Column of mary Stock Photos and Images
Column, Church of St Mary at Mount Naranco, Oviedo, Spain, 2000. Pre-Romanesque Asturian architecture. Consecrated in 848 AD. Declared a World Heritage Site by UNESCO in 1985. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/column-church-of-st-mary-at-mount-naranco-oviedo-spain-2000-pre-romanesque-asturian-architecture-consecrated-in-848-ad-declared-a-world-heritage-site-by-unesco-in-1985-image682401136.htmlRM3BJ61H4–Column, Church of St Mary at Mount Naranco, Oviedo, Spain, 2000. Pre-Romanesque Asturian architecture. Consecrated in 848 AD. Declared a World Heritage Site by UNESCO in 1985.
Whitehall, City of Westminster, Greater London Authority, 1911. A view of a pair of columns surmounted by statues outside the Cabinet Office and Treasury on Whitehall, with traffic and pedestrians in the road. Taken to show coronation decorations in London. The photographer refers to the columns as 'Ontario Pillars' probably due to 'Ontario' appearing at the the top of the columns, but postcards of the time refer to them as 'Canadian Column'. The columns were erected to celebrate the coronation of King George V and Queen Mary on 22nd June 1911. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/whitehall-city-of-westminster-greater-london-authority-1911-a-view-of-a-pair-of-columns-surmounted-by-statues-outside-the-cabinet-office-and-treasury-on-whitehall-with-traffic-and-pedestrians-in-the-road-taken-to-show-coronation-decorations-in-london-the-photographer-refers-to-the-columns-as-ontario-pillars-probably-due-to-ontario-appearing-at-the-the-top-of-the-columns-but-postcards-of-the-time-refer-to-them-as-canadian-column-the-columns-were-erected-to-celebrate-the-coronation-of-king-george-v-and-queen-mary-on-22nd-june-1911-image506095398.htmlRM2MBAHRJ–Whitehall, City of Westminster, Greater London Authority, 1911. A view of a pair of columns surmounted by statues outside the Cabinet Office and Treasury on Whitehall, with traffic and pedestrians in the road. Taken to show coronation decorations in London. The photographer refers to the columns as 'Ontario Pillars' probably due to 'Ontario' appearing at the the top of the columns, but postcards of the time refer to them as 'Canadian Column'. The columns were erected to celebrate the coronation of King George V and Queen Mary on 22nd June 1911.
The Flagellation in the Presence of Mary, 1465/1475. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-in-the-presence-of-mary-14651475-image418808426.htmlRM2F9AABP–The Flagellation in the Presence of Mary, 1465/1475.
The Holy Family by a Column, c. 1655. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-by-a-column-c-1655-image433081207.htmlRM2G4GFDY–The Holy Family by a Column, c. 1655.
Mary Magdalene washing Jesus' Feet, 1787. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-washing-jesus-feet-1787-image575133615.htmlRM2TBKGP7–Mary Magdalene washing Jesus' Feet, 1787.
Saint Mary Magdalen, 1514-1524. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalen-1514-1524-image644617780.htmlRM2SCMTFG–Saint Mary Magdalen, 1514-1524.
![Untitled (Trajan's Column), c. 1857. A work made of albumen print, from "photographs of views of rome" (c. 1857). Stock Photo](https://c8.alamy.com/comp/2GGBF1J/untitled-trajans-column-c-1857-a-work-made-of-albumen-print-from-quotphotographs-of-views-of-romequot-c-1857-2GGBF1J.jpg "Untitled (Trajan's Column), c. 1857. A work made of albumen print, from "photographs of views of rome" (c. 1857). Stock Photo")
Untitled (Trajan's Column), c. 1857. A work made of albumen print, from "photographs of views of rome" (c. 1857). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-trajans-column-c-1857-a-work-made-of-albumen-print-from-quotphotographs-of-views-of-romequot-c-1857-image440346974.htmlRM2GGBF1J–Untitled (Trajan's Column), c. 1857. A work made of albumen print, from "photographs of views of rome" (c. 1857).
Mary Scott Townsend House, Wash., D.C.: Lobby, c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-wash-dc-lobby-c1910-the-townsend-house-2121-massachusetts-avenue-nw-washington-dc-later-home-of-mathilde-and-b-sumner-welles-purchased-by-the-cosmos-club-in-1950-image482040014.htmlRM2K06PXP–Mary Scott Townsend House, Wash., D.C.: Lobby, c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950.
Mary Scott Townsend House, Wash., D.C.: Dining room, c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-wash-dc-dining-room-c1910-the-townsend-house-2121-massachusetts-avenue-nw-washington-dc-later-home-of-mathilde-and-b-sumner-welles-purchased-by-the-cosmos-club-in-1950-image482040378.htmlRM2K06RBP–Mary Scott Townsend House, Wash., D.C.: Dining room, c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950.
Mary Scott Townsend House, Wash., D.C.: Carriage house(?), c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-wash-dc-carriage-house-c1910-the-townsend-house-2121-massachusetts-avenue-nw-washington-dc-later-home-of-mathilde-and-b-sumner-welles-purchased-by-the-cosmos-club-in-1950-image482040342.htmlRM2K06RAE–Mary Scott Townsend House, Wash., D.C.: Carriage house(?), c1910. The Townsend House, 2121 Massachusetts Avenue, N.W., Washington, D.C.; later home of Mathilde and B. Sumner Welles, purchased by the Cosmos Club in 1950.
Mary Scott Townsend house, Washington, D.C., c1910. Photograph shows room with decorated ceiling, Corinthian columns, paintings, and furniture at the Townsend house, later home of Mathilde and B. Sumner Wellss, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-washington-dc-c1910-photograph-shows-room-with-decorated-ceiling-corinthian-columns-paintings-and-furniture-at-the-townsend-house-later-home-of-mathilde-and-b-sumner-wellss-now-the-cosmos-club-2121-massachusetts-ave-nw-washington-dc-image482040655.htmlRM2K06RNK–Mary Scott Townsend house, Washington, D.C., c1910. Photograph shows room with decorated ceiling, Corinthian columns, paintings, and furniture at the Townsend house, later home of Mathilde and B. Sumner Wellss, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C.
Mary Scott Townsend house, Washington, D.C., c1910. Photograph shows stair hall with grand staircase, decorative fireplace, furniture, and sculpture at the Townsend house, later home of Mathilde and B. Sumner Wells, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-washington-dc-c1910-photograph-shows-stair-hall-with-grand-staircase-decorative-fireplace-furniture-and-sculpture-at-the-townsend-house-later-home-of-mathilde-and-b-sumner-wells-now-the-cosmos-club-2121-massachusetts-ave-nw-washington-dc-image482040688.htmlRM2K06RPT–Mary Scott Townsend house, Washington, D.C., c1910. Photograph shows stair hall with grand staircase, decorative fireplace, furniture, and sculpture at the Townsend house, later home of Mathilde and B. Sumner Wells, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C.
Mary Scott Townsend house, Washington, D.C., between 1910 and 1911. Photograph shows stair hall with grand staircase, decorative fireplace, furniture, and sculpture at the Townsend house, later home of Mathilde and B. Sumner Wells, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-scott-townsend-house-washington-dc-between-1910-and-1911-photograph-shows-stair-hall-with-grand-staircase-decorative-fireplace-furniture-and-sculpture-at-the-townsend-house-later-home-of-mathilde-and-b-sumner-wells-now-the-cosmos-club-2121-massachusetts-ave-nw-washington-dc-image482040662.htmlRM2K06RNX–Mary Scott Townsend house, Washington, D.C., between 1910 and 1911. Photograph shows stair hall with grand staircase, decorative fireplace, furniture, and sculpture at the Townsend house, later home of Mathilde and B. Sumner Wells, now the Cosmos Club, 2121 Massachusetts Ave., N.W., Washington, D.C.
The Annunciation, 1500. The angel Gabriel holding a lily appears to the Virgin Mary, telling her she will give birth to the saviour. The setting is an ornate building with decorated pillars, an archway with a coat of arms, and a black and white tiled floor. Mythical creatures decorate the pediment. Beyond are medieval buildings in a landscape. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-1500-the-angel-gabriel-holding-a-lily-appears-to-the-virgin-mary-telling-her-she-will-give-birth-to-the-saviour-the-setting-is-an-ornate-building-with-decorated-pillars-an-archway-with-a-coat-of-arms-and-a-black-and-white-tiled-floor-mythical-creatures-decorate-the-pediment-beyond-are-medieval-buildings-in-a-landscape-image673364792.htmlRM3B3EBJG–The Annunciation, 1500. The angel Gabriel holding a lily appears to the Virgin Mary, telling her she will give birth to the saviour. The setting is an ornate building with decorated pillars, an archway with a coat of arms, and a black and white tiled floor. Mythical creatures decorate the pediment. Beyond are medieval buildings in a landscape.
The Annunciation; Sacramentary, about 1025-1050. Additional Info:On the left, the archangel Gabriel raises his hand in blessing as he announces to the Virgin Mary that she will bear the son of God. Behind the Virgin, a handmaiden pulls back a curtain. The Annunciation is the first in a sequence of six full-page miniatures preceding the manuscript's main text and depicting events from the life of Christ. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-sacramentary-about-1025-1050-additional-infoon-the-left-the-archangel-gabriel-raises-his-hand-in-blessing-as-he-announces-to-the-virgin-mary-that-she-will-bear-the-son-of-god-behind-the-virgin-a-handmaiden-pulls-back-a-curtain-the-annunciation-is-the-first-in-a-sequence-of-six-full-page-miniatures-preceding-the-manuscripts-main-text-and-depicting-events-from-the-life-of-christ-image631211798.htmlRM2YJX52E–The Annunciation; Sacramentary, about 1025-1050. Additional Info:On the left, the archangel Gabriel raises his hand in blessing as he announces to the Virgin Mary that she will bear the son of God. Behind the Virgin, a handmaiden pulls back a curtain. The Annunciation is the first in a sequence of six full-page miniatures preceding the manuscript's main text and depicting events from the life of Christ.
The Virgin at the Column (La Vierge à la colonne), 1608/1611. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-at-the-column-la-vierge-xe0-la-colonne-16081611-image426155554.htmlRM2FN91N6–The Virgin at the Column (La Vierge à la colonne), 1608/1611.
George Warrington Curtis house, Southampton, New York, 1914 or 1915. House Architecture: Chauncey Ives. Associated Name: Mary Jenkins (Mrs. George W.) Curtis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-warrington-curtis-house-southampton-new-york-1914-or-1915-house-architecture-chauncey-ives-associated-name-mary-jenkins-mrs-george-w-curtis-image482051447.htmlRM2K079F3–George Warrington Curtis house, Southampton, New York, 1914 or 1915. House Architecture: Chauncey Ives. Associated Name: Mary Jenkins (Mrs. George W.) Curtis.
George Warrington Curtis house, Southampton, New York, 1914 or 1915. House Architecture: Chauncey Ives. Associated Name: Mary Jenkins (Mrs. George W.) Curtis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-warrington-curtis-house-southampton-new-york-1914-or-1915-house-architecture-chauncey-ives-associated-name-mary-jenkins-mrs-george-w-curtis-image482051693.htmlRM2K079RW–George Warrington Curtis house, Southampton, New York, 1914 or 1915. House Architecture: Chauncey Ives. Associated Name: Mary Jenkins (Mrs. George W.) Curtis.
!["The Fens," Lorenzo Easton Woodhouse house, Huntting Lane, East Hampton, New York, 1914. House Architecture: Joseph Greenleaf Thorp, by 1903. Landscape: Mary Kennedy (Mrs. Lorenzo E.) Woodhouse. Gardener: Maurice Collins. Stock Photo](https://c8.alamy.com/comp/2K07AFE/quotthe-fensquot-lorenzo-easton-woodhouse-house-huntting-lane-east-hampton-new-york-1914-house-architecture-joseph-greenleaf-thorp-by-1903-landscape-mary-kennedy-mrs-lorenzo-e-woodhouse-gardener-maurice-collins-2K07AFE.jpg ""The Fens," Lorenzo Easton Woodhouse house, Huntting Lane, East Hampton, New York, 1914. House Architecture: Joseph Greenleaf Thorp, by 1903. Landscape: Mary Kennedy (Mrs. Lorenzo E.) Woodhouse. Gardener: Maurice Collins. Stock Photo")
"The Fens," Lorenzo Easton Woodhouse house, Huntting Lane, East Hampton, New York, 1914. House Architecture: Joseph Greenleaf Thorp, by 1903. Landscape: Mary Kennedy (Mrs. Lorenzo E.) Woodhouse. Gardener: Maurice Collins. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-fensquot-lorenzo-easton-woodhouse-house-huntting-lane-east-hampton-new-york-1914-house-architecture-joseph-greenleaf-thorp-by-1903-landscape-mary-kennedy-mrs-lorenzo-e-woodhouse-gardener-maurice-collins-image482052242.htmlRM2K07AFE–"The Fens," Lorenzo Easton Woodhouse house, Huntting Lane, East Hampton, New York, 1914. House Architecture: Joseph Greenleaf Thorp, by 1903. Landscape: Mary Kennedy (Mrs. Lorenzo E.) Woodhouse. Gardener: Maurice Collins.
!["Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photo](https://c8.alamy.com/comp/2K079HH/quotpre`s-choisisquot-albert-herter-house-georgica-pond-east-hampton-new-york-1913-house-architecture-grovesnor-atterbury-1898-1899-landscape-adele-mcginnis-mrs-albert-and-albert-herter-from-1898-other-later-named-quotthe-creeksquot-the-house-was-on-75-acres-given-to-the-herters-as-a-marriage-present-by-albert-herters-mother-mary-herter-2K079HH.jpg ""Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photo")
"Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotpre`s-choisisquot-albert-herter-house-georgica-pond-east-hampton-new-york-1913-house-architecture-grovesnor-atterbury-1898-1899-landscape-adele-mcginnis-mrs-albert-and-albert-herter-from-1898-other-later-named-quotthe-creeksquot-the-house-was-on-75-acres-given-to-the-herters-as-a-marriage-present-by-albert-herters-mother-mary-herter-image482051517.htmlRM2K079HH–"Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter.
!["Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photo](https://c8.alamy.com/comp/2K079RJ/quotpre`s-choisisquot-albert-herter-house-georgica-pond-east-hampton-new-york-1913-house-architecture-grovesnor-atterbury-1898-1899-landscape-adele-mcginnis-mrs-albert-and-albert-herter-from-1898-other-later-named-quotthe-creeksquot-the-house-was-on-75-acres-given-to-the-herters-as-a-marriage-present-by-albert-herters-mother-mary-herter-2K079RJ.jpg ""Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photo")
"Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotpre`s-choisisquot-albert-herter-house-georgica-pond-east-hampton-new-york-1913-house-architecture-grovesnor-atterbury-1898-1899-landscape-adele-mcginnis-mrs-albert-and-albert-herter-from-1898-other-later-named-quotthe-creeksquot-the-house-was-on-75-acres-given-to-the-herters-as-a-marriage-present-by-albert-herters-mother-mary-herter-image482051686.htmlRM2K079RJ–"Pre`s Choisis," Albert Herter house, Georgica Pond, East Hampton, New York, 1913. House Architecture: Grovesnor Atterbury, 1898-1899. Landscape: Adele McGinnis (Mrs. Albert) and Albert Herter from 1898. Other: Later named "The Creeks." The house was on 75 acres given to the Herters as a marriage present by Albert Herter's mother Mary Herter.
Two Leaves from the Mirror of Human Salvation, late 14th century. Fragment of a manuscript that was made in Germany, part of a brightly illuminated copy of a popular anonymous treatise called the Speculum humanae salvationis, or Mirror of human salvation, in which events of the Old Testament were compared to those of the New. In this example, as was often the case, each column is headed by a miniature. These pages were reused as a wrapper for a book at some later time. The ghosting of the book it adorned can still be seen in the dark, abraded portion that spans the two pages. By the nineteenth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-leaves-from-the-mirror-of-human-salvation-late-14th-century-fragment-of-a-manuscript-that-was-made-in-germany-part-of-a-brightly-illuminated-copy-of-a-popular-anonymous-treatise-called-the-speculum-humanae-salvationis-or-mirror-of-human-salvation-in-which-events-of-the-old-testament-were-compared-to-those-of-the-new-in-this-example-as-was-often-the-case-each-column-is-headed-by-a-miniature-these-pages-were-reused-as-a-wrapper-for-a-book-at-some-later-time-the-ghosting-of-the-book-it-adorned-can-still-be-seen-in-the-dark-abraded-portion-that-spans-the-two-pages-by-the-nineteenth-image571914461.htmlRM2T6CXMD–Two Leaves from the Mirror of Human Salvation, late 14th century. Fragment of a manuscript that was made in Germany, part of a brightly illuminated copy of a popular anonymous treatise called the Speculum humanae salvationis, or Mirror of human salvation, in which events of the Old Testament were compared to those of the New. In this example, as was often the case, each column is headed by a miniature. These pages were reused as a wrapper for a book at some later time. The ghosting of the book it adorned can still be seen in the dark, abraded portion that spans the two pages. By the nineteenth
The Adoration of the Magi; Benedictional, about 1030-1040. Additional Info:The Adoration of the Magi from this Regensburg benedictional introduces the feast of Epiphany on January 6. This holiday commemorates the visit of the three wise men from the East to the newborn Jesus. On one side the three Magi stand against a gold ground, offering their gifts in containers that may have been meant to allude to the future consecration of wine and bread in the Eucharist. Above their heads hovers the star that guided them to Jesus, drawn in red on the gold ground. On the other side of the central column Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-benedictional-about-1030-1040-additional-infothe-adoration-of-the-magi-from-this-regensburg-benedictional-introduces-the-feast-of-epiphany-on-january-6-this-holiday-commemorates-the-visit-of-the-three-wise-men-from-the-east-to-the-newborn-jesus-on-one-side-the-three-magi-stand-against-a-gold-ground-offering-their-gifts-in-containers-that-may-have-been-meant-to-allude-to-the-future-consecration-of-wine-and-bread-in-the-eucharist-above-their-heads-hovers-the-star-that-guided-them-to-jesus-drawn-in-red-on-the-gold-ground-on-the-other-side-of-the-central-column-image631211187.htmlRM2YJX48K–The Adoration of the Magi; Benedictional, about 1030-1040. Additional Info:The Adoration of the Magi from this Regensburg benedictional introduces the feast of Epiphany on January 6. This holiday commemorates the visit of the three wise men from the East to the newborn Jesus. On one side the three Magi stand against a gold ground, offering their gifts in containers that may have been meant to allude to the future consecration of wine and bread in the Eucharist. Above their heads hovers the star that guided them to Jesus, drawn in red on the gold ground. On the other side of the central column
The Adoration of the Magi; Prayer Book of Cardinal Albrecht of Brandenburg, about 1525-1530. Additional Info: Although the Virgin and child sit humbly on a carpet on the ground, the red cloth canopy defines the area where they sit as royal. The three Magi, traditionally described as kings from the East, approach the newborn Christ with sumptuous gifts. Despite their fine clothing, the kings pay homage to Christ by kneeling or bending down to kiss the infant's feet. The base of the large classical column in the foreground and the beautiful pearls painted as if set into the surrounding frame fu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-prayer-book-of-cardinal-albrecht-of-brandenburg-about-1525-1530-additional-info-although-the-virgin-and-child-sit-humbly-on-a-carpet-on-the-ground-the-red-cloth-canopy-defines-the-area-where-they-sit-as-royal-the-three-magi-traditionally-described-as-kings-from-the-east-approach-the-newborn-christ-with-sumptuous-gifts-despite-their-fine-clothing-the-kings-pay-homage-to-christ-by-kneeling-or-bending-down-to-kiss-the-infants-feet-the-base-of-the-large-classical-column-in-the-foreground-and-the-beautiful-pearls-painted-as-if-set-into-the-surrounding-frame-fu-image631191149.htmlRM2YJW6N1–The Adoration of the Magi; Prayer Book of Cardinal Albrecht of Brandenburg, about 1525-1530. Additional Info: Although the Virgin and child sit humbly on a carpet on the ground, the red cloth canopy defines the area where they sit as royal. The three Magi, traditionally described as kings from the East, approach the newborn Christ with sumptuous gifts. Despite their fine clothing, the kings pay homage to Christ by kneeling or bending down to kiss the infant's feet. The base of the large classical column in the foreground and the beautiful pearls painted as if set into the surrounding frame fu
Interior of the Mariakerk, Utrecht, 1651. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-mariakerk-utrecht-1651-image575143549.htmlRM2TBM1D1–Interior of the Mariakerk, Utrecht, 1651.
The Westernmost Bays of the South Aisle of the Mariakerk in Utrecht, c.1640-c.1645. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-westernmost-bays-of-the-south-aisle-of-the-mariakerk-in-utrecht-c1640-c1645-image565276367.htmlRM2RRJFNK–The Westernmost Bays of the South Aisle of the Mariakerk in Utrecht, c.1640-c.1645.
Adoration.n.d. After Laurent de La Hyre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adorationnd-after-laurent-de-la-hyre-image349002440.htmlRM2B7PC4T–Adoration.n.d. After Laurent de La Hyre
The Presentation in the Temple, from The Life of the Virgin, ca. 1505. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-presentation-in-the-temple-from-the-life-of-the-virgin-ca-1505-image348995542.htmlRM2B7P3AE–The Presentation in the Temple, from The Life of the Virgin, ca. 1505.
The Flagellation and The Crucifixion, from a Psalter, about 1239. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-and-the-crucifixion-from-a-psalter-about-1239-image491538696.htmlRM2KFKEHC–The Flagellation and The Crucifixion, from a Psalter, about 1239.
Marriage of the Virgin, c. 1640. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-the-virgin-c-1640-image506113064.htmlRM2MBBCAG–Marriage of the Virgin, c. 1640.
![Christ among the Doctors [obverse], c. 1513. Stock Photo](https://c8.alamy.com/comp/2F3CH4X/christ-among-the-doctors-obverse-c-1513-2F3CH4X.jpg "Christ among the Doctors [obverse], c. 1513. Stock Photo")
Christ among the Doctors [obverse], c. 1513. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-among-the-doctors-obverse-c-1513-image415169690.htmlRM2F3CH4X–Christ among the Doctors [obverse], c. 1513.
Madonna of Humility, about 1345-1350. Additional Info: Set against a gold background, the Madonna and Child sit enclosed in a Gothic frame with pointed arches and decorative twisting columns. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-of-humility-about-1345-1350-additional-info-set-against-a-gold-background-the-madonna-and-child-sit-enclosed-in-a-gothic-frame-with-pointed-arches-and-decorative-twisting-columns-image626632925.htmlRM2YBDGK9–Madonna of Humility, about 1345-1350. Additional Info: Set against a gold background, the Madonna and Child sit enclosed in a Gothic frame with pointed arches and decorative twisting columns.
The Annunciation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-image386256341.htmlRM2DCBDW9–The Annunciation.
Study for an Adoration of the Magi, in the background a ruin with two Corinthian columns, 1832-1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-an-adoration-of-the-magi-in-the-background-a-ruin-with-two-corinthian-columns-1832-1885-image565262621.htmlRM2RRHX6N–Study for an Adoration of the Magi, in the background a ruin with two Corinthian columns, 1832-1885.
Carton for the polychrome from St Mary's Church - console in the shape of a male head (portrait of T. Stryjenski), 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carton-for-the-polychrome-from-st-marys-church-console-in-the-shape-of-a-male-head-portrait-of-t-stryjenski-1890-image697914121.htmlRM3CFCMG9–Carton for the polychrome from St Mary's Church - console in the shape of a male head (portrait of T. Stryjenski), 1890.
The Adoration of the Kings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-kings-image506186242.htmlRM2MBENM2–The Adoration of the Kings.
The Holy Family with the infant Saint John the Baptist, 1760-70. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-with-the-infant-saint-john-the-baptist-1760-70-image406416407.htmlRM2EH5T7K–The Holy Family with the infant Saint John the Baptist, 1760-70.
Christ among the Doctors, c. 1495/1497. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-among-the-doctors-c-14951497-image415174370.htmlRM2F3CR42–Christ among the Doctors, c. 1495/1497.
The Passion of Christ, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-passion-of-christ-17th-century-image635651093.htmlRM2YX4BCN–The Passion of Christ, 17th century.
Decorated Text Page; Prayer Book of Cardinal Albrecht of Brandenburg, about 1525-1530. Additional Info: A text discussing the Five Wounds of Christ faces a picture of those wounds being venerated. Some scholars consider the monogram in gold on a red field to the lower right to be the Initial of the artist, Simon Bening, appropriately found on the last illuminated page. In the upper right, an elaborate golden pedestal supports a statue of the Virgin and Child. By alluding to the beginning of Christ's life, this subject complements the facing scene, which makes reference to the end of his life. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decorated-text-page-prayer-book-of-cardinal-albrecht-of-brandenburg-about-1525-1530-additional-info-a-text-discussing-the-five-wounds-of-christ-faces-a-picture-of-those-wounds-being-venerated-some-scholars-consider-the-monogram-in-gold-on-a-red-field-to-the-lower-right-to-be-the-initial-of-the-artist-simon-bening-appropriately-found-on-the-last-illuminated-page-in-the-upper-right-an-elaborate-golden-pedestal-supports-a-statue-of-the-virgin-and-child-by-alluding-to-the-beginning-of-christs-life-this-subject-complements-the-facing-scene-which-makes-reference-to-the-end-of-his-life-image631191146.htmlRM2YJW6MX–Decorated Text Page; Prayer Book of Cardinal Albrecht of Brandenburg, about 1525-1530. Additional Info: A text discussing the Five Wounds of Christ faces a picture of those wounds being venerated. Some scholars consider the monogram in gold on a red field to the lower right to be the Initial of the artist, Simon Bening, appropriately found on the last illuminated page. In the upper right, an elaborate golden pedestal supports a statue of the Virgin and Child. By alluding to the beginning of Christ's life, this subject complements the facing scene, which makes reference to the end of his life.
The Nativity and the Adoration of the Shepherds, c.1512. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nativity-and-the-adoration-of-the-shepherds-c1512-image466985339.htmlRM2J3N0FR–The Nativity and the Adoration of the Shepherds, c.1512.
The three Kings bearing gifts to the infant Jesus, 1646. Nativity scene. From a Bible by Yovhannes Lehatsi (of Poland). (Constantinople, 1646). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-three-kings-bearing-gifts-to-the-infant-jesus-1646-nativity-scene-from-a-bible-by-yovhannes-lehatsi-of-poland-constantinople-1646-image673365858.htmlRM3B3ED0J–The three Kings bearing gifts to the infant Jesus, 1646. Nativity scene. From a Bible by Yovhannes Lehatsi (of Poland). (Constantinople, 1646).
The Flagellation; Prayer Book of Charles the Bold, about 1471. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-prayer-book-of-charles-the-bold-about-1471-image631177839.htmlRM2YJTHNK–The Flagellation; Prayer Book of Charles the Bold, about 1471.
The Fall of the Idols of Heliopolis; Miroir Historial, about 1475. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fall-of-the-idols-of-heliopolis-miroir-historial-about-1475-image631207902.htmlRM2YJX03A–The Fall of the Idols of Heliopolis; Miroir Historial, about 1475.
Virgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saint, c.1350-c.1399. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-enthroned-with-four-saints-saints-john-the-baptist-antony-abbot-elizabeth-of-hungary-a-female-saint-c1350-c1399-image556252427.htmlRM2R8YDJ3–Virgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saint, c.1350-c.1399.
Love among the Ruins, 1898, (1900). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/love-among-the-ruins-1898-1900-image621689936.htmlRM2Y3CBT0–Love among the Ruins, 1898, (1900).
Madonna and Child Enthroned with Saints, 1506. This monumental altarpiece, signed and dated by the artist in Latin below the Madonna's throne, was once in the now ruined church of Sant'Andrea in Ferrara. In front are Saint Michael, standing on a dragon and weighing human souls (as he will do at the Last Judgment), and Saint John the Baptist. Behind these stand Saints Catherine of Alexandria and Jerome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-enthroned-with-saints-1506-this-monumental-altarpiece-signed-and-dated-by-the-artist-in-latin-below-the-madonnas-throne-was-once-in-the-now-ruined-church-of-santandrea-in-ferrara-in-front-are-saint-michael-standing-on-a-dragon-and-weighing-human-souls-as-he-will-do-at-the-last-judgment-and-saint-john-the-baptist-behind-these-stand-saints-catherine-of-alexandria-and-jerome-image575142222.htmlRM2TBKYNJ–Madonna and Child Enthroned with Saints, 1506. This monumental altarpiece, signed and dated by the artist in Latin below the Madonna's throne, was once in the now ruined church of Sant'Andrea in Ferrara. In front are Saint Michael, standing on a dragon and weighing human souls (as he will do at the Last Judgment), and Saint John the Baptist. Behind these stand Saints Catherine of Alexandria and Jerome.
Madonna and Child with St John the Baptist and St Francis, early-mid 15th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-st-john-the-baptist-and-st-francis-early-mid-15th-century-image565259199.htmlRM2RRHNTF–Madonna and Child with St John the Baptist and St Francis, early-mid 15th century.
