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British birds chart Stock Photos and Images
ORNITHOLOGY . An early British coloured education identity chart showing common British birds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornithology-an-early-british-coloured-education-identity-chart-showing-common-british-birds-image479352822.htmlRM2JRTBBJ–ORNITHOLOGY . An early British coloured education identity chart showing common British birds
The smaller British birds (8053838976) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-smaller-british-birds-8053838976-161487947.htmlRMKAMBEK–The smaller British birds (8053838976)
Dish with Japanese court woman and birds ca. 1750 Chelsea Porcelain Manufactory The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.. Dish with Japanese court woman and birds. British, Chelsea. ca. 1750. Soft-p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-with-japanese-court-woman-and-birds-ca-1750-chelsea-porcelain-manufactory-the-gift-of-the-hans-syz-collection-in-1995-endowed-the-museum-with-nearly-three-hundred-examples-of-european-and-asian-ceramics-meticulously-acquired-by-swiss-born-collector-dr-syz-18941991-to-chart-the-migration-of-models-and-patterns-from-east-to-west-documenting-a-continuous-process-of-influence-and-adaptation-these-pieces-provide-a-discriminating-review-of-the-nuances-of-stylistic-change-resulting-from-three-centuries-of-trade-dish-with-japanese-court-woman-and-birds-british-chelsea-ca-1750-soft-p-image458142939.htmlRM2HHA5YR–Dish with Japanese court woman and birds ca. 1750 Chelsea Porcelain Manufactory The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.. Dish with Japanese court woman and birds. British, Chelsea. ca. 1750. Soft-p
English: This is a hand coloured print of a Eurasian Sparrowhawk (Accipiter nisus) from Francis Orpen Morris' A History of British Birds, published in 1895. 1895 12 Accipiter nisus - drawing - F O Morris-1895 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-this-is-a-hand-coloured-print-of-a-eurasian-sparrowhawk-accipiter-nisus-from-francis-orpen-morris-a-history-of-british-birds-published-in-1895-1895-12-accipiter-nisus-drawing-f-o-morris-1895-image211367731.htmlRMP7THKF–English: This is a hand coloured print of a Eurasian Sparrowhawk (Accipiter nisus) from Francis Orpen Morris' A History of British Birds, published in 1895. 1895 12 Accipiter nisus - drawing - F O Morris-1895
Dish with Japanese court woman and birds. Culture: British, Chelsea. Dimensions: Length: 8 in. (20.3 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784). Date: ca. 1750. The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-with-japanese-court-woman-and-birds-culture-british-chelsea-dimensions-length-8-in-203-cm-factory-chelsea-porcelain-manufactory-british-1745-1784-date-ca-1750-the-gift-of-the-hans-syz-collection-in-1995-endowed-the-museum-with-nearly-three-hundred-examples-of-european-and-asian-ceramics-meticulously-acquired-by-swiss-born-collector-dr-syz-1894-1991-to-chart-the-migration-of-models-and-patterns-from-east-to-west-documenting-a-continuous-process-of-influence-and-adaptation-these-pieces-provide-a-discriminating-review-of-the-nuances-of-stylistic-change-resulting-from-image213175224.htmlRMPAPY4T–Dish with Japanese court woman and birds. Culture: British, Chelsea. Dimensions: Length: 8 in. (20.3 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784). Date: ca. 1750. The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from
1951 vintage James Fisher bird book in paperback called Bird Recognition 2: birds of prey and water-fowl (Pelican Books) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1951-vintage-james-fisher-bird-book-in-paperback-called-bird-recognition-2-birds-of-prey-and-water-fowl-pelican-books-image405296974.htmlRM2EFATBX–1951 vintage James Fisher bird book in paperback called Bird Recognition 2: birds of prey and water-fowl (Pelican Books)
Map of Falkland Islands on an antique globe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-falkland-islands-on-an-antique-globe-image333588981.htmlRF2AAM845–Map of Falkland Islands on an antique globe
Nesting Nests, 2018 Woven nests, wood by Christian Blyt, Cameron Cartiere, Jaymie Johnson at Shoreline Park, Port Moody, British Columbia, Canada. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nesting-nests-2018-woven-nests-wood-by-christian-blyt-cameron-cartiere-jaymie-johnson-at-shoreline-park-port-moody-british-columbia-canada-image235301016.htmlRMRJPTRM–Nesting Nests, 2018 Woven nests, wood by Christian Blyt, Cameron Cartiere, Jaymie Johnson at Shoreline Park, Port Moody, British Columbia, Canada.
THE BRITISH ARMY IN THE ITALIAN CAMPAIGN, 1943-1945 - This particular pigeon section was commanded by Sergeant King (of Wishaw, Lanarkshire) and his two subordinates - Lance Corporal H. J. Jones (of Bromsgrove, Worcestershire) and Signalman J. D. Clough (of St. Helens, Lancashire). Sergeant A. B. King of the Royal Corps of Signals writing a record of operational flights of his favourite pigeons on the chart marked with crosses. The 8th Army HQ at Vasto, 9 December 1943.Names of the birds go as follows - Messina Kate, Sangro Bill, King Special, Ghibby, Bari Lil, Adas Own. This section of pigeon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-british-army-in-the-italian-campaign-1943-1945-this-particular-pigeon-section-was-commanded-by-sergeant-king-of-wishaw-lanarkshire-and-his-two-subordinates-lance-corporal-h-j-jones-of-bromsgrove-worcestershire-and-signalman-j-d-clough-of-st-helens-lancashire-sergeant-a-b-king-of-the-royal-corps-of-signals-writing-a-record-of-operational-flights-of-his-favourite-pigeons-on-the-chart-marked-with-crosses-the-8th-army-hq-at-vasto-9-december-1943names-of-the-birds-go-as-follows-messina-kate-sangro-bill-king-special-ghibby-bari-lil-adas-own-this-section-of-pigeon-image602844083.htmlRM2X0NWNR–THE BRITISH ARMY IN THE ITALIAN CAMPAIGN, 1943-1945 - This particular pigeon section was commanded by Sergeant King (of Wishaw, Lanarkshire) and his two subordinates - Lance Corporal H. J. Jones (of Bromsgrove, Worcestershire) and Signalman J. D. Clough (of St. Helens, Lancashire). Sergeant A. B. King of the Royal Corps of Signals writing a record of operational flights of his favourite pigeons on the chart marked with crosses. The 8th Army HQ at Vasto, 9 December 1943.Names of the birds go as follows - Messina Kate, Sangro Bill, King Special, Ghibby, Bari Lil, Adas Own. This section of pigeon
Godinton Park, Great Chart, Kent, 2017. Creator: Historic England Staff Photographer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/godinton-park-great-chart-kent-2017-creator-historic-england-staff-photographer-image224219012.htmlRMR0P1HT–Godinton Park, Great Chart, Kent, 2017. Creator: Historic England Staff Photographer.
Interpretive bird identification posters on a wooden fence at the George C. Reifel Migratory Bird Sanctuary, Delta, BC, Canada Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interpretive-bird-identification-posters-on-a-wooden-fence-at-the-george-c-reifel-migratory-bird-sanctuary-delta-bc-canada-image331893560.htmlRM2A7Y1HC–Interpretive bird identification posters on a wooden fence at the George C. Reifel Migratory Bird Sanctuary, Delta, BC, Canada
Roper & Cole's map of Liverpool in 1807, when it was just on the cusp of transformation from town to city, with the earliest suburbs established and just ten docks. The main decoration on the map is an engraving of St Paul’s Church, which stood just to the west of the railway as it enters Exchange Station. Top centre is a Liverpool’s coat of arms. There are two liver birds flanked by Neptune and Triton holding flags of another liver bird and a ship respectively. Mention should also be made of a fort and barracks on the Mersey, reflecting the threat of a French invasion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roper-coles-map-of-liverpool-in-1807-when-it-was-just-on-the-cusp-of-transformation-from-town-to-city-with-the-earliest-suburbs-established-and-just-ten-docks-the-main-decoration-on-the-map-is-an-engraving-of-st-pauls-church-which-stood-just-to-the-west-of-the-railway-as-it-enters-exchange-station-top-centre-is-a-liverpools-coat-of-arms-there-are-two-liver-birds-flanked-by-neptune-and-triton-holding-flags-of-another-liver-bird-and-a-ship-respectively-mention-should-also-be-made-of-a-fort-and-barracks-on-the-mersey-reflecting-the-threat-of-a-french-invasion-image487424180.htmlRM2K902EC–Roper & Cole's map of Liverpool in 1807, when it was just on the cusp of transformation from town to city, with the earliest suburbs established and just ten docks. The main decoration on the map is an engraving of St Paul’s Church, which stood just to the west of the railway as it enters Exchange Station. Top centre is a Liverpool’s coat of arms. There are two liver birds flanked by Neptune and Triton holding flags of another liver bird and a ship respectively. Mention should also be made of a fort and barracks on the Mersey, reflecting the threat of a French invasion.
Drawing of an Otter Civet, part of a series from '51 Drawings of Birds and Mammals at Bencoolen', showcasing the wildlife of Sumatra in the early 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-drawing-of-an-otter-civet-part-of-a-series-from-51-drawings-of-birds-73519603.htmlRME7H303–Drawing of an Otter Civet, part of a series from '51 Drawings of Birds and Mammals at Bencoolen', showcasing the wildlife of Sumatra in the early 19th century.
Canada Map Offset Provinces 3D Render Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canada-map-offset-provinces-3d-render-image477321845.htmlRF2JMFTTN–Canada Map Offset Provinces 3D Render
. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. cuts for lumber YELLOW PINE Fig. 43. Chart showing indirect ecological relationship between the fisher and the yellow pine. On March 7, 1939, when Scheffer made his notes and visited the fur-farms mentioned, Muskett had four fishers in captivity, all obtained near Clearwater, British Columbia, between 80 and 100 miles north of K.imloops. Two were obtained from trappers who had caught the ani- mals in the Wild and two were purchased fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/california-fish-and-game-fisheries-california-game-and-game-birds-california-fishes-california-animal-population-groups-pches-gibier-poissons-cuts-for-lumber-yellow-pine-fig-43-chart-showing-indirect-ecological-relationship-between-the-fisher-and-the-yellow-pine-on-march-7-1939-when-scheffer-made-his-notes-and-visited-the-fur-farms-mentioned-muskett-had-four-fishers-in-captivity-all-obtained-near-clearwater-british-columbia-between-80-and-100-miles-north-of-kimloops-two-were-obtained-from-trappers-who-had-caught-the-ani-mals-in-the-wild-and-two-were-purchased-fr-image233686124.htmlRMRG5910–. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. cuts for lumber YELLOW PINE Fig. 43. Chart showing indirect ecological relationship between the fisher and the yellow pine. On March 7, 1939, when Scheffer made his notes and visited the fur-farms mentioned, Muskett had four fishers in captivity, all obtained near Clearwater, British Columbia, between 80 and 100 miles north of K.imloops. Two were obtained from trappers who had caught the ani- mals in the Wild and two were purchased fr
United Kingdom Map With Offset Regions 3D Render Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-kingdom-map-with-offset-regions-3d-render-image477321867.htmlRF2JMFTWF–United Kingdom Map With Offset Regions 3D Render
The birds of the British Isles and their eggs (Pl. 84) BHL7583254 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-birds-of-the-british-isles-and-their-eggs-pl-84-bhl7583254-161282250.htmlRMKAB14A–The birds of the British Isles and their eggs (Pl. 84) BHL7583254
![. Pitta arquata = Erythropitta arquata[1] . between 1850 and 1883. John Gould (1804–1881) Alternative names Gould Description British zoologist Date of birth/death 14 September 1804 2 March 1881 Location of birth/death Lyme Regis London Authority control : Q313787 VIAF:?29597222 ISNI:?0000 0001 2125 9888 ULAN:?500006638 LCCN:?n79100355 NLA:?35137514 WorldCat & Henry Constantine Richter (1821–1902) Description British animal painter Date of birth/death 1821 16 March 1902 Location of birth Royal Borough of Kensington and Chelsea Authority control : Q1567083 VIAF:?227079 Stock Photo](https://c8.alamy.com/comp/MMRHJH/pitta-arquata-=-erythropitta-arquata-1-between-1850-and-1883-john-gould-18041881-alternative-names-gould-description-british-zoologist-date-of-birthdeath-14-september-1804-2-march-1881-location-of-birthdeath-lyme-regis-london-authority-control-q313787-viaf29597222-isni0000-0001-2125-9888-ulan500006638-lccnn79100355-nla35137514-worldcat-henry-constantine-richter-18211902-description-british-animal-painter-date-of-birthdeath-1821-16-march-1902-location-of-birth-royal-borough-of-kensington-and-chelsea-authority-control-q1567083-viaf227079-MMRHJH.jpg ". Pitta arquata = Erythropitta arquata[1] . between 1850 and 1883. John Gould (1804–1881) Alternative names Gould Description British zoologist Date of birth/death 14 September 1804 2 March 1881 Location of birth/death Lyme Regis London Authority control : Q313787 VIAF:?29597222 ISNI:?0000 0001 2125 9888 ULAN:?500006638 LCCN:?n79100355 NLA:?35137514 WorldCat & Henry Constantine Richter (1821–1902) Description British animal painter Date of birth/death 1821 16 March 1902 Location of birth Royal Borough of Kensington and Chelsea Authority control : Q1567083 VIAF:?227079 Stock Photo")
. Pitta arquata = Erythropitta arquata[1] . between 1850 and 1883. John Gould (1804–1881) Alternative names Gould Description British zoologist Date of birth/death 14 September 1804 2 March 1881 Location of birth/death Lyme Regis London Authority control : Q313787 VIAF:?29597222 ISNI:?0000 0001 2125 9888 ULAN:?500006638 LCCN:?n79100355 NLA:?35137514 WorldCat & Henry Constantine Richter (1821–1902) Description British animal painter Date of birth/death 1821 16 March 1902 Location of birth Royal Borough of Kensington and Chelsea Authority control : Q1567083 VIAF:?227079 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitta-arquata-=-erythropitta-arquata-1-between-1850-and-1883-john-gould-18041881-alternative-names-gould-description-british-zoologist-date-of-birthdeath-14-september-1804-2-march-1881-location-of-birthdeath-lyme-regis-london-authority-control-q313787-viaf29597222-isni0000-0001-2125-9888-ulan500006638-lccnn79100355-nla35137514-worldcat-henry-constantine-richter-18211902-description-british-animal-painter-date-of-birthdeath-1821-16-march-1902-location-of-birth-royal-borough-of-kensington-and-chelsea-authority-control-q1567083-viaf227079-image184915545.htmlRMMMRHJH–. Pitta arquata = Erythropitta arquata[1] . between 1850 and 1883. John Gould (1804–1881) Alternative names Gould Description British zoologist Date of birth/death 14 September 1804 2 March 1881 Location of birth/death Lyme Regis London Authority control : Q313787 VIAF:?29597222 ISNI:?0000 0001 2125 9888 ULAN:?500006638 LCCN:?n79100355 NLA:?35137514 WorldCat & Henry Constantine Richter (1821–1902) Description British animal painter Date of birth/death 1821 16 March 1902 Location of birth Royal Borough of Kensington and Chelsea Authority control : Q1567083 VIAF:?227079
Large-billed Puffin. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/large-billed-puffin-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880296.htmlRMR3DMHC–Large-billed Puffin. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Nesting Nests, 2018 Woven nests, wood at Shoreline Park, Port Moody, British Columbia, Canada by Christian Blyt, Cameron Cartiere, Jaymie Johnson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nesting-nests-2018-woven-nests-wood-at-shoreline-park-port-moody-british-columbia-canada-by-christian-blyt-cameron-cartiere-jaymie-johnson-image235300819.htmlRMRJPTGK–Nesting Nests, 2018 Woven nests, wood at Shoreline Park, Port Moody, British Columbia, Canada by Christian Blyt, Cameron Cartiere, Jaymie Johnson.
![. British birds. Birds. VOL. XIII.] ORNITHOLOGICAL NOTES. 255 Mr. Caton-Haigh found a few, but does not think that many perished in Lincolnshire. Other birds did not suffer as much as the Rooks, but wings and heads were identified by Mr. Patterson and Mr. Cole as. WEATHER CHART FOR MORNING OF OCTOBER 30TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. belonging to the Hooded Crow, Carrion-Crow, Starling, Redwing, Blackbird, Chaffin Stock Photo](https://c8.alamy.com/comp/RH3APH/british-birds-birds-vol-xiii-ornithological-notes-255-mr-caton-haigh-found-a-few-but-does-not-think-that-many-perished-in-lincolnshire-other-birds-did-not-suffer-as-much-as-the-rooks-but-wings-and-heads-were-identified-by-mr-patterson-and-mr-cole-as-weather-chart-for-morning-of-october-30th-iqiq-the-arrows-show-the-direction-of-the-wind-whose-force-is-indicated-by-the-number-of-quot-feathers-quot-on-the-arrow-the-figures-in-small-circles-show-the-mean-velocity-of-the-wind-in-miles-per-hour-belonging-to-the-hooded-crow-carrion-crow-starling-redwing-blackbird-chaffin-RH3APH.jpg ". British birds. Birds. VOL. XIII.] ORNITHOLOGICAL NOTES. 255 Mr. Caton-Haigh found a few, but does not think that many perished in Lincolnshire. Other birds did not suffer as much as the Rooks, but wings and heads were identified by Mr. Patterson and Mr. Cole as. WEATHER CHART FOR MORNING OF OCTOBER 30TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. belonging to the Hooded Crow, Carrion-Crow, Starling, Redwing, Blackbird, Chaffin Stock Photo"){kind=icon}
. British birds. Birds. VOL. XIII.] ORNITHOLOGICAL NOTES. 255 Mr. Caton-Haigh found a few, but does not think that many perished in Lincolnshire. Other birds did not suffer as much as the Rooks, but wings and heads were identified by Mr. Patterson and Mr. Cole as. WEATHER CHART FOR MORNING OF OCTOBER 30TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. belonging to the Hooded Crow, Carrion-Crow, Starling, Redwing, Blackbird, Chaffin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-birds-birds-vol-xiii-ornithological-notes-255-mr-caton-haigh-found-a-few-but-does-not-think-that-many-perished-in-lincolnshire-other-birds-did-not-suffer-as-much-as-the-rooks-but-wings-and-heads-were-identified-by-mr-patterson-and-mr-cole-as-weather-chart-for-morning-of-october-30th-iqiq-the-arrows-show-the-direction-of-the-wind-whose-force-is-indicated-by-the-number-of-quot-feathers-quot-on-the-arrow-the-figures-in-small-circles-show-the-mean-velocity-of-the-wind-in-miles-per-hour-belonging-to-the-hooded-crow-carrion-crow-starling-redwing-blackbird-chaffin-image234258265.htmlRMRH3APH–. British birds. Birds. VOL. XIII.] ORNITHOLOGICAL NOTES. 255 Mr. Caton-Haigh found a few, but does not think that many perished in Lincolnshire. Other birds did not suffer as much as the Rooks, but wings and heads were identified by Mr. Patterson and Mr. Cole as. WEATHER CHART FOR MORNING OF OCTOBER 30TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. belonging to the Hooded Crow, Carrion-Crow, Starling, Redwing, Blackbird, Chaffin
The game birds and wild fowl of the British Islands (Plate XXI) (6921467988) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-game-birds-and-wild-fowl-of-the-british-islands-plate-xxi-6921467988-161593969.htmlRMKAW6N5–The game birds and wild fowl of the British Islands (Plate XXI) (6921467988)
Blue-Bird. Dated: 1831. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-bird-dated-1831-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225658815.htmlRMR33J3B–Blue-Bird. Dated: 1831. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
. Bulletin of the British Ornithologists' Club. Birds. Jeanne A. Mortimer & Antonio Constance 41 Bull. B.O.C. 2000 120(1) 1982 while studying sea turtles, and 10 years residence by AC since 1956 while working as fisherman and island manager). We focused particularly on the seabirds. Island names accord with those listed in the Constitution of the Republic of Seychelles (1992). In some cases, however, these differ from the more commonly used Kreol names or names found on older nautical charts (e.g. British Admiralty Chart 61301). To avoid confusion, all the names for each island are indicat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-british-ornithologists-club-birds-jeanne-a-mortimer-amp-antonio-constance-41-bull-boc-2000-1201-1982-while-studying-sea-turtles-and-10-years-residence-by-ac-since-1956-while-working-as-fisherman-and-island-manager-we-focused-particularly-on-the-seabirds-island-names-accord-with-those-listed-in-the-constitution-of-the-republic-of-seychelles-1992-in-some-cases-however-these-differ-from-the-more-commonly-used-kreol-names-or-names-found-on-older-nautical-charts-eg-british-admiralty-chart-61301-to-avoid-confusion-all-the-names-for-each-island-are-indicat-image233988120.htmlRMRGK26G–. Bulletin of the British Ornithologists' Club. Birds. Jeanne A. Mortimer & Antonio Constance 41 Bull. B.O.C. 2000 120(1) 1982 while studying sea turtles, and 10 years residence by AC since 1956 while working as fisherman and island manager). We focused particularly on the seabirds. Island names accord with those listed in the Constitution of the Republic of Seychelles (1992). In some cases, however, these differ from the more commonly used Kreol names or names found on older nautical charts (e.g. British Admiralty Chart 61301). To avoid confusion, all the names for each island are indicat
British birds and their eggs (Plate 33) (8452395845) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-birds-and-their-eggs-plate-33-8452395845-image158928828.htmlRMK6FR9G–British birds and their eggs (Plate 33) (8452395845)
Bay-winged Bunting. Dated: 1830. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bay-winged-bunting-dated-1830-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-image226613798.htmlRMR4K45X–Bay-winged Bunting. Dated: 1830. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon.
. British birds. Birds. REVIEWS. OrnitJiological Notes from a South London Suburb, 1874-1909. By F. D. Power, M.R.C.S. 60 pages, 5 illustrations from photographs and a chart. Henry J. Glaisher. 3s. 6d. net. In this unpretentious little volume of less than sixty pages the author has summarized the results of thirty-five years' observations on the birds of some of the South London suburbs. —Dulwich, Brixton, Heme Hill, Sydenham, etc. It might perhaps be considered that observations in such apparently uncongenial localities would hardly be worth pursuing, still less recording, but it must be at o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-birds-birds-reviews-ornitjiological-notes-from-a-south-london-suburb-1874-1909-by-f-d-power-mrcs-60-pages-5-illustrations-from-photographs-and-a-chart-henry-j-glaisher-3s-6d-net-in-this-unpretentious-little-volume-of-less-than-sixty-pages-the-author-has-summarized-the-results-of-thirty-five-years-observations-on-the-birds-of-some-of-the-south-london-suburbs-dulwich-brixton-heme-hill-sydenham-etc-it-might-perhaps-be-considered-that-observations-in-such-apparently-uncongenial-localities-would-hardly-be-worth-pursuing-still-less-recording-but-it-must-be-at-o-image234259904.htmlRMRH3CW4–. British birds. Birds. REVIEWS. OrnitJiological Notes from a South London Suburb, 1874-1909. By F. D. Power, M.R.C.S. 60 pages, 5 illustrations from photographs and a chart. Henry J. Glaisher. 3s. 6d. net. In this unpretentious little volume of less than sixty pages the author has summarized the results of thirty-five years' observations on the birds of some of the South London suburbs. —Dulwich, Brixton, Heme Hill, Sydenham, etc. It might perhaps be considered that observations in such apparently uncongenial localities would hardly be worth pursuing, still less recording, but it must be at o
British birds and their eggs (Plate 84) (8452415349) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-birds-and-their-eggs-plate-84-8452415349-image158928804.htmlRMK6FR8M–British birds and their eggs (Plate 84) (8452415349)
Violet-green Cormorant and Townsend's Cormorant. Dated: 1838. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/violet-green-cormorant-and-townsends-cormorant-dated-1838-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-image225579706.htmlRMR30162–Violet-green Cormorant and Townsend's Cormorant. Dated: 1838. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon.
![. British birds. Birds. 254 BRITISH BIRDS. [vol. XIII, Mr. Pinchen noticed several, but did not count. At Mundesley Miss Woods reports a considerable number, and at Eccles Mr. Robert Gurney totalled up twenty-four. At Lowestoft Mr. F. C. Cook discovered several on the sand, and at. WEATHER CHART FOR MORNING OF OCTOBER 29TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. Yarmouth Mr. Arthur Patterson and Mr. Dye saw fifteen on the so Stock Photo](https://c8.alamy.com/comp/RH3AR1/british-birds-birds-254-british-birds-vol-xiii-mr-pinchen-noticed-several-but-did-not-count-at-mundesley-miss-woods-reports-a-considerable-number-and-at-eccles-mr-robert-gurney-totalled-up-twenty-four-at-lowestoft-mr-f-c-cook-discovered-several-on-the-sand-and-at-weather-chart-for-morning-of-october-29th-iqiq-the-arrows-show-the-direction-of-the-wind-whose-force-is-indicated-by-the-number-of-quot-feathers-quot-on-the-arrow-the-figures-in-small-circles-show-the-mean-velocity-of-the-wind-in-miles-per-hour-yarmouth-mr-arthur-patterson-and-mr-dye-saw-fifteen-on-the-so-RH3AR1.jpg ". British birds. Birds. 254 BRITISH BIRDS. [vol. XIII, Mr. Pinchen noticed several, but did not count. At Mundesley Miss Woods reports a considerable number, and at Eccles Mr. Robert Gurney totalled up twenty-four. At Lowestoft Mr. F. C. Cook discovered several on the sand, and at. WEATHER CHART FOR MORNING OF OCTOBER 29TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. Yarmouth Mr. Arthur Patterson and Mr. Dye saw fifteen on the so Stock Photo"){kind=icon}
. British birds. Birds. 254 BRITISH BIRDS. [vol. XIII, Mr. Pinchen noticed several, but did not count. At Mundesley Miss Woods reports a considerable number, and at Eccles Mr. Robert Gurney totalled up twenty-four. At Lowestoft Mr. F. C. Cook discovered several on the sand, and at. WEATHER CHART FOR MORNING OF OCTOBER 29TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. Yarmouth Mr. Arthur Patterson and Mr. Dye saw fifteen on the so Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-birds-birds-254-british-birds-vol-xiii-mr-pinchen-noticed-several-but-did-not-count-at-mundesley-miss-woods-reports-a-considerable-number-and-at-eccles-mr-robert-gurney-totalled-up-twenty-four-at-lowestoft-mr-f-c-cook-discovered-several-on-the-sand-and-at-weather-chart-for-morning-of-october-29th-iqiq-the-arrows-show-the-direction-of-the-wind-whose-force-is-indicated-by-the-number-of-quot-feathers-quot-on-the-arrow-the-figures-in-small-circles-show-the-mean-velocity-of-the-wind-in-miles-per-hour-yarmouth-mr-arthur-patterson-and-mr-dye-saw-fifteen-on-the-so-image234258277.htmlRMRH3AR1–. British birds. Birds. 254 BRITISH BIRDS. [vol. XIII, Mr. Pinchen noticed several, but did not count. At Mundesley Miss Woods reports a considerable number, and at Eccles Mr. Robert Gurney totalled up twenty-four. At Lowestoft Mr. F. C. Cook discovered several on the sand, and at. WEATHER CHART FOR MORNING OF OCTOBER 29TH, IQIQ. The arrows show the direction of the wind, whose force is indicated by the number of " feathers " on the arrow. The figures in small circles show the mean velocity of the wind in miles per hour. Yarmouth Mr. Arthur Patterson and Mr. Dye saw fifteen on the so
Ornithological dictionary of British birds (Page 264) BHL43750412 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ornithological-dictionary-of-british-birds-page-264-bhl43750412-160798551.htmlRMK9H05B–Ornithological dictionary of British birds (Page 264) BHL43750412
Great Auk. Dated: 1836. Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-auk-dated-1836-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-image225653669.htmlRMR33BFH–Great Auk. Dated: 1836. Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon.
Lord's Entire new system of ornithology, or, Oecumenical history of British birds (Pl. CVII) (21864271356) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lords-entire-new-system-of-ornithology-or-oecumenical-history-of-british-160541165.htmlRMK957W1–Lord's Entire new system of ornithology, or, Oecumenical history of British birds (Pl. CVII) (21864271356)
Hemlock Warbler. Dated: 1832. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hemlock-warbler-dated-1832-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226613692.htmlRMR4K424–Hemlock Warbler. Dated: 1832. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Lord's Entire new system of ornithology, or, Oecumenical history of British birds (Pl. XCII) BHL48426184 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lords-entire-new-system-of-ornithology-or-oecumenical-history-of-british-160491751.htmlRMK930T7–Lord's Entire new system of ornithology, or, Oecumenical history of British birds (Pl. XCII) BHL48426184
Fish Hawk. Dated: 1830. Dimensions: plate: 96.1 x 64 cm (37 13/16 x 25 3/16 in.) sheet: 100 x 66.6 cm (39 3/8 x 26 1/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fish-hawk-dated-1830-dimensions-plate-961-x-64-cm-37-1316-x-25-316-in-sheet-100-x-666-cm-39-38-x-26-14-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image225880751.htmlRMR3DN5K–Fish Hawk. Dated: 1830. Dimensions: plate: 96.1 x 64 cm (37 13/16 x 25 3/16 in.) sheet: 100 x 66.6 cm (39 3/8 x 26 1/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
British zoology (Pl. XLIII) (7651236232) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-zoology-pl-xliii-7651236232-image158939533.htmlRMK6G8YW–British zoology (Pl. XLIII) (7651236232)
Lincoln Finch. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lincoln-finch-dated-1834-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225554943.htmlRMR2XWHK–Lincoln Finch. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Great Esquimaux Curlew. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-esquimaux-curlew-dated-1835-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226613669.htmlRMR4K419–Great Esquimaux Curlew. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Red-cockaded Woodpecker. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-cockaded-woodpecker-dated-1837-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880766.htmlRMR3DN66–Red-cockaded Woodpecker. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Glossy Ibis. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glossy-ibis-dated-1837-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225728572.htmlRMR36R2M–Glossy Ibis. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Great Marbled Godwit. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-marbled-godwit-dated-1835-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880104.htmlRMR3DMAG–Great Marbled Godwit. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Yellow-breasted Chat. Dated: 1832. Dimensions: plate: 65.5 x 52 cm (25 13/16 x 20 1/2 in.) sheet: 100.2 x 67.5 cm (39 7/16 x 26 9/16 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yellow-breasted-chat-dated-1832-dimensions-plate-655-x-52-cm-25-1316-x-20-12-in-sheet-1002-x-675-cm-39-716-x-26-916-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226449588.htmlRMR4BJN8–Yellow-breasted Chat. Dated: 1832. Dimensions: plate: 65.5 x 52 cm (25 13/16 x 20 1/2 in.) sheet: 100.2 x 67.5 cm (39 7/16 x 26 9/16 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Kittiwake Gull. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kittiwake-gull-dated-1834-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226449620.htmlRMR4BJPC–Kittiwake Gull. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Yellow-billed Magpie, Stellers Jay, Ultramarine Jay and Clark's Crow. Dated: 1837. Dimensions: plate: 66 x 55.9 cm (26 x 22 in.) sheet: 100.3 x 67.6 cm (39 1/2 x 26 5/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yellow-billed-magpie-stellers-jay-ultramarine-jay-and-clarks-crow-dated-1837-dimensions-plate-66-x-559-cm-26-x-22-in-sheet-1003-x-676-cm-39-12-x-26-58-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225585025.htmlRMR30801–Yellow-billed Magpie, Stellers Jay, Ultramarine Jay and Clark's Crow. Dated: 1837. Dimensions: plate: 66 x 55.9 cm (26 x 22 in.) sheet: 100.3 x 67.6 cm (39 1/2 x 26 5/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Common Buzzard. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/common-buzzard-dated-1837-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880268.htmlRMR3DMGC–Common Buzzard. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Ring Plover. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ring-plover-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880180.htmlRMR3DMD8–Ring Plover. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Barn Owl. Dated: 1833. Dimensions: plate: 97.5 x 65.5 cm (38 3/8 x 25 13/16 in.) sheet: 100.5 x 68.3 cm (39 9/16 x 26 7/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/barn-owl-dated-1833-dimensions-plate-975-x-655-cm-38-38-x-25-1316-in-sheet-1005-x-683-cm-39-916-x-26-78-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880885.htmlRMR3DNAD–Barn Owl. Dated: 1833. Dimensions: plate: 97.5 x 65.5 cm (38 3/8 x 25 13/16 in.) sheet: 100.5 x 68.3 cm (39 9/16 x 26 7/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Green Heron. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/green-heron-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880928.htmlRMR3DNC0–Green Heron. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Red-Headed Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-headed-duck-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880274.htmlRMR3DMGJ–Red-Headed Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Columbian Humming Bird. Dated: 1838. Dimensions: plate: 49.2 x 31.1 cm (19 3/8 x 12 1/4 in.) sheet: 99.5 x 68.3 cm (39 3/16 x 26 7/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/columbian-humming-bird-dated-1838-dimensions-plate-492-x-311-cm-19-38-x-12-14-in-sheet-995-x-683-cm-39-316-x-26-78-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image225880407.htmlRMR3DMNB–Columbian Humming Bird. Dated: 1838. Dimensions: plate: 49.2 x 31.1 cm (19 3/8 x 12 1/4 in.) sheet: 99.5 x 68.3 cm (39 3/16 x 26 7/8 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Belted Kingsfisher. Dated: 1830. Dimensions: plate: 65.5 x 52.6 cm (25 13/16 x 20 11/16 in.) sheet: 100.5 x 67.5 cm (39 9/16 x 26 9/16 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belted-kingsfisher-dated-1830-dimensions-plate-655-x-526-cm-25-1316-x-20-1116-in-sheet-1005-x-675-cm-39-916-x-26-916-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226613664.htmlRMR4K414–Belted Kingsfisher. Dated: 1830. Dimensions: plate: 65.5 x 52.6 cm (25 13/16 x 20 11/16 in.) sheet: 100.5 x 67.5 cm (39 9/16 x 26 9/16 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Spotted Sandpiper. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spotted-sandpiper-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-audubon-john-james-image225880781.htmlRMR3DN6N–Spotted Sandpiper. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. AUDUBON, JOHN JAMES.
Brown Pelican. Dated: 1835. Dimensions: sheet: 100.3 x 67.3 cm (39 1/2 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brown-pelican-dated-1835-dimensions-sheet-1003-x-673-cm-39-12-x-26-12-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226613647.htmlRMR4K40F–Brown Pelican. Dated: 1835. Dimensions: sheet: 100.3 x 67.3 cm (39 1/2 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Pied Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pied-duck-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-image225880742.htmlRMR3DN5A–Pied Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.
Canvas-backed Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canvas-backed-duck-dated-1836-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225591302.htmlRMR30G06–Canvas-backed Duck. Dated: 1836. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Louisiana Heron. Dated: 1834. Dimensions: plate: 52.8 x 66 cm (20 13/16 x 26 in.) sheet: 68.5 x 101.2 cm (26 15/16 x 39 13/16 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louisiana-heron-dated-1834-dimensions-plate-528-x-66-cm-20-1316-x-26-in-sheet-685-x-1012-cm-26-1516-x-39-1316-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880687.htmlRMR3DN3B–Louisiana Heron. Dated: 1834. Dimensions: plate: 52.8 x 66 cm (20 13/16 x 26 in.) sheet: 68.5 x 101.2 cm (26 15/16 x 39 13/16 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Shoveller Duck. Dated: 1836. Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shoveller-duck-dated-1836-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image225880685.htmlRMR3DN39–Shoveller Duck. Dated: 1836. Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
American Snipe. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-snipe-dated-1835-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880586.htmlRMR3DMYP–American Snipe. Dated: 1835. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Long-billed Curlew. Dated: 1834. Dimensions: plate: 64.1 x 96.5 cm (25 1/4 x 38 in.) sheet: 67.3 x 100.3 cm (26 1/2 x 39 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-billed-curlew-dated-1834-dimensions-plate-641-x-965-cm-25-14-x-38-in-sheet-673-x-1003-cm-26-12-x-39-12-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image226449669.htmlRMR4BJT5–Long-billed Curlew. Dated: 1834. Dimensions: plate: 64.1 x 96.5 cm (25 1/4 x 38 in.) sheet: 67.3 x 100.3 cm (26 1/2 x 39 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Roseate Spoonbill. Dated: 1836. Dimensions: plate: 64.5 x 97.2 cm (25 3/8 x 38 1/4 in.) sheet: 67.3 x 100.3 cm (26 1/2 x 39 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roseate-spoonbill-dated-1836-dimensions-plate-645-x-972-cm-25-38-x-38-14-in-sheet-673-x-1003-cm-26-12-x-39-12-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880177.htmlRMR3DMD5–Roseate Spoonbill. Dated: 1836. Dimensions: plate: 64.5 x 97.2 cm (25 3/8 x 38 1/4 in.) sheet: 67.3 x 100.3 cm (26 1/2 x 39 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Florida Jays. Dated: 1830. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florida-jays-dated-1830-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226449515.htmlRMR4BJJK–Florida Jays. Dated: 1830. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Band-tailed Pigeon. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-tailed-pigeon-dated-1837-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image226449728.htmlRMR4BJX8–Band-tailed Pigeon. Dated: 1837. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Iceland or Jer Falcon. Dated: 1837. Dimensions: plate: 98.1 x 64.8 cm (38 5/8 x 25 1/2 in.) sheet: 100.7 x 67.3 cm (39 5/8 x 26 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iceland-or-jer-falcon-dated-1837-dimensions-plate-981-x-648-cm-38-58-x-25-12-in-sheet-1007-x-673-cm-39-58-x-26-12-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-robert-havell-john-james-audubon-image225419676.htmlRMR2MN2M–Iceland or Jer Falcon. Dated: 1837. Dimensions: plate: 98.1 x 64.8 cm (38 5/8 x 25 1/2 in.) sheet: 100.7 x 67.3 cm (39 5/8 x 26 1/2 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Robert Havell. John James Audubon.
Boat-tailed Grackle. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boat-tailed-grackle-dated-1834-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image226613597.htmlRMR4K3XN–Boat-tailed Grackle. Dated: 1834. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Snowy Heron, or White Egret. Dated: 1835. Dimensions: plate: 65.4 x 52.7 cm (25 3/4 x 20 3/4 in.) sheet: 100 x 68 cm (39 3/8 x 26 3/4 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snowy-heron-or-white-egret-dated-1835-dimensions-plate-654-x-527-cm-25-34-x-20-34-in-sheet-100-x-68-cm-39-38-x-26-34-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image226613612.htmlRMR4K3Y8–Snowy Heron, or White Egret. Dated: 1835. Dimensions: plate: 65.4 x 52.7 cm (25 3/4 x 20 3/4 in.) sheet: 100 x 68 cm (39 3/8 x 26 3/4 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Pileated Woodpecker. Dated: 1831. Dimensions: plate: 98.4 x 64.8 cm (38 3/4 x 25 1/2 in.) sheet: 101 x 67.9 cm (39 3/4 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pileated-woodpecker-dated-1831-dimensions-plate-984-x-648-cm-38-34-x-25-12-in-sheet-101-x-679-cm-39-34-x-26-34-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225880118.htmlRMR3DMB2–Pileated Woodpecker. Dated: 1831. Dimensions: plate: 98.4 x 64.8 cm (38 3/4 x 25 1/2 in.) sheet: 101 x 67.9 cm (39 3/4 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Mallard Duck. Dated: 1834. Dimensions: plate: 65.4 x 97.2 cm (25 3/4 x 38 1/4 in.) sheet: 68.3 x 68 cm (26 7/8 x 26 3/4 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mallard-duck-dated-1834-dimensions-plate-654-x-972-cm-25-34-x-38-14-in-sheet-683-x-68-cm-26-78-x-26-34-in-medium-hand-colored-engraving-and-aquatint-on-whatman-wove-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image225881012.htmlRMR3DNF0–Mallard Duck. Dated: 1834. Dimensions: plate: 65.4 x 97.2 cm (25 3/4 x 38 1/4 in.) sheet: 68.3 x 68 cm (26 7/8 x 26 3/4 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
Columbia Jay. Dated: 1830. Dimensions: plate: 97 x 64 cm (38 3/16 x 25 3/16 in.) sheet: 99.7 x 66.7 cm (39 1/4 x 26 1/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/columbia-jay-dated-1830-dimensions-plate-97-x-64-cm-38-316-x-25-316-in-sheet-997-x-667-cm-39-14-x-26-14-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-image226613670.htmlRMR4K41A–Columbia Jay. Dated: 1830. Dimensions: plate: 97 x 64 cm (38 3/16 x 25 3/16 in.) sheet: 99.7 x 66.7 cm (39 1/4 x 26 1/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE.
Snowy Owl. Dated: 1831. Dimensions: plate: 89.5 x 65.4 cm (35 1/4 x 25 3/4 in.) sheet: 100.7 x 68 cm (39 5/8 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snowy-owl-dated-1831-dimensions-plate-895-x-654-cm-35-14-x-25-34-in-sheet-1007-x-68-cm-39-58-x-26-34-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226449704.htmlRMR4BJWC–Snowy Owl. Dated: 1831. Dimensions: plate: 89.5 x 65.4 cm (35 1/4 x 25 3/4 in.) sheet: 100.7 x 68 cm (39 5/8 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
