British church illustration Stock Photos and Images
An engraving of Reculver Church, Kent scanned at high resolution from a book printed in 1808. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-reculver-church-kent-scanned-at-high-resolution-from-image151573849.html
RMJPGNYN–An engraving of Reculver Church, Kent scanned at high resolution from a book printed in 1808. Believed copyright free.
Illustration depicting a flower sermon: girls taking plants and flowers to church for blessing. Illustrated by Marcella M. Walker, British artist. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-depicting-a-flower-sermon-girls-taking-plants-and-flowers-to-church-for-blessing-illustrated-by-marcella-m-walker-british-artist-dated-19th-century-image481044241.html
RM2JXHCRD–Illustration depicting a flower sermon: girls taking plants and flowers to church for blessing. Illustrated by Marcella M. Walker, British artist. Dated 19th Century
Church of the Blessed Virgin Mary, Westonzoyland, Somerset, in the 19th century; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-the-blessed-virgin-mary-westonzoyland-somerset-in-the-19th-century-black-and-white-illustration-image463445020.html
RM2HWYMRT–Church of the Blessed Virgin Mary, Westonzoyland, Somerset, in the 19th century; Black and White Illustration;
West Tower, Wymondham Church, Robert Dixon, 1780–1815, British, after Robert Dixon, 1780–1815, British, Published by Robert Dixon, 1780–1815, British, 1810, Soft-ground etching on medium, slightly textured, cream wove paper, Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm), Plate: 9 3/4 x 7 7/8 inches (24.7 x 20 cm), and Image: 8 3/4 x 6 15/16 inches (22.3 x 17.6 cm), arches, architectural subject, church, cows, genre subject, grass, grazing, illustration, man, ruins, shepherd, sitting, tower (building division), windows, woods, England, Europe, Norfolk, United Kingdom, Wymondham Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/west-tower-wymondham-church-robert-dixon-17801815-british-after-robert-dixon-17801815-british-published-by-robert-dixon-17801815-british-1810-soft-ground-etching-on-medium-slightly-textured-cream-wove-paper-sheet-10-1116-x-8-14-inches-271-x-21-cm-plate-9-34-x-7-78-inches-247-x-20-cm-and-image-8-34-x-6-1516-inches-223-x-176-cm-arches-architectural-subject-church-cows-genre-subject-grass-grazing-illustration-man-ruins-shepherd-sitting-tower-building-division-windows-woods-england-europe-norfolk-united-kingdom-wymondham-image389672294.html
RM2DHY2YJ–West Tower, Wymondham Church, Robert Dixon, 1780–1815, British, after Robert Dixon, 1780–1815, British, Published by Robert Dixon, 1780–1815, British, 1810, Soft-ground etching on medium, slightly textured, cream wove paper, Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm), Plate: 9 3/4 x 7 7/8 inches (24.7 x 20 cm), and Image: 8 3/4 x 6 15/16 inches (22.3 x 17.6 cm), arches, architectural subject, church, cows, genre subject, grass, grazing, illustration, man, ruins, shepherd, sitting, tower (building division), windows, woods, England, Europe, Norfolk, United Kingdom, Wymondham
Mandell Creighton, 1843 – 1901. British historian and a bishop of the Church of England. From The Strand Magazine, published January to June 1894. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mandell-creighton-1843-1901-british-historian-and-a-bishop-of-the-169380959.html
RMKRFY3Y–Mandell Creighton, 1843 – 1901. British historian and a bishop of the Church of England. From The Strand Magazine, published January to June 1894.
Engraving view of the Westminster Abbey in the 19th century. London, Great Britain. 1862 Westminster Abbey is a large, mainly Gothic abbey church in t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-view-of-the-westminster-abbey-in-the-19th-century-london-great-britain-1862-westminster-abbey-is-a-large-mainly-gothic-abbey-church-in-t-image457380665.html
RF2HG3DKN–Engraving view of the Westminster Abbey in the 19th century. London, Great Britain. 1862 Westminster Abbey is a large, mainly Gothic abbey church in t
This 1899 illustration shows: “Pilgrims going to Church.” In American history, the Pilgrims were the founders of Plymouth Colony in Massachusetts. The key members of the group were English separatists who had moved to Holland in 1607-08, to the municipality of Leiden (also Leyden). They obtained a charter from London Co. and, with the help of London merchants, sailed on the Mayflower in 1620. In November 1620, the Mayflower reached near Provincetown. In March 1621, the Pilgrims disembarked at Plymouth, and the Mayflower returned to England in April. This 1899 illustrations shows the Pilgrims Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-1899-illustration-shows-pilgrims-going-to-church-in-american-history-the-pilgrims-were-the-founders-of-plymouth-colony-in-massachusetts-the-key-members-of-the-group-were-english-separatists-who-had-moved-to-holland-in-1607-08-to-the-municipality-of-leiden-also-leyden-they-obtained-a-charter-from-london-co-and-with-the-help-of-london-merchants-sailed-on-the-mayflower-in-1620-in-november-1620-the-mayflower-reached-near-provincetown-in-march-1621-the-pilgrims-disembarked-at-plymouth-and-the-mayflower-returned-to-england-in-april-this-1899-illustrations-shows-the-pilgrims-image438641448.html
RF2GDHRJ0–This 1899 illustration shows: “Pilgrims going to Church.” In American history, the Pilgrims were the founders of Plymouth Colony in Massachusetts. The key members of the group were English separatists who had moved to Holland in 1607-08, to the municipality of Leiden (also Leyden). They obtained a charter from London Co. and, with the help of London merchants, sailed on the Mayflower in 1620. In November 1620, the Mayflower reached near Provincetown. In March 1621, the Pilgrims disembarked at Plymouth, and the Mayflower returned to England in April. This 1899 illustrations shows the Pilgrims
Victorian Advertising CDV (Carte De Visite) Showing The Illustration and Calligraphy From S.Wolstenholme, Claremont Park and 21 Church Street, Blackpool, Lancashire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-advertising-cdv-carte-de-visite-showing-the-illustration-and-calligraphy-from-swolstenholme-claremont-park-and-21-church-street-blackpool-lancashire-image244933390.html
RMT6DK12–Victorian Advertising CDV (Carte De Visite) Showing The Illustration and Calligraphy From S.Wolstenholme, Claremont Park and 21 Church Street, Blackpool, Lancashire
1921 illustration of the Church Army Badge. The Church Army was founded in England in 1882 by the Revd Wilson Carlile who recruited soldiers, officers and and working men and women, working as Church of England evangelists among the outcasts and criminals in the Westminster slums. It is now an international evangelical organisation. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1921-illustration-of-the-church-army-badge-the-church-army-was-founded-in-england-in-1882-by-the-revd-wilson-carlile-who-recruited-soldiers-officers-and-and-working-men-and-women-working-as-church-of-england-evangelists-among-the-outcasts-and-criminals-in-the-westminster-slums-it-is-now-an-international-evangelical-organisation-image340576903.html
RM2AP2H8R–1921 illustration of the Church Army Badge. The Church Army was founded in England in 1882 by the Revd Wilson Carlile who recruited soldiers, officers and and working men and women, working as Church of England evangelists among the outcasts and criminals in the Westminster slums. It is now an international evangelical organisation.
