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1857 1937 Stock Photos and Images
Albert Ebenezer (1857 - 1937) and Ebenezer Albert Fox (1857 - 1926), were English poachers and identical twins known as the Twin Foxes. Turning to a life of crime, they often got away by providing each other with alibis. When they were in prison Sir Edward Henry used them, and other twins, to prove that individuals could be identified by fingerprints by showing that their fingerprints were different. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-ebenezer-1857-1937-and-ebenezer-albert-fox-1857-1926-were-english-poachers-and-identical-twins-known-as-the-twin-foxes-turning-to-a-life-of-crime-they-often-got-away-by-providing-each-other-with-alibis-when-they-were-in-prison-sir-edward-henry-used-them-and-other-twins-to-prove-that-individuals-could-be-identified-by-fingerprints-by-showing-that-their-fingerprints-were-different-image246587638.htmlRMT9511A–Albert Ebenezer (1857 - 1937) and Ebenezer Albert Fox (1857 - 1926), were English poachers and identical twins known as the Twin Foxes. Turning to a life of crime, they often got away by providing each other with alibis. When they were in prison Sir Edward Henry used them, and other twins, to prove that individuals could be identified by fingerprints by showing that their fingerprints were different.
Greek melic poets : Smyth, Herbert Weir, 1857-1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-melic-poets-smyth-herbert-weir-1857-1937-image261418541.htmlRMW58J0D–Greek melic poets : Smyth, Herbert Weir, 1857-1937
Historical X-ray of gold-mounted cameos, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-gold-mounted-cameos-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-image352835259.htmlRM2BE10Y7–Historical X-ray of gold-mounted cameos, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a
Inspired by Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-cartoon-the-monopoly-pharoahs-building-their-tombs-frederick-burr-opper-american-1857-1937-printed-paper-1883-9-1316-x-13-316-in-249-x-335-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248985.htmlRF2HK4GND–Inspired by Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fléau! (Scourge!). Artist: Danger, Henri-Camille (1857-1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-flau!-scourge!-artist-danger-henri-camille-1857-1937-74092801.htmlRME8F63D–Fléau! (Scourge!). Artist: Danger, Henri-Camille (1857-1937)
Alphonse Mucha poster: Leslie Carter (1857-1937), American Silent Film and Stage Actress as 'Kassa', 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alphonse-mucha-poster-leslie-carter-1857-1937-american-silent-film-and-stage-actress-as-kassa-1908-image411694814.htmlRM2EWP8X6–Alphonse Mucha poster: Leslie Carter (1857-1937), American Silent Film and Stage Actress as 'Kassa', 1908
The grand opening march over the Brooklyn Bridge / F. Opper. Creator(s): Opper, Frederick Burr, 1857-1937. Dated 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-grand-opening-march-over-the-brooklyn-bridge-f-opper-creators-image68557889.htmlRMDYF281–The grand opening march over the Brooklyn Bridge / F. Opper. Creator(s): Opper, Frederick Burr, 1857-1937. Dated 1883
Otto Horeishi (1857-1937). Czech painter. Landscape: Veliko Tarnovo, 1890. National Art Gallery. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/otto-horeishi-1857-1937-czech-painter-landscape-veliko-tarnovo-1890-national-art-gallery-sofia-bulgaria-image545441689.htmlRM2PKB0C9–Otto Horeishi (1857-1937). Czech painter. Landscape: Veliko Tarnovo, 1890. National Art Gallery. Sofia. Bulgaria.
The 'three honest men' of Wall Street declare for Blaine. By Frederick Burr Opper, 1857-1937, artist. Dated 1884. Illustration shows Russell Sage, Jay Gould, and Cyrus W. Field as the Three Musketeers standing on Wall Street with their swords raised in support of James G. Blaine as the Republican presidential candidate; Sage's sword is labelled 'Put-and-Call Gambler', Gould's sword is labelled 'Railroad Wrecker', and Field's sword is labelled 'Elevated R.R. Grabber'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-three-honest-men-of-wall-street-declare-for-blaine-by-frederick-image68553765.htmlRMDYEW0N–The 'three honest men' of Wall Street declare for Blaine. By Frederick Burr Opper, 1857-1937, artist. Dated 1884. Illustration shows Russell Sage, Jay Gould, and Cyrus W. Field as the Three Musketeers standing on Wall Street with their swords raised in support of James G. Blaine as the Republican presidential candidate; Sage's sword is labelled 'Put-and-Call Gambler', Gould's sword is labelled 'Railroad Wrecker', and Field's sword is labelled 'Elevated R.R. Grabber'.
Frank Kellogg (1857-1937), succeeded Charles Evans Hughes as Secretary of State in 1925. Hughes returned to private law Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frank-kellogg-1857-1937-succeeded-charles-evans-hughes-as-secretary-50024220.htmlRMCWAPB8–Frank Kellogg (1857-1937), succeeded Charles Evans Hughes as Secretary of State in 1925. Hughes returned to private law
The 'Little Napoleon of Wall Street' in exile by Frederick Burr Opper, 1857-1937, artist. Date 18850101. Illustration shows Ferdinand Ward as Napoleon I sitting on a pile of stones labelled 'Ludlow St. St. Helena' in the middle of a river with the New York City skyline behind him; some of the signs on buildings state 'I don't know Ferdinand Ward', 'His name is familiar, but I can't place him', 'I never had anything to do with Ward', and 'Never heard of Ward'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-little-napoleon-of-wall-street-in-exile-by-frederick-burr-opper-image68552393.htmlRMDYER7N–The 'Little Napoleon of Wall Street' in exile by Frederick Burr Opper, 1857-1937, artist. Date 18850101. Illustration shows Ferdinand Ward as Napoleon I sitting on a pile of stones labelled 'Ludlow St. St. Helena' in the middle of a river with the New York City skyline behind him; some of the signs on buildings state 'I don't know Ferdinand Ward', 'His name is familiar, but I can't place him', 'I never had anything to do with Ward', and 'Never heard of Ward'.
152 Henri Van Sypesteyn (1857-1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/152-henri-van-sypesteyn-1857-1937-image214859246.htmlRMPDFK4E–152 Henri Van Sypesteyn (1857-1937)
Jay Gould's private bowling alley by Frederick Burr Opper 1857-1937, artist. Dated 18820101. Print showing Jay Gould bowling on Wall Street using bowling balls labelled ' Private Press, General Unscrupulousness, False Reports and Trickery' to knock down pins labelled 'Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, Curb Stone Broker'. Includes a slate showing Gould's holdings in various railroads, 'Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', Wabash Preferred' totalling '53,000,000'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jay-goulds-private-bowling-alley-by-frederick-burr-opper-1857-1937-image68552391.htmlRMDYER7K–Jay Gould's private bowling alley by Frederick Burr Opper 1857-1937, artist. Dated 18820101. Print showing Jay Gould bowling on Wall Street using bowling balls labelled ' Private Press, General Unscrupulousness, False Reports and Trickery' to knock down pins labelled 'Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, Curb Stone Broker'. Includes a slate showing Gould's holdings in various railroads, 'Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', Wabash Preferred' totalling '53,000,000'.
Erik Walter Bergström (1857-1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-erik-walter-bergstrm-1857-1937-171407602.htmlRMKXT842–Erik Walter Bergström (1857-1937)
Photographic portrait of Japanese Admiral Baron Ury? Sotokichi (1857-1937) active in the Russo-Japanese War. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-photographic-portrait-of-japanese-admiral-baron-ury-sotokichi-1857-104159348.htmlRMG1CT8M–Photographic portrait of Japanese Admiral Baron Ury? Sotokichi (1857-1937) active in the Russo-Japanese War. Dated 19th Century
The Old Curiosity Shop by Charles Dickens (1841). Illustration of The Marchioness. Caption reads: 'But, please, will you leave a card or message? ' (chapter 51). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-old-curiosity-shop-by-charles-dickens-1841-illustration-of-the-83360680.htmlRMERHBB4–The Old Curiosity Shop by Charles Dickens (1841). Illustration of The Marchioness. Caption reads: 'But, please, will you leave a card or message? ' (chapter 51). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937).
Oscar the apostle. Puck's 'Wilde' dream of an aesthetic future for America by Frederick Burr Opper, 1857-1937, artist Published: 1882. Cartoon showing Oscar Wilde, with people and things dealing with aesthetics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oscar-the-apostle-pucks-wilde-dream-of-an-aesthetic-future-for-america-image69823434.htmlRME1GME2–Oscar the apostle. Puck's 'Wilde' dream of an aesthetic future for America by Frederick Burr Opper, 1857-1937, artist Published: 1882. Cartoon showing Oscar Wilde, with people and things dealing with aesthetics
!['Print shows Jay Gould bowling on Wall Street using bowling balls labeled '' Private Press, General Unscrupulousness, False Reports, [and] Trickery'' to knock down pins labeled ''Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, [and] Curb Stone Broker''. Includes a slate showing Gould's holdings in various railroads, ''Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', [and] Wabash Preferred'' totaling ''53,000,000''. Frederick Burr Opper, 1857-1937. March 29, 1882' Stock Photo](https://c8.alamy.com/comp/2TBKTK6/print-shows-jay-gould-bowling-on-wall-street-using-bowling-balls-labeled-private-press-general-unscrupulousness-false-reports-and-trickery-to-knock-down-pins-labeled-banker-small-operator-speculator-stock-dabbler-broker-inexperienced-investor-capitalist-and-curb-stone-broker-includes-a-slate-showing-goulds-holdings-in-various-railroads-western-union-missouri-pacific-manhattan-l-wabash-new-york-metr-l-and-wabash-preferred-totaling-53000000-frederick-burr-opper-1857-1937-march-29-1882-2TBKTK6.jpg "'Print shows Jay Gould bowling on Wall Street using bowling balls labeled '' Private Press, General Unscrupulousness, False Reports, [and] Trickery'' to knock down pins labeled ''Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, [and] Curb Stone Broker''. Includes a slate showing Gould's holdings in various railroads, ''Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', [and] Wabash Preferred'' totaling ''53,000,000''. Frederick Burr Opper, 1857-1937. March 29, 1882' Stock Photo")
'Print shows Jay Gould bowling on Wall Street using bowling balls labeled '' Private Press, General Unscrupulousness, False Reports, [and] Trickery'' to knock down pins labeled ''Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, [and] Curb Stone Broker''. Includes a slate showing Gould's holdings in various railroads, ''Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', [and] Wabash Preferred'' totaling ''53,000,000''. Frederick Burr Opper, 1857-1937. March 29, 1882' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-jay-gould-bowling-on-wall-street-using-bowling-balls-labeled-private-press-general-unscrupulousness-false-reports-and-trickery-to-knock-down-pins-labeled-banker-small-operator-speculator-stock-dabbler-broker-inexperienced-investor-capitalist-and-curb-stone-broker-includes-a-slate-showing-goulds-holdings-in-various-railroads-western-union-missouri-pacific-manhattan-l-wabash-new-york-metr-l-and-wabash-preferred-totaling-53000000-frederick-burr-opper-1857-1937-march-29-1882-image575139802.htmlRM2TBKTK6–'Print shows Jay Gould bowling on Wall Street using bowling balls labeled '' Private Press, General Unscrupulousness, False Reports, [and] Trickery'' to knock down pins labeled ''Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, [and] Curb Stone Broker''. Includes a slate showing Gould's holdings in various railroads, ''Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', [and] Wabash Preferred'' totaling ''53,000,000''. Frederick Burr Opper, 1857-1937. March 29, 1882'
Puck's valentines for 1894 by Frederick Burr Opper 1857-1937, artist 1894. Print shows a vignette cartoon with, at centre, Uncle Sam and President Cleveland shaking hands, a portrait of Liliuokalani, Queen of Hawaii, is in the background; the surrounding vignettes feature a cast of characters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pucks-valentines-for-1894-by-frederick-burr-opper-1857-1937-artist-76395848.htmlRMEC83K4–Puck's valentines for 1894 by Frederick Burr Opper 1857-1937, artist 1894. Print shows a vignette cartoon with, at centre, Uncle Sam and President Cleveland shaking hands, a portrait of Liliuokalani, Queen of Hawaii, is in the background; the surrounding vignettes feature a cast of characters
Otto Horeishi (1857-1937). Czech painter. Landscape: Veliko Tarnovo, 1890. National Art Gallery. Sofia. Bulgaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/otto-horeishi-1857-1937-czech-painter-landscape-veliko-tarnovo-1890-national-art-gallery-sofia-bulgaria-image545080816.htmlRM2PJPG40–Otto Horeishi (1857-1937). Czech painter. Landscape: Veliko Tarnovo, 1890. National Art Gallery. Sofia. Bulgaria.
Life and letters of Edward Bickersteth, Bishop of South Tokyo : Bickersteth, Samuel, 1857-1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/life-and-letters-of-edward-bickersteth-bishop-of-south-tokyo-bickersteth-samuel-1857-1937-image261420841.htmlRMW58MXH–Life and letters of Edward Bickersteth, Bishop of South Tokyo : Bickersteth, Samuel, 1857-1937
Historical X-ray of a newborn rabbit, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a sn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-a-newborn-rabbit-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-sn-image352826873.htmlRM2BE0J7N–Historical X-ray of a newborn rabbit, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a sn
Inspired by The Tariff Commission in Session, Frederick Burr Opper, American, 1857-1937, Pen and ink with red pencil and graphite on paper, n.d., Sheet: 11 3/8 x 14 5/16 in., 28.9 x 36.4 cm, cartoon, drawing, political, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-tariff-commission-in-session-frederick-burr-opper-american-1857-1937-pen-and-ink-with-red-pencil-and-graphite-on-paper-nd-sheet-11-38-x-14-516-in-289-x-364-cm-cartoon-drawing-political-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264529.htmlRF2HK58GH–Inspired by The Tariff Commission in Session, Frederick Burr Opper, American, 1857-1937, Pen and ink with red pencil and graphite on paper, n.d., Sheet: 11 3/8 x 14 5/16 in., 28.9 x 36.4 cm, cartoon, drawing, political, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Photographic portrait of Japanese Admiral Baron Ury? Sotokichi (1857-1937) active in the Russo-Japanese War. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-portrait-of-japanese-admiral-baron-ury-sotokichi-1857-1937-active-in-the-russo-japanese-war-dated-19th-century-image330685718.htmlRM2A60106–Photographic portrait of Japanese Admiral Baron Ury? Sotokichi (1857-1937) active in the Russo-Japanese War. Dated 19th Century
Henry Danger (1857-1937). shipwrecked on Henri Danger (1857-1937). Naufrage sur une banquise, ou Aurore boréale, esquisse pour le Salon d'entrée de l'Hôtel de Ville de Paris, 1892. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-danger-1857-1937-shipwrecked-on-henri-danger-1857-1937-naufrage-sur-une-banquise-ou-aurore-borale-esquisse-pour-le-salon-dentre-de-lhtel-de-ville-de-paris-1892-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350198673.htmlRM2B9MWYD–Henry Danger (1857-1937). shipwrecked on Henri Danger (1857-1937). Naufrage sur une banquise, ou Aurore boréale, esquisse pour le Salon d'entrée de l'Hôtel de Ville de Paris, 1892. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Oscar the apostle. Puck's 'Wilde' dream of an aesthetic future for America by Frederick Burr Opper, 1857-1937, artist Published: 1882. Cartoon showing Oscar Wilde, with people and things dealing with aesthetics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oscar-the-apostle-pucks-wilde-dream-of-an-aesthetic-future-for-america-by-frederick-burr-opper-1857-1937-artist-published-1882-cartoon-showing-oscar-wilde-with-people-and-things-dealing-with-aesthetics-image330688727.htmlRM2A604RK–Oscar the apostle. Puck's 'Wilde' dream of an aesthetic future for America by Frederick Burr Opper, 1857-1937, artist Published: 1882. Cartoon showing Oscar Wilde, with people and things dealing with aesthetics
Characters, from Jack and the Giant Killer, Plate 8 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/characters-from-jack-and-the-giant-killer-plate-8-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213119115.htmlRMPAMBGY–Characters, from Jack and the Giant Killer, Plate 8 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Puck's valentines for 1894 by Frederick Burr Opper 1857-1937, artist 1894. Print shows a vignette cartoon with, at centre, Uncle Sam and President Cleveland shaking hands, a portrait of Liliuokalani, Queen of Hawaii, is in the background; the surrounding vignettes feature a cast of characters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pucks-valentines-for-1894-by-frederick-burr-opper-1857-1937-artist-1894-print-shows-a-vignette-cartoon-with-at-centre-uncle-sam-and-president-cleveland-shaking-hands-a-portrait-of-liliuokalani-queen-of-hawaii-is-in-the-background-the-surrounding-vignettes-feature-a-cast-of-characters-image210408312.htmlRMP68WXG–Puck's valentines for 1894 by Frederick Burr Opper 1857-1937, artist 1894. Print shows a vignette cartoon with, at centre, Uncle Sam and President Cleveland shaking hands, a portrait of Liliuokalani, Queen of Hawaii, is in the background; the surrounding vignettes feature a cast of characters
Bear. The night. The Dragon - Sketch for the front seating northern Paris City Hall Henri Camille Danger (1857-1937). 'L'Ourse. La Nuit. Le Dragon - Esquisse pour la salon d'entrée Nord de l'Hôtel de Ville de Paris'. Encre et huile sur toile. 1892. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bear-the-night-the-dragon-sketch-for-the-front-seating-northern-paris-city-hall-henri-camille-danger-1857-1937-lourse-la-nuit-le-dragon-esquisse-pour-la-salon-dentre-nord-de-lhtel-de-ville-de-paris-encre-et-huile-sur-toile-1892-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350198674.htmlRM2B9MWYE–Bear. The night. The Dragon - Sketch for the front seating northern Paris City Hall Henri Camille Danger (1857-1937). 'L'Ourse. La Nuit. Le Dragon - Esquisse pour la salon d'entrée Nord de l'Hôtel de Ville de Paris'. Encre et huile sur toile. 1892. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
The 'three honest men' of Wall Street declare for Blaine. By Frederick Burr Opper, 1857-1937, artist. Dated 1884. Illustration shows Russell Sage, Jay Gould, and Cyrus W. Field as the Three Musketeers standing on Wall Street with their swords raised in support of James G. Blaine as the Republican presidential candidate; Sage's sword is labelled 'Put-and-Call Gambler', Gould's sword is labelled 'Railroad Wrecker', and Field's sword is labelled 'Elevated R.R. Grabber'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-three-honest-men-of-wall-street-declare-for-blaine-by-frederick-burr-opper-1857-1937-artist-dated-1884-illustration-shows-russell-sage-jay-gould-and-cyrus-w-field-as-the-three-musketeers-standing-on-wall-street-with-their-swords-raised-in-support-of-james-g-blaine-as-the-republican-presidential-candidate-sages-sword-is-labelled-put-and-call-gambler-goulds-sword-is-labelled-railroad-wrecker-and-fields-sword-is-labelled-elevated-rr-grabber-image483536226.htmlRM2K2JYAX–The 'three honest men' of Wall Street declare for Blaine. By Frederick Burr Opper, 1857-1937, artist. Dated 1884. Illustration shows Russell Sage, Jay Gould, and Cyrus W. Field as the Three Musketeers standing on Wall Street with their swords raised in support of James G. Blaine as the Republican presidential candidate; Sage's sword is labelled 'Put-and-Call Gambler', Gould's sword is labelled 'Railroad Wrecker', and Field's sword is labelled 'Elevated R.R. Grabber'.
. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 372 Ernest Henri Louis Lamoral de Ligne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-ernest-henri-louis-lamoral-de-ligne-1857-1937-vers-1899-372-ernest-henri-louis-lamoral-de-ligne-image188351968.htmlRMMXC4T0–. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 372 Ernest Henri Louis Lamoral de Ligne
The 'Little Napoleon of Wall Street' in exile by Frederick Burr Opper, 1857-1937, artist. Date 1885 . Illustration shows Ferdinand Ward as Napoleon I sitting on a pile of stones labelled 'Ludlow St. St. Helena' in the middle of a river with the New York City skyline behind him; some of the signs on buildings state 'I don't know Ferdinand Ward', 'His name is familiar, but I can't place him', 'I never had anything to do with Ward', and 'Never heard of Ward'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-little-napoleon-of-wall-street-in-exile-by-frederick-burr-opper-1857-1937-artist-date-1885-illustration-shows-ferdinand-ward-as-napoleon-i-sitting-on-a-pile-of-stones-labelled-ludlow-st-st-helena-in-the-middle-of-a-river-with-the-new-york-city-skyline-behind-him-some-of-the-signs-on-buildings-state-i-dont-know-ferdinand-ward-his-name-is-familiar-but-i-cant-place-him-i-never-had-anything-to-do-with-ward-and-never-heard-of-ward-image483536211.htmlRM2K2JYAB–The 'Little Napoleon of Wall Street' in exile by Frederick Burr Opper, 1857-1937, artist. Date 1885 . Illustration shows Ferdinand Ward as Napoleon I sitting on a pile of stones labelled 'Ludlow St. St. Helena' in the middle of a river with the New York City skyline behind him; some of the signs on buildings state 'I don't know Ferdinand Ward', 'His name is familiar, but I can't place him', 'I never had anything to do with Ward', and 'Never heard of Ward'.
Edgar Allan Poe, comic style figure, painted by Joseph Clayton Clarke (Kyd, 1857 -1937) in the 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edgar-allan-poe-comic-style-figure-painted-by-joseph-clayton-clarke-kyd-1857-1937-in-the-19th-century-image272528564.htmlRMWRAMY0–Edgar Allan Poe, comic style figure, painted by Joseph Clayton Clarke (Kyd, 1857 -1937) in the 19th century.
Jay Gould's private bowling alley by Frederick Burr Opper 1857-1937, artist. Dated 1882 . Print showing Jay Gould bowling on Wall Street using bowling balls labelled ' Private Press, General Unscrupulousness, False Reports and Trickery' to knock down pins labelled 'Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, Curb Stone Broker'. Includes a slate showing Gould's holdings in various railroads, 'Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', Wabash Preferred' totalling '53,000,000'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jay-goulds-private-bowling-alley-by-frederick-burr-opper-1857-1937-artist-dated-1882-print-showing-jay-gould-bowling-on-wall-street-using-bowling-balls-labelled-private-press-general-unscrupulousness-false-reports-and-trickery-to-knock-down-pins-labelled-banker-small-operator-speculator-stock-dabbler-broker-inexperienced-investor-capitalist-curb-stone-broker-includes-a-slate-showing-goulds-holdings-in-various-railroads-western-union-missouri-pacific-manhattan-l-wabash-new-york-metr-l-wabash-preferred-totalling-53000000-image483536214.htmlRM2K2JYAE–Jay Gould's private bowling alley by Frederick Burr Opper 1857-1937, artist. Dated 1882 . Print showing Jay Gould bowling on Wall Street using bowling balls labelled ' Private Press, General Unscrupulousness, False Reports and Trickery' to knock down pins labelled 'Banker, Small Operator, Speculator, Stock Dabbler, Broker, Inexperienced Investor, Capitalist, Curb Stone Broker'. Includes a slate showing Gould's holdings in various railroads, 'Western Union, Missouri Pacific, Manhattan 'L', Wabash, New York Metr. 'L', Wabash Preferred' totalling '53,000,000'.
The Pickwick Papers by Charles Dickens (1836). Illustration of Sergeant Buzfuz. Caption reads:'Damages, gentlemen- heavy damages is the only punishment with which you can visit him; the only recompense you can award my client' (chapter 34). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-pickwick-papers-by-charles-dickens-1836-illustration-of-sergeant-83360784.htmlRMERHBET–The Pickwick Papers by Charles Dickens (1836). Illustration of Sergeant Buzfuz. Caption reads:'Damages, gentlemen- heavy damages is the only punishment with which you can visit him; the only recompense you can award my client' (chapter 34). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937).
Frank Kellogg (1857-1937), succeeded Charles Evans Hughes as Secretary of State in 1925. Hughes returned to private law practice until he was appointed to the Supreme Court in 1930 by President Herbert Hoover. Feb 17, 1925. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frank-kellogg-1857-1937-succeeded-charles-evans-hughes-as-secretary-32385042.htmlRMBTK7CJ–Frank Kellogg (1857-1937), succeeded Charles Evans Hughes as Secretary of State in 1925. Hughes returned to private law practice until he was appointed to the Supreme Court in 1930 by President Herbert Hoover. Feb 17, 1925.
Building the S S Great Eastern steamship at the Millwall Iron Works, River Thames, London, England in 1857. From The Face of London, published 1937. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-the-s-s-great-eastern-steamship-at-the-millwall-iron-works-river-thames-london-england-in-1857-from-the-face-of-london-published-1937-image180709333.htmlRMME00GN–Building the S S Great Eastern steamship at the Millwall Iron Works, River Thames, London, England in 1857. From The Face of London, published 1937.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471423486.htmlRM2JAY5D2–Bliżej Kultury Granted, Seweryn (1857 1937)
Virginia Potter (1857-1937) 1905 203. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginia-potter-1857-1937-1905-203-image574323609.htmlRM2TAAKHD–Virginia Potter (1857-1937) 1905 203.
A short history of mediæval Europe : Thatcher, Oliver J. (Oliver Joseph), 1857-1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-short-history-of-medival-europe-thatcher-oliver-j-oliver-joseph-1857-1937-image261425110.htmlRMW58XB2–A short history of mediæval Europe : Thatcher, Oliver J. (Oliver Joseph), 1857-1937
Historical X-ray of gold-mounted cameos, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-gold-mounted-cameos-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-image352826715.htmlRM2BE0J23–Historical X-ray of gold-mounted cameos, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a
Art inspired by Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cartoon-the-monopoly-pharoahs-building-their-tombs-frederick-burr-opper-american-1857-1937-printed-paper-1883-9-1316-x-13-316-in-249-x-335-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566296.htmlRF2HKK1E0–Art inspired by Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471361046.htmlRM2JAT9R2–Bliżej Kultury Granted, Seweryn (1857 1937)
Antique July 4, 1937 photograph of the Vermont State House. The Vermont State House, located in Montpelier, is the state capitol of Vermont, in the United States. It is the seat of the Vermont General Assembly. The current Greek Revival structure is the third building on the same site to be used as the State House. Designed by Thomas Silloway in 1857-1858, it was occupied in 1859. SOURCE: ORIGINAL PHOTOGRAPH. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-july-4-1937-photograph-of-the-vermont-state-house-the-vermont-139631906.htmlRMJ34NWP–Antique July 4, 1937 photograph of the Vermont State House. The Vermont State House, located in Montpelier, is the state capitol of Vermont, in the United States. It is the seat of the Vermont General Assembly. The current Greek Revival structure is the third building on the same site to be used as the State House. Designed by Thomas Silloway in 1857-1858, it was occupied in 1859. SOURCE: ORIGINAL PHOTOGRAPH.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471360868.htmlRM2JAT9GM–Bliżej Kultury Granted, Seweryn (1857 1937)
Scene 14, from Jack and the Giant Killer, Scenes for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-14-from-jack-and-the-giant-killer-scenes-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213366281.htmlRMPB3JT9–Scene 14, from Jack and the Giant Killer, Scenes for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471362740.htmlRM2JATBYG–Bliżej Kultury Granted, Seweryn (1857 1937)
General Gottfried Seibt von Ringenhart, 1918. General Gottfried Seibt von Ringenhart (1857-1937), general of the infantry since 1914. Led various war relief ventures during the First World War. He was head of the War Welfare Office. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-gottfried-seibt-von-ringenhart-1918-general-gottfried-seibt-von-ringenhart-1857-1937-general-of-the-infantry-since-1914-led-various-war-relief-ventures-during-the-first-world-war-he-was-head-of-the-war-welfare-office-image575138713.htmlRM2TBKR89–General Gottfried Seibt von Ringenhart, 1918. General Gottfried Seibt von Ringenhart (1857-1937), general of the infantry since 1914. Led various war relief ventures during the First World War. He was head of the War Welfare Office.
ASIA - INDIAN SUB-CONTINENT: (left to right) 1. Burma, 5 rupees, 1937, 2. Burma, 8 annas, 1938, 3. Burma, 15 cents, 1943, 4 Burma, 10 rupees, 1945, 5. Burma, 3 annas 6 pies, 1946, 6. Burma, 4 annas, 1947, 7. Burma, 1 rupee, 1949, 8. Burma, 3 annas, 1949, 9. Burma, 2 pyas, 1964, 10. Burma, 25 pyas, 1961, 11. Ceylon, 5 pence, 1857, 12. Ceylon, 10 cents, 1910, 13. Ceylon, 20 cents, 1935, 14. Ceylon, 15 cents, 1947, 15. Ceylon, 25 cents, 1949, 16. Ceylon, 25 cents, 1960, 17. Ceylon, 1 rupee, 1967, 18. Ceylon, 5 cents, 1968, 19. Sri Lanka, 15 cents, 1972, 20. French Indian Settlements, 1 centime, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/asia-indian-sub-continent-left-to-right-1-burma-5-rupees-1937-2-burma-8-annas-1938-3-burma-15-cents-1943-4-burma-10-rupees-1945-5-burma-3-annas-6-pies-1946-6-burma-4-annas-1947-7-burma-1-rupee-1949-8-burma-3-annas-1949-9-burma-2-pyas-1964-10-burma-25-pyas-1961-11-ceylon-5-pence-1857-12-ceylon-10-cents-1910-13-ceylon-20-cents-1935-14-ceylon-15-cents-1947-15-ceylon-25-cents-1949-16-ceylon-25-cents-1960-17-ceylon-1-rupee-1967-18-ceylon-5-cents-1968-19-sri-lanka-15-cents-1972-20-french-indian-settlements-1-centime-image268811728.htmlRMWH9C2T–ASIA - INDIAN SUB-CONTINENT: (left to right) 1. Burma, 5 rupees, 1937, 2. Burma, 8 annas, 1938, 3. Burma, 15 cents, 1943, 4 Burma, 10 rupees, 1945, 5. Burma, 3 annas 6 pies, 1946, 6. Burma, 4 annas, 1947, 7. Burma, 1 rupee, 1949, 8. Burma, 3 annas, 1949, 9. Burma, 2 pyas, 1964, 10. Burma, 25 pyas, 1961, 11. Ceylon, 5 pence, 1857, 12. Ceylon, 10 cents, 1910, 13. Ceylon, 20 cents, 1935, 14. Ceylon, 15 cents, 1947, 15. Ceylon, 25 cents, 1949, 16. Ceylon, 25 cents, 1960, 17. Ceylon, 1 rupee, 1967, 18. Ceylon, 5 cents, 1968, 19. Sri Lanka, 15 cents, 1972, 20. French Indian Settlements, 1 centime,
. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 371 Ernest Henri Louis Lamoral de Ligne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-ernest-henri-louis-lamoral-de-ligne-1857-1937-vers-1899-371-ernest-henri-louis-lamoral-de-ligne-image187827913.htmlRMMWG8BN–. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 371 Ernest Henri Louis Lamoral de Ligne
Jules Massenet at piano - reading Cigale. Behind him, Mme. Mariquita, Henri Cain, Luz de Chavita, Mme. Chasles. C. 1904. JM: French composer, 12 May 1842 - 13 August 1912. HC: French dramatist, opera and ballet librettist, 11 October 1857 - 21 November 1937. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-jules-massenet-at-piano-reading-cigale-behind-him-mme-mariquita-henri-165542174.htmlRMKH92ME–Jules Massenet at piano - reading Cigale. Behind him, Mme. Mariquita, Henri Cain, Luz de Chavita, Mme. Chasles. C. 1904. JM: French composer, 12 May 1842 - 13 August 1912. HC: French dramatist, opera and ballet librettist, 11 October 1857 - 21 November 1937.
Little Dorrit and Maggie, c1890s. By Frances Brundage (1854-1937). Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/little-dorrit-and-maggie-c1890s-by-frances-brundage-1854-1937-little-dorrit-is-a-novel-by-charles-dickens-originally-published-in-serial-form-between-1855-and-1857-image233074316.htmlRMRF5CJM–Little Dorrit and Maggie, c1890s. By Frances Brundage (1854-1937). Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857.
1937 , Alessandria, ITALY : Advertising for Giovan Battista BORSALINO hats Factory . Artwork by Barbani , illustrator . Borsalino is the name of a hat company known particularly for its fedoras. Established in 1857, Borsalino produces felt from Belgian rabbit fur at its factory in Alessandria, Italy . The company currently produces a wide variety of products such as hats, ties, clothing, watches, perfumes and even old fashioned bicycles, and the company tries to keep all the charm and class from last century's fashion. - CANE - bastone da passeggio - Pubblicità - ANNI TRENTA - 30's - '30 - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1937-alessandria-italy-advertising-for-giovan-battista-borsalino-hats-factory-artwork-by-barbani-illustrator-borsalino-is-the-name-of-a-hat-company-known-particularly-for-its-fedoras-established-in-1857-borsalino-produces-felt-from-belgian-rabbit-fur-at-its-factory-in-alessandria-italy-the-company-currently-produces-a-wide-variety-of-products-such-as-hats-ties-clothing-watches-perfumes-and-even-old-fashioned-bicycles-and-the-company-tries-to-keep-all-the-charm-and-class-from-last-centurys-fashion-cane-bastone-da-passeggio-pubblicit-anni-trenta-30s-30-image365545462.htmlRM2C6M0Y2–1937 , Alessandria, ITALY : Advertising for Giovan Battista BORSALINO hats Factory . Artwork by Barbani , illustrator . Borsalino is the name of a hat company known particularly for its fedoras. Established in 1857, Borsalino produces felt from Belgian rabbit fur at its factory in Alessandria, Italy . The company currently produces a wide variety of products such as hats, ties, clothing, watches, perfumes and even old fashioned bicycles, and the company tries to keep all the charm and class from last century's fashion. - CANE - bastone da passeggio - Pubblicità - ANNI TRENTA - 30's - '30 -
Oliver Twist by Charles Dickens (1838). Illustration of Bill Sikes. Caption reads:'Well, then, keep quiet,' Rejoined Sikes, with a growl like that he was accustomed to use when addressing his dog, 'or I'll quiet you for a good long time to come.' ' (chapter 16). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oliver-twist-by-charles-dickens-1838-illustration-of-bill-sikes-caption-83360789.htmlRMERHBF1–Oliver Twist by Charles Dickens (1838). Illustration of Bill Sikes. Caption reads:'Well, then, keep quiet,' Rejoined Sikes, with a growl like that he was accustomed to use when addressing his dog, 'or I'll quiet you for a good long time to come.' ' (chapter 16). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937).
'The Print-Lover', 1857-1860, (1937). Creator: Honore Daumier. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-print-lover-1857-1860-1937-creator-honore-daumier-image236054288.htmlRMRM15J8–'The Print-Lover', 1857-1860, (1937). Creator: Honore Daumier.
Lord Elcho, Vanity Fair, Spy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-elcho-vanity-fair-spy-image66097815.htmlRMDRF0C7–Lord Elcho, Vanity Fair, Spy
Autumn 1909 by Bruce Crane, born New York City 1857-died Bronxville, NY 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/autumn-1909-by-bruce-crane-born-new-york-city-1857-died-bronxville-ny-1937-image555982694.htmlRM2R8F5GP–Autumn 1909 by Bruce Crane, born New York City 1857-died Bronxville, NY 1937
cartoon with Puck as Diogenes carrying a lantern and a lithographic pen, seeking the perfect mayor for New York City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-with-puck-as-diogenes-carrying-a-lantern-and-a-lithographic-image68549657.htmlRMDYEKP1–cartoon with Puck as Diogenes carrying a lantern and a lithographic pen, seeking the perfect mayor for New York City
Shining Lights of the Grand Old Party, 1890, Frederick Opper, American, 1857-1937, United States, Color lithograph on newsprint, 238 x 215 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shining-lights-of-the-grand-old-party-1890-frederick-opper-american-1857-1937-united-states-color-lithograph-on-newsprint-238-x-215-mm-image328641040.htmlRM2A2JW00–Shining Lights of the Grand Old Party, 1890, Frederick Opper, American, 1857-1937, United States, Color lithograph on newsprint, 238 x 215 mm
Historical X-ray of a newborn rabbit, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a sn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-a-newborn-rabbit-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-sn-image352835245.htmlRM2BE10XN–Historical X-ray of a newborn rabbit, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a sn
Inspired by Connecticut Pines, Charles Warren Eaton, American, 1857-1937, Oil on canvas, 1904, 29 15/16 x 36 1/16 in., 76 x 91.6 cm, 1904, 20th Century, clearing, Connecticut, landscape, misty, oil on canvas, painting, sky, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-connecticut-pines-charles-warren-eaton-american-1857-1937-oil-on-canvas-1904-29-1516-x-36-116-in-76-x-916-cm-1904-20th-century-clearing-connecticut-landscape-misty-oil-on-canvas-painting-sky-trees-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459242746.htmlRF2HK48PJ–Inspired by Connecticut Pines, Charles Warren Eaton, American, 1857-1937, Oil on canvas, 1904, 29 15/16 x 36 1/16 in., 76 x 91.6 cm, 1904, 20th Century, clearing, Connecticut, landscape, misty, oil on canvas, painting, sky, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
December Uplands 1919 by Bruce Crane, born New York City 1857-died Bronxville, NY 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/december-uplands-1919-by-bruce-crane-born-new-york-city-1857-died-bronxville-ny-1937-image555985964.htmlRM2R8F9NG–December Uplands 1919 by Bruce Crane, born New York City 1857-died Bronxville, NY 1937
Sir Ronald Ross 1857 – 1932, British doctor who won the Nobel Prize for Medicine in 1902 for his work on the transmission of malaria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-ronald-ross-1857-1932-british-doctor-who-won-the-nobel-prize-for-130805751.htmlRMHGPM1Y–Sir Ronald Ross 1857 – 1932, British doctor who won the Nobel Prize for Medicine in 1902 for his work on the transmission of malaria.
The Fall Season n.d. by Bruce Crane, born New York City 1857-died Bronxville, NY 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-season-nd-by-bruce-crane-born-new-york-city-1857-died-bronxville-ny-1937-image555987216.htmlRM2R8FBA8–The Fall Season n.d. by Bruce Crane, born New York City 1857-died Bronxville, NY 1937
Scene 1, from Jack and the Giant Killer, Scenes for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-1-from-jack-and-the-giant-killer-scenes-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213247437.htmlRMPAX77W–Scene 1, from Jack and the Giant Killer, Scenes for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471359270.htmlRM2JAT7FJ–Bliżej Kultury Granted, Seweryn (1857 1937)
Aimez-vous les uns les autres or La transgression du commandement , 1892. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aimez-vous-les-uns-les-autres-or-la-transgression-du-commandement-1892-image186185364.htmlRMMPWD98–Aimez-vous les uns les autres or La transgression du commandement , 1892.
ASIA - THE MALAY STATES: (left to right) 1.Jahore, 1 cent, 1896, 2. Jahore, 5 dollars, 1949, 3. Jahore, 5 dollars, 1960, 4. Kedah, 5 cents, 1912, 5. Kedah, 5 dollars, 1937, 6. Kelantan, 10 cents, 1911, 7. Kelantan, 40 cents, 1937, 8. Negri Sembilan, 1 dollar, 1936, 9. Negri Sembilan, 8 cents, 1857, 10. Pahang, 2 cents, 1889, 11. Pahang, 2 dollars, 1935, 12. Perak, 3 cents, 1900, 13. Perak, 5 dollars, 1941, 14. perak, 20 cents, 1965, 15. Perlis, 30 cents, 1955, 16. Perlis, 5 cents, 1957, 17. Selangor, 2 dollars, 1941, 18. Selangor, 10 cents, 1957, 19. Selangor, 2 cents, 1971, 20. Sungei Ujong, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/asia-the-malay-states-left-to-right-1jahore-1-cent-1896-2-jahore-5-dollars-1949-3-jahore-5-dollars-1960-4-kedah-5-cents-1912-5-kedah-5-dollars-1937-6-kelantan-10-cents-1911-7-kelantan-40-cents-1937-8-negri-sembilan-1-dollar-1936-9-negri-sembilan-8-cents-1857-10-pahang-2-cents-1889-11-pahang-2-dollars-1935-12-perak-3-cents-1900-13-perak-5-dollars-1941-14-perak-20-cents-1965-15-perlis-30-cents-1955-16-perlis-5-cents-1957-17-selangor-2-dollars-1941-18-selangor-10-cents-1957-19-selangor-2-cents-1971-20-sungei-ujong-image268811715.htmlRMWH9C2B–ASIA - THE MALAY STATES: (left to right) 1.Jahore, 1 cent, 1896, 2. Jahore, 5 dollars, 1949, 3. Jahore, 5 dollars, 1960, 4. Kedah, 5 cents, 1912, 5. Kedah, 5 dollars, 1937, 6. Kelantan, 10 cents, 1911, 7. Kelantan, 40 cents, 1937, 8. Negri Sembilan, 1 dollar, 1936, 9. Negri Sembilan, 8 cents, 1857, 10. Pahang, 2 cents, 1889, 11. Pahang, 2 dollars, 1935, 12. Perak, 3 cents, 1900, 13. Perak, 5 dollars, 1941, 14. perak, 20 cents, 1965, 15. Perlis, 30 cents, 1955, 16. Perlis, 5 cents, 1957, 17. Selangor, 2 dollars, 1941, 18. Selangor, 10 cents, 1957, 19. Selangor, 2 cents, 1971, 20. Sungei Ujong,
. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 323 Ernest Henri Louis Lamoral de Ligne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-ernest-henri-louis-lamoral-de-ligne-1857-1937-vers-1899-323-ernest-henri-louis-lamoral-de-ligne-image189117079.htmlRMMYK0NB–. Français : Ernest Henri Louis Lamoral de Ligne (1857-1937) . vers 1899 323 Ernest Henri Louis Lamoral de Ligne
Gathering Mists 1905 by Charles Warren Eaton, born Albany, NY 1857-died Glen Ridge, NJ 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gathering-mists-1905-by-charles-warren-eaton-born-albany-ny-1857-died-glen-ridge-nj-1937-image555996049.htmlRM2R8FPHN–Gathering Mists 1905 by Charles Warren Eaton, born Albany, NY 1857-died Glen Ridge, NJ 1937
. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beitrge-zur-entwicklungsgeschichte-und-anatomie-der-wirbeltiere-vertebrates-vertebrates-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schauinsland-hugo-hermann-1857-1937-stuttgart-e-ngele-image234787215.htmlRMRHYDDK–. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele
Plaza de Merced Malaga Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaza-de-merced-malaga-image477175654.htmlRF2JM96BJ–Plaza de Merced Malaga
The Pickwick Papers by Charles Dickens (1836). Illustration of Mr. Weller, Senior. Caption reads: 'If ever you're attacked with the gout, sir, jist you marry a widder as has got a good voice, with a decent notation of usin' it, and you'll never have the gout again' (chapter 20). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-pickwick-papers-by-charles-dickens-1836-illustration-of-mr-weller-83360790.htmlRMERHBF2–The Pickwick Papers by Charles Dickens (1836). Illustration of Mr. Weller, Senior. Caption reads: 'If ever you're attacked with the gout, sir, jist you marry a widder as has got a good voice, with a decent notation of usin' it, and you'll never have the gout again' (chapter 20). Illustration by Joseph Clayton Clark or 'Kyd' (1857-1937).
The Last Three Hopes of the Republican Party, from Puck, 1892, Frederick Burr Opper, American, 1857-1937, United States, Color lithograph on newsprint, 308 x 480 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-three-hopes-of-the-republican-party-from-puck-1892-frederick-burr-opper-american-1857-1937-united-states-color-lithograph-on-newsprint-308-x-480-mm-image328641000.htmlRM2A2JTXG–The Last Three Hopes of the Republican Party, from Puck, 1892, Frederick Burr Opper, American, 1857-1937, United States, Color lithograph on newsprint, 308 x 480 mm
Historical X-ray of a crested chameleon. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure, 1896. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-a-crested-chameleon-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-1896-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-image352826741.htmlRM2BE0J31–Historical X-ray of a crested chameleon. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure, 1896. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a
Inspired by The Bridge, Charles Warren Eaton, American, 1857-1937, Oil on canvas, ca. 1900-1910, 12 1/16 x 16 in., 30.6 x 40.6 cm, American Painting, bridge, buildings, ca. 1900-1910, chimney, houses, oil on canvas, reflection, reflections, river, tree, water, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-bridge-charles-warren-eaton-american-1857-1937-oil-on-canvas-ca-1900-1910-12-116-x-16-in-306-x-406-cm-american-painting-bridge-buildings-ca-1900-1910-chimney-houses-oil-on-canvas-reflection-reflections-river-tree-water-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252553.htmlRF2HK4N8W–Inspired by The Bridge, Charles Warren Eaton, American, 1857-1937, Oil on canvas, ca. 1900-1910, 12 1/16 x 16 in., 30.6 x 40.6 cm, American Painting, bridge, buildings, ca. 1900-1910, chimney, houses, oil on canvas, reflection, reflections, river, tree, water, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Characters, from Jack and the Giant Killer, Plate 5 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/characters-from-jack-and-the-giant-killer-plate-5-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213328379.htmlRMPB1XEK–Characters, from Jack and the Giant Killer, Plate 5 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471361029.htmlRM2JAT9PD–Bliżej Kultury Granted, Seweryn (1857 1937)
Peat Bog, Scotland, 1937. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peat-bog-scotland-1937-image330111665.htmlRM2A51TP9–Peat Bog, Scotland, 1937.
. Deutsch: A Cottage Garden (titled verso „A Rustic Idyll“). Watercolour, 13.0' x 9.0' . by 1937. John Falconer Slater (1857–1937) 55 John Falconer Slater A Cottage Garden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-a-cottage-garden-titled-verso-a-rustic-idyll-watercolour-130-x-90-by-1937-john-falconer-slater-18571937-55-john-falconer-slater-a-cottage-garden-image206535669.htmlRMP00E9W–. Deutsch: A Cottage Garden (titled verso „A Rustic Idyll“). Watercolour, 13.0' x 9.0' . by 1937. John Falconer Slater (1857–1937) 55 John Falconer Slater A Cottage Garden
Themistocles takes the bowl of poison, 1887. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/themistocles-takes-the-bowl-of-poison-1887-image214389423.htmlRMPCP7W3–Themistocles takes the bowl of poison, 1887.
. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 138 Coldstream Guards by W.B. Wollen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-coldstream-guards-on-parade-before-1937-william-barnes-wollen-1857-1936-138-coldstream-guards-by-wb-wollen-image188115059.htmlRMMX1AJY–. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 138 Coldstream Guards by W.B. Wollen
. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beitrge-zur-entwicklungsgeschichte-und-anatomie-der-wirbeltiere-vertebrates-vertebrates-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schauinsland-hugo-hermann-1857-1937-stuttgart-e-ngele-image234787834.htmlRMRHYE7P–. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele
Charles Warren Eaton, American, 1857–1937, Landscape with Winding Road, 1867–1937, Monotype on wove paper, image: 7 1/16 x 8 7/8 in. (18 x 22.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-warren-eaton-american-18571937-landscape-with-winding-road-18671937-monotype-on-wove-paper-image-7-116-x-8-78-in-18-x-225-cm-image344578877.htmlRM2B0GWTD–Charles Warren Eaton, American, 1857–1937, Landscape with Winding Road, 1867–1937, Monotype on wove paper, image: 7 1/16 x 8 7/8 in. (18 x 22.5 cm
Historical X-ray of a woman's hand, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a snak Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-a-womans-hand-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-snak-image352826747.htmlRM2BE0J37–Historical X-ray of a woman's hand, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a snak
Art inspired by The Tariff Commission in Session, Frederick Burr Opper, American, 1857-1937, Pen and ink with red pencil and graphite on paper, n.d., Sheet: 11 3/8 x 14 5/16 in., 28.9 x 36.4 cm, cartoon, drawing, political, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-tariff-commission-in-session-frederick-burr-opper-american-1857-1937-pen-and-ink-with-red-pencil-and-graphite-on-paper-nd-sheet-11-38-x-14-516-in-289-x-364-cm-cartoon-drawing-political-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573849.htmlRF2HKKB3N–Art inspired by The Tariff Commission in Session, Frederick Burr Opper, American, 1857-1937, Pen and ink with red pencil and graphite on paper, n.d., Sheet: 11 3/8 x 14 5/16 in., 28.9 x 36.4 cm, cartoon, drawing, political, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Characters, from Jack and the Giant Killer, Plate 6 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/characters-from-jack-and-the-giant-killer-plate-6-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213195665.htmlRMPARW6W–Characters, from Jack and the Giant Killer, Plate 6 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471361034.htmlRM2JAT9PJ–Bliżej Kultury Granted, Seweryn (1857 1937)
. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 138 Coldstream Guards by W.B. Wollen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-coldstream-guards-on-parade-before-1937-william-barnes-wollen-1857-1936-138-coldstream-guards-by-wb-wollen-image187593150.htmlRMMW5GYA–. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 138 Coldstream Guards by W.B. Wollen
. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. ---^^. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beitrge-zur-entwicklungsgeschichte-und-anatomie-der-wirbeltiere-vertebrates-vertebrates-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schauinsland-hugo-hermann-1857-1937-stuttgart-e-ngele-image234787351.htmlRMRHYDJF–. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. ---^^. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele
Table of the Permeability of Various Substances to Roentgen Rays, 1896, Josef Maria Eder (Austrian, 1855–1944) and, Eduard Valenta (Austrian, 1857–1937), Austria, Photogravure, plate No. 5 from 'Research on Photography with Röntgen Rays (Versuche über Photographie mittelst der Röntgen’schen Strahlen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-of-the-permeability-of-various-substances-to-roentgen-rays-1896-josef-maria-eder-austrian-18551944-and-eduard-valenta-austrian-18571937-austria-photogravure-plate-no-5-from-research-on-photography-with-rntgen-rays-versuche-ber-photographie-mittelst-der-rntgenschen-strahlen-image328661801.htmlRM2A2KRDD–Table of the Permeability of Various Substances to Roentgen Rays, 1896, Josef Maria Eder (Austrian, 1855–1944) and, Eduard Valenta (Austrian, 1857–1937), Austria, Photogravure, plate No. 5 from 'Research on Photography with Röntgen Rays (Versuche über Photographie mittelst der Röntgen’schen Strahlen
Historical X-ray of a woman's hand, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a snak Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historical-x-ray-of-a-womans-hand-1896-taken-by-josef-maria-eder-austrian-1855-1944-and-eduard-valenta-austrian-1857-1937-photogravure-eder-was-the-director-of-an-institute-for-graphic-processes-and-the-author-of-an-early-history-of-photography-with-the-photochemist-valenta-he-produced-a-portfolio-in-january-1896-less-than-a-month-after-wilhelm-conrad-rontgen-published-his-discovery-of-x-rays-eder-and-valentas-volume-from-which-this-plate-derives-demonstrated-the-x-rays-magical-ability-to-reveal-the-hidden-structure-of-living-things-human-hands-and-feet-fish-frogs-a-snak-image352835270.htmlRM2BE10YJ–Historical X-ray of a woman's hand, 1896. Taken by Josef Maria Eder (Austrian, 1855-1944) and Eduard Valenta (Austrian, 1857-1937). Photogravure. Eder was the director of an institute for graphic processes and the author of an early history of photography. With the photochemist Valenta, he produced a portfolio in January 1896, less than a month after Wilhelm Conrad Rontgen published his discovery of X-rays. Eder and Valenta's volume, from which this plate derives, demonstrated the X-ray's magical ability to reveal the hidden structure of living things. Human hands and feet, fish, frogs, a snak
A Bombardment That Would Paralyze Them, Frederick Burr Opper, American, 1857–1937, Mayer, Merkel & Ottoman, Colored lithograph on paper, A settlement of four houses in foreground is bombed with soap products, towels, water barrels, etc. from a fortress background. People are running out from houses in panic. Illustration for back cover of Puck, Vol. XIII, No. 319, April 18, 1883., USA, ca. 1893, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bombardment-that-would-paralyze-them-frederick-burr-opper-american-18571937-mayer-merkel-ottoman-colored-lithograph-on-paper-a-settlement-of-four-houses-in-foreground-is-bombed-with-soap-products-towels-water-barrels-etc-from-a-fortress-background-people-are-running-out-from-houses-in-panic-illustration-for-back-cover-of-puck-vol-xiii-no-319-april-18-1883-usa-ca-1893-print-image391258621.htmlRM2DMFAA5–A Bombardment That Would Paralyze Them, Frederick Burr Opper, American, 1857–1937, Mayer, Merkel & Ottoman, Colored lithograph on paper, A settlement of four houses in foreground is bombed with soap products, towels, water barrels, etc. from a fortress background. People are running out from houses in panic. Illustration for back cover of Puck, Vol. XIII, No. 319, April 18, 1883., USA, ca. 1893, Print
Art inspired by Connecticut Pines, Charles Warren Eaton, American, 1857-1937, Oil on canvas, 1904, 29 15/16 x 36 1/16 in., 76 x 91.6 cm, 1904, 20th Century, clearing, Connecticut, landscape, misty, oil on canvas, painting, sky, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-connecticut-pines-charles-warren-eaton-american-1857-1937-oil-on-canvas-1904-29-1516-x-36-116-in-76-x-916-cm-1904-20th-century-clearing-connecticut-landscape-misty-oil-on-canvas-painting-sky-trees-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561080.htmlRF2HKJPRM–Art inspired by Connecticut Pines, Charles Warren Eaton, American, 1857-1937, Oil on canvas, 1904, 29 15/16 x 36 1/16 in., 76 x 91.6 cm, 1904, 20th Century, clearing, Connecticut, landscape, misty, oil on canvas, painting, sky, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-the-monopoly-pharoahs-building-their-tombs-frederick-burr-opper-american-1857-1937-printed-paper-1883-9-1316-x-13-316-in-249-x-335-cm-image454270000.htmlRM2HB1P0G–Cartoon, The Monopoly Pharoahs Building Their Tombs, Frederick Burr Opper, American, 1857-1937, Printed paper, 1883, 9 13/16 x 13 3/16 in., 24.9 x 33.5 cm
Characters, from Jack and the Giant Killer, Plate 3 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/characters-from-jack-and-the-giant-killer-plate-3-for-a-toy-theater-dimensions-sheet-6-1116-8-716-in-17-214-cm-publisher-benjamin-pollock-british-1857-1937-date-1870-90-museum-metropolitan-museum-of-art-new-york-usa-image213319130.htmlRMPB1EMA–Characters, from Jack and the Giant Killer, Plate 3 for a Toy Theater. Dimensions: Sheet: 6 11/16 × 8 7/16 in. (17 × 21.4 cm). Publisher: Benjamin Pollock (British, 1857-1937). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.
Bliżej Kultury Granted, Seweryn (1857 1937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bliej-kultury-granted-seweryn-1857-1937-image471361191.htmlRM2JATA07–Bliżej Kultury Granted, Seweryn (1857 1937)
. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 119 Coldstream Guards by W.B. Wollen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-coldstream-guards-on-parade-before-1937-william-barnes-wollen-1857-1936-119-coldstream-guards-by-wb-wollen-image188882367.htmlRMMY89AR–. Painting : Coldstream Guards on parade. before 1937. William Barnes Wollen (1857 - 1936) 119 Coldstream Guards by W.B. Wollen
. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beitrge-zur-entwicklungsgeschichte-und-anatomie-der-wirbeltiere-vertebrates-vertebrates-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schauinsland-hugo-hermann-1857-1937-stuttgart-e-ngele-image234787867.htmlRMRHYE8Y–. Beiträge zur Entwicklungsgeschichte und Anatomie der Wirbeltiere. Vertebrates; Vertebrates. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schauinsland, Hugo Hermann, 1857-1937. Stuttgart : E. Nägele
. English: Terézia Vansová (1857–1942) . 31 December 1937. Slovenské kníhkupectvo, Praha 497 Portrait vansova-terezia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-terzia-vansov-18571942-31-december-1937-slovensk-knhkupectvo-praha-497-portrait-vansova-terezia-image187487282.htmlRMMW0NXA–. English: Terézia Vansová (1857–1942) . 31 December 1937. Slovenské kníhkupectvo, Praha 497 Portrait vansova-terezia
Search Results for 1857 1937 Stock Photos and Images (388)
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