Struggle between two warriors. Mosaic. Sant'Evasio Cathedral. Casale Monferrato. Piedmont Region. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-struggle-between-two-warriors-mosaic-santevasio-cathedral-casale-monferrato-29901892.html
RMBMJ44M–Struggle between two warriors. Mosaic. Sant'Evasio Cathedral. Casale Monferrato. Piedmont Region. Italy.
Mesopotamia. Campaign of King Ashurbanipal. Warriors. Relief. Palace of Nineveh. 7th century BC. Assyrians. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mesopotamia-campaign-of-king-ashurbanipal-warriors-relief-palace-of-116935948.html
RMGP6TYT–Mesopotamia. Campaign of King Ashurbanipal. Warriors. Relief. Palace of Nineveh. 7th century BC. Assyrians.
Kamehameha I (1758-1819). King of Hawaii Island. Hawaiians, 1819. Kamehameha and his warriors. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kamehameha-i-1758-1819-king-of-hawaii-island-hawaiians-1819-kamehameha-74251982.html
RME8PD4E–Kamehameha I (1758-1819). King of Hawaii Island. Hawaiians, 1819. Kamehameha and his warriors. Engraving. Colored.
Michelangelo (Michelangelo Buonarroti) (1475-1564). Group of warriors, ca. 1546. Charcoal drawing. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-michelangelo-michelangelo-buonarroti-1475-1564-group-of-warriors-ca-168320029.html
RMKNRHWH–Michelangelo (Michelangelo Buonarroti) (1475-1564). Group of warriors, ca. 1546. Charcoal drawing. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Pre-Columbian Art. Maya. Chac statue or an offeror on a Feathered Serpent. Temple of the Warriors. Chichen Itza. Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pre-columbian-art-maya-chac-statue-or-an-offeror-on-a-feathered-serpent-image66092841.html
RMDREP2H–Pre-Columbian Art. Maya. Chac statue or an offeror on a Feathered Serpent. Temple of the Warriors. Chichen Itza. Mexico.
The Gundestrup cauldron. Silver vessel. 200 BC and 300 AD. Warrior's initiation. National Museum of Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-gundestrup-cauldron-silver-vessel-200-bc-and-300-ad-warriors-initiation-52502729.html
RMD1BKND–The Gundestrup cauldron. Silver vessel. 200 BC and 300 AD. Warrior's initiation. National Museum of Denmark.
Kamehameha I (1758-1819). King of Hawaii Island. Hawaiians, 1819. Kamehameha and his warriors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kamehameha-i-1758-1819-king-of-hawaii-island-hawaiians-1819-kamehameha-image68335906.html
RMDY4Y42–Kamehameha I (1758-1819). King of Hawaii Island. Hawaiians, 1819. Kamehameha and his warriors.
History of England, 1200. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-england-1200-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417044.html
RM2WTRA1T–History of England, 1200. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Middle Ages. Aragonese warriors (1390). Engraving from a triptych of the Academia de la Historia. Museo Militar, 1883. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/middle-ages-aragonese-warriors-1390-engraving-from-a-triptych-of-the-academia-de-la-historia-museo-militar-1883-later-colouration-image338300204.html
RM2AJAWA4–Middle Ages. Aragonese warriors (1390). Engraving from a triptych of the Academia de la Historia. Museo Militar, 1883. Later colouration.
Spain, Barcelona. Casa Mila or La Pedrera. Modernist building by Antonio Gaudi, 1906-1912. Chimneys shaped like warriors. Roof terrace. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spain-barcelona-casa-mila-or-la-pedrera-modernist-building-by-antonio-175820436.html
RMM618N8–Spain, Barcelona. Casa Mila or La Pedrera. Modernist building by Antonio Gaudi, 1906-1912. Chimneys shaped like warriors. Roof terrace.
Iberian Peninsula. Emirate of Granada in the 14th century. Nasrid kings and two warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iberian-peninsula-emirate-of-granada-in-the-14th-century-nasrid-kings-and-two-warriors-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594745415.html
RM2WFGYRK–Iberian Peninsula. Emirate of Granada in the 14th century. Nasrid kings and two warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Normans, 1000-1100. From left to right, 3: pilgrim, 4-5-6-7: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normans-1000-1100-from-left-to-right-3-pilgrim-4-5-6-7-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417011.html
RM2WTRA0K–Normans, 1000-1100. From left to right, 3: pilgrim, 4-5-6-7: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Iazyges warriors, wearing their traditional scale armours. Sarmatian nomadic tribe. Ancient Sarmatia. Engraving. 'Los Héroes y las Grandezas de la Tierra'. Volume V. 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iazyges-warriors-wearing-their-traditional-scale-armours-sarmatian-nomadic-tribe-ancient-sarmatia-engraving-los-hroes-y-las-grandezas-de-la-tierra-volume-v-1855-image560448907.html
RM2RFPJ8B–Iazyges warriors, wearing their traditional scale armours. Sarmatian nomadic tribe. Ancient Sarmatia. Engraving. 'Los Héroes y las Grandezas de la Tierra'. Volume V. 1855.
Normans, 1000-1100. From left to right, 1: shepherd, 2: nobleman, 3: pilgrim, 4-5-6-7-8: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normans-1000-1100-from-left-to-right-1-shepherd-2-nobleman-3-pilgrim-4-5-6-7-8-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417026.html
RM2WTRA16–Normans, 1000-1100. From left to right, 1: shepherd, 2: nobleman, 3: pilgrim, 4-5-6-7-8: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
History of Africa. 19th century. Warriors in a canoe navigating the Aruwimi River. Engraving by Hildibrand. El Congo y la Creacion del Estado Independiente de este nombre. Historia de los Trabajos y Exploraciones Verificados (The Congo and the Founding of its Free State. A Story of Work and Exploration), by Henry M. Stanley. Edited in Barcelona, ca.1890. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-africa-19th-century-warriors-in-a-canoe-navigating-the-aruwimi-river-engraving-by-hildibrand-el-congo-y-la-creacion-del-estado-independiente-de-este-nombre-historia-de-los-trabajos-y-exploraciones-verificados-the-congo-and-the-founding-of-its-free-state-a-story-of-work-and-exploration-by-henry-m-stanley-edited-in-barcelona-ca1890-spain-image425569672.html
RM2FMAACT–History of Africa. 19th century. Warriors in a canoe navigating the Aruwimi River. Engraving by Hildibrand. El Congo y la Creacion del Estado Independiente de este nombre. Historia de los Trabajos y Exploraciones Verificados (The Congo and the Founding of its Free State. A Story of Work and Exploration), by Henry M. Stanley. Edited in Barcelona, ca.1890. Spain.
