Stock Photos and Images
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Stock Photos and Images
Portrait of a Woman ( possibly Sara Wolphaerts van Dieme )1635 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-possibly-sara-wolphaerts-van-dieme-1635-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602442903.htmlRM2X03J1Y–Portrait of a Woman ( possibly Sara Wolphaerts van Dieme )1635 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Portrait of a woman, probably Cunera van Baersdorp (1600-1640) (c. 1625) Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-probably-cunera-van-baersdorp-1600-1640-c-1625-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-image602442885.htmlRM2X03J19–Portrait of a woman, probably Cunera van Baersdorp (1600-1640) (c. 1625) Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age
Pieter van den Broecke (Antwerp, 1585 – Straat Malakka, 1640) was a cloth merchant in the service of the Dutch East India Company (VOC). He made five voyages and was on the road for eight years. He was one of the first Dutch people to drink coffee. Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieter-van-den-broecke-antwerp-1585-straat-malakka-1640-was-a-cloth-merchant-in-the-service-of-the-dutch-east-india-company-voc-he-made-five-voyages-and-was-on-the-road-for-eight-years-he-was-one-of-the-first-dutch-people-to-drink-coffee-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602639416.htmlRM2X0CGM8–Pieter van den Broecke (Antwerp, 1585 – Straat Malakka, 1640) was a cloth merchant in the service of the Dutch East India Company (VOC). He made five voyages and was on the road for eight years. He was one of the first Dutch people to drink coffee. Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Dutch, The Netherlands, Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-the-netherlands-rijksmuseum-amsterdam-image605630859.htmlRM2X58T9F–Dutch, The Netherlands, Rijksmuseum, Amsterdam.
Portrait of Jean de la Chambre at the Age of 33 ( Distinguished calligrapher and master of the French School in Haarlem ) Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jean-de-la-chambre-at-the-age-of-33-distinguished-calligrapher-and-master-of-the-french-school-in-haarlem-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602639347.htmlRM2X0CGHR–Portrait of Jean de la Chambre at the Age of 33 ( Distinguished calligrapher and master of the French School in Haarlem ) Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Lachende Jongen - Smiling Boy ( This cheerfully laughing boy with sparkly eyes and dishevelled hair is not a portrait, but a 'tronie' – a study of a laughing child. ) by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lachende-jongen-smiling-boy-this-cheerfully-laughing-boy-with-sparkly-eyes-and-dishevelled-hair-is-not-a-portrait-but-a-tronie-a-study-of-a-laughing-child-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602639320.htmlRM2X0CGGT–Lachende Jongen - Smiling Boy ( This cheerfully laughing boy with sparkly eyes and dishevelled hair is not a portrait, but a 'tronie' – a study of a laughing child. ) by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-feyntje-van-steenkiste-1635-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-portrait-of-feyntje-van-steenkiste-1635-17th-century-dutch-golden-age-daughter-of-a-mennonite-potash-merchant-and-became-engaged-to-lucas-de-clercq-also-a-mennonite-potash-merchant-image602442957.htmlRM2X03J3W–Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, )
Fruit and Vegetable Seller 1630 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, ( Claes van Heussen 1598-1633 ) 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fruit-and-vegetable-seller-1630-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-claes-van-heussen-1598-1633-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-image602639121.htmlRM2X0CG9N–Fruit and Vegetable Seller 1630 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, ( Claes van Heussen 1598-1633 ) 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society,
Portrait of a Man in a Slouch Hat 1660 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-in-a-slouch-hat-1660-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602639398.htmlRM2X0CGKJ–Portrait of a Man in a Slouch Hat 1660 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Dutch, The Netherlands, Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-the-netherlands-rijksmuseum-amsterdam-image605534553.htmlRM2X54DE1–Dutch, The Netherlands, Rijksmuseum, Amsterdam.
Portrait of Willem van Heythuyzen 1625 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-willem-van-heythuyzen-1625-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602638805.htmlRM2X0CFXD–Portrait of Willem van Heythuyzen 1625 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Dutch, The Netherlands, Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-the-netherlands-rijksmuseum-amsterdam-image605534370.htmlRM2X54D7E–Dutch, The Netherlands, Rijksmuseum, Amsterdam.
Dutch, The Netherlands, Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-the-netherlands-rijksmuseum-amsterdam-image605534374.htmlRM2X54D7J–Dutch, The Netherlands, Rijksmuseum, Amsterdam.
Malle Babbe 'The Crazy Barbara' - 1633 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/malle-babbe-the-crazy-barbara-1633-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602638979.htmlRM2X0CG4K–Malle Babbe 'The Crazy Barbara' - 1633 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Mulatto, 1627, by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mulatto-1627-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602638942.htmlRM2X0CG3A–Mulatto, 1627, by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Fruit and Vegetable Seller 1630 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, ( Claes van Heussen 1598-1633 ) 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fruit-and-vegetable-seller-1630-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-claes-van-heussen-1598-1633-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-image602639131.htmlRM2X0CGA3–Fruit and Vegetable Seller 1630 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, ( Claes van Heussen 1598-1633 ) 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society,
Lachende Jongen - Smiling Boy ( This cheerfully laughing boy with sparkly eyes and dishevelled hair is not a portrait, but a 'tronie' – a study of a laughing child. ) by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lachende-jongen-smiling-boy-this-cheerfully-laughing-boy-with-sparkly-eyes-and-dishevelled-hair-is-not-a-portrait-but-a-tronie-a-study-of-a-laughing-child-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-image602639317.htmlRM2X0CGGN–Lachende Jongen - Smiling Boy ( This cheerfully laughing boy with sparkly eyes and dishevelled hair is not a portrait, but a 'tronie' – a study of a laughing child. ) by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. )
