Stratomirovic's lithograph showcases his unique printmaking technique, capturing scenes with bold lines and a strong sense of composition. The lithograph technique allows for sharp contrasts and detailed images, often used to depict historical or cultural themes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stratomirovics-lithograph-showcases-his-unique-printmaking-technique-137406579.html
RMHYFBDR–Stratomirovic's lithograph showcases his unique printmaking technique, capturing scenes with bold lines and a strong sense of composition. The lithograph technique allows for sharp contrasts and detailed images, often used to depict historical or cultural themes.
Eduard Lumpe, a lithographer, is noted for his works in lithography, a printmaking technique. The specific lithograph referenced here would be part of his broader artistic contributions. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eduard-lumpe-a-lithographer-is-noted-for-his-works-in-lithography-142921474.html
RMJ8EHPA–Eduard Lumpe, a lithographer, is noted for his works in lithography, a printmaking technique. The specific lithograph referenced here would be part of his broader artistic contributions.
Vintage advert of Campbell printing press & MFG Co., William street, New York E. U. A. 1889 series of hand cylinders. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-advert-of-campbell-printing-press-mfg-co-william-street-new-york-e-u-a-1889-series-of-hand-cylinders-image623199239.html
RM2Y5W4YK–Vintage advert of Campbell printing press & MFG Co., William street, New York E. U. A. 1889 series of hand cylinders.
Specimen of lithographic engraving executed on stone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/specimen-of-lithographic-engraving-executed-on-stone-image329336723.html
RM2A3PG9R–Specimen of lithographic engraving executed on stone
Drypoint (printmaking technique in which an image is incised into a plate) portrait sketch of a woman, her hair pulled up, by Mary Cassat, 1889. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-drypoint-printmaking-technique-in-which-an-image-is-incised-into-a-166683239.html
RMKK524R–Drypoint (printmaking technique in which an image is incised into a plate) portrait sketch of a woman, her hair pulled up, by Mary Cassat, 1889. From the New York Public Library.
Rösel by Rosenhof, August Johann. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rsel-by-rosenhof-august-johann-image418390468.html
RM2F8K98M–Rösel by Rosenhof, August Johann.
The Blacksmith, 1771. Joseph Wright of Derby's fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available, could reach a much larger audience than his oils. Filled with dramatic light effects, Wright's paintings were ideally suited for reproduction in mezzotint. With its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, mezzotint was the printmaking technique closest to oil painting. Experts like Earlom or William Pether were skilled at transposing paintings into mezzotint w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blacksmith-1771-joseph-wright-of-derbys-fame-as-a-painter-was-enhanced-by-prints-based-on-his-compositions-since-works-on-paper-being-relatively-cheap-and-widely-available-could-reach-a-much-larger-audience-than-his-oils-filled-with-dramatic-light-effects-wrights-paintings-were-ideally-suited-for-reproduction-in-mezzotint-with-its-velvety-texture-and-subtle-tonal-variations-ranging-from-rich-blacks-to-delicate-shades-of-gray-mezzotint-was-the-printmaking-technique-closest-to-oil-painting-experts-like-earlom-or-william-pether-were-skilled-at-transposing-paintings-into-mezzotint-w-image330125070.html
RM2A52DW2–The Blacksmith, 1771. Joseph Wright of Derby's fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available, could reach a much larger audience than his oils. Filled with dramatic light effects, Wright's paintings were ideally suited for reproduction in mezzotint. With its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, mezzotint was the printmaking technique closest to oil painting. Experts like Earlom or William Pether were skilled at transposing paintings into mezzotint w
Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-usa-30th-nov-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502200.html
RM2AC5TY4–Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News
Ascent to the Summit of Sinai Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascent-to-the-summit-of-sinai-color-lithograph-by-david-roberts-1796-1864-an-engraving-reprint-by-louis-haghe-was-published-in-a-the-book-the-holy-land-syria-idumea-arabia-egypt-and-nubia-in-1855-by-d-appleton-co-346-348-broadway-in-new-york-image347206055.html
RM2B4TGT7–Ascent to the Summit of Sinai Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-woodblock-printing-board-ancestor-of-printing-press-technique-from-chinashot-at-china-engraving-printing-museum-image568243969.html
RF2T0DMYD–Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum.
An unsigned xylography from circa 1885 depicts artist Fritz August Kaulbach. This woodcut print represents the 19th-century printmaking technique used to reproduce images in detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-unsigned-xylography-from-circa-1885-depicts-artist-fritz-august-kaulbach-this-woodcut-print-represents-the-19th-century-printmaking-technique-used-to-reproduce-images-in-detail-image682741922.html
RM3BJNG82–An unsigned xylography from circa 1885 depicts artist Fritz August Kaulbach. This woodcut print represents the 19th-century printmaking technique used to reproduce images in detail.
The Nativity with God the Father and angels adoring the Christ Child, Giovanni Castiglione, artist, 1647-51, etching, Giovanni Benedetto Castiglione (1609-1664) was an Italian Baroque artist, painter, printmaker and draftsman of the Genoese school. He is best known now for his elaborate etchings and engravings, as well as being the inventor of the printmaking technique of monotyping Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nativity-with-god-the-father-and-angels-adoring-the-christ-child-giovanni-castiglione-artist-1647-51-etching-giovanni-benedetto-castiglione-1609-1664-was-an-italian-baroque-artist-painter-printmaker-and-draftsman-of-the-genoese-school-he-is-best-known-now-for-his-elaborate-etchings-and-engravings-as-well-as-being-the-inventor-of-the-printmaking-technique-of-monotyping-image454317110.html
RM2HB3X32–The Nativity with God the Father and angels adoring the Christ Child, Giovanni Castiglione, artist, 1647-51, etching, Giovanni Benedetto Castiglione (1609-1664) was an Italian Baroque artist, painter, printmaker and draftsman of the Genoese school. He is best known now for his elaborate etchings and engravings, as well as being the inventor of the printmaking technique of monotyping
Old illustration by Crémille of 'Ludwig van Beethoven' based on a portrait by Joseph Karl Stieler created in 1820). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-by-crmille-of-ludwig-van-beethoven-based-on-a-portrait-by-joseph-karl-stieler-created-in-1820-image395593668.html
RF2DYGRN8–Old illustration by Crémille of 'Ludwig van Beethoven' based on a portrait by Joseph Karl Stieler created in 1820).
