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1641 1642 Stock Photos and Images
Sick Woman with a Large White Headdress circa 1641-1642. N/A 159 B359 Rembrandt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sick-woman-with-a-large-white-headdress-circa-1641-1642-na-159-b359-rembrandt-image210069548.htmlRMP5NDRT–Sick Woman with a Large White Headdress circa 1641-1642. N/A 159 B359 Rembrandt
SHEET OF STUDIES WITH SASKIA Harmensz Van Rijn Rembrandt (1606-1669). 'Feuille d'études avec Saskia au lit (B 369 - état unique), vers 1641-1642'. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-studies-with-saskia-harmensz-van-rijn-rembrandt-1606-1669-feuille-dtudes-avec-saskia-au-lit-b-369-tat-unique-vers-1641-1642-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350204462.htmlRM2B9N5A6–SHEET OF STUDIES WITH SASKIA Harmensz Van Rijn Rembrandt (1606-1669). 'Feuille d'études avec Saskia au lit (B 369 - état unique), vers 1641-1642'. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sick Woman with a Large White Headdress (Saskia), c. 1641/1642, etching, with touches of drypoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-artist-dutch-1606-1669-sick-woman-with-a-large-white-headdress-saskia-c-16411642-etching-with-touches-of-drypoint-image386313969.htmlRM2DCE3BD–Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sick Woman with a Large White Headdress (Saskia), c. 1641/1642, etching, with touches of drypoint
Christ Taken Before Caiaphas, c. 1641-1642. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink and brush and brown wash, with white gouache; sheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); secondary support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-taken-before-caiaphas-c-1641-1642-rembrandt-van-rijn-dutch-1606-1669-pen-and-brown-ink-and-brush-and-brown-wash-with-white-gouache-sheet-182-x-234-cm-7-316-x-9-316-in-secondary-support-182-x-234-cm-7-316-x-9-316-in-image448100965.htmlRM2H10N9W–Christ Taken Before Caiaphas, c. 1641-1642. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink and brush and brown wash, with white gouache; sheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); secondary support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.).
Nicolas Poussin, The Miracle of Saint Francis Xavier, painting, 1641-1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-poussin-the-miracle-of-saint-francis-xavier-painting-1641-1642-image329788269.htmlRM2A4F48D–Nicolas Poussin, The Miracle of Saint Francis Xavier, painting, 1641-1642
The Holy Family, About 1641-1642, Simon VOUET, Paris, 1590 - 1649, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-about-1641-1642-simon-vouet-paris-1590-1649-muse-du-louvre-paris-france-image623471862.htmlRM2Y69GM6–The Holy Family, About 1641-1642, Simon VOUET, Paris, 1590 - 1649, Musée du Louvre, Paris, France.
La Sainte Famille - The Holy Family, 1641-1642 Simon VOUET, 1590 - 1649, Paris, France, French, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-sainte-famille-the-holy-family-1641-1642-simon-vouet-1590-1649-paris-france-french-image244927062.htmlRMT6DAY2–La Sainte Famille - The Holy Family, 1641-1642 Simon VOUET, 1590 - 1649, Paris, France, French,
The Blessed Soul (Anima Beata), 1641-1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blessed-soul-anima-beata-1641-1642-image186191506.htmlRMMPWN4J–The Blessed Soul (Anima Beata), 1641-1642.
The Resurrected Christ Conqueror of Death, Appearing to Virgin Mary, Queen of Heaven 1641-1642 Theodoor van Thulden 1606-1669 Dutch The Netherlands France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrected-christ-conqueror-of-death-appearing-to-virgin-mary-queen-of-heaven-1641-1642-theodoor-van-thulden-1606-1669-dutch-the-netherlands-france-french-image357432037.htmlRM2BNEC5W–The Resurrected Christ Conqueror of Death, Appearing to Virgin Mary, Queen of Heaven 1641-1642 Theodoor van Thulden 1606-1669 Dutch The Netherlands France French
The Baptism of Christ, painting by Nicolas Poussin, 1641-1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-baptism-of-christ-painting-by-nicolas-poussin-1641-1642-image431730269.htmlRM2G2B0A5–The Baptism of Christ, painting by Nicolas Poussin, 1641-1642
No. 1636. Ignition cartridge, No. 1637. Production of track with front cable and rear cable, No. 1638. Barge construction and princely construction with service in shaft and stretches, No. 1639-1640. Pneumatic conveyor from Blanchet, 1641-1642. Brickworks, 1643. Handgöpel, No. 1644-45. Removal with iron rails, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/no-1636-ignition-cartridge-no-1637-production-of-track-with-front-cable-and-rear-cable-no-1638-barge-construction-and-princely-construction-with-service-in-shaft-and-stretches-no-1639-1640-pneumatic-conveyor-from-blanchet-1641-1642-brickworks-1643-handgpel-no-1644-45-removal-with-iron-rails-image222231785.htmlRMPWFEWD–No. 1636. Ignition cartridge, No. 1637. Production of track with front cable and rear cable, No. 1638. Barge construction and princely construction with service in shaft and stretches, No. 1639-1640. Pneumatic conveyor from Blanchet, 1641-1642. Brickworks, 1643. Handgöpel, No. 1644-45. Removal with iron rails,
Lahore Punjab Pakistan Shalimar Gardens Constructed by Shah Jahan 1641-1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lahore-punjab-pakistan-shalimar-gardens-constructed-by-shah-jahan-image9277433.htmlRMAT8ARA–Lahore Punjab Pakistan Shalimar Gardens Constructed by Shah Jahan 1641-1642
Communion cup 1641–42 Probably by H. Babington. Communion cup 195246 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/communion-cup-164142-probably-by-h-babington-communion-cup-195246-image458083877.htmlRM2HH7EJD–Communion cup 1641–42 Probably by H. Babington. Communion cup 195246
This 1641-1642 etching by Matthäus Merian and Hans Caspar Lang der Ältere depicts Schaffhausen, part of the 'Topographia Helvetiae' series. The print, measuring 21.2 x 37.2 cm, shows detailed views of the town and surrounding landscape. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1641-1642-etching-by-matthus-merian-and-hans-caspar-lang-der-ltere-depicts-schaffhausen-part-of-the-topographia-helvetiae-series-the-print-measuring-212-x-372-cm-shows-detailed-views-of-the-town-and-surrounding-landscape-image665339741.htmlRM3AJCRHH–This 1641-1642 etching by Matthäus Merian and Hans Caspar Lang der Ältere depicts Schaffhausen, part of the 'Topographia Helvetiae' series. The print, measuring 21.2 x 37.2 cm, shows detailed views of the town and surrounding landscape.
Bliżej Kultury Unknown, Höhn, Jan (younger) (1641/1642 1693) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bliej-kultury-unknown-hhn-jan-younger-16411642-1693-image471439348.htmlRM2JAYWKG–Bliżej Kultury Unknown, Höhn, Jan (younger) (1641/1642 1693)
The Holy Family, About 1641-1642, Simon VOUET, Paris, 1590 - 1649, Musée du Louvre, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-about-1641-1642-simon-vouet-paris-1590-1649-muse-du-louvre-paris-france-image621632550.htmlRM2Y39PJE–The Holy Family, About 1641-1642, Simon VOUET, Paris, 1590 - 1649, Musée du Louvre, Paris, France
Sheet of Studies with a Woman Lying Ill in Bed, etc. ca. 1641/42 Rembrandt (Rembrandt van Rijn) Dutch. Sheet of Studies with a Woman Lying Ill in Bed, etc.. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam). ca. 1641/42. Etching. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-studies-with-a-woman-lying-ill-in-bed-etc-ca-164142-rembrandt-rembrandt-van-rijn-dutch-sheet-of-studies-with-a-woman-lying-ill-in-bed-etc-rembrandt-rembrandt-van-rijn-dutch-leiden-16061669-amsterdam-ca-164142-etching-prints-image458126039.htmlRM2HH9CC7–Sheet of Studies with a Woman Lying Ill in Bed, etc. ca. 1641/42 Rembrandt (Rembrandt van Rijn) Dutch. Sheet of Studies with a Woman Lying Ill in Bed, etc.. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam). ca. 1641/42. Etching. Prints
Boats at a jetty in a river, 1641-1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-at-a-jetty-in-a-river-1641-1642-image565263819.htmlRM2RRHYNF–Boats at a jetty in a river, 1641-1642.
Charles I demanding in the House of Commons the five impeached members, 1641-1642 , Kings, Legislative bodies, Impeachments, Charles I, King of England, 1600-1649, Great Britain. Parliament. House of Commons Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-demanding-in-the-house-of-commons-the-five-impeached-members-1641-1642-kings-legislative-bodies-impeachments-charles-i-king-of-england-1600-1649-great-britain-parliament-house-of-commons-image500487779.htmlRM2M2757F–Charles I demanding in the House of Commons the five impeached members, 1641-1642 , Kings, Legislative bodies, Impeachments, Charles I, King of England, 1600-1649, Great Britain. Parliament. House of Commons
Sheet of Studies, with a Woman Lying Ill in Bed, etc circa 1641-1642. N/A 159 B369 Rembrandt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-studies-with-a-woman-lying-ill-in-bed-etc-circa-1641-1642-na-159-b369-rembrandt-image210069546.htmlRMP5NDRP–Sheet of Studies, with a Woman Lying Ill in Bed, etc circa 1641-1642. N/A 159 B369 Rembrandt
Nicolas Poussin, The Baptism of Christ, 1641-1642 The Baptism of Christ; 1641/1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-poussin-the-baptism-of-christ-1641-1642-the-baptism-of-christ-16411642-image336037499.htmlRM2AEKR77–Nicolas Poussin, The Baptism of Christ, 1641-1642 The Baptism of Christ; 1641/1642
Sheet of Studies, with a Woman Lying Ill in Bed, etc circa 1641-1642. 1052 Rembrandt van Rijn - Sheet of Studies Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-studies-with-a-woman-lying-ill-in-bed-etc-circa-1641-1642-1052-rembrandt-van-rijn-sheet-of-studies-image185601422.htmlRMMNXTE6–Sheet of Studies, with a Woman Lying Ill in Bed, etc circa 1641-1642. 1052 Rembrandt van Rijn - Sheet of Studies
Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sheet of Studies including a Woman Lying Ill in Bed, c. 1641/1642, etching, plate: 15.4 x 14 cm (6 1/16 x 5 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-artist-dutch-1606-1669-sheet-of-studies-including-a-woman-lying-ill-in-bed-c-16411642-etching-plate-154-x-14-cm-6-116-x-5-12-in-image386269104.htmlRM2DCC254–Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sheet of Studies including a Woman Lying Ill in Bed, c. 1641/1642, etching, plate: 15.4 x 14 cm (6 1/16 x 5 1/2 in
Français : Sainte Famille between 1641 and 1642. 1025 Sainte Famille - Poussin - DetroitIA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-sainte-famille-between-1641-and-1642-1025-sainte-famille-poussin-detroitia-image185552420.htmlRMMNTJ04–Français : Sainte Famille between 1641 and 1642. 1025 Sainte Famille - Poussin - DetroitIA
Sick Woman with a Large White Headdress (Saskia). Dated: c. 1641/1642. Medium: etching, with touches of drypoint. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sick-woman-with-a-large-white-headdress-saskia-dated-c-16411642-medium-etching-with-touches-of-drypoint-museum-national-gallery-of-art-washington-dc-author-rembrandt-harmenszoon-van-rijn-image225697594.htmlRMR35BGA–Sick Woman with a Large White Headdress (Saskia). Dated: c. 1641/1642. Medium: etching, with touches of drypoint. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN.
Cupid on Horseback before 1639 (model), 1640–64 (cast) Francesco Fanelli Italian. Cupid on Horseback. Francesco Fanelli (Italian, born Florence 1577, active Genoa (1605–30) and England (1632–39)). before 1639 (model), 1640–64 (cast). Copper alloy, covered with a dark brown lacquer patina.. Metalwork-Bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cupid-on-horseback-before-1639-model-164064-cast-francesco-fanelli-italian-cupid-on-horseback-francesco-fanelli-italian-born-florence-1577-active-genoa-160530-and-england-163239-before-1639-model-164064-cast-copper-alloy-covered-with-a-dark-brown-lacquer-patina-metalwork-bronze-image458111165.htmlRM2HH8ND1–Cupid on Horseback before 1639 (model), 1640–64 (cast) Francesco Fanelli Italian. Cupid on Horseback. Francesco Fanelli (Italian, born Florence 1577, active Genoa (1605–30) and England (1632–39)). before 1639 (model), 1640–64 (cast). Copper alloy, covered with a dark brown lacquer patina.. Metalwork-Bronze
The Tankreinigungsschiff Förde (Y 1641) was a tank cleaning ship of the German Bundeswehr, commissioned in 1967 and decommissioned in 1992. It was part of the Förde class alongside its sister ship, Jade (Y 1642). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tankreinigungsschiff-frde-y-1641-was-a-tank-cleaning-ship-of-the-114808103.htmlRMGJNXWB–The Tankreinigungsschiff Förde (Y 1641) was a tank cleaning ship of the German Bundeswehr, commissioned in 1967 and decommissioned in 1992. It was part of the Förde class alongside its sister ship, Jade (Y 1642).
Bliżej Kultury Unknown, Höhn, Jan (younger) (1641/1642 1693) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bliej-kultury-unknown-hhn-jan-younger-16411642-1693-image471438305.htmlRM2JAYTA9–Bliżej Kultury Unknown, Höhn, Jan (younger) (1641/1642 1693)
Fowler Ploughing Engine, regn. NR 1213, number 1642. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1212 number 1641. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fowler-ploughing-engine-regn-nr-1213-number-1642-built-in-1871-by-john-fowler-co-in-leeds-powered-by-an-12-nhp-single-cylinder-steam-engine-one-of-a-left-hand-right-hand-pair-with-nr1212-number-1641-image504855827.htmlRM2M9A4N7–Fowler Ploughing Engine, regn. NR 1213, number 1642. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1212 number 1641.
Boats at a jetty in a river, Aelbert Cuyp, 1641 - 1642 drawing paper. watercolor (paint). ink. chalk pen / brush Dordrecht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-at-a-jetty-in-a-river-aelbert-cuyp-1641-1642-drawing-paper-watercolor-paint-ink-chalk-pen-brush-dordrecht-image595566376.htmlRM2WGXAYM–Boats at a jetty in a river, Aelbert Cuyp, 1641 - 1642 drawing paper. watercolor (paint). ink. chalk pen / brush Dordrecht
The execution of Thomas Wentworth, 1st Earl of Strafford (1593-1641), an English statesman and a major figure in the period leading up to the English Civil War. He served in Parliament and was a supporter of King Charles I. From 1632 to 1640 he was Lord Deputy of Ireland, where he established a strong authoritarian rule. Recalled to England, he became a leading advisor to the King, attempting to strengthen the royal position against Parliament. When Parliament condemned Wentworth to death, Charles reluctantly signed the death warrant and Wentworth was executed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-execution-of-thomas-wentworth-1st-earl-of-strafford-1593-1641-an-english-statesman-and-a-major-figure-in-the-period-leading-up-to-the-english-civil-war-he-served-in-parliament-and-was-a-supporter-of-king-charles-i-from-1632-to-1640-he-was-lord-deputy-of-ireland-where-he-established-a-strong-authoritarian-rule-recalled-to-england-he-became-a-leading-advisor-to-the-king-attempting-to-strengthen-the-royal-position-against-parliament-when-parliament-condemned-wentworth-to-death-charles-reluctantly-signed-the-death-warrant-and-wentworth-was-executed-image418332774.htmlRM2F8GKM6–The execution of Thomas Wentworth, 1st Earl of Strafford (1593-1641), an English statesman and a major figure in the period leading up to the English Civil War. He served in Parliament and was a supporter of King Charles I. From 1632 to 1640 he was Lord Deputy of Ireland, where he established a strong authoritarian rule. Recalled to England, he became a leading advisor to the King, attempting to strengthen the royal position against Parliament. When Parliament condemned Wentworth to death, Charles reluctantly signed the death warrant and Wentworth was executed.
Lord George Stuart, 9th Seigneur of Aubigny (1618-1642). Scottish nobleman and military. Royalist commander. He is depicted as a shepherd, standing in an Arcadian landscape. Portrait by Anthony van Dyck (1599-1641). Oil on canvas (218,4 x 133,4 cm), ca. 1638. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lord-george-stuart-9th-seigneur-of-aubigny-1618-1642-scottish-nobleman-and-military-royalist-commander-he-is-depicted-as-a-shepherd-standing-in-an-arcadian-landscape-portrait-by-anthony-van-dyck-1599-1641-oil-on-canvas-2184-x-1334-cm-ca-1638-national-portrait-gallery-london-england-united-kingdom-image435475233.htmlRM2G8DH2W–Lord George Stuart, 9th Seigneur of Aubigny (1618-1642). Scottish nobleman and military. Royalist commander. He is depicted as a shepherd, standing in an Arcadian landscape. Portrait by Anthony van Dyck (1599-1641). Oil on canvas (218,4 x 133,4 cm), ca. 1638. National Portrait Gallery. London, England, United Kingdom.
*Amberkeletus, King of Scotland* by Jacob Jacobsz de Wet II (1641/1642–1697) was painted between 1684 and 1686. This oil on canvas portrays the early Scottish king Amberkeletus in regal attire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amberkeletus-king-of-scotland-by-jacob-jacobsz-de-wet-ii-164116421697-was-painted-between-1684-and-1686-this-oil-on-canvas-portrays-the-early-scottish-king-amberkeletus-in-regal-attire-image682712109.htmlRM3BJM679–*Amberkeletus, King of Scotland* by Jacob Jacobsz de Wet II (1641/1642–1697) was painted between 1684 and 1686. This oil on canvas portrays the early Scottish king Amberkeletus in regal attire.
Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-jules-mazarin-1602-61-by-mignard-pierre-1612-95-france-french-louvre-museum-paris-france-jules-mazarin-from-1641-known-as-cardinal-mazarin-was-an-italian-catholic-prelate-diplomat-and-politician-who-served-as-the-chief-minister-to-the-kings-of-france-louis-xiii-and-louis-xiv-from-1642-to-his-death-he-was-made-a-cardinal-in-1641-image697114605.htmlRM3CE48P5–Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) )
James Butler, 1st Duke of Ormond Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-butler-1st-duke-of-ormond-image470673525.htmlRM2J9N0TN–James Butler, 1st Duke of Ormond
Engravint of Galileo Galilei's portrait. 1641 Galileo di Vincenzo Bonaiuti de' Galilei (1564 – 1642) was an Italian astronomer, physicist and enginee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engravint-of-galileo-galileis-portrait-1641-galileo-di-vincenzo-bonaiuti-de-galilei-1564-1642-was-an-italian-astronomer-physicist-and-enginee-image433345420.htmlRM2G50GE4–Engravint of Galileo Galilei's portrait. 1641 Galileo di Vincenzo Bonaiuti de' Galilei (1564 – 1642) was an Italian astronomer, physicist and enginee
Sick Woman with a Large White Headdress (Saskia), c. 1641/1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sick-woman-with-a-large-white-headdress-saskia-c-16411642-image418811986.htmlRM2F9AEXX–Sick Woman with a Large White Headdress (Saskia), c. 1641/1642.
Monteverdi, Claudio Italian operatic composer. composed operas Orfeo 1607, The Return of Ulysses 1641 (also Il Ritorno d'Ulisse), The Coronation of Poppaea 1642 (also L'Incoronazione di Poppea) 1567-1643 . . . . . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monteverdi-claudio-italian-operatic-composer-composed-operas-orfeo-1607-the-return-of-ulysses-1641-also-il-ritorno-dulisse-the-coronation-of-poppaea-1642-also-lincoronazione-di-poppea-1567-1643-image268827944.htmlRMWHA4P0–Monteverdi, Claudio Italian operatic composer. composed operas Orfeo 1607, The Return of Ulysses 1641 (also Il Ritorno d'Ulisse), The Coronation of Poppaea 1642 (also L'Incoronazione di Poppea) 1567-1643 . . . . .
. Nicolas Poussin, his life and work. ty-four letters from thepainter to Del Pozzo, written for the most partfrom Paris, belong to the years 1641—1642/One undated note of this period deserves a placehere: To M. le Commandeur Cassiano DelPozzo :—You will perhaps regard it as indiscreetand inopportune on my part that, after havingreceived from your house so many tokens ofinterest, I should never write to you withoutmaking a new request. Since I am unable, onaccount of indisposition, to come to you, I ventureto write and ask you to help me, being persuadedthat what you have hitherto done for me c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-poussin-his-life-and-work-ty-four-letters-from-thepainter-to-del-pozzo-written-for-the-most-partfrom-paris-belong-to-the-years-16411642one-undated-note-of-this-period-deserves-a-placehere-to-m-le-commandeur-cassiano-delpozzo-you-will-perhaps-regard-it-as-indiscreetand-inopportune-on-my-part-that-after-havingreceived-from-your-house-so-many-tokens-ofinterest-i-should-never-write-to-you-withoutmaking-a-new-request-since-i-am-unable-onaccount-of-indisposition-to-come-to-you-i-ventureto-write-and-ask-you-to-help-me-being-persuadedthat-what-you-have-hitherto-done-for-me-c-image336706255.htmlRM2AFP87B–. Nicolas Poussin, his life and work. ty-four letters from thepainter to Del Pozzo, written for the most partfrom Paris, belong to the years 1641—1642/One undated note of this period deserves a placehere: To M. le Commandeur Cassiano DelPozzo :—You will perhaps regard it as indiscreetand inopportune on my part that, after havingreceived from your house so many tokens ofinterest, I should never write to you withoutmaking a new request. Since I am unable, onaccount of indisposition, to come to you, I ventureto write and ask you to help me, being persuadedthat what you have hitherto done for me c
Rembrandt van Rijn, Sick Woman with a Large White Headdress (Saskia), c 1641-1642, Sick Woman with a Large White Headdress (Saskia); c. 1641/1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-sick-woman-with-a-large-white-headdress-saskia-c-1641-1642-sick-woman-with-a-large-white-headdress-saskia-c-16411642-image336050196.htmlRM2AEMBCM–Rembrandt van Rijn, Sick Woman with a Large White Headdress (Saskia), c 1641-1642, Sick Woman with a Large White Headdress (Saskia); c. 1641/1642
Nicolas Poussin, French (1594-1665), The Baptism of Christ, 1641-1642, oil on canvas. Reimagined by Gibon. Classic reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-poussin-french-1594-1665-the-baptism-of-christ-1641-1642-oil-on-canvas-reimagined-by-gibon-classic-reimagined-image230431833.htmlRFRAW249–Nicolas Poussin, French (1594-1665), The Baptism of Christ, 1641-1642, oil on canvas. Reimagined by Gibon. Classic reimagined
Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sick Woman with a Large White Headdress (Saskia), c. 1641/1642, etching, with touches of drypoint, sheet (trimmed to plate mark): 6.3 x 5.2 cm (2 1/2 x 2 1/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-artist-dutch-1606-1669-sick-woman-with-a-large-white-headdress-saskia-c-16411642-etching-with-touches-of-drypoint-sheet-trimmed-to-plate-mark-63-x-52-cm-2-12-x-2-116-in-image386314189.htmlRM2DCE3K9–Rembrandt van Rijn, (artist), Dutch, 1606 - 1669, Sick Woman with a Large White Headdress (Saskia), c. 1641/1642, etching, with touches of drypoint, sheet (trimmed to plate mark): 6.3 x 5.2 cm (2 1/2 x 2 1/16 in
English: Martyrdom of St John the Evangelist at Porta Latina between 1641 and 1642. 866 MartyrdoLe Brun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-martyrdom-of-st-john-the-evangelist-at-porta-latina-between-1641-and-1642-866-martyrdole-brun-image185848436.htmlRMMPA3G4–English: Martyrdom of St John the Evangelist at Porta Latina between 1641 and 1642. 866 MartyrdoLe Brun
Sick Woman with a Large White Headdress (Saskia). Dated: c. 1641/1642. Dimensions: sheet (trimmed to plate mark): 6.3 x 5.2 cm (2 1/2 x 2 1/16 in.). Medium: etching, with touches of drypoint. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sick-woman-with-a-large-white-headdress-saskia-dated-c-16411642-dimensions-sheet-trimmed-to-plate-mark-63-x-52-cm-2-12-x-2-116-in-medium-etching-with-touches-of-drypoint-museum-national-gallery-of-art-washington-dc-author-rembrandt-harmenszoon-van-rijn-image225555170.htmlRMR2XWWP–Sick Woman with a Large White Headdress (Saskia). Dated: c. 1641/1642. Dimensions: sheet (trimmed to plate mark): 6.3 x 5.2 cm (2 1/2 x 2 1/16 in.). Medium: etching, with touches of drypoint. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN.
RENI, Guido (b. 1575, Calvenzano, d. 1642, Bologna) St Mary Magdalene 1633 Oil on canvas, 234 x 151 cm Galleria Nazionale d'Arte Antica, Rome Executed by Reni for the Cardinal Antonio Santacroce, this painting of the Magdalene was presented by Valerio Santacroce to Cardinal Antonio Barberini in December 1641, after the death of its original owner. Its completion can be securely dated to 1633, the year in which Vizzani published an encomiastic description of the picture. The image of the penitent Mary Magdalene enjoyed great popularity between the late sixteenth century and the first decades Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reni-guido-b-1575-calvenzano-d-1642-bologna-st-mary-magdalene-1633-oil-on-canvas-234-x-151-cm-galleria-nazionale-darte-antica-rome-executed-by-reni-for-the-cardinal-antonio-santacroce-this-painting-of-the-magdalene-was-presented-by-valerio-santacroce-to-cardinal-antonio-barberini-in-december-1641-after-the-death-of-its-original-owner-its-completion-can-be-securely-dated-to-1633-the-year-in-which-vizzani-published-an-encomiastic-description-of-the-picture-the-image-of-the-penitent-mary-magdalene-enjoyed-great-popularity-between-the-late-sixteenth-century-and-the-first-decades-image604803674.htmlRM2X3Y576–RENI, Guido (b. 1575, Calvenzano, d. 1642, Bologna) St Mary Magdalene 1633 Oil on canvas, 234 x 151 cm Galleria Nazionale d'Arte Antica, Rome Executed by Reni for the Cardinal Antonio Santacroce, this painting of the Magdalene was presented by Valerio Santacroce to Cardinal Antonio Barberini in December 1641, after the death of its original owner. Its completion can be securely dated to 1633, the year in which Vizzani published an encomiastic description of the picture. The image of the penitent Mary Magdalene enjoyed great popularity between the late sixteenth century and the first decades
Man and woman - 'The Monopolist' and 'The Patentee' - reaching to join hands Cartoon and political and religious satire. . The Projector’s Down-fall: or times changeling. London, 1642. The Projector’s Down-fall: or times changeling. Wherein the Monopolists and Patentees are unmasked, ... as also the Monopolists and Patentees last will and testament in the yeare 1641. Source: E.140.(22) A1v. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-and-woman-the-monopolist-and-the-patentee-reaching-to-join-hands-cartoon-and-political-and-religious-satire-the-projectors-down-fall-or-times-changeling-london-1642-the-projectors-down-fall-or-times-changeling-wherein-the-monopolists-and-patentees-are-unmasked-as-also-the-monopolists-and-patentees-last-will-and-testament-in-the-yeare-1641-source-e14022-a1v-language-english-image226774828.htmlRMR4XDH0–Man and woman - 'The Monopolist' and 'The Patentee' - reaching to join hands Cartoon and political and religious satire. . The Projector’s Down-fall: or times changeling. London, 1642. The Projector’s Down-fall: or times changeling. Wherein the Monopolists and Patentees are unmasked, ... as also the Monopolists and Patentees last will and testament in the yeare 1641. Source: E.140.(22) A1v. Language: English.
Sir Thomas Wentworth (1593-1641), 1st Earl of Strafford, 1912. Artist: Anthony van Dyck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-thomas-wentworth-1593-1641-1st-earl-of-strafford-1912-artist-anthony-van-dyck-image262779310.htmlRMW7EHKA–Sir Thomas Wentworth (1593-1641), 1st Earl of Strafford, 1912. Artist: Anthony van Dyck
Fowler Ploughing Engine, regn. NR 1212, number 1641. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1213 number 1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fowler-ploughing-engine-regn-nr-1212-number-1641-built-in-1871-by-john-fowler-co-in-leeds-powered-by-an-12-nhp-single-cylinder-steam-engine-one-of-a-left-hand-right-hand-pair-with-nr1213-number-1642-image504855839.htmlRM2M9A4NK–Fowler Ploughing Engine, regn. NR 1212, number 1641. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1213 number 1642.
Atrocities against the Irish Protestants, 1642, 1641 - 1642 print Leaf with 21 small scenes of the atrocities, torture and mutilations committed in Ireland by the Catholics towards the Protestants, January 1642. Each performance indicated by a number and one or more letters. A text sheet belongs to the print. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving violent death maltreatment, torture. torture Ireland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/atrocities-against-the-irish-protestants-1642-1641-1642-print-leaf-with-21-small-scenes-of-the-atrocities-torture-and-mutilations-committed-in-ireland-by-the-catholics-towards-the-protestants-january-1642-each-performance-indicated-by-a-number-and-one-or-more-letters-a-text-sheet-belongs-to-the-print-print-maker-northern-netherlandspublisher-amsterdampublisher-amsterdam-paper-engraving-violent-death-maltreatment-torture-torture-ireland-image595277581.htmlRM2WGD6HH–Atrocities against the Irish Protestants, 1642, 1641 - 1642 print Leaf with 21 small scenes of the atrocities, torture and mutilations committed in Ireland by the Catholics towards the Protestants, January 1642. Each performance indicated by a number and one or more letters. A text sheet belongs to the print. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving violent death maltreatment, torture. torture Ireland
A triple portrait of Charles I (1600-1649). Born into the House of Stuart, he was king of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Painting by Sir Anthony van Dyck (1599-1641), a Flemish Baroque artist who became the leading court painter in England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-triple-portrait-of-charles-i-1600-1649-born-into-the-house-of-stuart-he-was-king-of-england-scotland-and-ireland-from-27-march-1625-until-his-execution-in-1649-painting-by-sir-anthony-van-dyck-1599-1641-a-flemish-baroque-artist-who-became-the-leading-court-painter-in-england-image418332310.htmlRM2F8GK3J–A triple portrait of Charles I (1600-1649). Born into the House of Stuart, he was king of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Painting by Sir Anthony van Dyck (1599-1641), a Flemish Baroque artist who became the leading court painter in England.
![Image of the posthumous medal in honor of Michał Kazimierz Radziwiłł, [after 1680], in: Collector's album: Figures of Polish medals to the work of X.B. Albertrande: Polish history with medals certified. prepared by Prince Henryk Lubomirski 1822 1830 arranged in order according to the List of Polish Medals by Feliks Bentkowski 1832 (item 199) Unknown, Höhn, Jan (younger) (1641/1642 1693), Geiger, Andreas (1765 1856) Stock Photo](https://c8.alamy.com/comp/2JAR4RB/image-of-the-posthumous-medal-in-honor-of-micha-kazimierz-radziwi-after-1680-in-collectors-album-figures-of-polish-medals-to-the-work-of-xb-albertrande-polish-history-with-medals-certified-prepared-by-prince-henryk-lubomirski-1822-1830-arranged-in-order-according-to-the-list-of-polish-medals-by-feliks-bentkowski-1832-item-199-unknown-hhn-jan-younger-16411642-1693-geiger-andreas-1765-1856-2JAR4RB.jpg "Image of the posthumous medal in honor of Michał Kazimierz Radziwiłł, [after 1680], in: Collector's album: Figures of Polish medals to the work of X.B. Albertrande: Polish history with medals certified. prepared by Prince Henryk Lubomirski 1822 1830 arranged in order according to the List of Polish Medals by Feliks Bentkowski 1832 (item 199) Unknown, Höhn, Jan (younger) (1641/1642 1693), Geiger, Andreas (1765 1856) Stock Photo")
Image of the posthumous medal in honor of Michał Kazimierz Radziwiłł, [after 1680], in: Collector's album: Figures of Polish medals to the work of X.B. Albertrande: Polish history with medals certified. prepared by Prince Henryk Lubomirski 1822 1830 arranged in order according to the List of Polish Medals by Feliks Bentkowski 1832 (item 199) Unknown, Höhn, Jan (younger) (1641/1642 1693), Geiger, Andreas (1765 1856) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-the-posthumous-medal-in-honor-of-micha-kazimierz-radziwi-after-1680-in-collectors-album-figures-of-polish-medals-to-the-work-of-xb-albertrande-polish-history-with-medals-certified-prepared-by-prince-henryk-lubomirski-1822-1830-arranged-in-order-according-to-the-list-of-polish-medals-by-feliks-bentkowski-1832-item-199-unknown-hhn-jan-younger-16411642-1693-geiger-andreas-1765-1856-image471335183.htmlRM2JAR4RB–Image of the posthumous medal in honor of Michał Kazimierz Radziwiłł, [after 1680], in: Collector's album: Figures of Polish medals to the work of X.B. Albertrande: Polish history with medals certified. prepared by Prince Henryk Lubomirski 1822 1830 arranged in order according to the List of Polish Medals by Feliks Bentkowski 1832 (item 199) Unknown, Höhn, Jan (younger) (1641/1642 1693), Geiger, Andreas (1765 1856)
This etching, attributed to Matthäus Merian, depicts Lausanne in a view published in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis' (1641) and later in Martin Zeiller's 'Topographia Helvetiae' (1642). The image shows the city of Lausanne in the 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-etching-attributed-to-matthus-merian-depicts-lausanne-in-a-view-published-in-johann-angelius-von-werdenhagens-de-rebus-publicis-hanseaticis-1641-and-later-in-martin-zeillers-topographia-helvetiae-1642-the-image-shows-the-city-of-lausanne-in-the-17th-century-image665339955.htmlRM3AJCRW7–This etching, attributed to Matthäus Merian, depicts Lausanne in a view published in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis' (1641) and later in Martin Zeiller's 'Topographia Helvetiae' (1642). The image shows the city of Lausanne in the 17th century.
Plate 100: The death of Orpheus, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 100: The death of Orpheus, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-100-the-death-of-orpheus-from-ovids-metamorphoses-1641-johann-wilhelm-baur-plate-100-the-death-of-orpheus-from-ovids-metamorphoses-ovids-metamorphoses-johann-wilhelm-baur-german-strasbourg-16071642-vienna-1641-etching-prints-image457913659.htmlRM2HGYNF7–Plate 100: The death of Orpheus, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 100: The death of Orpheus, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints
Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-jules-mazarin-1602-61-by-mignard-pierre-1612-95-france-french-louvre-museum-paris-france-jules-mazarin-from-1641-known-as-cardinal-mazarin-was-an-italian-catholic-prelate-diplomat-and-politician-who-served-as-the-chief-minister-to-the-kings-of-france-louis-xiii-and-louis-xiv-from-1642-to-his-death-he-was-made-a-cardinal-in-1641-image697114569.htmlRM3CE48MW–Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) )
A late 18th century illustration of Limerick Castle, better known as King John's Castle, Ireland, by W. H. Bartlett. The 13th-century castle, located on King's Island in Limerick, Ireland, next to the River Shannon was built on the orders of King John of England in 1200. The walls were severely damaged in the 1642 Siege of Limerick. In 1642, the castle was occupied by Protestants fleeing the Irish Rebellion of 1641 and was besieged by an Irish Confederate force that undermined the walls of King John's Castle by digging away their foundations. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-18th-century-illustration-of-limerick-castle-better-known-as-king-johns-castle-ireland-by-w-h-bartlett-the-13th-century-castle-located-on-kings-island-in-limerick-ireland-next-to-the-river-shannon-was-built-on-the-orders-of-king-john-of-england-in-1200-the-walls-were-severely-damaged-in-the-1642-siege-of-limerick-in-1642-the-castle-was-occupied-by-protestants-fleeing-the-irish-rebellion-of-1641-and-was-besieged-by-an-irish-confederate-force-that-undermined-the-walls-of-king-johns-castle-by-digging-away-their-foundations-image560409290.htmlRM2RFMRNE–A late 18th century illustration of Limerick Castle, better known as King John's Castle, Ireland, by W. H. Bartlett. The 13th-century castle, located on King's Island in Limerick, Ireland, next to the River Shannon was built on the orders of King John of England in 1200. The walls were severely damaged in the 1642 Siege of Limerick. In 1642, the castle was occupied by Protestants fleeing the Irish Rebellion of 1641 and was besieged by an Irish Confederate force that undermined the walls of King John's Castle by digging away their foundations.
The Mystical Marriage of Saint Theresa , 1641-1642. Found in the Collection of Galleria Nazionale, Parma. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mystical-marriage-of-saint-theresa-1641-1642-found-in-the-collection-of-galleria-nazionale-parma-image682393170.htmlRM3BJ5KCJ–The Mystical Marriage of Saint Theresa , 1641-1642. Found in the Collection of Galleria Nazionale, Parma.
The Cart, 1641, Louis LE NAIN, Laon, vers 1593 - Paris, 1648, Musée du Louvre, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cart-1641-louis-le-nain-laon-vers-1593-paris-1648-muse-du-louvre-paris-france-image621632427.htmlRM2Y39PE3–The Cart, 1641, Louis LE NAIN, Laon, vers 1593 - Paris, 1648, Musée du Louvre, Paris, France
![Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . il devint copropriétairedes eaux de Loèche-les-Bains. — 10. Jean-Ga-briel, fils du n° 9, ma-jor de Loèche 1626, 1638, gouverneur de Saint-Mau-rice 1641, 1642. Chevalierde lÉperon dor 1632. -11. Mathieu, fils du n° 9,gouverneur de Monthey1638, 1639, capitaine ausen ne de France, f avant1644. — 12. Jean-Ga-briel, lils du il» 10, * 1645,gouverneur de Stock Photo](https://c8.alamy.com/comp/2AN3KWD/dictionnaire-historique-biographique-de-la-suisse-publi-avec-la-recommandation-de-la-socit-gnrale-suisse-dhistoire-et-sous-la-direction-de-marcel-godet-henri-trler-et-victor-attinger-avec-de-nombreux-collaborateurs-de-tous-les-cantons-il-devint-copropritairedes-eaux-de-loche-les-bains-10-jean-ga-briel-fils-du-n-9-ma-jor-de-loche-1626-1638-gouverneur-de-saint-mau-rice-1641-1642-chevalierde-lperon-dor-1632-11-mathieu-fils-du-n-9gouverneur-de-monthey1638-1639-capitaine-ausen-ne-de-france-f-avant1644-12-jean-ga-briel-lils-du-il-10-1645gouverneur-de-2AN3KWD.jpg "Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . il devint copropriétairedes eaux de Loèche-les-Bains. — 10. Jean-Ga-briel, fils du n° 9, ma-jor de Loèche 1626, 1638, gouverneur de Saint-Mau-rice 1641, 1642. Chevalierde lÉperon dor 1632. -11. Mathieu, fils du n° 9,gouverneur de Monthey1638, 1639, capitaine ausen ne de France, f avant1644. — 12. Jean-Ga-briel, lils du il» 10, * 1645,gouverneur de Stock Photo")
Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . il devint copropriétairedes eaux de Loèche-les-Bains. — 10. Jean-Ga-briel, fils du n° 9, ma-jor de Loèche 1626, 1638, gouverneur de Saint-Mau-rice 1641, 1642. Chevalierde lÉperon dor 1632. -11. Mathieu, fils du n° 9,gouverneur de Monthey1638, 1639, capitaine ausen ne de France, f avant1644. — 12. Jean-Ga-briel, lils du il» 10, * 1645,gouverneur de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dictionnaire-historique-biographique-de-la-suisse-publi-avec-la-recommandation-de-la-socit-gnrale-suisse-dhistoire-et-sous-la-direction-de-marcel-godet-henri-trler-et-victor-attinger-avec-de-nombreux-collaborateurs-de-tous-les-cantons-il-devint-copropritairedes-eaux-de-loche-les-bains-10-jean-ga-briel-fils-du-n-9-ma-jor-de-loche-1626-1638-gouverneur-de-saint-mau-rice-1641-1642-chevalierde-lperon-dor-1632-11-mathieu-fils-du-n-9gouverneur-de-monthey1638-1639-capitaine-ausen-ne-de-france-f-avant1644-12-jean-ga-briel-lils-du-il-10-1645gouverneur-de-image339986233.htmlRM2AN3KWD–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . il devint copropriétairedes eaux de Loèche-les-Bains. — 10. Jean-Ga-briel, fils du n° 9, ma-jor de Loèche 1626, 1638, gouverneur de Saint-Mau-rice 1641, 1642. Chevalierde lÉperon dor 1632. -11. Mathieu, fils du n° 9,gouverneur de Monthey1638, 1639, capitaine ausen ne de France, f avant1644. — 12. Jean-Ga-briel, lils du il» 10, * 1645,gouverneur de
Rembrandt van Rijn, Sick Woman with a Large White Headdress (Saskia), c 1641-1642, Sick Woman with a Large White Headdress (Saskia); c. 1641/1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-sick-woman-with-a-large-white-headdress-saskia-c-1641-1642-sick-woman-with-a-large-white-headdress-saskia-c-16411642-image336050174.htmlRM2AEMBBX–Rembrandt van Rijn, Sick Woman with a Large White Headdress (Saskia), c 1641-1642, Sick Woman with a Large White Headdress (Saskia); c. 1641/1642
Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-saskia-c-1641-1642-etching-reimagined-image230422600.htmlRFRATJAG–Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined
Nicolas Poussin, (artist), French, 1594 - 1665, The Baptism of Christ, 1641/1642, oil on canvas, overall: 95.5 x 121 cm (37 5/8 x 47 5/8 in.), framed: 123.8 x 149.9 x 14 cm (48 3/4 x 59 x 5 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-poussin-artist-french-1594-1665-the-baptism-of-christ-16411642-oil-on-canvas-overall-955-x-121-cm-37-58-x-47-58-in-framed-1238-x-1499-x-14-cm-48-34-x-59-x-5-12-in-image386284088.htmlRM2DCCN88–Nicolas Poussin, (artist), French, 1594 - 1665, The Baptism of Christ, 1641/1642, oil on canvas, overall: 95.5 x 121 cm (37 5/8 x 47 5/8 in.), framed: 123.8 x 149.9 x 14 cm (48 3/4 x 59 x 5 1/2 in
. Gentlemen Smoking and Playing Backgammon in an Interior Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71667732 ISNI:?0000 0000 6663 9844 ULAN:?500022109 LCCN:?nr91037831 WGA:?HALS, Dirck WorldCat Gentlemen Smoking and Playing Backgammon in an Interior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentlemen-smoking-and-playing-backgammon-in-an-interior-dirck-hals-15911656-alternative-names-dirck-franchoisz-hals-dirk-hals-description-dutch-painter-and-draughtsman-date-of-birthdeath-19-march-1591-baptised-17-may-1656-buried-location-of-birthdeath-haarlem-haarlem-work-period-16181656-work-location-haarlem-16181656-leiden-16411642-16481649-authority-control-q759486-viaf71667732-isni0000-0000-6663-9844-ulan500022109-lccnnr91037831-wgahals-dirck-worldcat-gentlemen-smoking-and-playing-backgammon-in-an-interior-image184989790.htmlRMMMY0A6–. Gentlemen Smoking and Playing Backgammon in an Interior Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71667732 ISNI:?0000 0000 6663 9844 ULAN:?500022109 LCCN:?nr91037831 WGA:?HALS, Dirck WorldCat Gentlemen Smoking and Playing Backgammon in an Interior
Christ Taken Before Caiaphas, c. 1641-1642. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink and brush and brown wash, with white gouache; sheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); secondary support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-taken-before-caiaphas-c-1641-1642-rembrandt-van-rijn-dutch-1606-1669-pen-and-brown-ink-and-brush-and-brown-wash-with-white-gouache-sheet-182-x-234-cm-7-316-x-9-316-in-secondary-support-182-x-234-cm-7-316-x-9-316-in-image240434764.htmlRMRY4MYT–Christ Taken Before Caiaphas, c. 1641-1642. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink and brush and brown wash, with white gouache; sheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); secondary support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in
Sheet of Studies including a Woman Lying Ill in Bed. Dated: c. 1641/1642. Dimensions: plate: 15.4 x 14 cm (6 1/16 x 5 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Rembrandt (Rembrandt van Rijn). REMBRANDT HARMENSZOON VAN RIJN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-studies-including-a-woman-lying-ill-in-bed-dated-c-16411642-dimensions-plate-154-x-14-cm-6-116-x-5-12-in-medium-etching-museum-national-gallery-of-art-washington-dc-author-rembrandt-harmenszoon-van-rijn-rembrandt-rembrandt-van-rijn-rembrandt-harmenszoon-van-rijn-image233209711.htmlRMRFBHA7–Sheet of Studies including a Woman Lying Ill in Bed. Dated: c. 1641/1642. Dimensions: plate: 15.4 x 14 cm (6 1/16 x 5 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Rembrandt (Rembrandt van Rijn). REMBRANDT HARMENSZOON VAN RIJN.
Boats at a jetty in a river, draughtsman: Aelbert Cuyp, 1641 - 1642, paper, pen, brush, h 146 mm × w 195 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-at-a-jetty-in-a-river-draughtsman-aelbert-cuyp-1641-1642-paper-pen-brush-h-146-mm-w-195-mm-image472087644.htmlRM2JC1CH0–Boats at a jetty in a river, draughtsman: Aelbert Cuyp, 1641 - 1642, paper, pen, brush, h 146 mm × w 195 mm
![Two men at a barrel-table in vaulted room. A satirical pamphlet of 1641. An illustration of two men in a tavern. Roaring boys. . The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.]. [London,] 1641. The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.] Suckling, John, Sir, 1609-1642. Source: 669.f.4 17. Language: English. Stock Photo](https://c8.alamy.com/comp/R50X25/two-men-at-a-barrel-table-in-vaulted-room-a-satirical-pamphlet-of-1641-an-illustration-of-two-men-in-a-tavern-roaring-boys-the-sucklington-faction-or-sucklings-roaring-boyes-a-satire-london-1641-the-sucklington-faction-or-sucklings-roaring-boyes-a-satire-suckling-john-sir-1609-1642-source-669f4-17-language-english-R50X25.jpg "Two men at a barrel-table in vaulted room. A satirical pamphlet of 1641. An illustration of two men in a tavern. Roaring boys. . The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.]. [London,] 1641. The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.] Suckling, John, Sir, 1609-1642. Source: 669.f.4 17. Language: English. Stock Photo")
Two men at a barrel-table in vaulted room. A satirical pamphlet of 1641. An illustration of two men in a tavern. Roaring boys. . The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.]. [London,] 1641. The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.] Suckling, John, Sir, 1609-1642. Source: 669.f.4 17. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-at-a-barrel-table-in-vaulted-room-a-satirical-pamphlet-of-1641-an-illustration-of-two-men-in-a-tavern-roaring-boys-the-sucklington-faction-or-sucklings-roaring-boyes-a-satire-london-1641-the-sucklington-faction-or-sucklings-roaring-boyes-a-satire-suckling-john-sir-1609-1642-source-669f4-17-language-english-image226828509.htmlRMR50X25–Two men at a barrel-table in vaulted room. A satirical pamphlet of 1641. An illustration of two men in a tavern. Roaring boys. . The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.]. [London,] 1641. The Sucklington faction, or (Sucklings) roaring Boyes. [A satire.] Suckling, John, Sir, 1609-1642. Source: 669.f.4 17. Language: English.
Fowler Ploughing Engine, regn. NR 1212, number 1641. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1213 number 1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fowler-ploughing-engine-regn-nr-1212-number-1641-built-in-1871-by-john-fowler-co-in-leeds-powered-by-an-12-nhp-single-cylinder-steam-engine-one-of-a-left-hand-right-hand-pair-with-nr1213-number-1642-image504855898.htmlRM2M9A4RP–Fowler Ploughing Engine, regn. NR 1212, number 1641. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1213 number 1642.
1641 and 1642 B. F. Lake describes simply and thoroughly how a five horse power gas engine can be built at home. Com plete working drawings are published 361 Broadway New York The Scientific American Cyclopedia of Receipts Notes and Queries REVISED EDITION 15000 Receipts 734 Pages Price $5.00 MAILED TO ANY PART OF THE WORLD Send for Full Table of Contents Mailed Free on Request 363 BROADWAY NEW YORK, 1907-07-13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1641-and-1642-b-f-lake-describes-simply-and-thoroughly-how-a-five-horse-power-gas-engine-can-be-built-at-home-com-plete-working-drawings-are-published-361-broadway-new-york-the-scientific-american-cyclopedia-of-receipts-notes-and-queries-revised-edition-15000-receipts-734-pages-price-500-mailed-to-any-part-of-the-world-send-for-full-table-of-contents-mailed-free-on-request-363-broadway-new-york-1907-07-13-image334352684.htmlRM2ABY278–1641 and 1642 B. F. Lake describes simply and thoroughly how a five horse power gas engine can be built at home. Com plete working drawings are published 361 Broadway New York The Scientific American Cyclopedia of Receipts Notes and Queries REVISED EDITION 15000 Receipts 734 Pages Price $5.00 MAILED TO ANY PART OF THE WORLD Send for Full Table of Contents Mailed Free on Request 363 BROADWAY NEW YORK, 1907-07-13
Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-howard-1585-1646-14th-earl-of-arundel-4th-earl-of-surrey-and-1st-earl-of-norfolk-an-english-patron-of-the-arts-known-as-the-collector-earl-on-the-eve-of-the-first-english-civil-war-in-1642-the-earls-roman-catholic-sympathies-prompted-him-into-self-imposed-exile-after-donating-54000-to-the-kings-cause-he-ended-his-days-living-in-a-villa-near-padua-italy-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image358623278.htmlRF2BRCKJ6–Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641).
This etching by Matthäus Merian, created after 1641, shows Mülhusium Alsatiae. It was first published in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis' in 1641, and later appeared in Martin Zeiller's 'Topographia Helvetiae' in 1642. The print measures 21 x 33.5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-etching-by-matthus-merian-created-after-1641-shows-mlhusium-alsatiae-it-was-first-published-in-johann-angelius-von-werdenhagens-de-rebus-publicis-hanseaticis-in-1641-and-later-appeared-in-martin-zeillers-topographia-helvetiae-in-1642-the-print-measures-21-x-335-cm-image665338579.htmlRM3AJCP43–This etching by Matthäus Merian, created after 1641, shows Mülhusium Alsatiae. It was first published in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis' in 1641, and later appeared in Martin Zeiller's 'Topographia Helvetiae' in 1642. The print measures 21 x 33.5 cm.