Sir William Gascoigne, Knight, Chief Justice of the King's Bench, reign of King Henry IV, c.1350-1419. In hood or capuchon, mantle, cope, ermine-lined robe, with aunelace (dagger) and purse on his belt. From his tomb effigy in All Saints' Church, Harewood, Yorkshire. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-william-gascoigne-knight-chief-justice-of-the-kings-bench-reign-of-king-henry-iv-c1350-1419-in-hood-or-capuchon-mantle-cope-ermine-lined-robe-with-aunelace-dagger-and-purse-on-his-belt-from-his-tomb-effigy-in-all-saints-church-harewood-yorkshire-handcoloured-copperplate-engraving-etched-by-john-augustus-atkinson-aquatinted-by-havell-after-an-illustration-by-charles-hamilton-smith-from-his-own-selections-of-ancient-costume-of-great-britain-and-ireland-colnaghi-and-co-london-1814-image591612361.html
RM2WAE7GW–Sir William Gascoigne, Knight, Chief Justice of the King's Bench, reign of King Henry IV, c.1350-1419. In hood or capuchon, mantle, cope, ermine-lined robe, with aunelace (dagger) and purse on his belt. From his tomb effigy in All Saints' Church, Harewood, Yorkshire. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
Pen and ink sketch - Revelstoke Church near Noss Mayo. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-sketch-revelstoke-church-near-noss-mayo-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594739867.html
RM2WFGMNF–Pen and ink sketch - Revelstoke Church near Noss Mayo. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928
Illustration from Francis Quarles' Emblems, 1895. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-from-francis-quarles-emblems-1895-artist-unknown-image262762777.html
RMW7DTGW–Illustration from Francis Quarles' Emblems, 1895. Artist: Unknown
St Bride's Church, near Fleet Street, c1925. By Horace Mann Livens (1862-1936). St Bride's Church is a church in the City of London, England. The current building was designed by Sir Christopher Wren. Wren's original building was gutted by fire during the London Blitz of 1940. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-brides-church-near-fleet-street-c1925-by-horace-mann-livens1862-1936-st-brides-church-is-a-church-in-the-city-of-london-england-the-current-building-was-designed-by-sir-christopher-wren-wrens-original-building-was-gutted-by-fire-during-the-london-blitz-of-1940-image274655468.html
RMWXRHRT–St Bride's Church, near Fleet Street, c1925. By Horace Mann Livens (1862-1936). St Bride's Church is a church in the City of London, England. The current building was designed by Sir Christopher Wren. Wren's original building was gutted by fire during the London Blitz of 1940.
A 1953 advert for The Church Army. The advert appeared in a magazine published in the UK in June that year – the issue was a special edition, published to mark the coronation of Queen Elizabeth. The illustration shows a royal procession and it requests donations for its work with the words ‘A New Reign’. The Church Army began as an organisation of lay evangelists within the Church of England, founded on the model of the Salvation Army in the slums of London in 1882 by Wilson Carlile. Later it became mainly concerned with social work & rehabilitation – vintage 1950s graphics for editorial use. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1953-advert-for-the-church-army-the-advert-appeared-in-a-magazine-published-in-the-uk-in-june-that-year-the-issue-was-a-special-edition-published-to-mark-the-coronation-of-queen-elizabeth-the-illustration-shows-a-royal-procession-and-it-requests-donations-for-its-work-with-the-words-a-new-reign-the-church-army-began-as-an-organisation-of-lay-evangelists-within-the-church-of-england-founded-on-the-model-of-the-salvation-army-in-the-slums-of-london-in-1882-by-wilson-carlile-later-it-became-mainly-concerned-with-social-work-rehabilitation-vintage-1950s-graphics-for-editorial-use-image469251710.html
RM2J7C79J–A 1953 advert for The Church Army. The advert appeared in a magazine published in the UK in June that year – the issue was a special edition, published to mark the coronation of Queen Elizabeth. The illustration shows a royal procession and it requests donations for its work with the words ‘A New Reign’. The Church Army began as an organisation of lay evangelists within the Church of England, founded on the model of the Salvation Army in the slums of London in 1882 by Wilson Carlile. Later it became mainly concerned with social work & rehabilitation – vintage 1950s graphics for editorial use.
Rye Church, 1920 watercolour of the 12th century St Mary’s Church in the East Sussex Cinque Port, badly damaged by French raiders in 1377 but rebuilt afterwards Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rye-church-1920-watercolour-of-the-12th-century-st-marys-church-in-the-east-sussex-cinque-port-badly-damaged-by-french-raiders-in-1377-but-rebuilt-afterwards-image215551583.html
RMPEK66R–Rye Church, 1920 watercolour of the 12th century St Mary’s Church in the East Sussex Cinque Port, badly damaged by French raiders in 1377 but rebuilt afterwards
'Statesman's Corner in the North Trancept of Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, it's an Anglican church in the City of Westminster, London, England. Since 1066, it has been the location of the coronations of 39 English and British monarchs, and a burial site for 18 English, Scottish and British monarchs. The Gothic architecture of the church is chiefly inspired by French and English styles from the 13th century, although some sections of the church show Romanesque, Baroque and modern styles. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statesmans-corner-in-the-north-trancept-of-westminster-abbey-formally-titled-the-collegiate-church-of-saint-peter-at-westminster-its-an-anglican-church-in-the-city-of-westminster-london-england-since-1066-it-has-been-the-location-of-the-coronations-of-39-english-and-british-monarchs-and-a-burial-site-for-18-english-scottish-and-british-monarchs-the-gothic-architecture-of-the-church-is-chiefly-inspired-by-french-and-english-styles-from-the-13th-century-although-some-sections-of-the-church-show-romanesque-baroque-and-modern-styles-image545153512.html
RM2PJWTT8–'Statesman's Corner in the North Trancept of Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, it's an Anglican church in the City of Westminster, London, England. Since 1066, it has been the location of the coronations of 39 English and British monarchs, and a burial site for 18 English, Scottish and British monarchs. The Gothic architecture of the church is chiefly inspired by French and English styles from the 13th century, although some sections of the church show Romanesque, Baroque and modern styles.
Richard Baxter 1615 – 1691 was an English Puritan church leader, poet, hymnodist, theologian, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-baxter-1615-1691-was-an-english-puritan-church-leader-poet-hymnodist-theologian-antique-illustration-from-circa-1880-image183819535.html
RMMK1KKB–Richard Baxter 1615 – 1691 was an English Puritan church leader, poet, hymnodist, theologian, antique illustration from circa 1880
Wooden Church, Greenstead, Essex, A.D. 1013 (as it was in 1748). 19th century reproduction illustration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wooden-church-greenstead-essex-ad-1013-as-it-was-in-1748-19th-century-83343635.html
RMERGHJB–Wooden Church, Greenstead, Essex, A.D. 1013 (as it was in 1748). 19th century reproduction illustration.
Engraving entitled, 'The Tower,' about 1820, Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-entitled-the-tower-about-1820-britain-image588493821.html
RM2W5C5TD–Engraving entitled, 'The Tower,' about 1820, Britain
An engraving of Lincluden College (Lincluden Collegiate Church Lincluden Priory or Lincluden Abbey) Dumfrieshire scanned from a book printed in 1859. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-lincluden-college-lincluden-collegiate-church-lincluden-priory-or-lincluden-abbey-dumfrieshire-scanned-from-a-book-printed-in-1859-image332680693.html
RM2A96WH9–An engraving of Lincluden College (Lincluden Collegiate Church Lincluden Priory or Lincluden Abbey) Dumfrieshire scanned from a book printed in 1859.
Illustration depicting a widow leaving church on Sunday morning. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-depicting-a-widow-leaving-church-on-sunday-morning-illustrated-131244867.html
RMHHEM4K–Illustration depicting a widow leaving church on Sunday morning. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century
The interior of Christ Church Cathedral, Oxford. Late 19th century. Black and White Illustration from Our Own Country Vol III published by Cassell, Petter, Galpin & Co. in the late 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-interior-of-christ-church-cathedral-oxford-late-19th-century-black-and-white-illustration-from-our-own-country-vol-iii-published-by-cassell-petter-galpin-co-in-the-late-19th-century-image606319004.html
RM2X6C624–The interior of Christ Church Cathedral, Oxford. Late 19th century. Black and White Illustration from Our Own Country Vol III published by Cassell, Petter, Galpin & Co. in the late 19th century.
