(EDITOR'S NOTE: Editorial Use Only)Gallery staff member looks at Unsupported Support (1987) and Architectural Fragment/ Third column (1986) by Edward Allington (1951-2017) with From the Birth of Paradise (1983) installation in the background during a photocall to promote opening of new displays at Tate Britain as part of the museum’s three collection routes designed to allow visitors to move around the gallery in a one way system due to coronavirus restrictions on 15 October 2020 in London, England. (Photo by WIktor Szymanowicz/NurPhoto)
![(EDITOR'S NOTE: Editorial Use Only)Gallery staff member looks at Unsupported Support (1987) and Architectural Fragment/ Third column (1986) by Edward Allington (1951-2017) with From the Birth of Paradise (1983) installation in the background during a photocall to promote opening of new displays at Tate Britain as part of the museum’s three collection routes designed to allow visitors to move around the gallery in a one way system due to coronavirus restrictions on 15 October 2020 in London, England. (Photo by WIktor Szymanowicz/NurPhoto) Stock Photo](https://c8.alamy.com/comp/2KC1WTA/editors-note-editorial-use-onlygallery-staff-member-looks-at-unsupported-support-1987-and-architectural-fragment-third-column-1986-by-edward-allington-1951-2017-with-from-the-birth-of-paradise-1983-installation-in-the-background-during-a-photocall-to-promote-opening-of-new-displays-at-tate-britain-as-part-of-the-museums-three-collection-routes-designed-to-allow-visitors-to-move-around-the-gallery-in-a-one-way-system-due-to-coronavirus-restrictions-on-15-october-2020-in-london-england-photo-by-wiktor-szymanowicznurphoto-2KC1WTA.jpg)
RMID:Image ID:2KC1WTA
Image details
Contributor:
NurPhoto SRL / Alamy Stock PhotoImage ID:
2KC1WTAFile size:
30.5 MB (741.5 KB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
4005 x 2666 px | 33.9 x 22.6 cm | 13.4 x 8.9 inches | 300dpiDate taken:
15 October 2020Photographer:
WIktor SzymanowiczMore information:
This image could have imperfections as it’s either historical or reportage.