually-the-case-the-red-objects-above-the-pictures-represent-rolls-of-paper-breadthe-prizes-in-the-races-letotobi-plate-l-the-t-image370520273.htmlRM2CEPJAW–. Hopi Katcinas drawn by native artists. ed theprizes, generally a string of paper-bread (piki), hanging above thepicture. ATA(Plate L) This katcina appears in pairs in the Wawac, or Racing Katcina,and is readily recognized by the rattle (aya), which has swastika deco-rations on both sides, forming the head. The snout is seen in the blueprojection near the left hand. Aya wears the belt in a peculiar way, the ends hanging in frontand behind, not on one side as is usually the case. The red objects above the pictures represent rolls of paper-bread,the prizes in the races. LETOTOBI (Plate L) The t
. Hopi Katcinas drawn by native artists. PIOKOT. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-piokot-image370529014.htmlRM2CER1F2–. Hopi Katcinas drawn by native artists. PIOKOT.
![. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eculiar to the Porto Rico-Haiti culture area, and whenfound elsewhere in the West Indies are believed to have beenintroduced. 1 Prehistoric Antiquities from the Antilles in the British Museum, Jour. Roy.Anthr. Inst., vol.xxxvn, pp. 402-419, 1907. 2 A peculiar form of three-pointed stones from Carriacou, one of the Grenadines,now in the Heye Museum, will be described later. 3 Trinidad and Tobago belong culturally, as well as geographically and biologically,to the adjacent continent. FEWKES] PORTO RICA Stock Photo](https://c8.alamy.com/comp/2CE5P04/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-eculiar-to-the-porto-rico-haiti-culture-area-and-whenfound-elsewhere-in-the-west-indies-are-believed-to-have-beenintroduced-1-prehistoric-antiquities-from-the-antilles-in-the-british-museum-jour-royanthr-inst-volxxxvn-pp-402-419-1907-2-a-peculiar-form-of-three-pointed-stones-from-carriacou-one-of-the-grenadinesnow-in-the-heye-museum-will-be-described-later-3-trinidad-and-tobago-belong-culturally-as-well-as-geographically-and-biologicallyto-the-adjacent-continent-fewkes-porto-rica-2CE5P04.jpg ". Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eculiar to the Porto Rico-Haiti culture area, and whenfound elsewhere in the West Indies are believed to have beenintroduced. 1 Prehistoric Antiquities from the Antilles in the British Museum, Jour. Roy.Anthr. Inst., vol.xxxvn, pp. 402-419, 1907. 2 A peculiar form of three-pointed stones from Carriacou, one of the Grenadines,now in the Heye Museum, will be described later. 3 Trinidad and Tobago belong culturally, as well as geographically and biologically,to the adjacent continent. FEWKES] PORTO RICA Stock Photo")
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eculiar to the Porto Rico-Haiti culture area, and whenfound elsewhere in the West Indies are believed to have beenintroduced. 1 Prehistoric Antiquities from the Antilles in the British Museum, Jour. Roy.Anthr. Inst., vol.xxxvn, pp. 402-419, 1907. 2 A peculiar form of three-pointed stones from Carriacou, one of the Grenadines,now in the Heye Museum, will be described later. 3 Trinidad and Tobago belong culturally, as well as geographically and biologically,to the adjacent continent. FEWKES] PORTO RICA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-eculiar-to-the-porto-rico-haiti-culture-area-and-whenfound-elsewhere-in-the-west-indies-are-believed-to-have-beenintroduced-1-prehistoric-antiquities-from-the-antilles-in-the-british-museum-jour-royanthr-inst-volxxxvn-pp-402-419-1907-2-a-peculiar-form-of-three-pointed-stones-from-carriacou-one-of-the-grenadinesnow-in-the-heye-museum-will-be-described-later-3-trinidad-and-tobago-belong-culturally-as-well-as-geographically-and-biologicallyto-the-adjacent-continent-fewkes-porto-rica-image370149924.htmlRM2CE5P04–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . eculiar to the Porto Rico-Haiti culture area, and whenfound elsewhere in the West Indies are believed to have beenintroduced. 1 Prehistoric Antiquities from the Antilles in the British Museum, Jour. Roy.Anthr. Inst., vol.xxxvn, pp. 402-419, 1907. 2 A peculiar form of three-pointed stones from Carriacou, one of the Grenadines,now in the Heye Museum, will be described later. 3 Trinidad and Tobago belong culturally, as well as geographically and biologically,to the adjacent continent. FEWKES] PORTO RICA
. Hopi Katcinas drawn by native artists. KAE KATCIMA HEUOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXVII. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kae-katcima-heuotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxxvii-image370540555.htmlRM2CERG77–. Hopi Katcinas drawn by native artists. KAE KATCIMA HEUOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXVII.
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . 444 AMERICAN ANTHROPOLOGIST [n. s., 15, 1913 is of about the same breadth throughout, is decorated with a num-ber of incised pits, one of which is placed medially over the fore-head. The fillet ends on each side of the face, near the cheeks, wherethere are depressions apparently representing ears. This head-band recalls those found on heads of three-pointed stones, withwhich it is seemingly homologous. The two ends of the filletmerge into the shoulders of the figure and continue to form Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-444-american-anthropologist-n-s-15-1913-is-of-about-the-same-breadth-throughout-is-decorated-with-a-num-ber-of-incised-pits-one-of-which-is-placed-medially-over-the-fore-head-the-fillet-ends-on-each-side-of-the-face-near-the-cheeks-wherethere-are-depressions-apparently-representing-ears-this-head-band-recalls-those-found-on-heads-of-three-pointed-stones-withwhich-it-is-seemingly-homologous-the-two-ends-of-the-filletmerge-into-the-shoulders-of-the-figure-and-continue-to-form-image370149779.htmlRM2CE5NPY–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . 444 AMERICAN ANTHROPOLOGIST [n. s., 15, 1913 is of about the same breadth throughout, is decorated with a num-ber of incised pits, one of which is placed medially over the fore-head. The fillet ends on each side of the face, near the cheeks, wherethere are depressions apparently representing ears. This head-band recalls those found on heads of three-pointed stones, withwhich it is seemingly homologous. The two ends of the filletmerge into the shoulders of the figure and continue to form
![. Hopi Katcinas drawn by native artists. < z< o< < o a.O X. < z< o< -^ ,f: --M^KiU FEWKE8] BEINOS NOT CALLED KATCINA8 119 objects in the hair represent corn flowers. The l)and aci-oss the fore-head marked with bars represents an ear of corn, and the red bodiesattached to each end are fragments of .sheepskin, symbols of corntassels. Two eagle tail feathers also are attached to each end of thesyni])()lic corn car. The median object, colored green, hanging ))etweeuthe eyes, represents a fragment of Haliotis shell. Red chevrons are painted on the face. The square, green pendan Stock Photo](https://c8.alamy.com/comp/2CENRHM/hopi-katcinas-drawn-by-native-artists-lt-zlt-olt-lt-o-ao-x-lt-zlt-olt-f-mkiu-fewke8-beinos-not-called-katcina8-119-objects-in-the-hair-represent-corn-flowers-the-land-aci-oss-the-fore-head-marked-with-bars-represents-an-ear-of-corn-and-the-red-bodiesattached-to-each-end-are-fragments-of-sheepskin-symbols-of-corntassels-two-eagle-tail-feathers-also-are-attached-to-each-end-of-thesyni-lic-corn-car-the-median-object-colored-green-hanging-etweeuthe-eyes-represents-a-fragment-of-haliotis-shell-red-chevrons-are-painted-on-the-face-the-square-green-pendan-2CENRHM.jpg ". Hopi Katcinas drawn by native artists. < z< o< < o a.O X. < z< o< -^ ,f: --M^KiU FEWKE8] BEINOS NOT CALLED KATCINA8 119 objects in the hair represent corn flowers. The l)and aci-oss the fore-head marked with bars represents an ear of corn, and the red bodiesattached to each end are fragments of .sheepskin, symbols of corntassels. Two eagle tail feathers also are attached to each end of thesyni])()lic corn car. The median object, colored green, hanging ))etweeuthe eyes, represents a fragment of Haliotis shell. Red chevrons are painted on the face. The square, green pendan Stock Photo"){kind=icon}
