Beethoven and his nine symphonies . Of the former,one, which still commands a certain sale, dates from as earlyas the year 1881, and is a duet for two sopranos, with pianoaccompaniment, arranged by Professor Edward Taylor, and * Instrumented by Joachim, and played at the Crystal Palace onMarch 4,1876. Sinfonie von Franz Schubert. Nach Op. 140 instrumentsvon Joseph Joachim. Vienna: F. Schreiber. THE SCHERZO. 88 inscribed to Mr. Thos. Attwood, one of the leading musiciansof the day. Another, published in Germany, is for sopranosolo, to words by Silcher, of equal significance. III. The Scherzo, i
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Beethoven and his nine symphonies . Of the former, one, which still commands a certain sale, dates from as earlyas the year 1881, and is a duet for two sopranos, with pianoaccompaniment, arranged by Professor Edward Taylor, and * Instrumented by Joachim, and played at the Crystal Palace onMarch 4, 1876. Sinfonie von Franz Schubert. Nach Op. 140 instrumentsvon Joseph Joachim. Vienna: F. Schreiber. THE SCHERZO. 88 inscribed to Mr. Thos. Attwood, one of the leading musiciansof the day. Another, published in Germany, is for sopranosolo, to words by Silcher, of equal significance. III. The Scherzo, in D, is more individual and original thaneither of the preceding movements—though still below thelevel of the Beethoven whom we know. Its picturesquenessand force, the humorous alternations of soft and loud, andof dashes and dots (too much neglected in the recent editions), and the directness of the means for producing them, areremarkable. It opens thus— No. 21. Allegro.Tutti Viol. fefifc m kl?- Tutti Viol. Viol. ^ts^ --—-J-*-. Mp v*—P Tutti/ pI fM^-t£ U Cor.-^-*2?* Cor. Jc-2- A I ^uttijf&c. ^fcfa-bd i * * and after sixteen bars comes the double bar, and then thefollowing piquant tune, and wild solution (again with therushing fiddles)—No. 22. ^