Banquet of the Officers of the St George Civic Guard 1616 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( St. George Civic Guard. They were a voluntary paramilitary force that both policed and protected the city of Haarlem in the Netherlands. ) ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) bANQUET OF THE oFFICERS OF THE ST gEORGE cIIVIC gUARD 1616 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banquet-of-the-officers-of-the-st-george-civic-guard-1616-by-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-st-george-civic-guard-they-were-a-voluntary-paramilitary-force-that-both-policed-and-protected-the-city-of-haarlem-in-the-netherlands-he-painted-lively-sometimes-even-cheerful-portraits-of-people-from-all-levels-of-society-important-people-naughty-children-and-even-drunks-or-people-who-had-been-declared-crazy-banquet-of-the-officers-of-the-st-george-ciivic-guard-1616-image602639262.htmlRM2X0CGEP–Banquet of the Officers of the St George Civic Guard 1616 by Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age ( St. George Civic Guard. They were a voluntary paramilitary force that both policed and protected the city of Haarlem in the Netherlands. ) ( He painted lively, sometimes even cheerful, portraits of people from all levels of society, important people, naughty children and even drunks or people who had been declared crazy. ) bANQUET OF THE oFFICERS OF THE ST gEORGE cIIVIC gUARD 1616
The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company 1633-1637 Frans Hals (1582/1583–1666) and Pieter Codde (1599–1678) Dutch Netherlands Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-company-of-captain-reinier-reael-and-lieutenant-cornelis-michielsz-blaeuw-known-as-the-meagre-company-1633-1637-frans-hals-158215831666-and-pieter-codde-15991678-dutch-netherlands-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-17th-century-dutch-golden-age-image602639206.htmlRM2X0CGCP–The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company 1633-1637 Frans Hals (1582/1583–1666) and Pieter Codde (1599–1678) Dutch Netherlands Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, 17th century, Dutch Golden Age
Mary with Child, Mary Magdalene, Agnes, Catherine and Barbara (triptych) anonymous1500 - 1519 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-with-child-mary-magdalene-agnes-catherine-and-barbara-triptych-anonymous1500-1519-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601041665.htmlRM2WWRPNN–Mary with Child, Mary Magdalene, Agnes, Catherine and Barbara (triptych) anonymous1500 - 1519 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Census in Bethlehem, Pieter (II) Brueghel, 1600 - 161 9, Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/census-in-bethlehem-pieter-ii-brueghel-1600-161-9-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601666497.htmlRM2WXT7N5–Census in Bethlehem, Pieter (II) Brueghel, 1600 - 161 9, Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Barbara 1500 - 1549 by Lucas (I) Cranach Lucas Cranach the Elder Kronach 1472 Weimar 1553 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barbara-1500-1549-by-lucas-i-cranach-lucas-cranach-the-elder-kronach-1472-weimar-1553-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601041605.htmlRM2WWRPKH–Barbara 1500 - 1549 by Lucas (I) Cranach Lucas Cranach the Elder Kronach 1472 Weimar 1553 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Vegetable seller by 1565 Joachim Beuckelaer 1533 - 1575 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vegetable-seller-by-1565-joachim-beuckelaer-1533-1575-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601211823.htmlRM2WX3FPR–Vegetable seller by 1565 Joachim Beuckelaer 1533 - 1575 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Birth of Jesus, Annunciation and Gedeon (triptych) South Netherlands 4th quarter 15th century anonymous 1500 - 1519 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Middle Panel, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birth-of-jesus-annunciation-and-gedeon-triptych-south-netherlands-4th-quarter-15th-century-anonymous-1500-1519-museum-mayer-van-den-bergh-antwerp-belgium-belgian-middle-panel-image601303491.htmlRM2WX7MMK–Birth of Jesus, Annunciation and Gedeon (triptych) South Netherlands 4th quarter 15th century anonymous 1500 - 1519 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Middle Panel, )
Martyrdom of Erasmus 1500 by anonymous painter, Museum Mayer van den Bergh, Antwerp, As the patron saint of skippers, the legendary bishop of Antioch was depicted with an attribute of a windlass with anchor rope. Where such things were not known, they were taken as his instrument of torture: the pagans are said to have pulled Erasmus' intestines out of his body with a pulley Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-erasmus-1500-by-anonymous-painter-museum-mayer-van-den-bergh-antwerp-as-the-patron-saint-of-skippers-the-legendary-bishop-of-antioch-was-depicted-with-an-attribute-of-a-windlass-with-anchor-rope-where-such-things-were-not-known-they-were-taken-as-his-instrument-of-torture-the-pagans-are-said-to-have-pulled-erasmus-intestines-out-of-his-body-with-a-pulley-image601041607.htmlRM2WWRPKK–Martyrdom of Erasmus 1500 by anonymous painter, Museum Mayer van den Bergh, Antwerp, As the patron saint of skippers, the legendary bishop of Antioch was depicted with an attribute of a windlass with anchor rope. Where such things were not known, they were taken as his instrument of torture: the pagans are said to have pulled Erasmus' intestines out of his body with a pulley
Winter landscape with bird's eye view and the flight to Egypt by Pieter (II) Brueghel 1622 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.( One of the oldest copies after the original by Pieter Bruegel I, dated 1565, in Brussels, K.M.S.K. (ex-commissioned Delporte). Exceptionally, this response features a group of the fleeing H.Familie. These figures are also missing from the original. In the threatening birdsong, people wanted to see an allusion to the disasters brought on the Netherlands by the Spanish rule. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-landscape-with-birds-eye-view-and-the-flight-to-egypt-by-pieter-ii-brueghel-1622-museum-mayer-van-den-bergh-antwerp-belgium-belgian-one-of-the-oldest-copies-after-the-original-by-pieter-bruegel-i-dated-1565-in-brussels-kmsk-ex-commissioned-delporte-exceptionally-this-response-features-a-group-of-the-fleeing-hfamilie-these-figures-are-also-missing-from-the-original-in-the-threatening-birdsong-people-wanted-to-see-an-allusion-to-the-disasters-brought-on-the-netherlands-by-the-spanish-rule-image603394505.htmlRM2X1JYRN–Winter landscape with bird's eye view and the flight to Egypt by Pieter (II) Brueghel 1622 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.( One of the oldest copies after the original by Pieter Bruegel I, dated 1565, in Brussels, K.M.S.K. (ex-commissioned Delporte). Exceptionally, this response features a group of the fleeing H.Familie. These figures are also missing from the original. In the threatening birdsong, people wanted to see an allusion to the disasters brought on the Netherlands by the Spanish rule. )