St. Martin's Church, Print made by unknown artist, Published by John Bowles, 1701–1779, British, between 1731 and 1754, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm), Plate: 18 3/8 x 13 7/16 inches (46.6 x 34.2 cm), and Image: 17 1/2 x 13 1/16 inches (44.5 x 33.1 cm), arches, architectural drawing, architectural subject, architecture, banners, buildings, children, church, city, cityscape, clocks, clouds, coat of arms, coats, columns (architectural elements), costume, crest, cross (object), dresses, games, genre subject, hats Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-martins-church-print-made-by-unknown-artist-published-by-john-bowles-17011779-british-between-1731-and-1754-etching-on-moderately-thick-slightly-textured-cream-laid-paper-sheet-19-516-x-14-34-inches-49-x-375-cm-plate-18-38-x-13-716-inches-466-x-342-cm-and-image-17-12-x-13-116-inches-445-x-331-cm-arches-architectural-drawing-architectural-subject-architecture-banners-buildings-children-church-city-cityscape-clocks-clouds-coat-of-arms-coats-columns-architectural-elements-costume-crest-cross-object-dresses-games-genre-subject-hats-image389656639.html
RM2DHXB0F–St. Martin's Church, Print made by unknown artist, Published by John Bowles, 1701–1779, British, between 1731 and 1754, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm), Plate: 18 3/8 x 13 7/16 inches (46.6 x 34.2 cm), and Image: 17 1/2 x 13 1/16 inches (44.5 x 33.1 cm), arches, architectural drawing, architectural subject, architecture, banners, buildings, children, church, city, cityscape, clocks, clouds, coat of arms, coats, columns (architectural elements), costume, crest, cross (object), dresses, games, genre subject, hats
Church of St Mary and St Nicholas, Spalding, Lincolnshire in 1880s, line illustration by Oswald Chambers, from 1895 The Studio an Illustrated Magazine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-mary-and-st-nicholas-spalding-lincolnshire-in-1880s-line-174459415.html
RFM3R8NB–Church of St Mary and St Nicholas, Spalding, Lincolnshire in 1880s, line illustration by Oswald Chambers, from 1895 The Studio an Illustrated Magazine
Engraving of St Paul's Cathedral in London. 1862 St Paul's Cathedral is an Anglican cathedral in London. As the seat of the Bishop of London, the cath Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-of-st-pauls-cathedral-in-london-1862-st-pauls-cathedral-is-an-anglican-cathedral-in-london-as-the-seat-of-the-bishop-of-london-the-cath-image457380659.html
RF2HG3DKF–Engraving of St Paul's Cathedral in London. 1862 St Paul's Cathedral is an Anglican cathedral in London. As the seat of the Bishop of London, the cath
L’EGLISE DE MORET (PLEIN SOLEIL) - THE CHURCH OF MORET (FULL SUN) 1893 ALFRED SISLEY (1839 - 1899) British / French Impressionist France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leglise-de-moret-plein-soleil-the-church-of-moret-full-sun-1893-alfred-95969247.html
RMFG3NN3–L’EGLISE DE MORET (PLEIN SOLEIL) - THE CHURCH OF MORET (FULL SUN) 1893 ALFRED SISLEY (1839 - 1899) British / French Impressionist France
Victorian Advertising CDV (Carte De Visite) Showing The Illustration and Calligraphy From William Shephard, Portrait & Landscape Photographer, East Street, Bridport & Church Street, Lyme Regis. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-advertising-cdv-carte-de-visite-showing-the-illustration-and-calligraphy-from-william-shephard-portrait-landscape-photographer-east-street-bridport-church-street-lyme-regis-image244933388.html
RMT6DK10–Victorian Advertising CDV (Carte De Visite) Showing The Illustration and Calligraphy From William Shephard, Portrait & Landscape Photographer, East Street, Bridport & Church Street, Lyme Regis.
1890 British railway guide advertisement for the Derwentwater Hotel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890-british-railway-guide-advertisement-for-the-derwentwater-hotel-image342348554.html
RM2ATY922–1890 British railway guide advertisement for the Derwentwater Hotel
Joyce, Jocosa or Joice, Lady Tiptoft and Powys, c.1403-1446. In reticulated horned headdress or escoffion, ermine-trimmed surcoat and kirtle, armorial mantle with lions of Powys and Holland. Mother of John Tiptoft, the Butcher of England. With blazon of Tiptoft Powys. From her tomb brass in Enfield parish church. Handcoloured copperplate engraving etched by John Augustus Atkinson after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joyce-jocosa-or-joice-lady-tiptoft-and-powys-c1403-1446-in-reticulated-horned-headdress-or-escoffion-ermine-trimmed-surcoat-and-kirtle-armorial-mantle-with-lions-of-powys-and-holland-mother-of-john-tiptoft-the-butcher-of-england-with-blazon-of-tiptoft-powys-from-her-tomb-brass-in-enfield-parish-church-handcoloured-copperplate-engraving-etched-by-john-augustus-atkinson-after-an-illustration-by-charles-hamilton-smith-from-his-own-selections-of-ancient-costume-of-great-britain-and-ireland-colnaghi-and-co-london-1814-image591614202.html
RM2WAE9XJ–Joyce, Jocosa or Joice, Lady Tiptoft and Powys, c.1403-1446. In reticulated horned headdress or escoffion, ermine-trimmed surcoat and kirtle, armorial mantle with lions of Powys and Holland. Mother of John Tiptoft, the Butcher of England. With blazon of Tiptoft Powys. From her tomb brass in Enfield parish church. Handcoloured copperplate engraving etched by John Augustus Atkinson after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
Pen and ink sketch - Sheeps Tor - the church (St Leonard) and cross. Illustration from the book Glorious Devon, by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-sketch-sheeps-tor-the-church-st-leonard-and-cross-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594749209.html
RM2WFH4K5–Pen and ink sketch - Sheeps Tor - the church (St Leonard) and cross. Illustration from the book Glorious Devon, by S.P.B. Mais, published by London Great Western Railway Company, 1928
Vintage illustration of Scene from The Great Panjandrum Himself, Illustrated by Randolph Caldecott. Young couple getting married, church wedding, 18th Century style Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-illustration-of-scene-from-the-great-panjandrum-himself-illustrated-by-randolph-caldecott-young-couple-getting-married-church-wedding-18th-century-style-image469689200.html
RM2J845A8–Vintage illustration of Scene from The Great Panjandrum Himself, Illustrated by Randolph Caldecott. Young couple getting married, church wedding, 18th Century style
Title page to the first edition of the Book of Common Prayer, 1549. Original in the British Museum. Here pictured the original Book of Common Prayer, published in the reign of Edward VI, it was a product of the English Reformation following the break with Rome. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-to-the-first-edition-of-the-book-of-common-prayer-1549-original-in-the-british-museum-here-pictured-the-original-book-of-common-prayer-published-in-the-reign-of-edward-vi-it-was-a-product-of-the-english-reformation-following-the-break-with-rome-image247321072.html
RMTAACFC–Title page to the first edition of the Book of Common Prayer, 1549. Original in the British Museum. Here pictured the original Book of Common Prayer, published in the reign of Edward VI, it was a product of the English Reformation following the break with Rome.
Ruins of the Church of St. Peter & St. Paul at Sevastopol circa 1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruins-of-the-church-of-st-peter-st-paul-at-sevastopol-circa-1855-23355542.html
RMB9YX6E–Ruins of the Church of St. Peter & St. Paul at Sevastopol circa 1855
St Paul’s Cathedral, 1880 high quality steel engraving of the church built by Christopher Wren and finished in 1715 after the Great Fire of London in 1666 destroyed the Medieval building Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-pauls-cathedral-1880-high-quality-steel-engraving-of-the-church-built-by-christopher-wren-and-finished-in-1715-after-the-great-fire-of-london-in-1666-destroyed-the-medieval-building-image218584389.html
RMPKHAH9–St Paul’s Cathedral, 1880 high quality steel engraving of the church built by Christopher Wren and finished in 1715 after the Great Fire of London in 1666 destroyed the Medieval building
A mid-19th century view of St Margaret's Church (nicknamed The Marble Church), Bodelwyddan, St Asaph, in the lower Vale of Clwyd in Denbighshire, Wales. The Decorated Gothic Style parish church was designed by John Gibson and consecrated by the Bishop of St Asaph on 23 August 1860. The church contains fourteen varieties of marble and elaborate woodwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-mid-19th-century-view-of-st-margarets-church-nicknamed-the-marble-church-bodelwyddan-st-asaph-in-the-lower-vale-of-clwyd-in-denbighshire-wales-the-decorated-gothic-style-parish-church-was-designed-by-john-gibson-and-consecrated-by-the-bishop-of-st-asaph-on-23-august-1860-the-church-contains-fourteen-varieties-of-marble-and-elaborate-woodwork-image491497873.html
RM2KFHJFD–A mid-19th century view of St Margaret's Church (nicknamed The Marble Church), Bodelwyddan, St Asaph, in the lower Vale of Clwyd in Denbighshire, Wales. The Decorated Gothic Style parish church was designed by John Gibson and consecrated by the Bishop of St Asaph on 23 August 1860. The church contains fourteen varieties of marble and elaborate woodwork.
John Owen 1616 – 1683 was an English Nonconformist church leader, theologian, and academic administrator at the University of Oxford, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-owen-1616-1683-was-an-english-nonconformist-church-leader-theologian-and-academic-administrator-at-the-university-of-oxford-antique-illustration-from-circa-1880-image183819964.html
RMMK1M6M–John Owen 1616 – 1683 was an English Nonconformist church leader, theologian, and academic administrator at the University of Oxford, antique illustration from circa 1880
Illustration of monumental brass in Gorleston Church, Suffolk. From end of 13th century. Engraved sepulchral memorial of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-monumental-brass-in-gorleston-church-suffolk-from-83344604.html
RMERGJW0–Illustration of monumental brass in Gorleston Church, Suffolk. From end of 13th century. Engraved sepulchral memorial of
The Dahler Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dahler-church-23905228.html
RMBATYA4–The Dahler Church
An engraving of Doncaster Church, Yorkshire scanned at high resolution from a book printed in 1808. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-doncaster-church-yorkshire-scanned-at-high-resolution-image150367287.html
RMJMHR07–An engraving of Doncaster Church, Yorkshire scanned at high resolution from a book printed in 1808. Believed copyright free.
Illustration depicting a woman mourning in her pew. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-depicting-a-woman-mourning-in-her-pew-illustrated-by-131244871.html
RMHHEM4R–Illustration depicting a woman mourning in her pew. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century
All Saints Church, Oxford, viewed from the High Street. Late 19th century. Black and White Illustration from Our Own Country Vol III published by Cassell, Petter, Galpin & Co. in the late 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/all-saints-church-oxford-viewed-from-the-high-street-late-19th-century-black-and-white-illustration-from-our-own-country-vol-iii-published-by-cassell-petter-galpin-co-in-the-late-19th-century-image606319000.html
RM2X6C620–All Saints Church, Oxford, viewed from the High Street. Late 19th century. Black and White Illustration from Our Own Country Vol III published by Cassell, Petter, Galpin & Co. in the late 19th century.
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard, Print made by George Cruikshank, 1792–1878, British, 1839, Etching on moderately thick, smooth, cream wove paper with beige chine collé, Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm), Plate: 6 15/16 x 5 7/8 inches (17.7 x 15 cm), Sheet: 5 15/16 x 4 15/16 inches (15.1 x 12.5 cm), and Image: 4 5/8 x 3 3/4 inches (11.7 x 9.6 cm), angry, Chapter 26 - 'How Jack Sheppard Attended his Mother's Funeral', church, coffin, criminals, crowd, Epoch the Second: 'Thames Darrell.', funeral, gesturing, grave, graveyard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-wild-seizing-jack-sheppard-at-his-mothers-grave-in-willesden-church-yard-print-made-by-george-cruikshank-17921878-british-1839-etching-on-moderately-thick-smooth-cream-wove-paper-with-beige-chine-coll-sheet-8-716-x-7-516-inches-215-x-186-cm-plate-6-1516-x-5-78-inches-177-x-15-cm-sheet-5-1516-x-4-1516-inches-151-x-125-cm-and-image-4-58-x-3-34-inches-117-x-96-cm-angry-chapter-26-how-jack-sheppard-attended-his-mothers-funeral-church-coffin-criminals-crowd-epoch-the-second-thames-darrell-funeral-gesturing-grave-graveyard-image389777075.html
RM2DJ3THR–Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard, Print made by George Cruikshank, 1792–1878, British, 1839, Etching on moderately thick, smooth, cream wove paper with beige chine collé, Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm), Plate: 6 15/16 x 5 7/8 inches (17.7 x 15 cm), Sheet: 5 15/16 x 4 15/16 inches (15.1 x 12.5 cm), and Image: 4 5/8 x 3 3/4 inches (11.7 x 9.6 cm), angry, Chapter 26 - 'How Jack Sheppard Attended his Mother's Funeral', church, coffin, criminals, crowd, Epoch the Second: 'Thames Darrell.', funeral, gesturing, grave, graveyard
James Wilde, 1st Baron Penzance. A noted British judge who presided over a number of notorious trials Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-wilde-1st-baron-penzance-a-noted-british-judge-who-presided-over-a-number-of-notorious-trials-image212284575.html
RMP9AB3Y–James Wilde, 1st Baron Penzance. A noted British judge who presided over a number of notorious trials
Monkwearmouth Church in Sunderland, England, historical illustration, 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monkwearmouth-church-in-sunderland-england-historical-illustration-79309500.html
RFEH0T24–Monkwearmouth Church in Sunderland, England, historical illustration, 1884
India/UK: 'The West Side of Bombay Green'. Illustration by John Henry Grose (fl. 1750-1783), 1722. 'A voyage to the East Indies; containing authentic accounts of the Mogul government in general, the viceroyalties of the Decan and Bengal, with their several subordinate dependencies'. This two-volume work is the third edition of a book first published as a single volume in 1757, expanded to two volumes in 1766, and republished in 1772. The English author, John Henry Grose, went to Bombay (present-day Mumbai) in March 1750, to work as a servant and writer for the British East India Company. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/indiauk-the-west-side-of-bombay-green-illustration-by-john-henry-grose-fl-1750-1783-1722-a-voyage-to-the-east-indies-containing-authentic-accounts-of-the-mogul-government-in-general-the-viceroyalties-of-the-decan-and-bengal-with-their-several-subordinate-dependencies-this-two-volume-work-is-the-third-edition-of-a-book-first-published-as-a-single-volume-in-1757-expanded-to-two-volumes-in-1766-and-republished-in-1772-the-english-author-john-henry-grose-went-to-bombay-present-day-mumbai-in-march-1750-to-work-as-a-servant-and-writer-for-the-british-east-india-company-image344226230.html
RM2B00T1X–India/UK: 'The West Side of Bombay Green'. Illustration by John Henry Grose (fl. 1750-1783), 1722. 'A voyage to the East Indies; containing authentic accounts of the Mogul government in general, the viceroyalties of the Decan and Bengal, with their several subordinate dependencies'. This two-volume work is the third edition of a book first published as a single volume in 1757, expanded to two volumes in 1766, and republished in 1772. The English author, John Henry Grose, went to Bombay (present-day Mumbai) in March 1750, to work as a servant and writer for the British East India Company.
St Margaret’s Church, Rottingdean, East Sussex in 1880s, line illustration by F E Tomlinson, from 1895 The Studio an Illustrated Magazine of Fine and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-margarets-church-rottingdean-east-sussex-in-1880s-line-illustration-174459414.html
RFM3R8NA–St Margaret’s Church, Rottingdean, East Sussex in 1880s, line illustration by F E Tomlinson, from 1895 The Studio an Illustrated Magazine of Fine and
A 1776 engraving of Vale Church, Guernsey, Channel Islands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1776-engraving-of-vale-church-guernsey-channel-islands-image154856085.html
RMJYX8ED–A 1776 engraving of Vale Church, Guernsey, Channel Islands
Sir Roger de Trumpington, 1289. In chainmail suit, gonfanons, knee plate armour, conical helmet with cross flory, surcoat, armorial shield, sword, spurs. From a brass plate in Trumpington church, Cambridge. Blazon, Azure, crusule two trumpets or. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-roger-de-trumpington-1289-in-chainmail-suit-gonfanons-knee-plate-armour-conical-helmet-with-cross-flory-surcoat-armorial-shield-sword-spurs-from-a-brass-plate-in-trumpington-church-cambridge-blazon-azure-crusule-two-trumpets-or-handcoloured-copperplate-engraving-etched-by-john-augustus-atkinson-aquatinted-by-havell-after-an-illustration-by-charles-hamilton-smith-from-his-own-selections-of-ancient-costume-of-great-britain-and-ireland-colnaghi-and-co-london-1814-image591610690.html
RM2WAE5D6–Sir Roger de Trumpington, 1289. In chainmail suit, gonfanons, knee plate armour, conical helmet with cross flory, surcoat, armorial shield, sword, spurs. From a brass plate in Trumpington church, Cambridge. Blazon, Azure, crusule two trumpets or. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
Pen and ink sketc - East Budleigh Church, Ralegh's arms on pew ends. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-sketc-east-budleigh-church-raleghs-arms-on-pew-ends-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594739036.html
RM2WFGKKT–Pen and ink sketc - East Budleigh Church, Ralegh's arms on pew ends. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928
Coming home from church. Illustration from the Charles Dickens novel Dombey and Son by H K Browne known as Phiz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coming-home-from-church-illustration-from-the-charles-dickens-novel-image5775299.html
RMA10XM4–Coming home from church. Illustration from the Charles Dickens novel Dombey and Son by H K Browne known as Phiz
Borough High Street, Southwark, London, 1826. By William Knox. Before the building of Westminster Bridge, Borough High Street was the only connection from the south bank of the Thames to the north bank. To the right of the painting the church of St George the Martyr can be seen. In the distance Southwark Cathedral is also visable. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/borough-high-street-southwark-london-1826-by-william-knox-before-the-building-of-westminster-bridge-borough-high-street-was-the-only-connection-from-the-south-bank-of-the-thames-to-the-north-bank-to-the-right-of-the-painting-the-church-of-st-george-the-martyr-can-be-seen-in-the-distance-southwark-cathedral-is-also-visable-image474502899.html
RM2JFYD83–Borough High Street, Southwark, London, 1826. By William Knox. Before the building of Westminster Bridge, Borough High Street was the only connection from the south bank of the Thames to the north bank. To the right of the painting the church of St George the Martyr can be seen. In the distance Southwark Cathedral is also visable.
Engraving of a small church at the Mauku Battlefield, New Zealand. From the Picturesque Atlas of Australasia Vol 3, 1886 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-of-a-small-church-at-the-mauku-battlefield-new-zealand-from-the-picturesque-atlas-of-australasia-vol-3-1886-image185757752.html
RMMP5YWC–Engraving of a small church at the Mauku Battlefield, New Zealand. From the Picturesque Atlas of Australasia Vol 3, 1886
Beddington Church 1912 watercolour of the medieval church between Croydon and Mitcham in Surrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beddington-church-1912-watercolour-of-the-medieval-church-between-16052513.html
RMARGX0J–Beddington Church 1912 watercolour of the medieval church between Croydon and Mitcham in Surrey
The Abbey Church of Waltham Holy Cross and St Lawrence is the parish church of the town of Waltham Abbey, Essex, England. A place of worship since the 7th century, the present Norman building dates from the early 12th century. The Abbey's stained glass including early work by Edward Burne-Jones in the rose window and lancets of the east wall was installed in 1859, when the architect William Burgess was appointed to undertake a restoration of the site and a refurbishment of the interior. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-abbey-church-of-waltham-holy-cross-and-st-lawrence-is-the-parish-church-of-the-town-of-waltham-abbey-essex-england-a-place-of-worship-since-the-7th-century-the-present-norman-building-dates-from-the-early-12th-century-the-abbeys-stained-glass-including-early-work-by-edward-burne-jones-in-the-rose-window-and-lancets-of-the-east-wall-was-installed-in-1859-when-the-architect-william-burgess-was-appointed-to-undertake-a-restoration-of-the-site-and-a-refurbishment-of-the-interior-image491497404.html
RM2KFHHXM–The Abbey Church of Waltham Holy Cross and St Lawrence is the parish church of the town of Waltham Abbey, Essex, England. A place of worship since the 7th century, the present Norman building dates from the early 12th century. The Abbey's stained glass including early work by Edward Burne-Jones in the rose window and lancets of the east wall was installed in 1859, when the architect William Burgess was appointed to undertake a restoration of the site and a refurbishment of the interior.
The Seven Bishops of the Church of England were those imprisoned and tried for seditious libel related to their opposition to the second Declaration of Indulgence, issued by James II in 1688, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seven-bishops-of-the-church-of-england-were-those-imprisoned-and-tried-for-seditious-libel-related-to-their-opposition-to-the-second-declaration-of-indulgence-issued-by-james-ii-in-1688-antique-illustration-from-circa-1880-image184629721.html
RMMMAH2H–The Seven Bishops of the Church of England were those imprisoned and tried for seditious libel related to their opposition to the second Declaration of Indulgence, issued by James II in 1688, antique illustration from circa 1880
Riding To Church At Patterson, Wilson, John F. (19th C./British) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-riding-to-church-at-patterson-wilson-john-f-19th-cbritish-30434843.html
RMBNEBXK–Riding To Church At Patterson, Wilson, John F. (19th C./British)
The Crockart Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-crockart-church-23904915.html
RMBATXXY–The Crockart Church
An engraving of Hay Church (Hay on Wye) Brecknockshire scanned at high resolution from a book published in 1854. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-hay-church-hay-on-wye-brecknockshire-scanned-at-high-resolution-from-a-book-published-in-1854-believed-copyright-free-image399325738.html
RM2E5JT1E–An engraving of Hay Church (Hay on Wye) Brecknockshire scanned at high resolution from a book published in 1854. Believed copyright free.
Illustration depicting a widow mourning at a graveside. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-depicting-a-widow-mourning-at-a-graveside-illustrated-131244848.html
RMHHEM40–Illustration depicting a widow mourning at a graveside. Illustrated by George John Pinwell (1842-1875) a British water-colourist and illustrator. Dated 19th Century
Fuller Baptist Church, Kettering, Northamptonshire. Opened in September 1861, the new chapel was built on the site of a previous edifice, and named after Andrew Fuller who was instrumental in enlarging the Baptist congregation of Kettering from 1782 until his death in 1815. Black and White Illustration from the London Illustrated News; October 1861. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fuller-baptist-church-kettering-northamptonshire-opened-in-september-1861-the-new-chapel-was-built-on-the-site-of-a-previous-edifice-and-named-after-andrew-fuller-who-was-instrumental-in-enlarging-the-baptist-congregation-of-kettering-from-1782-until-his-death-in-1815-black-and-white-illustration-from-the-london-illustrated-news-october-1861-image568499543.html
RM2T0WAY3–Fuller Baptist Church, Kettering, Northamptonshire. Opened in September 1861, the new chapel was built on the site of a previous edifice, and named after Andrew Fuller who was instrumental in enlarging the Baptist congregation of Kettering from 1782 until his death in 1815. Black and White Illustration from the London Illustrated News; October 1861.
Christmas (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, blued white wove paper, Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm) and Image: 3 7/16 x 4 3/16 inches (8.8 x 10.6 cm), bonnets (hats), children, children's literature, Christmas, church, coats, costume, fence, frost, genre subject, girls, hats, ice, illustration, landscape, men, snow, walking, winter, women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christmas-tail-piece-print-made-by-alfred-w-cooper-active-18501901-british-after-alfred-w-cooper-active-18501901-british-undated-wood-engraving-with-hand-coloring-on-moderately-thick-slightly-textured-blued-white-wove-paper-sheet-4-516-x-6-116-inches-11-x-154-cm-and-image-3-716-x-4-316-inches-88-x-106-cm-bonnets-hats-children-childrens-literature-christmas-church-coats-costume-fence-frost-genre-subject-girls-hats-ice-illustration-landscape-men-snow-walking-winter-women-image389760964.html
RM2DJ342C–Christmas (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, blued white wove paper, Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm) and Image: 3 7/16 x 4 3/16 inches (8.8 x 10.6 cm), bonnets (hats), children, children's literature, Christmas, church, coats, costume, fence, frost, genre subject, girls, hats, ice, illustration, landscape, men, snow, walking, winter, women
1854 engraving, Waimati Church (an English colonial structure) and Burial Place of British Officers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1854-engraving-waimati-church-an-english-colonial-structure-and-burial-47475700.html
RMCN6KMM–1854 engraving, Waimati Church (an English colonial structure) and Burial Place of British Officers.
Vintage illustration of Scene from The Great Panjandrum Himself, Illustrated by Randolph Caldecott. Little boys and girls walking arm in arm, out of church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-illustration-of-scene-from-the-great-panjandrum-himself-illustrated-by-randolph-caldecott-little-boys-and-girls-walking-arm-in-arm-out-of-church-image469689275.html
RM2J845CY–Vintage illustration of Scene from The Great Panjandrum Himself, Illustrated by Randolph Caldecott. Little boys and girls walking arm in arm, out of church
3D Church of Scotland emblem. 3D Illustration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-church-of-scotland-emblem-3d-illustration-image385016265.html
RF2DAB04W–3D Church of Scotland emblem. 3D Illustration.
St Edward’s Church, Eggbuckland near Plymouth, Devon in 1880s, line illustration by Stanley Nicholson Babb, from 1895 The Studio an Illustrated Magazi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-edwards-church-eggbuckland-near-plymouth-devon-in-1880s-line-illustration-174459417.html
RFM3R8ND–St Edward’s Church, Eggbuckland near Plymouth, Devon in 1880s, line illustration by Stanley Nicholson Babb, from 1895 The Studio an Illustrated Magazi
Architecture - A 19th century illustration of a Dripstone or Weather Moulding (called a Label when square moulding was used.) Used particularly in British (and foreign) ecclesiastical buildings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architecture-a-19th-century-illustration-of-a-dripstone-or-weather-moulding-called-a-label-when-square-moulding-was-used-used-particularly-in-british-and-foreign-ecclesiastical-buildings-image460248025.html
RM2HMP31D–Architecture - A 19th century illustration of a Dripstone or Weather Moulding (called a Label when square moulding was used.) Used particularly in British (and foreign) ecclesiastical buildings.
Bishop in embroidered surplice and albe holding a maniple, 10th century. Bishop and painted Saxon church archway from a translation of St. Jerome, Cotton MS Tiberius C vi. Monk holding a sacred banner or labarum from Cotton MS Nero C iv. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bishop-in-embroidered-surplice-and-albe-holding-a-maniple-10th-century-bishop-and-painted-saxon-church-archway-from-a-translation-of-st-jerome-cotton-ms-tiberius-c-vi-monk-holding-a-sacred-banner-or-labarum-from-cotton-ms-nero-c-iv-handcoloured-copperplate-engraving-etched-by-john-augustus-atkinson-aquatinted-by-john-hill-after-an-illustration-by-charles-hamilton-smith-from-his-own-selections-of-ancient-costume-of-great-britain-and-ireland-colnaghi-and-co-london-1814-image591610061.html
RM2WAE4JN–Bishop in embroidered surplice and albe holding a maniple, 10th century. Bishop and painted Saxon church archway from a translation of St. Jerome, Cotton MS Tiberius C vi. Monk holding a sacred banner or labarum from Cotton MS Nero C iv. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
Pen and ink drawing of All Saint's Church, in the beautiful viilage of East Budleigh, Devon. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-drawing-of-all-saints-church-in-the-beautiful-viilage-of-east-budleigh-devon-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594737271.html
RM2WFGHCR–Pen and ink drawing of All Saint's Church, in the beautiful viilage of East Budleigh, Devon. Illustration from the book Glorious Devon. by S.P.B. Mais, published by London Great Western Railway Company, 1928
British Army church parade at Korti Sudan Africa on Christmas day morning in 1884 drawn by S Durand Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-british-army-church-parade-at-korti-sudan-africa-on-christmas-day-16325081.html
RMATHW6J–British Army church parade at Korti Sudan Africa on Christmas day morning in 1884 drawn by S Durand
Title page of the first edition of 'The Great Bible', 1539. Original in the British Museum. The Great Bible was the first authorized edition of the Bible in English and was authorized by King Henry VIII (1491-1547) to be read in Church of England services. The Great Bible was prepared by Myles Coverdale (c1488-1569), under the commission of Thomas, Lord Cromwell (c1485-1540). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-of-the-first-edition-of-the-great-bible-1539-original-in-the-british-museum-the-great-bible-was-the-first-authorized-edition-of-the-bible-in-english-and-was-authorized-by-king-henry-viii-1491-1547-to-be-read-in-church-of-england-services-the-great-bible-was-prepared-by-myles-coverdale-c1488-1569-under-the-commission-of-thomas-lord-cromwell-c1485-1540-image247321071.html
RMTAACFB–Title page of the first edition of 'The Great Bible', 1539. Original in the British Museum. The Great Bible was the first authorized edition of the Bible in English and was authorized by King Henry VIII (1491-1547) to be read in Church of England services. The Great Bible was prepared by Myles Coverdale (c1488-1569), under the commission of Thomas, Lord Cromwell (c1485-1540).
Illustration of two elderly men walking down the steps of a church, Quiver magazine 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-two-elderly-men-walking-down-the-steps-of-a-church-quiver-magazine-1913-image472625227.html
RM2JCWX8B–Illustration of two elderly men walking down the steps of a church, Quiver magazine 1913
Chertsey Church 1912 watercolour of the High Street in the Surrey Thames side town Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chertsey-church-1912-watercolour-of-the-high-street-in-the-surrey-15576253.html
RMANP8FX–Chertsey Church 1912 watercolour of the High Street in the Surrey Thames side town
A 19th Century collage of British Churches, 1. Boston Stump, Lincolnshire: 2. St Martin-in-the-fields, London: 3. Little Maplestead, Essex: 4. Louth, Lincolnshire 5. Winchelsea, East Sussex. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-19th-century-collage-of-british-churches-1-boston-stump-lincolnshire-2-st-martin-in-the-fields-london-3-little-maplestead-essex-4-louth-lincolnshire-5-winchelsea-east-sussex-image379740112.html
RM2D1PJAT–A 19th Century collage of British Churches, 1. Boston Stump, Lincolnshire: 2. St Martin-in-the-fields, London: 3. Little Maplestead, Essex: 4. Louth, Lincolnshire 5. Winchelsea, East Sussex.
Engraved portrait of Sir Francis Bernard, 1st Baronet, governor of New Jersey and Massachusetts, a British colonial administrator from Berkshire, England, 1887. From the New York Public Library. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-portrait-of-sir-francis-bernard-1st-baronet-governor-of-new-jersey-and-massachusetts-a-british-colonial-administrator-from-berkshire-england-1887-from-the-new-york-public-library-image245237872.html
RMT6YFBC–Engraved portrait of Sir Francis Bernard, 1st Baronet, governor of New Jersey and Massachusetts, a British colonial administrator from Berkshire, England, 1887. From the New York Public Library. ()
Monkwearmouth Church in Sunderland, England, historical illustration, 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monkwearmouth-church-in-sunderland-england-historical-illustration-1884-image231871840.html
RMRD6JW4–Monkwearmouth Church in Sunderland, England, historical illustration, 1884
The Kennedy Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-kennedy-church-23905162.html
RMBATY7P–The Kennedy Church
An engraving of Llanthony Abbey (Priory), West Front, Monmouthshire scanned at high resolution from a book published in 1854. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-llanthony-abbey-priory-west-front-monmouthshire-scanned-at-high-resolution-from-a-book-published-in-1854-believed-copyright-free-image399323431.html
RM2E5JN33–An engraving of Llanthony Abbey (Priory), West Front, Monmouthshire scanned at high resolution from a book published in 1854. Believed copyright free.
A cartoon commenting on William Ewart Gladstone's disestablishment of the Irish church. William Ewart Gladstone (1809-1898) a British statesman of the Liberal Party who served as Prime Minister of Great Britain. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-cartoon-commenting-on-william-ewart-gladstones-disestablishment-of-the-irish-church-william-ewart-gladstone-1809-1898-a-british-statesman-of-the-liberal-party-who-served-as-prime-minister-of-great-britain-illustrated-by-john-tenniel-1820-1914-an-english-illustrator-graphic-humourist-and-political-cartoonist-dated-19th-century-image235172473.html
RMRJH0TW–A cartoon commenting on William Ewart Gladstone's disestablishment of the Irish church. William Ewart Gladstone (1809-1898) a British statesman of the Liberal Party who served as Prime Minister of Great Britain. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th century
St Mary's Church, Bridgewater, Somerset in the 19th century; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-marys-church-bridgewater-somerset-in-the-19th-century-black-and-white-illustration-image463445013.html
RM2HWYMRH–St Mary's Church, Bridgewater, Somerset in the 19th century; Black and White Illustration;
Smith's Yard at Etang, Print made by Philip Gilbert Hamerton, 1834–1894, British, 1876, Drypoint and etching on moderately thick, moderately textured, beige laid paper, Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm), Plate: 7 5/16 x 10 1/2 inches (18.5 x 26.7 cm), and Image: 5 13/16 x 8 15/16 inches (14.7 x 22.7 cm), blacksmith, boat, cart, church, ducks, equipment, genre subject, house, illustration, landscape, plow (agricultural equipment), steeple, tools, trees, wall, well (container component), woman, yard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/smiths-yard-at-etang-print-made-by-philip-gilbert-hamerton-18341894-british-1876-drypoint-and-etching-on-moderately-thick-moderately-textured-beige-laid-paper-sheet-10-14-x-14-516-inches-26-x-363-cm-plate-7-516-x-10-12-inches-185-x-267-cm-and-image-5-1316-x-8-1516-inches-147-x-227-cm-blacksmith-boat-cart-church-ducks-equipment-genre-subject-house-illustration-landscape-plow-agricultural-equipment-steeple-tools-trees-wall-well-container-component-woman-yard-image389736339.html
RM2DJ20JY–Smith's Yard at Etang, Print made by Philip Gilbert Hamerton, 1834–1894, British, 1876, Drypoint and etching on moderately thick, moderately textured, beige laid paper, Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm), Plate: 7 5/16 x 10 1/2 inches (18.5 x 26.7 cm), and Image: 5 13/16 x 8 15/16 inches (14.7 x 22.7 cm), blacksmith, boat, cart, church, ducks, equipment, genre subject, house, illustration, landscape, plow (agricultural equipment), steeple, tools, trees, wall, well (container component), woman, yard
Monkwearmouth Church in Sunderland, England, historical illustration, 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monkwearmouth-church-in-sunderland-england-historical-illustration-35934472.html
RFC2CXP0–Monkwearmouth Church in Sunderland, England, historical illustration, 1884
Vintage illustration Medieval wood carving from a church stall,, Art under the seats, a few words upon Misereres, Llewellynn Jewitt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-illustration-medieval-wood-carving-from-a-church-stall-art-under-the-seats-a-few-words-upon-misereres-llewellynn-jewitt-image600409054.html
RM2WTPYTE–Vintage illustration Medieval wood carving from a church stall,, Art under the seats, a few words upon Misereres, Llewellynn Jewitt
3D Church of Scotland Flag. 3D Illustration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-church-of-scotland-flag-3d-illustration-image331290517.html
RF2A6YGC5–3D Church of Scotland Flag. 3D Illustration.
Church of St Mary Le Strand, London, in 1880s, line illustration by etcher, illustrator and painter Hanslip Fletcher, from 1895 The Studio an Illustr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-mary-le-strand-london-in-1880s-line-illustration-by-etcher-174459411.html
RFM3R8N7–Church of St Mary Le Strand, London, in 1880s, line illustration by etcher, illustrator and painter Hanslip Fletcher, from 1895 The Studio an Illustr
SIMPLE SIMON. An early British colour illustration of the full version (4 extended verses) of the English children's nursery rhyme .----- 'Simple Simon's Misfortunes and his Wife Margery's Cruelty', first appeared about 1685. Some believe however that the ballad refers to a well known simpleton and London beggar of the very early 1700s, Simon Edy. He was also known as Old Simon and owned a number of dogs and collected discarded bric-a-brac that he had found in the streets & begged outside the churchyard of St Giles in the Fields Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simple-simon-an-early-british-colour-illustration-of-the-full-version-4-extended-verses-of-the-english-childrens-nursery-rhyme-simple-simons-misfortunes-and-his-wife-margerys-cruelty-first-appeared-about-1685-some-believe-however-that-the-ballad-refers-to-a-well-known-simpleton-and-london-beggar-of-the-very-early-1700s-simon-edy-he-was-also-known-as-old-simon-and-owned-a-number-of-dogs-and-collected-discarded-bric-a-brac-that-he-had-found-in-the-streets-begged-outside-the-churchyard-of-st-giles-in-the-fields-image411569648.html
RM2EWGH80–SIMPLE SIMON. An early British colour illustration of the full version (4 extended verses) of the English children's nursery rhyme .----- 'Simple Simon's Misfortunes and his Wife Margery's Cruelty', first appeared about 1685. Some believe however that the ballad refers to a well known simpleton and London beggar of the very early 1700s, Simon Edy. He was also known as Old Simon and owned a number of dogs and collected discarded bric-a-brac that he had found in the streets & begged outside the churchyard of St Giles in the Fields
King Henry VI of England and France, at his devotions, 1450. The King wears a crimson velvet cap, sky-blue gown lined with ermine, large gold chain. He kneels at a covered table with missal and crown in St. Michael's church, Coventry. From a tapestry in St. Mary's Guildhall, Coventry. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Robert Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-henry-vi-of-england-and-france-at-his-devotions-1450-the-king-wears-a-crimson-velvet-cap-sky-blue-gown-lined-with-ermine-large-gold-chain-he-kneels-at-a-covered-table-with-missal-and-crown-in-st-michaels-church-coventry-from-a-tapestry-in-st-marys-guildhall-coventry-handcoloured-copperplate-engraving-etched-by-john-augustus-atkinson-aquatinted-by-robert-havell-after-an-illustration-by-charles-hamilton-smith-from-his-own-selections-of-ancient-costume-of-great-britain-and-ireland-colnaghi-and-co-london-1814-image591614283.html
RM2WAEA1F–King Henry VI of England and France, at his devotions, 1450. The King wears a crimson velvet cap, sky-blue gown lined with ermine, large gold chain. He kneels at a covered table with missal and crown in St. Michael's church, Coventry. From a tapestry in St. Mary's Guildhall, Coventry. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Robert Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
Pen and ink sketch - Dittisham, South Hams District, Devon - St George's church pulpit, the carved and painted stone pulpit dates from the 15th Century. Illustration from the book Glorious Devon by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-sketch-dittisham-south-hams-district-devon-st-georges-church-pulpit-the-carved-and-painted-stone-pulpit-dates-from-the-15th-century-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594739043.html
RM2WFGKM3–Pen and ink sketch - Dittisham, South Hams District, Devon - St George's church pulpit, the carved and painted stone pulpit dates from the 15th Century. Illustration from the book Glorious Devon by S.P.B. Mais, published by London Great Western Railway Company, 1928
Coloured Illustration of the Church of the Holy Sepulchre from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coloured-illustration-of-the-church-of-the-holy-sepulchre-from-the-book-palestine-illustrated-by-sir-richard-temple-1st-baronet-gcsi-cie-pc-frs-8-march-1826-15-march-1902-was-an-administrator-in-british-india-and-a-british-politician-published-in-london-by-wh-allen-co-in-1888-image376644697.html
RM2CTNJ49–Coloured Illustration of the Church of the Holy Sepulchre from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
British Bats home house stairs bell church tower interior Wildlife nature animal wild Bats are mammals in the order Chiroptera. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-british-bats-home-house-stairs-bell-church-tower-interior-wildlife-22015108.html
RFB7PTDT–British Bats home house stairs bell church tower interior Wildlife nature animal wild Bats are mammals in the order Chiroptera.
Engraving of a church congregation waiting in the pews, from Punch magazine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engraving-of-a-church-congregation-waiting-in-the-pews-from-punch-169601553.html
RFKRX0E9–Engraving of a church congregation waiting in the pews, from Punch magazine
St Georges Church Esher 1911 watercolour of the 16th Century church in the North Surrey village Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-georges-church-esher-1911-watercolour-of-the-16th-century-church-15576244.html
RMANP8FH–St Georges Church Esher 1911 watercolour of the 16th Century church in the North Surrey village
The Guild Church of St Dunstan-in-the-West seen from Fleet Street in the City of London. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw. Painting by H. E. Tidmarsh (1854 - 1929 ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-guild-church-of-st-dunstan-in-the-west-seen-from-fleet-street-in-the-city-of-london-the-church-is-of-medieval-origin-although-the-present-building-with-an-octagonal-nave-was-constructed-in-the-1830s-to-the-designs-of-john-shaw-painting-by-h-e-tidmarsh-1854-1929-image341026444.html
RM2APR2KT–The Guild Church of St Dunstan-in-the-West seen from Fleet Street in the City of London. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw. Painting by H. E. Tidmarsh (1854 - 1929 )
Engraved portrait of George Grenville, the first Lord Commissioner of the Admiralty and the Prime Minister of Great Britain, a British statesman from Wotton Underwood, Buckinghamshire, England, 1760. From the New York Public Library. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-portrait-of-george-grenville-the-first-lord-commissioner-of-the-admiralty-and-the-prime-minister-of-great-britain-a-british-statesman-from-wotton-underwood-buckinghamshire-england-1760-from-the-new-york-public-library-image245237929.html
RMT6YFDD–Engraved portrait of George Grenville, the first Lord Commissioner of the Admiralty and the Prime Minister of Great Britain, a British statesman from Wotton Underwood, Buckinghamshire, England, 1760. From the New York Public Library. ()
St Paul's cathedral London with rippled British flag illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-pauls-cathedral-london-with-rippled-british-flag-illustration-28260370.html
RFBHYAAX–St Paul's cathedral London with rippled British flag illustration
The Maust Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-maust-church-23904605.html
RMBATXFW–The Maust Church
An engraving of the Remains of St Dogmaels Priory, Pembrokeshire scanned at high resolution from a book published in 1854. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-the-remains-of-st-dogmaels-priory-pembrokeshire-scanned-at-high-resolution-from-a-book-published-in-1854-believed-copyright-free-image399323558.html
RM2E5JN7J–An engraving of the Remains of St Dogmaels Priory, Pembrokeshire scanned at high resolution from a book published in 1854. Believed copyright free.
Wimborne Minster church Dorset England Uk illustration like cartoon effect Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wimborne-minster-church-dorset-england-uk-illustration-like-cartoon-122822751.html
RFH3R1JR–Wimborne Minster church Dorset England Uk illustration like cartoon effect
The ruins of Reculver Church in the 19th century. Black and White Illustration from the 'Old England' published by James Sangster in 1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ruins-of-reculver-church-in-the-19th-century-black-and-white-illustration-from-the-old-england-published-by-james-sangster-in-1860-image569388569.html
RM2T29TX1–The ruins of Reculver Church in the 19th century. Black and White Illustration from the 'Old England' published by James Sangster in 1860.
Val Sainte Veronique and Ancient Chestnuts, Print made by Philip Gilbert Hamerton, 1834–1894, British, ca. 1874, Etching and drypoint (two images) on moderately thick, moderately textured, beige laid paper, Sheet: 14 1/4 x 9 15/16 inches (36.2 x 25.3 cm), Plate: 3 15/16 x 5 7/8 inches (10 x 14.9 cm), and Image: 3 x 4 1/2 inches (7.6 x 11.4 cm), architectural subject, castle, church, genre subject, grazing, hut, illustration, landscape, livestock, men, path, pigs, rural, steeple, thatched roof, trees, walking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/val-sainte-veronique-and-ancient-chestnuts-print-made-by-philip-gilbert-hamerton-18341894-british-ca-1874-etching-and-drypoint-two-images-on-moderately-thick-moderately-textured-beige-laid-paper-sheet-14-14-x-9-1516-inches-362-x-253-cm-plate-3-1516-x-5-78-inches-10-x-149-cm-and-image-3-x-4-12-inches-76-x-114-cm-architectural-subject-castle-church-genre-subject-grazing-hut-illustration-landscape-livestock-men-path-pigs-rural-steeple-thatched-roof-trees-walking-image389736345.html
RM2DJ20K5–Val Sainte Veronique and Ancient Chestnuts, Print made by Philip Gilbert Hamerton, 1834–1894, British, ca. 1874, Etching and drypoint (two images) on moderately thick, moderately textured, beige laid paper, Sheet: 14 1/4 x 9 15/16 inches (36.2 x 25.3 cm), Plate: 3 15/16 x 5 7/8 inches (10 x 14.9 cm), and Image: 3 x 4 1/2 inches (7.6 x 11.4 cm), architectural subject, castle, church, genre subject, grazing, hut, illustration, landscape, livestock, men, path, pigs, rural, steeple, thatched roof, trees, walking