. Hopi Katcinas drawn by native artists. < z< o< < o a.O X. < z< o< -^ ,f: --M^KiU FEWKE8] BEINOS NOT CALLED KATCINA8 119 objects in the hair represent corn flowers. The l)and aci-oss the fore-head marked with bars represents an ear of corn, and the red bodiesattached to each end are fragments of .sheepskin, symbols of corntassels. Two eagle tail feathers also are attached to each end of thesyni])()lic corn car. The median object, colored green, hanging ))etweeuthe eyes, represents a fragment of Haliotis shell. Red chevrons are painted on the face. The square, green pendan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-lt-zlt-olt-lt-o-ao-x-lt-zlt-olt-f-mkiu-fewke8-beinos-not-called-katcina8-119-objects-in-the-hair-represent-corn-flowers-the-land-aci-oss-the-fore-head-marked-with-bars-represents-an-ear-of-corn-and-the-red-bodiesattached-to-each-end-are-fragments-of-sheepskin-symbols-of-corntassels-two-eagle-tail-feathers-also-are-attached-to-each-end-of-thesyni-lic-corn-car-the-median-object-colored-green-hanging-etweeuthe-eyes-represents-a-fragment-of-haliotis-shell-red-chevrons-are-painted-on-the-face-the-square-green-pendan-image370502432.htmlRM2CENRHM–. Hopi Katcinas drawn by native artists. < z< o< < o a.O X. < z< o< -^ ,f: --M^KiU FEWKE8] BEINOS NOT CALLED KATCINA8 119 objects in the hair represent corn flowers. The l)and aci-oss the fore-head marked with bars represents an ear of corn, and the red bodiesattached to each end are fragments of .sheepskin, symbols of corntassels. Two eagle tail feathers also are attached to each end of thesyni])()lic corn car. The median object, colored green, hanging ))etweeuthe eyes, represents a fragment of Haliotis shell. Red chevrons are painted on the face. The square, green pendan
![. Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular eyes.The artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of Stock Photo](https://c8.alamy.com/comp/2CF05JJ/hopi-katcinas-drawn-by-native-artists-wukokoti-kohonino-heliotype-co-boston-fewkes-katcinas-appearing-in-powajiu-85-these-men-wear-in-their-hair-a-number-of-artilicial-flowers-madeof-painted-corn-shucks-the-bodies-of-these-men-are-painted-butotherwise-they-wear-no-distinctive-dress-or-paraphernalia-wukokoti-plate-xxiii-this-figure-of-wuliokoti-big-head-has-a-black-face-withprotruding-snout-two-lateral-horns-and-prominent-globular-eyesthe-artist-represents-one-of-two-beings-who-roam-through-the-pueblosin-the-march-festival-hooting-wherever-they-go-it-is-one-of-manybeings-of-2CF05JJ.jpg ". Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular eyes.The artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of Stock Photo")
. Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular eyes.The artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-wukokoti-kohonino-heliotype-co-boston-fewkes-katcinas-appearing-in-powajiu-85-these-men-wear-in-their-hair-a-number-of-artilicial-flowers-madeof-painted-corn-shucks-the-bodies-of-these-men-are-painted-butotherwise-they-wear-no-distinctive-dress-or-paraphernalia-wukokoti-plate-xxiii-this-figure-of-wuliokoti-big-head-has-a-black-face-withprotruding-snout-two-lateral-horns-and-prominent-globular-eyesthe-artist-represents-one-of-two-beings-who-roam-through-the-pueblosin-the-march-festival-hooting-wherever-they-go-it-is-one-of-manybeings-of-image370642010.htmlRM2CF05JJ–. Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular eyes.The artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of
. Hopi Katcinas drawn by native artists. SIO HUMIS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-sio-humis-image370568380.htmlRM2CETRN0–. Hopi Katcinas drawn by native artists. SIO HUMIS.
![. Hopi Katcinas drawn by native artists. TURKWINU TURKWIMU MANA HELIOTVPE CO., BOSTON. ^EWKiis] SOYOHIM KATCINA3 105 PIOKOT (Plate XLIII) The pictures of this katcina have a circle of various colors on theforehead and red club-shaped bodies on the cheeks. The figures wearembroidered sashes on their shoulders—an unusual position for theseobjects—and tight-fitting black kilts, tied above with green belts.Evidently the distinguishing symbols of Piokot are the diagonal club-shaped marks on the cheeks, for two other pictures of Piokot, by adifi^erent artist, have neithc i the variegated circle on t Stock Photo](https://c8.alamy.com/comp/2CER1C1/hopi-katcinas-drawn-by-native-artists-turkwinu-turkwimu-mana-heliotvpe-co-boston-ewkiis-soyohim-katcina3-105-piokot-plate-xliii-the-pictures-of-this-katcina-have-a-circle-of-various-colors-on-theforehead-and-red-club-shaped-bodies-on-the-cheeks-the-figures-wearembroidered-sashes-on-their-shouldersan-unusual-position-for-theseobjectsand-tight-fitting-black-kilts-tied-above-with-green-beltsevidently-the-distinguishing-symbols-of-piokot-are-the-diagonal-club-shaped-marks-on-the-cheeks-for-two-other-pictures-of-piokot-by-adifierent-artist-have-neithc-i-the-variegated-circle-on-t-2CER1C1.jpg ". Hopi Katcinas drawn by native artists. TURKWINU TURKWIMU MANA HELIOTVPE CO., BOSTON. ^EWKiis] SOYOHIM KATCINA3 105 PIOKOT (Plate XLIII) The pictures of this katcina have a circle of various colors on theforehead and red club-shaped bodies on the cheeks. The figures wearembroidered sashes on their shoulders—an unusual position for theseobjects—and tight-fitting black kilts, tied above with green belts.Evidently the distinguishing symbols of Piokot are the diagonal club-shaped marks on the cheeks, for two other pictures of Piokot, by adifi^erent artist, have neithc i the variegated circle on t Stock Photo")
. Hopi Katcinas drawn by native artists. TURKWINU TURKWIMU MANA HELIOTVPE CO., BOSTON. ^EWKiis] SOYOHIM KATCINA3 105 PIOKOT (Plate XLIII) The pictures of this katcina have a circle of various colors on theforehead and red club-shaped bodies on the cheeks. The figures wearembroidered sashes on their shoulders—an unusual position for theseobjects—and tight-fitting black kilts, tied above with green belts.Evidently the distinguishing symbols of Piokot are the diagonal club-shaped marks on the cheeks, for two other pictures of Piokot, by adifi^erent artist, have neithc i the variegated circle on t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-turkwinu-turkwimu-mana-heliotvpe-co-boston-ewkiis-soyohim-katcina3-105-piokot-plate-xliii-the-pictures-of-this-katcina-have-a-circle-of-various-colors-on-theforehead-and-red-club-shaped-bodies-on-the-cheeks-the-figures-wearembroidered-sashes-on-their-shouldersan-unusual-position-for-theseobjectsand-tight-fitting-black-kilts-tied-above-with-green-beltsevidently-the-distinguishing-symbols-of-piokot-are-the-diagonal-club-shaped-marks-on-the-cheeks-for-two-other-pictures-of-piokot-by-adifierent-artist-have-neithc-i-the-variegated-circle-on-t-image370528929.htmlRM2CER1C1–. Hopi Katcinas drawn by native artists. TURKWINU TURKWIMU MANA HELIOTVPE CO., BOSTON. ^EWKiis] SOYOHIM KATCINA3 105 PIOKOT (Plate XLIII) The pictures of this katcina have a circle of various colors on theforehead and red club-shaped bodies on the cheeks. The figures wearembroidered sashes on their shoulders—an unusual position for theseobjects—and tight-fitting black kilts, tied above with green belts.Evidently the distinguishing symbols of Piokot are the diagonal club-shaped marks on the cheeks, for two other pictures of Piokot, by adifi^erent artist, have neithc i the variegated circle on t
. Hopi Katcinas drawn by native artists. VOHOZRO WUQTI POWAMU HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. yi;i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-vohozro-wuqti-powamu-heliotvpe-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-yii-image370642730.htmlRM2CF06GA–. Hopi Katcinas drawn by native artists. VOHOZRO WUQTI POWAMU HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. yi;i
. Hopi Katcinas drawn by native artists. re represented in both hands, and the kiltis made of buckskin. CAIASTACAXA (Plate II) This picture represents a Zuiii katcina of the same name, which, likemany others derived from this pueblo, has a collar on the lower rim ofthe helmet. On the right side of the head there is a horn, and on theleft a projection the edges of which are terraced. A few yellowfeathers appear in the hair. The artist has represented over a calicoshirt a white cotton blanket with green and black border, the lowerpart of which partially conceals a ceremonial kilt. • In the left Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-re-represented-in-both-hands-and-the-kiltis-made-of-buckskin-caiastacaxa-plate-ii-this-picture-represents-a-zuiii-katcina-of-the-same-name-which-likemany-others-derived-from-this-pueblo-has-a-collar-on-the-lower-rim-ofthe-helmet-on-the-right-side-of-the-head-there-is-a-horn-and-on-theleft-a-projection-the-edges-of-which-are-terraced-a-few-yellowfeathers-appear-in-the-hair-the-artist-has-represented-over-a-calicoshirt-a-white-cotton-blanket-with-green-and-black-border-the-lowerpart-of-which-partially-conceals-a-ceremonial-kilt-in-the-left-image370579515.htmlRM2CEW9XK–. Hopi Katcinas drawn by native artists. re represented in both hands, and the kiltis made of buckskin. CAIASTACAXA (Plate II) This picture represents a Zuiii katcina of the same name, which, likemany others derived from this pueblo, has a collar on the lower rim ofthe helmet. On the right side of the head there is a horn, and on theleft a projection the edges of which are terraced. A few yellowfeathers appear in the hair. The artist has represented over a calicoshirt a white cotton blanket with green and black border, the lowerpart of which partially conceals a ceremonial kilt. • In the left
. Hopi Katcinas drawn by native artists. ^ of the personages figured in the preceding pages. Many ofthese are simply Tanoan translations of the Hopi names, a few namesare identical with the Hopi, and a large number are entirely different. In the instances where the names are identical it is probable thatthe Hopi designation has been derived from the Hano rather thanvice versa, and in those cases where the Hano people know a katcinabj its Hopi name it is possible that their knowledge of it came fromtheir neighbors rather than from their old home on the Rio Grande. The substitution of a Tanoan n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-of-the-personages-figured-in-the-preceding-pages-many-ofthese-are-simply-tanoan-translations-of-the-hopi-names-a-few-namesare-identical-with-the-hopi-and-a-large-number-are-entirely-different-in-the-instances-where-the-names-are-identical-it-is-probable-thatthe-hopi-designation-has-been-derived-from-the-hano-rather-thanvice-versa-and-in-those-cases-where-the-hano-people-know-a-katcinabj-its-hopi-name-it-is-possible-that-their-knowledge-of-it-came-fromtheir-neighbors-rather-than-from-their-old-home-on-the-rio-grande-the-substitution-of-a-tanoan-n-image370476320.htmlRM2CEMJ94–. Hopi Katcinas drawn by native artists. ^ of the personages figured in the preceding pages. Many ofthese are simply Tanoan translations of the Hopi names, a few namesare identical with the Hopi, and a large number are entirely different. In the instances where the names are identical it is probable thatthe Hopi designation has been derived from the Hano rather thanvice versa, and in those cases where the Hano people know a katcinabj its Hopi name it is possible that their knowledge of it came fromtheir neighbors rather than from their old home on the Rio Grande. The substitution of a Tanoan n
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . imenhas been figured by Neumannand several other writers, butas it is almost unknown toarcheologists a new illustra-tion (fig. 120), indicating thevariations in the decoration of these objects, ishere introduced.1 From an inspection of the figure it appearsthat both arms of this beautiful specimen, un-like those of most elbow-stones, are unbroken.The right arm shows the longitudinal groove(sulcus) common to these objects, extendingfrom the lower margin of the panel to the ex-tremity of the arm. The s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-imenhas-been-figured-by-neumannand-several-other-writers-butas-it-is-almost-unknown-toarcheologists-a-new-illustra-tion-fig-120-indicating-thevariations-in-the-decoration-of-these-objects-ishere-introduced1-from-an-inspection-of-the-figure-it-appearsthat-both-arms-of-this-beautiful-specimen-un-like-those-of-most-elbow-stones-are-unbrokenthe-right-arm-shows-the-longitudinal-groovesulcus-common-to-these-objects-extendingfrom-the-lower-margin-of-the-panel-to-the-ex-tremity-of-the-arm-the-s-image370149790.htmlRM2CE5NRA–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . imenhas been figured by Neumannand several other writers, butas it is almost unknown toarcheologists a new illustra-tion (fig. 120), indicating thevariations in the decoration of these objects, ishere introduced.1 From an inspection of the figure it appearsthat both arms of this beautiful specimen, un-like those of most elbow-stones, are unbroken.The right arm shows the longitudinal groove(sulcus) common to these objects, extendingfrom the lower margin of the panel to the ex-tremity of the arm. The s
. Hopi Katcinas drawn by native artists. TACAB (TENEBIDJI).. TACAE TACAB iVEBITCAh lie J Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tacab-tenebidji-tacae-tacab-ivebitcah-lie-j-image370541603.htmlRM2CERHGK–. Hopi Katcinas drawn by native artists. TACAB (TENEBIDJI).. TACAE TACAB iVEBITCAh lie J
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . e prominent and the fillet or head-band bears a medial circular protuberance with its accompanyingpit. The arms are bent; the legs are separated above by a spacein which is a triangular depression. The umbilicus is indicated bya circular design. The shorter arm is girt by parallel grooves andtapers to a rounded extremity. 2. American Museum specimen.—In the same Museum there is asecond specimen of elbow-stone, on the left arm of which is carved 448 A MERICA N A XTHROPOLOGIST [n. s., 15, 1913 a rude f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-e-prominent-and-the-fillet-or-head-band-bears-a-medial-circular-protuberance-with-its-accompanyingpit-the-arms-are-bent-the-legs-are-separated-above-by-a-spacein-which-is-a-triangular-depression-the-umbilicus-is-indicated-bya-circular-design-the-shorter-arm-is-girt-by-parallel-grooves-andtapers-to-a-rounded-extremity-2-american-museum-specimenin-the-same-museum-there-is-asecond-specimen-of-elbow-stone-on-the-left-arm-of-which-is-carved-448-a-merica-n-a-xthropologist-n-s-15-1913-a-rude-f-image370149562.htmlRM2CE5NF6–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . e prominent and the fillet or head-band bears a medial circular protuberance with its accompanyingpit. The arms are bent; the legs are separated above by a spacein which is a triangular depression. The umbilicus is indicated bya circular design. The shorter arm is girt by parallel grooves andtapers to a rounded extremity. 2. American Museum specimen.—In the same Museum there is asecond specimen of elbow-stone, on the left arm of which is carved 448 A MERICA N A XTHROPOLOGIST [n. s., 15, 1913 a rude f
. Hopi Katcinas drawn by native artists. ble those of the Zuni personationsof girls than those of the Hopi, which, so far as it goes, tells in favorof a common derivation. H07CVANA(Plate XXXIII) The figure of Hokyafia katcina is accompanied by that of a drummer.He wears a bearded maskette colored green and has hair cut in ter-races across the forehead and below the ears, but hanging down theback. This May of cutting the hair in terraces is symbolic of rainclouds. There is a bunch of feathers on top of the head, and a string withattached feathers hangs down the 1 )ack. The lower rim of the mask Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-ble-those-of-the-zuni-personationsof-girls-than-those-of-the-hopi-which-so-far-as-it-goes-tells-in-favorof-a-common-derivation-h07cvanaplate-xxxiii-the-figure-of-hokyafia-katcina-is-accompanied-by-that-of-a-drummerhe-wears-a-bearded-maskette-colored-green-and-has-hair-cut-in-ter-races-across-the-forehead-and-below-the-ears-but-hanging-down-theback-this-may-of-cutting-the-hair-in-terraces-is-symbolic-of-rainclouds-there-is-a-bunch-of-feathers-on-top-of-the-head-and-a-string-withattached-feathers-hangs-down-the-1-ack-the-lower-rim-of-the-mask-image370545037.htmlRM2CERNY9–. Hopi Katcinas drawn by native artists. ble those of the Zuni personationsof girls than those of the Hopi, which, so far as it goes, tells in favorof a common derivation. H07CVANA(Plate XXXIII) The figure of Hokyafia katcina is accompanied by that of a drummer.He wears a bearded maskette colored green and has hair cut in ter-races across the forehead and below the ears, but hanging down theback. This May of cutting the hair in terraces is symbolic of rainclouds. There is a bunch of feathers on top of the head, and a string withattached feathers hangs down the 1 )ack. The lower rim of the mask
. Hopi Katcinas drawn by native artists. HOKYANA AND MANA HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIV. KOKLE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-hokyana-and-mana-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxxiv-kokle-image370544308.htmlRM2CERN18–. Hopi Katcinas drawn by native artists. HOKYANA AND MANA HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIV. KOKLE
![. Hopi Katcinas drawn by native artists. TEHABI TUNWUP TAAMU. KERWAN AND MANA MELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAMU 71 Thtso Natackiis are undoubtedly derived from eastern pueblos, forthey are represented at Zufii by the so-called Xataeko, whieh theyclosely resemble in symbolism. They were introduced into Tusayanby the Tanoan colonists, the Asa and the Hano clans, the Middle mesaXatackas being simply derived from the East mesa. They are notfound at Oraibi, as these clans are not repi-esented there. Besides the Soyoko or monsters which regulaily appear in theWalpi Powamu, Stock Photo](https://c8.alamy.com/comp/2CETFD9/hopi-katcinas-drawn-by-native-artists-tehabi-tunwup-taamu-kerwan-and-mana-meliotype-co-boston-fewkes-katcinas-appearing-in-powamu-71-thtso-natackiis-are-undoubtedly-derived-from-eastern-pueblos-forthey-are-represented-at-zufii-by-the-so-called-xataeko-whieh-theyclosely-resemble-in-symbolism-they-were-introduced-into-tusayanby-the-tanoan-colonists-the-asa-and-the-hano-clans-the-middle-mesaxatackas-being-simply-derived-from-the-east-mesa-they-are-notfound-at-oraibi-as-these-clans-are-not-repi-esented-there-besides-the-soyoko-or-monsters-which-regulaily-appear-in-thewalpi-powamu-2CETFD9.jpg ". Hopi Katcinas drawn by native artists. TEHABI TUNWUP TAAMU. KERWAN AND MANA MELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAMU 71 Thtso Natackiis are undoubtedly derived from eastern pueblos, forthey are represented at Zufii by the so-called Xataeko, whieh theyclosely resemble in symbolism. They were introduced into Tusayanby the Tanoan colonists, the Asa and the Hano clans, the Middle mesaXatackas being simply derived from the East mesa. They are notfound at Oraibi, as these clans are not repi-esented there. Besides the Soyoko or monsters which regulaily appear in theWalpi Powamu, Stock Photo")
. Hopi Katcinas drawn by native artists. TEHABI TUNWUP TAAMU. KERWAN AND MANA MELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAMU 71 Thtso Natackiis are undoubtedly derived from eastern pueblos, forthey are represented at Zufii by the so-called Xataeko, whieh theyclosely resemble in symbolism. They were introduced into Tusayanby the Tanoan colonists, the Asa and the Hano clans, the Middle mesaXatackas being simply derived from the East mesa. They are notfound at Oraibi, as these clans are not repi-esented there. Besides the Soyoko or monsters which regulaily appear in theWalpi Powamu, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tehabi-tunwup-taamu-kerwan-and-mana-meliotype-co-boston-fewkes-katcinas-appearing-in-powamu-71-thtso-natackiis-are-undoubtedly-derived-from-eastern-pueblos-forthey-are-represented-at-zufii-by-the-so-called-xataeko-whieh-theyclosely-resemble-in-symbolism-they-were-introduced-into-tusayanby-the-tanoan-colonists-the-asa-and-the-hano-clans-the-middle-mesaxatackas-being-simply-derived-from-the-east-mesa-they-are-notfound-at-oraibi-as-these-clans-are-not-repi-esented-there-besides-the-soyoko-or-monsters-which-regulaily-appear-in-thewalpi-powamu-image370561893.htmlRM2CETFD9–. Hopi Katcinas drawn by native artists. TEHABI TUNWUP TAAMU. KERWAN AND MANA MELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAMU 71 Thtso Natackiis are undoubtedly derived from eastern pueblos, forthey are represented at Zufii by the so-called Xataeko, whieh theyclosely resemble in symbolism. They were introduced into Tusayanby the Tanoan colonists, the Asa and the Hano clans, the Middle mesaXatackas being simply derived from the East mesa. They are notfound at Oraibi, as these clans are not repi-esented there. Besides the Soyoko or monsters which regulaily appear in theWalpi Powamu,
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . $(4>&C CONTRIBUTIONS FROM THE HEYE MUSEUMNUMBER 4 PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKES Reprinted from the American Anthropologist (n.s.), Vol. XV, No. 3,July-September, 1913 Lancaster Pa., U. S. A.The N«w Era Printing Company1913 (Vportoricanelbows00fewk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-4gtc-contributions-from-the-heye-museumnumber-4-porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-by-j-walter-fewkes-reprinted-from-the-american-anthropologist-ns-vol-xv-no-3july-september-1913-lancaster-pa-u-s-athe-nw-era-printing-company1913-vportoricanelbows00fewk-image370150006.htmlRM2CE5P32–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . $(4>&C CONTRIBUTIONS FROM THE HEYE MUSEUMNUMBER 4 PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKES Reprinted from the American Anthropologist (n.s.), Vol. XV, No. 3,July-September, 1913 Lancaster Pa., U. S. A.The N«w Era Printing Company1913 (Vportoricanelbows00fewk
. Hopi Katcinas drawn by native artists. nd to havebeen brought to Tusayan by the Asa people when they came from Zuniis exhibited in one of the kivas at the festival of the winter solstice.The ej-es of this mask are round instead of crescentic, and its snout isvery protuberant. Curved sticks like those used by girls in dressingtheir hair are attached to this mask. The introduction of a personation of Tcakwaina in the Pamiirti isfitting, for this festival is the katcina return dance of the Tcakwainaor Asa clans. The Pamiirti is a Zuni dance, and the Asa are repre-sented in Zuni by descendants o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-nd-to-havebeen-brought-to-tusayan-by-the-asa-people-when-they-came-from-zuniis-exhibited-in-one-of-the-kivas-at-the-festival-of-the-winter-solsticethe-ej-es-of-this-mask-are-round-instead-of-crescentic-and-its-snout-isvery-protuberant-curved-sticks-like-those-used-by-girls-in-dressingtheir-hair-are-attached-to-this-mask-the-introduction-of-a-personation-of-tcakwaina-in-the-pamiirti-isfitting-for-this-festival-is-the-katcina-return-dance-of-the-tcakwainaor-asa-clans-the-pamiirti-is-a-zuni-dance-and-the-asa-are-repre-sented-in-zuni-by-descendants-o-image370572127.htmlRM2CEW0ER–. Hopi Katcinas drawn by native artists. nd to havebeen brought to Tusayan by the Asa people when they came from Zuniis exhibited in one of the kivas at the festival of the winter solstice.The ej-es of this mask are round instead of crescentic, and its snout isvery protuberant. Curved sticks like those used by girls in dressingtheir hair are attached to this mask. The introduction of a personation of Tcakwaina in the Pamiirti isfitting, for this festival is the katcina return dance of the Tcakwainaor Asa clans. The Pamiirti is a Zuni dance, and the Asa are repre-sented in Zuni by descendants o
. Hopi Katcinas drawn by native artists. iMnl I T. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-imnl-i-t-nakiatcop-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxv-image370638812.htmlRM2CF01GC–. Hopi Katcinas drawn by native artists. iMnl I T. NAKIATCOP BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXV
. Hopi Katcinas drawn by native artists. SIWAP TAVVA HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIX. MUZRIBI HELIOTYPE CO.. BOSTON. ^^^^^l SOYOHIM KATCINAS 101 In his left hand Tawa carries the flute which is associated with himin certain Ilopi solar myths. It will be found that this type of sun symbolism is to lie easilydetected in ^-arious katcinas of different names which haxe been men-tioned, and it is more than probable that many of these, possessing thesame, or nearly the same, symbolic markings, arc sun gods under dif-ferent names. This multitud Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-siwap-tavva-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xxxix-muzribi-heliotype-co-boston-l-soyohim-katcinas-101-in-his-left-hand-tawa-carries-the-flute-which-is-associated-with-himin-certain-ilopi-solar-myths-it-will-be-found-that-this-type-of-sun-symbolism-is-to-lie-easilydetected-in-arious-katcinas-of-different-names-which-haxe-been-men-tioned-and-it-is-more-than-probable-that-many-of-these-possessing-thesame-or-nearly-the-same-symbolic-markings-arc-sun-gods-under-dif-ferent-names-this-multitud-image370535563.htmlRM2CER9TY–. Hopi Katcinas drawn by native artists. SIWAP TAVVA HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXXIX. MUZRIBI HELIOTYPE CO.. BOSTON. ^^^^^l SOYOHIM KATCINAS 101 In his left hand Tawa carries the flute which is associated with himin certain Ilopi solar myths. It will be found that this type of sun symbolism is to lie easilydetected in ^-arious katcinas of different names which haxe been men-tioned, and it is more than probable that many of these, possessing thesame, or nearly the same, symbolic markings, arc sun gods under dif-ferent names. This multitud
. Hopi Katcinas drawn by native artists. TCAKWAINA TAAMU Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcakwaina-taamu-image370570251.htmlRM2CETX3R–. Hopi Katcinas drawn by native artists. TCAKWAINA TAAMU
. Hopi Katcinas drawn by native artists. OLD MASK (HONAU CLAN). HOPINYU ISAUU CLAN) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-old-mask-honau-clan-hopinyu-isauu-clan-image370523410.htmlRM2CEPPAX–. Hopi Katcinas drawn by native artists. OLD MASK (HONAU CLAN). HOPINYU ISAUU CLAN)
. Hopi Katcinas drawn by native artists. < o< 3. o< < Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-lt-olt-3-olt-lt-image370559628.htmlRM2CETCGC–. Hopi Katcinas drawn by native artists. < o< 3. o< <
. Hopi Katcinas drawn by native artists. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-image370469207.htmlRM2CEM973–. Hopi Katcinas drawn by native artists.
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . nd, but it may have been inserted into a wooden 1 The figure trouvee dans une sepulture indienne, figured by Charlevoix(Histoire de Ilsle Espagnole ou de St. Domingue, p. 6), is believed to be a ceremonialbaton similar in function to the object here considered. 2 Many different forms of batons made of stone, wood, and even clay, might beenumerated. A wooden stick with an animal, or rather two animals, carved on theend is figured in the authors Aborigines of Porto Rico. AM. ANTH., N, S., 15—31 458 AME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-nd-but-it-may-have-been-inserted-into-a-wooden-1-the-figure-trouvee-dans-une-sepulture-indienne-figured-by-charlevoixhistoire-de-ilsle-espagnole-ou-de-st-domingue-p-6-is-believed-to-be-a-ceremonialbaton-similar-in-function-to-the-object-here-considered-2-many-different-forms-of-batons-made-of-stone-wood-and-even-clay-might-beenumerated-a-wooden-stick-with-an-animal-or-rather-two-animals-carved-on-theend-is-figured-in-the-authors-aborigines-of-porto-rico-am-anth-n-s-1531-458-ame-image370149369.htmlRM2CE5N89–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . nd, but it may have been inserted into a wooden 1 The figure trouvee dans une sepulture indienne, figured by Charlevoix(Histoire de Ilsle Espagnole ou de St. Domingue, p. 6), is believed to be a ceremonialbaton similar in function to the object here considered. 2 Many different forms of batons made of stone, wood, and even clay, might beenumerated. A wooden stick with an animal, or rather two animals, carved on theend is figured in the authors Aborigines of Porto Rico. AM. ANTH., N, S., 15—31 458 AME
. Hopi Katcinas drawn by native artists. of the name Hotcani to Hotcauni ofthe Sia, mentioned by Mrs Stevenson, they are regarded as identical.The Hopi variant is probably derived from the Keresan. TAWA(Plate XXXVIII) The Sun katcina has a disk-shaped mask, which is divided by ahorizontal black band into two regions, the upper being subdividedinto two smaller portions by a median vertical line. The left lateralupper division is red, the right yellow, the former being surroundedby a yellow and black border, the latter by a red and black. In thelower half of the face, which is green, appear line Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-of-the-name-hotcani-to-hotcauni-ofthe-sia-mentioned-by-mrs-stevenson-they-are-regarded-as-identicalthe-hopi-variant-is-probably-derived-from-the-keresan-tawaplate-xxxviii-the-sun-katcina-has-a-disk-shaped-mask-which-is-divided-by-ahorizontal-black-band-into-two-regions-the-upper-being-subdividedinto-two-smaller-portions-by-a-median-vertical-line-the-left-lateralupper-division-is-red-the-right-yellow-the-former-being-surroundedby-a-yellow-and-black-border-the-latter-by-a-red-and-black-in-thelower-half-of-the-face-which-is-green-appear-line-image370537845.htmlRM2CERCPD–. Hopi Katcinas drawn by native artists. of the name Hotcani to Hotcauni ofthe Sia, mentioned by Mrs Stevenson, they are regarded as identical.The Hopi variant is probably derived from the Keresan. TAWA(Plate XXXVIII) The Sun katcina has a disk-shaped mask, which is divided by ahorizontal black band into two regions, the upper being subdividedinto two smaller portions by a median vertical line. The left lateralupper division is red, the right yellow, the former being surroundedby a yellow and black border, the latter by a red and black. In thelower half of the face, which is green, appear line
. Hopi Katcinas drawn by native artists. POWAMU SO WUQTI. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-powamu-so-wuqti-masauu-eototo-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xv-image370555266.htmlRM2CET70J–. Hopi Katcinas drawn by native artists. POWAMU SO WUQTI. MASAUU EOTOTO HELIOTYPE CO., BOSTON, BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XV
![. Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI. SOWINWU HELIOTYPE CO., BOSTON. fEwKEs] 80Y0HIM KATCINAS 103 mouth and two horizontal black marks with upturned ends for eyes.The face is green, with red, yellow, and black border; the ears havependants of corn husks. The blanket is white, with embroideredborder. Each figure carrieii in one hand a skin pouch with sacred meal, andin the other a rattle or a number of deer scapulfe. KWEwO (Plate XL) The picture representing the Wolf katcina has a well-drawn wolfshea Stock Photo](https://c8.alamy.com/comp/2CER237/hopi-katcinas-drawn-by-native-artists-kwewu-heuotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xli-sowinwu-heliotype-co-boston-fewkes-80y0him-katcinas-103-mouth-and-two-horizontal-black-marks-with-upturned-ends-for-eyesthe-face-is-green-with-red-yellow-and-black-border-the-ears-havependants-of-corn-husks-the-blanket-is-white-with-embroideredborder-each-figure-carrieii-in-one-hand-a-skin-pouch-with-sacred-meal-andin-the-other-a-rattle-or-a-number-of-deer-scapulfe-kwewo-plate-xl-the-picture-representing-the-wolf-katcina-has-a-well-drawn-wolfshea-2CER237.jpg ". Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI. SOWINWU HELIOTYPE CO., BOSTON. fEwKEs] 80Y0HIM KATCINAS 103 mouth and two horizontal black marks with upturned ends for eyes.The face is green, with red, yellow, and black border; the ears havependants of corn husks. The blanket is white, with embroideredborder. Each figure carrieii in one hand a skin pouch with sacred meal, andin the other a rattle or a number of deer scapulfe. KWEwO (Plate XL) The picture representing the Wolf katcina has a well-drawn wolfshea Stock Photo")
. Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI. SOWINWU HELIOTYPE CO., BOSTON. fEwKEs] 80Y0HIM KATCINAS 103 mouth and two horizontal black marks with upturned ends for eyes.The face is green, with red, yellow, and black border; the ears havependants of corn husks. The blanket is white, with embroideredborder. Each figure carrieii in one hand a skin pouch with sacred meal, andin the other a rattle or a number of deer scapulfe. KWEwO (Plate XL) The picture representing the Wolf katcina has a well-drawn wolfshea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kwewu-heuotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xli-sowinwu-heliotype-co-boston-fewkes-80y0him-katcinas-103-mouth-and-two-horizontal-black-marks-with-upturned-ends-for-eyesthe-face-is-green-with-red-yellow-and-black-border-the-ears-havependants-of-corn-husks-the-blanket-is-white-with-embroideredborder-each-figure-carrieii-in-one-hand-a-skin-pouch-with-sacred-meal-andin-the-other-a-rattle-or-a-number-of-deer-scapulfe-kwewo-plate-xl-the-picture-representing-the-wolf-katcina-has-a-well-drawn-wolfshea-image370529467.htmlRM2CER237–. Hopi Katcinas drawn by native artists. KWEWU HEUOTYPE CO.. BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XLI. SOWINWU HELIOTYPE CO., BOSTON. fEwKEs] 80Y0HIM KATCINAS 103 mouth and two horizontal black marks with upturned ends for eyes.The face is green, with red, yellow, and black border; the ears havependants of corn husks. The blanket is white, with embroideredborder. Each figure carrieii in one hand a skin pouch with sacred meal, andin the other a rattle or a number of deer scapulfe. KWEwO (Plate XL) The picture representing the Wolf katcina has a well-drawn wolfshea
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . heroccasions. Several of the almond-shaped or petaloid celts withheads or human figures cut on the sides have their pointed endsprolonged into a handle ;2 and even those without such a prolonga-tion can hardly be supposed to have been hafted, as in such a casemuch of the design cut upon them would have been concealed.Many of the beautiful axes for which the island of St Vincent isfamous were too bulky to be carried in war and too dull to be used 1 The author has lately acquired, through the courtesy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-heroccasions-several-of-the-almond-shaped-or-petaloid-celts-withheads-or-human-figures-cut-on-the-sides-have-their-pointed-endsprolonged-into-a-handle-2-and-even-those-without-such-a-prolonga-tion-can-hardly-be-supposed-to-have-been-hafted-as-in-such-a-casemuch-of-the-design-cut-upon-them-would-have-been-concealedmany-of-the-beautiful-axes-for-which-the-island-of-st-vincent-isfamous-were-too-bulky-to-be-carried-in-war-and-too-dull-to-be-used-1-the-author-has-lately-acquired-through-the-courtesy-image370149501.htmlRM2CE5ND1–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . heroccasions. Several of the almond-shaped or petaloid celts withheads or human figures cut on the sides have their pointed endsprolonged into a handle ;2 and even those without such a prolonga-tion can hardly be supposed to have been hafted, as in such a casemuch of the design cut upon them would have been concealed.Many of the beautiful axes for which the island of St Vincent isfamous were too bulky to be carried in war and too dull to be used 1 The author has lately acquired, through the courtesy
. Hopi Katcinas drawn by native artists. throw-ing nmd during the dances and festivals. PIPTUKA (Plate LII) Piptuka appears in public dances and is a participant in the antics?of the mudheads, or clowns. He carries a hoe over his shoulder and aplanting stick in his left hand, indicating his connection with planting. PATUN (Plate LII) Patun, the Squash katcina, is represented as a man with bodypainted green with black stripes, bearing squash blossoms in hishands. The mask is of the same green color, with black stripes, andis made of a large gourd bearing an imitation of a squash flower on thela Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-throw-ing-nmd-during-the-dances-and-festivals-piptuka-plate-lii-piptuka-appears-in-public-dances-and-is-a-participant-in-the-anticsof-the-mudheads-or-clowns-he-carries-a-hoe-over-his-shoulder-and-aplanting-stick-in-his-left-hand-indicating-his-connection-with-planting-patun-plate-lii-patun-the-squash-katcina-is-represented-as-a-man-with-bodypainted-green-with-black-stripes-bearing-squash-blossoms-in-hishands-the-mask-is-of-the-same-green-color-with-black-stripes-andis-made-of-a-large-gourd-bearing-an-imitation-of-a-squash-flower-on-thela-image370517356.htmlRM2CEPEJM–. Hopi Katcinas drawn by native artists. throw-ing nmd during the dances and festivals. PIPTUKA (Plate LII) Piptuka appears in public dances and is a participant in the antics?of the mudheads, or clowns. He carries a hoe over his shoulder and aplanting stick in his left hand, indicating his connection with planting. PATUN (Plate LII) Patun, the Squash katcina, is represented as a man with bodypainted green with black stripes, bearing squash blossoms in hishands. The mask is of the same green color, with black stripes, andis made of a large gourd bearing an imitation of a squash flower on thela
. Hopi Katcinas drawn by native artists. KWACUS ALEK TAKA. OLD MASK KATCINA CLAN> ALO MANA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kwacus-alek-taka-old-mask-katcina-clangt-alo-mana-image370525766.htmlRM2CEPWB2–. Hopi Katcinas drawn by native artists. KWACUS ALEK TAKA. OLD MASK KATCINA CLAN> ALO MANA
. Hopi Katcinas drawn by native artists. RACER HEMICO HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. LI. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-racer-hemico-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-li-image370519116.htmlRM2CEPGWG–. Hopi Katcinas drawn by native artists. RACER HEMICO HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. LI.
![. Hopi Katcinas drawn by native artists. KOKLE. CITOTO SUMAIKOLI AND YAYA HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN PALClCKONTI 95 IIOKYANA MANA (Platf XXXIII) The maid or sister of the preceding, as figured l)y the Hopi artist, hasher hair dressed in Zuni fashion and carries an ear of corn in eachhand. CAKWAHOXAfj (Plate LXIII) The collection of katcina pictures would have been increased severalfold weie we to include in it many which are duplicates in ail i-espectssave color. It may be borne in mind that while almost all these beingshave yellow, green, red, and white variants, as Stock Photo](https://c8.alamy.com/comp/2CERKX9/hopi-katcinas-drawn-by-native-artists-kokle-citoto-sumaikoli-and-yaya-heliotype-co-boston-fewkes-katcinas-appearing-in-palclckonti-95-iiokyana-mana-platf-xxxiii-the-maid-or-sister-of-the-preceding-as-figured-ly-the-hopi-artist-hasher-hair-dressed-in-zuni-fashion-and-carries-an-ear-of-corn-in-eachhand-cakwahoxafj-plate-lxiii-the-collection-of-katcina-pictures-would-have-been-increased-severalfold-weie-we-to-include-in-it-many-which-are-duplicates-in-ail-i-espectssave-color-it-may-be-borne-in-mind-that-while-almost-all-these-beingshave-yellow-green-red-and-white-variants-as-2CERKX9.jpg ". Hopi Katcinas drawn by native artists. KOKLE. CITOTO SUMAIKOLI AND YAYA HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN PALClCKONTI 95 IIOKYANA MANA (Platf XXXIII) The maid or sister of the preceding, as figured l)y the Hopi artist, hasher hair dressed in Zuni fashion and carries an ear of corn in eachhand. CAKWAHOXAfj (Plate LXIII) The collection of katcina pictures would have been increased severalfold weie we to include in it many which are duplicates in ail i-espectssave color. It may be borne in mind that while almost all these beingshave yellow, green, red, and white variants, as Stock Photo")
. Hopi Katcinas drawn by native artists. KOKLE. CITOTO SUMAIKOLI AND YAYA HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN PALClCKONTI 95 IIOKYANA MANA (Platf XXXIII) The maid or sister of the preceding, as figured l)y the Hopi artist, hasher hair dressed in Zuni fashion and carries an ear of corn in eachhand. CAKWAHOXAfj (Plate LXIII) The collection of katcina pictures would have been increased severalfold weie we to include in it many which are duplicates in ail i-espectssave color. It may be borne in mind that while almost all these beingshave yellow, green, red, and white variants, as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-kokle-citoto-sumaikoli-and-yaya-heliotype-co-boston-fewkes-katcinas-appearing-in-palclckonti-95-iiokyana-mana-platf-xxxiii-the-maid-or-sister-of-the-preceding-as-figured-ly-the-hopi-artist-hasher-hair-dressed-in-zuni-fashion-and-carries-an-ear-of-corn-in-eachhand-cakwahoxafj-plate-lxiii-the-collection-of-katcina-pictures-would-have-been-increased-severalfold-weie-we-to-include-in-it-many-which-are-duplicates-in-ail-i-espectssave-color-it-may-be-borne-in-mind-that-while-almost-all-these-beingshave-yellow-green-red-and-white-variants-as-image370543441.htmlRM2CERKX9–. Hopi Katcinas drawn by native artists. KOKLE. CITOTO SUMAIKOLI AND YAYA HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN PALClCKONTI 95 IIOKYANA MANA (Platf XXXIII) The maid or sister of the preceding, as figured l)y the Hopi artist, hasher hair dressed in Zuni fashion and carries an ear of corn in eachhand. CAKWAHOXAfj (Plate LXIII) The collection of katcina pictures would have been increased severalfold weie we to include in it many which are duplicates in ail i-espectssave color. It may be borne in mind that while almost all these beingshave yellow, green, red, and white variants, as
![. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . [Reprinted from the American Anthropologist, Vol. 15, No. 3, July-Sept., 1913.] PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKESIntroduction MANY prehistoric stone objects found in Porto Rico havetaxed the ability of archeologists to explain and havefurnished the theorist with abundant material for specu-lation. Among these may be mentioned three-pointed idols, bothwith and without animal or human heads. Other forms, from theirresemblance t Stock Photo](https://c8.alamy.com/comp/2CE5P41/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-reprinted-from-the-american-anthropologist-vol-15-no-3-july-sept-1913-porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-by-j-walter-fewkesintroduction-many-prehistoric-stone-objects-found-in-porto-rico-havetaxed-the-ability-of-archeologists-to-explain-and-havefurnished-the-theorist-with-abundant-material-for-specu-lation-among-these-may-be-mentioned-three-pointed-idols-bothwith-and-without-animal-or-human-heads-other-forms-from-theirresemblance-t-2CE5P41.jpg ". Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . [Reprinted from the American Anthropologist, Vol. 15, No. 3, July-Sept., 1913.] PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKESIntroduction MANY prehistoric stone objects found in Porto Rico havetaxed the ability of archeologists to explain and havefurnished the theorist with abundant material for specu-lation. Among these may be mentioned three-pointed idols, bothwith and without animal or human heads. Other forms, from theirresemblance t Stock Photo")
. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . [Reprinted from the American Anthropologist, Vol. 15, No. 3, July-Sept., 1913.] PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKESIntroduction MANY prehistoric stone objects found in Porto Rico havetaxed the ability of archeologists to explain and havefurnished the theorist with abundant material for specu-lation. Among these may be mentioned three-pointed idols, bothwith and without animal or human heads. Other forms, from theirresemblance t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-reprinted-from-the-american-anthropologist-vol-15-no-3-july-sept-1913-porto-rican-elbow-stones-in-the-heye-museum-with-discussion-of-similar-objects-elsewhere-by-j-walter-fewkesintroduction-many-prehistoric-stone-objects-found-in-porto-rico-havetaxed-the-ability-of-archeologists-to-explain-and-havefurnished-the-theorist-with-abundant-material-for-specu-lation-among-these-may-be-mentioned-three-pointed-idols-bothwith-and-without-animal-or-human-heads-other-forms-from-theirresemblance-t-image370150033.htmlRM2CE5P41–. Porto Rican elbow-stones in the Heye museum, with discussion of similar objects elsewhere; . [Reprinted from the American Anthropologist, Vol. 15, No. 3, July-Sept., 1913.] PORTO RICAN ELBOW-STONES IN THE HEYE MUSEUM, WITH DISCUSSION OF SIMILAR OBJECTS ELSEWHERE By J. WALTER FEWKESIntroduction MANY prehistoric stone objects found in Porto Rico havetaxed the ability of archeologists to explain and havefurnished the theorist with abundant material for specu-lation. Among these may be mentioned three-pointed idols, bothwith and without animal or human heads. Other forms, from theirresemblance t
. Hopi Katcinas drawn by native artists. TOTCA. MONWU KOYIMSI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-totca-monwu-koyimsi-image370653237.htmlRM2CF0KYH–. Hopi Katcinas drawn by native artists. TOTCA. MONWU KOYIMSI
. Hopi Katcinas drawn by native artists. ^0 3 LAKONE MANA. MAMZRAU MANA HELIOTYPE CO., BOSTON. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-0-3-lakone-mana-mamzrau-mana-heliotype-co-boston-image370514117.htmlRM2CEPAF1–. Hopi Katcinas drawn by native artists. ^0 3 LAKONE MANA. MAMZRAU MANA HELIOTYPE CO., BOSTON.
. Hopi Katcinas drawn by native artists. nd. EOTOTO (Plate XIV) This is one of the most important katcinas, and is very prominentin several celebrations. The artists picture of Eototo has a white head covering, with smallholes for e3es and mouth, and diminutive ear appendages. There isa fox skin about the neck. The blanket is white, and is worn over a white kilt tied with anembroidered sash, the ends of which are seen below. The figure alsohas knit hose and heel bands. In the left hand there is a skin pouchof sacred meal and a chiefs badge (moiikohu), while the right handcarries a bundle of sh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-nd-eototo-plate-xiv-this-is-one-of-the-most-important-katcinas-and-is-very-prominentin-several-celebrations-the-artists-picture-of-eototo-has-a-white-head-covering-with-smallholes-for-e3es-and-mouth-and-diminutive-ear-appendages-there-isa-fox-skin-about-the-neck-the-blanket-is-white-and-is-worn-over-a-white-kilt-tied-with-anembroidered-sash-the-ends-of-which-are-seen-below-the-figure-alsohas-knit-hose-and-heel-bands-in-the-left-hand-there-is-a-skin-pouchof-sacred-meal-and-a-chiefs-badge-moiikohu-while-the-right-handcarries-a-bundle-of-sh-image370556397.htmlRM2CET8D1–. Hopi Katcinas drawn by native artists. nd. EOTOTO (Plate XIV) This is one of the most important katcinas, and is very prominentin several celebrations. The artists picture of Eototo has a white head covering, with smallholes for e3es and mouth, and diminutive ear appendages. There isa fox skin about the neck. The blanket is white, and is worn over a white kilt tied with anembroidered sash, the ends of which are seen below. The figure alsohas knit hose and heel bands. In the left hand there is a skin pouchof sacred meal and a chiefs badge (moiikohu), while the right handcarries a bundle of sh
