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John and josiah Stock Photos and Images
John Josiah Emery - 1835-1908. St. Bartholomew's Episcopal Church. New York. Etats-Unis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-josiah-emery-1835-1908-st-bartholomews-episcopal-church-new-york-etats-unis-image506537521.htmlRM2MC2NNN–John Josiah Emery - 1835-1908. St. Bartholomew's Episcopal Church. New York. Etats-Unis.
John Flaxman, British designer, draughtsman and sculptor, (1833).Artist: R Woodman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-flaxman-british-designer-draughtsman-and-sculptor-1833artist-11061355.htmlRMA4JBAM–John Flaxman, British designer, draughtsman and sculptor, (1833).Artist: R Woodman
Dr. John Collins Warren By Josiah Johnson Hawes in ca. 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dr-john-collins-warren-by-josiah-johnson-hawes-in-ca-1850-image603835155.htmlRM2X2B1W7–Dr. John Collins Warren By Josiah Johnson Hawes in ca. 1850
Persons: Rufus Easton, John Scott, Wm. Rector, Alexander McNair, Josiah Meigs, E. Hempstead. Title: Political news sheet: To the People of the Territory of Missouri, July 26, 1816 . 26 July 1816. Easton, Rufus, 1774-1834 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persons-rufus-easton-john-scott-wm-rector-alexander-mcnair-josiah-meigs-e-hempstead-title-political-news-sheet-to-the-people-of-the-territory-of-missouri-july-26-1816-26-july-1816-easton-rufus-1774-1834-image178688514.htmlRMMAKY0J–Persons: Rufus Easton, John Scott, Wm. Rector, Alexander McNair, Josiah Meigs, E. Hempstead. Title: Political news sheet: To the People of the Territory of Missouri, July 26, 1816 . 26 July 1816. Easton, Rufus, 1774-1834
This artwork portrays Josiah John Guest, a prominent 19th-century industrialist and philanthropist. The painting reflects the impact of his contributions to the industrial revolution in Wales. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-artwork-portrays-josiah-john-guest-a-prominent-19th-century-industrialist-132839750.htmlRMHM3ACP–This artwork portrays Josiah John Guest, a prominent 19th-century industrialist and philanthropist. The painting reflects the impact of his contributions to the industrial revolution in Wales.
. English: Plate from Owen, J. A. (1977) The History of the Dowlais Iron Works 1759-1970, Newport, Gwent: Starling Press ISBN 0-503434-27-X . This file is lacking author information. 744 Josiah John Guest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-plate-from-owen-j-a-1977-the-history-of-the-dowlais-iron-works-1759-1970-newport-gwent-starling-press-isbn-0-503434-27-x-this-file-is-lacking-author-information-744-josiah-john-guest-image185815835.htmlRMMP8HYR–. English: Plate from Owen, J. A. (1977) The History of the Dowlais Iron Works 1759-1970, Newport, Gwent: Starling Press ISBN 0-503434-27-X . This file is lacking author information. 744 Josiah John Guest
Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351654) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landon-john-portsmouth-to-josiah-bartlett-nypl-b11868620-5351654-148475567.htmlRMJHFJ2R–Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351654)
N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 17:24:16. Daderot 373 Compote with Japanese pattern decoration, John Bebbington designer, Josiah Wedgwood & Sons, 1866, creamware - Dallas Museum of Art - DSC05144 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-exhibit-in-the-dallas-museum-of-art-dallas-texas-usa-7-may-2017-172416-daderot-373-compote-with-japanese-pattern-decoration-john-bebbington-designer-josiah-wedgwood-amp-sons-1866-creamware-dallas-museum-of-art-dsc05144-image209969095.htmlRMP5GWM7–N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 17:24:16. Daderot 373 Compote with Japanese pattern decoration, John Bebbington designer, Josiah Wedgwood & Sons, 1866, creamware - Dallas Museum of Art - DSC05144
![THE Inside of a SMELTING HOUSE, at BROSELEY, SHROPSHIRE. Author Lowry, Wilson 36.26.n. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching Dimensions: sheet 40.2 x 55.0 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNK4/the-inside-of-a-smelting-house-at-broseley-shropshire-author-lowry-wilson-3626n-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-dimensions-sheet-402-x-550-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNK4.jpg "THE Inside of a SMELTING HOUSE, at BROSELEY, SHROPSHIRE. Author Lowry, Wilson 36.26.n. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching Dimensions: sheet 40.2 x 55.0 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE Inside of a SMELTING HOUSE, at BROSELEY, SHROPSHIRE. Author Lowry, Wilson 36.26.n. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching Dimensions: sheet 40.2 x 55.0 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-inside-of-a-smelting-house-at-broseley-shropshire-author-lowry-wilson-3626n-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-dimensions-sheet-402-x-550-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401760552.htmlRM2E9HNK4–THE Inside of a SMELTING HOUSE, at BROSELEY, SHROPSHIRE. Author Lowry, Wilson 36.26.n. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching Dimensions: sheet 40.2 x 55.0 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820
John Taylor Wedgwood, (artist), British, c. 1783 - 1856, Sir Joshua Reynolds, (artist after), British, 1723 - 1792, Josiah Wedgewood, Esq., 1841, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-taylor-wedgwood-artist-british-c-1783-1856-sir-joshua-reynolds-artist-after-british-1723-1792-josiah-wedgewood-esq-1841-engraving-image386346321.htmlRM2DCFGJW–John Taylor Wedgwood, (artist), British, c. 1783 - 1856, Sir Joshua Reynolds, (artist after), British, 1723 - 1792, Josiah Wedgewood, Esq., 1841, engraving
John Taylor Wedgwood after Sir Joshua Reynolds, Josiah Wedgewood, Esq, 1841 Josiah Wedgewood, Esq.; 1841date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-taylor-wedgwood-after-sir-joshua-reynolds-josiah-wedgewood-esq-1841-josiah-wedgewood-esq-1841date-image335975123.htmlRM2AEGYKF–John Taylor Wedgwood after Sir Joshua Reynolds, Josiah Wedgewood, Esq, 1841 Josiah Wedgewood, Esq.; 1841date
oil lamp, Josiah Wedgwood and Sons, Manufacturer (English), John Flaxman, Modeler (English, 1755-1826), about 1785, stoneware, 13-5/8 in., Decorative Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oil-lamp-josiah-wedgwood-and-sons-manufacturer-english-john-flaxman-modeler-english-1755-1826-about-1785-stoneware-13-58-in-decorative-arts-image328775474.htmlRM2A2W0D6–oil lamp, Josiah Wedgwood and Sons, Manufacturer (English), John Flaxman, Modeler (English, 1755-1826), about 1785, stoneware, 13-5/8 in., Decorative Arts
Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-self-portrait-of-john-flaxman-in-terracotta-engraving-by-walter-l-165853381.htmlRMKHR7K1–Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Sir Charles Linnaeus, Josiah Wedgwood, 1730–1795, British, after John Webber, 1752–1793, British, undated, Wedgwood black basaltes, Sheet: 4in. (10.2cm), portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-charles-linnaeus-josiah-wedgwood-17301795-british-after-john-webber-17521793-british-undated-wedgwood-black-basaltes-sheet-4in-102cm-portrait-image389751395.htmlRM2DJ2KTK–Sir Charles Linnaeus, Josiah Wedgwood, 1730–1795, British, after John Webber, 1752–1793, British, undated, Wedgwood black basaltes, Sheet: 4in. (10.2cm), portrait
John Boydell, 1720 - 1804. British publisher and engraver. From a print by Valentine Green, after the portrait by Josiah Boydell. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-boydell-1720-1804-british-publisher-and-engraver-from-a-print-by-valentine-green-after-the-portrait-by-josiah-boydell-image558181491.htmlRM2RC3A57–John Boydell, 1720 - 1804. British publisher and engraver. From a print by Valentine Green, after the portrait by Josiah Boydell.
Valley of Tophet location in Jerusalem where worshippers engaged in Child Sacrifice rituals and King Josiah Destroyed Tophet (Kings) Illustration from Photograph Taken on the Spot by Frank Mason Goodfrom 19th Century Holy Bible - The Self-Interpreting Family Bible with Old and new Testaments by the late Revernd John Brown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valley-of-tophet-location-in-jerusalem-where-worshippers-engaged-in-child-sacrifice-rituals-and-king-josiah-destroyed-tophet-kings-illustration-from-photograph-taken-on-the-spot-by-frank-mason-goodfrom-19th-century-holy-bible-the-self-interpreting-family-bible-with-old-and-new-testaments-by-the-late-revernd-john-brown-image569528925.htmlRM2T2G7XN–Valley of Tophet location in Jerusalem where worshippers engaged in Child Sacrifice rituals and King Josiah Destroyed Tophet (Kings) Illustration from Photograph Taken on the Spot by Frank Mason Goodfrom 19th Century Holy Bible - The Self-Interpreting Family Bible with Old and new Testaments by the late Revernd John Brown
Illustration for William Shakespeare’s play Henry VI, Part 3, Act II, Scene V. From an 18th century engraving by John Ogborne after a work by Josiah Boydell. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-william-shakespeares-play-henry-vi-part-3-act-ii-scene-v-from-an-18th-century-engraving-by-john-ogborne-after-a-work-by-josiah-boydell-image395921941.htmlRM2E03PD9–Illustration for William Shakespeare’s play Henry VI, Part 3, Act II, Scene V. From an 18th century engraving by John Ogborne after a work by Josiah Boydell.
A 19th century Portrait of John Flaxman, English sculptor 1755-1826 - Born in the city of York was also a noted engraver and a a moulder and seller of plaster casts at the sign of the Golden Head, New Street, Covent Garden, London. From 1775 he was employed by the potter Josiah Wedgwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-19th-century-portrait-of-john-flaxman-english-sculptor-1755-1826-born-in-the-city-of-york-was-also-a-noted-engraver-and-a-a-moulder-and-seller-of-plaster-casts-at-the-sign-of-the-golden-head-new-street-covent-garden-london-from-1775-he-was-employed-by-the-potter-josiah-wedgwood-image611489262.htmlRM2XERMP6–A 19th century Portrait of John Flaxman, English sculptor 1755-1826 - Born in the city of York was also a noted engraver and a a moulder and seller of plaster casts at the sign of the Golden Head, New Street, Covent Garden, London. From 1775 he was employed by the potter Josiah Wedgwood
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4). Artist: After Robert Smirke (British, Wigton, Cumberland 1752/53-1845 London). Dimensions: Sheet: 12 1/2 × 9 1/16 in. (31.8 × 23 cm). Engraver: James Neagle (British, London 1765- 1822 Philadelphia, Pennsylvania). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Shakespeare Gallery (small series). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: June 4, 1794. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falstaff-rising-slowly-shakespeare-first-part-of-king-henry-iv-act-5-scene-4-artist-after-robert-smirke-british-wigton-cumberland-175253-1845-london-dimensions-sheet-12-12-9-116-in-318-23-cm-engraver-james-neagle-british-london-1765-1822-philadelphia-pennsylvania-publisher-john-josiah-boydell-british-1786-1804-seriesportfolio-shakespeare-gallery-small-series-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-june-4-1794-museum-metropolitan-museum-of-art-new-york-usa-image213502169.htmlRMPB9T5D–Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4). Artist: After Robert Smirke (British, Wigton, Cumberland 1752/53-1845 London). Dimensions: Sheet: 12 1/2 × 9 1/16 in. (31.8 × 23 cm). Engraver: James Neagle (British, London 1765- 1822 Philadelphia, Pennsylvania). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Shakespeare Gallery (small series). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: June 4, 1794. Museum: Metropolitan Museum of Art, New York, USA.
The portrait of Josiah Quincy by Gilbert Stuart, painted in the late 18th century, captures the American statesman’s dignified expression. Quincy was a prominent figure in early American history, serving as a mayor and diplomat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-portrait-of-josiah-quincy-by-gilbert-stuart-painted-in-the-late-137410377.htmlRMHYFG9D–The portrait of Josiah Quincy by Gilbert Stuart, painted in the late 18th century, captures the American statesman’s dignified expression. Quincy was a prominent figure in early American history, serving as a mayor and diplomat.
Art inspired by Dr. John Collins Warren, ca. 1850, Daguerreotype, 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-dr-john-collins-warren-ca-1850-daguerreotype-216-x-165-cm-8-12-x-6-12-in-photographs-albert-sands-southworth-american-west-fairlee-vermont-18111894-charlestown-massachusetts-josiah-johnson-hawes-american-wayland-massachusetts-18081901-crawford-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462937565.htmlRF2HW4HGD–Art inspired by Dr. John Collins Warren, ca. 1850, Daguerreotype, 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pottery - Part of Josiah Wedgwoods family tree. Josiah Wedgwood ( 1730 – 1795) was an English potter, entrepreneur who . Founded the famous Wedgwood company in 1759. Wedgwood was also an active abolitionist against slavery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-part-of-josiah-wedgwoods-family-tree-josiah-wedgwood-1730-1795-was-an-english-potter-entrepreneur-who-founded-the-famous-wedgwood-company-in-1759-wedgwood-was-also-an-active-abolitionist-against-slavery-image683119296.htmlRM3BKANHM–Pottery - Part of Josiah Wedgwoods family tree. Josiah Wedgwood ( 1730 – 1795) was an English potter, entrepreneur who . Founded the famous Wedgwood company in 1759. Wedgwood was also an active abolitionist against slavery.
Queen Elizabeth II watches closely as Albert Birks 'tastes' a plate he had just made at the works of Josiah Wedgwood and Sons at Barlaston, Staffordshire. At right is John Wedgwood, Deputy Chairman of the firm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-queen-elizabeth-ii-watches-closely-as-albert-birks-tastes-a-plate-106195020.htmlRMG4NGR8–Queen Elizabeth II watches closely as Albert Birks 'tastes' a plate he had just made at the works of Josiah Wedgwood and Sons at Barlaston, Staffordshire. At right is John Wedgwood, Deputy Chairman of the firm.
Stoke-on-Trent, Staffordshire, UK. 17th July, 2015. A mosaic of Josiah Wedgwood made of plates at The Wedgwood Visitor Centre and Museum, Stoke-on-Trent, Staffs, England, on the day it was reopened after 6 months of being closed for refurbishment. Friday 17th. July 2015 Credit: John Keates/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stoke-on-trent-staffordshire-uk-17th-july-2015-a-mosaic-of-josiah-85400723.htmlRMEXX9DR–Stoke-on-Trent, Staffordshire, UK. 17th July, 2015. A mosaic of Josiah Wedgwood made of plates at The Wedgwood Visitor Centre and Museum, Stoke-on-Trent, Staffs, England, on the day it was reopened after 6 months of being closed for refurbishment. Friday 17th. July 2015 Credit: John Keates/Alamy Live News
![THE WEST WING [US TV SERIES 1999 - 2006] ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, JOHN SPENCER as Leo McGarry, MARTIN SHEEN as President Josiah 'Jed' Bartlet Stock Photo](https://c8.alamy.com/comp/K3HRER/the-west-wing-us-tv-series-1999-2006-allison-janney-as-claudia-jean-K3HRER.jpg "THE WEST WING [US TV SERIES 1999 - 2006] ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, JOHN SPENCER as Leo McGarry, MARTIN SHEEN as President Josiah 'Jed' Bartlet Stock Photo")
THE WEST WING [US TV SERIES 1999 - 2006] ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, JOHN SPENCER as Leo McGarry, MARTIN SHEEN as President Josiah 'Jed' Bartlet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-west-wing-us-tv-series-1999-2006-allison-janney-as-claudia-jean-image157128911.htmlRMK3HRER–THE WEST WING [US TV SERIES 1999 - 2006] ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, JOHN SPENCER as Leo McGarry, MARTIN SHEEN as President Josiah 'Jed' Bartlet
Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351656) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landon-john-portsmouth-to-josiah-bartlett-nypl-b11868620-5351656-148475573.htmlRMJHFJ31–Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351656)
N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 17:26:11. Daderot 115 Apotheosis of Homer vase, John Flaxman designer, Josiah Wedgwood Factory, Staffordshire, England, designed c. 1785, made c. 1870, jasperware - Dallas Museum of Art - DSC05154 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-exhibit-in-the-dallas-museum-of-art-dallas-texas-usa-7-may-2017-172611-daderot-115-apotheosis-of-homer-vase-john-flaxman-designer-josiah-wedgwood-factory-staffordshire-england-designed-c-1785-made-c-1870-jasperware-dallas-museum-of-art-dsc05154-image209969100.htmlRMP5GWMC–N/A. English: Exhibit in the Dallas Museum of Art, Dallas, Texas, USA. 7 May 2017, 17:26:11. Daderot 115 Apotheosis of Homer vase, John Flaxman designer, Josiah Wedgwood Factory, Staffordshire, England, designed c. 1785, made c. 1870, jasperware - Dallas Museum of Art - DSC05154
![THE RIOT IN BROAD STREET, ON THE SEVENTH OF JUNE 1780 Author Heath, James 22.9. Place of publication: [London] Publisher: Publish'd Sep.r 29 1790 by John , Josiah Boydell, Cheapside , at the Shakspeare Gallery Pall Mall London, Date of publication: [September 29 1790] Item type: 1 print Medium: engraving and etching Dimensions: 48 x 60.7 sheet cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HFKA/the-riot-in-broad-street-on-the-seventh-of-june-1780-author-heath-james-229-place-of-publication-london-publisher-publishd-sepr-29-1790-by-john-josiah-boydell-cheapside-at-the-shakspeare-gallery-pall-mall-london-date-of-publication-september-29-1790-item-type-1-print-medium-engraving-and-etching-dimensions-48-x-607-sheet-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HFKA.jpg "THE RIOT IN BROAD STREET, ON THE SEVENTH OF JUNE 1780 Author Heath, James 22.9. Place of publication: [London] Publisher: Publish'd Sep.r 29 1790 by John , Josiah Boydell, Cheapside , at the Shakspeare Gallery Pall Mall London, Date of publication: [September 29 1790] Item type: 1 print Medium: engraving and etching Dimensions: 48 x 60.7 sheet cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE RIOT IN BROAD STREET, ON THE SEVENTH OF JUNE 1780 Author Heath, James 22.9. Place of publication: [London] Publisher: Publish'd Sep.r 29 1790 by John , Josiah Boydell, Cheapside , at the Shakspeare Gallery Pall Mall London, Date of publication: [September 29 1790] Item type: 1 print Medium: engraving and etching Dimensions: 48 x 60.7 sheet cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-riot-in-broad-street-on-the-seventh-of-june-1780-author-heath-james-229-place-of-publication-london-publisher-publishd-sepr-29-1790-by-john-josiah-boydell-cheapside-at-the-shakspeare-gallery-pall-mall-london-date-of-publication-september-29-1790-item-type-1-print-medium-engraving-and-etching-dimensions-48-x-607-sheet-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401755854.htmlRM2E9HFKA–THE RIOT IN BROAD STREET, ON THE SEVENTH OF JUNE 1780 Author Heath, James 22.9. Place of publication: [London] Publisher: Publish'd Sep.r 29 1790 by John , Josiah Boydell, Cheapside , at the Shakspeare Gallery Pall Mall London, Date of publication: [September 29 1790] Item type: 1 print Medium: engraving and etching Dimensions: 48 x 60.7 sheet cm Former owner: George III, King of Great Britain, 1738-1820
. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 327 JosiahQuincy 1860s byJAWhipple Harvard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-josiah-quincy-1772-1864-work-type-photograph-carte-de-visite-creator-whipple-john-adams-1822-1891-american-date-1860-1864-dimensions-sight-10-x-6-cm-3-1516-x-2-38-in-materialstechniques-albumen-silver-print-on-card-repository-harvard-art-museum-between-1860-and-1864-john-a-whipple-327-josiahquincy-1860s-byjawhipple-harvard-image188334937.htmlRMMXBB3N–. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 327 JosiahQuincy 1860s byJAWhipple Harvard
Fotoreproductie van een prent naar een schilderij door Josiah Boydell, voorstellend een scene uit Hendrik VI, deel 1 door William Shakespeare be seen Act II, scene 4 with a group of men in the Temple Garden in Londen. Manufacturer : Photographer: Stephen Aylingnaar picture of John Ogborne (I) (listed building) to painting: Josiah Boydell ( listed on object) Place manufacture: London Dating: ca. 1854 - or for 1864 Material: paper Technique: albumen print dimensions: photo: h 76 mm × W 101 mmToelichtingFoto page 215. Subject: specific literary work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-naar-een-schilderij-door-josiah-boydell-voorstellend-een-scene-uit-hendrik-vi-deel-1-door-william-shakespeare-be-seen-act-ii-scene-4-with-a-group-of-men-in-the-temple-garden-in-londen-manufacturer-photographer-stephen-aylingnaar-picture-of-john-ogborne-i-listed-building-to-painting-josiah-boydell-listed-on-object-place-manufacture-london-dating-ca-1854-or-for-1864-material-paper-technique-albumen-print-dimensions-photo-h-76-mm-w-101-mmtoelichtingfoto-page-215-subject-specific-literary-work-image348354088.htmlRM2B6MW5C–Fotoreproductie van een prent naar een schilderij door Josiah Boydell, voorstellend een scene uit Hendrik VI, deel 1 door William Shakespeare be seen Act II, scene 4 with a group of men in the Temple Garden in Londen. Manufacturer : Photographer: Stephen Aylingnaar picture of John Ogborne (I) (listed building) to painting: Josiah Boydell ( listed on object) Place manufacture: London Dating: ca. 1854 - or for 1864 Material: paper Technique: albumen print dimensions: photo: h 76 mm × W 101 mmToelichtingFoto page 215. Subject: specific literary work
![THE WEST WING [US TV SERIES 1999 - 2006] [Clockwise] MARTIN SHEEN as President Josiah 'Jed' Bartlet, MOIRA KELLY as Mandy Hampton, DULE HILL as Charlie Young, BRADLEY WHITFORD as Josh Lyman, JOHN SPENCER as Leo McGarry, RICHARD SCHIFF as Toby Ziegler, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg Date: 2006 Stock Photo](https://c8.alamy.com/comp/K3KR5N/the-west-wing-us-tv-series-1999-2006-clockwise-martin-sheen-as-president-K3KR5N.jpg "THE WEST WING [US TV SERIES 1999 - 2006] [Clockwise] MARTIN SHEEN as President Josiah 'Jed' Bartlet, MOIRA KELLY as Mandy Hampton, DULE HILL as Charlie Young, BRADLEY WHITFORD as Josh Lyman, JOHN SPENCER as Leo McGarry, RICHARD SCHIFF as Toby Ziegler, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg Date: 2006 Stock Photo")
THE WEST WING [US TV SERIES 1999 - 2006] [Clockwise] MARTIN SHEEN as President Josiah 'Jed' Bartlet, MOIRA KELLY as Mandy Hampton, DULE HILL as Charlie Young, BRADLEY WHITFORD as Josh Lyman, JOHN SPENCER as Leo McGarry, RICHARD SCHIFF as Toby Ziegler, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg Date: 2006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-west-wing-us-tv-series-1999-2006-clockwise-martin-sheen-as-president-image157172561.htmlRMK3KR5N–THE WEST WING [US TV SERIES 1999 - 2006] [Clockwise] MARTIN SHEEN as President Josiah 'Jed' Bartlet, MOIRA KELLY as Mandy Hampton, DULE HILL as Charlie Young, BRADLEY WHITFORD as Josh Lyman, JOHN SPENCER as Leo McGarry, RICHARD SCHIFF as Toby Ziegler, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg Date: 2006
Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-self-portrait-of-john-flaxman-in-terracotta-engraving-by-walter-l-165837702.htmlRMKHPFK2–Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait Medallion of Josiah Wedgwood, modelled in relief by Flaxman in profile, Josiah Wedgwood, 1730–1795, British, after John Flaxman, 1755–1826, British, undated, Wedgwood black basaltes, Sheet: 4 1/4in. (10.8cm), portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-medallion-of-josiah-wedgwood-modelled-in-relief-by-flaxman-in-profile-josiah-wedgwood-17301795-british-after-john-flaxman-17551826-british-undated-wedgwood-black-basaltes-sheet-4-14in-108cm-portrait-image389746651.htmlRM2DJ2DR7–Portrait Medallion of Josiah Wedgwood, modelled in relief by Flaxman in profile, Josiah Wedgwood, 1730–1795, British, after John Flaxman, 1755–1826, British, undated, Wedgwood black basaltes, Sheet: 4 1/4in. (10.8cm), portrait
Am I not a man and a brother? American Anti-Slavery Society. Woodcut on wove paper. Image of a supplicant male slave in chains appears on the 1837 broadside publication of John Greenleaf Whittier's anti-slavery poem 'Our Countrymen in Chains.' The design was originally adopted as the seal of the Society for the Abolition of Slavery in England in the 1780s, and appeared on several medallions for the society made by Josiah Wedgwood as early as 1787 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/am-i-not-a-man-and-a-brother-american-anti-slavery-society-woodcut-on-wove-paper-image-of-a-supplicant-male-slave-in-chains-appears-on-the-1837-broadside-publication-of-john-greenleaf-whittiers-anti-slavery-poem-our-countrymen-in-chains-the-design-was-originally-adopted-as-the-seal-of-the-society-for-the-abolition-of-slavery-in-england-in-the-1780s-and-appeared-on-several-medallions-for-the-society-made-by-josiah-wedgwood-as-early-as-1787-image482117916.htmlRM2K0AA90–Am I not a man and a brother? American Anti-Slavery Society. Woodcut on wove paper. Image of a supplicant male slave in chains appears on the 1837 broadside publication of John Greenleaf Whittier's anti-slavery poem 'Our Countrymen in Chains.' The design was originally adopted as the seal of the Society for the Abolition of Slavery in England in the 1780s, and appeared on several medallions for the society made by Josiah Wedgwood as early as 1787
Steel Engraving of Josiah Receiving the Covenant (Book of Kings) - the High Priest Hilkiah Presenting the Book of the Law which he found in the Temple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/steel-engraving-of-josiah-receiving-the-covenant-book-of-kings-the-high-priest-hilkiah-presenting-the-book-of-the-law-which-he-found-in-the-temple-image634176835.htmlRM2YRN70K–Steel Engraving of Josiah Receiving the Covenant (Book of Kings) - the High Priest Hilkiah Presenting the Book of the Law which he found in the Temple
Group photograph of Federal Labour Party MPs elected to the Australian House of Representatives and Australian Senate at the inaugural 1901 election. From left to right: Back Row - Charles McDonald, George Pearce, Josiah Thomas, James Page, James Fowler, John Barrett, David O'Keefe. Middle row - David Watkins, Thomas Brown, King O'Malley, Hugh Mahon, William Higgs, Andrew Fisher, Hugh de Largie, Frederick Bamford. Front row - William Spence, Anderson Dawson, Gregor McGregor, Chris Watson, James Stewart, Lee Batchelor, James Ronald. Kneeling - Frank Tudor, Billy Hughes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-group-photograph-of-federal-labour-party-mps-elected-to-the-australian-164633421.htmlRMKFRKH1–Group photograph of Federal Labour Party MPs elected to the Australian House of Representatives and Australian Senate at the inaugural 1901 election. From left to right: Back Row - Charles McDonald, George Pearce, Josiah Thomas, James Page, James Fowler, John Barrett, David O'Keefe. Middle row - David Watkins, Thomas Brown, King O'Malley, Hugh Mahon, William Higgs, Andrew Fisher, Hugh de Largie, Frederick Bamford. Front row - William Spence, Anderson Dawson, Gregor McGregor, Chris Watson, James Stewart, Lee Batchelor, James Ronald. Kneeling - Frank Tudor, Billy Hughes.
LaPlace, United States of America. 30 August, 2021. Louisiana National Guard soldiers assist in evacuating survivors of Hurricane Ida at St John Parish August 30, 2021 in Laplace, Louisiana. Credit: SSgt. Josiah Pugh/U.S. Army/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laplace-united-states-of-america-30-august-2021-louisiana-national-guard-soldiers-assist-in-evacuating-survivors-of-hurricane-ida-at-st-john-parish-august-30-2021-in-laplace-louisiana-credit-ssgt-josiah-pughus-armyalamy-live-news-image441072974.htmlRM2GHGH26–LaPlace, United States of America. 30 August, 2021. Louisiana National Guard soldiers assist in evacuating survivors of Hurricane Ida at St John Parish August 30, 2021 in Laplace, Louisiana. Credit: SSgt. Josiah Pugh/U.S. Army/Alamy Live News
The infant Christ lying on a wooden box, the Virgin kneeling in prayer before him, Saint Joseph at left, shepherds at right, in an octagonal frame, after Reni. Artist: Engraved by Jean-Baptiste Michel (French, Paris 1748-1804 Paris); Intermediary draughtsman Josiah Boydell (British, Hawarden, Flintshire 1752-1817 Middlesex); After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 17 1/16 × 14 15/16 in. (43.4 × 38 cm). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1783. After a painting by Reni which at the time was in the church of San Domen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-infant-christ-lying-on-a-wooden-box-the-virgin-kneeling-in-prayer-before-him-saint-joseph-at-left-shepherds-at-right-in-an-octagonal-frame-after-reni-artist-engraved-by-jean-baptiste-michel-french-paris-1748-1804-paris-intermediary-draughtsman-josiah-boydell-british-hawarden-flintshire-1752-1817-middlesex-after-guido-reni-italian-bologna-1575-1642-bologna-dimensions-sheet-trimmed-17-116-14-1516-in-434-38-cm-publisher-john-boydell-british-shropshire-1720-1804-london-date-1783-after-a-painting-by-reni-which-at-the-time-was-in-the-church-of-san-domen-image212855894.htmlRMPA8BT6–The infant Christ lying on a wooden box, the Virgin kneeling in prayer before him, Saint Joseph at left, shepherds at right, in an octagonal frame, after Reni. Artist: Engraved by Jean-Baptiste Michel (French, Paris 1748-1804 Paris); Intermediary draughtsman Josiah Boydell (British, Hawarden, Flintshire 1752-1817 Middlesex); After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 17 1/16 × 14 15/16 in. (43.4 × 38 cm). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1783. After a painting by Reni which at the time was in the church of San Domen
Oval ivory miniature of Josiah Ogden Hoffman by John Ramage, circa 1790, measuring 1¾ by 1½ inches, formerly in Phoebe Hoffman Bickerton’s collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-ivory-miniature-of-josiah-ogden-hoffman-by-john-ramage-circa-1790-measuring-1-by-1-inches-formerly-in-phoebe-hoffman-bickertons-collection-image680159190.htmlRM3BEFWYJ–Oval ivory miniature of Josiah Ogden Hoffman by John Ramage, circa 1790, measuring 1¾ by 1½ inches, formerly in Phoebe Hoffman Bickerton’s collection.
Art inspired by John Quincy Adams, ca. 1850, Daguerreotype, 12.0 x 9.0 cm (4 3/4 x 3 9/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford Notch, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-john-quincy-adams-ca-1850-daguerreotype-120-x-90-cm-4-34-x-3-916-in-photographs-albert-sands-southworth-american-west-fairlee-vermont-18111894-charlestown-massachusetts-josiah-johnson-hawes-american-wayland-massachusetts-18081901-crawford-notch-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462937542.htmlRF2HW4HFJ–Art inspired by John Quincy Adams, ca. 1850, Daguerreotype, 12.0 x 9.0 cm (4 3/4 x 3 9/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford Notch, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Engraved illustration 'Desdemona in bed asleep', from Othello (Act V, scene 2), part of 'A Collection of Prints, from Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain', published by John and Josiah Boydell, 1803. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-engraved-illustration-desdemona-in-bed-asleep-from-othello-act-v-scene-166773655.htmlRMKK95DY–Engraved illustration 'Desdemona in bed asleep', from Othello (Act V, scene 2), part of 'A Collection of Prints, from Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain', published by John and Josiah Boydell, 1803. From the New York Public Library.
A whimsical autumn scene depicting a family gathering apples from a tree, with a father climbing a ladder and children participating in the harvest. The warm interaction between the family members highlights the joy of the season amidst a vibrant countryside backdrop. October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 302 x 250 mm Classic art with a modern twist reimagined by Artotop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-whimsical-autumn-scene-depicting-a-family-gathering-apples-from-a-tree-with-a-father-climbing-a-ladder-and-children-participating-in-the-harvest-the-warm-interaction-between-the-family-members-highlights-the-joy-of-the-season-amidst-a-vibrant-countryside-backdrop-october-august-30-1793-francesco-bartolozzi-italian-1727-1815-after-william-hamilton-english-1751-1801-published-by-john-and-josiah-boydell-english-18th-century-italy-color-stipple-engraving-on-paper-302-x-250-mm-classic-art-with-a-modern-twist-reimagined-by-artotop-image671030264.htmlRF3AYM1XG–A whimsical autumn scene depicting a family gathering apples from a tree, with a father climbing a ladder and children participating in the harvest. The warm interaction between the family members highlights the joy of the season amidst a vibrant countryside backdrop. October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 302 x 250 mm Classic art with a modern twist reimagined by Artotop
Stoke-on-Trent, Staffordshire, UK. 17th July, 2015. The Wedgwood Visitor Centre and Museum, Stoke-on-Trent, Staffs, England, on the day it was reopened after 6 months of being closed for refurbishment. Friday 17th. July 2015 Credit: John Keates/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stoke-on-trent-staffordshire-uk-17th-july-2015-the-wedgwood-visitor-85400081.htmlRMEXX8JW–Stoke-on-Trent, Staffordshire, UK. 17th July, 2015. The Wedgwood Visitor Centre and Museum, Stoke-on-Trent, Staffs, England, on the day it was reopened after 6 months of being closed for refurbishment. Friday 17th. July 2015 Credit: John Keates/Alamy Live News
The opening of the new University buildings in Birmingham by the King on July 7th recalled the origin of this progressive centre of education. In 1873, Sir Josiah Mason, one of Birmingham's sons, endowed a college for practical science. Two years later the foundation was laid by Sir Josiah and Mr. John Bright. This college continued to do valuable service till 1898, in which year, thanks mainly to the initiative and industry of Mr. Joseph Chamberlain, a university was established with faculties in arts, science, medicine, and commerce. A fund of over £320,000 was raised, Mr. Andrew Carnegie co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-opening-of-the-new-university-buildings-in-birmingham-by-the-king-on-july-7th-recalled-the-origin-of-this-progressive-centre-of-education-in-1873-sir-josiah-mason-one-of-birminghams-sons-endowed-a-college-for-practical-science-two-years-later-the-foundation-was-laid-by-sir-josiah-and-mr-john-bright-this-college-continued-to-do-valuable-service-till-1898-in-which-year-thanks-mainly-to-the-initiative-and-industry-of-mr-joseph-chamberlain-a-university-was-established-with-faculties-in-arts-science-medicine-and-commerce-a-fund-of-over-320000-was-raised-mr-andrew-carnegie-co-image441339120.htmlRM2GJ0MFC–The opening of the new University buildings in Birmingham by the King on July 7th recalled the origin of this progressive centre of education. In 1873, Sir Josiah Mason, one of Birmingham's sons, endowed a college for practical science. Two years later the foundation was laid by Sir Josiah and Mr. John Bright. This college continued to do valuable service till 1898, in which year, thanks mainly to the initiative and industry of Mr. Joseph Chamberlain, a university was established with faculties in arts, science, medicine, and commerce. A fund of over £320,000 was raised, Mr. Andrew Carnegie co
Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351655) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landon-john-portsmouth-to-josiah-bartlett-nypl-b11868620-5351655-148475571.htmlRMJHFJ2Y–Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351655)
Sir Josiah Child, Bt by John Riley Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-josiah-child-bt-by-john-riley-134886251.htmlRMHRCGP3–Sir Josiah Child, Bt by John Riley
![A VIEW of the MOUTH of a COAL PIT near BROSELEY, in SHROPSHIRE. Author Chesham, Francis 36.26.l. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.5 x 54.7 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNHB/a-view-of-the-mouth-of-a-coal-pit-near-broseley-in-shropshire-author-chesham-francis-3626l-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-405-x-547-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNHB.jpg "A VIEW of the MOUTH of a COAL PIT near BROSELEY, in SHROPSHIRE. Author Chesham, Francis 36.26.l. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.5 x 54.7 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A VIEW of the MOUTH of a COAL PIT near BROSELEY, in SHROPSHIRE. Author Chesham, Francis 36.26.l. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.5 x 54.7 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-mouth-of-a-coal-pit-near-broseley-in-shropshire-author-chesham-francis-3626l-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-405-x-547-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401760503.htmlRM2E9HNHB–A VIEW of the MOUTH of a COAL PIT near BROSELEY, in SHROPSHIRE. Author Chesham, Francis 36.26.l. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell, No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.5 x 54.7 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820
. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 325 JosiahQuincy 1860s byJAWhipple Harvard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-josiah-quincy-1772-1864-work-type-photograph-carte-de-visite-creator-whipple-john-adams-1822-1891-american-date-1860-1864-dimensions-sight-10-x-6-cm-3-1516-x-2-38-in-materialstechniques-albumen-silver-print-on-card-repository-harvard-art-museum-between-1860-and-1864-john-a-whipple-325-josiahquincy-1860s-byjawhipple-harvard-image187820170.htmlRMMWFXF6–. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 325 JosiahQuincy 1860s byJAWhipple Harvard
John Flaxman. Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus. 1789. England. Pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper A British sculptor and draughtsman who created figural designs for famed ceramicist Josiah Wedgwood, John Flaxman had a taste for the Neoclassical, which led him to Rome in 1787. While in the Eternal City, Flaxman produced this study for a nine-by-five-foot bas-relief using several references from ancient Roman sculpture. The drawing exhibits Flaxman’s signature elegance in fi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-flaxman-amphion-and-zethus-delivering-their-mother-antiope-from-the-fury-of-dirce-and-lycus-1789-england-pen-and-gray-ink-and-brush-and-gray-wash-over-graphite-on-gray-laid-paper-laid-down-on-ivory-wove-paper-a-british-sculptor-and-draughtsman-who-created-figural-designs-for-famed-ceramicist-josiah-wedgwood-john-flaxman-had-a-taste-for-the-neoclassical-which-led-him-to-rome-in-1787-while-in-the-eternal-city-flaxman-produced-this-study-for-a-nine-by-five-foot-bas-relief-using-several-references-from-ancient-roman-sculpture-the-drawing-exhibits-flaxmans-signature-elegance-in-fi-image337955888.htmlRM2AHR654–John Flaxman. Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus. 1789. England. Pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper A British sculptor and draughtsman who created figural designs for famed ceramicist Josiah Wedgwood, John Flaxman had a taste for the Neoclassical, which led him to Rome in 1787. While in the Eternal City, Flaxman produced this study for a nine-by-five-foot bas-relief using several references from ancient Roman sculpture. The drawing exhibits Flaxman’s signature elegance in fi
![THE WEST WING [US TV SERIES 1999 - 2006] [L-R] JOHN SPENCER as Leo McGarry, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, BRADLEY WHITFORD as Josh Lyman, JANEL MOLONEY as Donna Moss, DULE HILL as Charlie Young, MARTIN SHEEN as President Josiah 'Jed' Bartlet Date: 2006 Stock Photo](https://c8.alamy.com/comp/K3KRBF/the-west-wing-us-tv-series-1999-2006-l-r-john-spencer-as-leo-mcgarry-K3KRBF.jpg "THE WEST WING [US TV SERIES 1999 - 2006] [L-R] JOHN SPENCER as Leo McGarry, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, BRADLEY WHITFORD as Josh Lyman, JANEL MOLONEY as Donna Moss, DULE HILL as Charlie Young, MARTIN SHEEN as President Josiah 'Jed' Bartlet Date: 2006 Stock Photo")
THE WEST WING [US TV SERIES 1999 - 2006] [L-R] JOHN SPENCER as Leo McGarry, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, BRADLEY WHITFORD as Josh Lyman, JANEL MOLONEY as Donna Moss, DULE HILL as Charlie Young, MARTIN SHEEN as President Josiah 'Jed' Bartlet Date: 2006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-west-wing-us-tv-series-1999-2006-l-r-john-spencer-as-leo-mcgarry-image157172723.htmlRMK3KRBF–THE WEST WING [US TV SERIES 1999 - 2006] [L-R] JOHN SPENCER as Leo McGarry, ROB LOWE as Sam Seaborn, ALLISON JANNEY as Claudia Jean 'CJ' Cregg, RICHARD SCHIFF as Toby Ziegler, BRADLEY WHITFORD as Josh Lyman, JANEL MOLONEY as Donna Moss, DULE HILL as Charlie Young, MARTIN SHEEN as President Josiah 'Jed' Bartlet Date: 2006
Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vase-with-classical-reliefs-by-john-flaxman-chromolithograph-drawn-165853490.htmlRMKHR7PX–Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Samuel Johnson, Josiah Wedgwood and Sons, 1730–1795, British, Modelled by John Flaxman, 1755–1826, British, ca. 1784, Black basalt, Overall: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm), portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-johnson-josiah-wedgwood-and-sons-17301795-british-modelled-by-john-flaxman-17551826-british-ca-1784-black-basalt-overall-4-12-3-12-inches-114-89-cm-portrait-image389673604.htmlRM2DHY4JC–Samuel Johnson, Josiah Wedgwood and Sons, 1730–1795, British, Modelled by John Flaxman, 1755–1826, British, ca. 1784, Black basalt, Overall: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm), portrait
Josiah John Guest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josiah-john-guest-image374362652.htmlRM2CN1KAM–Josiah John Guest.
Josiah Wedgwood, John Milton, British, Etruria, Staffordshire, Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent), late 18th century, British, Etruria, Staffordshire, Black basalt ware, 6 3/8 × 5 1/2 in. (16.2 × 14 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josiah-wedgwood-john-milton-british-etruria-staffordshire-josiah-wedgwood-british-burslem-stoke-on-trent-17301795-burslem-stoke-on-trent-late-18th-century-british-etruria-staffordshire-black-basalt-ware-6-38-5-12-in-162-14-cm-ceramics-pottery-image344640576.htmlRM2B0KMG0–Josiah Wedgwood, John Milton, British, Etruria, Staffordshire, Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent), late 18th century, British, Etruria, Staffordshire, Black basalt ware, 6 3/8 × 5 1/2 in. (16.2 × 14 cm), Ceramics-Pottery
Steel Engraving of Josiah Receiving the Covenant (Book of Kings) - the High Priest Hilkiah Presenting the Book of the Law which he found in the Temple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/steel-engraving-of-josiah-receiving-the-covenant-book-of-kings-the-high-priest-hilkiah-presenting-the-book-of-the-law-which-he-found-in-the-temple-image634176467.htmlRM2YRN6FF–Steel Engraving of Josiah Receiving the Covenant (Book of Kings) - the High Priest Hilkiah Presenting the Book of the Law which he found in the Temple
LaPlace, United States of America. 30 August, 2021. Louisiana National Guard soldiers assist in evacuating survivors of Hurricane Ida at St John Parish August 30, 2021 in Laplace, Louisiana. Credit: SSgt. Josiah Pugh/U.S. Army/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laplace-united-states-of-america-30-august-2021-louisiana-national-guard-soldiers-assist-in-evacuating-survivors-of-hurricane-ida-at-st-john-parish-august-30-2021-in-laplace-louisiana-credit-ssgt-josiah-pughus-armyalamy-live-news-image441072985.htmlRM2GHGH2H–LaPlace, United States of America. 30 August, 2021. Louisiana National Guard soldiers assist in evacuating survivors of Hurricane Ida at St John Parish August 30, 2021 in Laplace, Louisiana. Credit: SSgt. Josiah Pugh/U.S. Army/Alamy Live News
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Plate: 19 5/16 × 24 3/4 in. (49 × 62.8 cm) Sheet: 21 13/16 × 27 13/16 in. (55.4 × 70.7 cm). Engraver: Thomas Ryder I (British, 1746-1810). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-princess-rosaline-etc-shakespeare-loves-labour-lost-act-4-scene-1-artist-after-william-hamilton-british-london-1751-1801-london-dimensions-plate-19-516-24-34-in-49-628-cm-sheet-21-1316-27-1316-in-554-707-cm-engraver-thomas-ryder-i-british-1746-1810-publisher-john-josiah-boydell-british-1786-1804-seriesportfolio-boydells-shakespeare-gallery-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-1793-museum-metropolitan-museum-of-art-new-york-usa-image213298185.htmlRMPB0G09–The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Plate: 19 5/16 × 24 3/4 in. (49 × 62.8 cm) Sheet: 21 13/16 × 27 13/16 in. (55.4 × 70.7 cm). Engraver: Thomas Ryder I (British, 1746-1810). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.
Book plate of Reverend Josiah Henson taken from the book Uncle Toms - a short story of his life edited by John Lobb. This illustration is taken from the book which is dated 1877, the drawing was copied from a photograph of Josiah by the studios of Bradshaw & Godart, (successors to the London School of Photography), 103, Newgate Street, E.C., London U.K. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-plate-of-reverend-josiah-henson-taken-from-the-book-uncle-toms-a-short-story-of-his-life-edited-by-john-lobb-this-illustration-is-taken-from-the-book-which-is-dated-1877-the-drawing-was-copied-from-a-photograph-of-josiah-by-the-studios-of-bradshaw-godart-successors-to-the-london-school-of-photography-103-newgate-street-ec-london-uk-image379330844.htmlRM2D140A4–Book plate of Reverend Josiah Henson taken from the book Uncle Toms - a short story of his life edited by John Lobb. This illustration is taken from the book which is dated 1877, the drawing was copied from a photograph of Josiah by the studios of Bradshaw & Godart, (successors to the London School of Photography), 103, Newgate Street, E.C., London U.K.
Tonga’s John Tapueluelu is tackled by Canada’s Josiah Morra during game 23 of the HSBC World Rugby Sevens Series at Twickenham Stadium, London. Picture date: Sunday May 21, 2023. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tongas-john-tapueluelu-is-tackled-by-canadas-josiah-morra-during-game-23-of-the-hsbc-world-rugby-sevens-series-at-twickenham-stadium-london-picture-date-sunday-may-21-2023-image552502839.htmlRM2R2TK07–Tonga’s John Tapueluelu is tackled by Canada’s Josiah Morra during game 23 of the HSBC World Rugby Sevens Series at Twickenham Stadium, London. Picture date: Sunday May 21, 2023.
Daniel Webster (1782-1852), American Statesman, represented New Hampshire and Massachusetts in U.S. Congress and served as U.S. Secretary of State under Presidents William Henry Harrison, John Tyler, and Millard Fillmore, head and shoulders Portrait, Daguerreotype, Josiah Johnson Hawes, 1851 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniel-webster-1782-1852-american-statesman-represented-new-hampshire-and-massachusetts-in-us-congress-and-served-as-us-secretary-of-state-under-presidents-william-henry-harrison-john-tyler-and-millard-fillmore-head-and-shoulders-portrait-daguerreotype-josiah-johnson-hawes-1851-image447657380.htmlRM2H08FFG–Daniel Webster (1782-1852), American Statesman, represented New Hampshire and Massachusetts in U.S. Congress and served as U.S. Secretary of State under Presidents William Henry Harrison, John Tyler, and Millard Fillmore, head and shoulders Portrait, Daguerreotype, Josiah Johnson Hawes, 1851
A serene rural scene depicting workers in a field, where a woman skillfully handles a pitchfork, while a child curiously observes. In the background, additional figures are engaged in agricultural tasks, with haystacks and carts dotting the landscape, creating a sense of community and collaboration in nature. The overall atmosphere evokes a sense of simplicity and harmony with the land. June, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-serene-rural-scene-depicting-workers-in-a-field-where-a-woman-skillfully-handles-a-pitchfork-while-a-child-curiously-observes-in-the-background-additional-figures-are-engaged-in-agricultural-tasks-with-haystacks-and-carts-dotting-the-landscape-creating-a-sense-of-community-and-collaboration-in-nature-the-overall-atmosphere-evokes-a-sense-of-simplicity-and-harmony-with-the-land-june-july-10-1789-francesco-bartolozzi-italian-1727-1815-after-william-hamilton-english-1751-1801-published-by-john-and-josiah-boydell-english-18th-century-italy-color-stipple-engraving-on-paper-image671030265.htmlRF3AYM1XH–A serene rural scene depicting workers in a field, where a woman skillfully handles a pitchfork, while a child curiously observes. In the background, additional figures are engaged in agricultural tasks, with haystacks and carts dotting the landscape, creating a sense of community and collaboration in nature. The overall atmosphere evokes a sense of simplicity and harmony with the land. June, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper
Doctor Josiah Thompson, writer of 'Six Seconds in Dallas,' wrote a new study of the assassination of President John F. Kennedy. 15/11/1967 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doctor-josiah-thompson-writer-of-six-seconds-in-dallas-wrote-a-new-study-of-the-assassination-of-president-john-f-kennedy-15111967-image681631041.htmlRM3BGXY9N–Doctor Josiah Thompson, writer of 'Six Seconds in Dallas,' wrote a new study of the assassination of President John F. Kennedy. 15/11/1967
A group of women work together in a rural setting, engaged in agricultural activities. One woman stands at the forefront, gesturing as she interacts with others who are tending to the crops and gathering materials. The scene conveys a sense of community and collaboration in everyday rural life. June, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 307 x 254 mm Classic art with a modern twist reimagined by Artotop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-group-of-women-work-together-in-a-rural-setting-engaged-in-agricultural-activities-one-woman-stands-at-the-forefront-gesturing-as-she-interacts-with-others-who-are-tending-to-the-crops-and-gathering-materials-the-scene-conveys-a-sense-of-community-and-collaboration-in-everyday-rural-life-june-july-10-1789-francesco-bartolozzi-italian-1727-1815-after-william-hamilton-english-1751-1801-published-by-john-and-josiah-boydell-english-18th-century-italy-color-stipple-engraving-on-paper-307-x-254-mm-classic-art-with-a-modern-twist-reimagined-by-artotop-image671064068.htmlRF3AYNH1T–A group of women work together in a rural setting, engaged in agricultural activities. One woman stands at the forefront, gesturing as she interacts with others who are tending to the crops and gathering materials. The scene conveys a sense of community and collaboration in everyday rural life. June, July 10, 1789, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 307 x 254 mm Classic art with a modern twist reimagined by Artotop
Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351653) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landon-john-portsmouth-to-josiah-bartlett-nypl-b11868620-5351653-148475566.htmlRMJHFJ2P–Landon, John. Portsmouth. To Josiah Bartlett (NYPL b11868620-5351653)
Doctor Josiah Thompson, writer of 'Six Seconds in Dallas,' wrote a new study of the assassination of President John F. Kennedy, seen here at a press conference at his publisher's office. 17/11/1967 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doctor-josiah-thompson-writer-of-six-seconds-in-dallas-wrote-a-new-study-of-the-assassination-of-president-john-f-kennedy-seen-here-at-a-press-conference-at-his-publishers-office-17111967-image681631027.htmlRM3BGXY97–Doctor Josiah Thompson, writer of 'Six Seconds in Dallas,' wrote a new study of the assassination of President John F. Kennedy, seen here at a press conference at his publisher's office. 17/11/1967
![This Map OF THE City of Philadelphia and it's Environs, Shewing the improved Parts, is Dedicated to the MAYOR, ALDERMEN and CITIZENS therof Author Hills, John 122.8.2 tab. Place of publication: [London] Publisher: Published, 1.st January, 1798. by Mess.rs John , Josiah Boydell. at the Shakespeare Gallery. , at N.o 90. Cheapside, Date of publication: [1798.] Item type: 1 map Medium: copperplate engraving Dimensions: 67 x 95 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GMWR/this-map-of-the-city-of-philadelphia-and-its-environs-shewing-the-improved-parts-is-dedicated-to-the-mayor-aldermen-and-citizens-therof-author-hills-john-12282-tab-place-of-publication-london-publisher-published-1st-january-1798-by-messrs-john-josiah-boydell-at-the-shakespeare-gallery-at-no-90-cheapside-date-of-publication-1798-item-type-1-map-medium-copperplate-engraving-dimensions-67-x-95-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GMWR.jpg "This Map OF THE City of Philadelphia and it's Environs, Shewing the improved Parts, is Dedicated to the MAYOR, ALDERMEN and CITIZENS therof Author Hills, John 122.8.2 tab. Place of publication: [London] Publisher: Published, 1.st January, 1798. by Mess.rs John , Josiah Boydell. at the Shakespeare Gallery. , at N.o 90. Cheapside, Date of publication: [1798.] Item type: 1 map Medium: copperplate engraving Dimensions: 67 x 95 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
This Map OF THE City of Philadelphia and it's Environs, Shewing the improved Parts, is Dedicated to the MAYOR, ALDERMEN and CITIZENS therof Author Hills, John 122.8.2 tab. Place of publication: [London] Publisher: Published, 1.st January, 1798. by Mess.rs John , Josiah Boydell. at the Shakespeare Gallery. , at N.o 90. Cheapside, Date of publication: [1798.] Item type: 1 map Medium: copperplate engraving Dimensions: 67 x 95 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-map-of-the-city-of-philadelphia-and-its-environs-shewing-the-improved-parts-is-dedicated-to-the-mayor-aldermen-and-citizens-therof-author-hills-john-12282-tab-place-of-publication-london-publisher-published-1st-january-1798-by-messrs-john-josiah-boydell-at-the-shakespeare-gallery-at-no-90-cheapside-date-of-publication-1798-item-type-1-map-medium-copperplate-engraving-dimensions-67-x-95-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401738003.htmlRM2E9GMWR–This Map OF THE City of Philadelphia and it's Environs, Shewing the improved Parts, is Dedicated to the MAYOR, ALDERMEN and CITIZENS therof Author Hills, John 122.8.2 tab. Place of publication: [London] Publisher: Published, 1.st January, 1798. by Mess.rs John , Josiah Boydell. at the Shakespeare Gallery. , at N.o 90. Cheapside, Date of publication: [1798.] Item type: 1 map Medium: copperplate engraving Dimensions: 67 x 95 cm Former owner: George III, King of Great Britain, 1738-1820
. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 283 JosiahQuincy 1860s byJAWhipple Harvard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-josiah-quincy-1772-1864-work-type-photograph-carte-de-visite-creator-whipple-john-adams-1822-1891-american-date-1860-1864-dimensions-sight-10-x-6-cm-3-1516-x-2-38-in-materialstechniques-albumen-silver-print-on-card-repository-harvard-art-museum-between-1860-and-1864-john-a-whipple-283-josiahquincy-1860s-byjawhipple-harvard-image189077541.htmlRMMYH699–. Title: Josiah Quincy (1772-1864). Work Type: photograph; carte-de-visite. Creator: Whipple, John Adams (1822 - 1891), American. Date: 1860-1864. Dimensions: sight: 10 x 6 cm (3 15/16 x 2 3/8 in.). Materials/Techniques: Albumen silver print on card. Repository: Harvard Art Museum. between 1860 and 1864. John A. Whipple 283 JosiahQuincy 1860s byJAWhipple Harvard
This letter, written by Josiah Gregg in 1846 to John Bigelow, offers insight into historical correspondence and perspectives during that period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-letter-written-by-josiah-gregg-in-1846-to-john-bigelow-offers-176539261.htmlRMM761HH–This letter, written by Josiah Gregg in 1846 to John Bigelow, offers insight into historical correspondence and perspectives during that period.
Landschap met gevangen genomen struikrovers Landscape with captured robber object type: picture Item number: RP-P-OB-70.474 Manufacturer : printmaker John Brown to painting of Jan and Andries Both Publisher: John & Josiah BoydellPlaats manufacture: England Date: 1751 - 1801 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landschap-met-gevangen-genomen-struikrovers-landscape-with-captured-robber-object-type-picture-item-number-rp-p-ob-70474-manufacturer-printmaker-john-brown-to-painting-of-jan-and-andries-both-publisher-john-josiah-boydellplaats-manufacture-england-date-1751-1801-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-image348543844.htmlRM2B71F6C–Landschap met gevangen genomen struikrovers Landscape with captured robber object type: picture Item number: RP-P-OB-70.474 Manufacturer : printmaker John Brown to painting of Jan and Andries Both Publisher: John & Josiah BoydellPlaats manufacture: England Date: 1751 - 1801 Physical features: etching and engra material: paper Technique: etching / engra (printing process)
Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vase-with-classical-reliefs-by-john-flaxman-chromolithograph-drawn-165837755.htmlRMKHPFMY–Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
CONGRATULATIONS FOR EMPIRE GAMES RECORD BREAKER 11 February 1950 John Winter of Australia (centre) received the congratulations of the dead-heaters for second place after he had won the final of the high jump at the Empire Games, Auckland, New Zealand with 6 foot 6 inches - an Empire Games record. Left is Josiah Majekodunmi of Nigeria and right is Alan Paterson of Scotland. Both jumped 6 feet 5 inches. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/congratulations-for-empire-games-record-breaker-11-february-1950-john-winter-of-australia-centre-received-the-congratulations-of-the-dead-heaters-for-second-place-after-he-had-won-the-final-of-the-high-jump-at-the-empire-games-auckland-new-zealand-with-6-foot-6-inches-an-empire-games-record-left-is-josiah-majekodunmi-of-nigeria-and-right-is-alan-paterson-of-scotland-both-jumped-6-feet-5-inches-image624414942.htmlRM2Y7TFHJ–CONGRATULATIONS FOR EMPIRE GAMES RECORD BREAKER 11 February 1950 John Winter of Australia (centre) received the congratulations of the dead-heaters for second place after he had won the final of the high jump at the Empire Games, Auckland, New Zealand with 6 foot 6 inches - an Empire Games record. Left is Josiah Majekodunmi of Nigeria and right is Alan Paterson of Scotland. Both jumped 6 feet 5 inches.
John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-john-flaxmans-water-vase-decorated-with-a-triton-grasping-a-sea-monsters-165853371.htmlRMKHR7JK–John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Anonymous, British, 18th century, Trade Card for John & Josiah Boydell, Publishers, Anonymous, British, 18th century, 18th century, Engraving, Sheet: 3 9/16 × 4 7/16 in. (9 × 11.2 cm), Plate: 2 5/8 × 3 9/16 in. (6.7 × 9.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-british-18th-century-trade-card-for-john-josiah-boydell-publishers-anonymous-british-18th-century-18th-century-engraving-sheet-3-916-4-716-in-9-112-cm-plate-2-58-3-916-in-67-91-cm-image344624652.htmlRM2B0K078–Anonymous, British, 18th century, Trade Card for John & Josiah Boydell, Publishers, Anonymous, British, 18th century, 18th century, Engraving, Sheet: 3 9/16 × 4 7/16 in. (9 × 11.2 cm), Plate: 2 5/8 × 3 9/16 in. (6.7 × 9.1 cm
John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-john-flaxmans-water-vase-decorated-with-a-triton-grasping-a-sea-monsters-165837697.htmlRMKHPFJW–John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Artist: Josiah Harmar Penniman, After: James Frothingham, American, 1786–1864, Engraver: John Chorley, American, His Excellency John Brooks, Line engraving, black and white, only state, sheet: 35.8 × 27 cm (14 1/8 × 10 5/8 in.), Made in United States, American, 19th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-josiah-harmar-penniman-after-james-frothingham-american-17861864-engraver-john-chorley-american-his-excellency-johnbrooks-line-engraving-black-and-white-only-state-sheet-358-27-cm-14-18-10-58in-made-in-united-states-american-19thcentury-works-on-paper-prints-image393511378.htmlRM2DT5YNP–Artist: Josiah Harmar Penniman, After: James Frothingham, American, 1786–1864, Engraver: John Chorley, American, His Excellency John Brooks, Line engraving, black and white, only state, sheet: 35.8 × 27 cm (14 1/8 × 10 5/8 in.), Made in United States, American, 19th century, Works on Paper - Prints
John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-john-flaxmans-wine-vase-decorated-with-grape-foliage-and-a-satyr-grasping-165837695.htmlRMKHPFJR–John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Thomas Gainsborough, (artist), British, 1727 - 1788, John Boydell, (publisher), British, 1719 - 1804, Josiah Boydell, (publisher), British, 1752 - 1817, Wooded Landscape with Riders, mid 1780s, published 1797, aquatint on wove paper, plate: 18.3 × 24.5 cm (7 3/16 × 9 5/8 in.), sheet: 23.7 × 30 cm (9 5/16 × 11 13/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-gainsborough-artist-british-1727-1788-john-boydell-publisher-british-1719-1804-josiah-boydell-publisher-british-1752-1817-wooded-landscape-with-riders-mid-1780s-published-1797-aquatint-on-wove-paper-plate-183-245-cm-7-316-9-58-in-sheet-237-30-cm-9-516-11-1316-in-image386326603.htmlRM2DCEKEK–Thomas Gainsborough, (artist), British, 1727 - 1788, John Boydell, (publisher), British, 1719 - 1804, Josiah Boydell, (publisher), British, 1752 - 1817, Wooded Landscape with Riders, mid 1780s, published 1797, aquatint on wove paper, plate: 18.3 × 24.5 cm (7 3/16 × 9 5/8 in.), sheet: 23.7 × 30 cm (9 5/16 × 11 13/16 in
John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-john-flaxmans-wine-vase-decorated-with-grape-foliage-and-a-satyr-grasping-165853363.htmlRMKHR7JB–John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Tempest, Act I: Ferdinand and Miranda. Artist: After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)); After George Barrett (Irish, Dublin 1728/32-1784); After Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: Plate: 13 15/16 × 14 15/16 in. (35.4 × 38 cm) Sheet: 15 3/4 × 19 5/16 in. (40 × 49 cm). Engraver: Samuel Middiman (British, 1751-1831). Publisher: John & Josiah Boydell (British, 1786-1804). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1788. On a rocky shore, Miranda catches Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tempest-act-i-ferdinand-and-miranda-artist-after-giovanni-battista-cipriani-italian-florence-1727-1785-hammersmith-active-london-after-george-barrett-irish-dublin-172832-1784-after-francesco-bartolozzi-italian-florence-1728-1815-lisbon-dimensions-plate-13-1516-14-1516-in-354-38-cm-sheet-15-34-19-516-in-40-49-cm-engraver-samuel-middiman-british-1751-1831-publisher-john-josiah-boydell-british-1786-1804-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-1788-on-a-rocky-shore-miranda-catches-image213146657.htmlRMPANJMH–The Tempest, Act I: Ferdinand and Miranda. Artist: After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)); After George Barrett (Irish, Dublin 1728/32-1784); After Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: Plate: 13 15/16 × 14 15/16 in. (35.4 × 38 cm) Sheet: 15 3/4 × 19 5/16 in. (40 × 49 cm). Engraver: Samuel Middiman (British, 1751-1831). Publisher: John & Josiah Boydell (British, 1786-1804). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1788. On a rocky shore, Miranda catches
Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and KIng and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portraits-of-king-george-iii-and-queen-charlotte-king-george-by-john-165853374.htmlRMKHR7JP–Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and KIng and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Josiah Gregg letter to John Bigelow, 1844 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josiah-gregg-letter-to-john-bigelow-1844-image374362669.htmlRM2CN1KB9–Josiah Gregg letter to John Bigelow, 1844
A picturesque scene depicts women engaged in labor under a tree, with one woman reaching up to assist another. Baskets lie nearby, suggesting a harvest theme, while the backdrop features a quaint building and lush greenery, embodying the essence of October's bounty. October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 302 x 250 mm Classic art with a modern twist reimagined by Artotop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-picturesque-scene-depicts-women-engaged-in-labor-under-a-tree-with-one-woman-reaching-up-to-assist-another-baskets-lie-nearby-suggesting-a-harvest-theme-while-the-backdrop-features-a-quaint-building-and-lush-greenery-embodying-the-essence-of-octobers-bounty-october-august-30-1793-francesco-bartolozzi-italian-1727-1815-after-william-hamilton-english-1751-1801-published-by-john-and-josiah-boydell-english-18th-century-italy-color-stipple-engraving-on-paper-302-x-250-mm-classic-art-with-a-modern-twist-reimagined-by-artotop-image671064081.htmlRF3AYNH29–A picturesque scene depicts women engaged in labor under a tree, with one woman reaching up to assist another. Baskets lie nearby, suggesting a harvest theme, while the backdrop features a quaint building and lush greenery, embodying the essence of October's bounty. October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 302 x 250 mm Classic art with a modern twist reimagined by Artotop
![Cabinet and porcelain given to the Right Hon. John Bright, M.P., 1872. '...presentation of a testimonial from the Staffordshire Potteries' district to the Right Hon. John Bright, M.P...Messrs. Minton and Co., Messrs. Josiah Wedgwood and Sons, and Messrs. Copeland and Sons [were commissioned] to produce a collection of ceramics which should worthily represent the art-industry of the district...The collection is inclosed in a beautiful carved cabinet, designed by Mr. F. W. Moody, and executed by Mr. Brangan. Messrs. Minton have supplied the principal object...an original ovoid vase, treated in t Stock Photo](https://c8.alamy.com/comp/2YJTNEB/cabinet-and-porcelain-given-to-the-right-hon-john-bright-mp-1872-presentation-of-a-testimonial-from-the-staffordshire-potteries-district-to-the-right-hon-john-bright-mpmessrs-minton-and-co-messrs-josiah-wedgwood-and-sons-and-messrs-copeland-and-sons-were-commissioned-to-produce-a-collection-of-ceramics-which-should-worthily-represent-the-art-industry-of-the-districtthe-collection-is-inclosed-in-a-beautiful-carved-cabinet-designed-by-mr-f-w-moody-and-executed-by-mr-brangan-messrs-minton-have-supplied-the-principal-objectan-original-ovoid-vase-treated-in-t-2YJTNEB.jpg "Cabinet and porcelain given to the Right Hon. John Bright, M.P., 1872. '...presentation of a testimonial from the Staffordshire Potteries' district to the Right Hon. John Bright, M.P...Messrs. Minton and Co., Messrs. Josiah Wedgwood and Sons, and Messrs. Copeland and Sons [were commissioned] to produce a collection of ceramics which should worthily represent the art-industry of the district...The collection is inclosed in a beautiful carved cabinet, designed by Mr. F. W. Moody, and executed by Mr. Brangan. Messrs. Minton have supplied the principal object...an original ovoid vase, treated in t Stock Photo")
Cabinet and porcelain given to the Right Hon. John Bright, M.P., 1872. '...presentation of a testimonial from the Staffordshire Potteries' district to the Right Hon. John Bright, M.P...Messrs. Minton and Co., Messrs. Josiah Wedgwood and Sons, and Messrs. Copeland and Sons [were commissioned] to produce a collection of ceramics which should worthily represent the art-industry of the district...The collection is inclosed in a beautiful carved cabinet, designed by Mr. F. W. Moody, and executed by Mr. Brangan. Messrs. Minton have supplied the principal object...an original ovoid vase, treated in t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cabinet-and-porcelain-given-to-the-right-hon-john-bright-mp-1872-presentation-of-a-testimonial-from-the-staffordshire-potteries-district-to-the-right-hon-john-bright-mpmessrs-minton-and-co-messrs-josiah-wedgwood-and-sons-and-messrs-copeland-and-sons-were-commissioned-to-produce-a-collection-of-ceramics-which-should-worthily-represent-the-art-industry-of-the-districtthe-collection-is-inclosed-in-a-beautiful-carved-cabinet-designed-by-mr-f-w-moody-and-executed-by-mr-brangan-messrs-minton-have-supplied-the-principal-objectan-original-ovoid-vase-treated-in-t-image631180771.htmlRM2YJTNEB–Cabinet and porcelain given to the Right Hon. John Bright, M.P., 1872. '...presentation of a testimonial from the Staffordshire Potteries' district to the Right Hon. John Bright, M.P...Messrs. Minton and Co., Messrs. Josiah Wedgwood and Sons, and Messrs. Copeland and Sons [were commissioned] to produce a collection of ceramics which should worthily represent the art-industry of the district...The collection is inclosed in a beautiful carved cabinet, designed by Mr. F. W. Moody, and executed by Mr. Brangan. Messrs. Minton have supplied the principal object...an original ovoid vase, treated in t
John Legend and girlfriend Chrissy Teigen shopping on Rodeo Drive Los Angeles, California - 19.11.10 Josiah Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-legend-and-girlfriend-chrissy-teigen-shopping-on-rodeo-drive-51824292.htmlRMD08PBG–John Legend and girlfriend Chrissy Teigen shopping on Rodeo Drive Los Angeles, California - 19.11.10 Josiah
![A VIEW of LINCOLN HILL, with the IRON BRIDGE in the DISTANCE, Taken from the side of the River SEVERN. Author Fittler, James 36.26.i. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.0 x 55.2 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNHF/a-view-of-lincoln-hill-with-the-iron-bridge-in-the-distance-taken-from-the-side-of-the-river-severn-author-fittler-james-3626i-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-400-x-552-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNHF.jpg "A VIEW of LINCOLN HILL, with the IRON BRIDGE in the DISTANCE, Taken from the side of the River SEVERN. Author Fittler, James 36.26.i. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.0 x 55.2 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A VIEW of LINCOLN HILL, with the IRON BRIDGE in the DISTANCE, Taken from the side of the River SEVERN. Author Fittler, James 36.26.i. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.0 x 55.2 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-lincoln-hill-with-the-iron-bridge-in-the-distance-taken-from-the-side-of-the-river-severn-author-fittler-james-3626i-place-of-publication-london-publisher-published-feby-1st-1788-by-john-josiah-boydell-no-90-cheapside-london-date-of-publication-feburary-1-1788-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-400-x-552-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401760507.htmlRM2E9HNHF–A VIEW of LINCOLN HILL, with the IRON BRIDGE in the DISTANCE, Taken from the side of the River SEVERN. Author Fittler, James 36.26.i. Place of publication: [London] Publisher: Published Feby. 1st. 1788, by John , Josiah Boydell No. 90, Cheapside London. Date of publication: [Feburary 1 1788] Item type: 1 print Medium: etching and engraving Dimensions: sheet 40.0 x 55.2 cm (trimmed below platemark). Former owner: George III, King of Great Britain, 1738-1820
. English: Fleuron from book: A treatise concerning civil government, in three parts. Part I. The notions of Mr. Locke and his followers, concerning the origin, extent, and end of civil government, examined and confuted. Part II. The true basis of civil government set forth and ascertained; also objections answered; different forms compared; and improvements suggested. Part III. England's former gothic constitution censured and exposed; cavils refuted; and authorities produced: also the scripture doctrine concerning the obedience due to governors vindicated and illustrated. By Josiah Tucker, D Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-treatise-concerning-civil-government-in-three-parts-part-i-the-notions-of-mr-locke-and-his-followers-concerning-the-origin-extent-and-end-of-civil-government-examined-and-confuted-part-ii-the-true-basis-of-civil-government-set-forth-and-ascertained-also-objections-answered-different-forms-compared-and-improvements-suggested-part-iii-englands-former-gothic-constitution-censured-and-exposed-cavils-refuted-and-authorities-produced-also-the-scripture-doctrine-concerning-the-obedience-due-to-governors-vindicated-and-illustrated-by-josiah-tucker-d-image206826354.htmlRMP0DN3E–. English: Fleuron from book: A treatise concerning civil government, in three parts. Part I. The notions of Mr. Locke and his followers, concerning the origin, extent, and end of civil government, examined and confuted. Part II. The true basis of civil government set forth and ascertained; also objections answered; different forms compared; and improvements suggested. Part III. England's former gothic constitution censured and exposed; cavils refuted; and authorities produced: also the scripture doctrine concerning the obedience due to governors vindicated and illustrated. By Josiah Tucker, D
A letter from Josiah Gregg to John Bigelow, written in 1844, providing historical insight into their correspondence and the events or topics discussed during the period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-letter-from-josiah-gregg-to-john-bigelow-written-in-1844-providing-176539259.htmlRMM761HF–A letter from Josiah Gregg to John Bigelow, written in 1844, providing historical insight into their correspondence and the events or topics discussed during the period.
King Josiah orders to murder the temple of Baal to destroy and to the priests of Baal. All objects created in honor of the idol burned outside the city. Right to see the fire. Among the show in 2 Could a reference in Latin to the Bible. 23: 4. This print is part of a album. Manufacturer : printmaker: anonymous to print by Philips Gall to design: Maarten van Heemskerck (listed building) publisher Claes Jansz. Visscher (II) (referred to on object) publisher: John Philipsz SchabaeljePlaats manufacture: publisher: Amsterdam Publisher: Alkmaar Dated: 1643 and / or 1646 Physical characteristics: eng Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-josiah-orders-to-murder-the-temple-of-baal-to-destroy-and-to-the-priests-of-baal-all-objects-created-in-honor-of-the-idol-burned-outside-the-city-right-to-see-the-fire-among-the-show-in-2-could-a-reference-in-latin-to-the-bible-23-4-this-print-is-part-of-a-album-manufacturer-printmaker-anonymous-to-print-by-philips-gall-to-design-maarten-van-heemskerck-listed-building-publisher-claes-jansz-visscher-ii-referred-to-on-object-publisher-john-philipsz-schabaeljeplaats-manufacture-publisher-amsterdam-publisher-alkmaar-dated-1643-and-or-1646-physical-characteristics-eng-image348519049.htmlRM2B70BGW–King Josiah orders to murder the temple of Baal to destroy and to the priests of Baal. All objects created in honor of the idol burned outside the city. Right to see the fire. Among the show in 2 Could a reference in Latin to the Bible. 23: 4. This print is part of a album. Manufacturer : printmaker: anonymous to print by Philips Gall to design: Maarten van Heemskerck (listed building) publisher Claes Jansz. Visscher (II) (referred to on object) publisher: John Philipsz SchabaeljePlaats manufacture: publisher: Amsterdam Publisher: Alkmaar Dated: 1643 and / or 1646 Physical characteristics: eng
Sir Josiah Child, Bt, MP by John Riley Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-josiah-child-bt-mp-by-john-riley-image557833209.htmlRM2RBFDXH–Sir Josiah Child, Bt, MP by John Riley
RELEASE DATE: August 01, 1990 MOVIE TITLE: Young Guns II STUDIO: Twentieth Century Fox DIRECTOR: Geoff Murphy PLOT: Billy ''The Kid'' and his gang is wanted by the law, and when ''Doc'' Scurlock and Chavez are captured, Billy has to save them. They escape and set south for Mexico. ''Let's hire a thief to catch one'', John S. Chisum said, so he paid Pat Garrett, one of Billy's former partners, $1000 for the killing of William H. Bonney aka Billy ''The Kid''. PICTURED: KIEFER SUTHERLAND as Josiah Gordon 'Doc' Scurlock, EMILIO ESTEVEZ as William H. 'Billy the Kid' Bonney, CHRISTIAN SLAT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-release-date-august-01-1990-movie-title-young-guns-ii-studio-twentieth-90083755.htmlRMF6FJMY–RELEASE DATE: August 01, 1990 MOVIE TITLE: Young Guns II STUDIO: Twentieth Century Fox DIRECTOR: Geoff Murphy PLOT: Billy ''The Kid'' and his gang is wanted by the law, and when ''Doc'' Scurlock and Chavez are captured, Billy has to save them. They escape and set south for Mexico. ''Let's hire a thief to catch one'', John S. Chisum said, so he paid Pat Garrett, one of Billy's former partners, $1000 for the killing of William H. Bonney aka Billy ''The Kid''. PICTURED: KIEFER SUTHERLAND as Josiah Gordon 'Doc' Scurlock, EMILIO ESTEVEZ as William H. 'Billy the Kid' Bonney, CHRISTIAN SLAT
Macbeth and Banquo encounter the three witches on the heath, 1805. Artist: John Boydell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-and-banquo-encounter-the-three-witches-on-the-heath-1805-artist-image60150645.htmlRMDDT2N9–Macbeth and Banquo encounter the three witches on the heath, 1805. Artist: John Boydell
LOS ANGELES - JAN 6: Josiah Bell at the The Art of Elysium presents John Legend's HEAVEN at Barker Hanger on January 6, 2018 in Santa Monica, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/los-angeles-jan-6-josiah-bell-at-the-the-art-of-elysium-presents-john-legends-heaven-at-barker-hanger-on-january-6-2018-in-santa-monica-ca-image368038510.htmlRM2CANGTE–LOS ANGELES - JAN 6: Josiah Bell at the The Art of Elysium presents John Legend's HEAVEN at Barker Hanger on January 6, 2018 in Santa Monica, CA
Three Putti with Garland, c1780. From Seventy-three Prints engraved by E. Bartolozzi, &c.;, from original pictures...in the Collection of His Majesty (London, 1780) by John and Josiah Boydell. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-putti-with-garland-c1780-from-seventy-three-prints-engraved-by-e-bartolozzi-ampc-from-original-picturesin-the-collection-of-his-majesty-london-1780-by-john-and-josiah-boydell-image575147459.htmlRM2TBM6CK–Three Putti with Garland, c1780. From Seventy-three Prints engraved by E. Bartolozzi, &c.;, from original pictures...in the Collection of His Majesty (London, 1780) by John and Josiah Boydell.
January 6, 2018 - Santa Monica, CA, USA - LOS ANGELES - JAN 6: Josiah Bell at the The Art of Elysium presents John Legend's HEAVEN at Barker Hanger on January 6, 2018 in Santa Monica, CA (Credit Image: © Kathy Hutchins via ZUMA Wire) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/january-6-2018-santa-monica-ca-usa-los-angeles-jan-6-josiah-bell-at-the-the-art-of-elysium-presents-john-legends-heaven-at-barker-hanger-on-january-6-2018-in-santa-monica-ca-credit-image-kathy-hutchins-via-zuma-wire-image673511041.htmlRM3B3N25N–January 6, 2018 - Santa Monica, CA, USA - LOS ANGELES - JAN 6: Josiah Bell at the The Art of Elysium presents John Legend's HEAVEN at Barker Hanger on January 6, 2018 in Santa Monica, CA (Credit Image: © Kathy Hutchins via ZUMA Wire)
Josiah Quincy III, ca 1854, by John Adams Whipple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-josiah-quincy-iii-ca-1854-by-john-adams-whipple-112158189.htmlRMGED6WH–Josiah Quincy III, ca 1854, by John Adams Whipple
Thomas Gainsborough, (artist), British, 1727 - 1788, John Boydell, (publisher), British, 1719 - 1804, Josiah Boydell, (publisher), British, 1752 - 1817, Wooded Landscape with Two Country Carts and Figures, 1779/1780, published 1797, soft-ground etching printed in brown on wove paper, plate: 29.5 × 39.4 cm (11 5/8 × 15 1/2 in.), sheet: 32.2 × 39.9 cm (12 11/16 × 15 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-gainsborough-artist-british-1727-1788-john-boydell-publisher-british-1719-1804-josiah-boydell-publisher-british-1752-1817-wooded-landscape-with-two-country-carts-and-figures-17791780-published-1797-soft-ground-etching-printed-in-brown-on-wove-paper-plate-295-394-cm-11-58-15-12-in-sheet-322-399-cm-12-1116-15-1116-in-image386326696.htmlRM2DCEKJ0–Thomas Gainsborough, (artist), British, 1727 - 1788, John Boydell, (publisher), British, 1719 - 1804, Josiah Boydell, (publisher), British, 1752 - 1817, Wooded Landscape with Two Country Carts and Figures, 1779/1780, published 1797, soft-ground etching printed in brown on wove paper, plate: 29.5 × 39.4 cm (11 5/8 × 15 1/2 in.), sheet: 32.2 × 39.9 cm (12 11/16 × 15 11/16 in
Deputation to Premier on disarmament . Dr Hertz ( the Chief Rabbi ) Sir Josiah Stamp and Dr Scott Lidgett , leaving . 1 November 1933 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deputation-to-premier-on-disarmament-dr-hertz-the-chief-rabbi-sir-josiah-stamp-and-dr-scott-lidgett-leaving-1-november-1933-image359762787.htmlRM2BW8H2Y–Deputation to Premier on disarmament . Dr Hertz ( the Chief Rabbi ) Sir Josiah Stamp and Dr Scott Lidgett , leaving . 1 November 1933
John Boydell, Engraver, Valentine Green, 1739–1813, British, after Josiah Boydell, 1752–1817, British, Published by John Boydell, 1720–1804, British, 1772, Mezzotint on moderately thick, modereately textured, cream laid paper, laid on moderately thick, moderately textured, cream laid paper, Sheet: 18 3/8 x 13 5/16 inches (46.6 x 33.8 cm), Plate: 17 7/8 x 12 7/8 inches (45.4 x 32.7 cm), and Image: 16 1/4 x 12 13/16 inches (41.3 x 32.6 cm), books, bookshelves, burin, catalog, coat, column (architectural element), dragon, fight with the dragon; Jason sprinkles a drug in its eyes, possibly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-boydell-engraver-valentine-green-17391813-british-after-josiah-boydell-17521817-british-published-by-john-boydell-17201804-british-1772-mezzotint-on-moderately-thick-modereately-textured-cream-laid-paper-laid-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-18-38-x-13-516-inches-466-x-338-cm-plate-17-78-x-12-78-inches-454-x-327-cm-and-image-16-14-x-12-1316-inches-413-x-326-cm-books-bookshelves-burin-catalog-coat-column-architectural-element-dragon-fight-with-the-dragon-jason-sprinkles-a-drug-in-its-eyes-possibly-image389674255.htmlRM2DHY5DK–John Boydell, Engraver, Valentine Green, 1739–1813, British, after Josiah Boydell, 1752–1817, British, Published by John Boydell, 1720–1804, British, 1772, Mezzotint on moderately thick, modereately textured, cream laid paper, laid on moderately thick, moderately textured, cream laid paper, Sheet: 18 3/8 x 13 5/16 inches (46.6 x 33.8 cm), Plate: 17 7/8 x 12 7/8 inches (45.4 x 32.7 cm), and Image: 16 1/4 x 12 13/16 inches (41.3 x 32.6 cm), books, bookshelves, burin, catalog, coat, column (architectural element), dragon, fight with the dragon; Jason sprinkles a drug in its eyes, possibly
Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and KIng and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portraits-of-king-george-iii-and-queen-charlotte-king-george-by-john-165837698.htmlRMKHPFJX–Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and KIng and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Head of a cow, Heads of cows (series title), print maker: Hendrik Willem Schweickhardt, publisher: John & Josiah Boydell, London, 1788, paper, etching, height 158 mm × width 204 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-cow-heads-of-cows-series-title-print-maker-hendrik-willem-schweickhardt-publisher-john-josiah-boydell-london-1788-paper-etching-height-158-mm-width-204-mm-print-image599502288.htmlRM2WR9K80–Head of a cow, Heads of cows (series title), print maker: Hendrik Willem Schweickhardt, publisher: John & Josiah Boydell, London, 1788, paper, etching, height 158 mm × width 204 mm, print