Paper die cutting machine press in motion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paper-die-cutting-machine-press-in-motion-image259450187.html
RFW22YA3–Paper die cutting machine press in motion
Chinese cabbage isolated on white background. Stylized illustration. Linocut. Printmaking technique. Green color. Cabbage like tree. Barely noticeable person is sitting on it. Healthy Eating. Ecology. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-cabbage-isolated-on-white-background-stylized-illustration-linocut-printmaking-technique-green-color-cabbage-like-tree-barely-noticeable-person-is-sitting-on-it-healthy-eating-ecology-image601268045.html
RF2WX63EN–Chinese cabbage isolated on white background. Stylized illustration. Linocut. Printmaking technique. Green color. Cabbage like tree. Barely noticeable person is sitting on it. Healthy Eating. Ecology.
Christ Church Cathedral, a deconsecrated in the city of Christchurch. Coloring Page For Kids And Adults. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-church-cathedral-a-deconsecrated-in-the-city-of-christchurch-coloring-page-for-kids-and-adults-image702436078.html
RF3CPPMAP–Christ Church Cathedral, a deconsecrated in the city of Christchurch. Coloring Page For Kids And Adults.
Road network and skyline poster of the downtown VALENCIA, VENEZUELA Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-network-and-skyline-poster-of-the-downtown-valencia-venezuela-image596341984.html
RF2WJ5M80–Road network and skyline poster of the downtown VALENCIA, VENEZUELA
Litografía Moreno refers to a printmaking technique used by the Moreno family, prominent in the art world for their skill in lithography. The technique produces high-quality prints often depicting scenes of everyday life and nature, with fine attention to detail and texture. These prints hold historical significance in the development of Latin American art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-litografa-moreno-refers-to-a-printmaking-technique-used-by-the-moreno-137885221.html
RMJ09605–Litografía Moreno refers to a printmaking technique used by the Moreno family, prominent in the art world for their skill in lithography. The technique produces high-quality prints often depicting scenes of everyday life and nature, with fine attention to detail and texture. These prints hold historical significance in the development of Latin American art.
Intaglio Nero is a style of engraving or printmaking technique, often associated with the use of dark contrasts to create striking visual effects. The CdM refers to a specific collection or exhibition of such works. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-intaglio-nero-is-a-style-of-engraving-or-printmaking-technique-often-142883851.html
RMJ8CWPK–Intaglio Nero is a style of engraving or printmaking technique, often associated with the use of dark contrasts to create striking visual effects. The CdM refers to a specific collection or exhibition of such works.
Vintage advert of Campbell printing press & MFG Co., William street, New York E. U. A. 1889 series of hand cylinders. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-advert-of-campbell-printing-press-mfg-co-william-street-new-york-e-u-a-1889-series-of-hand-cylinders-image623199249.html
RM2Y5W501–Vintage advert of Campbell printing press & MFG Co., William street, New York E. U. A. 1889 series of hand cylinders.
. Deutsch: Emil Krupa-Krupinski, Radierung . circa 1920. Emil Krupa-Krupinski 185 Emil Krupa-Krupinski Radierung Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-emil-krupa-krupinski-radierung-circa-1920-emil-krupa-krupinski-185-emil-krupa-krupinski-radierung-image187566452.html
RMMW4AWT–. Deutsch: Emil Krupa-Krupinski, Radierung . circa 1920. Emil Krupa-Krupinski 185 Emil Krupa-Krupinski Radierung
Ebisuko Abstract/medium: 1 print (3 sheets) : woodcut, color ; 39 x 25.3 cm (left panel), 39 x 24.5 cm (center panel), 39.4 x 24.5 cm (right panel) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ebisuko-abstractmedium-1-print-3-sheets-woodcut-color-39-x-253-cm-left-panel-39-x-245-cm-center-panel-394-x-245-cm-right-panel-image265018167.html
RMWB4HAF–Ebisuko Abstract/medium: 1 print (3 sheets) : woodcut, color ; 39 x 25.3 cm (left panel), 39 x 24.5 cm (center panel), 39.4 x 24.5 cm (right panel)
Metal typesetting, letters in type case for printing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metal-typesetting-letters-in-type-case-for-printing-image537997201.html
RF2P77TWN–Metal typesetting, letters in type case for printing
Engraving 'Ewa Sitz' by Sebald Beham, 1519 first edition, depicting 16th-century German figure art, compositional detail, and printmaking technique. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-ewa-sitz-by-sebald-beham-1519-first-edition-depicting-16th-century-german-figure-art-compositional-detail-and-printmaking-technique-image599025020.html
RM2WPFXEM–Engraving 'Ewa Sitz' by Sebald Beham, 1519 first edition, depicting 16th-century German figure art, compositional detail, and printmaking technique.
