British museum roof from above Stock Photos and Images
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British museum roof from above Stock Photos and Images
aerial view of the British Museum in London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aerial-view-of-the-british-museum-in-london-uk-image554662633.htmlRM2R6B1RN–aerial view of the British Museum in London, UK
British Museum Great Court interior seen from above in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-british-museum-great-court-interior-seen-from-above-in-london-100774925.htmlRMFRXKCD–British Museum Great Court interior seen from above in London
![[The Taj Mahal from the Gateway]. Artist: John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809-1898 Sheringham, Norfolk county, England). Dimensions: Image: 35 x 127 cm (13 3/4 x 50 in.) overall. Date: January-March 1864. Of all the photographs Murray made of the Taj, the most impressive are his triptych panoramas, taken from the roof of the entrance gate and looking down and across the formal gardens to the mausoleum beyond. Perched high above the heavily wooded gardens, the pale building appears almost translucent in the early morning sunlight. So often described as a tribute to f Stock Photo](https://c8.alamy.com/comp/PATCRP/the-taj-mahal-from-the-gateway-artist-john-murray-british-blackhouse-aberdeenshire-scotland-1809-1898-sheringham-norfolk-county-england-dimensions-image-35-x-127-cm-13-34-x-50-in-overall-date-january-march-1864-of-all-the-photographs-murray-made-of-the-taj-the-most-impressive-are-his-triptych-panoramas-taken-from-the-roof-of-the-entrance-gate-and-looking-down-and-across-the-formal-gardens-to-the-mausoleum-beyond-perched-high-above-the-heavily-wooded-gardens-the-pale-building-appears-almost-translucent-in-the-early-morning-sunlight-so-often-described-as-a-tribute-to-f-PATCRP.jpg "[The Taj Mahal from the Gateway]. Artist: John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809-1898 Sheringham, Norfolk county, England). Dimensions: Image: 35 x 127 cm (13 3/4 x 50 in.) overall. Date: January-March 1864. Of all the photographs Murray made of the Taj, the most impressive are his triptych panoramas, taken from the roof of the entrance gate and looking down and across the formal gardens to the mausoleum beyond. Perched high above the heavily wooded gardens, the pale building appears almost translucent in the early morning sunlight. So often described as a tribute to f Stock Photo")
[The Taj Mahal from the Gateway]. Artist: John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809-1898 Sheringham, Norfolk county, England). Dimensions: Image: 35 x 127 cm (13 3/4 x 50 in.) overall. Date: January-March 1864. Of all the photographs Murray made of the Taj, the most impressive are his triptych panoramas, taken from the roof of the entrance gate and looking down and across the formal gardens to the mausoleum beyond. Perched high above the heavily wooded gardens, the pale building appears almost translucent in the early morning sunlight. So often described as a tribute to f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-taj-mahal-from-the-gateway-artist-john-murray-british-blackhouse-aberdeenshire-scotland-1809-1898-sheringham-norfolk-county-england-dimensions-image-35-x-127-cm-13-34-x-50-in-overall-date-january-march-1864-of-all-the-photographs-murray-made-of-the-taj-the-most-impressive-are-his-triptych-panoramas-taken-from-the-roof-of-the-entrance-gate-and-looking-down-and-across-the-formal-gardens-to-the-mausoleum-beyond-perched-high-above-the-heavily-wooded-gardens-the-pale-building-appears-almost-translucent-in-the-early-morning-sunlight-so-often-described-as-a-tribute-to-f-image213207898.htmlRMPATCRP–[The Taj Mahal from the Gateway]. Artist: John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809-1898 Sheringham, Norfolk county, England). Dimensions: Image: 35 x 127 cm (13 3/4 x 50 in.) overall. Date: January-March 1864. Of all the photographs Murray made of the Taj, the most impressive are his triptych panoramas, taken from the roof of the entrance gate and looking down and across the formal gardens to the mausoleum beyond. Perched high above the heavily wooded gardens, the pale building appears almost translucent in the early morning sunlight. So often described as a tribute to f
Panoramic view from roof terrace of The Post Building with St. George's Church Bloomsbury, British Museum, and BT Tower. Museum St, London. UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-from-roof-terrace-of-the-post-building-with-st-georges-church-bloomsbury-british-museum-and-bt-tower-museum-st-london-uk-image633625747.htmlRM2YPT42Y–Panoramic view from roof terrace of The Post Building with St. George's Church Bloomsbury, British Museum, and BT Tower. Museum St, London. UK
![The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photo](https://c8.alamy.com/comp/2WRGXBD/the-loan-collection-of-works-of-art-at-south-kensington-museum-london-1862-display-in-what-became-the-victoria-and-albert-museum-of-pieces-of-the-mediaeval-renaissance-and-more-recent-periodsin-a-miniature-crystal-palace-the-rooms-being-lofty-spacious-well-proportioned-and-capitally-lighted-from-the-glass-roof-above-there-were-sculptures-in-marble-and-terra-cotta-carvings-in-ivory-art-bronzes-furniture-objects-of-ancient-irish-and-anglo-saxon-art-various-works-of-mediaeval-art-ecclesiastical-utensils-ampc-quothenri-deuxquot-waredecorative-platevases-a-2WRGXBD.jpg "The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photo")
The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-loan-collection-of-works-of-art-at-south-kensington-museum-london-1862-display-in-what-became-the-victoria-and-albert-museum-of-pieces-of-the-mediaeval-renaissance-and-more-recent-periodsin-a-miniature-crystal-palace-the-rooms-being-lofty-spacious-well-proportioned-and-capitally-lighted-from-the-glass-roof-above-there-were-sculptures-in-marble-and-terra-cotta-carvings-in-ivory-art-bronzes-furniture-objects-of-ancient-irish-and-anglo-saxon-art-various-works-of-mediaeval-art-ecclesiastical-utensils-ampc-quothenri-deuxquot-waredecorative-platevases-a-image599661537.htmlRM2WRGXBD–The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a
Electric battery locomotive No. E1, built by the English Electric Company Ltd, which includes a platform above the cab roof. From an original publication dated 15 May 1924, this helps to give an insight into public transport, and the railways in particular, of the 1920s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/electric-battery-locomotive-no-e1-built-by-the-english-electric-company-ltd-which-includes-a-platform-above-the-cab-roof-from-an-original-publication-dated-15-may-1924-this-helps-to-give-an-insight-into-public-transport-and-the-railways-in-particular-of-the-1920s-image603222714.htmlRM2X1B4MA–Electric battery locomotive No. E1, built by the English Electric Company Ltd, which includes a platform above the cab roof. From an original publication dated 15 May 1924, this helps to give an insight into public transport, and the railways in particular, of the 1920s.
Towers of York Minster above old red roof tops from St Leonards Place York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/towers-of-york-minster-above-old-red-roof-tops-from-st-leonards-place-york-image227360084.htmlRMR5W430–Towers of York Minster above old red roof tops from St Leonards Place York
Glasgow Riverside Museum Of Transport, Glasgow, United Kingdom, 2011 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-glasgow-riverside-museum-of-transport-glasgow-united-kingdom-2011-42059000.htmlRMCCBXK4–Glasgow Riverside Museum Of Transport, Glasgow, United Kingdom, 2011
A panoramic view of London from the post office building rooftop in central London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-panoramic-view-of-london-from-the-post-office-building-rooftop-in-central-london-image483892901.htmlRF2K37699–A panoramic view of London from the post office building rooftop in central London.
Panoramic view of London skyscrapers in the financial district in the evening, after sunset. View from Tate Modern museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-of-london-skyscrapers-in-the-financial-district-in-the-evening-after-sunset-view-from-tate-modern-museum-image234297150.htmlRFRH54BA–Panoramic view of London skyscrapers in the financial district in the evening, after sunset. View from Tate Modern museum.
High level oblique aerial view west of Old Royal Naval College University National Maritime Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/high-level-oblique-aerial-view-west-of-old-royal-naval-college-university-image8245227.htmlRMAHCAPC–High level oblique aerial view west of Old Royal Naval College University National Maritime Museum
Lovely 1964 Hillman Super Minx Mk II at Brooklands Museum, Weybridge, Surrey, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lovely-1964-hillman-super-minx-mk-ii-at-brooklands-museum-weybridge-surrey-uk-image698178132.htmlRF3CFTN98–Lovely 1964 Hillman Super Minx Mk II at Brooklands Museum, Weybridge, Surrey, UK
. Bulletin of the British Museum (Natural History). NC / ,- ' g. ,y/^^W..i4^<^ 1 mm. Fig. 5. Right frontal and nasal seen somewhat obliquely from above, to show supra- orbital laterosensory region bridges (Fbs and Fbo), the nasal lamina (Nlm) and the groove (Gr) leading from the dermosphenotic to the supraorbital laterosensory chamber. Anteriorly, this bridge ends near the medial end of the transverse one (Text-figs 3 and 5). Further support for the skin roof of the supraorbital cavern is provided anteriorly by the process derived from each nasal (see above, p. 220). Besides providing sup- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-nc-g-ywi4lt-1-mm-fig-5-right-frontal-and-nasal-seen-somewhat-obliquely-from-above-to-show-supra-orbital-laterosensory-region-bridges-fbs-and-fbo-the-nasal-lamina-nlm-and-the-groove-gr-leading-from-the-dermosphenotic-to-the-supraorbital-laterosensory-chamber-anteriorly-this-bridge-ends-near-the-medial-end-of-the-transverse-one-text-figs-3-and-5-further-support-for-the-skin-roof-of-the-supraorbital-cavern-is-provided-anteriorly-by-the-process-derived-from-each-nasal-see-above-p-220-besides-providing-sup-image233994012.htmlRMRGK9N0–. Bulletin of the British Museum (Natural History). NC / ,- ' g. ,y/^^W..i4^<^ 1 mm. Fig. 5. Right frontal and nasal seen somewhat obliquely from above, to show supra- orbital laterosensory region bridges (Fbs and Fbo), the nasal lamina (Nlm) and the groove (Gr) leading from the dermosphenotic to the supraorbital laterosensory chamber. Anteriorly, this bridge ends near the medial end of the transverse one (Text-figs 3 and 5). Further support for the skin roof of the supraorbital cavern is provided anteriorly by the process derived from each nasal (see above, p. 220). Besides providing sup-
Aerial image of British Museum in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aerial-image-of-british-museum-in-london-43224272.htmlRMCE9100–Aerial image of British Museum in London
Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Image: 5 13/16 × 7 1/16 in. (14.7 × 17.9 cm), irregularly trimmed Sheet: 7 5/16 × 8 7/8 in. (18.6 × 22.6 cm), irregularly trimmed. Date: October 14, 1840. Talbot's earliest camera images required exposures of an hour or more, but on September 23, 1840, he made a startling discovery that dramatically increased the medium's potential. He found that an exposure of mere seconds, leaving no visible trace on the chemically treated p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-of-sharingtons-tower-lacock-abbey-taken-from-the-roof-above-the-south-gallery-artist-william-henry-fox-talbot-british-dorset-1800-1877-lacock-dimensions-image-5-1316-7-116-in-147-179-cm-irregularly-trimmed-sheet-7-516-8-78-in-186-226-cm-irregularly-trimmed-date-october-14-1840-talbots-earliest-camera-images-required-exposures-of-an-hour-or-more-but-on-september-23-1840-he-made-a-startling-discovery-that-dramatically-increased-the-mediums-potential-he-found-that-an-exposure-of-mere-seconds-leaving-no-visible-trace-on-the-chemically-treated-p-image233301975.htmlRMRFFR1B–Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Image: 5 13/16 × 7 1/16 in. (14.7 × 17.9 cm), irregularly trimmed Sheet: 7 5/16 × 8 7/8 in. (18.6 × 22.6 cm), irregularly trimmed. Date: October 14, 1840. Talbot's earliest camera images required exposures of an hour or more, but on September 23, 1840, he made a startling discovery that dramatically increased the medium's potential. He found that an exposure of mere seconds, leaving no visible trace on the chemically treated p
View northward from 9th floor roof terrace of The Post Building, Museum Street featuring St. George's Church, Bloomsbury and British Museum. London UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-northward-from-9th-floor-roof-terrace-of-the-post-building-museum-street-featuring-st-georges-church-bloomsbury-and-british-museum-london-uk-image633626030.htmlRM2YPT4D2–View northward from 9th floor roof terrace of The Post Building, Museum Street featuring St. George's Church, Bloomsbury and British Museum. London UK
Glasgow Riverside Museum Of Transport, Glasgow, United Kingdom, 2011 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-glasgow-riverside-museum-of-transport-glasgow-united-kingdom-2011-42058861.htmlRMCCBXE5–Glasgow Riverside Museum Of Transport, Glasgow, United Kingdom, 2011
. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 39 separates the parietals and the epiotics. The rear face of the supraoccipital gives rise to a small backwardly projecting crest which does not extend above the plane of the skull-roof.. infs.c o.inf s c epo Fig. i6. Cimolichthys levesiensis Leidy. Neurocranium in dorsal view. The broken line on the right side of the figure indicates the course of the sensory canals. From B.M.N.H. number P.1811.. Please note that these images are extracted from scanned page images that may have been digitally enhanc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-geology-supplement-especially-myctophoids-39-separates-the-parietals-and-the-epiotics-the-rear-face-of-the-supraoccipital-gives-rise-to-a-small-backwardly-projecting-crest-which-does-not-extend-above-the-plane-of-the-skull-roof-infsc-oinf-s-c-epo-fig-i6-cimolichthys-levesiensis-leidy-neurocranium-in-dorsal-view-the-broken-line-on-the-right-side-of-the-figure-indicates-the-course-of-the-sensory-canals-from-bmnh-number-p1811-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanc-image233958385.htmlRMRGHM8H–. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 39 separates the parietals and the epiotics. The rear face of the supraoccipital gives rise to a small backwardly projecting crest which does not extend above the plane of the skull-roof.. infs.c o.inf s c epo Fig. i6. Cimolichthys levesiensis Leidy. Neurocranium in dorsal view. The broken line on the right side of the figure indicates the course of the sensory canals. From B.M.N.H. number P.1811.. Please note that these images are extracted from scanned page images that may have been digitally enhanc
aerial view of The British Museum in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aerial-view-of-the-british-museum-in-london-image67117785.htmlRMDW5DBN–aerial view of The British Museum in London
GLASGOW RIVERSIDE MUSEUM OF TRANSPORT, GLASGOW, UNITED KINGDOM, 2011 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-glasgow-riverside-museum-of-transport-glasgow-united-kingdom-2011-42058990.htmlRMCCBXJP–GLASGOW RIVERSIDE MUSEUM OF TRANSPORT, GLASGOW, UNITED KINGDOM, 2011
. Bulletin of the British Museum (Natural History), Geology. 304 REVISION OF ACTINOPTERYGIAN AND COELACANTH FISHES All the foramina in the orbital surface are well defined and clearly recognizable. Immediately above the facial foramen, and partially let back into the roof of it so that it appears in a recess, is a larger foramen. From this issued the main branches (mandibular and maxillary) of the trigeminus. From the facial recess a groove ascends, finishing in a downwardly directed foramen. This appears to be vascular and served for the passage of a branch of the jugular vein into the neuroc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-geology-304-revision-of-actinopterygian-and-coelacanth-fishes-all-the-foramina-in-the-orbital-surface-are-well-defined-and-clearly-recognizable-immediately-above-the-facial-foramen-and-partially-let-back-into-the-roof-of-it-so-that-it-appears-in-a-recess-is-a-larger-foramen-from-this-issued-the-main-branches-mandibular-and-maxillary-of-the-trigeminus-from-the-facial-recess-a-groove-ascends-finishing-in-a-downwardly-directed-foramen-this-appears-to-be-vascular-and-served-for-the-passage-of-a-branch-of-the-jugular-vein-into-the-neuroc-image233977269.htmlRMRGJGB1–. Bulletin of the British Museum (Natural History), Geology. 304 REVISION OF ACTINOPTERYGIAN AND COELACANTH FISHES All the foramina in the orbital surface are well defined and clearly recognizable. Immediately above the facial foramen, and partially let back into the roof of it so that it appears in a recess, is a larger foramen. From this issued the main branches (mandibular and maxillary) of the trigeminus. From the facial recess a groove ascends, finishing in a downwardly directed foramen. This appears to be vascular and served for the passage of a branch of the jugular vein into the neuroc
. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 207 canal also transmitted the preopercular sensory canal. Laterally the pterotic is deeply excavated as the dilatator fossa. The anterior part of this fossa is however formed from a postero-dorsal excavation of the sphenotic, and the suture between the pterotic and sphenotic is visible both above and below the fossa. The post-temporal fossa is large and partially roofed, the roof being composed anteriorly of frontal and posteriorly of parietal and pterotic. The lateral wall and. spo f.hm VII hm par 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-geology-supplement-especially-myctophoids-207-canal-also-transmitted-the-preopercular-sensory-canal-laterally-the-pterotic-is-deeply-excavated-as-the-dilatator-fossa-the-anterior-part-of-this-fossa-is-however-formed-from-a-postero-dorsal-excavation-of-the-sphenotic-and-the-suture-between-the-pterotic-and-sphenotic-is-visible-both-above-and-below-the-fossa-the-post-temporal-fossa-is-large-and-partially-roofed-the-roof-being-composed-anteriorly-of-frontal-and-posteriorly-of-parietal-and-pterotic-the-lateral-wall-and-spo-fhm-vii-hm-par-1-image233969050.htmlRMRGJ5WE–. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 207 canal also transmitted the preopercular sensory canal. Laterally the pterotic is deeply excavated as the dilatator fossa. The anterior part of this fossa is however formed from a postero-dorsal excavation of the sphenotic, and the suture between the pterotic and sphenotic is visible both above and below the fossa. The post-temporal fossa is large and partially roofed, the roof being composed anteriorly of frontal and posteriorly of parietal and pterotic. The lateral wall and. spo f.hm VII hm par 1
. Bulletin of the British Museum (Natural History), Geology. FISHES FROM THE LEBANON 213 epiphyseal branch. Anteriorly the canal left the frontal above the front of the orbit and passed to the nasal (Na, Figs, i, 6), a small, trough-like bone. The long, slender ethmoid region is occupied by the endochondral and perichondral mesethmoid and lateral ethmoids, and the dermal rostral (the homologies of the mesethmoid and rostral are discussed on p. 264). The rostral (Ro ; Figs, i, 2, 5) is a. 3 mm Fig. I. Gaudryella gaudvyi (Pictet & Humbert). Skull roof as preserved in P.51244, Hajula, Lebanon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-geology-fishes-from-the-lebanon-213-epiphyseal-branch-anteriorly-the-canal-left-the-frontal-above-the-front-of-the-orbit-and-passed-to-the-nasal-na-figs-i-6-a-small-trough-like-bone-the-long-slender-ethmoid-region-is-occupied-by-the-endochondral-and-perichondral-mesethmoid-and-lateral-ethmoids-and-the-dermal-rostral-the-homologies-of-the-mesethmoid-and-rostral-are-discussed-on-p-264-the-rostral-ro-figs-i-2-5-is-a-3-mm-fig-i-gaudryella-gaudvyi-pictet-amp-humbert-skull-roof-as-preserved-in-p51244-hajula-lebanon-image233975221.htmlRMRGJDNW–. Bulletin of the British Museum (Natural History), Geology. FISHES FROM THE LEBANON 213 epiphyseal branch. Anteriorly the canal left the frontal above the front of the orbit and passed to the nasal (Na, Figs, i, 6), a small, trough-like bone. The long, slender ethmoid region is occupied by the endochondral and perichondral mesethmoid and lateral ethmoids, and the dermal rostral (the homologies of the mesethmoid and rostral are discussed on p. 264). The rostral (Ro ; Figs, i, 2, 5) is a. 3 mm Fig. I. Gaudryella gaudvyi (Pictet & Humbert). Skull roof as preserved in P.51244, Hajula, Lebanon
. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 129 The supraoccipital is a small bone just appearing on the dorsal surface of the neuro- cranium. It is overlapped anteriorly by the frontals, and separates both the parietals and the epiotics. A small backwardly directed crest is produced which does not extend above the plane of the skull-roof. f.i.ca. Qt.f.C 1 r fe.p.a ^/spo ^^â pro ^f.hm f.o.n Fig. 57. Halec eupterygius (Dixon). Neurocranium in ventral view.. Please note that these images are extracted from scanned page images that may have been d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-geology-supplement-especially-myctophoids-129-the-supraoccipital-is-a-small-bone-just-appearing-on-the-dorsal-surface-of-the-neuro-cranium-it-is-overlapped-anteriorly-by-the-frontals-and-separates-both-the-parietals-and-the-epiotics-a-small-backwardly-directed-crest-is-produced-which-does-not-extend-above-the-plane-of-the-skull-roof-fica-qtfc-1-r-fepa-spo-pro-fhm-fon-fig-57-halec-eupterygius-dixon-neurocranium-in-ventral-view-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-d-image233928144.htmlRMRGG9MG–. Bulletin of the British Museum (Natural History) Geology Supplement. ESPECIALLY MYCTOPHOIDS 129 The supraoccipital is a small bone just appearing on the dorsal surface of the neuro- cranium. It is overlapped anteriorly by the frontals, and separates both the parietals and the epiotics. A small backwardly directed crest is produced which does not extend above the plane of the skull-roof. f.i.ca. Qt.f.C 1 r fe.p.a ^/spo ^^â pro ^f.hm f.o.n Fig. 57. Halec eupterygius (Dixon). Neurocranium in ventral view.. Please note that these images are extracted from scanned page images that may have been d
