Ciuitatis Westmonasteriensis pars (Westminster from the River). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 5 7/8 × 11 1/4 in. (15 × 28.5 cm). Series/Portfolio: London views Four plates. Date: 1647. View of Westminster Abbey from across the Thames, Parliament on the left the Hall and Westminster stairs at center, boats on the river. Museum: Metropolitan Museum of Art, New York, USA. Author: Wenceslaus Hollar. WENZEL HOLLAR. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ciuitatis-westmonasteriensis-pars-westminster-from-the-river-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-plate-5-78-11-14-in-15-285-cm-seriesportfolio-london-views-four-plates-date-1647-view-of-westminster-abbey-from-across-the-thames-parliament-on-the-left-the-hall-and-westminster-stairs-at-center-boats-on-the-river-museum-metropolitan-museum-of-art-new-york-usa-author-wenceslaus-hollar-wenzel-hollar-image225387210.html
RMR2K7K6–Ciuitatis Westmonasteriensis pars (Westminster from the River). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 5 7/8 × 11 1/4 in. (15 × 28.5 cm). Series/Portfolio: London views Four plates. Date: 1647. View of Westminster Abbey from across the Thames, Parliament on the left the Hall and Westminster stairs at center, boats on the river. Museum: Metropolitan Museum of Art, New York, USA. Author: Wenceslaus Hollar. WENZEL HOLLAR.
View from the North Westminster Church. Wenceslaus Hollar; Czech, 1607-1677. Date: 1627-1677. Dimensions: 214 × 234 mm. Etching on paper. Origin: Bohemia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-from-the-north-westminster-church-wenceslaus-hollar-czech-1607-1677-date-1627-1677-dimensions-214-234-mm-etching-on-paper-origin-bohemia-museum-the-chicago-art-institute-image240102665.html
RMRXHHB5–View from the North Westminster Church. Wenceslaus Hollar; Czech, 1607-1677. Date: 1627-1677. Dimensions: 214 × 234 mm. Etching on paper. Origin: Bohemia. Museum: The Chicago Art Institute.
Saint Paul's from the South Showing the Spire. Wenceslaus Hollar; Czech, 1607-1677. Date: 1657. Dimensions: 178 × 374 mm. Etching in black on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-pauls-from-the-south-showing-the-spire-wenceslaus-hollar-czech-1607-1677-date-1657-dimensions-178-374-mm-etching-in-black-on-ivory-laid-paper-origin-bohemia-museum-the-chicago-art-institute-image240098544.html
RMRXHC40–Saint Paul's from the South Showing the Spire. Wenceslaus Hollar; Czech, 1607-1677. Date: 1657. Dimensions: 178 × 374 mm. Etching in black on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute.
Self-Portrait. Dimensions: Sheet: 6 1/4 × 4 5/16 in. (15.8 × 11 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Series/Portfolio: Image de divers hommes (1649). Date: 17th century. Portrait of Wenceslaus Hollar, half-length almost facing front, wearing doublet buttoned down the front and open over left shoulder; holding copper-plate of his St Catherine, standing next to table covered with etching tools in front of open window on right with church and roofs seen in distance on r, coat of arms on l; after Jo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-dimensions-sheet-6-14-4-516-in-158-11-cm-etcher-wenceslaus-hollar-bohemian-prague-1607-1677-london-publisher-johannes-meyssens-flemish-brussels-1612-1670-antwerp-seriesportfolio-image-de-divers-hommes-1649-date-17th-century-portrait-of-wenceslaus-hollar-half-length-almost-facing-front-wearing-doublet-buttoned-down-the-front-and-open-over-left-shoulder-holding-copper-plate-of-his-st-catherine-standing-next-to-table-covered-with-etching-tools-in-front-of-open-window-on-right-with-church-and-roofs-seen-in-distance-on-r-coat-of-arms-on-l-after-jo-image213207512.html
RMPATCA0–Self-Portrait. Dimensions: Sheet: 6 1/4 × 4 5/16 in. (15.8 × 11 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Series/Portfolio: Image de divers hommes (1649). Date: 17th century. Portrait of Wenceslaus Hollar, half-length almost facing front, wearing doublet buttoned down the front and open over left shoulder; holding copper-plate of his St Catherine, standing next to table covered with etching tools in front of open window on right with church and roofs seen in distance on r, coat of arms on l; after Jo
Autumn: The Wine Market. Dated: c. 1628/1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/autumn-the-wine-market-dated-c-16281629-medium-etching-museum-national-gallery-of-art-washington-dc-author-wenceslaus-hollar-image225821996.html
RMR3B278–Autumn: The Wine Market. Dated: c. 1628/1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.
Henry van der Borcht, Painter. Dated: 1648. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Joannes Meyssens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-van-der-borcht-painter-dated-1648-medium-etching-museum-national-gallery-of-art-washington-dc-author-wenceslaus-hollar-after-joannes-meyssens-image225770387.html
RMR38MC3–Henry van der Borcht, Painter. Dated: 1648. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Joannes Meyssens.
Royal Exchange. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644. Dimensions: 293 × 392 mm (sheet; trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-exchange-wenceslaus-hollar-czech-1607-1677-date-1644-dimensions-293-392-mm-sheet-trimmed-within-plate-mark-etching-on-ivory-laid-paper-origin-bohemia-museum-the-chicago-art-institute-image239919699.html
RMRX980K–Royal Exchange. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644. Dimensions: 293 × 392 mm (sheet; trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute.
Palatium Regis Prope Londinum, Vulgo Whitehall. Date/Period: Ca. 1647. Print. Line engraving on medium, slightly textured, cream laid paper. Height: 152 mm (5.98 in); Width: 333 mm (13.11 in). Author: Wenceslaus Hollar. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/palatium-regis-prope-londinum-vulgo-whitehall-dateperiod-ca-1647-print-line-engraving-on-medium-slightly-textured-cream-laid-paper-height-152-mm-598-in-width-333-mm-1311-in-author-wenceslaus-hollar-image221750657.html
RMPTNH69–Palatium Regis Prope Londinum, Vulgo Whitehall. Date/Period: Ca. 1647. Print. Line engraving on medium, slightly textured, cream laid paper. Height: 152 mm (5.98 in); Width: 333 mm (13.11 in). Author: Wenceslaus Hollar.
Earl of Essex on Horseback. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 13 5/8 × 10 15/16 in. (34.6 × 27.8 cm). Date: 1643. Robert Devereux Earle of Essex & Ewe, Viscount Herreford, Lord Ferryes of Chartley, seated wearing armor on a prancing horse with a map of his victories in the background. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/earl-of-essex-on-horseback-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-13-58-10-1516-in-346-278-cm-date-1643-robert-devereux-earle-of-essex-ewe-viscount-herreford-lord-ferryes-of-chartley-seated-wearing-armor-on-a-prancing-horse-with-a-map-of-his-victories-in-the-background-museum-metropolitan-museum-of-art-new-york-usa-image213108328.html
RMPAKWRM–Earl of Essex on Horseback. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 13 5/8 × 10 15/16 in. (34.6 × 27.8 cm). Date: 1643. Robert Devereux Earle of Essex & Ewe, Viscount Herreford, Lord Ferryes of Chartley, seated wearing armor on a prancing horse with a map of his victories in the background. Museum: Metropolitan Museum of Art, New York, USA.
Saint Paul's, South side (Ecclesiae Cathedralis St. Pauli, A Meridi Prospectus). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 8 7/16 x 11 1/4 in. (21.5 x 28.5 cm). Series/Portfolio: William Dugdale, 'The history of St. Paul's Catherdral in London' , 1658. Date: 1658. St. Paul's cathedral seen from the south. Similar to 1991.1336.1 (P. 1017), but shown without the spire over the crossing tower, which had been struck by lightning and burned in 1561. The portico erected by Charles I is shown, as are changes to the nave. This first state was issued in William Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-pauls-south-side-ecclesiae-cathedralis-st-pauli-a-meridi-prospectus-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-8-716-x-11-14-in-215-x-285-cm-seriesportfolio-william-dugdale-the-history-of-st-pauls-catherdral-in-london-1658-date-1658-st-pauls-cathedral-seen-from-the-south-similar-to-199113361-p-1017-but-shown-without-the-spire-over-the-crossing-tower-which-had-been-struck-by-lightning-and-burned-in-1561-the-portico-erected-by-charles-i-is-shown-as-are-changes-to-the-nave-this-first-state-was-issued-in-william-image225418308.html
RMR2MK9T–Saint Paul's, South side (Ecclesiae Cathedralis St. Pauli, A Meridi Prospectus). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 8 7/16 x 11 1/4 in. (21.5 x 28.5 cm). Series/Portfolio: William Dugdale, 'The history of St. Paul's Catherdral in London' , 1658. Date: 1658. St. Paul's cathedral seen from the south. Similar to 1991.1336.1 (P. 1017), but shown without the spire over the crossing tower, which had been struck by lightning and burned in 1561. The portico erected by Charles I is shown, as are changes to the nave. This first state was issued in William