. Hopi Katcinas drawn by native artists. has a tablet on the head, theupper rim of which has a terrace form representing rain clouds. Onthe sides of the face are pictures of sjmbolic corn ears of different col-ors, that on the left representing white corn, that on the right, greencorn. The semicircle painted on the tablet represents a rainbow abovea white field in which is a four-pointed star. The ej^e slits are painted black, with a white margin. The lowerpart of the face is black, the chin white. There is a projecting snout,with teeth and red lips. The figure carries a pine branch in eachhan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-has-a-tablet-on-the-head-theupper-rim-of-which-has-a-terrace-form-representing-rain-clouds-onthe-sides-of-the-face-are-pictures-of-sjmbolic-corn-ears-of-different-col-ors-that-on-the-left-representing-white-corn-that-on-the-right-greencorn-the-semicircle-painted-on-the-tablet-represents-a-rainbow-abovea-white-field-in-which-is-a-four-pointed-star-the-eje-slits-are-painted-black-with-a-white-margin-the-lowerpart-of-the-face-is-black-the-chin-white-there-is-a-projecting-snoutwith-teeth-and-red-lips-the-figure-carries-a-pine-branch-in-eachhan-image370534769.htmlRM2CER8TH–. Hopi Katcinas drawn by native artists. has a tablet on the head, theupper rim of which has a terrace form representing rain clouds. Onthe sides of the face are pictures of sjmbolic corn ears of different col-ors, that on the left representing white corn, that on the right, greencorn. The semicircle painted on the tablet represents a rainbow abovea white field in which is a four-pointed star. The ej^e slits are painted black, with a white margin. The lowerpart of the face is black, the chin white. There is a projecting snout,with teeth and red lips. The figure carries a pine branch in eachhan
. Hopi Katcinas drawn by native artists. TCABAIYO. ATOCLE HELIOTYPE CO., BOSTON. FEWKES) KATCINAS APPEARING IX POWAMU 75 AWAT(JBI S()V()K Wr^TI (Plate XII) The figure of the Awatobi Soj^ok woiiuin iliflers but little fromthat of the Walpi, but has prominent corn-husk teeth and two whiteparallel bars on each cheek. These two symbols were in fact saidto distinguish the Awatobi from the Walpi Soyok wiiqti; severalpriests called attention to the differences when the pictures wereshown them. TCABAIYO(Plate XIII) Tcabaiyo is still another of the bog} gods. The mask belongs toHonyi, of the Snake clan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcabaiyo-atocle-heliotype-co-boston-fewkes-katcinas-appearing-ix-powamu-75-awatjbi-svk-wrti-plate-xii-the-figure-of-the-awatobi-sojok-woiiuin-iliflers-but-little-fromthat-of-the-walpi-but-has-prominent-corn-husk-teeth-and-two-whiteparallel-bars-on-each-cheek-these-two-symbols-were-in-fact-saidto-distinguish-the-awatobi-from-the-walpi-soyok-wiiqti-severalpriests-called-attention-to-the-differences-when-the-pictures-wereshown-them-tcabaiyoplate-xiii-tcabaiyo-is-still-another-of-the-bog-gods-the-mask-belongs-tohonyi-of-the-snake-clan-image370556686.htmlRM2CET8RA–. Hopi Katcinas drawn by native artists. TCABAIYO. ATOCLE HELIOTYPE CO., BOSTON. FEWKES) KATCINAS APPEARING IX POWAMU 75 AWAT(JBI S()V()K Wr^TI (Plate XII) The figure of the Awatobi Soj^ok woiiuin iliflers but little fromthat of the Walpi, but has prominent corn-husk teeth and two whiteparallel bars on each cheek. These two symbols were in fact saidto distinguish the Awatobi from the Walpi Soyok wiiqti; severalpriests called attention to the differences when the pictures wereshown them. TCABAIYO(Plate XIII) Tcabaiyo is still another of the bog} gods. The mask belongs toHonyi, of the Snake clan
. Hopi Katcinas drawn by native artists. YUNA. YUNA MANA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-yuna-yuna-mana-image370521113.htmlRM2CEPKCW–. Hopi Katcinas drawn by native artists. YUNA. YUNA MANA
. Hopi Katcinas drawn by native artists. PIOKOT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-piokot-image370529061.htmlRM2CER1GN–. Hopi Katcinas drawn by native artists. PIOKOT
. Hopi Katcinas drawn by native artists. TCUKAPELLI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tcukapelli-image370518878.htmlRM2CEPGH2–. Hopi Katcinas drawn by native artists. TCUKAPELLI
. Hopi Katcinas drawn by native artists. sents a. being with a globular maskpainted black, having two white marks on each cheek. A bundle offeathered strings is tied to each side, and the skin of .a mountainlion surrounds the neck. The chin has red and green curved bandsinclosing a white area. The figure is represented as carrjdng fire in acedar-bark torch from one shrine to another, accompanied by a Yayapriest, who has a rattle in his right hand and an unknown object inthe left. The kilt is tied behind and has draperies of colored yarn. The mask of Kawikoli is displayed with those of Sumaikol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-sents-a-being-with-a-globular-maskpainted-black-having-two-white-marks-on-each-cheek-a-bundle-offeathered-strings-is-tied-to-each-side-and-the-skin-of-a-mountainlion-surrounds-the-neck-the-chin-has-red-and-green-curved-bandsinclosing-a-white-area-the-figure-is-represented-as-carrjdng-fire-in-acedar-bark-torch-from-one-shrine-to-another-accompanied-by-a-yayapriest-who-has-a-rattle-in-his-right-hand-and-an-unknown-object-inthe-left-the-kilt-is-tied-behind-and-has-draperies-of-colored-yarn-the-mask-of-kawikoli-is-displayed-with-those-of-sumaikol-image370543017.htmlRM2CERKB5–. Hopi Katcinas drawn by native artists. sents a. being with a globular maskpainted black, having two white marks on each cheek. A bundle offeathered strings is tied to each side, and the skin of .a mountainlion surrounds the neck. The chin has red and green curved bandsinclosing a white area. The figure is represented as carrjdng fire in acedar-bark torch from one shrine to another, accompanied by a Yayapriest, who has a rattle in his right hand and an unknown object inthe left. The kilt is tied behind and has draperies of colored yarn. The mask of Kawikoli is displayed with those of Sumaikol
. Hopi Katcinas drawn by native artists. spots on the body represent small downy feathers attached bymeans of gum or some sticky substance. KOTONA (Plate XVIII) Koyona, the Turkey, has a green-colored helmet, with long extendedbeak and bright red wattles, which are made of flannel cloth. Thewings and tail aie made of feathers attached to the arms and belt.There are many small feathers attached to the body with gum. KOWAKO (Plate XVIII) The picture of Kowako, the Chicken katcina, has a red comb andwattles; the body is painted red on the dorsal, white on the ventral side. The personator wears a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-spots-on-the-body-represent-small-downy-feathers-attached-bymeans-of-gum-or-some-sticky-substance-kotona-plate-xviii-koyona-the-turkey-has-a-green-colored-helmet-with-long-extendedbeak-and-bright-red-wattles-which-are-made-of-flannel-cloth-thewings-and-tail-aie-made-of-feathers-attached-to-the-arms-and-beltthere-are-many-small-feathers-attached-to-the-body-with-gum-kowako-plate-xviii-the-picture-of-kowako-the-chicken-katcina-has-a-red-comb-andwattles-the-body-is-painted-red-on-the-dorsal-white-on-the-ventral-side-the-personator-wears-a-image370649451.htmlRM2CF0F4B–. Hopi Katcinas drawn by native artists. spots on the body represent small downy feathers attached bymeans of gum or some sticky substance. KOTONA (Plate XVIII) Koyona, the Turkey, has a green-colored helmet, with long extendedbeak and bright red wattles, which are made of flannel cloth. Thewings and tail aie made of feathers attached to the arms and belt.There are many small feathers attached to the body with gum. KOWAKO (Plate XVIII) The picture of Kowako, the Chicken katcina, has a red comb andwattles; the body is painted red on the dorsal, white on the ventral side. The personator wears a
. Hopi Katcinas drawn by native artists. MONWU WUQTI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XVII. SALAB MONWU Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-monwu-wuqti-heliotype-co-boston-bureau-of-american-ethnology-twenty-first-annual-report-pl-xvii-salab-monwu-image370651052.htmlRM2CF0H5G–. Hopi Katcinas drawn by native artists. MONWU WUQTI HELIOTYPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XVII. SALAB MONWU
. Hopi Katcinas drawn by native artists. TACAB ANA AND MANA. HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY V/iNTY-FIRST ANNUAL REPORT PL. XXVIII Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hopi-katcinas-drawn-by-native-artists-tacab-ana-and-mana-heliotvpe-co-boston-bureau-of-american-ethnology-vinty-first-annual-report-pl-xxviii-image370634164.htmlRM2CEYRJC–. Hopi Katcinas drawn by native artists. TACAB ANA AND MANA. HELIOTVPE CO., BOSTON. BUREAU OF AMERICAN ETHNOLOGY V/iNTY-FIRST ANNUAL REPORT PL. XXVIII
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