RMMW6X59–Prosperous middle-class urban Germans, or burghers, 1500s. Hand-colored print
1500s 1534 JACQUES CARTIER PORTRAIT ENGRAVING OF FRENCH NAVIGATOR EXPLORER WHO DISCOVERED AND CLAIMED CANADA FOR FRANCE - kh13239 CPC001 HARS 1500s 1534 16TH BRETON EXPLORER CARTIER CLAIMED CLOAK DISCOVERED GULF OF SAINT LAWRENCE JACQUES MAPPED MARINER NAVIGATOR OLD FASHIONED PERSONS PUFFED SAINT LAWRENCE RIVER SLASHED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1534-jacques-cartier-portrait-engraving-of-french-navigator-175939280.html
RMM66M9M–1500s 1534 JACQUES CARTIER PORTRAIT ENGRAVING OF FRENCH NAVIGATOR EXPLORER WHO DISCOVERED AND CLAIMED CANADA FOR FRANCE - kh13239 CPC001 HARS 1500s 1534 16TH BRETON EXPLORER CARTIER CLAIMED CLOAK DISCOVERED GULF OF SAINT LAWRENCE JACQUES MAPPED MARINER NAVIGATOR OLD FASHIONED PERSONS PUFFED SAINT LAWRENCE RIVER SLASHED
A quilted POUROINT (also known elsewhere as a gambeson,. aketon, padded jack, or arming doublet) as worn by the well off youths in Venice during the 1500s. They were sometimes worn under armour, particularly fifteenth and sixteenth-century plate - A quilted POUROINT (also known elsewhere as a gambeson,. aketon, padded jack, or arming doublet) as worn by the well off youths in Venice during the 1500s. They were sometimes worn under armour, particularly fifteenth and sixteenth-century plate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-quilted-pouroint-also-known-elsewhere-as-a-gambeson-aketon-padded-jack-or-arming-doublet-as-worn-by-the-well-off-youths-in-venice-during-the-1500s-they-were-sometimes-worn-under-armour-particularly-fifteenth-and-sixteenth-century-plate-a-quilted-pouroint-also-known-elsewhere-as-a-gambeson-aketon-padded-jack-or-arming-doublet-as-worn-by-the-well-off-youths-in-venice-during-the-1500s-they-were-sometimes-worn-under-armour-particularly-fifteenth-and-sixteenth-century-plate-image570153897.html
RM2T3GN35–A quilted POUROINT (also known elsewhere as a gambeson,. aketon, padded jack, or arming doublet) as worn by the well off youths in Venice during the 1500s. They were sometimes worn under armour, particularly fifteenth and sixteenth-century plate - A quilted POUROINT (also known elsewhere as a gambeson,. aketon, padded jack, or arming doublet) as worn by the well off youths in Venice during the 1500s. They were sometimes worn under armour, particularly fifteenth and sixteenth-century plate
1500s 1530s PAINTING PORTRAIT FRANCIS I FRANCOIS LE PREMIERE KING OF FRANCE LOOKING AT CAMERA BY JEAN CLOUET - kh13258 CPC001 HARS MONARCH SLEEVES ROYALTY JEAN MALES MID-ADULT MID-ADULT MAN 1500s 1530s CAUCASIAN ETHNICITY CHAMBORD CHÂTEAU DE CHAMBORD CLOUET FRANCIS FRANCOIS FRENCH RENAISSANCE HOUSE OF VALOIS INITIATED LE PREMIERE LOIR-ET-CHER LOOKING AT CAMERA OLD FASHIONED PATRON OF THE ARTS PERSONS PUFFED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1530s-painting-portrait-francis-i-francois-le-premiere-king-175939322.html
RMM66MB6–1500s 1530s PAINTING PORTRAIT FRANCIS I FRANCOIS LE PREMIERE KING OF FRANCE LOOKING AT CAMERA BY JEAN CLOUET - kh13258 CPC001 HARS MONARCH SLEEVES ROYALTY JEAN MALES MID-ADULT MID-ADULT MAN 1500s 1530s CAUCASIAN ETHNICITY CHAMBORD CHÂTEAU DE CHAMBORD CLOUET FRANCIS FRANCOIS FRENCH RENAISSANCE HOUSE OF VALOIS INITIATED LE PREMIERE LOIR-ET-CHER LOOKING AT CAMERA OLD FASHIONED PATRON OF THE ARTS PERSONS PUFFED
. English: Piper and Drummer; 1500s fashion Deutsch: Pfeifer und Trommler; Mode um 1500 . 1503. Albrecht Dürer Alternative names Albrecht Dürer Description German painter, printmaker, mathematician, illuminator, copperplate engraver and drawer Date of birth/death 21 May 1471 / 21 May 1471 6 April 1528 / 6 April 1528 Location of birth/death Nuremberg Nuremberg Work location Nuremberg (1484–1490), Basel (1490–1494), Strasbourg (1490–1494), Colmar (1490–1494), Frankfurt (1490–1494), Mainz (1490–1494), Cologne (1490–1494), Nuremberg (21 May 1494–1528), Innsbruck (1494), Venice (1494 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-piper-and-drummer-1500s-fashion-deutsch-pfeifer-und-trommler-mode-um-1500-1503-albrecht-drer-alternative-names-albrecht-drer-description-german-painter-printmaker-mathematician-illuminator-copperplate-engraver-and-drawer-date-of-birthdeath-21-may-1471-21-may-1471-6-april-1528-6-april-1528-location-of-birthdeath-nuremberg-nuremberg-work-location-nuremberg-14841490-basel-14901494-strasbourg-14901494-colmar-14901494-frankfurt-14901494-mainz-14901494-cologne-14901494-nuremberg-21-may-14941528-innsbruck-1494-venice-1494-image184866506.html
RMMMNB36–. English: Piper and Drummer; 1500s fashion Deutsch: Pfeifer und Trommler; Mode um 1500 . 1503. Albrecht Dürer Alternative names Albrecht Dürer Description German painter, printmaker, mathematician, illuminator, copperplate engraver and drawer Date of birth/death 21 May 1471 / 21 May 1471 6 April 1528 / 6 April 1528 Location of birth/death Nuremberg Nuremberg Work location Nuremberg (1484–1490), Basel (1490–1494), Strasbourg (1490–1494), Colmar (1490–1494), Frankfurt (1490–1494), Mainz (1490–1494), Cologne (1490–1494), Nuremberg (21 May 1494–1528), Innsbruck (1494), Venice (1494
An old engraving of clothing worn in Ireland in the 1500s. The man wears a long robe over which he holds his outer cloak. He wears no hat and has a neat moustache. The woman wears a cloak or cape over a flowing toga. The cloak features a fur collar. Simple turban-type headwear covers all her hair. This attire would have been worn by those with money, landed gentry, the nobility and others with rank in society. This illustration is adapted from two original engravings from an old Victorian history book. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-clothing-worn-in-ireland-in-the-1500s-the-man-wears-a-long-robe-over-which-he-holds-his-outer-cloak-he-wears-no-hat-and-has-a-neat-moustache-the-woman-wears-a-cloak-or-cape-over-a-flowing-toga-the-cloak-features-a-fur-collar-simple-turban-type-headwear-covers-all-her-hair-this-attire-would-have-been-worn-by-those-with-money-landed-gentry-the-nobility-and-others-with-rank-in-society-this-illustration-is-adapted-from-two-original-engravings-from-an-old-victorian-history-book-image551644577.html
RM2R1DG81–An old engraving of clothing worn in Ireland in the 1500s. The man wears a long robe over which he holds his outer cloak. He wears no hat and has a neat moustache. The woman wears a cloak or cape over a flowing toga. The cloak features a fur collar. Simple turban-type headwear covers all her hair. This attire would have been worn by those with money, landed gentry, the nobility and others with rank in society. This illustration is adapted from two original engravings from an old Victorian history book.
A 16th-century portrait painting titled *Genuesisch Bildnis eines Mannes mit Federbarett*, depicting a man wearing a feathered cap. The artwork captures the fashion and societal status of the period, showcasing Genoese portraiture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-16th-century-portrait-painting-titled-genuesisch-bildnis-eines-mannes-132496505.html
RMHKFMJ1–A 16th-century portrait painting titled *Genuesisch Bildnis eines Mannes mit Federbarett*, depicting a man wearing a feathered cap. The artwork captures the fashion and societal status of the period, showcasing Genoese portraiture.
1500s 1540 PORTRAIT OF KING HENRY VIII ENGLAND LOOKING AT CAMERA BY HANS HOLBEIN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1540-portrait-of-king-henry-viii-england-looking-at-camera-by-86767903.html
RMF14H9K–1500s 1540 PORTRAIT OF KING HENRY VIII ENGLAND LOOKING AT CAMERA BY HANS HOLBEIN
An Azappo Archer with a Cheetah, 1575 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-azappo-archer-with-a-cheetah-1575-image352803747.html
RM2BDYGNR–An Azappo Archer with a Cheetah, 1575
1500s 1512 MURAL THE CREATION OF ADAM BY GOD PART OF THE FRESCOES OF THE SISTINE CHAPEL IN ROME BY MICHELANGELO BUONARRATI - q66084 CPC001 HARS SISTINE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1512-mural-the-creation-of-adam-by-god-part-of-the-frescoes-of-the-sistine-chapel-in-rome-by-michelangelo-buonarrati-q66084-cpc001-hars-sistine-image442323814.html
RM2GKHGF2–1500s 1512 MURAL THE CREATION OF ADAM BY GOD PART OF THE FRESCOES OF THE SISTINE CHAPEL IN ROME BY MICHELANGELO BUONARRATI - q66084 CPC001 HARS SISTINE
Euclid of Alexandria (450-350BC) Greek mathematician who wrote 'Elements' one of the most influential works in the history of mathematics. Engraving by Frère André Thévet (1516-1590) published in 1584. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-euclid-of-alexandria-450-350bc-greek-mathematician-who-wrote-elements-124370088.html
RMH69F8T–Euclid of Alexandria (450-350BC) Greek mathematician who wrote 'Elements' one of the most influential works in the history of mathematics. Engraving by Frère André Thévet (1516-1590) published in 1584. See description for more information.
1500s ILLUSTRATION MARTIN LUTHER GERMAN LEADER OF THE REFORMATION READING BIBLE TO FOLLOWERS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-illustration-martin-luther-german-leader-of-the-reformation-52281280.html
RMD11H8G–1500s ILLUSTRATION MARTIN LUTHER GERMAN LEADER OF THE REFORMATION READING BIBLE TO FOLLOWERS
Euclid of Alexandria (450-350BC) Greek mathematician who wrote 'Elements' one of the most influential works in the history of mathematics. Engraving by Frère André Thévet (1516-1590) published in 1594. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-euclid-of-alexandria-450-350bc-greek-mathematician-who-wrote-elements-73225678.html
RME73M2P–Euclid of Alexandria (450-350BC) Greek mathematician who wrote 'Elements' one of the most influential works in the history of mathematics. Engraving by Frère André Thévet (1516-1590) published in 1594. See description for more information.
1500s 1600s PORTRAIT LORD FRANCIS BACON ENGLISH PHILOSOPHER ESSAYIST COURTIER Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1600s-portrait-lord-francis-bacon-english-philosopher-essayist-31574317.html
RMBRA9A5–1500s 1600s PORTRAIT LORD FRANCIS BACON ENGLISH PHILOSOPHER ESSAYIST COURTIER
A Royal Picnic, 1575. Queen Elizabeth I picnics with a royal hunting party. Woodcut from Turbervile's Booke of Hunting by George Turberville (c1540-c1597), 1575. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-royal-picnic-1575-queen-elizabeth-i-picnics-with-a-royal-hunting-party-woodcut-from-turberviles-booke-of-hunting-by-george-turberville-c1540-c1597-1575-image261851582.html
RMW60AA6–A Royal Picnic, 1575. Queen Elizabeth I picnics with a royal hunting party. Woodcut from Turbervile's Booke of Hunting by George Turberville (c1540-c1597), 1575.
1520 ENGRAVING PORTRAIT NATIVE AMERICAN INDIAN AZTEC EMPEROR MONTEZUMA II IN MEXICO KILLED DURING SPANISH CONQUEST OF CORTEZ - q67218 CPC001 HARS EMPEROR MALES 1466 1500s 1520 B&W BLACK AND WHITE CAPTURED CENTRAL AMERICA CENTRAL AMERICAN CONQUISTADOR CORTES CORTEZ FAMOUS PERSON HERNÁN INDIGENOUS KILLED MOCTEZUMA II MONTEZUMA MOTECUHZOMA MOTECUHZOMA XOCOYOTZIN MOTEUCZOMA OLD FASHIONED PERSONS SPANISH CONQUEST Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1520-engraving-portrait-native-american-indian-aztec-emperor-montezuma-175940882.html
RMM66PAX–1520 ENGRAVING PORTRAIT NATIVE AMERICAN INDIAN AZTEC EMPEROR MONTEZUMA II IN MEXICO KILLED DURING SPANISH CONQUEST OF CORTEZ - q67218 CPC001 HARS EMPEROR MALES 1466 1500s 1520 B&W BLACK AND WHITE CAPTURED CENTRAL AMERICA CENTRAL AMERICAN CONQUISTADOR CORTES CORTEZ FAMOUS PERSON HERNÁN INDIGENOUS KILLED MOCTEZUMA II MONTEZUMA MOTECUHZOMA MOTECUHZOMA XOCOYOTZIN MOTEUCZOMA OLD FASHIONED PERSONS SPANISH CONQUEST
Strabo (64BC – 24AD) Greek geographer and historian who travelled extensively throughout the Mediterranean and Near East, his best known work is ‘Geographica’. Engraving by Frère André Thévet (1516-1590). See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-strabo-64bc-24ad-greek-geographer-and-historian-who-travelled-extensively-73404240.html
RME7BRT0–Strabo (64BC – 24AD) Greek geographer and historian who travelled extensively throughout the Mediterranean and Near East, his best known work is ‘Geographica’. Engraving by Frère André Thévet (1516-1590). See description for more information.
1500s 1600s PORTRAIT OF RENE DESCARTES FRENCH PHILOSPHER BY C. JAQUAND - kh13259 CPC001 HARS KNOWLEDGE INNOVATION AUTHORITY 1600s MALES MID-ADULT MID-ADULT MAN MODERN WESTERN PHILOSOPHY PHILOSOPHER 1500s AGE OF REASON C. JAQUAND COGITO ERGO SUM DESCARTES DUTCH GOLDEN AGE ENLIGHTENMENT FATHER OF I AM I THINK INTELLECTUAL MATHEMATICIAN MOST NOTABLE OCCUPATIONS OLD FASHIONED PERSONS RENE REPRESENTATIVES THEREFORE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1600s-portrait-of-rene-descartes-french-philospher-by-c-jaquand-175939324.html
RMM66MB8–1500s 1600s PORTRAIT OF RENE DESCARTES FRENCH PHILOSPHER BY C. JAQUAND - kh13259 CPC001 HARS KNOWLEDGE INNOVATION AUTHORITY 1600s MALES MID-ADULT MID-ADULT MAN MODERN WESTERN PHILOSOPHY PHILOSOPHER 1500s AGE OF REASON C. JAQUAND COGITO ERGO SUM DESCARTES DUTCH GOLDEN AGE ENLIGHTENMENT FATHER OF I AM I THINK INTELLECTUAL MATHEMATICIAN MOST NOTABLE OCCUPATIONS OLD FASHIONED PERSONS RENE REPRESENTATIVES THEREFORE
German citizens in the 1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-citizens-in-the-1500s-hand-colored-print-image187620955.html
RMMW6TCB–German citizens in the 1500s. Hand-colored print
1500s 1560s CHRIST AND HIS APOSTLES PAINTING OF THE LAST SUPPER BY JUAN DE JUANES IN PRADO MADRID SPAIN - ka3608 PLE001 HARS CHRISTIANITY EUCHARIST HOLY COMMUNION SUPPER HOST DE PRADO SACRAMENT SUPPORT DISCIPLES FAITHFUL APOSTLES FAITH THE LAST SUPPER 12 1500s BELIEF LAST OLD FASHIONED TWELVE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1560s-christ-and-his-apostles-painting-of-the-last-supper-by-juan-de-juanes-in-prado-madrid-spain-ka3608-ple001-hars-christianity-eucharist-holy-communion-supper-host-de-prado-sacrament-support-disciples-faithful-apostles-faith-the-last-supper-12-1500s-belief-last-old-fashioned-twelve-image397516709.html
RM2E2MCH9–1500s 1560s CHRIST AND HIS APOSTLES PAINTING OF THE LAST SUPPER BY JUAN DE JUANES IN PRADO MADRID SPAIN - ka3608 PLE001 HARS CHRISTIANITY EUCHARIST HOLY COMMUNION SUPPER HOST DE PRADO SACRAMENT SUPPORT DISCIPLES FAITHFUL APOSTLES FAITH THE LAST SUPPER 12 1500s BELIEF LAST OLD FASHIONED TWELVE
VENETIAN NOBLEMAN IN TYPICAL CLOTHING 16th Century. - NOBILE VENEZIANO IN ABBIGLIAMENTO TIPICO XVI Secolo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venetian-nobleman-in-typical-clothing-16th-century-nobile-veneziano-in-abbigliamento-tipico-xvi-secolo-image593351956.html
RM2WD9ED8–VENETIAN NOBLEMAN IN TYPICAL CLOTHING 16th Century. - NOBILE VENEZIANO IN ABBIGLIAMENTO TIPICO XVI Secolo.
1500s 1600s ENGRAVING DEPICTING EARLY NATIVE AMERICAN INDIAN LIFE MEN PADDLING DUGOUT CANOE ON RIVER BY VILLAGE IN FLORIDA - i6010 LAN001 HARS ENGRAVING TRANSPORTATION NOSTALGIA NORTH AMERICA TOGETHERNESS HISTORIC NORTH AMERICAN EARLY PROPERTY STRENGTH EXTERIOR PROGRESS PEOPLES TRANSPORTING REAL ESTATE PADDLES COOPERATION STRUCTURES EDIFICE NATIVE AMERICAN SMALL GROUP OF PEOPLE 1600s DUGOUT MALES PADDLING PRIMITIVE 1500s B&W BLACK AND WHITE DEPICTING INDIGENOUS OLD FASHIONED PERSONS THE AMERICAS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1600s-engraving-depicting-early-native-american-indian-life-175907523.html
RMM657RF–1500s 1600s ENGRAVING DEPICTING EARLY NATIVE AMERICAN INDIAN LIFE MEN PADDLING DUGOUT CANOE ON RIVER BY VILLAGE IN FLORIDA - i6010 LAN001 HARS ENGRAVING TRANSPORTATION NOSTALGIA NORTH AMERICA TOGETHERNESS HISTORIC NORTH AMERICAN EARLY PROPERTY STRENGTH EXTERIOR PROGRESS PEOPLES TRANSPORTING REAL ESTATE PADDLES COOPERATION STRUCTURES EDIFICE NATIVE AMERICAN SMALL GROUP OF PEOPLE 1600s DUGOUT MALES PADDLING PRIMITIVE 1500s B&W BLACK AND WHITE DEPICTING INDIGENOUS OLD FASHIONED PERSONS THE AMERICAS
Portrait of a man in a beret.. 1520s. Lunetti Man in a beret Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-in-a-beret-1520s-lunetti-man-in-a-beret-image184866777.html
RMMMNBCW–Portrait of a man in a beret.. 1520s. Lunetti Man in a beret
An old engraving of clothing worn in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. Women’s clothes featured long dresses and robes often embroidered with jewels. Neck ruffs were popular. For men doublet and hose were worn, with breeches of various lengths below a tapered/narrow waist or cod-piece. Short cloaks worn over this. These would have been worn by those in society with money, landed gentry and the nobility at court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-clothing-worn-in-tudorelizabethan-times-in-england-the-style-of-dress-dates-from-latter-part-of-the-16th-and-early-17th-centuries-during-the-reign-of-elizabeth-i-15581603-more-variety-crept-into-taste-and-fashions-of-the-era-womens-clothes-featured-long-dresses-and-robes-often-embroidered-with-jewels-neck-ruffs-were-popular-for-men-doublet-and-hose-were-worn-with-breeches-of-various-lengths-below-a-taperednarrow-waist-or-cod-piece-short-cloaks-worn-over-this-these-would-have-been-worn-by-those-in-society-with-money-landed-gentry-and-the-nobility-at-court-image551644565.html
RM2R1DG7H–An old engraving of clothing worn in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. Women’s clothes featured long dresses and robes often embroidered with jewels. Neck ruffs were popular. For men doublet and hose were worn, with breeches of various lengths below a tapered/narrow waist or cod-piece. Short cloaks worn over this. These would have been worn by those in society with money, landed gentry and the nobility at court.
1500s 1533 THE AMBASSADORS A PAINTING BY HANS HOLBEIN JEAN DE DINTEVILLE & BISHOP GEORGES DE SELVE REFORMATION TUDOR ENGLAND - ka3121 HAR001 HARS FULL-LENGTH PERSONS MALES SYMBOLS CONFIDENCE GOALS SUCCESS ADVENTURE DISCOVERY STYLES TUDOR STRATEGY DISTORTED RENAISSANCE EXCITEMENT KNOWLEDGE LEADERSHIP OBJECTS OCCUPATIONS POLITICS CONCEPT CONCEPTUAL STYLISH MORTALITY SYMBOLIC 1533 CONCEPTS COOPERATION FASHIONS MID-ADULT MID-ADULT MAN TOGETHERNESS 1500s BISHOP CAUCASIAN ETHNICITY DOUBLET HAR001 OLD FASHIONED REFORMATION REPRESENTATION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1533-the-ambassadors-a-painting-by-hans-holbein-jean-de-dinteville-bishop-georges-de-selve-reformation-tudor-england-ka3121-har001-hars-full-length-persons-males-symbols-confidence-goals-success-adventure-discovery-styles-tudor-strategy-distorted-renaissance-excitement-knowledge-leadership-objects-occupations-politics-concept-conceptual-stylish-mortality-symbolic-1533-concepts-cooperation-fashions-mid-adult-mid-adult-man-togetherness-1500s-bishop-caucasian-ethnicity-doublet-har001-old-fashioned-reformation-representation-image543475484.html
RM2PG5CEM–1500s 1533 THE AMBASSADORS A PAINTING BY HANS HOLBEIN JEAN DE DINTEVILLE & BISHOP GEORGES DE SELVE REFORMATION TUDOR ENGLAND - ka3121 HAR001 HARS FULL-LENGTH PERSONS MALES SYMBOLS CONFIDENCE GOALS SUCCESS ADVENTURE DISCOVERY STYLES TUDOR STRATEGY DISTORTED RENAISSANCE EXCITEMENT KNOWLEDGE LEADERSHIP OBJECTS OCCUPATIONS POLITICS CONCEPT CONCEPTUAL STYLISH MORTALITY SYMBOLIC 1533 CONCEPTS COOPERATION FASHIONS MID-ADULT MID-ADULT MAN TOGETHERNESS 1500s BISHOP CAUCASIAN ETHNICITY DOUBLET HAR001 OLD FASHIONED REFORMATION REPRESENTATION
Girolamo da Carpi’s 'Portrait of a Virile Man' showcases a male figure depicted with strength and confidence. The portrait focuses on realistic facial features and attire, embodying Renaissance portraiture techniques. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-girolamo-da-carpis-portrait-of-a-virile-man-showcases-a-male-figure-137379216.html
RMHYE4GG–Girolamo da Carpi’s 'Portrait of a Virile Man' showcases a male figure depicted with strength and confidence. The portrait focuses on realistic facial features and attire, embodying Renaissance portraiture techniques.
1500s SPANISH CONQUISTADORS ON HORSEBACK BATTLING NEW WORLD NATIVE AMERICANS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-spanish-conquistadors-on-horseback-battling-new-world-native-72597111.html
RME6329Y–1500s SPANISH CONQUISTADORS ON HORSEBACK BATTLING NEW WORLD NATIVE AMERICANS
Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-from-1594-true-portraits-and-lives-of-illustrious-men-by-andr-73404249.html
RME7BRT9–Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information.
1500s PORTRAIT HERNANDO CORTES FERNANDO CORTEZ EXPLORER SPANISH CONQUISTADOR CONQUEST OF AZTEC MEXICO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-portrait-hernando-cortes-fernando-cortez-explorer-spanish-conquistador-58968021.html
RMDBX68N–1500s PORTRAIT HERNANDO CORTES FERNANDO CORTEZ EXPLORER SPANISH CONQUISTADOR CONQUEST OF AZTEC MEXICO
A 19th century chart showing men's hats in the 16th, 17th & 18th centuries. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-19th-century-chart-showing-mens-hats-in-the-16th-17th-18th-centuries-image615471541.html
RM2XN946D–A 19th century chart showing men's hats in the 16th, 17th & 18th centuries.
1500s 1525 WILLIAM TYNDALE AND MILES COVERDALE WORK ON TRANSLATING THE BIBLE INTO ENGLISH - kr12571 SPL001 HARS WILLIAM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1525-william-tyndale-and-miles-coverdale-work-on-translating-the-bible-into-english-kr12571-spl001-hars-william-image261840883.html
RMW5YTM3–1500s 1525 WILLIAM TYNDALE AND MILES COVERDALE WORK ON TRANSLATING THE BIBLE INTO ENGLISH - kr12571 SPL001 HARS WILLIAM
Late 16th Century XVI 1500s German Costumes from Pomerania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-16th-century-xvi-1500s-german-costumes-from-pomerania-image62980625.html
RFDJD0C1–Late 16th Century XVI 1500s German Costumes from Pomerania
1500s 1580s VICE ADMIRAL SIR FRANCIS DRAKE BRITISH EXPLORER SHIP GOLDEN HIND DEFEAT OF THE SPANISH ARMADA 1588 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1580s-vice-admiral-sir-francis-drake-british-explorer-ship-golden-59023190.html
RMDC0MK2–1500s 1580s VICE ADMIRAL SIR FRANCIS DRAKE BRITISH EXPLORER SHIP GOLDEN HIND DEFEAT OF THE SPANISH ARMADA 1588
Attributed to Ulrich Apt the Elder and his workshop, this 1512 painting portrays a man and his wife in a formal, dignified portrait. The oil on canvas captures their status and the era’s characteristic fashion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-ulrich-apt-the-elder-and-his-workshop-this-1512-painting-portrays-a-man-and-his-wife-in-a-formal-dignified-portrait-the-oil-on-canvas-captures-their-status-and-the-eras-characteristic-fashion-image665153506.html
RM3AJ4A2A–Attributed to Ulrich Apt the Elder and his workshop, this 1512 painting portrays a man and his wife in a formal, dignified portrait. The oil on canvas captures their status and the era’s characteristic fashion.
1500s OCTOBER 1500 CHRISTOPHER COLUMBUS SAILING BACK TO SPAIN IN CHAINS AFTER BEING ARRESTED IN SANTO DOMINGO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-october-1500-christopher-columbus-sailing-back-to-spain-in-chains-59022961.html
RMDC0MAW–1500s OCTOBER 1500 CHRISTOPHER COLUMBUS SAILING BACK TO SPAIN IN CHAINS AFTER BEING ARRESTED IN SANTO DOMINGO
Portrait of a press, 1500s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-press-1500s-image644669098.html
RM2SCR60A–Portrait of a press, 1500s.
1500s 1530s MARTIN LUTHER AND PHILIPP MELANCHTHON TRANSLATING BIBLE INTO VERNACULAR GERMAN - kr5880 SPL001 HARS LUTHER MARTIN MARTIN LUTHER WRITER TRANSLATING COOPERATION MELANCHTON 1500s 1530s 1534 CAUCASIAN ETHNICITY OLD FASHIONED PROTESTANT REFORMATION VERNACULAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1530s-martin-luther-and-philipp-melanchthon-translating-bible-into-vernacular-german-kr5880-spl001-hars-luther-martin-martin-luther-writer-translating-cooperation-melanchton-1500s-1530s-1534-caucasian-ethnicity-old-fashioned-protestant-reformation-vernacular-image244698262.html
RMT62Y3J–1500s 1530s MARTIN LUTHER AND PHILIPP MELANCHTHON TRANSLATING BIBLE INTO VERNACULAR GERMAN - kr5880 SPL001 HARS LUTHER MARTIN MARTIN LUTHER WRITER TRANSLATING COOPERATION MELANCHTON 1500s 1530s 1534 CAUCASIAN ETHNICITY OLD FASHIONED PROTESTANT REFORMATION VERNACULAR
German couple of the nobility, late 1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-couple-of-the-nobility-late-1500s-hand-colored-print-image187622754.html
RMMW6XMJ–German couple of the nobility, late 1500s. Hand-colored print
This portrait by Maerten de Vos depicts a 33-year-old man, showcasing the artist's detailed work in capturing his subject's likeness and character. The piece highlights de Vos's expertise in portraiture and the clothing typical of the era. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-portrait-by-maerten-de-vos-depicts-a-33-year-old-man-showcasing-142950929.html
RMJ8FYA9–This portrait by Maerten de Vos depicts a 33-year-old man, showcasing the artist's detailed work in capturing his subject's likeness and character. The piece highlights de Vos's expertise in portraiture and the clothing typical of the era.
An executioner in colourful Renaissance costume hurls rocks at the first Christian martyr, Saint Stephen, in this vivid detail of early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in the Champagne region of northeast France. The colours are typical of 16th century glass made in the workshops at Troyes, the historic regional capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-executioner-in-colourful-renaissance-costume-hurls-rocks-at-the-first-christian-martyr-saint-stephen-in-this-vivid-detail-of-early-1500s-stained-glass-in-the-glise-saint-rmi-at-ceffonds-in-the-champagne-region-of-northeast-france-the-colours-are-typical-of-16th-century-glass-made-in-the-workshops-at-troyes-the-historic-regional-capital-image467794699.html
RF2J51TWF–An executioner in colourful Renaissance costume hurls rocks at the first Christian martyr, Saint Stephen, in this vivid detail of early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in the Champagne region of northeast France. The colours are typical of 16th century glass made in the workshops at Troyes, the historic regional capital.
King Philip II of Spain (1527-1598), Renaissance portrait painting in oil on canvas by Sofonisba Anguissola, 1573 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-philip-ii-of-spain-1527-1598-renaissance-portrait-painting-in-oil-on-canvas-by-sofonisba-anguissola-1573-image368496126.html
RM2CBECFX–King Philip II of Spain (1527-1598), Renaissance portrait painting in oil on canvas by Sofonisba Anguissola, 1573
517 Ensemble de gravures de costumes d'Allemagne du XVIe siècle.f052 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/517-ensemble-de-gravures-de-costumes-dallemagne-du-xvie-siclef052-image210215742.html
RMP60492–517 Ensemble de gravures de costumes d'Allemagne du XVIe siècle.f052
An old engraving of clothing worn in Tudor times in England. The style of dress dates from the late 15th and early 16th centuries during the reign of Henry VII (1485–1509). Notable here are the felt hats worn by the men and ostrich feather plumage that adorned them. Capes or gowns formed the outer clothing layer – the woman’s gown has long, hanging sleeves. Long hair was in vogue at the time. This attire would have been worn by those in society with money, landed gentry, the nobility and others connected to the royal court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-clothing-worn-in-tudor-times-in-england-the-style-of-dress-dates-from-the-late-15th-and-early-16th-centuries-during-the-reign-of-henry-vii-14851509-notable-here-are-the-felt-hats-worn-by-the-men-and-ostrich-feather-plumage-that-adorned-them-capes-or-gowns-formed-the-outer-clothing-layer-the-womans-gown-has-long-hanging-sleeves-long-hair-was-in-vogue-at-the-time-this-attire-would-have-been-worn-by-those-in-society-with-money-landed-gentry-the-nobility-and-others-connected-to-the-royal-court-image551644477.html
RM2R1DG4D–An old engraving of clothing worn in Tudor times in England. The style of dress dates from the late 15th and early 16th centuries during the reign of Henry VII (1485–1509). Notable here are the felt hats worn by the men and ostrich feather plumage that adorned them. Capes or gowns formed the outer clothing layer – the woman’s gown has long, hanging sleeves. Long hair was in vogue at the time. This attire would have been worn by those in society with money, landed gentry, the nobility and others connected to the royal court.
73 Portrait of a Man Wearing a Black Beret (Dosso Dossi) - Nationalmuseum - 19223 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/73-portrait-of-a-man-wearing-a-black-beret-dosso-dossi-nationalmuseum-19223-image214235178.html
RMPCF74A–73 Portrait of a Man Wearing a Black Beret (Dosso Dossi) - Nationalmuseum - 19223
Agnolo Bronzino’s 'Portrait of a Young Man' exemplifies the artist's mastery of Renaissance portraiture. The young man’s refined features and detailed attire emphasize the era’s fashion and social status. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-agnolo-bronzinos-portrait-of-a-young-man-exemplifies-the-artists-mastery-132614781.html
RMHKN3E5–Agnolo Bronzino’s 'Portrait of a Young Man' exemplifies the artist's mastery of Renaissance portraiture. The young man’s refined features and detailed attire emphasize the era’s fashion and social status.
English: Man in black cap Français : Portrait d'un jeune homme au bonnet noir Italiano: Ritratto di un giovane uomo con un cappellino nero . first half of 16th century. Previtali-portrait-bemberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-man-in-black-cap-franais-portrait-dun-jeune-homme-au-bonnet-noir-italiano-ritratto-di-un-giovane-uomo-con-un-cappellino-nero-first-half-of-16th-century-previtali-portrait-bemberg-image184868912.html
RMMMNE54–English: Man in black cap Français : Portrait d'un jeune homme au bonnet noir Italiano: Ritratto di un giovane uomo con un cappellino nero . first half of 16th century. Previtali-portrait-bemberg
Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-from-1594-true-portraits-and-lives-of-illustrious-men-by-andr-74059041.html
RME8DK1N–Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information.
143 CORNEILLE de LYON - Homme au béret noir tenant une paire de gants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/143-corneille-de-lyon-homme-au-bret-noir-tenant-une-paire-de-gants-image187577458.html
RMMW4TXX–143 CORNEILLE de LYON - Homme au béret noir tenant une paire de gants
Antonis Mor (and workshop), Portrait of a Man, painting in oil on canvas, 1561 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonis-mor-and-workshop-portrait-of-a-man-painting-in-oil-on-canvas-1561-image502107084.html
RM2M4TXKT–Antonis Mor (and workshop), Portrait of a Man, painting in oil on canvas, 1561
. English: Portrait of a Gentleman in a pearl-gray jerkin. . 1556. 900 Monogrammist GR Portrait of a Gentleman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-a-gentleman-in-a-pearl-gray-jerkin-1556-900-monogrammist-gr-portrait-of-a-gentleman-image185708278.html
RMMP3MPE–. English: Portrait of a Gentleman in a pearl-gray jerkin. . 1556. 900 Monogrammist GR Portrait of a Gentleman
Late16th Century XVI 1500s English costume merchant and wife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late16th-century-xvi-1500s-english-costume-merchant-and-wife-image63302629.html
RFDJYK45–Late16th Century XVI 1500s English costume merchant and wife
Portrait of Sigismund Baldinger 1545. 1021 Portrait of Sigismund Baldinger (Georg Pencz) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sigismund-baldinger-1545-1021-portrait-of-sigismund-baldinger-georg-pencz-image185699576.html
RMMP39KM–Portrait of Sigismund Baldinger 1545. 1021 Portrait of Sigismund Baldinger (Georg Pencz)
Charles IX (1550–1574), King of France (1560-1574) as a boy, portrait painting by Style of Francois Clouet, circa 1561 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-ix-15501574-king-of-france-1560-1574-as-a-boy-portrait-painting-by-style-of-francois-clouet-circa-1561-image373468751.html
RM2CKGY5K–Charles IX (1550–1574), King of France (1560-1574) as a boy, portrait painting by Style of Francois Clouet, circa 1561
The 'Portrait of a Man with Beret' (GG 1552) is a 16th-century artwork, likely painted in the Northern Renaissance style. The subject is depicted wearing a beret, a fashionable accessory of the time, with an emphasis on facial expression and detail, characteristic of Renaissance portraiture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-portrait-of-a-man-with-beret-gg-1552-is-a-16th-century-artwork-137456759.html
RMHYHKDY–The 'Portrait of a Man with Beret' (GG 1552) is a 16th-century artwork, likely painted in the Northern Renaissance style. The subject is depicted wearing a beret, a fashionable accessory of the time, with an emphasis on facial expression and detail, characteristic of Renaissance portraiture.
Portrait of Lord Chancellor Thomas Cromwell, probably late 1500s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-lord-chancellor-thomas-cromwell-probably-late-1500s-image654857086.html
RM3A1B8W2–Portrait of Lord Chancellor Thomas Cromwell, probably late 1500s.
1500s 1530s 1534 MARTIN LUTHER TRANSLATING THE BIBLE INTO VERNACULAR GERMAN - kr8299 SPL001 HARS LUTHER MARTIN MARTIN LUTHER CONCEPTUAL WRITER TRANSLATING COOPERATION MELANCHTON TRANSLATOR 1530s 1534 CAUCASIAN ETHNICITY OLD FASHIONED PROTESTANT REFORMATION VERNACULAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1530s-1534-martin-luther-translating-the-bible-into-vernacular-german-kr8299-spl001-hars-luther-martin-martin-luther-conceptual-writer-translating-cooperation-melanchton-translator-1530s-1534-caucasian-ethnicity-old-fashioned-protestant-reformation-vernacular-image244698301.html
RMT62Y51–1500s 1530s 1534 MARTIN LUTHER TRANSLATING THE BIBLE INTO VERNACULAR GERMAN - kr8299 SPL001 HARS LUTHER MARTIN MARTIN LUTHER CONCEPTUAL WRITER TRANSLATING COOPERATION MELANCHTON TRANSLATOR 1530s 1534 CAUCASIAN ETHNICITY OLD FASHIONED PROTESTANT REFORMATION VERNACULAR
French court dress of the mid-1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-court-dress-of-the-mid-1500s-hand-colored-print-image187623318.html
RMMW6YCP–French court dress of the mid-1500s. Hand-colored print
1500s 1517 MARTIN LUTHER AFTER NAILING NINETY-FIVE THESES TO CHURCH DOOR IN WITTENBURG GERMANY - kr8300 SPL001 HARS REFORMER LUTHER MARTIN MARTIN LUTHER MONK CONCEPTUAL LUTHERAN NAILED 1500s EXCOMMUNICATED OLD FASHIONED PROTESTANT REFORMATION THEOLOGIAN VERNACULAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1517-martin-luther-after-nailing-ninety-five-theses-to-church-door-in-wittenburg-germany-kr8300-spl001-hars-reformer-luther-martin-martin-luther-monk-conceptual-lutheran-nailed-1500s-excommunicated-old-fashioned-protestant-reformation-theologian-vernacular-image261840960.html
RMW5YTPT–1500s 1517 MARTIN LUTHER AFTER NAILING NINETY-FIVE THESES TO CHURCH DOOR IN WITTENBURG GERMANY - kr8300 SPL001 HARS REFORMER LUTHER MARTIN MARTIN LUTHER MONK CONCEPTUAL LUTHERAN NAILED 1500s EXCOMMUNICATED OLD FASHIONED PROTESTANT REFORMATION THEOLOGIAN VERNACULAR
An executioner in 16th century costume hurls rocks at the first Christian martyr, Saint Stephen, in a vivid detail of early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in the Champagne region of northeast France. The colours are typical of Renaissance glass made in the workshops at Troyes, the historic regional capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-executioner-in-16th-century-costume-hurls-rocks-at-the-first-christian-martyr-saint-stephen-in-a-vivid-detail-of-early-1500s-stained-glass-in-the-glise-saint-rmi-at-ceffonds-in-the-champagne-region-of-northeast-france-the-colours-are-typical-of-renaissance-glass-made-in-the-workshops-at-troyes-the-historic-regional-capital-image467794688.html
RF2J51TW4–An executioner in 16th century costume hurls rocks at the first Christian martyr, Saint Stephen, in a vivid detail of early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in the Champagne region of northeast France. The colours are typical of Renaissance glass made in the workshops at Troyes, the historic regional capital.
1500s 1521 MARTIN LUTHER PREACHING IN WARTBURG CASTLE WHILE IN EXILE AND HIDING - kr8233 SPL001 HARS LUTHER MARTIN MARTIN LUTHER FAITHFUL TRANSLATION FAITH LUTHERAN MIDDLE AGES SPIRITUAL THEOLOGY WARTBURG 1500s 1521 BELIEF CAUCASIAN ETHNICITY EXCOMMUNICATED EXILE INSPIRATIONAL NEW TESTAMENT OLD FASHIONED PREACHING PROTESTANT REFORMATION THEOLOGIAN VERNACULAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1521-martin-luther-preaching-in-wartburg-castle-while-in-exile-and-hiding-kr8233-spl001-hars-luther-martin-martin-luther-faithful-translation-faith-lutheran-middle-ages-spiritual-theology-wartburg-1500s-1521-belief-caucasian-ethnicity-excommunicated-exile-inspirational-new-testament-old-fashioned-preaching-protestant-reformation-theologian-vernacular-image261840949.html
RMW5YTPD–1500s 1521 MARTIN LUTHER PREACHING IN WARTBURG CASTLE WHILE IN EXILE AND HIDING - kr8233 SPL001 HARS LUTHER MARTIN MARTIN LUTHER FAITHFUL TRANSLATION FAITH LUTHERAN MIDDLE AGES SPIRITUAL THEOLOGY WARTBURG 1500s 1521 BELIEF CAUCASIAN ETHNICITY EXCOMMUNICATED EXILE INSPIRATIONAL NEW TESTAMENT OLD FASHIONED PREACHING PROTESTANT REFORMATION THEOLOGIAN VERNACULAR
This image features a portrait of Hans S., an individual from Kulmbach, showcasing his distinctive attire and style from the depicted time period. The subject's identity and role remain unspecified, and the focus is on the visual representation of the subject. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-image-features-a-portrait-of-hans-s-an-individual-from-kulmbach-171482582.html
RMKXYKNX–This image features a portrait of Hans S., an individual from Kulmbach, showcasing his distinctive attire and style from the depicted time period. The subject's identity and role remain unspecified, and the focus is on the visual representation of the subject.
An old engraving of clothing worn by men in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. For men the doublet and hose were in vogue, with breeches of various lengths below a tapered and narrow waist or cod-piece. Short cloaks worn over the top. Ruffs again featured. Hats with brims and a loose, informal style became popular. Hair length varied and beards and moustaches were fashionable. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-clothing-worn-by-men-in-tudorelizabethan-times-in-england-the-style-of-dress-dates-from-latter-part-of-the-16th-and-early-17th-centuries-during-the-reign-of-elizabeth-i-15581603-more-variety-crept-into-taste-and-fashions-of-the-era-for-men-the-doublet-and-hose-were-in-vogue-with-breeches-of-various-lengths-below-a-tapered-and-narrow-waist-or-cod-piece-short-cloaks-worn-over-the-top-ruffs-again-featured-hats-with-brims-and-a-loose-informal-style-became-popular-hair-length-varied-and-beards-and-moustaches-were-fashionable-image551644568.html
RM2R1DG7M–An old engraving of clothing worn by men in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. For men the doublet and hose were in vogue, with breeches of various lengths below a tapered and narrow waist or cod-piece. Short cloaks worn over the top. Ruffs again featured. Hats with brims and a loose, informal style became popular. Hair length varied and beards and moustaches were fashionable.
1500s 1520s MARTIN LUTHER ARRIVING AT WARTBURG CASTLE AFTER EXCOMMUNICATION BY POPE LEO X AFTER DIET OF WORMS EISENACH GERMANY - kr9043 SPL001 HARS LEADERSHIP MOST POWERFUL ARRIVING INNOVATION AT BY INTO OF AUTHORITY FOLLOWING REFORMER MARTIN LUTHER MONK CONCEPTUAL ANCIENT GREEK EISENACH LUTHERAN 1500s 1520s 1522 CAUCASIAN ETHNICITY EXCOMMUNICATED NEW TESTAMENT OLD FASHIONED PROTESTANT REFORMATION THEOLOGIAN TRANSLATED VERNACULAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1520s-martin-luther-arriving-at-wartburg-castle-after-excommunication-by-pope-leo-x-after-diet-of-worms-eisenach-germany-kr9043-spl001-hars-leadership-most-powerful-arriving-innovation-at-by-into-of-authority-following-reformer-martin-luther-monk-conceptual-ancient-greek-eisenach-lutheran-1500s-1520s-1522-caucasian-ethnicity-excommunicated-new-testament-old-fashioned-protestant-reformation-theologian-translated-vernacular-image261841051.html
RMW5YTX3–1500s 1520s MARTIN LUTHER ARRIVING AT WARTBURG CASTLE AFTER EXCOMMUNICATION BY POPE LEO X AFTER DIET OF WORMS EISENACH GERMANY - kr9043 SPL001 HARS LEADERSHIP MOST POWERFUL ARRIVING INNOVATION AT BY INTO OF AUTHORITY FOLLOWING REFORMER MARTIN LUTHER MONK CONCEPTUAL ANCIENT GREEK EISENACH LUTHERAN 1500s 1520s 1522 CAUCASIAN ETHNICITY EXCOMMUNICATED NEW TESTAMENT OLD FASHIONED PROTESTANT REFORMATION THEOLOGIAN TRANSLATED VERNACULAR
Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting, circa 1564 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-dudley-1st-earl-of-leicester-1532-1588-portrait-painting-circa-1564-image255622110.html
RMTRTGH2–Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting, circa 1564
1500s 1521 MARTIN LUTHER BEFORE THE EMPEROR CHARLES V AT WORMS - kr8234 SPL001 HARS KNOWLEDGE LEADERSHIP POWERFUL INNOVATION OPPORTUNITY AUTHORITY POLITICS REFORMER LUTHER MARTIN MARTIN LUTHER MONK FAITHFUL COOPERATION EMPEROR FAITH HOLY ROMAN EMPIRE LUTHERAN MIDDLE AGES SPIRITUAL THEOLOGY 1500s 1521 BELIEF CAUCASIAN ETHNICITY EXCOMMUNICATED INSPIRATIONAL NEW TESTAMENT OLD FASHIONED PREACHING PROTESTANT REFORMATION THEOLOGIAN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1521-martin-luther-before-the-emperor-charles-v-at-worms-kr8234-spl001-hars-knowledge-leadership-powerful-innovation-opportunity-authority-politics-reformer-luther-martin-martin-luther-monk-faithful-cooperation-emperor-faith-holy-roman-empire-lutheran-middle-ages-spiritual-theology-1500s-1521-belief-caucasian-ethnicity-excommunicated-inspirational-new-testament-old-fashioned-preaching-protestant-reformation-theologian-image261840944.html
RMW5YTP8–1500s 1521 MARTIN LUTHER BEFORE THE EMPEROR CHARLES V AT WORMS - kr8234 SPL001 HARS KNOWLEDGE LEADERSHIP POWERFUL INNOVATION OPPORTUNITY AUTHORITY POLITICS REFORMER LUTHER MARTIN MARTIN LUTHER MONK FAITHFUL COOPERATION EMPEROR FAITH HOLY ROMAN EMPIRE LUTHERAN MIDDLE AGES SPIRITUAL THEOLOGY 1500s 1521 BELIEF CAUCASIAN ETHNICITY EXCOMMUNICATED INSPIRATIONAL NEW TESTAMENT OLD FASHIONED PREACHING PROTESTANT REFORMATION THEOLOGIAN
Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-from-1594-true-portraits-and-lives-of-illustrious-men-by-andr-74058994.html
RME8DK02–Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information.
1500s 1580s VICE ADMIRAL SIR FRANCIS DRAKE LOOKING AT CAMERA BRITISH EXPLORER SHIP GOLDEN HIND DEFEAT OF THE SPANISH ARMADA 1588 - kh13371 NAW001 HARS EYE CONTACT ADVENTURE PRIDE AUTHORITY OCCUPATIONS UNIFORMS VICE PRIVATEER ENGLISHMAN EXPLORER STYLISH DRAKE 1580 1580s 1588 ARMADA DEFEAT HIND MID-ADULT MID-ADULT MAN RUFF 1500s ADMIRAL CAUCASIAN ETHNICITY FRANCIS OLD FASHIONED SIR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1500s-1580s-vice-admiral-sir-francis-drake-looking-at-camera-british-explorer-ship-golden-hind-defeat-of-the-spanish-armada-1588-kh13371-naw001-hars-eye-contact-adventure-pride-authority-occupations-uniforms-vice-privateer-englishman-explorer-stylish-drake-1580-1580s-1588-armada-defeat-hind-mid-adult-mid-adult-man-ruff-1500s-admiral-caucasian-ethnicity-francis-old-fashioned-sir-image429935455.html
RM2FYD71K–1500s 1580s VICE ADMIRAL SIR FRANCIS DRAKE LOOKING AT CAMERA BRITISH EXPLORER SHIP GOLDEN HIND DEFEAT OF THE SPANISH ARMADA 1588 - kh13371 NAW001 HARS EYE CONTACT ADVENTURE PRIDE AUTHORITY OCCUPATIONS UNIFORMS VICE PRIVATEER ENGLISHMAN EXPLORER STYLISH DRAKE 1580 1580s 1588 ARMADA DEFEAT HIND MID-ADULT MID-ADULT MAN RUFF 1500s ADMIRAL CAUCASIAN ETHNICITY FRANCIS OLD FASHIONED SIR
Giuliano II Cesarini (1572-1613), Duke of Civitanova Marche and Marquis of Civita Lavinia aged 14 years, with his Page, Renaissance portrait painting by Sofonisba Anguissola, 1586 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuliano-ii-cesarini-1572-1613-duke-of-civitanova-marche-and-marquis-of-civita-lavinia-aged-14-years-with-his-page-renaissance-portrait-painting-by-sofonisba-anguissola-1586-image433748625.html
RM2G5JXP9–Giuliano II Cesarini (1572-1613), Duke of Civitanova Marche and Marquis of Civita Lavinia aged 14 years, with his Page, Renaissance portrait painting by Sofonisba Anguissola, 1586
1452-1519 SELF PORTRAIT OF LEONARDO DA VINCI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1452-1519-self-portrait-of-leonardo-da-vinci-12654657.html
RMAAKN9P–1452-1519 SELF PORTRAIT OF LEONARDO DA VINCI
Late 16th Century XVI 1500s German Costumes (Left to right) Merchant of Rostock and peasants of Rostock Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-16th-century-xvi-1500s-german-costumes-left-to-right-merchant-image62980654.html
RFDJD0D2–Late 16th Century XVI 1500s German Costumes (Left to right) Merchant of Rostock and peasants of Rostock
1970s 1545 MICHAELANGELO STATUE OF MOSES FOR TOMB OF POPE JULIUS II IN THE CHURCH OF SAN PIETRO IN VINCOLI IN ROME ITALY - kr22342 LAN001 HARS BUONARROTI LIFELIKE CREATIVITY JULIUS II PIETRO TOMB VINCOLI 1500s OLD FASHIONED ROME Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1970s-1545-michaelangelo-statue-of-moses-for-tomb-of-pope-julius-ii-in-the-church-of-san-pietro-in-vincoli-in-rome-italy-kr22342-lan001-hars-buonarroti-lifelike-creativity-julius-ii-pietro-tomb-vincoli-1500s-old-fashioned-rome-image378128200.html
RM2CY56AG–1970s 1545 MICHAELANGELO STATUE OF MOSES FOR TOMB OF POPE JULIUS II IN THE CHURCH OF SAN PIETRO IN VINCOLI IN ROME ITALY - kr22342 LAN001 HARS BUONARROTI LIFELIKE CREATIVITY JULIUS II PIETRO TOMB VINCOLI 1500s OLD FASHIONED ROME
. Français : Cavalier d'Arpin, Tête d'homme, vers 1595 . 7 September 2012, 09:31:59 119 Cavalier d'Arpin 04-514849 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-cavalier-darpin-tte-dhomme-vers-1595-7-september-2012-093159-119-cavalier-darpin-04-514849-image187681543.html
RMMW9HM7–. Français : Cavalier d'Arpin, Tête d'homme, vers 1595 . 7 September 2012, 09:31:59 119 Cavalier d'Arpin 04-514849
1500s 1530s MICHELANGELO WITH VITTORIA COLONNA BESIDE SCULPTOR'S STATUE OF MOSES DEDICATED AND PASSIONATE FRIENDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-1530s-michelangelo-with-vittoria-colonna-beside-sculptors-statue-59026150.html
RMDC0TCP–1500s 1530s MICHELANGELO WITH VITTORIA COLONNA BESIDE SCULPTOR'S STATUE OF MOSES DEDICATED AND PASSIONATE FRIENDS
English: Portrait of Johann Jakob König between 1575 and 1580. 959 Paolo Veronese 039 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-johann-jakob-knig-between-1575-and-1580-959-paolo-veronese-039-image185789521.html
RMMP7CC1–English: Portrait of Johann Jakob König between 1575 and 1580. 959 Paolo Veronese 039
Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting (detail), circa 1560 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-dudley-1st-earl-of-leicester-1532-1588-portrait-painting-detail-circa-1560-image255622112.html
RMTRTGH4–Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting (detail), circa 1560
German country squire with his armed attendants, 1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-country-squire-with-his-armed-attendants-1500s-hand-colored-print-image187403232.html
RMMTTXMG–German country squire with his armed attendants, 1500s. Hand-colored print
Portrait of a Man with a Felt Hat 1541. 822 Lorenzo Lotto - Portrait of a Man with a Felt Hat - WGA13721 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-with-a-felt-hat-1541-822-lorenzo-lotto-portrait-of-a-man-with-a-felt-hat-wga13721-image185839965.html
RMMP9MNH–Portrait of a Man with a Felt Hat 1541. 822 Lorenzo Lotto - Portrait of a Man with a Felt Hat - WGA13721
Blood streams down the face of Saint Stephen, the first Christian martyr, as he kneels in prayer while executioners in 16th century Renaissance dress hurl rocks at him from either side: vivid early 1500s Troyenne stained glass in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blood-streams-down-the-face-of-saint-stephen-the-first-christian-martyr-as-he-kneels-in-prayer-while-executioners-in-16th-century-renaissance-dress-hurl-rocks-at-him-from-either-side-vivid-early-1500s-troyenne-stained-glass-in-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-of-northeast-france-image467794660.html
RF2J51TT4–Blood streams down the face of Saint Stephen, the first Christian martyr, as he kneels in prayer while executioners in 16th century Renaissance dress hurl rocks at him from either side: vivid early 1500s Troyenne stained glass in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France.
Lucas Cranach the Elder, Princess Sibylle of Cleves, (1512-1554), portrait painting, 1526 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-cranach-the-elder-princess-sibylle-of-cleves-1512-1554-portrait-painting-1526-image248337983.html
RMTC0NHK–Lucas Cranach the Elder, Princess Sibylle of Cleves, (1512-1554), portrait painting, 1526
Polish Lady and Nobleman in National Dress, 16th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polish-lady-and-nobleman-in-national-dress-16th-century-illustration-the-history-of-costume-braun-schneider-munich-germany-1861-1880-image468793054.html
RM2J6KA92–Polish Lady and Nobleman in National Dress, 16th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880
An old engraving of clothing worn in Tudor times in England. The style of dress dates from first part of the 16th century during the reign of Henry VIII (1509–1547). Men’s clothes often featured doublets and pantaloons, over which a short cloak with armholes and a fur or velvet collar was worn. Flat caps were a common feature. For women long hair was fashionable. Long dresses were often embroidered with jewels. This attire would have been worn by those in society with money, landed gentry, the nobility and others connected to the royal court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-clothing-worn-in-tudor-times-in-england-the-style-of-dress-dates-from-first-part-of-the-16th-century-during-the-reign-of-henry-viii-15091547-mens-clothes-often-featured-doublets-and-pantaloons-over-which-a-short-cloak-with-armholes-and-a-fur-or-velvet-collar-was-worn-flat-caps-were-a-common-feature-for-women-long-hair-was-fashionable-long-dresses-were-often-embroidered-with-jewels-this-attire-would-have-been-worn-by-those-in-society-with-money-landed-gentry-the-nobility-and-others-connected-to-the-royal-court-image551644498.html
RM2R1DG56–An old engraving of clothing worn in Tudor times in England. The style of dress dates from first part of the 16th century during the reign of Henry VIII (1509–1547). Men’s clothes often featured doublets and pantaloons, over which a short cloak with armholes and a fur or velvet collar was worn. Flat caps were a common feature. For women long hair was fashionable. Long dresses were often embroidered with jewels. This attire would have been worn by those in society with money, landed gentry, the nobility and others connected to the royal court.
Engraved portrait of a Frenchman in the middle ages with long toes on his shoes; published circa 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraved-portrait-of-a-frenchman-in-the-middle-ages-with-long-toes-on-his-shoes-published-circa-1850-image477967326.html
RM2JNH85J–Engraved portrait of a Frenchman in the middle ages with long toes on his shoes; published circa 1850
people, children, 16th century, Frederik de Vries mounts a spaniel, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/people-children-16th-century-frederik-de-vries-mounts-a-spaniel-additional-rights-clearance-info-not-available-image432234291.html
RM2G35Y6Y–people, children, 16th century, Frederik de Vries mounts a spaniel, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
La Promenade - Bartsch 144 Lucas de Leyde (1494-1533). 'La Promenade' - Bartsch 144. Burin. 1520. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-promenade-bartsch-144-lucas-de-leyde-1494-1533-la-promenade-bartsch-144-burin-1520-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350209535.html
RM2B9NBRB–La Promenade - Bartsch 144 Lucas de Leyde (1494-1533). 'La Promenade' - Bartsch 144. Burin. 1520. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-from-1594-true-portraits-and-lives-of-illustrious-men-by-andr-73404245.html
RME7BRT5–Image from 1594 'True Portraits and Lives of Illustrious Men' by André Thévet (1516-1590). See description for more information.
Herzog Friedrich Straße, Innsbruck, Tyrol, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herzog-friedrich-strae-innsbruck-tyrol-austria-30087681.html
RMBMXH41–Herzog Friedrich Straße, Innsbruck, Tyrol, Austria
Late Gothic stone relief of the Moresca Dancers by Austrian sculptor Jörg Kölderer (1496-1500) from the Goldenes Dachl (Innsbruck) on display at the special exhibition in the Belvedere Museum in Vienna, Austria. The exhibition entitled 'The Age of Dürer' and devoted to Austria at the Gate of the Renaissance runs till 22 January 2022. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-gothic-stone-relief-of-the-moresca-dancers-by-austrian-sculptor-jrg-klderer-1496-1500-from-the-goldenes-dachl-innsbruck-on-display-at-the-special-exhibition-in-the-belvedere-museum-in-vienna-austria-the-exhibition-entitled-the-age-of-drer-and-devoted-to-austria-at-the-gate-of-the-renaissance-runs-till-22-january-2022-image451735452.html
RM2H6X950–Late Gothic stone relief of the Moresca Dancers by Austrian sculptor Jörg Kölderer (1496-1500) from the Goldenes Dachl (Innsbruck) on display at the special exhibition in the Belvedere Museum in Vienna, Austria. The exhibition entitled 'The Age of Dürer' and devoted to Austria at the Gate of the Renaissance runs till 22 January 2022.
Portrait of a Man in Black Costume Corneille de Lyon (Dutch,1500/10-1575, active in France). Portrait of a Man in Black Costume. Tempera on panel, 8 1/2 x 5 7/8 in. (21.6 x 14.9 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-in-black-costume-corneille-de-lyon-dutch150010-1575-active-in-france-portrait-of-a-man-in-black-costume-tempera-on-panel-8-12-x-5-78-in-216-x-149-cm-european-art-image504712678.html
RM2M93J4P–Portrait of a Man in Black Costume Corneille de Lyon (Dutch,1500/10-1575, active in France). Portrait of a Man in Black Costume. Tempera on panel, 8 1/2 x 5 7/8 in. (21.6 x 14.9 cm). European Art
Late 16th Century XVI 1500s German Costumes (Left to right) woman from Ockholm and couple from Pomerania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-16th-century-xvi-1500s-german-costumes-left-to-right-woman-from-image62980648.html
RFDJD0CT–Late 16th Century XVI 1500s German Costumes (Left to right) woman from Ockholm and couple from Pomerania
Portrait of a Young Man with an Apple (1504-1505) by Italian Renaissance painter Raphael on display in the Uffizi Gallery (Galleria degli Uffizi) in Florence, Tuscany, Italy. Francesco Maria I della Rovere is probably depicted in the painting as teenager. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-young-man-with-an-apple-1504-1505-by-italian-renaissance-painter-raphael-on-display-in-the-uffizi-gallery-galleria-degli-uffizi-in-florence-tuscany-italy-francesco-maria-i-della-rovere-is-probably-depicted-in-the-painting-as-teenager-image185907064.html
RMMPCPA0–Portrait of a Young Man with an Apple (1504-1505) by Italian Renaissance painter Raphael on display in the Uffizi Gallery (Galleria degli Uffizi) in Florence, Tuscany, Italy. Francesco Maria I della Rovere is probably depicted in the painting as teenager.
This Renaissance portrait by Dosso Dossi features a man wearing a black beretta, a fashionable headpiece of the time. Dossi, known for his vivid use of color and detail, captures the subject in a formal pose, typical of 16th-century portraiture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-renaissance-portrait-by-dosso-dossi-features-a-man-wearing-a-black-beretta-a-fashionable-headpiece-of-the-time-dossi-known-for-his-vivid-use-of-color-and-detail-captures-the-subject-in-a-formal-pose-typical-of-16th-century-portraiture-image680165381.html
RM3BEG5TN–This Renaissance portrait by Dosso Dossi features a man wearing a black beretta, a fashionable headpiece of the time. Dossi, known for his vivid use of color and detail, captures the subject in a formal pose, typical of 16th-century portraiture.
1500s KING OF ENGLAND HENRY VIII TELLING ANNE BOLEYN QUEEN CONSORT MOTHER OF ELIZABETH I OF HER SORRY FATE BEHEADED 1536 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1500s-king-of-england-henry-viii-telling-anne-boleyn-queen-consort-59025871.html
RMDC0T2R–1500s KING OF ENGLAND HENRY VIII TELLING ANNE BOLEYN QUEEN CONSORT MOTHER OF ELIZABETH I OF HER SORRY FATE BEHEADED 1536
A 16th-century portrait of a bearded gentleman, painted in the style of Willem Key. The artwork features a man in period attire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-16th-century-portrait-of-a-bearded-gentleman-painted-in-the-style-of-willem-key-the-artwork-features-a-man-in-period-attire-image665095579.html
RM3AJ1M5F–A 16th-century portrait of a bearded gentleman, painted in the style of Willem Key. The artwork features a man in period attire.
Henry III, King of France (1551-1589) the last Valois painting by Jean Lulvès (1833-1889) was a Franco-German painter, specializing in genre painting and decorative works for large rooms such as the Coronation Hall in the Kremlin and the now-lost headquarters of the Krause bank in Berlin. Old 19th century engraved illustration from La Ilustración Artística 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-iii-king-of-france-1551-1589-the-last-valois-painting-by-jean-lulvs-1833-1889-was-a-franco-german-painter-specializing-in-genre-painting-and-decorative-works-for-large-rooms-such-as-the-coronation-hall-in-the-kremlin-and-the-now-lost-headquarters-of-the-krause-bank-in-berlin-old-19th-century-engraved-illustration-from-la-ilustracin-artstica-1882-image442907686.html
RM2GMG57J–Henry III, King of France (1551-1589) the last Valois painting by Jean Lulvès (1833-1889) was a Franco-German painter, specializing in genre painting and decorative works for large rooms such as the Coronation Hall in the Kremlin and the now-lost headquarters of the Krause bank in Berlin. Old 19th century engraved illustration from La Ilustración Artística 1882
French couple of the nobility, late 1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-couple-of-the-nobility-late-1500s-hand-colored-print-image187623069.html
RMMW6Y3W–French couple of the nobility, late 1500s. Hand-colored print
. A man . 16 c,. 854 Marco Basaiti 006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-16-c-854-marco-basaiti-006-image185846139.html
RMMPA0J3–. A man . 16 c,. 854 Marco Basaiti 006
An executioner in colourful Renaissance costume hurls rocks at the first Christian martyr, Saint Stephen, in this square format detail of vivid early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in France's Champagne region. The colours are typical of 16th century glass made in the workshops at Troyes, the historic regional capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-executioner-in-colourful-renaissance-costume-hurls-rocks-at-the-first-christian-martyr-saint-stephen-in-this-square-format-detail-of-vivid-early-1500s-stained-glass-in-the-glise-saint-rmi-at-ceffonds-in-frances-champagne-region-the-colours-are-typical-of-16th-century-glass-made-in-the-workshops-at-troyes-the-historic-regional-capital-image467794701.html
RF2J51TWH–An executioner in colourful Renaissance costume hurls rocks at the first Christian martyr, Saint Stephen, in this square format detail of vivid early 1500s stained glass in the Église Saint-Rémi at Ceffonds, in France's Champagne region. The colours are typical of 16th century glass made in the workshops at Troyes, the historic regional capital.
This 1554 portrait by Maarten van Heemskerck depicts an unidentified man, showcasing Heemskerck's precise and expressive style. The painting, created on panel, is part of the Fries Museum's collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1554-portrait-by-maarten-van-heemskerck-depicts-an-unidentified-man-showcasing-heemskercks-precise-and-expressive-style-the-painting-created-on-panel-is-part-of-the-fries-museums-collection-image665088636.html
RM3AJ1B9G–This 1554 portrait by Maarten van Heemskerck depicts an unidentified man, showcasing Heemskerck's precise and expressive style. The painting, created on panel, is part of the Fries Museum's collection.