Realm of Juno. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/16 × 6 7/16 in. (8.4 × 16.4 cm). Series/Portfolio: The Three Realms of the World, NH 842-844. Date: 1646. Juno seated on tall throne with tapestry behind, wearing embroidered dress and fur-trimmed mantle and holding sceptre in her right hand, leaning slightly to left; men at work under vaults in the background; after Elsheimer. The painting was in the Arundel collection but is now lost (see K. Andrews, 'Adam Elsheimer:Paintings-Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/realm-of-juno-artist-after-adam-elsheimer-german-frankfurt-1578-1610-rome-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-3-516-6-716-in-84-164-cm-seriesportfolio-the-three-realms-of-the-world-nh-842-844-date-1646-juno-seated-on-tall-throne-with-tapestry-behind-wearing-embroidered-dress-and-fur-trimmed-mantle-and-holding-sceptre-in-her-right-hand-leaning-slightly-to-left-men-at-work-under-vaults-in-the-background-after-elsheimer-the-painting-was-in-the-arundel-collection-but-is-now-lost-see-k-andrews-adam-elsheimerpaintings-drawings-image213118135.html
RMPAMA9Y–Realm of Juno. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/16 × 6 7/16 in. (8.4 × 16.4 cm). Series/Portfolio: The Three Realms of the World, NH 842-844. Date: 1646. Juno seated on tall throne with tapestry behind, wearing embroidered dress and fur-trimmed mantle and holding sceptre in her right hand, leaning slightly to left; men at work under vaults in the background; after Elsheimer. The painting was in the Arundel collection but is now lost (see K. Andrews, 'Adam Elsheimer:Paintings-Drawings
Saint Paul's from the South Showing the Spire (Ecclesiae Paulinae Prospectus...). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 10 1/4 × 13 13/16 in. (26 × 35.1 cm) Sheet: 10 3/8 × 13 7/8 in. (26.3 × 35.2 cm). Series/Portfolio: William Dugdale, 'The history of St. Paul's Catherdral in London' , 1658. Date: 1657. St. Paul's cathedral seen from the south with the spire atop the crossing tower, as it was before being struck by lightning and burned in 1561. This first state was issued in William Dugdale's 'History of St. Paul's Cathedral', 1658. A second state Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-pauls-from-the-south-showing-the-spire-ecclesiae-paulinae-prospectus-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-plate-10-14-13-1316-in-26-351-cm-sheet-10-38-13-78-in-263-352-cm-seriesportfolio-william-dugdale-the-history-of-st-pauls-catherdral-in-london-1658-date-1657-st-pauls-cathedral-seen-from-the-south-with-the-spire-atop-the-crossing-tower-as-it-was-before-being-struck-by-lightning-and-burned-in-1561-this-first-state-was-issued-in-william-dugdales-history-of-st-pauls-cathedral-1658-a-second-state-image225389380.html
RMR2KACM–Saint Paul's from the South Showing the Spire (Ecclesiae Paulinae Prospectus...). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 10 1/4 × 13 13/16 in. (26 × 35.1 cm) Sheet: 10 3/8 × 13 7/8 in. (26.3 × 35.2 cm). Series/Portfolio: William Dugdale, 'The history of St. Paul's Catherdral in London' , 1658. Date: 1657. St. Paul's cathedral seen from the south with the spire atop the crossing tower, as it was before being struck by lightning and burned in 1561. This first state was issued in William Dugdale's 'History of St. Paul's Cathedral', 1658. A second state
Palatium Archiepiscopi Cantuariensis propae Londinum vulgo Lambeth House (Lambeth House: Palace of the Archbishop of Canterbury, London). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 5/8 × 12 9/16 in. (14.3 × 31.9 cm) cut within platemark. Series/Portfolio: London views Four plates. Date: 1647. Lambeth Palace viewed from the Thames with a landing stage at right, the archbishop and a retinue about to enter a barge. A row of houses beyond. In the river is a barge loaded with timber, and also other boats. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/palatium-archiepiscopi-cantuariensis-propae-londinum-vulgo-lambeth-house-lambeth-house-palace-of-the-archbishop-of-canterbury-london-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-5-58-12-916-in-143-319-cm-cut-within-platemark-seriesportfolio-london-views-four-plates-date-1647-lambeth-palace-viewed-from-the-thames-with-a-landing-stage-at-right-the-archbishop-and-a-retinue-about-to-enter-a-barge-a-row-of-houses-beyond-in-the-river-is-a-barge-loaded-with-timber-and-also-other-boats-museum-metropolitan-museum-of-art-new-york-usa-image225389526.html
RMR2KAHX–Palatium Archiepiscopi Cantuariensis propae Londinum vulgo Lambeth House (Lambeth House: Palace of the Archbishop of Canterbury, London). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 5/8 × 12 9/16 in. (14.3 × 31.9 cm) cut within platemark. Series/Portfolio: London views Four plates. Date: 1647. Lambeth Palace viewed from the Thames with a landing stage at right, the archbishop and a retinue about to enter a barge. A row of houses beyond. In the river is a barge loaded with timber, and also other boats. Museum: Metropolitan Museum of Art, New York, USA.
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation