Entrance, Church of the Holy Sepulchre, Jerusalem, Francis Frith, British, 1822-1898, Gelatin silver photograph, ca. 1875-1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entrance-church-of-the-holy-sepulchre-jerusalem-francis-frith-british-1822-1898-gelatin-silver-photograph-ca-1875-1880-image454267546.html
RM2HB1JTX–Entrance, Church of the Holy Sepulchre, Jerusalem, Francis Frith, British, 1822-1898, Gelatin silver photograph, ca. 1875-1880
Church of the Abbey at Tounus, 1825, Richard Parkes Bonington, British, 1802–1828, 11 3/8 x 14 in. (28.89 x 35.56 cm) (sheet), Lithograph, England, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-the-abbey-at-tounus-1825-richard-parkes-bonington-british-18021828-11-38-x-14-in-2889-x-3556-cm-sheet-lithograph-england-19th-century-image573506577.html
RM2T91DDN–Church of the Abbey at Tounus, 1825, Richard Parkes Bonington, British, 1802–1828, 11 3/8 x 14 in. (28.89 x 35.56 cm) (sheet), Lithograph, England, 19th century
The Idle Prentice at Play in the Church Yard During Divine Service, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 3/8 x 13 3/4 in., 26.4 x 35 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-idle-prentice-at-play-in-the-church-yard-during-divine-service-william-hogarth-british-1697-1764-engraving-on-laid-paper-1747-10-38-x-13-34-in-264-x-35-cm-image454271158.html
RM2HB1RDX–The Idle Prentice at Play in the Church Yard During Divine Service, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 3/8 x 13 3/4 in., 26.4 x 35 cm
British funeral, Cugny, Photograph shows vehicle and soldiers passing a church during a funeral in Cugny, France, probably during World War I., between ca. 1915 and ca. 1920, World War, 1914-1918, Glass negatives, 1 negative: glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-funeral-cugny-photograph-shows-vehicle-and-soldiers-passing-a-church-during-a-funeral-in-cugny-france-probably-during-world-war-i-between-ca-1915-and-ca-1920-world-war-1914-1918-glass-negatives-1-negative-glass-image599561609.html
RM2WRCAXH–British funeral, Cugny, Photograph shows vehicle and soldiers passing a church during a funeral in Cugny, France, probably during World War I., between ca. 1915 and ca. 1920, World War, 1914-1918, Glass negatives, 1 negative: glass
British memorial at Kanpur, commemorating the Bibighar massacre, Memorial Well, Cawnpore (title on object), The Memorial Well, with the Cawnpore Church in the distance (original title), Samuel Bourne (signed by artist), Kanpur, 1864 - 1866, paper, cardboard, albumen print, height 190 mm × width 302 mmheight 344 mm × width 470 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-memorial-at-kanpur-commemorating-the-bibighar-massacre-memorial-well-cawnpore-title-on-object-the-memorial-well-with-the-cawnpore-church-in-the-distance-original-title-samuel-bourne-signed-by-artist-kanpur-1864-1866-paper-cardboard-albumen-print-height-190-mm-width-302-mmheight-344-mm-width-470-mm-image454399729.html
RM2HB7KDN–British memorial at Kanpur, commemorating the Bibighar massacre, Memorial Well, Cawnpore (title on object), The Memorial Well, with the Cawnpore Church in the distance (original title), Samuel Bourne (signed by artist), Kanpur, 1864 - 1866, paper, cardboard, albumen print, height 190 mm × width 302 mmheight 344 mm × width 470 mm
Tomb of Shakespeare, Holy Trinity Church, Straford-on-Avon, England, 19th century, Francis Bedford, British, 1816 - 1894, 6 5/16 x 8 1/2 in. (16.03 x 21.59 cm) (image)11 x 13 15/16 in. (27.94 x 35.4 cm) (mount), Albumen print, England, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-of-shakespeare-holy-trinity-church-straford-on-avon-england-19th-century-francis-bedford-british-1816-1894-6-516-x-8-12-in-1603-x-2159-cm-image11-x-13-1516-in-2794-x-354-cm-mount-albumen-print-england-19th-century-image573497716.html
RM2T91258–Tomb of Shakespeare, Holy Trinity Church, Straford-on-Avon, England, 19th century, Francis Bedford, British, 1816 - 1894, 6 5/16 x 8 1/2 in. (16.03 x 21.59 cm) (image)11 x 13 15/16 in. (27.94 x 35.4 cm) (mount), Albumen print, England, 19th century
Church and River from Memorial, Stratford-on-Avon, England, 19th century, Francis Bedford, British, 1816 - 1894, 6 3/16 x 8 11/16 in. (15.72 x 22.07 cm) (image)11 1/16 x 13 15/16 in. (28.1 x 35.4 cm) (mount), Albumen print, England, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-and-river-from-memorial-stratford-on-avon-england-19th-century-francis-bedford-british-1816-1894-6-316-x-8-1116-in-1572-x-2207-cm-image11-116-x-13-1516-in-281-x-354-cm-mount-albumen-print-england-19th-century-image573497661.html
RM2T91239–Church and River from Memorial, Stratford-on-Avon, England, 19th century, Francis Bedford, British, 1816 - 1894, 6 3/16 x 8 11/16 in. (15.72 x 22.07 cm) (image)11 1/16 x 13 15/16 in. (28.1 x 35.4 cm) (mount), Albumen print, England, 19th century
Battles between the French Batavian army and the British-Russian invasion force on 6 October 1799. In the foreground the French Batavian troops advancing towards Castricum under General Brune. In the distance the church tower of Castricum, Battle of Castricum, 1799., print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Dirk Langendijk, (mentioned on object), Netherlands, 1800 - 1802, paper, etching, engraving, h 218 mm × w 278 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battles-between-the-french-batavian-army-and-the-british-russian-invasion-force-on-6-october-1799-in-the-foreground-the-french-batavian-troops-advancing-towards-castricum-under-general-brune-in-the-distance-the-church-tower-of-castricum-battle-of-castricum-1799-print-maker-reinier-vinkeles-i-mentioned-on-object-intermediary-draughtsman-dirk-langendijk-mentioned-on-object-netherlands-1800-1802-paper-etching-engraving-h-218-mm-w-278-mm-image473397780.html
RM2JE53KG–Battles between the French Batavian army and the British-Russian invasion force on 6 October 1799. In the foreground the French Batavian troops advancing towards Castricum under General Brune. In the distance the church tower of Castricum, Battle of Castricum, 1799., print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Dirk Langendijk, (mentioned on object), Netherlands, 1800 - 1802, paper, etching, engraving, h 218 mm × w 278 mm
The Aventine from the Palatine, Walter T. Crane, British, 1845-1915, Opaque watercolor on wove paper, Italy, February 19, 1873, 11 1/2 x 17 1/4 in., 29.2 x 43.8 cm, church, Collis Aventinus, Collis Palatinus, European, green, hill, houses, landscape, opaque watercolor, painting, Roma, Rome, Santa Sabina, sky, town, trees, watercolor, watercolour, winter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-aventine-from-the-palatine-walter-t-crane-british-1845-1915-opaque-watercolor-on-wove-paper-italy-february-19-1873-11-12-x-17-14-in-292-x-438-cm-church-collis-aventinus-collis-palatinus-european-green-hill-houses-landscape-opaque-watercolor-painting-roma-rome-santa-sabina-sky-town-trees-watercolor-watercolour-winter-image454267272.html
RM2HB1JF4–The Aventine from the Palatine, Walter T. Crane, British, 1845-1915, Opaque watercolor on wove paper, Italy, February 19, 1873, 11 1/2 x 17 1/4 in., 29.2 x 43.8 cm, church, Collis Aventinus, Collis Palatinus, European, green, hill, houses, landscape, opaque watercolor, painting, Roma, Rome, Santa Sabina, sky, town, trees, watercolor, watercolour, winter
British memorial at Bibighar commemorating the siege of Kanpur, India, The Memorial Well, the Marble Statue by Marchetti, from the entrance (original title), The siege of Kanpur was an important moment in the Indian uprising of 1857. The British placed a memorial in the well of Bibighar, designed by Carlo Marochetti, around 1860. The statue of the angel with symbols of peace was moved to the Memorial Church in Kanpur after India's independence., Samuel Bourne (signed by artist), Carlo Marochetti, Kanpur, 1863 - 1870, photographic support, paper, albumen print, height 284 mm × width 236 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-memorial-at-bibighar-commemorating-the-siege-of-kanpur-india-the-memorial-well-the-marble-statue-by-marchetti-from-the-entrance-original-title-the-siege-of-kanpur-was-an-important-moment-in-the-indian-uprising-of-1857-the-british-placed-a-memorial-in-the-well-of-bibighar-designed-by-carlo-marochetti-around-1860-the-statue-of-the-angel-with-symbols-of-peace-was-moved-to-the-memorial-church-in-kanpur-after-indias-independence-samuel-bourne-signed-by-artist-carlo-marochetti-kanpur-1863-1870-photographic-support-paper-albumen-print-height-284-mm-width-236-image454425686.html
RM2HB8TGP–British memorial at Bibighar commemorating the siege of Kanpur, India, The Memorial Well, the Marble Statue by Marchetti, from the entrance (original title), The siege of Kanpur was an important moment in the Indian uprising of 1857. The British placed a memorial in the well of Bibighar, designed by Carlo Marochetti, around 1860. The statue of the angel with symbols of peace was moved to the Memorial Church in Kanpur after India's independence., Samuel Bourne (signed by artist), Carlo Marochetti, Kanpur, 1863 - 1870, photographic support, paper, albumen print, height 284 mm × width 236
Thus did Job continually, 1825, William Blake, British, 1757–1827, 7 3/4 x 6 1/2 in. (19.69 x 16.51 cm) (sheet), Engraving, England, 19th century, In plate one, Job and his family are still in the pastoral state of Innocence and shown at their evening prayers. Job is basically a good man, although he never recognized the true God. A Gothic church to the left represents his spiritual wealth; to the right, the flocks and barns represent his material wealth. Job fears God instead of loving him as a friend and deepest of all is his secret pride which must be humbled Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thus-did-job-continually-1825-william-blake-british-17571827-7-34-x-6-12-in-1969-x-1651-cm-sheet-engraving-england-19th-century-in-plate-one-job-and-his-family-are-still-in-the-pastoral-state-of-innocence-and-shown-at-their-evening-prayers-job-is-basically-a-good-man-although-he-never-recognized-the-true-god-a-gothic-church-to-the-left-represents-his-spiritual-wealth-to-the-right-the-flocks-and-barns-represent-his-material-wealth-job-fears-god-instead-of-loving-him-as-a-friend-and-deepest-of-all-is-his-secret-pride-which-must-be-humbled-image573506047.html
RM2T91CPR–Thus did Job continually, 1825, William Blake, British, 1757–1827, 7 3/4 x 6 1/2 in. (19.69 x 16.51 cm) (sheet), Engraving, England, 19th century, In plate one, Job and his family are still in the pastoral state of Innocence and shown at their evening prayers. Job is basically a good man, although he never recognized the true God. A Gothic church to the left represents his spiritual wealth; to the right, the flocks and barns represent his material wealth. Job fears God instead of loving him as a friend and deepest of all is his secret pride which must be humbled
And I only am escaped alone to tell thee., 1825, William Blake, British, 1757–1827, 8 1/2 x 6 5/8 in. (21.59 x 16.83 cm) (sheet), Engraving, England, 19th century, Two messengers arrive left feet first to announce the disasters. For Blake, the right hand and foot symbolized the spiritual; the left evoked the material. Job and his wife are seated beneath a pair of heavy stone crosses. Above them is a tree with scant foliage and no fruit. To the left, the Gothic church appears for the last time in the series Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/and-i-only-am-escaped-alone-to-tell-thee-1825-william-blake-british-17571827-8-12-x-6-58-in-2159-x-1683-cm-sheet-engraving-england-19th-century-two-messengers-arrive-left-feet-first-to-announce-the-disasters-for-blake-the-right-hand-and-foot-symbolized-the-spiritual-the-left-evoked-the-material-job-and-his-wife-are-seated-beneath-a-pair-of-heavy-stone-crosses-above-them-is-a-tree-with-scant-foliage-and-no-fruit-to-the-left-the-gothic-church-appears-for-the-last-time-in-the-series-image573505957.html
RM2T91CKH–And I only am escaped alone to tell thee., 1825, William Blake, British, 1757–1827, 8 1/2 x 6 5/8 in. (21.59 x 16.83 cm) (sheet), Engraving, England, 19th century, Two messengers arrive left feet first to announce the disasters. For Blake, the right hand and foot symbolized the spiritual; the left evoked the material. Job and his wife are seated beneath a pair of heavy stone crosses. Above them is a tree with scant foliage and no fruit. To the left, the Gothic church appears for the last time in the series