Stele of hindu warrior with the arms of the Sousa family (do Prado) on the reverse. Detail. Unknown provenance. 10th-13th and 16th centuries. Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-of-hindu-warrior-with-the-arms-of-the-sousa-family-do-prado-on-the-reverse-detail-unknown-provenance-10th-13th-and-16th-centuries-carmo-archaeological-museum-lisbon-portugal-image552088609.html
RM2R25PJ9–Stele of hindu warrior with the arms of the Sousa family (do Prado) on the reverse. Detail. Unknown provenance. 10th-13th and 16th centuries. Carmo Archaeological Museum. Lisbon, Portugal.
Stele of hindu warrior with the arms of the Sousa family (do Prado) on the reverse. Unknown provenance. 10th-13th and 16th centuries. Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-of-hindu-warrior-with-the-arms-of-the-sousa-family-do-prado-on-the-reverse-unknown-provenance-10th-13th-and-16th-centuries-carmo-archaeological-museum-lisbon-portugal-image552088614.html
RM2R25PJE–Stele of hindu warrior with the arms of the Sousa family (do Prado) on the reverse. Unknown provenance. 10th-13th and 16th centuries. Carmo Archaeological Museum. Lisbon, Portugal.
Rafael Tegeo (1798-1856). Spanish painter. Diomedes, assisted by Minerva, wounds Mars, 1831. Museum of Fine Arts. Murcia. Murcia Region. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rafael-tegeo-1798-1856-spanish-painter-diomedes-assisted-by-minerva-wounds-mars-1831-museum-of-fine-arts-murcia-murcia-region-spain-image337685369.html
RM2AHAW3N–Rafael Tegeo (1798-1856). Spanish painter. Diomedes, assisted by Minerva, wounds Mars, 1831. Museum of Fine Arts. Murcia. Murcia Region. Spain.
Polish-Lithuanian-Teutonic War (1409-1411). Conflict between Kingdom of Poland and Grand Duchy of Lithuania against the Teutonic Knights. Painting depicting the Battle of Grunwald (Tannenberg) (15 July, 1410), 1878, by Jan Matejko (1838-1893). Detail, Vytautas the Great (1350-1430) Grand Duke of Lithuania. National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polish-lithuanian-teutonic-war-1409-1411-conflict-between-kingdom-of-poland-and-grand-duchy-of-lithuania-against-the-teutonic-knights-painting-depicting-the-battle-of-grunwald-tannenberg-15-july-1410-1878-by-jan-matejko-1838-1893-detail-vytautas-the-great-1350-1430-grand-duke-of-lithuania-national-museum-warsaw-poland-image247375680.html
RMTACX5M–Polish-Lithuanian-Teutonic War (1409-1411). Conflict between Kingdom of Poland and Grand Duchy of Lithuania against the Teutonic Knights. Painting depicting the Battle of Grunwald (Tannenberg) (15 July, 1410), 1878, by Jan Matejko (1838-1893). Detail, Vytautas the Great (1350-1430) Grand Duke of Lithuania. National Museum. Warsaw. Poland.
Polish-Lithuanian-Teutonic War (1409-1411). Conflict between Kingdom of Poland and Grand Duchy of Lithuania against the Teutonic Knights. Painting depicting the Battle of Grunwald (Tannenberg) (15 July, 1410), 1878, by Jan Matejko (1838-1893). Detail. National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polish-lithuanian-teutonic-war-1409-1411-conflict-between-kingdom-of-poland-and-grand-duchy-of-lithuania-against-the-teutonic-knights-painting-depicting-the-battle-of-grunwald-tannenberg-15-july-1410-1878-by-jan-matejko-1838-1893-detail-national-museum-warsaw-poland-image247375688.html
RMTACX60–Polish-Lithuanian-Teutonic War (1409-1411). Conflict between Kingdom of Poland and Grand Duchy of Lithuania against the Teutonic Knights. Painting depicting the Battle of Grunwald (Tannenberg) (15 July, 1410), 1878, by Jan Matejko (1838-1893). Detail. National Museum. Warsaw. Poland.
Eastern Roman Empire. Byzantines (400-600). From left to right: 14 and 15- general's clothing, 16-warrior, 17-worker (officer), 18- general's clothing, 19- warrior. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eastern-roman-empire-byzantines-400-600-from-left-to-right-14-and-15-generals-clothing-16-warrior-17-worker-officer-18-generals-clothing-19-warrior-chromolithography-historia-universal-by-csar-cant-volume-iii-1882-image551214625.html
RM2R0NYTH–Eastern Roman Empire. Byzantines (400-600). From left to right: 14 and 15- general's clothing, 16-warrior, 17-worker (officer), 18- general's clothing, 19- warrior. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882.
Etruscans. From left to right: 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-from-left-to-right-1112-and-13-etruscan-armour-14-leather-garments-with-bronze-shield-15-etruscan-armour-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035489.html
RM2R0DRAW–Etruscans. From left to right: 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
History of England. 1300-1400. From left to right, 1: warrior, 2: crossbowman, 1376. 3: warrior, 4: ordinary people dress, 5-6: court dresses, 7: knight, 8: citizen (ordinary people), 9: lord, 10: knight, 1377. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-england-1300-1400-from-left-to-right-1-warrior-2-crossbowman-1376-3-warrior-4-ordinary-people-dress-5-6-court-dresses-7-knight-8-citizen-ordinary-people-9-lord-10-knight-1377-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582139.html
RM2WF9FGB–History of England. 1300-1400. From left to right, 1: warrior, 2: crossbowman, 1376. 3: warrior, 4: ordinary people dress, 5-6: court dresses, 7: knight, 8: citizen (ordinary people), 9: lord, 10: knight, 1377. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Ancient Age. The Barbarians before Rome. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-age-the-barbarians-before-rome-chromolithography-historia-universal-by-csar-cant-volume-iii-1882-image551214627.html
RM2R0NYTK–Ancient Age. The Barbarians before Rome. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882.
Iberian Peninsula. Ancient Age. Celtiberians. Chromolithography. Historia General de España, by Modesto Lafuente. Volume I. Published in Barcelona, 1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iberian-peninsula-ancient-age-celtiberians-chromolithography-historia-general-de-espaa-by-modesto-lafuente-volume-i-published-in-barcelona-1877-image465734789.html
RM2J1M1D9–Iberian Peninsula. Ancient Age. Celtiberians. Chromolithography. Historia General de España, by Modesto Lafuente. Volume I. Published in Barcelona, 1877.
Medieval war machine. Catapult. Parabolic motion machine, used to launch long-distance projectiles. Engraving. Museo Militar, 1883. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medieval-war-machine-catapult-parabolic-motion-machine-used-to-launch-long-distance-projectiles-engraving-museo-militar-1883-image332985104.html
RM2A9MNW4–Medieval war machine. Catapult. Parabolic motion machine, used to launch long-distance projectiles. Engraving. Museo Militar, 1883.
Ancient Age. Northern Barbarians. Engraving. Museo Militar, 1883. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-age-northern-barbarians-engraving-museo-militar-1883-later-colouration-image344181517.html
RM2AYXR11–Ancient Age. Northern Barbarians. Engraving. Museo Militar, 1883. Later colouration.
Medieval war machine. Catapult. Parabolic motion machine, used to launch long-distance projectiles. Engraving. Museo Militar, 1883. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medieval-war-machine-catapult-parabolic-motion-machine-used-to-launch-long-distance-projectiles-engraving-museo-militar-1883-later-colouration-image338241700.html
RM2AJ86MM–Medieval war machine. Catapult. Parabolic motion machine, used to launch long-distance projectiles. Engraving. Museo Militar, 1883. Later colouration.
Ancient Age. Northern Barbarians. Engraving. Museo Militar, 1883. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-age-northern-barbarians-engraving-museo-militar-1883-image332985063.html
RM2A9MNRK–Ancient Age. Northern Barbarians. Engraving. Museo Militar, 1883.
Central Africa. Expedition of Stanley. Reception at Bumbireh island. Engraving. Africa inexplorada, el Continente Misterioso by Henry Morton Stanley, c. 1887. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/central-africa-expedition-of-stanley-reception-at-bumbireh-island-engraving-africa-inexplorada-el-continente-misterioso-by-henry-morton-stanley-c-1887-image261523243.html
RMW5DBFR–Central Africa. Expedition of Stanley. Reception at Bumbireh island. Engraving. Africa inexplorada, el Continente Misterioso by Henry Morton Stanley, c. 1887.
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Trajan's Dacian Wars. 2nd century AD. Engraving depicting reliefs of the Trajan Column. Siege scene. Dacians attacking the Roman trenches. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-by-polybius-volume-ii-french-edition-translated-from-greek-by-dom-vincent-thuillier-comments-of-military-science-enriched-with-critical-and-historical-notes-by-m-de-folard-paris-chez-pierre-gandouin-julien-michel-gandouin-pierre-francois-giffart-and-nicolas-pierre-armand-1727-printing-by-jean-baptiste-lamesle-trajans-dacian-wars-2nd-century-ad-engraving-depicting-reliefs-of-the-trajan-column-siege-scene-dacians-attacking-the-roman-trenches-image244696260.html
RMT62TG4–History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Trajan's Dacian Wars. 2nd century AD. Engraving depicting reliefs of the Trajan Column. Siege scene. Dacians attacking the Roman trenches.
Spain, Barcelona. Casa Mila or La Pedrera. Modernist building by Antonio Gaudi, 1906-1912. Chimney shaped like a warrior. Roof terrace. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spain-barcelona-casa-mila-or-la-pedrera-modernist-building-by-antonio-175820443.html
RMM618NF–Spain, Barcelona. Casa Mila or La Pedrera. Modernist building by Antonio Gaudi, 1906-1912. Chimney shaped like a warrior. Roof terrace.
Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. Archers of the Royal Guard. Access ramp A. Bas-relief, alabaster. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrians-upper-mesopotamia-palace-of-ashurbanipal-nineveh-iraq-7th-century-bc-archers-of-the-royal-guard-access-ramp-a-bas-relief-alabaster-louvre-museum-paris-france-image340734573.html
RM2AP9PBW–Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. Archers of the Royal Guard. Access ramp A. Bas-relief, alabaster. Louvre Museum. Paris. France.
Hundred Years' War (1337-1453). Conflict between the Kingdom of England and the Kingdom of France to control the French throne. Bertrand du Guesclin (1320-1380), constable of France, fighting the English in support of the King Charles V of France (1338-1380). Miniature, 15th century. Conde Museum. Chateau of Chantilly. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hundred-years-war-1337-1453-conflict-between-the-kingdom-of-england-and-the-kingdom-of-france-to-control-the-french-throne-bertrand-du-guesclin-1320-1380-constable-of-france-fighting-the-english-in-support-of-the-king-charles-v-of-france-1338-1380-miniature-15th-century-conde-museum-chateau-of-chantilly-france-image368401325.html
RM2CBA3J5–Hundred Years' War (1337-1453). Conflict between the Kingdom of England and the Kingdom of France to control the French throne. Bertrand du Guesclin (1320-1380), constable of France, fighting the English in support of the King Charles V of France (1338-1380). Miniature, 15th century. Conde Museum. Chateau of Chantilly. France.
Persepolis. Relief of the monument stairways of the Apadana or Audience Hall (5th-6th centuries BC). Relief of the Immortals, Persian imperial guards, Detail. Depiction of soldiers wearingdifferent uniforms, Medes and Persians. The Medes however wore a felt cap forming a semicircular dome. Xerxes I (486-465 BC) and Artaxerxes I (464-425 BC) period. Islamic Republic of Iran. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/persepolis-relief-of-the-monument-stairways-of-the-apadana-or-audience-hall-5th-6th-centuries-bc-relief-of-the-immortals-persian-imperial-guards-detail-depiction-of-soldiers-wearingdifferent-uniforms-medes-and-persians-the-medes-however-wore-a-felt-cap-forming-a-semicircular-dome-xerxes-i-486-465-bc-and-artaxerxes-i-464-425-bc-period-islamic-republic-of-iran-image235951819.html
RMRKTEXK–Persepolis. Relief of the monument stairways of the Apadana or Audience Hall (5th-6th centuries BC). Relief of the Immortals, Persian imperial guards, Detail. Depiction of soldiers wearingdifferent uniforms, Medes and Persians. The Medes however wore a felt cap forming a semicircular dome. Xerxes I (486-465 BC) and Artaxerxes I (464-425 BC) period. Islamic Republic of Iran.
RMC8CNEJ–Siphnian Treasury. 530 BC. Gigantomachy. Hera between warriors. Delphi. Greece.
History of France, 1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-france-1100-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417043.html
RM2WTRA1R–History of France, 1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Krater of the Warriors. 1200-1100 B.C. Mycenae. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-krater-of-the-warriors-1200-1100-bc-mycenae-national-archaeological-29753909.html
RMBMBBBH–Krater of the Warriors. 1200-1100 B.C. Mycenae. National Archaeological Museum. Athens. Greece.
Holy Roman Empire, 1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-roman-empire-1100-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600416994.html
RM2WTRA02–Holy Roman Empire, 1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Middle Ages. Aragonese warriors (1390). Engraving from a triptych of the Academia de la Historia. Museo Militar, 1883. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/middle-ages-aragonese-warriors-1390-engraving-from-a-triptych-of-the-academia-de-la-historia-museo-militar-1883-image333055193.html
RM2A9RY89–Middle Ages. Aragonese warriors (1390). Engraving from a triptych of the Academia de la Historia. Museo Militar, 1883.
Krater of the Warriors Detail. Dated between 1200-1100 B.C. Mycenae. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-krater-of-the-warriors-detail-dated-between-1200-1100-bc-mycenae-national-43226812.html
RMCE946M–Krater of the Warriors Detail. Dated between 1200-1100 B.C. Mycenae. National Archaeological Museum. Athens. Greece.
Aryballos, used to contain perfume or oil, decorated with four warriors with shield, helmet and spear. From Corinto. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aryballos-used-to-contain-perfume-or-oil-decorated-with-four-warriors-75633965.html
RMEB1BW1–Aryballos, used to contain perfume or oil, decorated with four warriors with shield, helmet and spear. From Corinto. Greece.
Holy Roman Empire, 1000-1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-roman-empire-1000-1100-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417040.html
RM2WTRA1M–Holy Roman Empire, 1000-1100. Warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Assyrian. Palace of Sargon II of Dur-Sharrukin (actual Khorsabad). Relief of warriors. 8th century BC. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assyrian-palace-of-sargon-ii-of-dur-sharrukin-actual-khorsabad-relief-116935947.html
RMGP6TYR–Assyrian. Palace of Sargon II of Dur-Sharrukin (actual Khorsabad). Relief of warriors. 8th century BC. Louvre Museum. Paris. France.
Aegina West Pediment. Sanctuary of Aphaia, Reconstruction by Bertel Thorvaldsen (1770-1884). Athena and warriors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aegina-west-pediment-sanctuary-of-aphaia-reconstruction-by-bertel-56484350.html
RMD7W2A6–Aegina West Pediment. Sanctuary of Aphaia, Reconstruction by Bertel Thorvaldsen (1770-1884). Athena and warriors.
History of Italy. 1300. From left to right, 11-12-13: warriors, 14: soldier. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-11-12-13-warriors-14-soldier-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582135.html
RM2WF9FG7–History of Italy. 1300. From left to right, 11-12-13: warriors, 14: soldier. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
History of England. 1450-1500. From left to right: Knight of the Order of the Garter and warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-england-1450-1500-from-left-to-right-knight-of-the-order-of-the-garter-and-warriors-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582178.html
RM2WF9FHP–History of England. 1450-1500. From left to right: Knight of the Order of the Garter and warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
History of France, 1000. From left to right, 3-4: warriors, 5-6: ordinary people. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-france-1000-from-left-to-right-3-4-warriors-5-6-ordinary-people-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417028.html
RM2WTRA18–History of France, 1000. From left to right, 3-4: warriors, 5-6: ordinary people. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Byzantines, 1000-1200. From left to right: 8-9: warriors, 10: regal gown, 11: empress. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/byzantines-1000-1200-from-left-to-right-8-9-warriors-10-regal-gown-11-empress-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600493640.html
RM2WTXRNC–Byzantines, 1000-1200. From left to right: 8-9: warriors, 10: regal gown, 11: empress. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Normans, 1000-1100. From left to right, 3: pilgrim, 4-5-6-7-8: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normans-1000-1100-from-left-to-right-3-pilgrim-4-5-6-7-8-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417049.html
RM2WTRA21–Normans, 1000-1100. From left to right, 3: pilgrim, 4-5-6-7-8: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
History of Spain. 1300. From left to right, 8-9: warriors, 10: noble lady, 11-12: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-spain-1300-from-left-to-right-8-9-warriors-10-noble-lady-11-12-noblemen-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582149.html
RM2WF9FGN–History of Spain. 1300. From left to right, 8-9: warriors, 10: noble lady, 11-12: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Warriors. Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374643.html
RMEFE7JB–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Warriors. Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom.