Entry into Jerusalem 1350-1374 France, French unknown (sculptor) Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entry-into-jerusalem-1350-1374-france-french-unknown-sculptor-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601666585.htmlRM2WXT7T9–Entry into Jerusalem 1350-1374 France, French unknown (sculptor) Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Salvator Mundi by an anonymous painter 1480 - 1499 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salvator-mundi-by-an-anonymous-painter-1480-1499-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601595989.htmlRM2WXN1R1–Salvator Mundi by an anonymous painter 1480 - 1499 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Maria Lactans with pear by Master of Frankfurt 1500 - 1524 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-lactans-with-pear-by-master-of-frankfurt-1500-1524-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image603625397.htmlRM2X21E9W–Maria Lactans with pear by Master of Frankfurt 1500 - 1524 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Birth of Jesus 1500 - 1519 by anonymous painter Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Adoration, Magi, Adoration of the Kings, Nativity of Jesus, Three Magi, represented as kings, found Jesus by following a star, lay before him gifts gold, frankincense myrrh worship him, witnesses to the birth, Jesus in Bethlehem, Christmas, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birth-of-jesus-1500-1519-by-anonymous-painter-museum-mayer-van-den-bergh-antwerp-belgium-belgian-adoration-magi-adoration-of-the-kings-nativity-of-jesus-three-magi-represented-as-kings-found-jesus-by-following-a-star-lay-before-him-gifts-gold-frankincense-myrrh-worship-him-witnesses-to-the-birth-jesus-in-bethlehem-christmas-image601041620.htmlRM2WWRPM4–Birth of Jesus 1500 - 1519 by anonymous painter Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Adoration, Magi, Adoration of the Kings, Nativity of Jesus, Three Magi, represented as kings, found Jesus by following a star, lay before him gifts gold, frankincense myrrh worship him, witnesses to the birth, Jesus in Bethlehem, Christmas, )
infanticide in Bethlehem 1300 - 1349 unknown (sculptor) Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infanticide-in-bethlehem-1300-1349-unknown-sculptor-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601666590.htmlRM2WXT7TE–infanticide in Bethlehem 1300 - 1349 unknown (sculptor) Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Mary with Child, Catherine and Barbara by Master of the Magdalene legend 1500 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-with-child-catherine-and-barbara-by-master-of-the-magdalene-legend-1500-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601041675.htmlRM2WWRPP3–Mary with Child, Catherine and Barbara by Master of the Magdalene legend 1500 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Twelve-year-old Jesus in the temple (retable panel) Master of 1518 1515 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/twelve-year-old-jesus-in-the-temple-retable-panel-master-of-1518-1515-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601303487.htmlRM2WX7MMF–Twelve-year-old Jesus in the temple (retable panel) Master of 1518 1515 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Meyndert Sonck with wife and children 1662 by Jan Albertsz. Rotius Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meyndert-sonck-with-wife-and-children-1662-by-jan-albertsz-rotius-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image600798915.htmlRM2WWCN43–Meyndert Sonck with wife and children 1662 by Jan Albertsz. Rotius Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Martyrdom of Erasmus 1500 by anonymous painter, Museum Mayer van den Bergh, Antwerp, As the patron saint of skippers, the legendary bishop of Antioch was depicted with an attribute of a windlass with anchor rope. Where such things were not known, they were taken as his instrument of torture: the pagans are said to have pulled Erasmus' intestines out of his body with a pulley Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-erasmus-1500-by-anonymous-painter-museum-mayer-van-den-bergh-antwerp-as-the-patron-saint-of-skippers-the-legendary-bishop-of-antioch-was-depicted-with-an-attribute-of-a-windlass-with-anchor-rope-where-such-things-were-not-known-they-were-taken-as-his-instrument-of-torture-the-pagans-are-said-to-have-pulled-erasmus-intestines-out-of-his-body-with-a-pulley-image601041611.htmlRM2WWRPKR–Martyrdom of Erasmus 1500 by anonymous painter, Museum Mayer van den Bergh, Antwerp, As the patron saint of skippers, the legendary bishop of Antioch was depicted with an attribute of a windlass with anchor rope. Where such things were not known, they were taken as his instrument of torture: the pagans are said to have pulled Erasmus' intestines out of his body with a pulley
Winter landscape with bird's eye view and the flight to Egypt by Pieter (II) Brueghel 1622 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.( One of the oldest copies after the original by Pieter Bruegel I, dated 1565, in Brussels, K.M.S.K. (ex-commissioned Delporte). Exceptionally, this response features a group of the fleeing H.Familie. These figures are also missing from the original. In the threatening birdsong, people wanted to see an allusion to the disasters brought on the Netherlands by the Spanish rule. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-landscape-with-birds-eye-view-and-the-flight-to-egypt-by-pieter-ii-brueghel-1622-museum-mayer-van-den-bergh-antwerp-belgium-belgian-one-of-the-oldest-copies-after-the-original-by-pieter-bruegel-i-dated-1565-in-brussels-kmsk-ex-commissioned-delporte-exceptionally-this-response-features-a-group-of-the-fleeing-hfamilie-these-figures-are-also-missing-from-the-original-in-the-threatening-birdsong-people-wanted-to-see-an-allusion-to-the-disasters-brought-on-the-netherlands-by-the-spanish-rule-image601666523.htmlRM2WXT7P3–Winter landscape with bird's eye view and the flight to Egypt by Pieter (II) Brueghel 1622 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.( One of the oldest copies after the original by Pieter Bruegel I, dated 1565, in Brussels, K.M.S.K. (ex-commissioned Delporte). Exceptionally, this response features a group of the fleeing H.Familie. These figures are also missing from the original. In the threatening birdsong, people wanted to see an allusion to the disasters brought on the Netherlands by the Spanish rule. )
Francesco I de' Medici by Alessandro Allori, Angelo Bronzino (painter) 1560 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Francesco I was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-i-de-medici-by-alessandro-allori-angelo-bronzino-painter-1560-museum-mayer-van-den-bergh-antwerp-belgium-belgian-francesco-i-was-the-second-grand-duke-of-tuscany-ruling-from-1574-until-his-death-in-1587-he-was-a-member-of-the-house-of-medici-image600798963.htmlRM2WWCN5R–Francesco I de' Medici by Alessandro Allori, Angelo Bronzino (painter) 1560 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. ( Francesco I was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici. )
Mary on her deathbed (reredos hatch) by Master of Amiens, 1500 - 1524 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-on-her-deathbed-reredos-hatch-by-master-of-amiens-1500-1524-museum-mayer-van-den-bergh-antwerp-belgium-belgian-image601211828.htmlRM2WX3FR0–Mary on her deathbed (reredos hatch) by Master of Amiens, 1500 - 1524 Museum Mayer van den Bergh, Antwerp, Belgium, Belgian.
Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-museum-of-fine-arts-antwerp-belgium-belgian-image603625124.htmlRM2X21E04–Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Self Portrait with Cigar 1913 by Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-with-cigar-1913-by-rik-wouters-1882-1936-mechelen-amsterdam-belgian-belgium-royal-museum-of-fine-arts-antwerp-image600683226.htmlRM2WW7DGA–Self Portrait with Cigar 1913 by Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp,
The People Census at Bethlehem by Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-people-census-at-bethlehem-by-pieter-brueghel-the-younger-1564-1637-the-brueghel-family-bruegel-or-breughel-flemish-painters-16th-17th-century-belgian-belgium-image600198134.htmlRM2WTDARJ–The People Census at Bethlehem by Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium
The Distribution of Bread in the Village 1892 by Frans Van Leemputten 1850=1914 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-distribution-of-bread-in-the-village-1892-by-frans-van-leemputten-1850=1914-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598594609.htmlRM2WNT9EW–The Distribution of Bread in the Village 1892 by Frans Van Leemputten 1850=1914 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rik-wouters-1882-1936-mechelen-amsterdam-belgian-belgium-royal-museum-of-fine-arts-antwerp-image600683153.htmlRM2WW7DDN–Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp,
Portrait of a Woman by Catharina van Hemessen 1527-1567 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-by-catharina-van-hemessen-1527-1567-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598075356.htmlRM2WN0K64–Portrait of a Woman by Catharina van Hemessen 1527-1567 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Adam and Eve 1528-1530 by Lucas Cranach l the Elder 1472 - 1553 German Germany Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Adam and Eve, Garden of Eden, Paradise, Adam, Eve, God, Expulsion from paradise, Tree of Knowledge , Fall of Man, Apple, Snake, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-and-eve-1528-1530-by-lucas-cranach-l-the-elder-1472-1553-german-germany-royal-museum-of-fine-arts-antwerp-belgium-belgian-adam-and-eve-garden-of-eden-paradise-adam-eve-god-expulsion-from-paradise-tree-of-knowledge-fall-of-man-apple-snake-image598886339.htmlRM2WP9HHR–Adam and Eve 1528-1530 by Lucas Cranach l the Elder 1472 - 1553 German Germany Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Adam and Eve, Garden of Eden, Paradise, Adam, Eve, God, Expulsion from paradise, Tree of Knowledge , Fall of Man, Apple, Snake, )
Enthroned Madonna Adored by Saints 1628 by (1577-1640). Rubens Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The Royal Museum of Fine Arts in Antwerp (KMSKA) has begun the restoration of Peter Paul Rubens’s gigantic altarpiece Enthroned Madonna Adored by Saints (ca. 1628). ) restoring the Enthroned Madonna by Rubens for two years, with six conservators working on a scaffold. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enthroned-madonna-adored-by-saints-1628-by-1577-1640-rubens-flemish-artist-and-diplomat-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-the-royal-museum-of-fine-arts-in-antwerp-kmska-has-begun-the-restoration-of-peter-paul-rubenss-gigantic-altarpiece-enthroned-madonna-adored-by-saints-ca-1628-restoring-the-enthroned-madonna-by-rubens-for-two-years-with-six-conservators-working-on-a-scaffold-image597566112.htmlRM2WM5DJT–Enthroned Madonna Adored by Saints 1628 by (1577-1640). Rubens Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The Royal Museum of Fine Arts in Antwerp (KMSKA) has begun the restoration of Peter Paul Rubens’s gigantic altarpiece Enthroned Madonna Adored by Saints (ca. 1628). ) restoring the Enthroned Madonna by Rubens for two years, with six conservators working on a scaffold.
The Dance of the Bride by Pieter Brueghel the Elder (1526/1530–1569) - Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( De dans der bruid, Pieter Bruegel I, 16de eeuw, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dance-of-the-bride-by-pieter-brueghel-the-elder-152615301569-royal-museum-of-fine-arts-antwerp-belgium-belgian-de-dans-der-bruid-pieter-bruegel-i-16de-eeuw-image598285931.htmlRM2WNA7PK–The Dance of the Bride by Pieter Brueghel the Elder (1526/1530–1569) - Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( De dans der bruid, Pieter Bruegel I, 16de eeuw, )
Maximilian II Emanuel, Elector of Bavaria, Governor of the Spanish Netherlands 1694 by Willem Kerricx Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.( Maximilian II Emanuel - Kurfürst von Bayern ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maximilian-ii-emanuel-elector-of-bavaria-governor-of-the-spanish-netherlands-1694-by-willem-kerricx-royal-museum-of-fine-arts-antwerp-belgium-belgian-maximilian-ii-emanuel-kurfrst-von-bayern-image597920893.htmlRM2WMNJ5H–Maximilian II Emanuel, Elector of Bavaria, Governor of the Spanish Netherlands 1694 by Willem Kerricx Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.( Maximilian II Emanuel - Kurfürst von Bayern )
The Rest on the Flight to Egypt by Gerard DAVID 1450 - 1523 Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-rest-on-the-flight-to-egypt-by-gerard-david-1450-1523-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image597939282.htmlRM2WMPDJA–The Rest on the Flight to Egypt by Gerard DAVID 1450 - 1523 Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian,
Pope Alexander VI presenting Bishop Jacopo Pesaro to saint Peter, 1503-1506 by Titian, (Pieve di Cadore 1488/90 - Venice 1576), Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pope-alexander-vi-presenting-bishop-jacopo-pesaro-to-saint-peter-1503-1506-by-titian-pieve-di-cadore-148890-venice-1576-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599203690.htmlRM2WPT2BP–Pope Alexander VI presenting Bishop Jacopo Pesaro to saint Peter, 1503-1506 by Titian, (Pieve di Cadore 1488/90 - Venice 1576), Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The People Census at Bethlehem by Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-people-census-at-bethlehem-by-pieter-brueghel-the-younger-1564-1637-the-brueghel-family-bruegel-or-breughel-flemish-painters-16th-17th-century-belgian-belgium-image600198138.htmlRM2WTDARP–The People Census at Bethlehem by Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image598729815.htmlRM2WP2DYK–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
Kruisdraging - Bearing the cross 1632 Peter Paul Rubens,by Paulus Pontius (May 1603 – 16 January 1658) was a Flemish engraver and painter. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kruisdraging-bearing-the-cross-1632-peter-paul-rubensby-paulus-pontius-may-1603-16-january-1658-was-a-flemish-engraver-and-painter-he-worked-with-the-artists-peter-paul-rubens-and-anthony-van-dyck-royal-museum-of-fine-arts-antwerp-belgium-belgian-image601858088.htmlRM2WY503M–Kruisdraging - Bearing the cross 1632 Peter Paul Rubens,by Paulus Pontius (May 1603 – 16 January 1658) was a Flemish engraver and painter. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Saint Jerome 1541 by Marinus van Reymerswale 1490-1556 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-jerome-1541-by-marinus-van-reymerswale-1490-1556-royal-museum-of-fine-arts-antwerp-belgium-belgian-image603624856.htmlRM2X21DJG–Saint Jerome 1541 by Marinus van Reymerswale 1490-1556 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Man of Sorrows with Madonna and Saint Catherine of Alexandria 1500 by Meester van de Heilige Veronica Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-of-sorrows-with-madonna-and-saint-catherine-of-alexandria-1500-by-meester-van-de-heilige-veronica-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598886249.htmlRM2WP9HEH–Man of Sorrows with Madonna and Saint Catherine of Alexandria 1500 by Meester van de Heilige Veronica Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Interior 1930 by George Morren 1868-1941 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-1930-by-george-morren-1868-1941-royal-museum-of-fine-arts-antwerp-belgium-belgian-image600407733.htmlRM2WTPX59–Interior 1930 by George Morren 1868-1941 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Rooftops of Ostend 1884 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooftops-of-ostend-1884-by-james-ensor-1860-1949-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599315987.htmlRM2WR15JB–Rooftops of Ostend 1884 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Prodigal Son 1618 by Peter Paul Rubens.(1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. The Parable of the Prodigal Son, Parable, of the Two Brothers, Lost Son, Loving Father, Forgiving Father, Jesus shares the parable with his disciples, the Pharisees and others, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-prodigal-son-1618-by-peter-paul-rubens1577-1640-flemish-artist-and-diplomat-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-the-parable-of-the-prodigal-son-parable-of-the-two-brothers-lost-son-loving-father-forgiving-father-jesus-shares-the-parable-with-his-disciples-the-pharisees-and-others-image598285991.htmlRM2WNA7TR–The Prodigal Son 1618 by Peter Paul Rubens.(1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. The Parable of the Prodigal Son, Parable, of the Two Brothers, Lost Son, Loving Father, Forgiving Father, Jesus shares the parable with his disciples, the Pharisees and others,
Enthroned Madonna Adored by Saints 1628 by (1577-1640). Rubens Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The Royal Museum of Fine Arts in Antwerp (KMSKA) has begun the restoration of Peter Paul Rubens’s gigantic altarpiece Enthroned Madonna Adored by Saints (ca. 1628). ) restoring the Enthroned Madonna by Rubens for two years, with six conservators working on a scaffold. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enthroned-madonna-adored-by-saints-1628-by-1577-1640-rubens-flemish-artist-and-diplomat-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-the-royal-museum-of-fine-arts-in-antwerp-kmska-has-begun-the-restoration-of-peter-paul-rubenss-gigantic-altarpiece-enthroned-madonna-adored-by-saints-ca-1628-restoring-the-enthroned-madonna-by-rubens-for-two-years-with-six-conservators-working-on-a-scaffold-image603624844.htmlRM2X21DJ4–Enthroned Madonna Adored by Saints 1628 by (1577-1640). Rubens Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The Royal Museum of Fine Arts in Antwerp (KMSKA) has begun the restoration of Peter Paul Rubens’s gigantic altarpiece Enthroned Madonna Adored by Saints (ca. 1628). ) restoring the Enthroned Madonna by Rubens for two years, with six conservators working on a scaffold.
The Martyrdom of Saint Apollonia 1628. by Jacob Jordaens I Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-martyrdom-of-saint-apollonia-1628-by-jacob-jordaens-i-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-image597800300.htmlRM2WMG4AM–The Martyrdom of Saint Apollonia 1628. by Jacob Jordaens I Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Cleopatra by Alexandre Cabanel 1887 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Cleopatra’s tragic death was a popular subject. After the Battle of Actium, where Mark Anthony and Cleopatra were defeated by the fleet of Octavian, the later Emperor Augustus, Cleopatra preferred to die rather than be forced to live under the Roman yoke. Cabanel’s painting shows her preparing for her suicide ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cleopatra-by-alexandre-cabanel-1887-royal-museum-of-fine-arts-antwerp-belgium-belgian-cleopatras-tragic-death-was-a-popular-subject-after-the-battle-of-actium-where-mark-anthony-and-cleopatra-were-defeated-by-the-fleet-of-octavian-the-later-emperor-augustus-cleopatra-preferred-to-die-rather-than-be-forced-to-live-under-the-roman-yoke-cabanels-painting-shows-her-preparing-for-her-suicide-image603625087.htmlRM2X21DXR–Cleopatra by Alexandre Cabanel 1887 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Cleopatra’s tragic death was a popular subject. After the Battle of Actium, where Mark Anthony and Cleopatra were defeated by the fleet of Octavian, the later Emperor Augustus, Cleopatra preferred to die rather than be forced to live under the Roman yoke. Cabanel’s painting shows her preparing for her suicide )
The Dance of the Bride by Pieter Brueghel the Elder (1526/1530–1569) - Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( De dans der bruid, Pieter Bruegel I, 16de eeuw, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dance-of-the-bride-by-pieter-brueghel-the-elder-152615301569-royal-museum-of-fine-arts-antwerp-belgium-belgian-de-dans-der-bruid-pieter-bruegel-i-16de-eeuw-image597920918.htmlRM2WMNJ6E–The Dance of the Bride by Pieter Brueghel the Elder (1526/1530–1569) - Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( De dans der bruid, Pieter Bruegel I, 16de eeuw, )
The Triumph of Frederik Hendrik 1650-1651 ( Stadhouder Frederik Hendrik van Oranje (1584-1647) ) The Netherlands Jacob Jordaens I 1593-1678 ( Stadtholder Frederik Hendrik of Orange ) Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-frederik-hendrik-1650-1651-stadhouder-frederik-hendrik-van-oranje-1584-1647-the-netherlands-jacob-jordaens-i-1593-1678-stadtholder-frederik-hendrik-of-orange-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599203677.htmlRM2WPT2B9–The Triumph of Frederik Hendrik 1650-1651 ( Stadhouder Frederik Hendrik van Oranje (1584-1647) ) The Netherlands Jacob Jordaens I 1593-1678 ( Stadtholder Frederik Hendrik of Orange ) Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