Plate 70: Cephalus and Procris, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 70: Cephalus and Procris, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-70-cephalus-and-procris-from-ovids-metamorphoses-1641-johann-wilhelm-baur-plate-70-cephalus-and-procris-from-ovids-metamorphoses-ovids-metamorphoses-johann-wilhelm-baur-german-strasbourg-16071642-vienna-1641-etching-prints-image457913724.htmlRM2HGYNHG–Plate 70: Cephalus and Procris, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 70: Cephalus and Procris, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints
Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-jules-mazarin-1602-61-by-mignard-pierre-1612-95-france-french-louvre-museum-paris-france-jules-mazarin-from-1641-known-as-cardinal-mazarin-was-an-italian-catholic-prelate-diplomat-and-politician-who-served-as-the-chief-minister-to-the-kings-of-france-louis-xiii-and-louis-xiv-from-1642-to-his-death-he-was-made-a-cardinal-in-1641-image697114614.htmlRM3CE48PE–Portrait of Cardinal Jules Mazarin 1602-61 by Mignard Pierre 1612-95 France French Louvre Museum Paris France, ( ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) )
Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Square detail of an engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-howard-1585-1646-14th-earl-of-arundel-4th-earl-of-surrey-and-1st-earl-of-norfolk-an-english-patron-of-the-arts-known-as-the-collector-earl-on-the-eve-of-the-first-english-civil-war-in-1642-the-earls-roman-catholic-sympathies-prompted-him-into-self-imposed-exile-after-donating-54000-to-the-kings-cause-he-ended-his-days-living-in-a-villa-near-padua-italy-square-detail-of-an-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image550987276.htmlRF2R0BHW0–Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Square detail of an engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641).
Christ Taken Before Caiaphas, c. 1641-1642. The first drawing purchased by the museum as a Rembrandt is now considered by experts to have been made by a follower of the Dutch artist. The scene depicts Christ being led to his first interrogation after his capture in Gethsemane (John 18:12-14), an unusual subject that may be paraphrasing the traditional portrayal of Christ carrying the cross. Here, the exhausted figure of Christ, contrasted with the brutal features and cruel gestures of the soldiers, produces an image that resonates with emotion. However, stylistic details, particularly the use Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-taken-before-caiaphas-c-1641-1642-the-first-drawing-purchased-by-the-museum-as-a-rembrandt-is-now-considered-by-experts-to-have-been-made-by-a-follower-of-the-dutch-artist-the-scene-depicts-christ-being-led-to-his-first-interrogation-after-his-capture-in-gethsemane-john-1812-14-an-unusual-subject-that-may-be-paraphrasing-the-traditional-portrayal-of-christ-carrying-the-cross-here-the-exhausted-figure-of-christ-contrasted-with-the-brutal-features-and-cruel-gestures-of-the-soldiers-produces-an-image-that-resonates-with-emotion-however-stylistic-details-particularly-the-use-image330082906.htmlRM2A50G36–Christ Taken Before Caiaphas, c. 1641-1642. The first drawing purchased by the museum as a Rembrandt is now considered by experts to have been made by a follower of the Dutch artist. The scene depicts Christ being led to his first interrogation after his capture in Gethsemane (John 18:12-14), an unusual subject that may be paraphrasing the traditional portrayal of Christ carrying the cross. Here, the exhausted figure of Christ, contrasted with the brutal features and cruel gestures of the soldiers, produces an image that resonates with emotion. However, stylistic details, particularly the use
![. Capitulos gerais a presentados a el Rey D. Ioão Nosso Senhor IIII. deste nome, XIIII. Rey de Portugal, : nas Cortes celebradas em Lisboa com os tres estados em 28. de ianeiro de 1641. Com suas repostas de 12. de sete[m]bro do anno de 1642, No 2. do seu Reynado, & 38. de sua idade. Com as replicas, repostas, & declaraços dellas em 1645. Por mandado de S.M. & ordem do D. Thome Pinheiro da Veiga do seu Conselho, dezembargador do paço, & procurador da coroa. Tobacco; Tobacco industry; Public contracts; Imprint 1645. DO ESTADO DOS POVOS. REPOSTA. A t 1 1 Ãndarey cÃ-tà beleccr l Stock Photo](https://c8.alamy.com/comp/RFWFEH/capitulos-gerais-a-presentados-a-el-rey-d-ioo-nosso-senhor-iiii-deste-nome-xiiii-rey-de-portugal-nas-cortes-celebradas-em-lisboa-com-os-tres-estados-em-28-de-ianeiro-de-1641-com-suas-repostas-de-12-de-sete-m-bro-do-anno-de-1642-no-2-do-seu-reynado-amp-38-de-sua-idade-com-as-replicas-repostas-amp-declaraos-dellas-em-1645-por-mandado-de-sm-amp-ordem-do-d-thome-pinheiro-da-veiga-do-seu-conselho-dezembargador-do-pao-amp-procurador-da-coroa-tobacco-tobacco-industry-public-contracts-imprint-1645-do-estado-dos-povos-reposta-a-t-1-1-ndarey-c-t-beleccr-l-RFWFEH.jpg ". Capitulos gerais a presentados a el Rey D. Ioão Nosso Senhor IIII. deste nome, XIIII. Rey de Portugal, : nas Cortes celebradas em Lisboa com os tres estados em 28. de ianeiro de 1641. Com suas repostas de 12. de sete[m]bro do anno de 1642, No 2. do seu Reynado, & 38. de sua idade. Com as replicas, repostas, & declaraços dellas em 1645. Por mandado de S.M. & ordem do D. Thome Pinheiro da Veiga do seu Conselho, dezembargador do paço, & procurador da coroa. Tobacco; Tobacco industry; Public contracts; Imprint 1645. DO ESTADO DOS POVOS. REPOSTA. A t 1 1 Ãndarey cÃ-tà beleccr l Stock Photo")
. Capitulos gerais a presentados a el Rey D. Ioão Nosso Senhor IIII. deste nome, XIIII. Rey de Portugal, : nas Cortes celebradas em Lisboa com os tres estados em 28. de ianeiro de 1641. Com suas repostas de 12. de sete[m]bro do anno de 1642, No 2. do seu Reynado, & 38. de sua idade. Com as replicas, repostas, & declaraços dellas em 1645. Por mandado de S.M. & ordem do D. Thome Pinheiro da Veiga do seu Conselho, dezembargador do paço, & procurador da coroa. Tobacco; Tobacco industry; Public contracts; Imprint 1645. DO ESTADO DOS POVOS. REPOSTA. A t 1 1 Ãndarey cÃ-tà beleccr l Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capitulos-gerais-a-presentados-a-el-rey-d-ioo-nosso-senhor-iiii-deste-nome-xiiii-rey-de-portugal-nas-cortes-celebradas-em-lisboa-com-os-tres-estados-em-28-de-ianeiro-de-1641-com-suas-repostas-de-12-de-sete-m-bro-do-anno-de-1642-no-2-do-seu-reynado-amp-38-de-sua-idade-com-as-replicas-repostas-amp-declaraos-dellas-em-1645-por-mandado-de-sm-amp-ordem-do-d-thome-pinheiro-da-veiga-do-seu-conselho-dezembargador-do-pao-amp-procurador-da-coroa-tobacco-tobacco-industry-public-contracts-imprint-1645-do-estado-dos-povos-reposta-a-t-1-1-ndarey-c-t-beleccr-l-image233515593.htmlRMRFWFEH–. Capitulos gerais a presentados a el Rey D. Ioão Nosso Senhor IIII. deste nome, XIIII. Rey de Portugal, : nas Cortes celebradas em Lisboa com os tres estados em 28. de ianeiro de 1641. Com suas repostas de 12. de sete[m]bro do anno de 1642, No 2. do seu Reynado, & 38. de sua idade. Com as replicas, repostas, & declaraços dellas em 1645. Por mandado de S.M. & ordem do D. Thome Pinheiro da Veiga do seu Conselho, dezembargador do paço, & procurador da coroa. Tobacco; Tobacco industry; Public contracts; Imprint 1645. DO ESTADO DOS POVOS. REPOSTA. A t 1 1 Ãndarey cÃ-tà beleccr l
Boats at a jetty in a river Boats at a jetty in a river object type: Drawing Object number: RP-T 1967-90 Manufacturer : artist: Aelbert Cuyp Dating: 1641 - 1642 Physical features: pen in brown, brush in watercolor, black chalk material: paper watercolor ink chalk Technique: pen / brush dimensions: h 146 mm × W 195 mmToelichtingVoorstudie for schilderij.Onderwerp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-at-a-jetty-in-a-river-boats-at-a-jetty-in-a-river-object-type-drawing-object-number-rp-t-1967-90-manufacturer-artist-aelbert-cuyp-dating-1641-1642-physical-features-pen-in-brown-brush-in-watercolor-black-chalk-material-paper-watercolor-ink-chalk-technique-pen-brush-dimensions-h-146-mm-w-195-mmtoelichtingvoorstudie-for-schilderijonderwerp-image348228602.htmlRM2B6F53P–Boats at a jetty in a river Boats at a jetty in a river object type: Drawing Object number: RP-T 1967-90 Manufacturer : artist: Aelbert Cuyp Dating: 1641 - 1642 Physical features: pen in brown, brush in watercolor, black chalk material: paper watercolor ink chalk Technique: pen / brush dimensions: h 146 mm × W 195 mmToelichtingVoorstudie for schilderij.Onderwerp
Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-saskia-c-1641-1642-etching-reimagined-image230422595.htmlRFRATJAB–Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined
. Musizierende Gesellschaft. Öl auf Eichenholz. 39,5 x 72 cm. . 17th century. Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71667732 ISNI:?0000 0000 6663 9844 ULAN:?500022109 LCCN:?nr91037831 WGA:?HALS, Dirck WorldCat Dirck Hals Musizierende Gesellschaft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/musizierende-gesellschaft-l-auf-eichenholz-395-x-72-cm-17th-century-dirck-hals-15911656-alternative-names-dirck-franchoisz-hals-dirk-hals-description-dutch-painter-and-draughtsman-date-of-birthdeath-19-march-1591-baptised-17-may-1656-buried-location-of-birthdeath-haarlem-haarlem-work-period-16181656-work-location-haarlem-16181656-leiden-16411642-16481649-authority-control-q759486-viaf71667732-isni0000-0000-6663-9844-ulan500022109-lccnnr91037831-wgahals-dirck-worldcat-dirck-hals-musizierende-gesellschaft-image184970208.htmlRMMMX3AT–. Musizierende Gesellschaft. Öl auf Eichenholz. 39,5 x 72 cm. . 17th century. Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71667732 ISNI:?0000 0000 6663 9844 ULAN:?500022109 LCCN:?nr91037831 WGA:?HALS, Dirck WorldCat Dirck Hals Musizierende Gesellschaft
Boats at a jetty in a river. Draughtsman: Aelbert Cuyp. Dating: 1641 - 1642. Measurements: h 146 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-at-a-jetty-in-a-river-draughtsman-aelbert-cuyp-dating-1641-1642-measurements-h-146-mm-w-195-mm-museum-rijksmuseum-amsterdam-image232963415.htmlRMRF0B5Y–Boats at a jetty in a river. Draughtsman: Aelbert Cuyp. Dating: 1641 - 1642. Measurements: h 146 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.
Atrocities against the Irish Protestants, 1642, Sheet with 21 small scenes of the cruelties, tortures and mutilations committed in Ireland by the Catholics against the Protestants, January 1642. Each scene is indicated by a number and one or more letters. A text sheet accompanies the print., print, print maker: anonymous, after print by: Wenceslaus Hollar, publisher: Broer Jansz. (Amsterdam), print maker: Northern Netherlands, publisher: Amsterdam, publisher: Amsterdam, 1641 - 1642, paper, engraving, height, 246 mm × width, 338 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/atrocities-against-the-irish-protestants-1642-sheet-with-21-small-scenes-of-the-cruelties-tortures-and-mutilations-committed-in-ireland-by-the-catholics-against-the-protestants-january-1642-each-scene-is-indicated-by-a-number-and-one-or-more-letters-a-text-sheet-accompanies-the-print-print-print-maker-anonymous-after-print-by-wenceslaus-hollar-publisher-broer-jansz-amsterdam-print-maker-northern-netherlands-publisher-amsterdam-publisher-amsterdam-1641-1642-paper-engraving-height-246-mm-width-338-mm-image606627267.htmlRM2X6X77F–Atrocities against the Irish Protestants, 1642, Sheet with 21 small scenes of the cruelties, tortures and mutilations committed in Ireland by the Catholics against the Protestants, January 1642. Each scene is indicated by a number and one or more letters. A text sheet accompanies the print., print, print maker: anonymous, after print by: Wenceslaus Hollar, publisher: Broer Jansz. (Amsterdam), print maker: Northern Netherlands, publisher: Amsterdam, publisher: Amsterdam, 1641 - 1642, paper, engraving, height, 246 mm × width, 338 mm
![The Arch Prelate of St. Andrews in Scotland reading the new service book. assaulted by men and women. Below, the rising of the prentices and seamen on Southwark side to assault the Archbishop of Canterbury's house at Lambeth. All the memorable & wonder strikinge Parlamentary mercies effected for an afforded unto this our English Nation within this space of lesse than 2 Yeares past Aº 1641 & 1642. [A series of sixteen engravings, probably by W. Hollar, on eight plates, with an engraved title. Without letterpress.]. London, 1642. Source: E.116.(49). Stock Photo](https://c8.alamy.com/comp/R56G1A/the-arch-prelate-of-st-andrews-in-scotland-reading-the-new-service-book-assaulted-by-men-and-women-below-the-rising-of-the-prentices-and-seamen-on-southwark-side-to-assault-the-archbishop-of-canterburys-house-at-lambeth-all-the-memorable-wonder-strikinge-parlamentary-mercies-effected-for-an-afforded-unto-this-our-english-nation-within-this-space-of-lesse-than-2-yeares-past-a-1641-1642-a-series-of-sixteen-engravings-probably-by-w-hollar-on-eight-plates-with-an-engraved-title-without-letterpress-london-1642-source-e11649-R56G1A.jpg "The Arch Prelate of St. Andrews in Scotland reading the new service book. assaulted by men and women. Below, the rising of the prentices and seamen on Southwark side to assault the Archbishop of Canterbury's house at Lambeth. All the memorable & wonder strikinge Parlamentary mercies effected for an afforded unto this our English Nation within this space of lesse than 2 Yeares past Aº 1641 & 1642. [A series of sixteen engravings, probably by W. Hollar, on eight plates, with an engraved title. Without letterpress.]. London, 1642. Source: E.116.(49). Stock Photo")
The Arch Prelate of St. Andrews in Scotland reading the new service book. assaulted by men and women. Below, the rising of the prentices and seamen on Southwark side to assault the Archbishop of Canterbury's house at Lambeth. All the memorable & wonder strikinge Parlamentary mercies effected for an afforded unto this our English Nation within this space of lesse than 2 Yeares past Aº 1641 & 1642. [A series of sixteen engravings, probably by W. Hollar, on eight plates, with an engraved title. Without letterpress.]. London, 1642. Source: E.116.(49). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-prelate-of-st-andrews-in-scotland-reading-the-new-service-book-assaulted-by-men-and-women-below-the-rising-of-the-prentices-and-seamen-on-southwark-side-to-assault-the-archbishop-of-canterburys-house-at-lambeth-all-the-memorable-wonder-strikinge-parlamentary-mercies-effected-for-an-afforded-unto-this-our-english-nation-within-this-space-of-lesse-than-2-yeares-past-a-1641-1642-a-series-of-sixteen-engravings-probably-by-w-hollar-on-eight-plates-with-an-engraved-title-without-letterpress-london-1642-source-e11649-image226952358.htmlRMR56G1A–The Arch Prelate of St. Andrews in Scotland reading the new service book. assaulted by men and women. Below, the rising of the prentices and seamen on Southwark side to assault the Archbishop of Canterbury's house at Lambeth. All the memorable & wonder strikinge Parlamentary mercies effected for an afforded unto this our English Nation within this space of lesse than 2 Yeares past Aº 1641 & 1642. [A series of sixteen engravings, probably by W. Hollar, on eight plates, with an engraved title. Without letterpress.]. London, 1642. Source: E.116.(49).
Nicolas Poussin, French (1594-1665), The Baptism of Christ, 1641-1642, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicolas-poussin-french-1594-1665-the-baptism-of-christ-1641-1642-oil-77438439.htmlRMEDYHEF–Nicolas Poussin, French (1594-1665), The Baptism of Christ, 1641-1642, oil on canvas
Fowler Ploughing Engine, regn. NR 1213, number 1642. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1212 number 1641. In company with Fowler BB1 class Ploughing Engine, regn. WR 7181, number 15426, Pathfinder, with 16 Nhp compound steam engine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fowler-ploughing-engine-regn-nr-1213-number-1642-built-in-1871-by-john-fowler-co-in-leeds-powered-by-an-12-nhp-single-cylinder-steam-engine-one-of-a-left-hand-right-hand-pair-with-nr1212-number-1641-in-company-with-fowler-bb1-class-ploughing-engine-regn-wr-7181-number-15426-pathfinder-with-16-nhp-compound-steam-engine-image504855873.htmlRM2M9A4PW–Fowler Ploughing Engine, regn. NR 1213, number 1642. Built in 1871 by John Fowler & Co. in Leeds, powered by an 12 Nhp single cylinder steam engine. One of a Left Hand / Right Hand pair with NR1212 number 1641. In company with Fowler BB1 class Ploughing Engine, regn. WR 7181, number 15426, Pathfinder, with 16 Nhp compound steam engine.
Rembrandt van Rijn (Dutch, 1606-1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-77361318.htmlRMEDT346–Rembrandt van Rijn (Dutch, 1606-1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching
Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-123396123.htmlRMH4N50B–Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching
Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-24-mercury-and-aglauros-from-ovids-metamorphoses-1641-johann-wilhelm-baur-plate-24-mercury-and-aglauros-from-ovids-metamorphoses-ovids-metamorphoses-johann-wilhelm-baur-german-strasbourg-16071642-vienna-1641-etching-prints-image457913608.htmlRM2HGYNDC–Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints
Cardinal Jules Mazarin 1602-61 by Philippe de Champaigne 1602–1674 French Baroque painter France Louvre Museum Paris France, ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cardinal-jules-mazarin-1602-61-by-philippe-de-champaigne-16021674-french-baroque-painter-france-louvre-museum-paris-france-jules-mazarin-from-1641-known-as-cardinal-mazarin-was-an-italian-catholic-prelate-diplomat-and-politician-who-served-as-the-chief-minister-to-the-kings-of-france-louis-xiii-and-louis-xiv-from-1642-to-his-death-he-was-made-a-cardinal-in-1641-image697112674.htmlRM3CE4696–Cardinal Jules Mazarin 1602-61 by Philippe de Champaigne 1602–1674 French Baroque painter France Louvre Museum Paris France, ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 )
This etching of Appenzell Herissaw was created by Matthäus Merian and engraved by an anonymous artist. It was first published in 1641 in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis', later appearing in Martin Zeiller's 'Topographia Helvetiae' in 1642. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-etching-of-appenzell-herissaw-was-created-by-matthus-merian-and-engraved-by-an-anonymous-artist-it-was-first-published-in-1641-in-johann-angelius-von-werdenhagens-de-rebus-publicis-hanseaticis-later-appearing-in-martin-zeillers-topographia-helvetiae-in-1642-image665346740.htmlRM3AJD4FG–This etching of Appenzell Herissaw was created by Matthäus Merian and engraved by an anonymous artist. It was first published in 1641 in Johann Angelius von Werdenhagen's 'De rebus publicis Hanseaticis', later appearing in Martin Zeiller's 'Topographia Helvetiae' in 1642.
Elizabeth Stuart (1596-1662), Queen of Bohemia, ca 1642. Artist: Mierevelt, Michiel Jansz. van (1566-1641) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elizabeth-stuart-1596-1662-queen-of-bohemia-ca-1642-artist-mierevelt-135252977.htmlRMHT18FD–Elizabeth Stuart (1596-1662), Queen of Bohemia, ca 1642. Artist: Mierevelt, Michiel Jansz. van (1566-1641)
. The Tucker genealogy; a record of Gilbert Ruggles and Evelina Christina (Snyder) Tucker, their ancestors and descendants; . ow dwelling house of John Hawkes. CHILDREN. I. Adam2. 2, John. 3- Moses. 4- Benjamin. 5- Thomas. 6. Susannah m. William^ Cogswell CIIIL.DBEN—SECOND MARHIAGE. 7. Sarah*, born June i, 1671. BOURNE. FIRST GENERATION. RICHARD^ BOURNE, came from Devonshire, Eng-land, and settled in Plymouth, Mass., in 1636. He was afreeman March 7, 1636-7, and June 5, 1638, was a grandjuror. He removed to Sandwich, Mass. He was Deputyto the first General Court in 1639, 1640, 1641, 1642, 1644 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tucker-genealogy-a-record-of-gilbert-ruggles-and-evelina-christina-snyder-tucker-their-ancestors-and-descendants-ow-dwelling-house-of-john-hawkes-children-i-adam2-2-john-3-moses-4-benjamin-5-thomas-6-susannah-m-william-cogswell-ciiildbensecond-marhiage-7-sarah-born-june-i-1671-bourne-first-generation-richard-bourne-came-from-devonshire-eng-land-and-settled-in-plymouth-mass-in-1636-he-was-afreeman-march-7-1636-7-and-june-5-1638-was-a-grandjuror-he-removed-to-sandwich-mass-he-was-deputyto-the-first-general-court-in-1639-1640-1641-1642-1644-image372527660.htmlRM2CJ22R8–. The Tucker genealogy; a record of Gilbert Ruggles and Evelina Christina (Snyder) Tucker, their ancestors and descendants; . ow dwelling house of John Hawkes. CHILDREN. I. Adam2. 2, John. 3- Moses. 4- Benjamin. 5- Thomas. 6. Susannah m. William^ Cogswell CIIIL.DBEN—SECOND MARHIAGE. 7. Sarah*, born June i, 1671. BOURNE. FIRST GENERATION. RICHARD^ BOURNE, came from Devonshire, Eng-land, and settled in Plymouth, Mass., in 1636. He was afreeman March 7, 1636-7, and June 5, 1638, was a grandjuror. He removed to Sandwich, Mass. He was Deputyto the first General Court in 1639, 1640, 1641, 1642, 1644
Rembrandt van Rijn, Sheet of Studies including a Woman Lying Ill in Bed, c 1641-1642, Sheet of Studies including a Woman Lying Ill in Bed; c. 1641/1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-sheet-of-studies-including-a-woman-lying-ill-in-bed-c-1641-1642-sheet-of-studies-including-a-woman-lying-ill-in-bed-c-16411642-image336050125.htmlRM2AEMBA5–Rembrandt van Rijn, Sheet of Studies including a Woman Lying Ill in Bed, c 1641-1642, Sheet of Studies including a Woman Lying Ill in Bed; c. 1641/1642
Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-saskia-c-1641-1642-etching-reimagined-image230056502.htmlRFRA7YBJ–Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching reimagined
Adriaan de Beausele, Mr. Brack, thirty-intendant of the canal Brussels Koperen penning. Voorzijde: galei binnen omschrift. Keerzijde: gehelmd wapenschild binnen omschrift Manufacturer : anoniemPlaats manufacture: Brussel Dating: jan-1642 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 5,34 gr Date: 1641-07-15 - 1643-07-28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adriaan-de-beausele-mr-brack-thirty-intendant-of-the-canal-brussels-koperen-penning-voorzijde-galei-binnen-omschrift-keerzijde-gehelmd-wapenschild-binnen-omschrift-manufacturer-anoniemplaats-manufacture-brussel-dating-jan-1642-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-28-cm-g-534-gr-date-1641-07-15-1643-07-28-image348113872.htmlRM2B69XP8–Adriaan de Beausele, Mr. Brack, thirty-intendant of the canal Brussels Koperen penning. Voorzijde: galei binnen omschrift. Keerzijde: gehelmd wapenschild binnen omschrift Manufacturer : anoniemPlaats manufacture: Brussel Dating: jan-1642 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 5,34 gr Date: 1641-07-15 - 1643-07-28
. English: Plate from Habitus et cultus Matronarum Nobilu et Rusticarum (Clothing and Manners of Noblewomen and Countrywomen). woman in the fashionable dress of ca. 1620 Nederlands: Elegante dame bij hagedis . between 1619 and 1623. After Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-plate-from-habitus-et-cultus-matronarum-nobilu-et-rusticarum-clothing-and-manners-of-noblewomen-and-countrywomen-woman-in-the-fashionable-dress-of-ca-1620-nederlands-elegante-dame-bij-hagedis-between-1619-and-1623-after-dirck-hals-15911656-alternative-names-dirck-franchoisz-hals-dirk-hals-description-dutch-painter-and-draughtsman-date-of-birthdeath-19-march-1591-baptised-17-may-1656-buried-location-of-birthdeath-haarlem-haarlem-work-period-16181656-work-location-haarlem-16181656-leiden-16411642-16481649-authority-control-q759486-viaf71-image185009348.htmlRMMMYW8M–. English: Plate from Habitus et cultus Matronarum Nobilu et Rusticarum (Clothing and Manners of Noblewomen and Countrywomen). woman in the fashionable dress of ca. 1620 Nederlands: Elegante dame bij hagedis . between 1619 and 1623. After Dirck Hals (1591–1656) Alternative names Dirck Franchoisz. Hals, Dirk Hals Description Dutch painter and draughtsman Date of birth/death 19 March 1591 (baptised) 17 May 1656 (buried) Location of birth/death Haarlem Haarlem Work period 1618–1656 Work location Haarlem (1618–1656), Leiden (1641–1642, 1648–1649) Authority control : Q759486 VIAF:?71
Huwelijk van prins Willem II en Maria van Engeland Zilveren penning. Voorzijde: kussend paar aan tafel binnen omschrift. Keerzijde: kloek met kuikens onder opschrift; afsnede: opschrift Manufacturer : Johann BlumPlaats manufacture: Bremen Dating: 1642 Material: zilver Techniek: slaan Dimensions: d 3,1 cm. × g 15,43 gr Date: 1641-05-12 - 1641-05-12Wie: Willem II (prins van Oranje)Maria Henrietta Stuart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/huwelijk-van-prins-willem-ii-en-maria-van-engeland-zilveren-penning-voorzijde-kussend-paar-aan-tafel-binnen-omschrift-keerzijde-kloek-met-kuikens-onder-opschrift-afsnede-opschrift-manufacturer-johann-blumplaats-manufacture-bremen-dating-1642-material-zilver-techniek-slaan-dimensions-d-31-cm-g-1543-gr-date-1641-05-12-1641-05-12wie-willem-ii-prins-van-oranjemaria-henrietta-stuart-image348448376.htmlRM2B6W5CT–Huwelijk van prins Willem II en Maria van Engeland Zilveren penning. Voorzijde: kussend paar aan tafel binnen omschrift. Keerzijde: kloek met kuikens onder opschrift; afsnede: opschrift Manufacturer : Johann BlumPlaats manufacture: Bremen Dating: 1642 Material: zilver Techniek: slaan Dimensions: d 3,1 cm. × g 15,43 gr Date: 1641-05-12 - 1641-05-12Wie: Willem II (prins van Oranje)Maria Henrietta Stuart
Coronation of the Blessed Virgin. La coronacion de la Virgen. 1641-1642 . Oil on canvas (176 x 124). Madrid, Prado museum. Author: VELAZQUEZ, DIEGO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-the-blessed-virgin-la-coronacion-de-la-virgen-1641-1642-oil-on-canvas-176-x-124-madrid-prado-museum-author-velazquez-diego-location-museo-del-prado-pintura-madrid-spain-image219966025.htmlRMPNT8WD–Coronation of the Blessed Virgin. La coronacion de la Virgen. 1641-1642 . Oil on canvas (176 x 124). Madrid, Prado museum. Author: VELAZQUEZ, DIEGO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.
Kaart ter voorbereiding van de inpoldering van de Haarlemmermeer Card in preparation for the reclamation of the Haarlemmermeer Object Type: picture postcard Item number: RP-P-AO-9-40 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 collector's mark , verso, stamped: Lugt 195 Manufacturer : printmaker Gerard Coeck (listed property) designed by Jan Adriaensz. Leeghwater (listed property) Place manufacture: Northern Netherlands Dating: ca. 1640 - ca. 1642 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: H 170 mm × W 380 mm Date: 1641 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kaart-ter-voorbereiding-van-de-inpoldering-van-de-haarlemmermeer-card-in-preparation-for-the-reclamation-of-the-haarlemmermeer-object-type-picture-postcard-item-number-rp-p-ao-9-40-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-collectors-mark-verso-stamped-lugt-195-manufacturer-printmaker-gerard-coeck-listed-property-designed-by-jan-adriaensz-leeghwater-listed-property-place-manufacture-northern-netherlands-dating-ca-1640-ca-1642-physical-features-car-material-paper-technique-engra-printing-process-dimensions-sheet-h-170-mm-w-380-mm-date-1641-image348479090.htmlRM2B6XGHP–Kaart ter voorbereiding van de inpoldering van de Haarlemmermeer Card in preparation for the reclamation of the Haarlemmermeer Object Type: picture postcard Item number: RP-P-AO-9-40 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 collector's mark , verso, stamped: Lugt 195 Manufacturer : printmaker Gerard Coeck (listed property) designed by Jan Adriaensz. Leeghwater (listed property) Place manufacture: Northern Netherlands Dating: ca. 1640 - ca. 1642 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: H 170 mm × W 380 mm Date: 1641
Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rembrandt-van-rijn-dutch-1606-1669-sick-woman-with-a-large-white-headdress-77364261.htmlRMEDT6W9–Rembrandt van Rijn (Dutch, 1606 - 1669), Sick Woman with a Large White Headdress (Saskia), c. 1641-1642, etching
Plate 101: Silenus before King Midas, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 101: Silenus before King Midas, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-101-silenus-before-king-midas-from-ovids-metamorphoses-1641-johann-wilhelm-baur-plate-101-silenus-before-king-midas-from-ovids-metamorphoses-ovids-metamorphoses-johann-wilhelm-baur-german-strasbourg-16071642-vienna-1641-etching-prints-image457913631.htmlRM2HGYNE7–Plate 101: Silenus before King Midas, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 101: Silenus before King Midas, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607–1642 Vienna). 1641. Etching. Prints
Cardinal Jules Mazarin 1602-61 by Philippe de Champaigne 1602–1674 French Baroque painter France Louvre Museum Paris France, ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cardinal-jules-mazarin-1602-61-by-philippe-de-champaigne-16021674-french-baroque-painter-france-louvre-museum-paris-france-jules-mazarin-from-1641-known-as-cardinal-mazarin-was-an-italian-catholic-prelate-diplomat-and-politician-who-served-as-the-chief-minister-to-the-kings-of-france-louis-xiii-and-louis-xiv-from-1642-to-his-death-he-was-made-a-cardinal-in-1641-image697112692.htmlRM3CE469T–Cardinal Jules Mazarin 1602-61 by Philippe de Champaigne 1602–1674 French Baroque painter France Louvre Museum Paris France, ( Jules Mazarin, from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641 )