Ancient history. Balearic slingers. Mercenary warriors armed with slingshots in the service of the Roman and Carthaginian armies. Majorcan slinger. Engraving. Historia General de España by Father Mariana. Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-history-balearic-slingers-mercenary-warriors-armed-with-slingshots-in-the-service-of-the-roman-and-carthaginian-armies-majorcan-slinger-engraving-historia-general-de-espaa-by-father-mariana-madrid-1852-image425161996.html
RM2FKKPD0–Ancient history. Balearic slingers. Mercenary warriors armed with slingshots in the service of the Roman and Carthaginian armies. Majorcan slinger. Engraving. Historia General de España by Father Mariana. Madrid, 1852.
Ashlar. Osuna Group B. Relief depicting parts of warriors. Early 1st century BC. Limestone. Iberian town of Osuna (Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ashlar-osuna-group-b-relief-depicting-parts-of-warriors-early-1st-century-bc-limestone-iberian-town-of-osuna-seville-province-andalusia-spain-national-archaeological-museum-madrid-spain-image242513249.html
RMT2FC3D–Ashlar. Osuna Group B. Relief depicting parts of warriors. Early 1st century BC. Limestone. Iberian town of Osuna (Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
History of Spain. 1300. From left to right, 4-5: noblemen, 6-7: noble ladies, 8-9: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-spain-1300-from-left-to-right-4-5-noblemen-6-7-noble-ladies-8-9-warriors-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582153.html
RM2WF9FGW–History of Spain. 1300. From left to right, 4-5: noblemen, 6-7: noble ladies, 8-9: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Normans, 1000-1100. From left to right, 1: shepherd, 2: nobleman, 3: pilgrim, 4-5-6: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normans-1000-1100-from-left-to-right-1-shepherd-2-nobleman-3-pilgrim-4-5-6-warriors-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600416992.html
RM2WTRA00–Normans, 1000-1100. From left to right, 1: shepherd, 2: nobleman, 3: pilgrim, 4-5-6: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Warriors (hoplits, archers) Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nereid-monument-sculptured-tomb-from-xanthos-classical-period-lycia-78374647.html
RMEFE7JF–Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Warriors (hoplits, archers) Greater podium frieze. 390-380 BC. British Museum. London. England. United Kingdom.
Normans, 1000-1100. From left to right: 5-6-7-8: warriors, 9: nobleman, 10: noble lady. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/normans-1000-1100-from-left-to-right-5-6-7-8-warriors-9-nobleman-10-noble-lady-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417047.html
RM2WTRA1Y–Normans, 1000-1100. From left to right: 5-6-7-8: warriors, 9: nobleman, 10: noble lady. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Ancient history. Balearic slingers. Mercenary warriors armed with slingshots in the service of the Roman and Carthaginian armies. Majorcan slinger. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-history-balearic-slingers-mercenary-warriors-armed-with-slingshots-in-the-service-of-the-roman-and-carthaginian-armies-majorcan-slinger-engraving-later-colouration-historia-general-de-espaa-by-father-mariana-madrid-1852-image468029685.html
RM2J5CGHW–Ancient history. Balearic slingers. Mercenary warriors armed with slingshots in the service of the Roman and Carthaginian armies. Majorcan slinger. Engraving. Later colouration. Historia General de España by Father Mariana. Madrid, 1852.
History of France, 1000. From left to right, 1-2: bishops, 3-4: warriors, 5-6-7: ordinary people, 8-9: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-france-1000-from-left-to-right-1-2-bishops-3-4-warriors-5-6-7-ordinary-people-8-9-noblemen-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417008.html
RM2WTRA0G–History of France, 1000. From left to right, 1-2: bishops, 3-4: warriors, 5-6-7: ordinary people, 8-9: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Assyrian warriors attacking an enemy city. Detail from a large scene. Relief from the palace of Tiglath-Pileser III at Kalhu (Nimrud). Limestone, 8th century BC. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assyrian-warriors-attacking-an-enemy-city-detail-from-a-large-scene-102147279.html
RMFX55W3–Assyrian warriors attacking an enemy city. Detail from a large scene. Relief from the palace of Tiglath-Pileser III at Kalhu (Nimrud). Limestone, 8th century BC. The state Hermitage Museum. Saint Petersburg. Russia.
Assyrian warriors attacking an enemy city. Detail from a large scene. Relief from the palace of Tiglath-Pileser III at Kalhu (Nimrud). Limestone, 8th century BC. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assyrian-warriors-attacking-an-enemy-city-detail-from-a-large-scene-102147278.html
RMFX55W2–Assyrian warriors attacking an enemy city. Detail from a large scene. Relief from the palace of Tiglath-Pileser III at Kalhu (Nimrud). Limestone, 8th century BC. The state Hermitage Museum. Saint Petersburg. Russia.
History of Spain. 1300. From left to right, 1-2: hunters, 3-4-5: noblemen, 6-7: noble ladies, 8-9: warriors, 10: noble lady. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-spain-1300-from-left-to-right-1-2-hunters-3-4-5-noblemen-6-7-noble-ladies-8-9-warriors-10-noble-lady-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582148.html
RM2WF9FGM–History of Spain. 1300. From left to right, 1-2: hunters, 3-4-5: noblemen, 6-7: noble ladies, 8-9: warriors, 10: noble lady. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Holy Roman Empire, 1000-1100. From left to right, 1-2: warriors, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-roman-empire-1000-1100-from-left-to-right-1-2-warriors-3-4-5-6-7-prince-princess-and-nobles-of-the-12th-century-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417003.html
RM2WTRA0B–Holy Roman Empire, 1000-1100. From left to right, 1-2: warriors, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Greek Art. Geometric Period. Great Ceramic Krater. Decorated with themes depicting the prothesis or exposition of the deceased, placed on a cart next to the parade of the warriors in chariots. 750-735 BC. Detail. From Dipylon Cemetery. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-art-geometric-period-great-ceramic-krater-decorated-with-themes-image156189969.html
RMK231W5–Greek Art. Geometric Period. Great Ceramic Krater. Decorated with themes depicting the prothesis or exposition of the deceased, placed on a cart next to the parade of the warriors in chariots. 750-735 BC. Detail. From Dipylon Cemetery. National Archaeological Museum. Athens. Greece.
History of Spain. 1300. From left to right, 1-2: hunters, 3-4-5: noblemen, 6-7: noble ladies, 8-9: warriors, 10: noble lady, 11-12: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-spain-1300-from-left-to-right-1-2-hunters-3-4-5-noblemen-6-7-noble-ladies-8-9-warriors-10-noble-lady-11-12-noblemen-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582142.html
RM2WF9FGE–History of Spain. 1300. From left to right, 1-2: hunters, 3-4-5: noblemen, 6-7: noble ladies, 8-9: warriors, 10: noble lady, 11-12: noblemen. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Byzantines, 1000-1200. From left to right: 8-9: warriors, 10: regal gown, 11: empress, 12: women's regal gown, with stole, tunic and mantle, 13-14: men's dress. Phrygian cap. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/byzantines-1000-1200-from-left-to-right-8-9-warriors-10-regal-gown-11-empress-12-womens-regal-gown-with-stole-tunic-and-mantle-13-14-mens-dress-phrygian-cap-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600493645.html
RM2WTXRNH–Byzantines, 1000-1200. From left to right: 8-9: warriors, 10: regal gown, 11: empress, 12: women's regal gown, with stole, tunic and mantle, 13-14: men's dress. Phrygian cap. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Reliefs of Osuna. 3rd-2nd centuries BC. Ashlar of Group A. Reliefs depicting a ritualized battle between two young men, accompanied by processions to the sound of the music. Corner ashlar depicting a warriors with shields. Iberian culture. Osuna (Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reliefs-of-osuna-3rd-2nd-centuries-bc-ashlar-of-group-a-reliefs-depicting-a-ritualized-battle-between-two-young-men-accompanied-by-processions-to-the-sound-of-the-music-corner-ashlar-depicting-a-warriors-with-shields-iberian-culture-osuna-seville-province-andalusia-spain-national-archaeological-museum-madrid-spain-image242414631.html
RMT2AX9B–Reliefs of Osuna. 3rd-2nd centuries BC. Ashlar of Group A. Reliefs depicting a ritualized battle between two young men, accompanied by processions to the sound of the music. Corner ashlar depicting a warriors with shields. Iberian culture. Osuna (Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
American Indian warriors. 16th century. Ceremony before going to war. Engraving, 1841. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-american-indian-warriors-16th-century-ceremony-before-going-to-war-137483389.html
RMHYJWD1–American Indian warriors. 16th century. Ceremony before going to war. Engraving, 1841.
Aegina West Pediment. Sanctuary of Aphaia, Reconstruction by Bertel Thorvaldsen (1770-1884). Athena and warriors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aegina-west-pediment-sanctuary-of-aphaia-reconstruction-by-bertel-56484311.html
RMD7W28R–Aegina West Pediment. Sanctuary of Aphaia, Reconstruction by Bertel Thorvaldsen (1770-1884). Athena and warriors.
American Indian warriors. 16th century. Trophies and ceremonies after a victory. Ritual. Engraving, 1841. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-american-indian-warriors-16th-century-trophies-and-ceremonies-after-138018167.html
RMJ0F7G7–American Indian warriors. 16th century. Trophies and ceremonies after a victory. Ritual. Engraving, 1841.
Customs of the american Indians. 16th century. Mourning and supplication of the of Indian warriors' widows, calling for revenge for the death of their husbands. Engraving, 1841. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-customs-of-the-american-indians-16th-century-mourning-and-supplication-105156532.html
RMG3286C–Customs of the american Indians. 16th century. Mourning and supplication of the of Indian warriors' widows, calling for revenge for the death of their husbands. Engraving, 1841.
Spanish warriors. Middle Ages. 15th century. Armed retinue's crossbowmen of city and mountains of Leon and armed retinue's lancers of city and the Basque Country. Litography by Villegas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spanish-warriors-middle-ages-15th-century-armed-retinues-crossbowmen-106468028.html
RMG5611G–Spanish warriors. Middle Ages. 15th century. Armed retinue's crossbowmen of city and mountains of Leon and armed retinue's lancers of city and the Basque Country. Litography by Villegas.
Krater depicting a battle between Samnite warriors. Made in Campania. From Montesarchio. Libation Painter. 350-325 BC. National Archeological Museum Sannio Caudino. Montesarchio. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-krater-depicting-a-battle-between-samnite-warriors-made-in-campania-133454048.html
RMHN3A00–Krater depicting a battle between Samnite warriors. Made in Campania. From Montesarchio. Libation Painter. 350-325 BC. National Archeological Museum Sannio Caudino. Montesarchio. Italy.
Two warriors fighting. Loutrophoros (for lustral water). Varrese Painter (350-340 BC). Detail. Made in Puglia, from Ruvo di Puglia. National Archaeological Museum. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-two-warriors-fighting-loutrophoros-for-lustral-water-varrese-painter-133081198.html
RMHMEABX–Two warriors fighting. Loutrophoros (for lustral water). Varrese Painter (350-340 BC). Detail. Made in Puglia, from Ruvo di Puglia. National Archaeological Museum. Naples. Italy.
Krater depicting a battle between Samnite warriors. Detail. Made in Campania. From Montesarchio. Libation Painter. 350-325 BC. National Archeological Museum Sannio Caudino. Montesarchio. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-krater-depicting-a-battle-between-samnite-warriors-detail-made-in-133454047.html
RMHN39YY–Krater depicting a battle between Samnite warriors. Detail. Made in Campania. From Montesarchio. Libation Painter. 350-325 BC. National Archeological Museum Sannio Caudino. Montesarchio. Italy.
History of France. 1200. From left to right, 13: noblewoman, 14: nobleman, 15: noblewoman, 16: nobleman, 17: princess, 18-19: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-france-1200-from-left-to-right-13-noblewoman-14-nobleman-15-noblewoman-16-nobleman-17-princess-18-19-warriors-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594745406.html
RM2WFGYRA–History of France. 1200. From left to right, 13: noblewoman, 14: nobleman, 15: noblewoman, 16: nobleman, 17: princess, 18-19: warriors. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Statue of Indíbil and Mandonio. Sculptural group in bronze. The warriors represent the two ilergite leaders that defended Lerida of the attacks of the Carthaginians and the Romans. They avoided that the city was devastated, 3rd century B.C. Lleida. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-indbil-and-mandonio-sculptural-group-in-bronze-the-warriors-141167901.html
RMJ5JN2N–Statue of Indíbil and Mandonio. Sculptural group in bronze. The warriors represent the two ilergite leaders that defended Lerida of the attacks of the Carthaginians and the Romans. They avoided that the city was devastated, 3rd century B.C. Lleida. Catalonia. Spain.
History of England. 1450-1500. From left to right, 1: Knight of the Order of the Garter, 2-3: warriors, 4-5: servants, 6: citizen, 7: bourgeois dress, 8: minstrel. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-england-1450-1500-from-left-to-right-1-knight-of-the-order-of-the-garter-2-3-warriors-4-5-servants-6-citizen-7-bourgeois-dress-8-minstrel-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582182.html
RM2WF9FHX–History of England. 1450-1500. From left to right, 1: Knight of the Order of the Garter, 2-3: warriors, 4-5: servants, 6: citizen, 7: bourgeois dress, 8: minstrel. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
History of Spain. Battle of Covadonga. First Christian victory in the 'Reconquista' of the Iberian Peninsula (722). Don Pelayo, the prelates and the Christian warriors giving thanks to the Eternal on the battlefield of Covadonga. Engraving. Las Glorias Nacionales. Volume II, Madrid-Barcelona edition, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-spain-battle-of-covadonga-first-christian-victory-in-the-reconquista-of-the-iberian-peninsula-722-don-pelayo-the-prelates-and-the-christian-warriors-giving-thanks-to-the-eternal-on-the-battlefield-of-covadonga-engraving-las-glorias-nacionales-volume-ii-madrid-barcelona-edition-1853-image440854172.html
RM2GH6HYT–History of Spain. Battle of Covadonga. First Christian victory in the 'Reconquista' of the Iberian Peninsula (722). Don Pelayo, the prelates and the Christian warriors giving thanks to the Eternal on the battlefield of Covadonga. Engraving. Las Glorias Nacionales. Volume II, Madrid-Barcelona edition, 1853.
Spanish Eclecticism. Mariano Fortuny (1838-1874). Catalan painter. The Almogavars I, 1855. Training of almogavars warriors with their crossbows at the gate of the castle. A spear from which a fox hangs serves as a bullseye. Next to, a gentleman with a servant, possibly Roger de Flor. Oil on canvas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spanish-eclecticism-mariano-fortuny-1838-1874-catalan-painter-the-172811523.html
RMM146T3–Spanish Eclecticism. Mariano Fortuny (1838-1874). Catalan painter. The Almogavars I, 1855. Training of almogavars warriors with their crossbows at the gate of the castle. A spear from which a fox hangs serves as a bullseye. Next to, a gentleman with a servant, possibly Roger de Flor. Oil on canvas.
The Sergeant. A soldier fighting against Death. At his feet lie the bodies of other warriors. In the background is shown a battlefield and a skeleton playing a drum. Facsimile of an engraving belonging to the series 'The Dance of Death' in 'Les Simulacres de la Mort et Histoires facées de la Mort', Latin edition, 1547. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance', Paris, 1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sergeant-a-soldier-fighting-against-death-at-his-feet-lie-the-bodies-of-other-warriors-in-the-background-is-shown-a-battlefield-and-a-skeleton-playing-a-drum-facsimile-of-an-engraving-belonging-to-the-series-the-dance-of-death-in-les-simulacres-de-la-mort-et-histoires-faces-de-la-mort-latin-edition-1547-vie-militaire-et-religieuse-au-moyen-age-et-lepoque-de-la-renaissance-paris-1877-image561233453.html
RM2RH2AYW–The Sergeant. A soldier fighting against Death. At his feet lie the bodies of other warriors. In the background is shown a battlefield and a skeleton playing a drum. Facsimile of an engraving belonging to the series 'The Dance of Death' in 'Les Simulacres de la Mort et Histoires facées de la Mort', Latin edition, 1547. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance', Paris, 1877.
Eastern Roman Empire. Byzantines (400-600). From left to right: 18- general's clothing, 19, 20 and 21- warrior. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eastern-roman-empire-byzantines-400-600-from-left-to-right-18-generals-clothing-19-20-and-21-warrior-chromolithography-historia-universal-by-csar-cant-volume-iii-1882-image551214629.html
RM2R0NYTN–Eastern Roman Empire. Byzantines (400-600). From left to right: 18- general's clothing, 19, 20 and 21- warrior. Chromolithography. 'Historia Universal', by César Cantú. Volume III, 1882.
Hand cannon. Engraving from a tapestry in the Church of Notre-Dame de Nantilly in Saumur (France). 15th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-cannon-engraving-from-a-tapestry-in-the-church-of-notre-dame-de-nantilly-in-saumur-france-15th-century-les-arts-au-moyen-age-et-a-lepoque-de-la-renaissance-by-paul-lacroix-paris-1877-image555586577.html
RM2R7W49N–Hand cannon. Engraving from a tapestry in the Church of Notre-Dame de Nantilly in Saumur (France). 15th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
Bronze caetra shield. Iron Age. Ancient Celtiberian culture. 5th-early 6th centuries BC. Necropolis of El Cuarto. Grave 3. Griegos (province of Teruel, Aragon, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-caetra-shield-iron-age-ancient-celtiberian-culture-5th-early-6th-centuries-bc-necropolis-of-el-cuarto-grave-3-griegos-province-of-teruel-aragon-spain-national-archaeological-museum-madrid-spain-image225865858.html
RMR3D25P–Bronze caetra shield. Iron Age. Ancient Celtiberian culture. 5th-early 6th centuries BC. Necropolis of El Cuarto. Grave 3. Griegos (province of Teruel, Aragon, Spain). National Archaeological Museum. Madrid. Spain.
Tangelgarda stone. Larbro, Gotland, Sweden. Decorated with scenes holding ring (possibly Odin) horsed, with Valknut symbols drawn beneath. 7th century. Swedish History Museum. Stockholm, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tangelgarda-stone-larbro-gotland-sweden-decorated-with-scenes-holding-163797753.html
RMKEDHKN–Tangelgarda stone. Larbro, Gotland, Sweden. Decorated with scenes holding ring (possibly Odin) horsed, with Valknut symbols drawn beneath. 7th century. Swedish History Museum. Stockholm, Sweden.
Ahab. king of Israel, defeating the Syrians. Engraving by Gustave Dore (1832-1883), 1866. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ahab-king-of-israel-defeating-the-syrians-engraving-by-gustave-dore-87711794.html
RMF2KH82–Ahab. king of Israel, defeating the Syrians. Engraving by Gustave Dore (1832-1883), 1866.
Greek Art. Base of funerary Kouros. Four-horse chariot and hoplites. 510-500 BC. Relief. Found in the Kerameikos, built into the Themistokleian wall. National Archaeological Museum of Athens, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-greek-art-base-of-funerary-kouros-four-horse-chariot-and-hoplites-165927500.html
RMKHXJ64–Greek Art. Base of funerary Kouros. Four-horse chariot and hoplites. 510-500 BC. Relief. Found in the Kerameikos, built into the Themistokleian wall. National Archaeological Museum of Athens,
Greek Art. Base of funerary Kouros. Four-horse chariot and hoplites. 510-500 BC. Relief. Found in the Kerameikos, built into the Themistokleian wall. National Archaeological Museum of Athens, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-greek-art-base-of-funerary-kouros-four-horse-chariot-and-hoplites-165927498.html
RMKHXJ62–Greek Art. Base of funerary Kouros. Four-horse chariot and hoplites. 510-500 BC. Relief. Found in the Kerameikos, built into the Themistokleian wall. National Archaeological Museum of Athens,
Etruscans. From left to right: 10- chiton, 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-from-left-to-right-10-chiton-1112-and-13-etruscan-armour-14-leather-garments-with-bronze-shield-15-etruscan-armour-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035522.html
RM2R0DRC2–Etruscans. From left to right: 10- chiton, 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-e-176051042.html
RMM6BPW6–e
Tangelgarda stone. Larbro, Gotland, Sweden. Decorated with scenes holding ring (possibly Odin) horsed, with Valknut symbols drawn beneath. 7th century. Swedish History Museum. Stockholm, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tangelgarda-stone-larbro-gotland-sweden-decorated-with-scenes-holding-163797752.html
RMKEDHKM–Tangelgarda stone. Larbro, Gotland, Sweden. Decorated with scenes holding ring (possibly Odin) horsed, with Valknut symbols drawn beneath. 7th century. Swedish History Museum. Stockholm, Sweden.
The Dynna Stone. Gran, Oppland, c. 1040-50. Picture stone with runic inscription. Scenes of Nativity and the Ringerike style. Christian period. Historical Museum. Oslo. Norway. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dynna-stone-gran-oppland-c-1040-50-picture-stone-with-runic-inscription-139154109.html
RMJ2B0DH–The Dynna Stone. Gran, Oppland, c. 1040-50. Picture stone with runic inscription. Scenes of Nativity and the Ringerike style. Christian period. Historical Museum. Oslo. Norway.
Tangelgarda stone. Larbro, Gotland, Sweden. Lower detail: Ship. 7th century. Swedish History Museum. Stockholm, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tangelgarda-stone-larbro-gotland-sweden-lower-detail-ship-7th-century-164015333.html
RMKERF6D–Tangelgarda stone. Larbro, Gotland, Sweden. Lower detail: Ship. 7th century. Swedish History Museum. Stockholm, Sweden.
Rafael Tegeo (1798-1856). Spanish painter. Combat of lapiths and centaurs. Oil on canvas, 1835. Private collection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rafael-tegeo-1798-1856-spanish-painter-combat-of-lapiths-and-centaurs-oil-on-canvas-1835-private-collection-image337685400.html
RM2AHAW4T–Rafael Tegeo (1798-1856). Spanish painter. Combat of lapiths and centaurs. Oil on canvas, 1835. Private collection.
Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Battle between the Amazons and the Greeks. Relief. The lid bears the unfinished images of the deceased and his wife. Rockefeller Archaeological Museum. Jerusalem. Israel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amazon-sarcophagus-marble-tel-mevorah-roman-period-early-3rd-century-89316721.html
RMF58MAW–Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Battle between the Amazons and the Greeks. Relief. The lid bears the unfinished images of the deceased and his wife. Rockefeller Archaeological Museum. Jerusalem. Israel.
Viriathus (d. 139 BC). Leader of the Lusitanian people who fought against Roman expansion in Hispania in the mid-2nd century BC. Death of Viriathus. Engraving by Vallejo. Historia General de España by Father Mariana. Madrid, 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/viriathus-d-139-bc-leader-of-the-lusitanian-people-who-fought-against-roman-expansion-in-hispania-in-the-mid-2nd-century-bc-death-of-viriathus-engraving-by-vallejo-historia-general-de-espaa-by-father-mariana-madrid-1852-image425078611.html
RM2FKG02Y–Viriathus (d. 139 BC). Leader of the Lusitanian people who fought against Roman expansion in Hispania in the mid-2nd century BC. Death of Viriathus. Engraving by Vallejo. Historia General de España by Father Mariana. Madrid, 1852.
Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amazon-sarcophagus-marble-tel-mevorah-roman-period-early-3rd-century-89316719.html
RMF58MAR–Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel.
Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amazon-sarcophagus-marble-tel-mevorah-roman-period-early-3rd-century-89316724.html
RMF58MB0–Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel.
Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amazon-sarcophagus-marble-tel-mevorah-roman-period-early-3rd-century-89316725.html
RMF58MB1–Amazon sarcophagus. Marble. Tel Mevorah. Roman Period. Early 3rd century AD. Detail. Battle between the Amazons and the Greeks. Relief. Rockefeller Archaeological Museum. Jerusalem. Israel.
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation