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Ashcan school Stock Photos and Images
George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'Shore House' 1911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-wesley-bellows-american-ashcan-school-painter-1882-1925-shore-57350491.htmlRMD98F3R–George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'Shore House' 1911
English: 'Tam Gan,' oil on canvas, by the American Ashcan school artist Robert Henri. Courtesy of the Albright-Knox Art Gallery. . 1914 220 Tam Gan Robert Henri 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tam-gan-oil-on-canvas-by-the-american-ashcan-school-artist-robert-henri-courtesy-of-the-albright-knox-art-gallery-1914-220-tam-gan-robert-henri-1914-image210868334.htmlRMP71TKX–English: 'Tam Gan,' oil on canvas, by the American Ashcan school artist Robert Henri. Courtesy of the Albright-Knox Art Gallery. . 1914 220 Tam Gan Robert Henri 1914
THE GREEN CAR, by William Glackens, 1910, American painting, oil on canvas. This scene was painted from the window of the artists studio on Washington Square Park, in Greenwich Village. From a snowy curb, a woman hails a New York City trolley car. Glackens moved away from the Ashcan School realism toward a personal, high-keyed coloristic style, which he applied to optimistic subjects and portraits (BSLOC 2017 7 126) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-green-car-by-william-glackens-1910-american-painting-oil-on-canvas-170559053.htmlRMKWDHPN–THE GREEN CAR, by William Glackens, 1910, American painting, oil on canvas. This scene was painted from the window of the artists studio on Washington Square Park, in Greenwich Village. From a snowy curb, a woman hails a New York City trolley car. Glackens moved away from the Ashcan School realism toward a personal, high-keyed coloristic style, which he applied to optimistic subjects and portraits (BSLOC 2017 7 126)
THE GREEN CAR, by William Glackens, 1910, American painting, oil on canvas. This scene was painted from the window of the artists studio on Washington Square Park, in Greenwich Village. From a snowy curb, a woman hails a New York City trolley car. Glackens moved away from the Ashcan School realism toward a personal, high-keyed coloristic style, which he applied to optimistic subjects and portraits (BSLOC 2017 7 126) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-green-car-by-william-glackens-1910-american-painting-oil-on-canvas-170560311.htmlRMKWDKBK–THE GREEN CAR, by William Glackens, 1910, American painting, oil on canvas. This scene was painted from the window of the artists studio on Washington Square Park, in Greenwich Village. From a snowy curb, a woman hails a New York City trolley car. Glackens moved away from the Ashcan School realism toward a personal, high-keyed coloristic style, which he applied to optimistic subjects and portraits (BSLOC 2017 7 126)
John Sloan in his studio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-sloan-in-his-studio-55011823.htmlRMD5E03Y–John Sloan in his studio
Renganeschi’s Saturday Night by the American artist, John Sloan (1871-1951), oil on canvas, 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/renganeschis-saturday-night-by-the-american-artist-john-sloan-1871-1951-oil-on-canvas-1912-image461100385.htmlRM2HP4X6W–Renganeschi’s Saturday Night by the American artist, John Sloan (1871-1951), oil on canvas, 1912
F. Ambrose Clark. Artist: Robert Henri (American, Cincinnati, Ohio 1865-1929 New York). Dimensions: 77 5/8 x 38 1/4 in. (197.2 x 97.2 cm). Date: 1904. This elegant portrait was commissioned by the wealthy family of F. Ambrose Clark (1880-1964), a gentleman jockey and, later, a successful breeder of racehorses. Henri was the leader of the Ashcan School and a mentor to other members. Although he painted some urban scenes of the sort they preferred, he was more active as a portraitist, often, as here, enlisting the style of Diego Velázquez, which had also inspired John Singer Sargent and William Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/f-ambrose-clark-artist-robert-henri-american-cincinnati-ohio-1865-1929-new-york-dimensions-77-58-x-38-14-in-1972-x-972-cm-date-1904-this-elegant-portrait-was-commissioned-by-the-wealthy-family-of-f-ambrose-clark-1880-1964-a-gentleman-jockey-and-later-a-successful-breeder-of-racehorses-henri-was-the-leader-of-the-ashcan-school-and-a-mentor-to-other-members-although-he-painted-some-urban-scenes-of-the-sort-they-preferred-he-was-more-active-as-a-portraitist-often-as-here-enlisting-the-style-of-diego-velzquez-which-had-also-inspired-john-singer-sargent-and-william-image213213539.htmlRMPATM17–F. Ambrose Clark. Artist: Robert Henri (American, Cincinnati, Ohio 1865-1929 New York). Dimensions: 77 5/8 x 38 1/4 in. (197.2 x 97.2 cm). Date: 1904. This elegant portrait was commissioned by the wealthy family of F. Ambrose Clark (1880-1964), a gentleman jockey and, later, a successful breeder of racehorses. Henri was the leader of the Ashcan School and a mentor to other members. Although he painted some urban scenes of the sort they preferred, he was more active as a portraitist, often, as here, enlisting the style of Diego Velázquez, which had also inspired John Singer Sargent and William
Holiday on the Hudson by George Benjamin Luks (1867-1933), oil on canvas, 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holiday-on-the-hudson-by-george-benjamin-luks-1867-1933-oil-on-canvas-1912-image336544128.htmlRM2AFEWD4–Holiday on the Hudson by George Benjamin Luks (1867-1933), oil on canvas, 1912
John Sloan - Sunflowers, Rocky Neck, - c1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-sunflowers-rocky-neck-c1914-image592118490.htmlRF2WB994X–John Sloan - Sunflowers, Rocky Neck, - c1914
Jessica Penn in Black with White Plumes by Robert Henri (1865-1929), oil on canvas, 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-jessica-penn-in-black-with-white-plumes-by-robert-henri-1865-1929-164464816.htmlRMKFG0FC–Jessica Penn in Black with White Plumes by Robert Henri (1865-1929), oil on canvas, 1908
Arthur Bowen Davies - A Greater Morning Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-bowen-davies-a-greater-morning-image480224045.htmlRF2JW82JN–Arthur Bowen Davies - A Greater Morning
Children cry when they discover Santa has been locked in a cabinet. Done by illustrator Louis M. Glackens (1866?1933). He was American illustrator, animator and cartoonist, and the brother of Ashcan School painter and illustrator William Glackens. Louis M. Glackens was born in Philadelphia, Pennsylvania. In the 1890s he began to work for Puck, a magazine known for its political and social satire, where his humorous depictions of different ethnic groups reflected the melting pot of New York City at that time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/children-cry-when-they-discover-santa-has-been-locked-in-a-cabinet-done-by-illustrator-louis-m-glackens-18661933-he-was-american-illustrator-animator-and-cartoonist-and-the-brother-of-ashcan-school-painter-and-illustrator-william-glackens-louis-m-glackens-was-born-in-philadelphia-pennsylvania-in-the-1890s-he-began-to-work-for-puck-a-magazine-known-for-its-political-and-social-satire-where-his-humorous-depictions-of-different-ethnic-groups-reflected-the-melting-pot-of-new-york-city-at-that-time-image179715459.htmlRMMCAMW7–Children cry when they discover Santa has been locked in a cabinet. Done by illustrator Louis M. Glackens (1866?1933). He was American illustrator, animator and cartoonist, and the brother of Ashcan School painter and illustrator William Glackens. Louis M. Glackens was born in Philadelphia, Pennsylvania. In the 1890s he began to work for Puck, a magazine known for its political and social satire, where his humorous depictions of different ethnic groups reflected the melting pot of New York City at that time.
John Sloan - Travelling Carnival Santa Fe - 1924 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-travelling-carnival-santa-fe-1924-image592118591.htmlRF2WB998F–John Sloan - Travelling Carnival Santa Fe - 1924
George Wesley Bellows American school (Ashcan school) Shore House 1911 Oil on canvas Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-american-school-ashcan-school-shore-house-1911-oil-on-canvas-private-collection-image483537203.htmlRM2K2K0HR–George Wesley Bellows American school (Ashcan school) Shore House 1911 Oil on canvas Private collection
Jerome Myers (American artist) - Street Group - A group of people meet in the street - 1923 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-american-artist-street-group-a-group-of-people-meet-in-the-street-1923-image558712789.htmlRF2RCYFT5–Jerome Myers (American artist) - Street Group - A group of people meet in the street - 1923
George Wesley Bellows American school (Ashcan school) The Village on the Hill 1917 Oil on canvas Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-american-school-ashcan-school-the-village-on-the-hill-1917-oil-on-canvas-private-collection-image483537260.htmlRM2K2K0KT–George Wesley Bellows American school (Ashcan school) The Village on the Hill 1917 Oil on canvas Private collection
Jerome Myers (American artist) - Waiting for the Concert - 1921 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-american-artist-waiting-for-the-concert-1921-image558712782.htmlRF2RCYFRX–Jerome Myers (American artist) - Waiting for the Concert - 1921
George Wesley Bellows American school (Ashcan school) Dempsey and Firpo 1924 Oil on canvas Houston, Museum of Fine Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-american-school-ashcan-school-dempsey-and-firpo-1924-oil-on-canvas-houston-museum-of-fine-arts-image483537248.htmlRM2K2K0KC–George Wesley Bellows American school (Ashcan school) Dempsey and Firpo 1924 Oil on canvas Houston, Museum of Fine Arts
John Sloan - Ancestral Spirits (The Koshare) - 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-ancestral-spirits-the-koshare-1919-image592118494.htmlRF2WB9952–John Sloan - Ancestral Spirits (The Koshare) - 1919
George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'Dempsey and Firpo' 1924 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-wesley-bellows-american-ashcan-school-painter-1882-1925-dempsey-57350480.htmlRMD98F3C–George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'Dempsey and Firpo' 1924
John Sloan - Yellow Rock, Gloucester - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-yellow-rock-gloucester-1914-image592118586.htmlRF2WB998A–John Sloan - Yellow Rock, Gloucester - 1914
JULIE HUDSON, by George Bellows, 1914, American painting, oil on hardboard. Modernist painterly portrait of a girl in a style reminiscent of Manet (BSLOC 2017 7 128) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-julie-hudson-by-george-bellows-1914-american-painting-oil-on-hardboard-170559055.htmlRMKWDHPR–JULIE HUDSON, by George Bellows, 1914, American painting, oil on hardboard. Modernist painterly portrait of a girl in a style reminiscent of Manet (BSLOC 2017 7 128)
John Sloan (1871-1951), American painter and member of THE EIGHT, a group of artists dedicated to modernism and realist depiction of urban life, earned in the epithet, THE ASHCAN SCHOOL. Ca. 1930. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-sloan-1871-1951-american-painter-and-member-of-the-eight-a-group-32391295.htmlRMBTKFBY–John Sloan (1871-1951), American painter and member of THE EIGHT, a group of artists dedicated to modernism and realist depiction of urban life, earned in the epithet, THE ASHCAN SCHOOL. Ca. 1930.
George Wesley Bellows American school (Ashcan school) Club Night 1907 Oil on canvas (135 x 109 cm) Washington, National Gallery of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-american-school-ashcan-school-club-night-1907-oil-on-canvas-135-x-109-cm-washington-national-gallery-of-art-image483537214.htmlRM2K2K0J6–George Wesley Bellows American school (Ashcan school) Club Night 1907 Oil on canvas (135 x 109 cm) Washington, National Gallery of Art
George Bellows historical marker Columbus Ohio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-bellows-historical-marker-columbus-ohio-image236577422.htmlRMRMW0WJ–George Bellows historical marker Columbus Ohio
George Wesley Bellows American school (Ashcan school) Blue Snow, the Battery 1910 Oil on canvas (86.3 x 111.7 cm) Columbus, Museum of Fine Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-american-school-ashcan-school-blue-snow-the-battery-1910-oil-on-canvas-863-x-1117-cm-columbus-museum-of-fine-arts-image483537211.htmlRM2K2K0J3–George Wesley Bellows American school (Ashcan school) Blue Snow, the Battery 1910 Oil on canvas (86.3 x 111.7 cm) Columbus, Museum of Fine Arts
Ashcan School artists, c. 1896, left to right, Everett Shinn, Robert Henri, John French Sloan Portrait of artists - Painters; members of the group, 'The Eight.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ashcan-school-artists-c-1896-left-to-right-everett-shinn-robert-henri-john-french-sloan-portrait-of-artists-painters-members-of-the-group-the-eight-image604277420.htmlRF2X3360C–Ashcan School artists, c. 1896, left to right, Everett Shinn, Robert Henri, John French Sloan Portrait of artists - Painters; members of the group, 'The Eight.'
John Sloan's 'McSorley's Bar' (circa 1912): Located in the Detroit Institute of Arts, this painting captures the interior of McSorley’s Old Ale House, one of New York City's oldest bars, frequented by Sloan and other members of the Ashcan School. Sloan's work is celebrated for its vibrant depiction of everyday life, capturing the camaraderie and character of the early 20th-century tavern's patrons with warmth and realism. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloans-mcsorleys-bar-circa-1912-located-in-the-detroit-institute-of-arts-this-painting-captures-the-interior-of-mcsorleys-old-ale-house-one-of-new-york-citys-oldest-bars-frequented-by-sloan-and-other-members-of-the-ashcan-school-sloans-work-is-celebrated-for-its-vibrant-depiction-of-everyday-life-capturing-the-camaraderie-and-character-of-the-early-20th-century-taverns-patrons-with-warmth-and-realism-image600862342.htmlRM2WWFJ1A–John Sloan's 'McSorley's Bar' (circa 1912): Located in the Detroit Institute of Arts, this painting captures the interior of McSorley’s Old Ale House, one of New York City's oldest bars, frequented by Sloan and other members of the Ashcan School. Sloan's work is celebrated for its vibrant depiction of everyday life, capturing the camaraderie and character of the early 20th-century tavern's patrons with warmth and realism.
In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, crowded, early 20th century, Figures, George Wesley Bellows, In the Park, Light, Landscape, Lithograph, Monochromatic, park, people, print, scene, The Eight, urban life, women and children Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-park-light-george-wesley-bellows-american-1882-1925-lithograph-on-beige-thin-slightly-textured-wove-paper-1916-sheet-19-78-x-24-78-in-505-x-632-cm-20th-century-american-american-lithograph-american-painter-ashcan-school-bellows-crowd-scene-crowded-early-20th-century-figures-george-wesley-bellows-in-the-park-light-landscape-lithograph-monochromatic-park-people-print-scene-the-eight-urban-life-women-and-children-image454278171.htmlRM2HB24CB–In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, crowded, early 20th century, Figures, George Wesley Bellows, In the Park, Light, Landscape, Lithograph, Monochromatic, park, people, print, scene, The Eight, urban life, women and children
Inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, crowded, early, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-in-the-park-light-george-wesley-bellows-american-1882-1925-lithograph-on-beige-thin-slightly-textured-wove-paper-1916-sheet-19-78-x-24-78-in-505-x-632-cm-20th-century-american-american-lithograph-american-painter-ashcan-school-bellows-crowd-scene-crowded-early-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256940.htmlRF2HK4XWG–Inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, crowded, early, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Men of the Docks, George Bellows, 1912, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/men-of-the-docks-george-bellows-1912-image563562053.htmlRM2RMTD45–Men of the Docks, George Bellows, 1912,
A Rose 1907 Thomas Anshutz American One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rose-1907-thomas-anshutz-american-one-of-the-most-gifted-american-art-teachers-anshutz-links-the-realism-of-his-mentor-thomas-eakins-with-that-of-the-ashcan-school-some-of-whom-were-his-students-perhaps-because-anshutz-spent-so-much-time-teaching-he-painted-only-about-130-oils-some-of-the-most-impressive-belong-to-a-series-of-images-of-rebecca-h-whelen-daughter-of-a-trustee-of-the-pennsylvania-academy-of-the-fine-arts-where-anshutz-taught-the-woman-at-leisure-and-the-likening-of-a-beautiful-woman-to-a-flower-are-common-themes-in-late-nineteenth-century-american-painting-they-reflec-image458545816.htmlRM2HJ0FT8–A Rose 1907 Thomas Anshutz American One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflec
The City from Greenwich Village, John Sloan, 1922, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-city-from-greenwich-village-john-sloan-1922-national-gallery-of-art-washington-dc-usa-north-america-image183370958.htmlRMMJ97EP–The City from Greenwich Village, John Sloan, 1922, National Gallery of Art, Washington DC, USA, North America
Gertrude Vanderbilt Whitney by Robert Henri (1865-1929), oil on canvas, 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gertrude-vanderbilt-whitney-by-robert-henri-1865-1929-oil-on-canvas-1916-image556589489.htmlRM2R9ERG1–Gertrude Vanderbilt Whitney by Robert Henri (1865-1929), oil on canvas, 1916
. Winter circa 1920 60 Ernest Lawson - Winter (c.1920) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-circa-1920-60-ernest-lawson-winter-c1920-image210512705.htmlRMP6DK2W–. Winter circa 1920 60 Ernest Lawson - Winter (c.1920)
Snow in New York by Robert Henri (1865-1929), oil on canvas, 1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snow-in-new-york-by-robert-henri-1865-1929-oil-on-canvas-1902-image451208404.htmlRM2H628WT–Snow in New York by Robert Henri (1865-1929), oil on canvas, 1902
Ernest Lawson Winter (c.1920) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ernest-lawson-winter-c1920-162198981.htmlRMKBTPCN–Ernest Lawson Winter (c.1920)
The Green Boathouse by William Glackens (1870-1938), oil on canvas, c. 1922 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-green-boathouse-by-william-glackens-1870-1938-oil-on-canvas-c-1922-image442108623.htmlRM2GK7P1K–The Green Boathouse by William Glackens (1870-1938), oil on canvas, c. 1922
George Wesley Bellows, American (Ashcan School) Painter, 1882-1925.'Club Night' 1907 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-wesley-bellows-american-ashcan-school-painter-1882-1925club-57350477.htmlRMD98F39–George Wesley Bellows, American (Ashcan School) Painter, 1882-1925.'Club Night' 1907
John Sloan - Scavenger's Rocks - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-scavengers-rocks-1914-image592118594.htmlRF2WB998J–John Sloan - Scavenger's Rocks - 1914
BOY WITH BASEBALL, by George Luks, c. 1925, American painting, oil on canvas. Simply rendered portrait of a boy painted with flat patches of color applied with broad brushstrokes (BSLOC 2017 7 136) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-boy-with-baseball-by-george-luks-c-1925-american-painting-oil-on-canvas-170559067.htmlRMKWDHR7–BOY WITH BASEBALL, by George Luks, c. 1925, American painting, oil on canvas. Simply rendered portrait of a boy painted with flat patches of color applied with broad brushstrokes (BSLOC 2017 7 136)
Arthur Bowen Davies - Untitled - 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-bowen-davies-untitled-1913-image417693937.htmlRF2F7FGTH–Arthur Bowen Davies - Untitled - 1913
JULIE HUDSON, by George Bellows, 1914, American painting, oil on hardboard. Modernist painterly portrait of a girl in a style reminiscent of Manet (BSLOC 2017 7 128) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-julie-hudson-by-george-bellows-1914-american-painting-oil-on-hardboard-170560314.htmlRMKWDKBP–JULIE HUDSON, by George Bellows, 1914, American painting, oil on hardboard. Modernist painterly portrait of a girl in a style reminiscent of Manet (BSLOC 2017 7 128)
John Sloan - McSorley's Bar - 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-mcsorleys-bar-1912-image592118587.htmlRF2WB998B–John Sloan - McSorley's Bar - 1912
Parade, Washington Square by William Glackens (1870-1938), oil on canvas, c. 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parade-washington-square-by-william-glackens-1870-1938-oil-on-canvas-c-1912-image556589348.htmlRM2R9ERB0–Parade, Washington Square by William Glackens (1870-1938), oil on canvas, c. 1912
Sargent, Margaret, Miss, portrait photograph, 1915 Oct. 12. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sargent-margaret-miss-portrait-photograph-1915-oct-12-image534197492.htmlRM2P12P9T–Sargent, Margaret, Miss, portrait photograph, 1915 Oct. 12.
George Luks. Bleecker and Carmine Streets, New York by George Benjamin Luks (1867-1933), oil on canvas, c. 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-luks-bleecker-and-carmine-streets-new-york-by-george-benjamin-luks-1867-1933-oil-on-canvas-c-1905-image440510516.htmlRM2GGJYJC–George Luks. Bleecker and Carmine Streets, New York by George Benjamin Luks (1867-1933), oil on canvas, c. 1905
A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, boat, Ca.1910, George Wesley Bellows, Hudson, Hudson River, Hudson River School, landscape, morning, oil, oil painting, painting, paintings, River, School, shoveling, snow, tree, water, white, winter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-morning-snow-hudson-river-george-wesley-bellows-american-1882-1925-oil-on-canvas-1910-45-116-x-63-316-in-1145-x-1605-cm-a-morning-snow-hudson-river-american-american-artist-american-painting-american-realism-ashcan-school-bellows-bench-benches-boat-ca1910-george-wesley-bellows-hudson-hudson-river-hudson-river-school-landscape-morning-oil-oil-painting-painting-paintings-river-school-shoveling-snow-tree-water-white-winter-image454276900.htmlRM2HB22R0–A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, boat, Ca.1910, George Wesley Bellows, Hudson, Hudson River, Hudson River School, landscape, morning, oil, oil painting, painting, paintings, River, School, shoveling, snow, tree, water, white, winter
Inspired by A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, boat, Ca.1910, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-a-morning-snow-hudson-river-george-wesley-bellows-american-1882-1925-oil-on-canvas-1910-45-116-x-63-316-in-1145-x-1605-cm-a-morning-snow-hudson-river-american-american-artist-american-painting-american-realism-ashcan-school-bellows-bench-benches-boat-ca1910-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459255478.htmlRF2HK4W1A–Inspired by A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, boat, Ca.1910, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
John Sloan, McSorley’s Bar, painting 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-sloan-mcsorleys-bar-painting-1912-image553919349.htmlRM2R555NW–John Sloan, McSorley’s Bar, painting 1912
Flowers in a Vase (Zinnias). Date/Period: Ca. 1910-1913. Painting. Oil on canvas. Author: Maurice Prendergast. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-a-vase-zinnias-dateperiod-ca-1910-1913-painting-oil-on-canvas-author-maurice-prendergast-image219739373.htmlRMPNDYPN–Flowers in a Vase (Zinnias). Date/Period: Ca. 1910-1913. Painting. Oil on canvas. Author: Maurice Prendergast.
Blue Morning, George Bellows, 1909, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-morning-george-bellows-1909-national-gallery-of-art-washington-dc-usa-north-america-image183371088.htmlRMMJ97KC–Blue Morning, George Bellows, 1909, National Gallery of Art, Washington DC, USA, North America
Jerome Myers painting, The Tambourine, oil on canvas, 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-painting-the-tambourine-oil-on-canvas-1905-image559420940.htmlRM2RE3R38–Jerome Myers painting, The Tambourine, oil on canvas, 1905
. The Flatiron Building, New York between 1903 and 1905 41 Ernest Lawson - The Flatiron Building, New York (02) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flatiron-building-new-york-between-1903-and-1905-41-ernest-lawson-the-flatiron-building-new-york-02-image210538214.htmlRMP6ERHX–. The Flatiron Building, New York between 1903 and 1905 41 Ernest Lawson - The Flatiron Building, New York (02)
Everett Shinn, Robert Henri, and John Sloan 2824819428 o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-everett-shinn-robert-henri-and-john-sloan-2824819428-o-171945911.htmlRMKYMPNB–Everett Shinn, Robert Henri, and John Sloan 2824819428 o
Ernest Lawson The Flatiron Building, New York (02) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ernest-lawson-the-flatiron-building-new-york-02-162235103.htmlRMKBXCER–Ernest Lawson The Flatiron Building, New York (02)
Robert Henri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-henri-55011849.htmlRMD5E04W–Robert Henri
George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'The Village on the Hill' 1917 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-wesley-bellows-american-ashcan-school-painter-1882-1925-the-57350513.htmlRMD98F4H–George Wesley Bellows, American (Ashcan School) Painter, 1882-1925. 'The Village on the Hill' 1917
Vintage etching entitled Russian Peasants by the American artist Eugene Higgins. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-etching-entitled-russian-peasants-by-the-american-artist-eugene-higgins-image395793154.htmlRF2DYWX5P–Vintage etching entitled Russian Peasants by the American artist Eugene Higgins.
THE WHITE HOPE, by George Bellows, 1921, American print, lithograph. Scene based on African American Jack Johnson, World Heavyweight Champion whose White Hope opponent is knocked down as the referee counts (BSLOC 2017 7 131) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-white-hope-by-george-bellows-1921-american-print-lithograph-scene-170559060.htmlRMKWDHR0–THE WHITE HOPE, by George Bellows, 1921, American print, lithograph. Scene based on African American Jack Johnson, World Heavyweight Champion whose White Hope opponent is knocked down as the referee counts (BSLOC 2017 7 131)
Arthur Bowen Davies - Freshness of the Wounded - c1917 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-bowen-davies-freshness-of-the-wounded-c1917-image480224061.htmlRF2JW82K9–Arthur Bowen Davies - Freshness of the Wounded - c1917
BOY WITH BASEBALL, by George Luks, c. 1925, American painting, oil on canvas. Simply rendered portrait of a boy painted with flat patches of color applied with broad brushstrokes (BSLOC 2017 7 136) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-boy-with-baseball-by-george-luks-c-1925-american-painting-oil-on-canvas-170560326.htmlRMKWDKC6–BOY WITH BASEBALL, by George Luks, c. 1925, American painting, oil on canvas. Simply rendered portrait of a boy painted with flat patches of color applied with broad brushstrokes (BSLOC 2017 7 136)
Fifth Avenue, New York City by Everett Shinn, (1873/76-1953) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fifth-avenue-new-york-city-by-everett-shinn-187376-1953-30450763.htmlRMBNF477–Fifth Avenue, New York City by Everett Shinn, (1873/76-1953)
Robert Henri Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-henri-museum-20696103.htmlRMB5JP2F–Robert Henri Museum
Sargent, Margaret, Miss, portrait photograph, 1916 Jan. 28. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sargent-margaret-miss-portrait-photograph-1916-jan-28-image534197493.htmlRM2P12P9W–Sargent, Margaret, Miss, portrait photograph, 1916 Jan. 28.
Cliff Dwellers by George Bellows (1882-1925 USA) 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cliff-dwellers-by-george-bellows-1882-1925-usa-1913-image425262824.htmlRM2FKTB20–Cliff Dwellers by George Bellows (1882-1925 USA) 1913
Street Scene, Hester Street, George Benjamin Luks, American, 1867-1933, Oil on canvas, 1905, 25 13/16 x 35 7/8 in., 65.5 x 91.1 cm, American Realism, Americana, Ash Can School, ashcan, Basket, blue, Buildings, Busy, Children, colorful, commerce, Crowds, daily life, historic lower east side, historic New York City, immigrant, Immigration, Jewish history, lower east side, Manhattan, Market, melting pot, old New York, painting, People, red, shopping, storefronts, Street Scene, The Eight, urban, urban scene Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-scene-hester-street-george-benjamin-luks-american-1867-1933-oil-on-canvas-1905-25-1316-x-35-78-in-655-x-911-cm-american-realism-americana-ash-can-school-ashcan-basket-blue-buildings-busy-children-colorful-commerce-crowds-daily-life-historic-lower-east-side-historic-new-york-city-immigrant-immigration-jewish-history-lower-east-side-manhattan-market-melting-pot-old-new-york-painting-people-red-shopping-storefronts-street-scene-the-eight-urban-urban-scene-image454275366.htmlRM2HB20T6–Street Scene, Hester Street, George Benjamin Luks, American, 1867-1933, Oil on canvas, 1905, 25 13/16 x 35 7/8 in., 65.5 x 91.1 cm, American Realism, Americana, Ash Can School, ashcan, Basket, blue, Buildings, Busy, Children, colorful, commerce, Crowds, daily life, historic lower east side, historic New York City, immigrant, Immigration, Jewish history, lower east side, Manhattan, Market, melting pot, old New York, painting, People, red, shopping, storefronts, Street Scene, The Eight, urban, urban scene
Art inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-in-the-park-light-george-wesley-bellows-american-1882-1925-lithograph-on-beige-thin-slightly-textured-wove-paper-1916-sheet-19-78-x-24-78-in-505-x-632-cm-20th-century-american-american-lithograph-american-painter-ashcan-school-bellows-crowd-scene-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569867.htmlRF2HKK61F–Art inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
F. Ambrose Clark, 1904, Oil on canvas, 77 5/8 x 38 1/4 in. (197.2 x 97.2 cm), Paintings, Robert Henri (American, Cincinnati Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-f-ambrose-clark-1904-oil-on-canvas-77-58-x-38-14-in-1972-x-972-cm-162440836.htmlRMKC7PXC–F. Ambrose Clark, 1904, Oil on canvas, 77 5/8 x 38 1/4 in. (197.2 x 97.2 cm), Paintings, Robert Henri (American, Cincinnati
George Wesley Bellows. Date/Period: 1911. Painting. Oil on canvas. Height: 81.2 cm (32 in); Width: 65.7 cm (25.8 in). Author: Robert Henri. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-wesley-bellows-dateperiod-1911-painting-oil-on-canvas-height-812-cm-32-in-width-657-cm-258-in-author-robert-henri-image219700748.htmlRMPNC6F8–George Wesley Bellows. Date/Period: 1911. Painting. Oil on canvas. Height: 81.2 cm (32 in); Width: 65.7 cm (25.8 in). Author: Robert Henri.
Forty-Two Kids, George Bellows, 1907, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forty-two-kids-george-bellows-1907-national-gallery-of-art-washington-dc-usa-north-america-image183371042.htmlRMMJ97HP–Forty-Two Kids, George Bellows, 1907, National Gallery of Art, Washington DC, USA, North America
Jerome Myers, Wonderland, painting in oil on canvas, before 1940 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-wonderland-painting-in-oil-on-canvas-before-1940-image559420938.htmlRM2RE3R36–Jerome Myers, Wonderland, painting in oil on canvas, before 1940
. Landscape near the Harlem River circa 1913 41 Ernest Lawson - Landscape near the Harlem River Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-near-the-harlem-river-circa-1913-41-ernest-lawson-landscape-near-the-harlem-river-image210546461.htmlRMP6F64D–. Landscape near the Harlem River circa 1913 41 Ernest Lawson - Landscape near the Harlem River
George Luks, The Bersaglieri, painting in oil on canvas, 1918 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-luks-the-bersaglieri-painting-in-oil-on-canvas-1918-image558875696.htmlRM2RD6YJ8–George Luks, The Bersaglieri, painting in oil on canvas, 1918
Ernest Lawson Landscape near the Harlem River Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ernest-lawson-landscape-near-the-harlem-river-162212477.htmlRMKBWBJN–Ernest Lawson Landscape near the Harlem River
Robert Henri, Night on Boardwalk, painting in oil on wood, 1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-henri-night-on-boardwalk-painting-in-oil-on-wood-1898-image483108311.htmlRM2K1YDG7–Robert Henri, Night on Boardwalk, painting in oil on wood, 1898
George Wesley Bellows, American (Ashcan School) Painter, 1882-1925.'Blue Snow, the Battery' 1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-wesley-bellows-american-ashcan-school-painter-1882-1925blue-57350476.htmlRMD98F38–George Wesley Bellows, American (Ashcan School) Painter, 1882-1925.'Blue Snow, the Battery' 1910
George Bellows, Blue Morning, painting in oil on canvas, 1909 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-bellows-blue-morning-painting-in-oil-on-canvas-1909-image560993452.htmlRM2RGKCTC–George Bellows, Blue Morning, painting in oil on canvas, 1909
ONE LONG ARM SPINED ANIMAL WITH SIX LEGS, by George Bellows, 1918, American drawing. Charcoal, ink, graphite and lithographic crayon on paper. Humorous depiction of a football game at the scrimmage line with a grandstand in the background (BSLOC 2017 7 133) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-long-arm-spined-animal-with-six-legs-by-george-bellows-1918-american-170559063.htmlRMKWDHR3–ONE LONG ARM SPINED ANIMAL WITH SIX LEGS, by George Bellows, 1918, American drawing. Charcoal, ink, graphite and lithographic crayon on paper. Humorous depiction of a football game at the scrimmage line with a grandstand in the background (BSLOC 2017 7 133)
The Unicorns', 1906 Artist: Arthur Bowen Davies. Arthur Bowen Davies was an avant-garde American artist and member of the Ashcan School, known for ethereal figure paintings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-unicorns-1906-artist-arthur-bowen-davies-arthur-bowen-davies-was-an-avant-garde-american-artist-and-member-of-the-ashcan-school-known-for-ethereal-figure-paintings-image377036669.htmlRM2CWBE39–The Unicorns', 1906 Artist: Arthur Bowen Davies. Arthur Bowen Davies was an avant-garde American artist and member of the Ashcan School, known for ethereal figure paintings.
THE WHITE HOPE, by George Bellows, 1921, American print, lithograph. Scene based on African American Jack Johnson, World Heavyweight Champion whose White Hope opponent is knocked down as the referee counts (BSLOC 2017 7 131) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-white-hope-by-george-bellows-1921-american-print-lithograph-scene-170560319.htmlRMKWDKBY–THE WHITE HOPE, by George Bellows, 1921, American print, lithograph. Scene based on African American Jack Johnson, World Heavyweight Champion whose White Hope opponent is knocked down as the referee counts (BSLOC 2017 7 131)
George Luks, Verdun France, landscape painting in watercolour, 1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-luks-verdun-france-landscape-painting-in-watercolour-1902-image559421365.htmlRM2RE3RJD–George Luks, Verdun France, landscape painting in watercolour, 1902
Robert Henri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-henri-55011817.htmlRMD5E03N–Robert Henri
Sargent, Margaret, Miss, portrait photograph, 1916 Jan. 28. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sargent-margaret-miss-portrait-photograph-1916-jan-28-image534197540.htmlRM2P12PBG–Sargent, Margaret, Miss, portrait photograph, 1916 Jan. 28.
Arthur Bowen Davies - Elysian Fields Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-bowen-davies-elysian-fields-image480224051.htmlRF2JW82JY–Arthur Bowen Davies - Elysian Fields
Winter on 21st Street by Everett Shinn, (1873/76-1953) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-winter-on-21st-street-by-everett-shinn-187376-1953-30450753.htmlRMBNF46W–Winter on 21st Street by Everett Shinn, (1873/76-1953)
Art inspired by A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-morning-snow-hudson-river-george-wesley-bellows-american-1882-1925-oil-on-canvas-1910-45-116-x-63-316-in-1145-x-1605-cm-a-morning-snow-hudson-river-american-american-artist-american-painting-american-realism-ashcan-school-bellows-bench-benches-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569240.htmlRF2HKK574–Art inspired by A Morning Snow--Hudson River, George Wesley Bellows, American, 1882-1925, Oil on canvas, 1910, 45 1/16 x 63 3/16 in., 114.5 x 160.5 cm, A morning snow - Hudson River, American, American artist, American painting, American realism, Ashcan School, Bellows, bench, benches, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jerome Myers (American artist) - Evening on the Pier - 1921 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-american-artist-evening-on-the-pier-1921-image558712785.htmlRF2RCYFT1–Jerome Myers (American artist) - Evening on the Pier - 1921
The Newsboy. Date/Period: October 1908. Painting. Oil on canvas. Height: 76.5 cm (30.1 in); Width: 56.2 cm (22.1 in). Author: George Bellows. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-newsboy-dateperiod-october-1908-painting-oil-on-canvas-height-765-cm-301-in-width-562-cm-221-in-author-george-bellows-image219749032.htmlRMPNEC3M–The Newsboy. Date/Period: October 1908. Painting. Oil on canvas. Height: 76.5 cm (30.1 in); Width: 56.2 cm (22.1 in). Author: George Bellows.
Blue Morning, George Bellows, 1909, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-morning-george-bellows-1909-national-gallery-of-art-washington-dc-usa-north-america-image366008960.htmlRM2C7D44G–Blue Morning, George Bellows, 1909, National Gallery of Art, Washington DC, USA, North America
Arthur Bowen Davies - The Dawning - c1915 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-bowen-davies-the-dawning-c1915-image480224159.htmlRF2JW82PR–Arthur Bowen Davies - The Dawning - c1915
Edward Hopper, New York Interior, c. 1921, Whitney Museum of American Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-hopper-new-york-interior-c-1921-whitney-museum-of-american-art-image604274835.htmlRM2X332M3–Edward Hopper, New York Interior, c. 1921, Whitney Museum of American Art
Classical revival mansion designed by Abram Garfield Hunter Museum of American Art in Chattanooga, Tennessee. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/classical-revival-mansion-designed-by-abram-garfield-hunter-museum-of-american-art-in-chattanooga-tennessee-image477320913.htmlRM2JMFRKD–Classical revival mansion designed by Abram Garfield Hunter Museum of American Art in Chattanooga, Tennessee.
George Bellows, Both Members of This Club, American, 1882 - 1925, 1909, oil on canvas, Chester Dale Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-bellows-both-members-of-this-club-american-1882-1925-1909-oil-on-canvas-chester-dale-collection-image604274725.htmlRM2X332G5–George Bellows, Both Members of This Club, American, 1882 - 1925, 1909, oil on canvas, Chester Dale Collection
someone holding an ipad in a trash can with the lid open to show how it's going into use Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/someone-holding-an-ipad-in-a-trash-can-with-the-lid-open-to-show-how-its-going-into-use-image490778481.htmlRF2KECTXW–someone holding an ipad in a trash can with the lid open to show how it's going into use
George Luks, Houston Street, 1917, oil on canvas, Saint Louis Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-luks-houston-street-1917-oil-on-canvas-saint-louis-art-museum-image604275061.htmlRM2X33305–George Luks, Houston Street, 1917, oil on canvas, Saint Louis Art Museum
THE LAW IS TOO SLOW, by George Bellows, 1923, American print, lithograph. Brutally graphic image of a lynching, in this case the burning alive of an African American man by a small mob of white men (BSLOC 2017 7 134) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-law-is-too-slow-by-george-bellows-1923-american-print-lithograph-170559065.htmlRMKWDHR5–THE LAW IS TOO SLOW, by George Bellows, 1923, American print, lithograph. Brutally graphic image of a lynching, in this case the burning alive of an African American man by a small mob of white men (BSLOC 2017 7 134)
'Morning Light, River Valley, Connecticut', 1919 Artist: Ernest Lawson. Lawson was one of the Eight, realist genre painters who were also called the Ashcan School. But today he is better known for his Impressionist landscapes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morning-light-river-valley-connecticut-1919-artist-ernest-lawson-lawson-was-one-of-the-eight-realist-genre-painters-who-were-also-called-the-ashcan-school-but-today-he-is-better-known-for-his-impressionist-landscapes-image377036693.htmlRM2CWBE45–'Morning Light, River Valley, Connecticut', 1919 Artist: Ernest Lawson. Lawson was one of the Eight, realist genre painters who were also called the Ashcan School. But today he is better known for his Impressionist landscapes.
ONE LONG ARM SPINED ANIMAL WITH SIX LEGS, by George Bellows, 1918, American drawing. Charcoal, ink, graphite and lithographic crayon on paper. Humorous depiction of a football game at the scrimmage line with a grandstand in the background (BSLOC 2017 7 133) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-long-arm-spined-animal-with-six-legs-by-george-bellows-1918-american-170560321.htmlRMKWDKC1–ONE LONG ARM SPINED ANIMAL WITH SIX LEGS, by George Bellows, 1918, American drawing. Charcoal, ink, graphite and lithographic crayon on paper. Humorous depiction of a football game at the scrimmage line with a grandstand in the background (BSLOC 2017 7 133)
Jerome Myers, Band Concert Night, painting in oil on canvas, 1910 Reworked 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerome-myers-band-concert-night-painting-in-oil-on-canvas-1910-reworked-1916-image559421074.htmlRM2RE3R82–Jerome Myers, Band Concert Night, painting in oil on canvas, 1910 Reworked 1916
Search Results for Ashcan school Stock Photos and Images (271)
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