191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191201-santa-ana-dec-1-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-us-santa-ana-exhibition-lixying-publicationxnotxinxchn-image564656233.html
RM2RPJ8P1–191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN
Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-usa-30th-nov-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502114.html
RM2AC5TT2–Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News
Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-21st-june-2024-where-it-takes-me-a-contemporary-exhibition-june-21-july-13-of-selected-prints-by-howard-jeffs-a-member-of-the-royal-society-of-painter-printmakers-with-studios-both-in-bath-and-france-his-work-reflects-his-experimental-approach-in-subject-matter-and-techniques-his-printmaking-is-strongly-influenced-by-his-experience-of-making-paintings-he-makes-use-of-a-printmaking-technique-called-monotypes-sometimes-referred-to-as-the-painterly-print-a-technique-that-yields-only-one-good-impression-from-each-prepared-plate-and-therefore-not-part-o-image610548018.html
RM2XD8T6A–Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o
Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-woodblock-printing-board-ancestor-of-printing-press-technique-from-chinashot-at-china-engraving-printing-museum-image568244326.html
RF2T0DNC6–Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum.
This lithograph portrait of Hans Baumberger, created after 1855, captures him in a formal pose typical of mid-19th-century artistic portraiture. The lithograph is a fine example of the printmaking technique of the period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-lithograph-portrait-of-hans-baumberger-created-after-1855-captures-him-in-a-formal-pose-typical-of-mid-19th-century-artistic-portraiture-the-lithograph-is-a-fine-example-of-the-printmaking-technique-of-the-period-image680258097.html
RM3BEMC41–This lithograph portrait of Hans Baumberger, created after 1855, captures him in a formal pose typical of mid-19th-century artistic portraiture. The lithograph is a fine example of the printmaking technique of the period.
Finch, Alfred William, work, Coastal landscape from St. Tropez (etching portfolio), technique text: line etching, printmaking, LANDSCAPE, sea, Sailboats, beach, city, plate width 20.1 cm, plate height 13.6 cm, leaf width 44.4 cm, leaf height 31 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/finch-alfred-william-work-coastal-landscape-from-st-tropez-etching-portfolio-technique-text-line-etching-printmaking-landscape-sea-sailboats-beach-city-plate-width-201-cm-plate-height-136-cm-leaf-width-444-cm-leaf-height-31-cm-image631145044.html
RM2YJR3XC–Finch, Alfred William, work, Coastal landscape from St. Tropez (etching portfolio), technique text: line etching, printmaking, LANDSCAPE, sea, Sailboats, beach, city, plate width 20.1 cm, plate height 13.6 cm, leaf width 44.4 cm, leaf height 31 cm
Black & white illustration of the St. Bartholomew's Day massacre. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-white-illustration-of-the-st-bartholomews-day-massacre-image350362811.html
RF2BA0B9F–Black & white illustration of the St. Bartholomew's Day massacre.
Paper die cutting machine press in motion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paper-die-cutting-machine-press-in-motion-image259450207.html
RFW22YAR–Paper die cutting machine press in motion
Lots of the letter stamps on the wall inside the old printing station to be used for printing canvass in the station Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lots-of-the-letter-stamps-on-the-wall-inside-the-old-printing-station-to-be-used-for-printing-canvass-in-the-station-image240655127.html
RFRYEP1Y–Lots of the letter stamps on the wall inside the old printing station to be used for printing canvass in the station
Road network and skyline poster of the downtown PALERMO, ITALY Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-network-and-skyline-poster-of-the-downtown-palermo-italy-image596384999.html
RF2WJ7K47–Road network and skyline poster of the downtown PALERMO, ITALY
In etching, a waxy acid-resist, known as a ground, is applied to a metal plate, most often copper or zinc, and allowed to harden, after which the artist 'smokes' the plate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-etching-a-waxy-acid-resist-known-as-a-ground-is-applied-to-a-metal-plate-most-often-copper-or-zinc-and-allowed-to-harden-after-which-the-artist-smokes-the-plate-image440582863.html
RF2GGP7X7–In etching, a waxy acid-resist, known as a ground, is applied to a metal plate, most often copper or zinc, and allowed to harden, after which the artist 'smokes' the plate.
Meinard Amann’s lithograph showcases his mastery in the printmaking technique. Known for his attention to detail and shading, this work demonstrates his ability to create depth and texture through the lithographic process. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-meinard-amanns-lithograph-showcases-his-mastery-in-the-printmaking-133432401.html
RMHN2AAW–Meinard Amann’s lithograph showcases his mastery in the printmaking technique. Known for his attention to detail and shading, this work demonstrates his ability to create depth and texture through the lithographic process.
Cornel Stankovic is an artist, and 'Litho' refers to lithography, a printmaking technique. This title likely references a work of art or print created by Stankovic, showcasing his style and mastery of the medium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cornel-stankovic-is-an-artist-and-litho-refers-to-lithography-a-printmaking-142527082.html
RMJ7TJMX–Cornel Stankovic is an artist, and 'Litho' refers to lithography, a printmaking technique. This title likely references a work of art or print created by Stankovic, showcasing his style and mastery of the medium.
The Genius of Lithography, 1819. The Genius of Lithography celebrates the new printmaking technique (invented in 1798) that revolutionized illustration and enabled the reproduction of images at a reasonable cost, since numerous impressions can be printed from the lithographic stone. Artists liked the medium's flexibility: while rich blacks could be achieved for shadows, and every tone of gray was possible, a sharp point could scratch white highlights into dark areas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-genius-of-lithography-1819-the-genius-of-lithography-celebrates-the-new-printmaking-technique-invented-in-1798-that-revolutionized-illustration-and-enabled-the-reproduction-of-images-at-a-reasonable-cost-since-numerous-impressions-can-be-printed-from-the-lithographic-stone-artists-liked-the-mediums-flexibility-while-rich-blacks-could-be-achieved-for-shadows-and-every-tone-of-gray-was-possible-a-sharp-point-could-scratch-white-highlights-into-dark-areas-image330126810.html
RM2A52G36–The Genius of Lithography, 1819. The Genius of Lithography celebrates the new printmaking technique (invented in 1798) that revolutionized illustration and enabled the reproduction of images at a reasonable cost, since numerous impressions can be printed from the lithographic stone. Artists liked the medium's flexibility: while rich blacks could be achieved for shadows, and every tone of gray was possible, a sharp point could scratch white highlights into dark areas.
The Intaglio Printer, after a work by A. Bosse. From Histoire de La Gravure, published 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-intaglio-printer-after-a-work-by-a-bosse-from-histoire-de-la-gravure-published-1880-image556576195.html
RM2R9E6H7–The Intaglio Printer, after a work by A. Bosse. From Histoire de La Gravure, published 1880
Maximilian I 1520 Lucas van Leyden Netherlandish This sensitive portrayal of the Holy Roman Emperor Maximilian I, produced in commemoration of his death in 1519, is one of Lucas's most technically innovative works. It demonstrates how, for the first time in Northern Europe, an artist combined the techniques of etching and engraving. Etching allowed Lucas greater freedom of draftsmanship, but at the time the print was made, its use as a printmaking technique was still rather new. He therefore turned to engraving in the areas that required greater precision. Thus, the artist engraved Maximilian' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maximilian-i-1520-lucas-van-leyden-netherlandish-this-sensitive-portrayal-of-the-holy-roman-emperor-maximilian-i-produced-in-commemoration-of-his-death-in-1519-is-one-of-lucass-most-technically-innovative-works-it-demonstrates-how-for-the-first-time-in-northern-europe-an-artist-combined-the-techniques-of-etching-and-engraving-etching-allowed-lucas-greater-freedom-of-draftsmanship-but-at-the-time-the-print-was-made-its-use-as-a-printmaking-technique-was-still-rather-new-he-therefore-turned-to-engraving-in-the-areas-that-required-greater-precision-thus-the-artist-engraved-maximilian-image458056769.html
RM2HH6829–Maximilian I 1520 Lucas van Leyden Netherlandish This sensitive portrayal of the Holy Roman Emperor Maximilian I, produced in commemoration of his death in 1519, is one of Lucas's most technically innovative works. It demonstrates how, for the first time in Northern Europe, an artist combined the techniques of etching and engraving. Etching allowed Lucas greater freedom of draftsmanship, but at the time the print was made, its use as a printmaking technique was still rather new. He therefore turned to engraving in the areas that required greater precision. Thus, the artist engraved Maximilian'
191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191201-santa-ana-dec-1-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-us-santa-ana-exhibition-lixying-publicationxnotxinxchn-image564656219.html
RM2RPJ8NF–191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN
Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-usa-30th-nov-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502115.html
RM2AC5TT3–Santa Ana, USA. 30th Nov, 2019. People visit the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News
Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-21st-june-2024-where-it-takes-me-a-contemporary-exhibition-june-21-july-13-of-selected-prints-by-howard-jeffs-a-member-of-the-royal-society-of-painter-printmakers-with-studios-both-in-bath-and-france-his-work-reflects-his-experimental-approach-in-subject-matter-and-techniques-his-printmaking-is-strongly-influenced-by-his-experience-of-making-paintings-he-makes-use-of-a-printmaking-technique-called-monotypes-sometimes-referred-to-as-the-painterly-print-a-technique-that-yields-only-one-good-impression-from-each-prepared-plate-and-therefore-not-part-o-image610548026.html
RM2XD8T6J–Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o
Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-woodblock-printing-board-ancestor-of-printing-press-technique-from-chinashot-at-china-engraving-printing-museum-image568244905.html
RF2T0DP4W–Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum.
This linocut portrait of P. Felicián Jozef Môcik, created by Alojz Rigele between 1890 and 1910, is part of the collection of the Slovak National Gallery. The artwork exemplifies the use of linocut as a printmaking technique in Eastern European art during this period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-linocut-portrait-of-p-felicin-jozef-mcik-created-by-alojz-rigele-between-1890-and-1910-is-part-of-the-collection-of-the-slovak-national-gallery-the-artwork-exemplifies-the-use-of-linocut-as-a-printmaking-technique-in-eastern-european-art-during-this-period-image680269112.html
RM3BEMX5C–This linocut portrait of P. Felicián Jozef Môcik, created by Alojz Rigele between 1890 and 1910, is part of the collection of the Slovak National Gallery. The artwork exemplifies the use of linocut as a printmaking technique in Eastern European art during this period.
Old engraved illustration of a printmaker heating a metal plate over an open flame during the engraving process. By unknown author, published on 1852 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-engraved-illustration-of-a-printmaker-heating-a-metal-plate-over-an-open-flame-during-the-engraving-process-by-unknown-author-published-on-1852-image598961219.html
RF2WPD143–Old engraved illustration of a printmaker heating a metal plate over an open flame during the engraving process. By unknown author, published on 1852
Illustration of the assasination of Julius Caesar by M. Clément published in late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-of-the-assasination-of-julius-caesar-by-m-clment-published-in-late-19th-century-image350360774.html
RF2BA08MP–Illustration of the assasination of Julius Caesar by M. Clément published in late 19th century.