St. George and the Dragon, in a suit of golden armour and seated on a grey horse by The Members of the Guild of the Old Crossbow of Mechelen Meester van de Mechelse Sint-Jorisgilde Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Saint George, in a suit of golden armour and seated on a grey horse, is slaying a dragon in the centre of this painting. heroic deed saved the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-george-and-the-dragon-in-a-suit-of-golden-armour-and-seated-on-a-grey-horse-by-the-members-of-the-guild-of-the-old-crossbow-of-mechelen-meester-van-de-mechelse-sint-jorisgilde-royal-museum-of-fine-arts-antwerp-belgium-belgian-saint-george-in-a-suit-of-golden-armour-and-seated-on-a-grey-horse-is-slaying-a-dragon-in-the-centre-of-this-painting-heroic-deed-saved-the-image598075343.htmlRM2WN0K5K–St. George and the Dragon, in a suit of golden armour and seated on a grey horse by The Members of the Guild of the Old Crossbow of Mechelen Meester van de Mechelse Sint-Jorisgilde Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Saint George, in a suit of golden armour and seated on a grey horse, is slaying a dragon in the centre of this painting. heroic deed saved the
Flaxweeding in Flanders 1887 by Emile Claus 1849-1924 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flaxweeding-in-flanders-1887-by-emile-claus-1849-1924-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598594595.htmlRM2WNT9EB–Flaxweeding in Flanders 1887 by Emile Claus 1849-1924 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Baptism of Christ 1604-1605 by Peter Paul Rubens. (1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Saint John Baptist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-baptism-of-christ-1604-1605-by-peter-paul-rubens-1577-1640-flemish-artist-and-diplomat-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-saint-john-baptist-image597704589.htmlRM2WMBP8D–The Baptism of Christ 1604-1605 by Peter Paul Rubens. (1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Saint John Baptist
After Mass 1866 by Henri Leys 1815-1869 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-mass-1866-by-henri-leys-1815-1869-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598506008.htmlRM2WNM8EG–After Mass 1866 by Henri Leys 1815-1869 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Possibly a portrait of Charles II when Prince of Wales, by Adriaen Hanneman 1604 -1671 The Netherlands, Dutch, Holland,Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/possibly-a-portrait-of-charles-ii-when-prince-of-wales-by-adriaen-hanneman-1604-1671-the-netherlands-dutch-hollandroyal-museum-of-fine-arts-antwerp-belgium-belgian-image598154026.htmlRM2WN47FP–Possibly a portrait of Charles II when Prince of Wales, by Adriaen Hanneman 1604 -1671 The Netherlands, Dutch, Holland,Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-1616-by-jacob-jordaens-15931678-flemish-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image600277818.htmlRM2WTH0DE–The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Madonna Surrounded by Seraphim and Cherubim 1450 by Jean Fouquet, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( enthroned Madonna holds the Christ Child on her knee. She is robed as a queen, with an ermine cloak and a crown decorated with pearls and precious stones. She is surrounded by the two kinds of angel whom the influential Christian thinker Pseudo-Dionysius classified as the most important creatures in heaven. The red seraphim were the highest in rank. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-surrounded-by-seraphim-and-cherubim-1450-by-jean-fouquet-royal-museum-of-fine-arts-antwerp-belgium-belgian-enthroned-madonna-holds-the-christ-child-on-her-knee-she-is-robed-as-a-queen-with-an-ermine-cloak-and-a-crown-decorated-with-pearls-and-precious-stones-she-is-surrounded-by-the-two-kinds-of-angel-whom-the-influential-christian-thinker-pseudo-dionysius-classified-as-the-most-important-creatures-in-heaven-the-red-seraphim-were-the-highest-in-rank-image598729827.htmlRM2WP2E03–Madonna Surrounded by Seraphim and Cherubim 1450 by Jean Fouquet, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( enthroned Madonna holds the Christ Child on her knee. She is robed as a queen, with an ermine cloak and a crown decorated with pearls and precious stones. She is surrounded by the two kinds of angel whom the influential Christian thinker Pseudo-Dionysius classified as the most important creatures in heaven. The red seraphim were the highest in rank. )
Charity 1540 by Lucas Cranach l the Elder 1472 - 1553 German Germany Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charity-1540-by-lucas-cranach-l-the-elder-1472-1553-german-germany-royal-museum-of-fine-arts-antwerp-belgium-belgian-image603624947.htmlRM2X21DNR–Charity 1540 by Lucas Cranach l the Elder 1472 - 1553 German Germany Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-youth-smiling-and-poking-fun-at-a-man-admiring-his-reflection-in-a-mirror-allegory-of-vanity-by-michael-sweerts-1618-1664-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598154187.htmlRM2WN47NF–A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-1616-by-jacob-jordaens-15931678-flemish-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image600198058.htmlRM2WTDAMX–The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
THE JUDGMENT OF SOLOMON 1628-1633 by Boetius à Bolswert - Boetius Adamsz Bolswert, Bodius,. 1585 – 1633, Flemish engraver of Friesland origin, He worked with the artists Peter Paul Rubens, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-judgment-of-solomon-1628-1633-by-boetius-bolswert-boetius-adamsz-bolswert-bodius-1585-1633-flemish-engraver-of-friesland-origin-he-worked-with-the-artists-peter-paul-rubens-royal-museum-of-fine-arts-antwerp-belgium-belgian-image601858335.htmlRM2WY50CF–THE JUDGMENT OF SOLOMON 1628-1633 by Boetius à Bolswert - Boetius Adamsz Bolswert, Bodius,. 1585 – 1633, Flemish engraver of Friesland origin, He worked with the artists Peter Paul Rubens, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Wait 1879-1882 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wait-1879-1882-by-james-ensor-1860-1949-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599316098.htmlRM2WR15PA–The Wait 1879-1882 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Last Judgement and the Seventh Act of Mercy: Burying the Dead Bernard van Orley 1517-1524/ 1525 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-judgement-and-the-seventh-act-of-mercy-burying-the-dead-bernard-van-orley-1517-1524-1525-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599130833.htmlRM2WPMNDN–The Last Judgement and the Seventh Act of Mercy: Burying the Dead Bernard van Orley 1517-1524/ 1525 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Bewening van Christus - Lamentation of Christ 1628 Peter Paul Rubens, by Paulus Pontius was a Flemish engraver and painter. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bewening-van-christus-lamentation-of-christ-1628-peter-paul-rubens-by-paulus-pontius-was-a-flemish-engraver-and-painter-he-worked-with-the-artists-peter-paul-rubens-and-anthony-van-dyck-royal-museum-of-fine-arts-antwerp-belgium-belgian-image601858074.htmlRM2WY5036–Bewening van Christus - Lamentation of Christ 1628 Peter Paul Rubens, by Paulus Pontius was a Flemish engraver and painter. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Last Judgement and the Seventh Act of Mercy: Burying the Dead Bernard van Orley 1517-1524/ 1525 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-judgement-and-the-seventh-act-of-mercy-burying-the-dead-bernard-van-orley-1517-1524-1525-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599130827.htmlRM2WPMNDF–The Last Judgement and the Seventh Act of Mercy: Burying the Dead Bernard van Orley 1517-1524/ 1525 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Wrestling Barrack at a Fair by by Henri Evenepoel (1872–1899) Nice -Paris, France French Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Wrestlers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wrestling-barrack-at-a-fair-by-by-henri-evenepoel-18721899-nice-paris-france-french-royal-museum-of-fine-arts-antwerp-belgium-belgian-wrestlers-image598154334.htmlRM2WN47XP–Wrestling Barrack at a Fair by by Henri Evenepoel (1872–1899) Nice -Paris, France French Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Wrestlers
Self Portrait with Black Eye Patch 1915 Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-with-black-eye-patch-1915-rik-wouters-1882-1936-mechelen-amsterdam-belgian-belgium-royal-museum-of-fine-arts-antwerp-image600683142.htmlRM2WW7DDA–Self Portrait with Black Eye Patch 1915 Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp,
Astonishment of the Mask Wouse 1889 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Enigmatic masquerade fantastical masks without real bodies. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astonishment-of-the-mask-wouse-1889-by-james-ensor-1860-1949-royal-museum-of-fine-arts-antwerp-belgium-belgian-enigmatic-masquerade-fantastical-masks-without-real-bodies-image599316192.htmlRM2WR15WM–Astonishment of the Mask Wouse 1889 by James Ensor 1860-1949 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Enigmatic masquerade fantastical masks without real bodies. )
Self Portrait with Black Eye Patch 1915 Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-with-black-eye-patch-1915-rik-wouters-1882-1936-mechelen-amsterdam-belgian-belgium-royal-museum-of-fine-arts-antwerp-image600683155.htmlRM2WW7DDR–Self Portrait with Black Eye Patch 1915 Rik Wouters 1882-1936 Mechelen - Amsterdam Belgian Belgium Royal Museum of Fine Arts, Antwerp,
The Adoration of the Shepherds 1629 Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-1629-lucas-vorsterman-15951675-was-a-baroque-engraver-he-worked-with-the-artists-peter-paul-rubens-and-anthony-van-dyck-royal-museum-of-fine-arts-antwerp-belgium-belgian-image601858157.htmlRM2WY5065–The Adoration of the Shepherds 1629 Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Marcus Junius Brutus 1638 by Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Marcus Junius Brutus, 85 BC – 42 BC, Roman politician, orator, and the most famous of the assassins of Julius Caesar ) conspiracy against Caesar’s life Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcus-junius-brutus-1638-by-lucas-vorsterman-15951675-was-a-baroque-engraver-he-worked-with-the-artists-peter-paul-rubens-and-anthony-van-dyck-royal-museum-of-fine-arts-antwerp-belgium-belgian-marcus-junius-brutus-85-bc-42-bc-roman-politician-orator-and-the-most-famous-of-the-assassins-of-julius-caesar-conspiracy-against-caesars-life-image601858195.htmlRM2WY507F–Marcus Junius Brutus 1638 by Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Marcus Junius Brutus, 85 BC – 42 BC, Roman politician, orator, and the most famous of the assassins of Julius Caesar ) conspiracy against Caesar’s life
Charity 1828 Wilhelm Schadow. Berlijn 1788-1862 Dusseldorf .Germany German Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Friedrich Wilhelm von Schadow was a German Romantic painter. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charity-1828-wilhelm-schadow-berlijn-1788-1862-dusseldorf-germany-german-royal-museum-of-fine-arts-antwerp-belgium-belgian-friedrich-wilhelm-von-schadow-was-a-german-romantic-painter-image603625122.htmlRM2X21E02–Charity 1828 Wilhelm Schadow. Berlijn 1788-1862 Dusseldorf .Germany German Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Friedrich Wilhelm von Schadow was a German Romantic painter. )
Landscape in Seneffe 1888 by Alfred William Finch ( Willy ) 1854-1930 Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-seneffe-1888-by-alfred-william-finch-willy-1854-1930-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image600407797.htmlRM2WTPX7H–Landscape in Seneffe 1888 by Alfred William Finch ( Willy ) 1854-1930 Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Cupid and Psyche by Jacob Jordaens (I), c. 1630 - c. 1640 Jacob Jordaens (1593 –1678) Flemish Baroque painter Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cupid-and-psyche-by-jacob-jordaens-i-c-1630-c-1640-jacob-jordaens-1593-1678-flemish-baroque-painter-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598286193.htmlRM2WNA841–Cupid and Psyche by Jacob Jordaens (I), c. 1630 - c. 1640 Jacob Jordaens (1593 –1678) Flemish Baroque painter Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-1616-by-jacob-jordaens-15931678-flemish-belgian-belgium-royal-museum-of-fine-arts-antwerp-belgium-belgian-image600277827.htmlRM2WTH0DR–The Adoration of the Shepherds 1616 by Jacob Jordaens (1593–1678) Flemish Belgian Belgium Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Portrait of a Boy 1655 by Erasmus Quellinus II Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-boy-1655-by-erasmus-quellinus-ii-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598154182.htmlRM2WN47NA–Portrait of a Boy 1655 by Erasmus Quellinus II Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Cleopatra by Alexandre Cabanel 1887 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Cleopatra’s tragic death was a popular subject. After the Battle of Actium, where Mark Anthony and Cleopatra were defeated by the fleet of Octavian, the later Emperor Augustus, Cleopatra preferred to die rather than be forced to live under the Roman yoke. Cabanel’s painting shows her preparing for her suicide ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cleopatra-by-alexandre-cabanel-1887-royal-museum-of-fine-arts-antwerp-belgium-belgian-cleopatras-tragic-death-was-a-popular-subject-after-the-battle-of-actium-where-mark-anthony-and-cleopatra-were-defeated-by-the-fleet-of-octavian-the-later-emperor-augustus-cleopatra-preferred-to-die-rather-than-be-forced-to-live-under-the-roman-yoke-cabanels-painting-shows-her-preparing-for-her-suicide-image598506100.htmlRM2WNM8HT–Cleopatra by Alexandre Cabanel 1887 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( Cleopatra’s tragic death was a popular subject. After the Battle of Actium, where Mark Anthony and Cleopatra were defeated by the fleet of Octavian, the later Emperor Augustus, Cleopatra preferred to die rather than be forced to live under the Roman yoke. Cabanel’s painting shows her preparing for her suicide )
Susanna and the Elders (1633 by Christoffel Jegher (1596, Antwerp – 1652, Antwerp), was a Flemish Baroque engraver. Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/susanna-and-the-elders-1633-by-christoffel-jegher-1596-antwerp-1652-antwerp-was-a-flemish-baroque-engraver-royal-museum-of-fine-arts-antwerp-belgium-belgian-image601858283.htmlRM2WY50AK–Susanna and the Elders (1633 by Christoffel Jegher (1596, Antwerp – 1652, Antwerp), was a Flemish Baroque engraver. Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Saint Jerome 1541 by Marinus van Reymerswaele - Marinus van Reymerswale 1490-1556 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-jerome-1541-by-marinus-van-reymerswaele-marinus-van-reymerswale-1490-1556-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598286270.htmlRM2WNA86P–Saint Jerome 1541 by Marinus van Reymerswaele - Marinus van Reymerswale 1490-1556 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Lamentation over the Dead Christ 1640 by by Antoon - Anthony van Dyck 1599 - 1641 Flemish Belgian Belgium Flemish artist, Baroque, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Lamentation of Christ, after Jesus was crucified, crucifixion, his body was removed, Cross, his friends mourned over his body, Lamentation over the Dead Christ, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lamentation-over-the-dead-christ-1640-by-by-antoon-anthony-van-dyck-1599-1641-flemish-belgian-belgium-flemish-artist-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-lamentation-of-christ-after-jesus-was-crucified-crucifixion-his-body-was-removed-cross-his-friends-mourned-over-his-body-lamentation-over-the-dead-christ-image598729973.htmlRM2WP2E59–The Lamentation over the Dead Christ 1640 by by Antoon - Anthony van Dyck 1599 - 1641 Flemish Belgian Belgium Flemish artist, Baroque, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Lamentation of Christ, after Jesus was crucified, crucifixion, his body was removed, Cross, his friends mourned over his body, Lamentation over the Dead Christ, )
Flaxweeding in Flanders 1887 by Emile Claus 1849-1924 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flaxweeding-in-flanders-1887-by-emile-claus-1849-1924-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598594599.htmlRM2WNT9EF–Flaxweeding in Flanders 1887 by Emile Claus 1849-1924 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Virgin in the Church 1499 Meester van Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-in-the-church-1499-meester-van-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598886418.htmlRM2WP9HMJ–Virgin in the Church 1499 Meester van Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Triumph of Frederik Hendrik 1650-1651 ( Stadhouder Frederik Hendrik van Oranje (1584-1647) ) The Netherlands Jacob Jordaens I 1593-1678 ( Stadtholder Frederik Hendrik of Orange ) Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-frederik-hendrik-1650-1651-stadhouder-frederik-hendrik-van-oranje-1584-1647-the-netherlands-jacob-jordaens-i-1593-1678-stadtholder-frederik-hendrik-of-orange-royal-museum-of-fine-arts-antwerp-belgium-belgian-image599203680.htmlRM2WPT2BC–The Triumph of Frederik Hendrik 1650-1651 ( Stadhouder Frederik Hendrik van Oranje (1584-1647) ) The Netherlands Jacob Jordaens I 1593-1678 ( Stadtholder Frederik Hendrik of Orange ) Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-babel-by-jan-brueghel-i-1565-1625-and-tobias-verhaecht-1561-1631-royal-museum-of-fine-arts-antwerp-belgium-belgian-tower-of-babel-according-to-genesis-the-babylonians-wanted-to-make-a-name-for-themselves-by-building-a-mighty-city-and-a-tower-with-its-top-in-the-heavens-god-disrupted-the-work-by-so-confusing-the-language-of-the-workers-that-they-could-no-longer-understand-one-another-image603625211.htmlRM2X21E37–The Tower of Babel by Jan Brueghel I 1565-1625 and Tobias Verhaecht 1561-1631 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian ( Tower of Babel, According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another.).
Christ Triumphant over Sin and Death, 1590 by Maerten de Vos 1532-1605 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-triumphant-over-sin-and-death-1590-by-maerten-de-vos-1532-1605-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598886279.htmlRM2WP9HFK–Christ Triumphant over Sin and Death, 1590 by Maerten de Vos 1532-1605 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Adoration of the Magi by Peter Paul Rubens.(1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Adoration, Magi, Adoration of the Kings , Nativity of Jesus, Three Magi, represented as kings, found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-magi-by-peter-paul-rubens1577-1640-flemish-artist-and-diplomat-flemish-baroque-royal-museum-of-fine-arts-antwerp-belgium-belgian-adoration-magi-adoration-of-the-kings-nativity-of-jesus-three-magi-represented-as-kings-found-jesus-by-following-a-star-lay-before-him-gifts-of-gold-frankincense-and-myrrh-and-worship-him-image597800338.htmlRM2WMG4C2–The Adoration of the Magi by Peter Paul Rubens.(1577-1640). Flemish artist and diplomat, Flemish, Baroque Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Adoration, Magi, Adoration of the Kings , Nativity of Jesus, Three Magi, represented as kings, found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him
The Distribution of Bread in the Village 1892 by Frans Van Leemputten 1850=1914 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-distribution-of-bread-in-the-village-1892-by-frans-van-leemputten-1850=1914-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598594605.htmlRM2WNT9EN–The Distribution of Bread in the Village 1892 by Frans Van Leemputten 1850=1914 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
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