An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows a photograph by Paul Colmar: porcelain merchants in front of the windows of their shop with porcelain figurines and porcelain household goods on Boulevard Louis Blanc. The lettering above the windows reads "Porcelaines – Cristaux – Faïences". In English: "Porcelain – Crystal – Faience". Three men stand in front of the shop, one of them in a long white work coat and one holding a white object. The windows display figurines, vases, lamps and tab

RFID:3BKBDJ5

Preview

Buy the print

Image details

Contributor:

Georg Berg

Image ID:

3BKBDJ5

File size:

140.1 MB (4.1 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

8569 x 5713 px | 72.6 x 48.4 cm | 28.6 x 19 inches | 300dpi

Date taken:

12 June 2025

Location:

Rue Donzelot, Limoges, Nouvelle-Aquitaine, France

View related stock videos

Search stock photos by tags

Similar stock images

RF3BKBDJ6–An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows men at work in a kaolin quarry. The caption reads "La Jonchère (Haute-Vienne) – Exploitation des Carrières de Kaolin – N° 1 – L'Extraction". In English: "Operation of the kaolin quarries – No. 1 – Extraction". Workers in hats with picks stand in front of a pale, dug-out kaolin face, and a loaded mine cart stands on rails on the right. A man in a dark suit and hat stands on the left. A green 5-centime stamp is stuck at the top right, and the no

RM3FBT609–Fère-en-Tardenois, a commune in the Aisne department of northern France, shown in four views of its buildings, including the École des Orphelins, Bords de l'Yonne, and Rue du château in Château-Thierry, from a set of postcards documenting the architectural heritage of the Aisne department, compiled by Étienne Moreau-Nélaton, circa 1900-1910.

RF3BKBDG1–An old postcard with a motif from Coussac-Bonneval shows the extraction of kaolin. It hangs in the Musée du Four des Casseaux on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France. The caption reads "Coussac-Bonneval (Haute-Vienne) – Carrière de Marsse – Le Kaolin (Terre à Porcelaine) – Son extraction". In English: "Marsse quarry – kaolin (porcelain clay) – its extraction". Men in hats and women in long skirts work on the stepped terraces of the pit, and wooden scaffolding stands in the foreground. At the top edge, horses stand next to a cart. A red 10-centime stamp is stuck on

RF3BKBDKH–An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows a photograph by Paul Colmar: factory workers place the porcelain blanks in a protective clay mould (sagger, French gazette) before the second firing. In a long workshop with tall windows, men in caps and aprons work at benches along the window front. On the right, round saggers are stacked in tall columns. The note "Photothèque Paul Colmar" appears at the bottom left. Depending on the type of porcelain, the second firing takes place at between

RF3BKBDG5–A postcard from the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows the early mining of kaolin. Kaolin was initially mined by hand using picks and hoes, with women carrying the excavated material away in baskets. In the photograph, workers and women in long dresses stand on the steps of a deep pit, and a wooden chute runs across the slope. A plank hut stands on the right, and a horse stands at the top edge. The note "Photothèque Paul Colmar" appears on the bottom right. The kaolin from Marcognac made the city int

RF3BKBDKB–An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows a photograph by Paul Colmar: factory workers packing the kiln for the second firing. Depending on the type of porcelain, it takes place at between 1,100 and 1,480 degrees Celsius. Loading and unloading the large kiln was men's work. Men in aprons and hats carry white porcelain pieces to the brick kiln door, and heavy clay moulds (saggers, French gazettes) are stacked on the right. Each of these moulds held a porcelain blank, and they were stac

RF3BKBDJC–An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows a photograph by Paul Colmar: harbour workers bringing wood ashore. Saint-Étienne Cathedral stands in the background. The caption reads "Limoges – Le Ramier". In English: "The timber-catching barrier". A barrier of wooden trestles runs across the Vienne, and behind it the city rises towards the cathedral. In the foreground, logs and a boat lie on the bank, and a man sits on the beach. On the right, a man stands on a boat. The note "Photothèque

RF3BKBDJ7–An old postcard in the Four des Casseaux museum (Musée du Four des Casseaux) on Rue Donzelot in Limoges, Haute-Vienne, Nouvelle-Aquitaine, France, shows a photograph by Paul Colmar: female workers at a porcelain factory transporting blanks. Women in long, light-coloured smocks and headscarves carry tall stacks of white blanks on their heads and shoulders across a factory yard. A man in an apron stands among them. On the right, long wooden racks with rows of white pieces stand in front of a brick building with arched windows. Workers look down from a wooden gallery above. The note "Photothèque

Image details

Search stock photos by tags

Get great features with your free account

Get inspired for your next project!

Download Confirmation

Password Confirmation