Side view of focused skilled middle aged female artist putting paper sheet on printing press while creating artwork in printmaking technique in profes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-view-of-focused-skilled-middle-aged-female-artist-putting-paper-sheet-on-printing-press-while-creating-artwork-in-printmaking-technique-in-profes-image384791653.html
RF2DA0NK1–Side view of focused skilled middle aged female artist putting paper sheet on printing press while creating artwork in printmaking technique in profes
Color swatch. Closeup of open sample colors catalogue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/color-swatch-closeup-of-open-sample-colors-catalogue-image224802456.html
RFR1MHR4–Color swatch. Closeup of open sample colors catalogue.
A vintage old style paper cutter inside the printing station with the spinning wheel on the side making it to run Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-vintage-old-style-paper-cutter-inside-the-printing-station-with-the-spinning-wheel-on-the-side-making-it-to-run-image240655130.html
RFRYEP22–A vintage old style paper cutter inside the printing station with the spinning wheel on the side making it to run
Road network and skyline poster of the downtown GUADALAJARA, MEXICO Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-network-and-skyline-poster-of-the-downtown-guadalajara-mexico-image596277188.html
RF2WJ2NHT–Road network and skyline poster of the downtown GUADALAJARA, MEXICO
In etching, a waxy acid-resist, known as a ground, is applied to a metal plate, most often copper or zinc, and allowed to harden, after which the artist 'smokes' the plate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-etching-a-waxy-acid-resist-known-as-a-ground-is-applied-to-a-metal-plate-most-often-copper-or-zinc-and-allowed-to-harden-after-which-the-artist-smokes-the-plate-image440582828.html
RF2GGP7W0–In etching, a waxy acid-resist, known as a ground, is applied to a metal plate, most often copper or zinc, and allowed to harden, after which the artist 'smokes' the plate.
The 'Pont-Wullyamoz Litho' refers to a lithograph, a printmaking technique that became popular in the 19th century. Lithographs often depict scenes of daily life, landscapes, or historical events, offering a detailed and expressive portrayal of the subject. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-pont-wullyamoz-litho-refers-to-a-lithograph-a-printmaking-technique-134660028.html
RMHR286M–The 'Pont-Wullyamoz Litho' refers to a lithograph, a printmaking technique that became popular in the 19th century. Lithographs often depict scenes of daily life, landscapes, or historical events, offering a detailed and expressive portrayal of the subject.
Karoline Fischer Litho likely refers to a lithograph or work of art by the artist Karoline Fischer. Lithography is a printmaking technique, and this work may provide insights into the artist's style and medium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-karoline-fischer-litho-likely-refers-to-a-lithograph-or-work-of-art-142923058.html
RMJ8EKPX–Karoline Fischer Litho likely refers to a lithograph or work of art by the artist Karoline Fischer. Lithography is a printmaking technique, and this work may provide insights into the artist's style and medium.
Six Marines: Interior of a Port, 1833. Lithography proliferated rapidly in France so that by 1838 there were some 300 lithographic printing establishments in Paris alone. It became the most popular printmaking technique because lithographs could be printed relatively cheaply and easily in large editions. The technique was suitable for artists working in a variety of styles; its versatility can be used for spontaneous, rapid execution. Here Isabey exploited the ability of lithography to achieve diverse tones, from rich black to any shade of gray. The pale paper was utilized for highlights. The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/six-marines-interior-of-a-port-1833-lithography-proliferated-rapidly-in-france-so-that-by-1838-there-were-some-300-lithographic-printing-establishments-in-paris-alone-it-became-the-most-popular-printmaking-technique-because-lithographs-could-be-printed-relatively-cheaply-and-easily-in-large-editions-the-technique-was-suitable-for-artists-working-in-a-variety-of-styles-its-versatility-can-be-used-for-spontaneous-rapid-execution-here-isabey-exploited-the-ability-of-lithography-to-achieve-diverse-tones-from-rich-black-to-any-shade-of-gray-the-pale-paper-was-utilized-for-highlights-the-image330119309.html
RM2A526F9–Six Marines: Interior of a Port, 1833. Lithography proliferated rapidly in France so that by 1838 there were some 300 lithographic printing establishments in Paris alone. It became the most popular printmaking technique because lithographs could be printed relatively cheaply and easily in large editions. The technique was suitable for artists working in a variety of styles; its versatility can be used for spontaneous, rapid execution. Here Isabey exploited the ability of lithography to achieve diverse tones, from rich black to any shade of gray. The pale paper was utilized for highlights. The
Futomi fuji Abstract/medium: 1 print : woodcut ; 21.2 x 14.6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/futomi-fuji-abstractmedium-1-print-woodcut-212-x-146-cm-image265238749.html
RMWBEJMD–Futomi fuji Abstract/medium: 1 print : woodcut ; 21.2 x 14.6 cm.
Illustration of a fish isolated on a white background. Simplified stylized illustration. The head and scales are turquoise. Yellow fins and eye. Profile to the right. Printmaking style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-of-a-fish-isolated-on-a-white-background-simplified-stylized-illustration-the-head-and-scales-are-turquoise-yellow-fins-and-eye-profile-to-the-right-printmaking-style-image600665436.html
RF2WW6JW0–Illustration of a fish isolated on a white background. Simplified stylized illustration. The head and scales are turquoise. Yellow fins and eye. Profile to the right. Printmaking style.
Edward Law. Photogravure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-law-photogravure-image450026070.html
RM2H44CRJ–Edward Law. Photogravure.
191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191201-santa-ana-dec-1-2019-people-visit-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-nov-30-2019-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-us-santa-ana-exhibition-lixying-publicationxnotxinxchn-image564656238.html
RM2RPJ8P6–191201 -- SANTA ANA, Dec. 1, 2019 -- People visit the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States, Nov. 30, 2019. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN
Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-30th-nov-2019-photo-taken-on-nov-30-2019-shows-a-view-of-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502118.html
RM2AC5TT6–Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News
Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs (photograph), a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-21st-june-2024-where-it-takes-me-a-contemporary-exhibition-june-21-july-13-of-selected-prints-by-howard-jeffs-photograph-a-member-of-the-royal-society-of-painter-printmakers-with-studios-both-in-bath-and-france-his-work-reflects-his-experimental-approach-in-subject-matter-and-techniques-his-printmaking-is-strongly-influenced-by-his-experience-of-making-paintings-he-makes-use-of-a-printmaking-technique-called-monotypes-sometimes-referred-to-as-the-painterly-print-a-technique-that-yields-only-one-good-impression-from-each-prepared-plate-and-therefo-image610548028.html
RM2XD8T6M–Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs (photograph), a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefo
Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-woodblock-printing-board-ancestor-of-printing-press-technique-from-chinashot-at-china-engraving-printing-museum-image568243014.html
RF2T0DKNA–Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum.
This individual print copy, part of the Palace Museum's collection, exemplifies the traditional Chinese printmaking technique. The artwork reflects the depth of Chinese cultural expression, blending detailed imagery with symbolic meaning. It stands as a testimony to the craftsmanship and legacy of ancient Chinese artists. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-individual-print-copy-part-of-the-palace-museums-collection-exemplifies-the-traditional-chinese-printmaking-technique-the-artwork-reflects-the-depth-of-chinese-cultural-expression-blending-detailed-imagery-with-symbolic-meaning-it-stands-as-a-testimony-to-the-craftsmanship-and-legacy-of-ancient-chinese-artists-image665468996.html
RM3AJJMDT–This individual print copy, part of the Palace Museum's collection, exemplifies the traditional Chinese printmaking technique. The artwork reflects the depth of Chinese cultural expression, blending detailed imagery with symbolic meaning. It stands as a testimony to the craftsmanship and legacy of ancient Chinese artists.
An artist carving a woodcut design for printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-artist-carving-a-woodcut-design-for-printing-image638123355.html
RM2S250RR–An artist carving a woodcut design for printing.
Illustration of a torture in the 13th century by Gilbert published in late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-of-a-torture-in-the-13th-century-by-gilbert-published-in-late-19th-century-image350363335.html
RF2BA0C07–Illustration of a torture in the 13th century by Gilbert published in late 19th century.
Stained Glass, 4 patterns: Ancient Gentleman, Abstract - Art Nouveau vintage illustration by Artistic Stained Glass 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-4-patterns-ancient-gentleman-abstract-art-nouveau-vintage-illustration-by-artistic-stained-glass-1911-image245710688.html
RFT7N2DM–Stained Glass, 4 patterns: Ancient Gentleman, Abstract - Art Nouveau vintage illustration by Artistic Stained Glass 1911
Stack of old newspapers - Soft focus with copy space. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stack-of-old-newspapers-soft-focus-with-copy-space-image224395272.html
RFR122CT–Stack of old newspapers - Soft focus with copy space.
The metal stamps on top of the tray inside the old printing machine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-metal-stamps-on-top-of-the-tray-inside-the-old-printing-machine-image240655129.html
RFRYEP21–The metal stamps on top of the tray inside the old printing machine
Road network and skyline poster of the downtown FLORENCE, ITALY Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-network-and-skyline-poster-of-the-downtown-florence-italy-image596385001.html
RF2WJ7K49–Road network and skyline poster of the downtown FLORENCE, ITALY
'Marian Zwinger Litho' features a lithograph by Marian Zwinger, known for his skillful use of this printmaking technique. The work captures a detailed and expressive portrayal, showcasing the artist’s proficiency with the medium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marian-zwinger-litho-features-a-lithograph-by-marian-zwinger-known-137396672.html
RMHYEXT0–'Marian Zwinger Litho' features a lithograph by Marian Zwinger, known for his skillful use of this printmaking technique. The work captures a detailed and expressive portrayal, showcasing the artist’s proficiency with the medium.
Franz Nickel Litho refers to a lithographic print created by the artist Franz Nickel. Lithography is a printmaking technique used for mass production of images, and Nickel was known for his contributions to this art form. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-nickel-litho-refers-to-a-lithographic-print-created-by-the-artist-142896825.html
RMJ8DEA1–Franz Nickel Litho refers to a lithographic print created by the artist Franz Nickel. Lithography is a printmaking technique used for mass production of images, and Nickel was known for his contributions to this art form.