Battle of Castricum, 1799, Battle by Castricum. On October 6, 1799 (title on object), Fighting between the French-Batavian army and the British-Russian invasion force on October 6, 1799. In the foreground the French-Batavian troops under General Brune are advancing towards Castricum. In the distance the church tower of Castricum., print, print maker: Reinier Vinkeles (I), (mentioned on object), after drawing by: Dirk Langendijk, (mentioned on object), publisher: François Bohn, (mentioned on object), print maker: Netherlands, publisher: Haarlem, 1800 - 1802, paper, etching, engraving, height Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-castricum-1799-battle-by-castricum-on-october-6-1799-title-on-object-fighting-between-the-french-batavian-army-and-the-british-russian-invasion-force-on-october-6-1799-in-the-foreground-the-french-batavian-troops-under-general-brune-are-advancing-towards-castricum-in-the-distance-the-church-tower-of-castricum-print-print-maker-reinier-vinkeles-i-mentioned-on-object-after-drawing-by-dirk-langendijk-mentioned-on-object-publisher-franois-bohn-mentioned-on-object-print-maker-netherlands-publisher-haarlem-1800-1802-paper-etching-engraving-height-image606618421.html
RM2X6WRYH–Battle of Castricum, 1799, Battle by Castricum. On October 6, 1799 (title on object), Fighting between the French-Batavian army and the British-Russian invasion force on October 6, 1799. In the foreground the French-Batavian troops under General Brune are advancing towards Castricum. In the distance the church tower of Castricum., print, print maker: Reinier Vinkeles (I), (mentioned on object), after drawing by: Dirk Langendijk, (mentioned on object), publisher: François Bohn, (mentioned on object), print maker: Netherlands, publisher: Haarlem, 1800 - 1802, paper, etching, engraving, height
Sketchbook: Derbyshire and Sussex, c. 1834, School of Joseph Mallord William Turner R.A.; Artist: (attributed) George Harley, British, 1775–1851, 8 1/8 x 10 5/8 in. (20.64 x 26.99 cm) (image), Graphite and watercolor on wove paper; bound volume, England, 19th century, This sketchbook is open to a view of the church St. Mary the Virgin, whose square tower was built in the 1100s. The church is adjacent to Coleorton Hall, the Leicestershire manor house of Sir George Beaumont (1753-1827), a pivotal figure in the artistic life of Great Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketchbook-derbyshire-and-sussex-c-1834-school-of-joseph-mallord-william-turner-ra-artist-attributed-george-harley-british-17751851-8-18-x-10-58-in-2064-x-2699-cm-image-graphite-and-watercolor-on-wove-paper-bound-volume-england-19th-century-this-sketchbook-is-open-to-a-view-of-the-church-st-mary-the-virgin-whose-square-tower-was-built-in-the-1100s-the-church-is-adjacent-to-coleorton-hall-the-leicestershire-manor-house-of-sir-george-beaumont-1753-1827-a-pivotal-figure-in-the-artistic-life-of-great-britain-image573492634.html
RM2T90RKP–Sketchbook: Derbyshire and Sussex, c. 1834, School of Joseph Mallord William Turner R.A.; Artist: (attributed) George Harley, British, 1775–1851, 8 1/8 x 10 5/8 in. (20.64 x 26.99 cm) (image), Graphite and watercolor on wove paper; bound volume, England, 19th century, This sketchbook is open to a view of the church St. Mary the Virgin, whose square tower was built in the 1100s. The church is adjacent to Coleorton Hall, the Leicestershire manor house of Sir George Beaumont (1753-1827), a pivotal figure in the artistic life of Great Britain
