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Hannah humphrey Stock Photos and Images
Drawings and Prints, Print, Madam Blubber On Her Canvass, Publisher, Artist, Hannah Humphrey, Admiral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-madam-blubber-on-her-canvass-publisher-artist-162553993.htmlRMKCCY7N–Drawings and Prints, Print, Madam Blubber On Her Canvass, Publisher, Artist, Hannah Humphrey, Admiral
Posting to the Election. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1806. Dimensions: 210 × 610 mm (image); 220 × 620 mm (plate); 243 × 650 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/posting-to-the-election-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-date-1806-dimensions-210-610-mm-image-220-620-mm-plate-243-650-mm-sheet-hand-colored-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240153726.htmlRMRXKXEP–Posting to the Election. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1806. Dimensions: 210 × 610 mm (image); 220 × 620 mm (plate); 243 × 650 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
Art inspired by Drawings and Prints, Print, Madam Blubber On Her Canvass, Publisher, Artist, Hannah Humphrey, Admiral, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-madam-blubber-on-her-canvass-publisher-artist-hannah-humphrey-admiral-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463066690.htmlRF2HWAE82–Art inspired by Drawings and Prints, Print, Madam Blubber On Her Canvass, Publisher, Artist, Hannah Humphrey, Admiral, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Plumb-pudding in danger; – or – State Epicures taking un Petit Souper.. Published by Hannah Humphrey: February 26, 1805. Etching with engraving. One of Gillray's most famous prints, this shows Pitt, long and lanky as in all his caricatures, facing a diminutive Napoleon across a dinner table. Pitt, armed with a trident and a carving knife, helps himself to a large slice of the ocean, as befits his mastery of the seas, while Napoleon carves a slice containing all of Europe except Britain, Sweden and Russia. The second line of the title includes a quotation from Shakespeare's The tempest, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-plumb-pudding-in-danger-or-state-epicures-taking-un-petit-souper-published-by-hannah-humphrey-february-26-1805-etching-with-engraving-one-of-gillrays-most-famous-prints-this-shows-pitt-long-and-lanky-as-in-all-his-caricatures-facing-a-diminutive-napoleon-across-a-dinner-table-pitt-armed-with-a-trident-and-a-carving-knife-helps-himself-to-a-large-slice-of-the-ocean-as-befits-his-mastery-of-the-seas-while-napoleon-carves-a-slice-containing-all-of-europe-except-britain-sweden-and-russia-the-second-line-of-the-title-includes-a-quotation-from-shakespeares-the-tempest-image268841980.htmlRMWHAPK8–The Plumb-pudding in danger; – or – State Epicures taking un Petit Souper.. Published by Hannah Humphrey: February 26, 1805. Etching with engraving. One of Gillray's most famous prints, this shows Pitt, long and lanky as in all his caricatures, facing a diminutive Napoleon across a dinner table. Pitt, armed with a trident and a carving knife, helps himself to a large slice of the ocean, as befits his mastery of the seas, while Napoleon carves a slice containing all of Europe except Britain, Sweden and Russia. The second line of the title includes a quotation from Shakespeare's The tempest,
The last scene of the managers farce by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-scene-of-the-managers-farce-by-hannah-humphrey-134781545.htmlRMHR7R6H–The last scene of the managers farce by Hannah Humphrey
. English: How to Ride with Elegance thro' the Streets, copper engraving of General Montague James Mathew (1773–1819), published by Hannah Humphrey on 8 April, 1800. How to Ride with Elegance thro the Streets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-how-to-ride-with-elegance-thro-the-streets-copper-engraving-of-general-montague-james-mathew-17731819-published-by-hannah-humphrey-on-8-april-1800-how-to-ride-with-elegance-thro-the-streets-image185016149.htmlRMMN05YH–. English: How to Ride with Elegance thro' the Streets, copper engraving of General Montague James Mathew (1773–1819), published by Hannah Humphrey on 8 April, 1800. How to Ride with Elegance thro the Streets
Engraving of The Fashionable Mamma; or, the Convenience of Modern Dress by Artist James Gillray; Publisher: Mrs. Hannah Humphrey. 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-of-the-fashionable-mamma-or-the-convenience-of-modern-dress-by-artist-james-gillray-publisher-mrs-hannah-humphrey-1796-image509753645.htmlRM2MH97Y9–Engraving of The Fashionable Mamma; or, the Convenience of Modern Dress by Artist James Gillray; Publisher: Mrs. Hannah Humphrey. 1796.
The Gout 1799 by James Gillray (British, 1757-1815) published by Hannah Humphrey England, 18th century Etching hand-colored with watercolor on Wove paper. A devil figure is shown biting into painful and inflamed toe joints. Gout is a metabolic condition where uric acid crystals are deposited in the joints, causing great pain. The big toe is the joint most commonly affected. The main causes are genetic factors and diet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gout-1799-by-james-gillray-british-1757-1815-published-by-hannah-humphrey-england-18th-century-etching-hand-colored-with-watercolor-on-wove-paper-a-devil-figure-is-shown-biting-into-painful-and-inflamed-toe-joints-gout-is-a-metabolic-condition-where-uric-acid-crystals-are-deposited-in-the-joints-causing-great-pain-the-big-toe-is-the-joint-most-commonly-affected-the-main-causes-are-genetic-factors-and-diet-image355057177.htmlRM2BHJ71D–The Gout 1799 by James Gillray (British, 1757-1815) published by Hannah Humphrey England, 18th century Etching hand-colored with watercolor on Wove paper. A devil figure is shown biting into painful and inflamed toe joints. Gout is a metabolic condition where uric acid crystals are deposited in the joints, causing great pain. The big toe is the joint most commonly affected. The main causes are genetic factors and diet.
Politeness 1924 by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/politeness-1924-by-hannah-humphrey-image575966084.htmlRM2TD1EH8–Politeness 1924 by Hannah Humphrey
Tales of Wonder! James Gillray, published by Hannah Humphrey. 1 February 1802. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tales-of-wonder!-james-gillray-published-by-hannah-humphrey-1-february-1802-hand-colored-etching-image602026145.htmlRM2WYCJDN–Tales of Wonder! James Gillray, published by Hannah Humphrey. 1 February 1802. Hand-colored etching.
Hannah Humphrey (Publisher). The Lovable Rake. 1813. England. Etching, with hand-coloring, on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hannah-humphrey-publisher-the-lovable-rake-1813-england-etching-with-hand-coloring-on-paper-image338002833.htmlRM2AHWA1N–Hannah Humphrey (Publisher). The Lovable Rake. 1813. England. Etching, with hand-coloring, on paper
The King of Brobdingnag and Gulliver, by James Gillray, Hannah Humphrey, London, 26 June 1803, hand-colored etching with aquatint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-king-of-brobdingnag-and-gulliver-by-james-gillray-hannah-humphrey-london-26-june-1803-hand-colored-etching-with-aquatint-image478329095.htmlRM2JP5NHY–The King of Brobdingnag and Gulliver, by James Gillray, Hannah Humphrey, London, 26 June 1803, hand-colored etching with aquatint
The Zenith of French Glory; - the Pinnacle of Liberty James Gillray British Publisher Hannah Humphrey British February 12, 1793 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-zenith-of-french-glory-the-pinnacle-of-liberty-james-gillray-british-publisher-hannah-humphrey-british-february-12-1793-image569503658.htmlRM2T2F3MA–The Zenith of French Glory; - the Pinnacle of Liberty James Gillray British Publisher Hannah Humphrey British February 12, 1793
Characters in High Life, James Gillray (British, London 1756–1815 London), publisher: Hannah Humphrey (London), 1795 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-characters-in-high-life-james-gillray-british-london-17561815-london-168221921.htmlRMKNK4NN–Characters in High Life, James Gillray (British, London 1756–1815 London), publisher: Hannah Humphrey (London), 1795
London, UK. Jake Humphrey and Hannah Humphrey at CLIC Sargent's 'A Very British Affair' Charity Auction at Claridges Hotel, London. 13th September 2018. Ref:LMK73-S2345-140919. Keith Mayhew/Landmark Media WWW.LMKMEDIA.COM. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-jake-humphrey-and-hannah-humphrey-at-clic-sargents-a-very-british-affair-charity-auction-at-claridges-hotel-london-13th-september-2018-reflmk73-s2345-140919-keith-mayhewlandmark-media-wwwlmkmediacom-image274089909.htmlRMWWWTD9–London, UK. Jake Humphrey and Hannah Humphrey at CLIC Sargent's 'A Very British Affair' Charity Auction at Claridges Hotel, London. 13th September 2018. Ref:LMK73-S2345-140919. Keith Mayhew/Landmark Media WWW.LMKMEDIA.COM.
SHIELDS,MANHEIM,HANNAH,MADSEN,SYKES, THE HOT FLASHES, 2013, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shieldsmanheimhannahmadsensykes-the-hot-flashes-2013-image472861930.htmlRM2JD8M62–SHIELDS,MANHEIM,HANNAH,MADSEN,SYKES, THE HOT FLASHES, 2013,
SHIELDS,MANHEIM,HANNAH,MADSEN,SYKES, THE HOT FLASHES, 2013 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shieldsmanheimhannahmadsensykes-the-hot-flashes-2013-image475754836.htmlRM2JJ0E44–SHIELDS,MANHEIM,HANNAH,MADSEN,SYKES, THE HOT FLASHES, 2013
A Game of Cribbage or Boney's Last Shuffle, June 6, 1814. After George Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-game-of-cribbage-or-boneys-last-shuffle-june-6-1814-after-george-humphrey-image349002663.htmlRM2B7PCCR–A Game of Cribbage or Boney's Last Shuffle, June 6, 1814. After George Humphrey
'The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François', 1803, (1921). Citizen François (representing France): 'Madame, permittez me, to pay my profound esteem to your engaging person! & to seal on your divine Lips my everlasting attachment!!!'. Britannia replies: 'Monsieur, you are truly a well-bred Gentleman! - & tho' you make me blush, yet, you Kiss so delicately, that I cannot refuse you; tho' I was sure you would Deceive me again!!!' Above them are portraits of George III and Napoleon, facing each other. After an engraving by James Gillray Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-kiss-this-ten-years!-or-the-meeting-of-britannia-amp-citizen-franxe7ois-1803-1921-citizen-franxe7ois-representing-france-madame-permittez-me-to-pay-my-profound-esteem-to-your-engaging-person!-amp-to-seal-on-your-divine-lips-my-everlasting-attachment!!!-britannia-replies-monsieur-you-are-truly-a-well-bred-gentleman!-amp-tho-you-make-me-blush-yet-you-kiss-so-delicately-that-i-cannot-refuse-you-tho-i-was-sure-you-would-deceive-me-again!!!-above-them-are-portraits-of-george-iii-and-napoleon-facing-each-other-after-an-engraving-by-james-gillray-image329498325.htmlRM2A41XD9–'The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François', 1803, (1921). Citizen François (representing France): 'Madame, permittez me, to pay my profound esteem to your engaging person! & to seal on your divine Lips my everlasting attachment!!!'. Britannia replies: 'Monsieur, you are truly a well-bred Gentleman! - & tho' you make me blush, yet, you Kiss so delicately, that I cannot refuse you; tho' I was sure you would Deceive me again!!!' Above them are portraits of George III and Napoleon, facing each other. After an engraving by James Gillray
Drawings and Prints, Print, A New Insect, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, London, British, London 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-a-new-insect-publisher-artist-hannah-humphrey-162553966.htmlRMKCCY6P–Drawings and Prints, Print, A New Insect, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, London, British, London 1757
The Lovable Rake. H. Humphries (probably English, 19th century); published by Hannah Humphrey (English, c. 1745-1818). Date: 1813. Dimensions: . Etching, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lovable-rake-h-humphries-probably-english-19th-century-published-by-hannah-humphrey-english-c-1745-1818-date-1813-dimensions-etching-with-hand-coloring-on-paper-origin-england-museum-the-chicago-art-institute-image240131816.htmlRMRXJXG8–The Lovable Rake. H. Humphries (probably English, 19th century); published by Hannah Humphrey (English, c. 1745-1818). Date: 1813. Dimensions: . Etching, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute.
Art inspired by Drawings and Prints, Print, The Parody, or Mother Cole and Loader, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-the-parody-or-mother-cole-and-loader-publisher-artist-hannah-humphrey-thomas-rowlandson-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463066637.htmlRF2HWAE65–Art inspired by Drawings and Prints, Print, The Parody, or Mother Cole and Loader, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The life and work of Susan BAnthony; including public addresses, her own letters and many from her contemporaries during fifty years . those days, they were on terms of intimatefriendship even before the ties were made still closer by mar-riage between the two families. Both Anthonys and Laphams were Quakers as far back asthe sect was in existence. Both were families of wealth andinfluence, and when Humphrey and Hannah were marriedshe received from her parents a house and thirty acres of land,which were entailed on her children. Silver spoons are stillin the family, which were part of her dowr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-life-and-work-of-susan-banthony-including-public-addresses-her-own-letters-and-many-from-her-contemporaries-during-fifty-years-those-days-they-were-on-terms-of-intimatefriendship-even-before-the-ties-were-made-still-closer-by-mar-riage-between-the-two-families-both-anthonys-and-laphams-were-quakers-as-far-back-asthe-sect-was-in-existence-both-were-families-of-wealth-andinfluence-and-when-humphrey-and-hannah-were-marriedshe-received-from-her-parents-a-house-and-thirty-acres-of-landwhich-were-entailed-on-her-children-silver-spoons-are-stillin-the-family-which-were-part-of-her-dowr-image340128340.htmlRM2ANA54M–The life and work of Susan BAnthony; including public addresses, her own letters and many from her contemporaries during fifty years . those days, they were on terms of intimatefriendship even before the ties were made still closer by mar-riage between the two families. Both Anthonys and Laphams were Quakers as far back asthe sect was in existence. Both were families of wealth andinfluence, and when Humphrey and Hannah were marriedshe received from her parents a house and thirty acres of land,which were entailed on her children. Silver spoons are stillin the family, which were part of her dowr
Thought on a regicide peace' (Edmund Burke) by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-thought-on-a-regicide-peace-edmund-burke-by-hannah-humphrey-134784384.htmlRMHR7XT0–Thought on a regicide peace' (Edmund Burke) by Hannah Humphrey
. English: Albinia Hobart, Countess of Buckinghamshire ('At church') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 4 October 1791 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 4 October 1791 Albinia, Countess of Buckinghamshire At church' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-albinia-hobart-countess-of-buckinghamshire-at-church-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-4-october-1791-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-4-october-1791-albinia-countess-of-buckinghamshire-at-church-image184833530.htmlRMMMKW1E–. English: Albinia Hobart, Countess of Buckinghamshire ('At church') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 4 October 1791 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 4 October 1791 Albinia, Countess of Buckinghamshire At church'
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550985825.htmlRM2R0BG15–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236069.htmlRMKXGD9W–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
The Parody, or Mother Cole and Loader 1959 by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parody-or-mother-cole-and-loader-1959-by-hannah-humphrey-image591175371.htmlRM2W9PA63–The Parody, or Mother Cole and Loader 1959 by Hannah Humphrey
French Liberty – British Slavery. James Gillray, published by Hannah Humphrey. 21 December 1792. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-liberty-british-slavery-james-gillray-published-by-hannah-humphrey-21-december-1792-hand-colored-etching-image602026202.htmlRM2WYCJFP–French Liberty – British Slavery. James Gillray, published by Hannah Humphrey. 21 December 1792. Hand-colored etching.
Hannah Humphrey (Publisher). La Walse, from Le Bon Genre. 1801–1900. France. Hand-colored engraving on cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hannah-humphrey-publisher-la-walse-from-le-bon-genre-18011900-france-hand-colored-engraving-on-cream-wove-paper-image338003889.htmlRM2AHWBBD–Hannah Humphrey (Publisher). La Walse, from Le Bon Genre. 1801–1900. France. Hand-colored engraving on cream wove paper
Money Lenders November 8, 1784 Thomas Rowlandson. Money Lenders. Thomas Rowlandson (British, London 1757–1827 London). November 8, 1784. Etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/money-lenders-november-8-1784-thomas-rowlandson-money-lenders-thomas-rowlandson-british-london-17571827-london-november-8-1784-etching-hannah-humphrey-london-prints-image457857338.htmlRM2HGW5KP–Money Lenders November 8, 1784 Thomas Rowlandson. Money Lenders. Thomas Rowlandson (British, London 1757–1827 London). November 8, 1784. Etching. Hannah Humphrey (London). Prints
French Liberty. British Slavery by artist James Gillray (British, London 1756–1815 London), publisher Hannah Humphrey (London), 1792 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-french-liberty-british-slavery-by-artist-james-gillray-british-london-168221920.htmlRMKNK4NM–French Liberty. British Slavery by artist James Gillray (British, London 1756–1815 London), publisher Hannah Humphrey (London), 1792
MADSEN,SYKES,SHIELDS,MANHEIM,POSTER, THE HOT FLASHES, 2013 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madsensykesshieldsmanheimposter-the-hot-flashes-2013-image475755780.htmlRM2JJ0F9T–MADSEN,SYKES,SHIELDS,MANHEIM,POSTER, THE HOT FLASHES, 2013
Humphrey, Printseller, No. 27 St. James's Street, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/humphrey-printseller-no-27-st-jamess-street-nd-image462400269.htmlRM2HT8479–Humphrey, Printseller, No. 27 St. James's Street, n.d.
Armed Heroes, 1803, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armed-heroes-1803-james-gillray-british-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-image328635873.htmlRM2A2JJBD–Armed Heroes, 1803, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper
Very Slippery Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 195 mm (image); 260 × 205 mm (plate); 283 × 235 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/very-slippery-weather-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-date-1808-dimensions-252-195-mm-image-260-205-mm-plate-283-235-mm-sheet-hand-colored-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240133032.htmlRMRXK03M–Very Slippery Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 195 mm (image); 260 × 205 mm (plate); 283 × 235 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
Art inspired by Drawings and Prints, Print, A New Insect, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, London, British, London 1757, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-a-new-insect-publisher-artist-hannah-humphrey-thomas-rowlandson-london-british-london-1757-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463066638.htmlRF2HWAE66–Art inspired by Drawings and Prints, Print, A New Insect, Publisher, Artist, Hannah Humphrey, Thomas Rowlandson, London, British, London 1757, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Our Thompson family in Maine, New Hampshire and the West. ) Ernest Raymond Carr, b. Nov. 22, 1882.(7) Hannah Carr, b. Feb. 18, 1841; resides 32 HamiltonStreet, Lynn, Mass.; m., Sept. 19, 18C3, Josiah H.Preble, b. Nov. 22, 1840; son of Humphrey P. Prebleand Sophia W. Mitchell.(8) George Kimball Preble, b. Feb. 5, 1866; shoe manu-facturer at Lynn, Mass.: m., June 20, 1894, AliceGilman Drew.(8) Mabel Estelle Preble, b. July 23, 1877; d. April 11, 1879.(8) Herbert Harmon Preble, b. May 17, 1880; d. Sept.6, 1900.(6) Woodward Thompson, b. Bowdoin, Me., June 1, 1812; d.Aug. 15, 1876; he resided in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-thompson-family-in-maine-new-hampshire-and-the-west-ernest-raymond-carr-b-nov-22-18827-hannah-carr-b-feb-18-1841-resides-32-hamiltonstreet-lynn-mass-m-sept-19-18c3-josiah-hpreble-b-nov-22-1840-son-of-humphrey-p-prebleand-sophia-w-mitchell8-george-kimball-preble-b-feb-5-1866-shoe-manu-facturer-at-lynn-mass-m-june-20-1894-alicegilman-drew8-mabel-estelle-preble-b-july-23-1877-d-april-11-18798-herbert-harmon-preble-b-may-17-1880-d-sept6-19006-woodward-thompson-b-bowdoin-me-june-1-1812-daug-15-1876-he-resided-in-image337019561.htmlRM2AG8FTW–. Our Thompson family in Maine, New Hampshire and the West. ) Ernest Raymond Carr, b. Nov. 22, 1882.(7) Hannah Carr, b. Feb. 18, 1841; resides 32 HamiltonStreet, Lynn, Mass.; m., Sept. 19, 18C3, Josiah H.Preble, b. Nov. 22, 1840; son of Humphrey P. Prebleand Sophia W. Mitchell.(8) George Kimball Preble, b. Feb. 5, 1866; shoe manu-facturer at Lynn, Mass.: m., June 20, 1894, AliceGilman Drew.(8) Mabel Estelle Preble, b. July 23, 1877; d. April 11, 1879.(8) Herbert Harmon Preble, b. May 17, 1880; d. Sept.6, 1900.(6) Woodward Thompson, b. Bowdoin, Me., June 1, 1812; d.Aug. 15, 1876; he resided in
The great and glorious days of Queen Bess' (Queen Elizabeth I) by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-and-glorious-days-of-queen-bess-queen-elizabeth-i-by-hannah-134800205.htmlRMHR8K11–The great and glorious days of Queen Bess' (Queen Elizabeth I) by Hannah Humphrey
. English: Albinia, Countess of Buckinghamshire ('Enter Cowslip with a bowl of cream') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 Albinia Hobart Albinia Enter Cowslip with a bowl of cream Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-albinia-countess-of-buckinghamshire-enter-cowslip-with-a-bowl-of-cream-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-13-june-1795-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-13-june-1795-albinia-hobart-albinia-enter-cowslip-with-a-bowl-of-cream-image184833529.htmlRMMMKW1D–. English: Albinia, Countess of Buckinghamshire ('Enter Cowslip with a bowl of cream') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 Albinia Hobart Albinia Enter Cowslip with a bowl of cream
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550984948.htmlRM2R0BEWT–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236089.htmlRMKXGDAH–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
Madam Blubber On Her Canvass 1959 by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madam-blubber-on-her-canvass-1959-by-hannah-humphrey-image591175375.htmlRM2W9PA67–Madam Blubber On Her Canvass 1959 by Hannah Humphrey
A Sphere, Projecting Against a Plane. James Gillray, published by Hannah Humphrey. 3January 1792. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-sphere-projecting-against-a-plane-james-gillray-published-by-hannah-humphrey-3january-1792-hand-colored-etching-image602026144.htmlRM2WYCJDM–A Sphere, Projecting Against a Plane. James Gillray, published by Hannah Humphrey. 3January 1792. Hand-colored etching.
British political cartoon, 1807 Political Mathematician's Shaking the Broadwater bottom'd Hemispheres (title object) Cartoon on UK domestic politics, 1807. Central large pants is hoisted upside down. Furthermore, all kinds tug of war and binge parties. From burning Europe Napoleon watching with binoculars to the English toestanden. Manufacturer : printmaker James Gillray (listed building) in its design: James Gillray (listed building) Publisher: Hannah Humphrey (listed property) Place manufacture: printmaker: England to own design of: England Publisher: London Date: 9-Jan-1807 Physical charact Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-political-cartoon-1807-political-mathematicians-shaking-the-broadwater-bottomd-hemispheres-title-object-cartoon-on-uk-domestic-politics-1807-central-large-pants-is-hoisted-upside-down-furthermore-all-kinds-tug-of-war-and-binge-parties-from-burning-europe-napoleon-watching-with-binoculars-to-the-english-toestanden-manufacturer-printmaker-james-gillray-listed-building-in-its-design-james-gillray-listed-building-publisher-hannah-humphrey-listed-property-place-manufacture-printmaker-england-to-own-design-of-england-publisher-london-date-9-jan-1807-physical-charact-image348235719.htmlRM2B6FE5Y–British political cartoon, 1807 Political Mathematician's Shaking the Broadwater bottom'd Hemispheres (title object) Cartoon on UK domestic politics, 1807. Central large pants is hoisted upside down. Furthermore, all kinds tug of war and binge parties. From burning Europe Napoleon watching with binoculars to the English toestanden. Manufacturer : printmaker James Gillray (listed building) in its design: James Gillray (listed building) Publisher: Hannah Humphrey (listed property) Place manufacture: printmaker: England to own design of: England Publisher: London Date: 9-Jan-1807 Physical charact
The Champion of the People March 11, 1784 Thomas Rowlandson. The Champion of the People. Thomas Rowlandson (British, London 1757–1827 London). March 11, 1784. Etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-champion-of-the-people-march-11-1784-thomas-rowlandson-the-champion-of-the-people-thomas-rowlandson-british-london-17571827-london-march-11-1784-etching-hannah-humphrey-london-prints-image457856541.htmlRM2HGW4K9–The Champion of the People March 11, 1784 Thomas Rowlandson. The Champion of the People. Thomas Rowlandson (British, London 1757–1827 London). March 11, 1784. Etching. Hannah Humphrey (London). Prints
A Pair of Polished Gentlemen by artist James Gillray (British, London 1756–1815 London), Publisher Hannah Humphrey (London), 1801 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-pair-of-polished-gentlemen-by-artist-james-gillray-british-london-168221927.htmlRMKNK4NY–A Pair of Polished Gentlemen by artist James Gillray (British, London 1756–1815 London), Publisher Hannah Humphrey (London), 1801
Humphrey, Printseller, No. 27 St. James's Street, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/humphrey-printseller-no-27-st-jamess-street-nd-image462400278.htmlRM2HT847J–Humphrey, Printseller, No. 27 St. James's Street, n.d.
The Lovable Rake, 1813, H. Humphries (probably English, 19th century), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lovable-rake-1813-h-humphries-probably-english-19th-century-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-image328635644.htmlRM2A2JJ38–The Lovable Rake, 1813, H. Humphries (probably English, 19th century), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper
The Champion of the People. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 13/16 × 13 15/16 in. (25 × 35.4 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806). Date: March 11, 1784. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-champion-of-the-people-artist-thomas-rowlandson-british-london-1757-1827-london-dimensions-sheet-9-1316-13-1516-in-25-354-cm-published-in-london-publisher-hannah-humphrey-london-subject-charles-james-fox-british-1749-1806-date-march-11-1784-museum-metropolitan-museum-of-art-new-york-usa-image213415891.htmlRMPB5X43–The Champion of the People. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 13/16 × 13 15/16 in. (25 × 35.4 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806). Date: March 11, 1784. Museum: Metropolitan Museum of Art, New York, USA.
Armed Heroes, 1803, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armed-heroes-1803-james-gillray-british-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349701871.htmlRF2B8X88F–Armed Heroes, 1803, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Milwaukee, Wisconsin, city directory . 481 REAL ESTATE, MORTGAGELOANS INSURANCE. MILWAUKEE DAVIES E M, Pres Seely Parsons & Coof Wisconsin, res Chicago, 111 Fannie (wld Chas J) h524 Newberry blvd Fleta E st^-n Attna Life Ins Co r365 33d Franlt 3 (Mamie) police hl312 N Pierce Fred E cllJ Stove Dealers Supply Co r419 31st Geo driver r809 Okla av Gerald .1 student r419 31st Hannah r667 Van Buren Harold C asst teller Natl Excli Bank rl723 Meln- ecke av Hcnrr W hS13 Island av Hush a cond hU82 28th Humphrey R (Anna) asst formn C JI & St P Ky hl326 Hilda pi Ira (Caroline) rep Coca-Cola Co h3814 Elm l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milwaukee-wisconsin-city-directory-481-real-estate-mortgageloans-insurance-milwaukee-davies-e-m-pres-seely-parsons-coof-wisconsin-res-chicago-111-fannie-wld-chas-j-h524-newberry-blvd-fleta-e-st-n-attna-life-ins-co-r365-33d-franlt-3-mamie-police-hl312-n-pierce-fred-e-cllj-stove-dealers-supply-co-r419-31st-geo-driver-r809-okla-av-gerald-1-student-r419-31st-hannah-r667-van-buren-harold-c-asst-teller-natl-excli-bank-rl723-meln-ecke-av-hcnrr-w-hs13-island-av-hush-a-cond-hu82-28th-humphrey-r-anna-asst-formn-c-ji-st-p-ky-hl326-hilda-pi-ira-caroline-rep-coca-cola-co-h3814-elm-l-image338424509.htmlRM2AJGFWH–Milwaukee, Wisconsin, city directory . 481 REAL ESTATE, MORTGAGELOANS INSURANCE. MILWAUKEE DAVIES E M, Pres Seely Parsons & Coof Wisconsin, res Chicago, 111 Fannie (wld Chas J) h524 Newberry blvd Fleta E st^-n Attna Life Ins Co r365 33d Franlt 3 (Mamie) police hl312 N Pierce Fred E cllJ Stove Dealers Supply Co r419 31st Geo driver r809 Okla av Gerald .1 student r419 31st Hannah r667 Van Buren Harold C asst teller Natl Excli Bank rl723 Meln- ecke av Hcnrr W hS13 Island av Hush a cond hU82 28th Humphrey R (Anna) asst formn C JI & St P Ky hl326 Hilda pi Ira (Caroline) rep Coca-Cola Co h3814 Elm l
Frontispiece' (Charles James Fox) by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frontispiece-charles-james-fox-by-hannah-humphrey-132707345.htmlRMHKW9G1–Frontispiece' (Charles James Fox) by Hannah Humphrey
. English: Albinia, Countess of Buckinghamshire ('Enter Cowslip with a bowl of cream') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 Albinia Hobart Albinia Enter Cowslip with a bowl of cream (cropped) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-albinia-countess-of-buckinghamshire-enter-cowslip-with-a-bowl-of-cream-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-13-june-1795-by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-13-june-1795-albinia-hobart-albinia-enter-cowslip-with-a-bowl-of-cream-cropped-image184833527.htmlRMMMKW1B–. English: Albinia, Countess of Buckinghamshire ('Enter Cowslip with a bowl of cream') by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 13 June 1795 Albinia Hobart Albinia Enter Cowslip with a bowl of cream (cropped)
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550984835.htmlRM2R0BENR–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236085.htmlRMKXGDAD–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
La politesse Francoise, or The English Ladies Petition to His Excellency the Mushroom Ambassador 1959 by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-politesse-francoise-or-the-english-ladies-petition-to-his-excellency-the-mushroom-ambassador-1959-by-hannah-humphrey-image591175369.htmlRM2W9PA61–La politesse Francoise, or The English Ladies Petition to His Excellency the Mushroom Ambassador 1959 by Hannah Humphrey
A Cognocenti Contemplating ye Beauties of ye Antique. James Gillray, published by Hannah Humphrey. 11 February 1801. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-cognocenti-contemplating-ye-beauties-of-ye-antique-james-gillray-published-by-hannah-humphrey-11-february-1801-hand-colored-etching-image602026147.htmlRM2WYCJDR–A Cognocenti Contemplating ye Beauties of ye Antique. James Gillray, published by Hannah Humphrey. 11 February 1801. Hand-colored etching.
John Bull te grazen genomen door de Europese machten, 1795 Blindmans-Buff-or-Too Many for John Bull (titel op object) Cartoon Where: in John Bull (UK) taken during the game blind man to graze by the other European powers, june 1795. the left he is robbed by the Habsburg emperor Francis II and the Prussian hussar, he gets right on his rear stairs of the Frenchman and the Dutchman tobacco smoke blows him in the face. At left is William Pitt the parties aanmoedigt. Manufacturer : printmaker James Gillrayuitgever: Hannah Humphrey (listed property) Place manufacture: London Date: 12 Jun 1795 Physic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-bull-te-grazen-genomen-door-de-europese-machten-1795-blindmans-buff-or-too-many-for-john-bull-titel-op-object-cartoon-where-in-john-bull-uk-taken-during-the-game-blind-man-to-graze-by-the-other-european-powers-june-1795-the-left-he-is-robbed-by-the-habsburg-emperor-francis-ii-and-the-prussian-hussar-he-gets-right-on-his-rear-stairs-of-the-frenchman-and-the-dutchman-tobacco-smoke-blows-him-in-the-face-at-left-is-william-pitt-the-parties-aanmoedigt-manufacturer-printmaker-james-gillrayuitgever-hannah-humphrey-listed-property-place-manufacture-london-date-12-jun-1795-physic-image348464006.htmlRM2B6WWB2–John Bull te grazen genomen door de Europese machten, 1795 Blindmans-Buff-or-Too Many for John Bull (titel op object) Cartoon Where: in John Bull (UK) taken during the game blind man to graze by the other European powers, june 1795. the left he is robbed by the Habsburg emperor Francis II and the Prussian hussar, he gets right on his rear stairs of the Frenchman and the Dutchman tobacco smoke blows him in the face. At left is William Pitt the parties aanmoedigt. Manufacturer : printmaker James Gillrayuitgever: Hannah Humphrey (listed property) Place manufacture: London Date: 12 Jun 1795 Physic
The Esplanade June 1, 1797 James Gillray British. The Esplanade. James Gillray (British, London 1756–1815 London). June 1, 1797. Hand-colored etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-esplanade-june-1-1797-james-gillray-british-the-esplanade-james-gillray-british-london-17561815-london-june-1-1797-hand-colored-etching-hannah-humphrey-london-prints-image457782521.htmlRM2HGNP7N–The Esplanade June 1, 1797 James Gillray British. The Esplanade. James Gillray (British, London 1756–1815 London). June 1, 1797. Hand-colored etching. Hannah Humphrey (London). Prints
Cymon and Iphigenia Artist: James Gillray, British, Chelsea 1756-1815 London, Publisher: Hannah Humphrey, London, May 2, 1796, Hand-colored etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cymon-and-iphigenia-artist-james-gillray-british-chelsea-1756-1815-168221637.htmlRMKNK4BH–Cymon and Iphigenia Artist: James Gillray, British, Chelsea 1756-1815 London, Publisher: Hannah Humphrey, London, May 2, 1796, Hand-colored etching
Peace and Plenty or Good News for John Bull!!!, May 25, 1814. After George Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peace-and-plenty-or-good-news-for-john-bull!!!-may-25-1814-after-george-humphrey-image349002659.htmlRM2B7PCCK–Peace and Plenty or Good News for John Bull!!!, May 25, 1814. After George Humphrey
The State Waggoner and John Bull, 1804, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-state-waggoner-and-john-bull-1804-james-gillray-british-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-image328635702.htmlRM2A2JJ5A–The State Waggoner and John Bull, 1804, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper
The Westminster Mendicant. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/4 × 6 7/8 in. (23.5 × 17.4 cm) Plate: 8 5/16 × 5 7/8 in. (21.1 × 14.9 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Sir Cecil Wray (British, Yorkshire 1734-1805 Lincolnshire). Date: May 11, 1784. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-westminster-mendicant-artist-thomas-rowlandson-british-london-1757-1827-london-dimensions-sheet-9-14-6-78-in-235-174-cm-plate-8-516-5-78-in-211-149-cm-published-in-london-publisher-hannah-humphrey-london-subject-sir-cecil-wray-british-yorkshire-1734-1805-lincolnshire-date-may-11-1784-museum-metropolitan-museum-of-art-new-york-usa-image225420790.htmlRMR2MPEE–The Westminster Mendicant. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/4 × 6 7/8 in. (23.5 × 17.4 cm) Plate: 8 5/16 × 5 7/8 in. (21.1 × 14.9 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Sir Cecil Wray (British, Yorkshire 1734-1805 Lincolnshire). Date: May 11, 1784. Museum: Metropolitan Museum of Art, New York, USA.
The Lovable Rake, 1813, H. Humphries (probably English, 19th century), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lovable-rake-1813-h-humphries-probably-english-19th-century-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349701417.htmlRF2B8X7M9–The Lovable Rake, 1813, H. Humphries (probably English, 19th century), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. The Annual monitor... or, Obituary of the members of the Society of Friends in Great Britain and Ireland.. . n. Sophia Burtt Simpson .. 69 19 12 1912Derby. Wife of George Simpson. 158 ANNUAL MONITOR Thomas Skinner .. ..77 9 7 1913 Kingston, Humphrey Smith .. ..77 311 1912 Penarth. Buried at Layer Breton.Sarah Elizabeth Sparkes 83 8 3 1913 Brighton. Widow of Hy. Sparkes.Hannah Spencer .. ..75 27 11 1912 Newholm, nr. Whitby. Wife of Geo. Spencer.Samuel Standing . . 05 27 5 1913 Black well, Darlington.Hall Stansiteld .. .. 89 30 4 1913 Halifax. Eliza Stokes .. .. 75 18 3 1913 Forest Hill. Widow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annual-monitor-or-obituary-of-the-members-of-the-society-of-friends-in-great-britain-and-ireland-n-sophia-burtt-simpson-69-19-12-1912derby-wife-of-george-simpson-158-annual-monitor-thomas-skinner-77-9-7-1913-kingston-humphrey-smith-77-311-1912-penarth-buried-at-layer-bretonsarah-elizabeth-sparkes-83-8-3-1913-brighton-widow-of-hy-sparkeshannah-spencer-75-27-11-1912-newholm-nr-whitby-wife-of-geo-spencersamuel-standing-05-27-5-1913-black-well-darlingtonhall-stansiteld-89-30-4-1913-halifax-eliza-stokes-75-18-3-1913-forest-hill-widow-image369723956.htmlRM2CDEAK0–. The Annual monitor... or, Obituary of the members of the Society of Friends in Great Britain and Ireland.. . n. Sophia Burtt Simpson .. 69 19 12 1912Derby. Wife of George Simpson. 158 ANNUAL MONITOR Thomas Skinner .. ..77 9 7 1913 Kingston, Humphrey Smith .. ..77 311 1912 Penarth. Buried at Layer Breton.Sarah Elizabeth Sparkes 83 8 3 1913 Brighton. Widow of Hy. Sparkes.Hannah Spencer .. ..75 27 11 1912 Newholm, nr. Whitby. Wife of Geo. Spencer.Samuel Standing . . 05 27 5 1913 Black well, Darlington.Hall Stansiteld .. .. 89 30 4 1913 Halifax. Eliza Stokes .. .. 75 18 3 1913 Forest Hill. Widow
An address from the citizens of N(orwich) to the National Convention by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-address-from-the-citizens-of-norwich-to-the-national-convention-132600855.htmlRMHKMDMR–An address from the citizens of N(orwich) to the National Convention by Hannah Humphrey
. English: The Three Mr Wiggins's, etching and aquatint of Montague James Mathew (1773–1819), Francis James Mathew, Viscount Mathew (1768-1833), and George Toby Skeffington Mathew (died 1832), published by Hannah Humphrey on 16 June 1803. published 1803. James Gillray (c. 1757 – 1815) 1181 The Three Mr Wigginses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-three-mr-wigginss-etching-and-aquatint-of-montague-james-mathew-17731819-francis-james-mathew-viscount-mathew-1768-1833-and-george-toby-skeffington-mathew-died-1832-published-by-hannah-humphrey-on-16-june-1803-published-1803-james-gillray-c-1757-1815-1181-the-three-mr-wigginses-image185600256.htmlRMMNXR0G–. English: The Three Mr Wiggins's, etching and aquatint of Montague James Mathew (1773–1819), Francis James Mathew, Viscount Mathew (1768-1833), and George Toby Skeffington Mathew (died 1832), published by Hannah Humphrey on 16 June 1803. published 1803. James Gillray (c. 1757 – 1815) 1181 The Three Mr Wigginses
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550984960.htmlRM2R0BEX8–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236063.htmlRMKXGD9K–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
A Voluptuary Under the Horrors of Digestion. James Gillray, published by Hannah Humphrey. 2 July 1792. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-voluptuary-under-the-horrors-of-digestion-james-gillray-published-by-hannah-humphrey-2-july-1792-hand-colored-etching-image602026095.htmlRM2WYCJBY–A Voluptuary Under the Horrors of Digestion. James Gillray, published by Hannah Humphrey. 2 July 1792. Hand-colored etching.
Kunstverzamelaar voor de ingang van Christie's, Pall Mall Londen Maecenas, in pursuit of the Fine Arts a man with a cane and glasses walks past the entrance of Christie's Where: a pillar hangs a notice of paintings auction. The pavement is cleared of snow, against the fence are a snow shovel and a bezem. Manufacturer : printmaker James Gillray (listed building) in its design: James Gillray (listed building) Publisher: Hannah Humphrey (listed property) Place Manufacture: London Date: May 1808 Physical characteristics: etching, with the hand-colored material: paper Technique: etching / hand-colo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kunstverzamelaar-voor-de-ingang-van-christies-pall-mall-londen-maecenas-in-pursuit-of-the-fine-arts-a-man-with-a-cane-and-glasses-walks-past-the-entrance-of-christies-where-a-pillar-hangs-a-notice-of-paintings-auction-the-pavement-is-cleared-of-snow-against-the-fence-are-a-snow-shovel-and-a-bezem-manufacturer-printmaker-james-gillray-listed-building-in-its-design-james-gillray-listed-building-publisher-hannah-humphrey-listed-property-place-manufacture-london-date-may-1808-physical-characteristics-etching-with-the-hand-colored-material-paper-technique-etching-hand-colo-image348532171.htmlRM2B7109F–Kunstverzamelaar voor de ingang van Christie's, Pall Mall Londen Maecenas, in pursuit of the Fine Arts a man with a cane and glasses walks past the entrance of Christie's Where: a pillar hangs a notice of paintings auction. The pavement is cleared of snow, against the fence are a snow shovel and a bezem. Manufacturer : printmaker James Gillray (listed building) in its design: James Gillray (listed building) Publisher: Hannah Humphrey (listed property) Place Manufacture: London Date: May 1808 Physical characteristics: etching, with the hand-colored material: paper Technique: etching / hand-colo
Despair April 8, 1802 James Gillray British. Despair. James Gillray (British, London 1756–1815 London). April 8, 1802. Hand-colored etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/despair-april-8-1802-james-gillray-british-despair-james-gillray-british-london-17561815-london-april-8-1802-hand-colored-etching-hannah-humphrey-london-prints-image457782501.htmlRM2HGNP71–Despair April 8, 1802 James Gillray British. Despair. James Gillray (British, London 1756–1815 London). April 8, 1802. Hand-colored etching. Hannah Humphrey (London). Prints
Cymon and Iphigenia MET DP818510 383688 Artist: James Gillray, British, Chelsea 1756?1815 London, Publisher: Hannah Humphrey, London, Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm). The Metropolitan Museum of Art, New York. Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 (2008.254) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cymon-and-iphigenia-met-dp818510-383688-artist-james-gillray-british-168380523.htmlRMKNXB23–Cymon and Iphigenia MET DP818510 383688 Artist: James Gillray, British, Chelsea 1756?1815 London, Publisher: Hannah Humphrey, London, Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm). The Metropolitan Museum of Art, New York. Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 (2008.254)
The Allied Bakers or the Corsican Toad in the Hole, April 1, 1814. Gebhardt von Blücher, the Duke of Wellington and Austrian emperor Francis I consign the figure emperor Napoleon to the oven. After George Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-allied-bakers-or-the-corsican-toad-in-the-hole-april-1-1814-gebhardt-von-blxfccher-the-duke-of-wellington-and-austrian-emperor-francis-i-consign-the-figure-emperor-napoleon-to-the-oven-after-george-humphrey-image354732652.htmlRM2BH3D38–The Allied Bakers or the Corsican Toad in the Hole, April 1, 1814. Gebhardt von Blücher, the Duke of Wellington and Austrian emperor Francis I consign the figure emperor Napoleon to the oven. After George Humphrey
The King of Brobdingnag and Gulliver, Print made by James Gillray, 1757–1815, British, Published by Hannah Humphrey, ca. 1745–1818, British, 1803, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-king-of-brobdingnag-and-gulliver-print-made-by-james-gillray-17571815-british-published-by-hannah-humphrey-ca-17451818-british-1803-etching-and-aquatint-with-hand-coloring-in-watercolor-on-medium-slightly-textured-cream-wove-paper-image389831238.htmlRM2DJ69M6–The King of Brobdingnag and Gulliver, Print made by James Gillray, 1757–1815, British, Published by Hannah Humphrey, ca. 1745–1818, British, 1803, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
The Devonshire, or Most Approved Method of Securing Votes. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 9/16 × 17 5/16 in. (29.3 × 44 cm) Plate: 9 9/16 × 13 13/16 in. (24.3 × 35.1 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Georgiana Cavendish, Duchess of Devonshire (British, Wimbledon, Surrey 1757-1806 Devonshire). Date: April 12, 1784. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-devonshire-or-most-approved-method-of-securing-votes-artist-thomas-rowlandson-british-london-1757-1827-london-dimensions-sheet-11-916-17-516-in-293-44-cm-plate-9-916-13-1316-in-243-351-cm-published-in-london-publisher-hannah-humphrey-london-subject-charles-james-fox-british-1749-1806-georgiana-cavendish-duchess-of-devonshire-british-wimbledon-surrey-1757-1806-devonshire-date-april-12-1784-museum-metropolitan-museum-of-art-new-york-usa-image213204680.htmlRMPAT8MT–The Devonshire, or Most Approved Method of Securing Votes. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 9/16 × 17 5/16 in. (29.3 × 44 cm) Plate: 9 9/16 × 13 13/16 in. (24.3 × 35.1 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Georgiana Cavendish, Duchess of Devonshire (British, Wimbledon, Surrey 1757-1806 Devonshire). Date: April 12, 1784. Museum: Metropolitan Museum of Art, New York, USA.
The State Waggoner and John Bull, 1804, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-state-waggoner-and-john-bull-1804-james-gillray-british-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-etching-with-hand-coloring-on-paper-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349701647.htmlRF2B8X80F–The State Waggoner and John Bull, 1804, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Brown genealogy of many of the descendants of Thomas, John, and Eleazer Brown . yalusing, Penn., 1842; m., 1791, Hannah Dodge,b. 1774; dau. of Maj. Oliver Dodge, of Colchester, Conn. Children: 128. Thomas Brown, b. Aug. 3, 1793; m. Esther Gregg (193-203). 129. Oliver, b. Apr., 1796; m. Mary Walles (204-213). 130. William Dodge, b. Feb. 13, 1797; m. Clarissa Maxfield (214- 223). 131. Daniel, b. Jan. 12, 1800; d. 1815. 132. Sarah, b. Apr. 2, 1802; m. Elisha Whitney, M.D., b. 1798; d. Jan. 18, 1847 (234-242). 133. Abigail, b. May 25, 1805; m. John Bird (243-249). 134. Humphrey, Jr., b. Feb. 22, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brown-genealogy-of-many-of-the-descendants-of-thomas-john-and-eleazer-brown-yalusing-penn-1842-m-1791-hannah-dodgeb-1774-dau-of-maj-oliver-dodge-of-colchester-conn-children-128-thomas-brown-b-aug-3-1793-m-esther-gregg-193-203-129-oliver-b-apr-1796-m-mary-walles-204-213-130-william-dodge-b-feb-13-1797-m-clarissa-maxfield-214-223-131-daniel-b-jan-12-1800-d-1815-132-sarah-b-apr-2-1802-m-elisha-whitney-md-b-1798-d-jan-18-1847-234-242-133-abigail-b-may-25-1805-m-john-bird-243-249-134-humphrey-jr-b-feb-22-image369619089.htmlRM2CD9GWN–. Brown genealogy of many of the descendants of Thomas, John, and Eleazer Brown . yalusing, Penn., 1842; m., 1791, Hannah Dodge,b. 1774; dau. of Maj. Oliver Dodge, of Colchester, Conn. Children: 128. Thomas Brown, b. Aug. 3, 1793; m. Esther Gregg (193-203). 129. Oliver, b. Apr., 1796; m. Mary Walles (204-213). 130. William Dodge, b. Feb. 13, 1797; m. Clarissa Maxfield (214- 223). 131. Daniel, b. Jan. 12, 1800; d. 1815. 132. Sarah, b. Apr. 2, 1802; m. Elisha Whitney, M.D., b. 1798; d. Jan. 18, 1847 (234-242). 133. Abigail, b. May 25, 1805; m. John Bird (243-249). 134. Humphrey, Jr., b. Feb. 22,
A recruit for opposition from the temple of British worthies by Hannah Humphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-recruit-for-opposition-from-the-temple-of-british-worthies-by-hannah-132590226.htmlRMHKM056–A recruit for opposition from the temple of British worthies by Hannah Humphrey
. English: James Gillray: Fashionable Contrasts; – or – the Duchess's little shoe yeilding to the magnitude of the Duke's foot, originally published by Hannah Humphrey on January 24, 1792. The print shows the feet and ankles of the Duke and Duchess of York (Frederick, Duke of York and Albany 1763-1827, son of George III, and Frederica Charlotte Ulrica 1767-1820, his wife), in an obviously copulatory position, with the Duke's feet enlarged and the Duchess's feet drawn very small. Response in part to contemporary press flattery of the Duchess remarking on her dainty feet and elegant footwear. Se Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-james-gillray-fashionable-contrasts-or-the-duchesss-little-shoe-yeilding-to-the-magnitude-of-the-dukes-foot-originally-published-by-hannah-humphrey-on-january-24-1792-the-print-shows-the-feet-and-ankles-of-the-duke-and-duchess-of-york-frederick-duke-of-york-and-albany-1763-1827-son-of-george-iii-and-frederica-charlotte-ulrica-1767-1820-his-wife-in-an-obviously-copulatory-position-with-the-dukes-feet-enlarged-and-the-duchesss-feet-drawn-very-small-response-in-part-to-contemporary-press-flattery-of-the-duchess-remarking-on-her-dainty-feet-and-elegant-footwear-se-image184979044.htmlRMMMXEJC–. English: James Gillray: Fashionable Contrasts; – or – the Duchess's little shoe yeilding to the magnitude of the Duke's foot, originally published by Hannah Humphrey on January 24, 1792. The print shows the feet and ankles of the Duke and Duchess of York (Frederick, Duke of York and Albany 1763-1827, son of George III, and Frederica Charlotte Ulrica 1767-1820, his wife), in an obviously copulatory position, with the Duke's feet enlarged and the Duchess's feet drawn very small. Response in part to contemporary press flattery of the Duchess remarking on her dainty feet and elegant footwear. Se
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550985410.htmlRM2R0BFEA–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236054.htmlRMKXGD9A–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
Connoisseurs Examining a Collection of George Morland's. James Gillray, published by Hannah Humphrey. 16 November 1807. Hand-colored etching. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/connoisseurs-examining-a-collection-of-george-morlands-james-gillray-published-by-hannah-humphrey-16-november-1807-hand-colored-etching-image602026134.htmlRM2WYCJDA–Connoisseurs Examining a Collection of George Morland's. James Gillray, published by Hannah Humphrey. 16 November 1807. Hand-colored etching.
Exterieur van de winkel van Hannah Humphrey te Londen Very Slippy-Weather (titel op object) Exterior of the shop publisher and print seller Hannah Humphrey, 27 St James's Street, London. A man with a barometer in his left hand and a stick in his right hand just slipped on the slick pavement Where: by coins falling from his pocket and his bald head under his hat and wig is visible. In the window hang prints that are viewed by customers and outside the front door stands a man with a picture in his handen. Manufacturer : printmaker James Gillray (listed property) designed by John Snyduitgever: Ha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exterieur-van-de-winkel-van-hannah-humphrey-te-londen-very-slippy-weather-titel-op-object-exterior-of-the-shop-publisher-and-print-seller-hannah-humphrey-27-st-jamess-street-london-a-man-with-a-barometer-in-his-left-hand-and-a-stick-in-his-right-hand-just-slipped-on-the-slick-pavement-where-by-coins-falling-from-his-pocket-and-his-bald-head-under-his-hat-and-wig-is-visible-in-the-window-hang-prints-that-are-viewed-by-customers-and-outside-the-front-door-stands-a-man-with-a-picture-in-his-handen-manufacturer-printmaker-james-gillray-listed-property-designed-by-john-snyduitgever-ha-image348339539.htmlRM2B6M6HR–Exterieur van de winkel van Hannah Humphrey te Londen Very Slippy-Weather (titel op object) Exterior of the shop publisher and print seller Hannah Humphrey, 27 St James's Street, London. A man with a barometer in his left hand and a stick in his right hand just slipped on the slick pavement Where: by coins falling from his pocket and his bald head under his hat and wig is visible. In the window hang prints that are viewed by customers and outside the front door stands a man with a picture in his handen. Manufacturer : printmaker James Gillray (listed property) designed by John Snyduitgever: Ha
Brothers of the Whip November 27, 1781 Thomas Rowlandson British. Brothers of the Whip. Thomas Rowlandson (British, London 1757–1827 London). November 27, 1781. Etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brothers-of-the-whip-november-27-1781-thomas-rowlandson-british-brothers-of-the-whip-thomas-rowlandson-british-london-17571827-london-november-27-1781-etching-hannah-humphrey-london-prints-image457856762.htmlRM2HGW4Y6–Brothers of the Whip November 27, 1781 Thomas Rowlandson British. Brothers of the Whip. Thomas Rowlandson (British, London 1757–1827 London). November 27, 1781. Etching. Hannah Humphrey (London). Prints
A New Insect MET DP871750 736052 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, A New Insect, May 12, 1784, Hand-colored etching, Sheet: 13 5/16 ? 8 3/8 in. (33.8 ? 21.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.1756) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-new-insect-met-dp871750-736052-artist-thomas-rowlandson-british-168093176.htmlRMKND8FM–A New Insect MET DP871750 736052 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, A New Insect, May 12, 1784, Hand-colored etching, Sheet: 13 5/16 ? 8 3/8 in. (33.8 ? 21.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.1756)
Very Slippy-Weather, 1808. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/very-slippy-weather-1808-image186152936.htmlRMMPRYY4–Very Slippy-Weather, 1808.
Les Invisibles, 1810, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on ivory wove paper, 235 × 310 mm (image), 243 × 315 mm (plate/sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-invisibles-1810-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-hand-colored-etching-on-ivory-wove-paper-235-310-mm-image-243-315-mm-platesheet-image328635966.htmlRM2A2JJEP–Les Invisibles, 1810, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on ivory wove paper, 235 × 310 mm (image), 243 × 315 mm (plate/sheet
Sir Cecil Wray in the Pillory. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/8 × 13 1/8 in. (23.1 × 33.3 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Sir Cecil Wray (British, Yorkshire 1734-1805 Lincolnshire); Samuel House (British, active ca. 1780); John Jackson (British, Ovingham, Northumberland 1801-1848 London). Date: May 7, 1784. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-cecil-wray-in-the-pillory-artist-thomas-rowlandson-british-london-1757-1827-london-dimensions-sheet-9-18-13-18-in-231-333-cm-published-in-london-publisher-hannah-humphrey-london-subject-charles-james-fox-british-1749-1806-sir-cecil-wray-british-yorkshire-1734-1805-lincolnshire-samuel-house-british-active-ca-1780-john-jackson-british-ovingham-northumberland-1801-1848-london-date-may-7-1784-museum-metropolitan-museum-of-art-new-york-usa-image213181210.htmlRMPAR6PJ–Sir Cecil Wray in the Pillory. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/8 × 13 1/8 in. (23.1 × 33.3 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Sir Cecil Wray (British, Yorkshire 1734-1805 Lincolnshire); Samuel House (British, active ca. 1780); John Jackson (British, Ovingham, Northumberland 1801-1848 London). Date: May 7, 1784. Museum: Metropolitan Museum of Art, New York, USA.
Les Invisibles, 1810, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on ivory wove paper, 235 × 310 mm (image), 243 × 315 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-invisibles-1810-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-england-hand-colored-etching-on-ivory-wove-paper-235-310-mm-image-243-315-mm-platesheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349701904.htmlRF2B8X89M–Les Invisibles, 1810, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on ivory wove paper, 235 × 310 mm (image), 243 × 315 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. The history of Boscawen and Webster [N.H.] from 1733 to 1878 . 826. Anner, b. 13 April, 1800; m. Samuel Choate, Enfield. Maria, b. 12 Aug., 1802; m. Thomas Choate, Enfield. Nancy, b. 22 Oct., 1804; m. Jonathan Currier, Candia. Children of Mary : Mary, b. 1810 ; d. 7 Jan., 1827.Sophia, d. 1818, aged 18 months.Samuel, b. 181.5; d. same year. IsAAC^ (Samuel,* Thomas,^ Humphrey-) m. Hannah Noyes, He-bron. Samuel K., b. 5 Nov., 1820; m., 1st, Martha Jane Waldron, ofHopkinton; 2d, Mary M. Moore, of Calais, Me. ; lives inConcord. Betsey, b. 1824; d. 1826. E-OYAL^ (Samuel,* Thomas,^ Humphrey-) m., 1 Stock Photo](https://c8.alamy.com/comp/2CDCK1F/the-history-of-boscawen-and-webster-nh-from-1733-to-1878-826-anner-b-13-april-1800-m-samuel-choate-enfield-maria-b-12-aug-1802-m-thomas-choate-enfield-nancy-b-22-oct-1804-m-jonathan-currier-candia-children-of-mary-mary-b-1810-d-7-jan-1827sophia-d-1818-aged-18-monthssamuel-b-1815-d-same-year-isaac-samuel-thomas-humphrey-m-hannah-noyes-he-bron-samuel-k-b-5-nov-1820-m-1st-martha-jane-waldron-ofhopkinton-2d-mary-m-moore-of-calais-me-lives-inconcord-betsey-b-1824-d-1826-e-oyal-samuel-thomas-humphrey-m-1-2CDCK1F.jpg ". The history of Boscawen and Webster [N.H.] from 1733 to 1878 . 826. Anner, b. 13 April, 1800; m. Samuel Choate, Enfield. Maria, b. 12 Aug., 1802; m. Thomas Choate, Enfield. Nancy, b. 22 Oct., 1804; m. Jonathan Currier, Candia. Children of Mary : Mary, b. 1810 ; d. 7 Jan., 1827.Sophia, d. 1818, aged 18 months.Samuel, b. 181.5; d. same year. IsAAC^ (Samuel,* Thomas,^ Humphrey-) m. Hannah Noyes, He-bron. Samuel K., b. 5 Nov., 1820; m., 1st, Martha Jane Waldron, ofHopkinton; 2d, Mary M. Moore, of Calais, Me. ; lives inConcord. Betsey, b. 1824; d. 1826. E-OYAL^ (Samuel,* Thomas,^ Humphrey-) m., 1 Stock Photo")
. The history of Boscawen and Webster [N.H.] from 1733 to 1878 . 826. Anner, b. 13 April, 1800; m. Samuel Choate, Enfield. Maria, b. 12 Aug., 1802; m. Thomas Choate, Enfield. Nancy, b. 22 Oct., 1804; m. Jonathan Currier, Candia. Children of Mary : Mary, b. 1810 ; d. 7 Jan., 1827.Sophia, d. 1818, aged 18 months.Samuel, b. 181.5; d. same year. IsAAC^ (Samuel,* Thomas,^ Humphrey-) m. Hannah Noyes, He-bron. Samuel K., b. 5 Nov., 1820; m., 1st, Martha Jane Waldron, ofHopkinton; 2d, Mary M. Moore, of Calais, Me. ; lives inConcord. Betsey, b. 1824; d. 1826. E-OYAL^ (Samuel,* Thomas,^ Humphrey-) m., 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-of-boscawen-and-webster-nh-from-1733-to-1878-826-anner-b-13-april-1800-m-samuel-choate-enfield-maria-b-12-aug-1802-m-thomas-choate-enfield-nancy-b-22-oct-1804-m-jonathan-currier-candia-children-of-mary-mary-b-1810-d-7-jan-1827sophia-d-1818-aged-18-monthssamuel-b-1815-d-same-year-isaac-samuel-thomas-humphrey-m-hannah-noyes-he-bron-samuel-k-b-5-nov-1820-m-1st-martha-jane-waldron-ofhopkinton-2d-mary-m-moore-of-calais-me-lives-inconcord-betsey-b-1824-d-1826-e-oyal-samuel-thomas-humphrey-m-1-image369686619.htmlRM2CDCK1F–. The history of Boscawen and Webster [N.H.] from 1733 to 1878 . 826. Anner, b. 13 April, 1800; m. Samuel Choate, Enfield. Maria, b. 12 Aug., 1802; m. Thomas Choate, Enfield. Nancy, b. 22 Oct., 1804; m. Jonathan Currier, Candia. Children of Mary : Mary, b. 1810 ; d. 7 Jan., 1827.Sophia, d. 1818, aged 18 months.Samuel, b. 181.5; d. same year. IsAAC^ (Samuel,* Thomas,^ Humphrey-) m. Hannah Noyes, He-bron. Samuel K., b. 5 Nov., 1820; m., 1st, Martha Jane Waldron, ofHopkinton; 2d, Mary M. Moore, of Calais, Me. ; lives inConcord. Betsey, b. 1824; d. 1826. E-OYAL^ (Samuel,* Thomas,^ Humphrey-) m., 1
by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 9 June 1795 . English: A satirical etching that portrays Sir Roger Curtis as Lord Howe's dog. 9 June 1795. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1257 What a cur 'tis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-james-gillray-published-by-hannah-humphrey-hand-coloured-etching-published-9-june-1795-english-a-satirical-etching-that-portrays-sir-roger-curtis-as-lord-howes-dog-9-june-1795-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-1257-what-a-cur-tis-image185711475.htmlRMMP3TTK–by James Gillray, published by Hannah Humphrey, hand-coloured etching, published 9 June 1795 . English: A satirical etching that portrays Sir Roger Curtis as Lord Howe's dog. 9 June 1795. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1257 What a cur 'tis
WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wsl-liverpool-v-manchester-city-at-prenton-park-liverpool-victory-2-1-terry-scottspp-credit-spp-sport-press-photo-alamy-live-news-image550985366.htmlRM2R0BFCP–WSL Liverpool v Manchester City at Prenton Park, Liverpool victory 2-1. (Terry Scott/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-10th-january-2018hrh-the-princess-royal-attends-the-first-171236078.htmlRMKXGDA6–London, UK. 10th January, 2018.HRH the Princess Royal attends the first day of the London Boat Show at London's Excel.
Lady Godina's Rout;-or-Peeping-Tom Spying out Pope-Joan. James Gillray, published by Hannah Humphrey. 1796. etching hand-colored with watercolor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-godinas-rout-or-peeping-tom-spying-out-pope-joan-james-gillray-published-by-hannah-humphrey-1796-etching-hand-colored-with-watercolor-image602026216.htmlRM2WYCJG8–Lady Godina's Rout;-or-Peeping-Tom Spying out Pope-Joan. James Gillray, published by Hannah Humphrey. 1796. etching hand-colored with watercolor.
Hertogin van York en de Prins van Wales dansen een menuet, 1791 The York Minuet (titel op object) Cartoon Where: the Duchess of York and Prince of Wales together a minuet dancing, 1791. Manufacturer : printmaker James Gillrayuitgever: Hannah Humphrey (listed property) Place manufacture: printmaker: England Publisher: London Date : 14-Dec-1791 Physical characteristics: etching, with the hand-colored material: paper technique: etching / lithography (technique) Dimensions: plate edge: h 221 mm × W 275 mm Subject: one pair dancing; man and woman dancing as a coupleWie George IV (King of the United Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hertogin-van-york-en-de-prins-van-wales-dansen-een-menuet-1791-the-york-minuet-titel-op-object-cartoon-where-the-duchess-of-york-and-prince-of-wales-together-a-minuet-dancing-1791-manufacturer-printmaker-james-gillrayuitgever-hannah-humphrey-listed-property-place-manufacture-printmaker-england-publisher-london-date-14-dec-1791-physical-characteristics-etching-with-the-hand-colored-material-paper-technique-etching-lithography-technique-dimensions-plate-edge-h-221-mm-w-275-mm-subject-one-pair-dancing-man-and-woman-dancing-as-a-couplewie-george-iv-king-of-the-united-image348434540.htmlRM2B6TFPM–Hertogin van York en de Prins van Wales dansen een menuet, 1791 The York Minuet (titel op object) Cartoon Where: the Duchess of York and Prince of Wales together a minuet dancing, 1791. Manufacturer : printmaker James Gillrayuitgever: Hannah Humphrey (listed property) Place manufacture: printmaker: England Publisher: London Date : 14-Dec-1791 Physical characteristics: etching, with the hand-colored material: paper technique: etching / lithography (technique) Dimensions: plate edge: h 221 mm × W 275 mm Subject: one pair dancing; man and woman dancing as a coupleWie George IV (King of the United
The Village Doctor June 8, 1774 Thomas Rowlandson British. The Village Doctor. After Henry Wigstead (British, 1745?–1800 Margate). June 8, 1774. Etching and aquatint. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-doctor-june-8-1774-thomas-rowlandson-british-the-village-doctor-after-henry-wigstead-british-17451800-margate-june-8-1774-etching-and-aquatint-hannah-humphrey-london-prints-image457856537.htmlRM2HGW4K5–The Village Doctor June 8, 1774 Thomas Rowlandson British. The Village Doctor. After Henry Wigstead (British, 1745?–1800 Margate). June 8, 1774. Etching and aquatint. Hannah Humphrey (London). Prints
Charity Covereth a Multitude of Sins MET DP871738 392905 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, Charity Covereth a Multitude of Sins, November 27, 1781, Hand-colored etching, Sheet: 14 1/8 x 10 1/16 in. (35.9 x 25.5 cm) Plate: 13 3/4 ? 9 7/8 in. (35 ? 25.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.15) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-charity-covereth-a-multitude-of-sins-met-dp871738-392905-artist-thomas-168093178.htmlRMKND8FP–Charity Covereth a Multitude of Sins MET DP871738 392905 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, Charity Covereth a Multitude of Sins, November 27, 1781, Hand-colored etching, Sheet: 14 1/8 x 10 1/16 in. (35.9 x 25.5 cm) Plate: 13 3/4 ? 9 7/8 in. (35 ? 25.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.15)
Search Results for Hannah humphrey Stock Photos and Images (1,331)
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