Delpech Lithographic Print Shop, c. 1818. The Delpech shop was a printing and retail establishment in Paris. Since the lithographic printing process is complex, requiring stones, presses, and skilled printers, artists went to workshops to make prints. Artists liked the medium's flexibility: while one could draw freely, it was also possible to execute an extremely detailed rendering. Further, while rich blacks could be achieved for shadows so could a great tonal range of grays. Since numerous impressions can be printed from the lithographic stone, this new printmaking technique made it possible Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delpech-lithographic-print-shop-c-1818-the-delpech-shop-was-a-printing-and-retail-establishment-in-paris-since-the-lithographic-printing-process-is-complex-requiring-stones-presses-and-skilled-printers-artists-went-to-workshops-to-make-prints-artists-liked-the-mediums-flexibility-while-one-could-draw-freely-it-was-also-possible-to-execute-an-extremely-detailed-rendering-further-while-rich-blacks-could-be-achieved-for-shadows-so-could-a-great-tonal-range-of-grays-since-numerous-impressions-can-be-printed-from-the-lithographic-stone-this-new-printmaking-technique-made-it-possible-image330085493.html
RM2A50KBH–Delpech Lithographic Print Shop, c. 1818. The Delpech shop was a printing and retail establishment in Paris. Since the lithographic printing process is complex, requiring stones, presses, and skilled printers, artists went to workshops to make prints. Artists liked the medium's flexibility: while one could draw freely, it was also possible to execute an extremely detailed rendering. Further, while rich blacks could be achieved for shadows so could a great tonal range of grays. Since numerous impressions can be printed from the lithographic stone, this new printmaking technique made it possible
. Русский: Соколов И.А. (1717–1757). Вид Успенского собора и Соборной площади. 1744. По рисунку Э. Гриммеля. Офорт, резец. 42,1х55, 5. изображение очерчено. Обстоятельное описание торжественных порядков благополучнаго вшествия в царствующий град Москву и священнейшаго коронования ея августейшаго императорскаго величества всепресветлейшия державнейшия великия государыни императрицы Елисавет Петровны самодержицы всероссийской, еже бысть вшествие 28 февраля, коронование 25 апреля 1742 года. - Санктпетербург : печ. при Императорской акад. наук, 1744. - [2], 168 с., [1] л. фронт., 49 л. ил., пл. - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/17171757-1744-42155-5-28-25-1742-1744-2-168-1-49-image188815017.html
RMMY57DD–. Русский: Соколов И.А. (1717–1757). Вид Успенского собора и Соборной площади. 1744. По рисунку Э. Гриммеля. Офорт, резец. 42,1х55, 5. изображение очерчено. Обстоятельное описание торжественных порядков благополучнаго вшествия в царствующий град Москву и священнейшаго коронования ея августейшаго императорскаго величества всепресветлейшия державнейшия великия государыни императрицы Елисавет Петровны самодержицы всероссийской, еже бысть вшествие 28 февраля, коронование 25 апреля 1742 года. - Санктпетербург : печ. при Императорской акад. наук, 1744. - [2], 168 с., [1] л. фронт., 49 л. ил., пл. -
Pembroke album of chiaroscuro woodcut prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pembroke-album-of-chiaroscuro-woodcut-prints-image328329900.html
RM2A24M3T–Pembroke album of chiaroscuro woodcut prints
A set of slices of tomatoes cut into rings. In black color. Isolated on white background. Different in size. Stylized illustrations. Have a print texture. Printmaking style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-set-of-slices-of-tomatoes-cut-into-rings-in-black-color-isolated-on-white-background-different-in-size-stylized-illustrations-have-a-print-texture-printmaking-style-image600276732.html
RF2WTGY2M–A set of slices of tomatoes cut into rings. In black color. Isolated on white background. Different in size. Stylized illustrations. Have a print texture. Printmaking style.
Wood engraving, England, by Thomas Bewick. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-engraving-england-by-thomas-bewick-image479319285.html
RM2JRPTHW–Wood engraving, England, by Thomas Bewick.
191201 -- SANTA ANA, Dec. 1, 2019 -- Photo taken on Nov. 30, 2019 shows a view of the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191201-santa-ana-dec-1-2019-photo-taken-on-nov-30-2019-shows-a-view-of-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-us-santa-ana-exhibition-lixying-publicationxnotxinxchn-image564656202.html
RM2RPJ8MX–191201 -- SANTA ANA, Dec. 1, 2019 -- Photo taken on Nov. 30, 2019 shows a view of the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN
Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-30th-nov-2019-photo-taken-on-nov-30-2019-shows-a-view-of-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502125.html
RM2AC5TTD–Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News
Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-21st-june-2024-where-it-takes-me-a-contemporary-exhibition-june-21-july-13-of-selected-prints-by-howard-jeffs-a-member-of-the-royal-society-of-painter-printmakers-with-studios-both-in-bath-and-france-his-work-reflects-his-experimental-approach-in-subject-matter-and-techniques-his-printmaking-is-strongly-influenced-by-his-experience-of-making-paintings-he-makes-use-of-a-printmaking-technique-called-monotypes-sometimes-referred-to-as-the-painterly-print-a-technique-that-yields-only-one-good-impression-from-each-prepared-plate-and-therefore-not-part-o-image610548138.html
RM2XD8TAJ–Shapero Modern, London, UK. 21st June, 2024. Where It Takes Me, a contemporary exhibition (June 21 - July 13) of selected prints by Howard Jeffs, a member of the Royal Society of Painter-Printmakers. With studios both in Bath and France, his work reflects his experimental approach in subject matter and techniques. His printmaking is strongly influenced by his experience of making paintings. He makes use of a printmaking technique called ‘monotypes', sometimes referred to as the “painterly print”, a technique that yields only one good impression from each prepared plate and therefore not part o
Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-woodblock-printing-board-ancestor-of-printing-press-technique-from-chinashot-at-china-engraving-printing-museum-image568243988.html
RF2T0DN04–Ancient Chinese woodblock printing board, ancestor of printing press technique from China,shot at China engraving printing museum.
This lithograph reproduction from 1892 shows Dr. Johann Heinrich Gelzer. It represents a popular printmaking technique of the late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-lithograph-reproduction-from-1892-shows-dr-johann-heinrich-gelzer-it-represents-a-popular-printmaking-technique-of-the-late-19th-century-image680258769.html
RM3BEMD01–This lithograph reproduction from 1892 shows Dr. Johann Heinrich Gelzer. It represents a popular printmaking technique of the late 19th century.
An artist carving a woodcut design for printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-artist-carving-a-woodcut-design-for-printing-image638123344.html
RM2S250RC–An artist carving a woodcut design for printing.
Old illustration by 'L. Bombled' about the Fronde printed in late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-by-l-bombled-about-the-fronde-printed-in-late-19th-century-image350363056.html
RF2BA0BJ8–Old illustration by 'L. Bombled' about the Fronde printed in late 19th century.
Stained Glass, 3 patterns: Ancient Gentleman, Abstract - Art Nouveau vintage illustration by Artistic Stained Glass 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-3-patterns-ancient-gentleman-abstract-art-nouveau-vintage-illustration-by-artistic-stained-glass-1911-image245705017.html
RFT7MR75–Stained Glass, 3 patterns: Ancient Gentleman, Abstract - Art Nouveau vintage illustration by Artistic Stained Glass 1911
Top view of the metal letter stamps on the tray cabinet inside the old press style printing station Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-view-of-the-metal-letter-stamps-on-the-tray-cabinet-inside-the-old-press-style-printing-station-image240655383.html
RFRYEPB3–Top view of the metal letter stamps on the tray cabinet inside the old press style printing station
Road network and skyline poster of the downtown JACKSONVILLE, UNITED STATES OF AMERICA Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/road-network-and-skyline-poster-of-the-downtown-jacksonville-united-states-of-america-image596277289.html
RF2WJ2NND–Road network and skyline poster of the downtown JACKSONVILLE, UNITED STATES OF AMERICA
The lithograph by Friedrich Rheinfelder captures the fine details of a subject through the printmaking technique of lithography. Known for his skill in producing precise, detailed works, Rheinfelder’s lithographs demonstrate the technical artistry of the 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lithograph-by-friedrich-rheinfelder-captures-the-fine-details-137386682.html
RMHYEE36–The lithograph by Friedrich Rheinfelder captures the fine details of a subject through the printmaking technique of lithography. Known for his skill in producing precise, detailed works, Rheinfelder’s lithographs demonstrate the technical artistry of the 19th century.
The term Gravure era refers to the period during which engraving (gravure) was a popular printmaking technique. This era saw significant advancements in the art of engraving and its application in publishing and fine art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-term-gravure-era-refers-to-the-period-during-which-engraving-gravure-139967375.html
RMJ3M1PR–The term Gravure era refers to the period during which engraving (gravure) was a popular printmaking technique. This era saw significant advancements in the art of engraving and its application in publishing and fine art.
OLYMPUS DIGITAL CAMERA 111 Anton Fürst Grassalkovics Litho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympus-digital-camera-111-anton-frst-grassalkovics-litho-image210158124.html
RMP5WER8–OLYMPUS DIGITAL CAMERA 111 Anton Fürst Grassalkovics Litho
Figures; General notes: Linocut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-general-notes-linocut-image262509762.html
RMW729TJ–Figures; General notes: Linocut
Traité de La Gravure a l’eau forte: Plate 5, 1866. Maxime Lalanne (French, 1827-1886), Cadar and Luquet. Etching; platemark: 18.1 x 11.6 cm (7 1/8 x 4 9/16 in.); book page: 23.2 x 15 cm (9 1/8 x 5 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trait-de-la-gravure-a-leau-forte-plate-5-1866-maxime-lalanne-french-1827-1886-cadar-and-luquet-etching-platemark-181-x-116-cm-7-18-x-4-916-in-book-page-232-x-15-cm-9-18-x-5-78-in-image448144748.html
RM2H12N5G–Traité de La Gravure a l’eau forte: Plate 5, 1866. Maxime Lalanne (French, 1827-1886), Cadar and Luquet. Etching; platemark: 18.1 x 11.6 cm (7 1/8 x 4 9/16 in.); book page: 23.2 x 15 cm (9 1/8 x 5 7/8 in.).
191201 -- SANTA ANA, Dec. 1, 2019 -- Photo taken on Nov. 30, 2019 shows a view of the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191201-santa-ana-dec-1-2019-photo-taken-on-nov-30-2019-shows-a-view-of-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-us-santa-ana-exhibition-lixying-publicationxnotxinxchn-image564656227.html
RM2RPJ8NR–191201 -- SANTA ANA, Dec. 1, 2019 -- Photo taken on Nov. 30, 2019 shows a view of the exhibiton named Dimensions of Form: Tamayo and Mixografia in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. U.S.-SANTA ANA-EXHIBITION LixYing PUBLICATIONxNOTxINxCHN
Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-ana-30th-nov-2019-photo-taken-on-nov-30-2019-shows-a-view-of-the-exhibiton-named-dimensions-of-form-tamayo-and-mixografia-in-santa-ana-the-united-states-the-exhibition-addresses-mexican-master-rufino-tamayo-the-mixografia-printmaking-technique-is-a-unique-fine-art-printing-process-that-allows-for-the-production-of-three-dimensional-prints-with-elements-of-relief-texture-and-very-fine-surface-detail-credit-li-yingxinhuaalamy-live-news-image334502212.html
RM2AC5TYG–Santa Ana. 30th Nov, 2019. Photo taken on Nov. 30, 2019 shows a view of the exhibiton named 'Dimensions of Form: Tamayo and Mixografia' in Santa Ana, the United States. The exhibition addresses Mexican master Rufino Tamayo. The Mixografia printmaking technique is a unique fine art printing process that allows for the production of three-dimensional prints with elements of relief, texture and very fine surface detail. Credit: Li Ying/Xinhua/Alamy Live News