Evening, Storm Clearing Off, 1818-1819, John Linnell, British, 1792 - 1882, 14 7/8 x 22 1/2 in. (37.78 x 57.15 cm) (sight)21 1/2 x 29 in. (54.61 x 73.66 cm) (outer frame), Oil on paper laid on panel, England, 19th century, John Linnell was one of the most successful and influential landscape painters active in Great Britain during the first half of the 19th century. Along with John Varley, he pioneered the regular practice of plein-air painting along the Thames and in the suburbs of London. The intensity and the poetic sublimity of this representation of naturalistic phenomena are typical Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/evening-storm-clearing-off-1818-1819-john-linnell-british-1792-1882-14-78-x-22-12-in-3778-x-5715-cm-sight21-12-x-29-in-5461-x-7366-cm-outer-frame-oil-on-paper-laid-on-panel-england-19th-century-john-linnell-was-one-of-the-most-successful-and-influential-landscape-painters-active-in-great-britain-during-the-first-half-of-the-19th-century-along-with-john-varley-he-pioneered-the-regular-practice-of-plein-air-painting-along-the-thames-and-in-the-suburbs-of-london-the-intensity-and-the-poetic-sublimity-of-this-representation-of-naturalistic-phenomena-are-typical-image573482047.html
RM2T90A5K–Evening, Storm Clearing Off, 1818-1819, John Linnell, British, 1792 - 1882, 14 7/8 x 22 1/2 in. (37.78 x 57.15 cm) (sight)21 1/2 x 29 in. (54.61 x 73.66 cm) (outer frame), Oil on paper laid on panel, England, 19th century, John Linnell was one of the most successful and influential landscape painters active in Great Britain during the first half of the 19th century. Along with John Varley, he pioneered the regular practice of plein-air painting along the Thames and in the suburbs of London. The intensity and the poetic sublimity of this representation of naturalistic phenomena are typical
Shepstone takes the oath, 1877, Swearing in of Godlove Sheps 'Our great deliverer' (title on object), Annexation of the Transvaal, by an African (series title on object), Shepstone kisses the Bible and confesses his crimes, in a court or church. With caption. Part of the series of eleven cartoons on the British annexation of Transvaal in 1877., print, print maker: anonymous, Zuid-Afrika, (possibly), 1877 - 1880, paper, height c. 218 mm × width c. 350 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shepstone-takes-the-oath-1877-swearing-in-of-godlove-sheps-our-great-deliverer-title-on-object-annexation-of-the-transvaal-by-an-african-series-title-on-object-shepstone-kisses-the-bible-and-confesses-his-crimes-in-a-court-or-church-with-caption-part-of-the-series-of-eleven-cartoons-on-the-british-annexation-of-transvaal-in-1877-print-print-maker-anonymous-zuid-afrika-possibly-1877-1880-paper-height-c-218-mm-width-c-350-mm-image606621544.html
RM2X6WYY4–Shepstone takes the oath, 1877, Swearing in of Godlove Sheps 'Our great deliverer' (title on object), Annexation of the Transvaal, by an African (series title on object), Shepstone kisses the Bible and confesses his crimes, in a court or church. With caption. Part of the series of eleven cartoons on the British annexation of Transvaal in 1877., print, print maker: anonymous, Zuid-Afrika, (possibly), 1877 - 1880, paper, height c. 218 mm × width c. 350 mm
The battle of Bergen on September 19, 1799. View of the battlefield in the center of Bergen. On the left French hussars on horseback, on the right French Batavian infantry. In the middle British and Russian troops in front of the Ruined Church. On the right the inn 'de Jager', Battle of Bergen, 1799 Bataille bij Bergen den 19 September 1799 , print maker: Pieter Gerardus van Os, (mentioned on object), Pieter Gerardus van Os, (mentioned on object), Netherlands, 1799, paper, etching, engraving, h 371 mm × w 471 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-bergen-on-september-19-1799-view-of-the-battlefield-in-the-center-of-bergen-on-the-left-french-hussars-on-horseback-on-the-right-french-batavian-infantry-in-the-middle-british-and-russian-troops-in-front-of-the-ruined-church-on-the-right-the-inn-de-jager-battle-of-bergen-1799-bataille-bij-bergen-den-19-september-1799-print-maker-pieter-gerardus-van-os-mentioned-on-object-pieter-gerardus-van-os-mentioned-on-object-netherlands-1799-paper-etching-engraving-h-371-mm-w-471-mm-image472162414.html
RM2JC4RYA–The battle of Bergen on September 19, 1799. View of the battlefield in the center of Bergen. On the left French hussars on horseback, on the right French Batavian infantry. In the middle British and Russian troops in front of the Ruined Church. On the right the inn 'de Jager', Battle of Bergen, 1799 Bataille bij Bergen den 19 September 1799 , print maker: Pieter Gerardus van Os, (mentioned on object), Pieter Gerardus van Os, (mentioned on object), Netherlands, 1799, paper, etching, engraving, h 371 mm × w 471 mm
Fighting at Schoorl, 1799, Attacque Der Fransche en Bataven, Tegens den Engelschen en Russen, by Schoorl (title on object), Four plates about the Anglo-Russian invasion (series title), Attack of the French-Batavian army on the British Russian troops at Schoorl, 1799. On the left the French-Batavian troops, in the middle Russians and on the right English. The troops shoot at each other from a short distance, with a church in the background on the left., print, print maker: Cornelis Brouwer, (mentioned on object), after drawing by: Dirk Langendijk, (mentioned on object), publisher: J Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-at-schoorl-1799-attacque-der-fransche-en-bataven-tegens-den-engelschen-en-russen-by-schoorl-title-on-object-four-plates-about-the-anglo-russian-invasion-series-title-attack-of-the-french-batavian-army-on-the-british-russian-troops-at-schoorl-1799-on-the-left-the-french-batavian-troops-in-the-middle-russians-and-on-the-right-english-the-troops-shoot-at-each-other-from-a-short-distance-with-a-church-in-the-background-on-the-left-print-print-maker-cornelis-brouwer-mentioned-on-object-after-drawing-by-dirk-langendijk-mentioned-on-object-publisher-j-image606618499.html
RM2X6WT2B–Fighting at Schoorl, 1799, Attacque Der Fransche en Bataven, Tegens den Engelschen en Russen, by Schoorl (title on object), Four plates about the Anglo-Russian invasion (series title), Attack of the French-Batavian army on the British Russian troops at Schoorl, 1799. On the left the French-Batavian troops, in the middle Russians and on the right English. The troops shoot at each other from a short distance, with a church in the background on the left., print, print maker: Cornelis Brouwer, (mentioned on object), after drawing by: Dirk Langendijk, (mentioned on object), publisher: J
Battle of Mons, 1799, The Bataille of Bergen on September 19, 1799 (title on object), Four plates about the Anglo-Russian invasion (series title), Battle of Mons on September 19, 1799 in which the French-Batavian army achieved a victory on the British-Russian invasion force. There is fierce hand-to-hand fighting in front of a church., print, print maker: Cornelis Brouwer, (mentioned on object), after drawing by: Jan Anthonie Langendijk Dzn, (mentioned on object), publisher: J. Groenewoud, (mentioned on object), print maker: Netherlands, after drawing by: Bergen (Noord-Holland), 1800 - 1802 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-mons-1799-the-bataille-of-bergen-on-september-19-1799-title-on-object-four-plates-about-the-anglo-russian-invasion-series-title-battle-of-mons-on-september-19-1799-in-which-the-french-batavian-army-achieved-a-victory-on-the-british-russian-invasion-force-there-is-fierce-hand-to-hand-fighting-in-front-of-a-church-print-print-maker-cornelis-brouwer-mentioned-on-object-after-drawing-by-jan-anthonie-langendijk-dzn-mentioned-on-object-publisher-j-groenewoud-mentioned-on-object-print-maker-netherlands-after-drawing-by-bergen-noord-holland-1800-1802-image606618473.html
RM2X6WT1D–Battle of Mons, 1799, The Bataille of Bergen on September 19, 1799 (title on object), Four plates about the Anglo-Russian invasion (series title), Battle of Mons on September 19, 1799 in which the French-Batavian army achieved a victory on the British-Russian invasion force. There is fierce hand-to-hand fighting in front of a church., print, print maker: Cornelis Brouwer, (mentioned on object), after drawing by: Jan Anthonie Langendijk Dzn, (mentioned on object), publisher: J. Groenewoud, (mentioned on object), print maker: Netherlands, after drawing by: Bergen (Noord-Holland), 1800 - 1802
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation