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Thrown to the wild beasts Stock Photos and Images
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Thrown to the wild beasts Stock Photos and Images
Christian Martyrs in the Colosseum, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-martyrs-in-the-colosseum-rome-image223820764.htmlRMR03WJM–Christian Martyrs in the Colosseum, Rome
Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tharacus-probus-and-andronicus-throw-to-wild-beasts-and-then-because-of-blows-anno-290-parallel-title-tharacus-probus-and-andronicus-thrown-for-wild-beasts-but-undamaged-and-stuck-a-nn-o-290-copperplate-31st-p-71-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-image328763425.htmlRM2A2TD2W–Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711
Damnatio ad bestias (Latin for 'condemnation to beasts') was a form of capital punishment in which the condemned were maimed on the circus arena or thrown to a cage with wild animals; often lions. It was brought to ancient Rome around the 2nd century BC.. From the 1st to 3rd centuries AD; this penalty was mainly applied to the worst criminals; slaves; and early Christians Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-damnatio-ad-bestias-latin-for-condemnation-to-beasts-was-a-form-of-76396412.htmlRMEC84B8–Damnatio ad bestias (Latin for 'condemnation to beasts') was a form of capital punishment in which the condemned were maimed on the circus arena or thrown to a cage with wild animals; often lions. It was brought to ancient Rome around the 2nd century BC.. From the 1st to 3rd centuries AD; this penalty was mainly applied to the worst criminals; slaves; and early Christians
Roman circus, criminals condemned to death are thrown into the arena to fight wild beasts, engrav… Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-circus-criminals-condemned-to-death-are-thrown-into-the-arena-to-fight-wild-beasts-engrav-image212470106.htmlRMP9JRP2–Roman circus, criminals condemned to death are thrown into the arena to fight wild beasts, engrav…
National Museum of Roman Art, Merida, Spain (2009 photograph) a slave (or gladiator) fighting a lion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/national-museum-of-roman-art-merida-spain-2009-photograph-a-slave-or-gladiator-fighting-a-lion-image272133528.htmlRMWPMN2G–National Museum of Roman Art, Merida, Spain (2009 photograph) a slave (or gladiator) fighting a lion.
The world: historical and actual . sure of a Romanmultitude, gathered at the amphitheatre to witness PRIMITIVE CHRISTIANITY. 17 / : a contest between wild beasts and men. The train-ed and professional gladiators were often killed inthe fierce combat, and the untrained Christianswere almost always slain. Sometimes women andeven children were thrown to the wild beasts for thedelectation of a bloodthirsty populace. Bitt thepersecutions in later times, except in Germany, Hol-land and Great Britain, were so severe as to preventthe spread of opinions and sentiments opposed tothe ruling church. Prote Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-world-historical-and-actual-sure-of-a-romanmultitude-gathered-at-the-amphitheatre-to-witness-primitive-christianity-17-a-contest-between-wild-beasts-and-men-the-train-ed-and-professional-gladiators-were-often-killed-inthe-fierce-combat-and-the-untrained-christianswere-almost-always-slain-sometimes-women-andeven-children-were-thrown-to-the-wild-beasts-for-thedelectation-of-a-bloodthirsty-populace-bitt-thepersecutions-in-later-times-except-in-germany-hol-land-and-great-britain-were-so-severe-as-to-preventthe-spread-of-opinions-and-sentiments-opposed-tothe-ruling-church-prote-image338331590.htmlRM2AJC9B2–The world: historical and actual . sure of a Romanmultitude, gathered at the amphitheatre to witness PRIMITIVE CHRISTIANITY. 17 / : a contest between wild beasts and men. The train-ed and professional gladiators were often killed inthe fierce combat, and the untrained Christianswere almost always slain. Sometimes women andeven children were thrown to the wild beasts for thedelectation of a bloodthirsty populace. Bitt thepersecutions in later times, except in Germany, Hol-land and Great Britain, were so severe as to preventthe spread of opinions and sentiments opposed tothe ruling church. Prote
Plate 52 Swift Fox (Vulpes Velox) from The Viviparous Quadrupeds of North America, John James Audubon, Very high resolution and quality edited image Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-52-swift-fox-vulpes-velox-from-the-viviparous-quadrupeds-of-north-america-john-james-audubon-very-high-resolution-and-quality-edited-image-image350945702.htmlRF2BAXXR2–Plate 52 Swift Fox (Vulpes Velox) from The Viviparous Quadrupeds of North America, John James Audubon, Very high resolution and quality edited image
Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, ca. 1500-1505. He was thrown to the wild animals in the local arena at Palestrina. The beasts refused to harm him, and he was beheaded. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-agapitus-of-praeneste-in-the-arena-interior-the-beheading-of-saint-agapitus-of-praeneste-ca-1500-1505-he-was-thrown-to-the-wild-animals-in-the-local-arena-at-palestrina-the-beasts-refused-to-harm-him-and-he-was-beheaded-image343007383.htmlRM2AX19BK–Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, ca. 1500-1505. He was thrown to the wild animals in the local arena at Palestrina. The beasts refused to harm him, and he was beheaded.
Martyrdom of St. Ignatius. Theodore Psalter / Studion Psalter. Constantinople (Studios Monastery), 1066. (Whole folio) Psalm 93, verse 21. The martyrdom of St. Ignatius of Antioch who was thrown to wild beasts in the amphitheatre in Rome. Image taken from Theodore Psalter / Studion Psalter. Originally published/produced in Constantinople (Studios Monastery), 1066. . Source: Add. 19352, f.127. Language: Greek. Written in Greek minuscule script. Author: Theodore of Caesarea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martyrdom-of-st-ignatius-theodore-psalter-studion-psalter-constantinople-studios-monastery-1066-whole-folio-psalm-93-verse-21-the-martyrdom-of-st-ignatius-of-antioch-who-was-thrown-to-wild-beasts-in-the-amphitheatre-in-rome-image-taken-from-theodore-psalter-studion-psalter-originally-publishedproduced-in-constantinople-studios-monastery-1066-source-add-19352-f127-language-greek-written-in-greek-minuscule-script-author-theodore-of-caesarea-image227130795.htmlRMR5EKJ3–Martyrdom of St. Ignatius. Theodore Psalter / Studion Psalter. Constantinople (Studios Monastery), 1066. (Whole folio) Psalm 93, verse 21. The martyrdom of St. Ignatius of Antioch who was thrown to wild beasts in the amphitheatre in Rome. Image taken from Theodore Psalter / Studion Psalter. Originally published/produced in Constantinople (Studios Monastery), 1066. . Source: Add. 19352, f.127. Language: Greek. Written in Greek minuscule script. Author: Theodore of Caesarea.
Saint Paul, Antonio Tempesta, 1565 - 1630 print Saint Paul with sword and book. In the background on the left the beheading of Paul. In the background on the right Saint Paul with two lions. print maker: Italyafter own design by: Italypublisher: Rome paper etching the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Paul, thrown before a lion and other wild beasts, remains untouched. the beheading of Paul; maybe three fountains spring from his head Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-paul-antonio-tempesta-1565-1630-print-saint-paul-with-sword-and-book-in-the-background-on-the-left-the-beheading-of-paul-in-the-background-on-the-right-saint-paul-with-two-lions-print-maker-italyafter-own-design-by-italypublisher-rome-paper-etching-the-apostle-paul-of-tarsus-possible-attributes-book-scroll-sword-paul-thrown-before-a-lion-and-other-wild-beasts-remains-untouched-the-beheading-of-paul-maybe-three-fountains-spring-from-his-head-image594906337.htmlRM2WFT92W–Saint Paul, Antonio Tempesta, 1565 - 1630 print Saint Paul with sword and book. In the background on the left the beheading of Paul. In the background on the right Saint Paul with two lions. print maker: Italyafter own design by: Italypublisher: Rome paper etching the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Paul, thrown before a lion and other wild beasts, remains untouched. the beheading of Paul; maybe three fountains spring from his head
![Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a Stock Photo](https://c8.alamy.com/comp/2B94289/tharacus-probus-and-andronicus-throw-to-wild-beasts-and-then-because-of-blows-anno-290-parallel-title-tharacus-probus-and-andronicus-thrown-for-wild-beasts-but-undamaged-and-stuck-a-nn-o-290-copperplate-31st-p-71-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-2B94289.jpg "Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a Stock Photo")
Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tharacus-probus-and-andronicus-throw-to-wild-beasts-and-then-because-of-blows-anno-290-parallel-title-tharacus-probus-and-andronicus-thrown-for-wild-beasts-but-undamaged-and-stuck-a-nn-o-290-copperplate-31st-p-71-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-image349828873.htmlRF2B94289–Tharacus Probus and Andronicus Throw to wild beasts, and then because of blows, Anno 290, Parallel Title: Tharacus, Probus, and Andronicus, thrown for wild beasts, but undamaged and stuck, A nn o 290, copperplate, 31st., P. 71, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a
Young male lion in poor condition after thrown by Buffalo and quilled by porcupine Masai Mara National Reserve Kenya East Africa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-male-lion-in-poor-condition-after-thrown-by-buffalo-and-quilled-25154739.htmlRMBCWW3F–Young male lion in poor condition after thrown by Buffalo and quilled by porcupine Masai Mara National Reserve Kenya East Africa
This brown rat was feeding on the scraps of bread that the locals had thrown for the ducks. Wilderness Porthcawl UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-brown-rat-was-feeding-on-the-scraps-of-bread-that-the-locals-had-thrown-for-the-ducks-wilderness-porthcawl-uk-image246422053.htmlRFT8WDRH–This brown rat was feeding on the scraps of bread that the locals had thrown for the ducks. Wilderness Porthcawl UK
Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blandine-half-roasted-on-a-grill-and-then-tied-to-wild-beasts-anno-172-parallel-title-blandina-half-ridden-by-a-roster-and-then-thrown-out-for-the-wild-beasts-a-nn-o-172-copperplate-engraving-25-p-59-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-image328763418.htmlRM2A2TD2J–Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711
History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . emperor and sent from there to Rome to be thrown to the wild beasts ; this isscarcely probable. We have already remarked the evident intention of tlie compilers of theseActs to furnish a sequel to the last voyage of S. Paul. Cf. Dierauer, p. 169, No. 3. ?* KrtXoj Kdi woniov ÔVTOÇ (cai ^là rovra rtfi Tpaiavip iiiKiinj^iévov {Dion, Ixviii. 21 ). NEKVA AND TRAJAN, 96 TO 117 A.D. 829 assault which gave to the Komans the left bank. Although thissuccess was not equivalent to the victory of Arbela, it opened Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-emperor-and-sent-from-there-to-rome-to-be-thrown-to-the-wild-beasts-this-isscarcely-probable-we-have-already-remarked-the-evident-intention-of-tlie-compilers-of-theseacts-to-furnish-a-sequel-to-the-last-voyage-of-s-paul-cf-dierauer-p-169-no-3-krtxoj-kdi-woniov-vto-cai-l-rovra-rtfi-tpaiavip-iiikiinjivov-dion-ixviii-21-nekva-and-trajan-96-to-117-ad-829-assault-which-gave-to-the-komans-the-left-bank-although-thissuccess-was-not-equivalent-to-the-victory-of-arbela-it-opened-image338193723.htmlRM2AJ61F7–History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . emperor and sent from there to Rome to be thrown to the wild beasts ; this isscarcely probable. We have already remarked the evident intention of tlie compilers of theseActs to furnish a sequel to the last voyage of S. Paul. Cf. Dierauer, p. 169, No. 3. ?* KrtXoj Kdi woniov ÔVTOÇ (cai ^là rovra rtfi Tpaiavip iiiKiinj^iévov {Dion, Ixviii. 21 ). NEKVA AND TRAJAN, 96 TO 117 A.D. 829 assault which gave to the Komans the left bank. Although thissuccess was not equivalent to the victory of Arbela, it opened
![Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photo](https://c8.alamy.com/comp/2B94282/blandine-half-roasted-on-a-grill-and-then-tied-to-wild-beasts-anno-172-parallel-title-blandina-half-ridden-by-a-roster-and-then-thrown-out-for-the-wild-beasts-a-nn-o-172-copperplate-engraving-25-p-59-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-2B94282.jpg "Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photo")
Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blandine-half-roasted-on-a-grill-and-then-tied-to-wild-beasts-anno-172-parallel-title-blandina-half-ridden-by-a-roster-and-then-thrown-out-for-the-wild-beasts-a-nn-o-172-copperplate-engraving-25-p-59-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-image349828866.htmlRF2B94282–Blandine, half roasted on a grill, and then tied to wild beasts, Anno 172, Parallel title: Blandina, half ridden by a roster and then thrown out for the wild beasts, A nn o 172, copperplate engraving, 25.), p. 59, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
. The first three Christian centuries : a history of the Church of Christ, with a special view to the delineation of Christian faith and life from A.D. 1 to A.D. 313 . self all that I suffer; but then there will beAnother who will suffer for me, because i also shall sufferfor Him. They were all five thrown to the wild beasts at afestival in honour of the nomination of the youngemperor Geta. They joyfully accepted the doom, butbravely resisted an indignity which they deemed un-worthy of their Christian profession. When about to bedecked out, according to an old Punic custom which haddescended f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-three-christian-centuries-a-history-of-the-church-of-christ-with-a-special-view-to-the-delineation-of-christian-faith-and-life-from-ad-1-to-ad-313-self-all-that-i-suffer-but-then-there-will-beanother-who-will-suffer-for-me-because-i-also-shall-sufferfor-him-they-were-all-five-thrown-to-the-wild-beasts-at-afestival-in-honour-of-the-nomination-of-the-youngemperor-geta-they-joyfully-accepted-the-doom-butbravely-resisted-an-indignity-which-they-deemed-un-worthy-of-their-christian-profession-when-about-to-bedecked-out-according-to-an-old-punic-custom-which-haddescended-f-image370035487.htmlRM2CE0G13–. The first three Christian centuries : a history of the Church of Christ, with a special view to the delineation of Christian faith and life from A.D. 1 to A.D. 313 . self all that I suffer; but then there will beAnother who will suffer for me, because i also shall sufferfor Him. They were all five thrown to the wild beasts at afestival in honour of the nomination of the youngemperor Geta. They joyfully accepted the doom, butbravely resisted an indignity which they deemed un-worthy of their Christian profession. When about to bedecked out, according to an old Punic custom which haddescended f
![. A history of Rome . 20 25 30 35 40 45 50 55 §150] PERSECUTION OF THE CHRISTIANS M-3. of the courts of the later emperors of the so-called Holy RomanEmpire; and in the form that it reappeared here was copied by allthe sovereigns of modern Europe. 150. Persecution of the Christians. Towards the end of his reignDiocletian inaugurated against the Christians a persecution whichcontinued long after his abdication, and which was the severest, as itwas the last, waged against the Church by the pagan emperors.The Christians were cast into dungeons, thrown to the wild beasts inthe amphitheater, and pu Stock Photo](https://c8.alamy.com/comp/2CGR2JA/a-history-of-rome-20-25-30-35-40-45-50-55-150-persecution-of-the-christians-m-3-of-the-courts-of-the-later-emperors-of-the-so-called-holy-romanempire-and-in-the-form-that-it-reappeared-here-was-copied-by-allthe-sovereigns-of-modern-europe-150-persecution-of-the-christians-towards-the-end-of-his-reigndiocletian-inaugurated-against-the-christians-a-persecution-whichcontinued-long-after-his-abdication-and-which-was-the-severest-as-itwas-the-last-waged-against-the-church-by-the-pagan-emperorsthe-christians-were-cast-into-dungeons-thrown-to-the-wild-beasts-inthe-amphitheater-and-pu-2CGR2JA.jpg ". A history of Rome . 20 25 30 35 40 45 50 55 §150] PERSECUTION OF THE CHRISTIANS M-3. of the courts of the later emperors of the so-called Holy RomanEmpire; and in the form that it reappeared here was copied by allthe sovereigns of modern Europe. 150. Persecution of the Christians. Towards the end of his reignDiocletian inaugurated against the Christians a persecution whichcontinued long after his abdication, and which was the severest, as itwas the last, waged against the Church by the pagan emperors.The Christians were cast into dungeons, thrown to the wild beasts inthe amphitheater, and pu Stock Photo")
. A history of Rome . 20 25 30 35 40 45 50 55 §150] PERSECUTION OF THE CHRISTIANS M-3. of the courts of the later emperors of the so-called Holy RomanEmpire; and in the form that it reappeared here was copied by allthe sovereigns of modern Europe. 150. Persecution of the Christians. Towards the end of his reignDiocletian inaugurated against the Christians a persecution whichcontinued long after his abdication, and which was the severest, as itwas the last, waged against the Church by the pagan emperors.The Christians were cast into dungeons, thrown to the wild beasts inthe amphitheater, and pu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-rome-20-25-30-35-40-45-50-55-150-persecution-of-the-christians-m-3-of-the-courts-of-the-later-emperors-of-the-so-called-holy-romanempire-and-in-the-form-that-it-reappeared-here-was-copied-by-allthe-sovereigns-of-modern-europe-150-persecution-of-the-christians-towards-the-end-of-his-reigndiocletian-inaugurated-against-the-christians-a-persecution-whichcontinued-long-after-his-abdication-and-which-was-the-severest-as-itwas-the-last-waged-against-the-church-by-the-pagan-emperorsthe-christians-were-cast-into-dungeons-thrown-to-the-wild-beasts-inthe-amphitheater-and-pu-image371759202.htmlRM2CGR2JA–. A history of Rome . 20 25 30 35 40 45 50 55 §150] PERSECUTION OF THE CHRISTIANS M-3. of the courts of the later emperors of the so-called Holy RomanEmpire; and in the form that it reappeared here was copied by allthe sovereigns of modern Europe. 150. Persecution of the Christians. Towards the end of his reignDiocletian inaugurated against the Christians a persecution whichcontinued long after his abdication, and which was the severest, as itwas the last, waged against the Church by the pagan emperors.The Christians were cast into dungeons, thrown to the wild beasts inthe amphitheater, and pu
The Argosy . greatshout, as if it would rend the very skies. It subsides, and in the ifsilence which ensues you fancy you hear the roaring of wild beastsimpatient for their prey. As St. Pauls words occur to you, I havefought with beasts at Ephesus, you never before seemed to realise Jtheir full force or the horrors of the situation. Then you imagine the doors of the arena thrown open. The ibeasts issue forth in turn; the combatants stand quivering with ||nervous courage, prepared for the unequal encounter, braced for ,victory or death. There must be a terrible element of cruelty inmankind. He Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-argosy-greatshout-as-if-it-would-rend-the-very-skies-it-subsides-and-in-the-ifsilence-which-ensues-you-fancy-you-hear-the-roaring-of-wild-beastsimpatient-for-their-prey-as-st-pauls-words-occur-to-you-i-havefought-with-beasts-at-ephesus-you-never-before-seemed-to-realise-jtheir-full-force-or-the-horrors-of-the-situation-then-you-imagine-the-doors-of-the-arena-thrown-open-the-ibeasts-issue-forth-in-turn-the-combatants-stand-quivering-with-nervous-courage-prepared-for-the-unequal-encounter-braced-for-victory-or-death-there-must-be-a-terrible-element-of-cruelty-inmankind-he-image343139663.htmlRM2AX7A3Y–The Argosy . greatshout, as if it would rend the very skies. It subsides, and in the ifsilence which ensues you fancy you hear the roaring of wild beastsimpatient for their prey. As St. Pauls words occur to you, I havefought with beasts at Ephesus, you never before seemed to realise Jtheir full force or the horrors of the situation. Then you imagine the doors of the arena thrown open. The ibeasts issue forth in turn; the combatants stand quivering with ||nervous courage, prepared for the unequal encounter, braced for ,victory or death. There must be a terrible element of cruelty inmankind. He
Christian heroes and martyrs . burning, scourging, stoning, hang-ing, and worrying by wild beasts. Many were forced to fall headlongfrom high places, and others were thrown upon the horns of wild bulls.After having perished under these cruelties, the poor privilege ofburying the dead bodies was refused their friends. The following are some of the martyrs who suffered death duringthis persecution. DlONYSIUS THE AREOPAGITE, AND OTHERS. Dionysius was an Athenian by birth, who was educated in all theuseful and ornamental literature of Greece. He travelled to Egyptto study astronomy, and made very Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-heroes-and-martyrs-burning-scourging-stoning-hang-ing-and-worrying-by-wild-beasts-many-were-forced-to-fall-headlongfrom-high-places-and-others-were-thrown-upon-the-horns-of-wild-bullsafter-having-perished-under-these-cruelties-the-poor-privilege-ofburying-the-dead-bodies-was-refused-their-friends-the-following-are-some-of-the-martyrs-who-suffered-death-duringthis-persecution-dlonysius-the-areopagite-and-others-dionysius-was-an-athenian-by-birth-who-was-educated-in-all-theuseful-and-ornamental-literature-of-greece-he-travelled-to-egyptto-study-astronomy-and-made-very-image339986435.htmlRM2AN3M4K–Christian heroes and martyrs . burning, scourging, stoning, hang-ing, and worrying by wild beasts. Many were forced to fall headlongfrom high places, and others were thrown upon the horns of wild bulls.After having perished under these cruelties, the poor privilege ofburying the dead bodies was refused their friends. The following are some of the martyrs who suffered death duringthis persecution. DlONYSIUS THE AREOPAGITE, AND OTHERS. Dionysius was an Athenian by birth, who was educated in all theuseful and ornamental literature of Greece. He travelled to Egyptto study astronomy, and made very
Wild beasts and their ways : reminiscences of Europe, Asia, Africa and America . e smaller ones below, andtwo, still more diminutive, outside of its upper incisors. It hasonly one horn, and its skin is remarkable for the deep folds intowhich it is thrown behind, and across the shoulders, and before,and across the thighs. The Javanese rhinoceros (Rh. Javanus, Cuv.), with the greatincisors and single horn of the preceding, has fewer folds in theskin, though one of them on the neck is larger; and what isremarkable, the entire skin is covered with square angulartubercles. The Sumatran rhinoceros ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wild-beasts-and-their-ways-reminiscences-of-europe-asia-africa-and-america-e-smaller-ones-below-andtwo-still-more-diminutive-outside-of-its-upper-incisors-it-hasonly-one-horn-and-its-skin-is-remarkable-for-the-deep-folds-intowhich-it-is-thrown-behind-and-across-the-shoulders-and-beforeand-across-the-thighs-the-javanese-rhinoceros-rh-javanus-cuv-with-the-greatincisors-and-single-horn-of-the-preceding-has-fewer-folds-in-theskin-though-one-of-them-on-the-neck-is-larger-and-what-isremarkable-the-entire-skin-is-covered-with-square-angulartubercles-the-sumatran-rhinoceros-image340160494.htmlRM2ANBJ52–Wild beasts and their ways : reminiscences of Europe, Asia, Africa and America . e smaller ones below, andtwo, still more diminutive, outside of its upper incisors. It hasonly one horn, and its skin is remarkable for the deep folds intowhich it is thrown behind, and across the shoulders, and before,and across the thighs. The Javanese rhinoceros (Rh. Javanus, Cuv.), with the greatincisors and single horn of the preceding, has fewer folds in theskin, though one of them on the neck is larger; and what isremarkable, the entire skin is covered with square angulartubercles. The Sumatran rhinoceros (
Foxe's Christian martyrs of the world; the story of the advance of Christianity from Bible times to latest periods of persecution .. . racking, burning, scourging, stoning, hang-ing, and worrying by wild beasts. Many were forced to fall headlongfrom high places, and others were thrown upon the horns of wild bulls.After having perished under these cruelties, the poor privilege ofburying the dead bodies was refused their friends. The following are some of the martyrs who suffered death duringthis persecution. DlONYSIUS THE AREOPAGITE, AND OTHERS. Dionysius was an Athenian by birth, who was educa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/foxes-christian-martyrs-of-the-world-the-story-of-the-advance-of-christianity-from-bible-times-to-latest-periods-of-persecution-racking-burning-scourging-stoning-hang-ing-and-worrying-by-wild-beasts-many-were-forced-to-fall-headlongfrom-high-places-and-others-were-thrown-upon-the-horns-of-wild-bullsafter-having-perished-under-these-cruelties-the-poor-privilege-ofburying-the-dead-bodies-was-refused-their-friends-the-following-are-some-of-the-martyrs-who-suffered-death-duringthis-persecution-dlonysius-the-areopagite-and-others-dionysius-was-an-athenian-by-birth-who-was-educa-image338097779.htmlRM2AJ1K4K–Foxe's Christian martyrs of the world; the story of the advance of Christianity from Bible times to latest periods of persecution .. . racking, burning, scourging, stoning, hang-ing, and worrying by wild beasts. Many were forced to fall headlongfrom high places, and others were thrown upon the horns of wild bulls.After having perished under these cruelties, the poor privilege ofburying the dead bodies was refused their friends. The following are some of the martyrs who suffered death duringthis persecution. DlONYSIUS THE AREOPAGITE, AND OTHERS. Dionysius was an Athenian by birth, who was educa
A trip through Italy, Sicily, Tunisia, Algeria and southern France . ry, white-washed houses. In the fields lonely huts were tobe seen, built of brush and mud, and in every casesurrounded by a wall of wooden stakes to keep outthe wild beasts at night. Their inhabitants alsoshowed good grace in allowing us room to pass,which was a welcome change and marked im-provement on the behavior of the Italians we hadjust left behind us. The small boys also are ad-mirably well behaved, for the whole day passedwithout a stone being thrown at us. The main line of the railroad, which runs fromTunis in a sout Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-trip-through-italy-sicily-tunisia-algeria-and-southern-france-ry-white-washed-houses-in-the-fields-lonely-huts-were-tobe-seen-built-of-brush-and-mud-and-in-every-casesurrounded-by-a-wall-of-wooden-stakes-to-keep-outthe-wild-beasts-at-night-their-inhabitants-alsoshowed-good-grace-in-allowing-us-room-to-passwhich-was-a-welcome-change-and-marked-im-provement-on-the-behavior-of-the-italians-we-hadjust-left-behind-us-the-small-boys-also-are-ad-mirably-well-behaved-for-the-whole-day-passedwithout-a-stone-being-thrown-at-us-the-main-line-of-the-railroad-which-runs-fromtunis-in-a-sout-image339337301.htmlRM2AM2459–A trip through Italy, Sicily, Tunisia, Algeria and southern France . ry, white-washed houses. In the fields lonely huts were tobe seen, built of brush and mud, and in every casesurrounded by a wall of wooden stakes to keep outthe wild beasts at night. Their inhabitants alsoshowed good grace in allowing us room to pass,which was a welcome change and marked im-provement on the behavior of the Italians we hadjust left behind us. The small boys also are ad-mirably well behaved, for the whole day passedwithout a stone being thrown at us. The main line of the railroad, which runs fromTunis in a sout
Select poems of Alfred lord Tennyson . y confused with fears. And ever worse with growing time, 270 And ever unrelieved by dismal tears,And all alone in crime. Shut up as in a crumbling tomb, girt round With blackness as a soHd wall,Far off she seemd to hear the dully soundOf human footsteps fall: As in strange lands a traveller walking slow, In doubt and great perplexity,A little before moon-rise hears the low Moan of an unknown sea; 280 THE PALACE OF ART. And knows not if it be thunder or a soundOf rocks thrown down, or one deep cryOf great wild beasts ; then thinketh, I have foundA new land Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/select-poems-of-alfred-lord-tennyson-y-confused-with-fears-and-ever-worse-with-growing-time-270-and-ever-unrelieved-by-dismal-tearsand-all-alone-in-crime-shut-up-as-in-a-crumbling-tomb-girt-round-with-blackness-as-a-sohd-wallfar-off-she-seemd-to-hear-the-dully-soundof-human-footsteps-fall-as-in-strange-lands-a-traveller-walking-slow-in-doubt-and-great-perplexitya-little-before-moon-rise-hears-the-low-moan-of-an-unknown-sea-280-the-palace-of-art-and-knows-not-if-it-be-thunder-or-a-soundof-rocks-thrown-down-or-one-deep-cryof-great-wild-beasts-then-thinketh-i-have-founda-new-land-image338375873.htmlRM2AJE9TH–Select poems of Alfred lord Tennyson . y confused with fears. And ever worse with growing time, 270 And ever unrelieved by dismal tears,And all alone in crime. Shut up as in a crumbling tomb, girt round With blackness as a soHd wall,Far off she seemd to hear the dully soundOf human footsteps fall: As in strange lands a traveller walking slow, In doubt and great perplexity,A little before moon-rise hears the low Moan of an unknown sea; 280 THE PALACE OF ART. And knows not if it be thunder or a soundOf rocks thrown down, or one deep cryOf great wild beasts ; then thinketh, I have foundA new land
. Illustrations of prophecy : particularly the evening and morning visions of Daniel, and the apocalyptical visions of John . at sea agitated, is a fit emblem,and is often used in the scriptiires to denotethe earth and its inhabitants, as thrown intoperpetual convulsions by ambitious princes,who amid the confusion and wild uproar,usurp dominion. The wicked are like thetroubled sea whose waters cannot rest.Thefour beasts signify the same as thefour parts of Nebuchadnezzars image.What was to his carnal mind splendid em-pires, represented by a magnificent image,was to the pious mind of Daniel, od Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-of-prophecy-particularly-the-evening-and-morning-visions-of-daniel-and-the-apocalyptical-visions-of-john-at-sea-agitated-is-a-fit-emblemand-is-often-used-in-the-scriptiires-to-denotethe-earth-and-its-inhabitants-as-thrown-intoperpetual-convulsions-by-ambitious-princeswho-amid-the-confusion-and-wild-uproarusurp-dominion-the-wicked-are-like-thetroubled-sea-whose-waters-cannot-restthefour-beasts-signify-the-same-as-thefour-parts-of-nebuchadnezzars-imagewhat-was-to-his-carnal-mind-splendid-em-pires-represented-by-a-magnificent-imagewas-to-the-pious-mind-of-daniel-od-image372147317.htmlRM2CHCNKH–. Illustrations of prophecy : particularly the evening and morning visions of Daniel, and the apocalyptical visions of John . at sea agitated, is a fit emblem,and is often used in the scriptiires to denotethe earth and its inhabitants, as thrown intoperpetual convulsions by ambitious princes,who amid the confusion and wild uproar,usurp dominion. The wicked are like thetroubled sea whose waters cannot rest.Thefour beasts signify the same as thefour parts of Nebuchadnezzars image.What was to his carnal mind splendid em-pires, represented by a magnificent image,was to the pious mind of Daniel, od
. The dawn of civilization: Egypt and Chaldaea . ned round the waist, but so lowas to leave the navel uncovered, the loin-cloth frequently reached to the knee ;the hinder part was frequently drawn between thelegs and attached in front to the belt, thusforming a kind of drawers.2 Tails of animalsand wild beasts skin were henceforth onlythe insignia of authority with whichpriests and princes adorned them-selves on great days and at reli-gious ceremonies.3 The skin wassometimes carelessly thrown overthe left shoulder and swayed withthe movement of the body ; some-times it was carefully adjustedov Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dawn-of-civilization-egypt-and-chaldaea-ned-round-the-waist-but-so-lowas-to-leave-the-navel-uncovered-the-loin-cloth-frequently-reached-to-the-knee-the-hinder-part-was-frequently-drawn-between-thelegs-and-attached-in-front-to-the-belt-thusforming-a-kind-of-drawers2-tails-of-animalsand-wild-beasts-skin-were-henceforth-onlythe-insignia-of-authority-with-whichpriests-and-princes-adorned-them-selves-on-great-days-and-at-reli-gious-ceremonies3-the-skin-wassometimes-carelessly-thrown-overthe-left-shoulder-and-swayed-withthe-movement-of-the-body-some-times-it-was-carefully-adjustedov-image372454964.htmlRM2CHXP30–. The dawn of civilization: Egypt and Chaldaea . ned round the waist, but so lowas to leave the navel uncovered, the loin-cloth frequently reached to the knee ;the hinder part was frequently drawn between thelegs and attached in front to the belt, thusforming a kind of drawers.2 Tails of animalsand wild beasts skin were henceforth onlythe insignia of authority with whichpriests and princes adorned them-selves on great days and at reli-gious ceremonies.3 The skin wassometimes carelessly thrown overthe left shoulder and swayed withthe movement of the body ; some-times it was carefully adjustedov
. The Percy family. The Baltic to Vesuvius . m h&--if. WALKS AROUND THE F 0 U U M . 147 Do you remember any one in particular,pa ? asked the little girl. Yes, my daughter, I remember the name ofone good and great man who was here torn topieces by wild beasts. Who was he ? He was the gentle, pious bishop of An-tioch. And his name ? Was Ignatius ! Tell us about him. For heresy, he was condemned to be de-stroyed here. What kind of beasts was he thrown to ? Lions. Was he not afraid ? No, he did not fear death. When they puthim in here, he stood a moment, as if in silentprayer, and then advanced to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-percy-family-the-baltic-to-vesuvius-m-h-if-walks-around-the-f-0-u-u-m-147-do-you-remember-any-one-in-particularpa-asked-the-little-girl-yes-my-daughter-i-remember-the-name-ofone-good-and-great-man-who-was-here-torn-topieces-by-wild-beasts-who-was-he-he-was-the-gentle-pious-bishop-of-an-tioch-and-his-name-was-ignatius-!-tell-us-about-him-for-heresy-he-was-condemned-to-be-de-stroyed-here-what-kind-of-beasts-was-he-thrown-to-lions-was-he-not-afraid-no-he-did-not-fear-death-when-they-puthim-in-here-he-stood-a-moment-as-if-in-silentprayer-and-then-advanced-to-image374841431.htmlRM2CNRE1Y–. The Percy family. The Baltic to Vesuvius . m h&--if. WALKS AROUND THE F 0 U U M . 147 Do you remember any one in particular,pa ? asked the little girl. Yes, my daughter, I remember the name ofone good and great man who was here torn topieces by wild beasts. Who was he ? He was the gentle, pious bishop of An-tioch. And his name ? Was Ignatius ! Tell us about him. For heresy, he was condemned to be de-stroyed here. What kind of beasts was he thrown to ? Lions. Was he not afraid ? No, he did not fear death. When they puthim in here, he stood a moment, as if in silentprayer, and then advanced to
. Beasts and men, being Carl Hagenbeck's experiences for half a century among wild animals;. Animal training; Menageries; Zoological specimens; Zoos. MY PARK AT STELLINGEN 41 them in as natural an environment as possible. A certain point must be fixed in the garden from which might be seen every kind of animal moving about in apparent freedom and in an environment which bore a close resemblance to its own native haunts. For the chamois, the wild sheep, and the ibex, artificial mountains had to be thrown up ; for animals of the plains, wide commons had to be set apart. For the carnivores, glens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beasts-and-men-being-carl-hagenbecks-experiences-for-half-a-century-among-wild-animals-animal-training-menageries-zoological-specimens-zoos-my-park-at-stellingen-41-them-in-as-natural-an-environment-as-possible-a-certain-point-must-be-fixed-in-the-garden-from-which-might-be-seen-every-kind-of-animal-moving-about-in-apparent-freedom-and-in-an-environment-which-bore-a-close-resemblance-to-its-own-native-haunts-for-the-chamois-the-wild-sheep-and-the-ibex-artificial-mountains-had-to-be-thrown-up-for-animals-of-the-plains-wide-commons-had-to-be-set-apart-for-the-carnivores-glens-image235244331.htmlRMRJM8F7–. Beasts and men, being Carl Hagenbeck's experiences for half a century among wild animals;. Animal training; Menageries; Zoological specimens; Zoos. MY PARK AT STELLINGEN 41 them in as natural an environment as possible. A certain point must be fixed in the garden from which might be seen every kind of animal moving about in apparent freedom and in an environment which bore a close resemblance to its own native haunts. For the chamois, the wild sheep, and the ibex, artificial mountains had to be thrown up ; for animals of the plains, wide commons had to be set apart. For the carnivores, glens
. Beasts & men; being experiences for half a century among wild animals;. Animals. MY PARK AT STELLINGEN 41 them in as natural an environment as possible. A certain point must be fixed in the garden from which might be seen every kind of animal moving about in apparent freedom and in an environment which bore a close resemblance to its own native haunts. For the chamois, the wild sheep, and the ibex, artificial mountains had to be thrown up; for animals of the plains, wide commons had to be set apart. For the carnivores, glens had to be established, not confined within railings, but separa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beasts-amp-men-being-experiences-for-half-a-century-among-wild-animals-animals-my-park-at-stellingen-41-them-in-as-natural-an-environment-as-possible-a-certain-point-must-be-fixed-in-the-garden-from-which-might-be-seen-every-kind-of-animal-moving-about-in-apparent-freedom-and-in-an-environment-which-bore-a-close-resemblance-to-its-own-native-haunts-for-the-chamois-the-wild-sheep-and-the-ibex-artificial-mountains-had-to-be-thrown-up-for-animals-of-the-plains-wide-commons-had-to-be-set-apart-for-the-carnivores-glens-had-to-be-established-not-confined-within-railings-but-separa-image232132855.htmlRMRDJFR3–. Beasts & men; being experiences for half a century among wild animals;. Animals. MY PARK AT STELLINGEN 41 them in as natural an environment as possible. A certain point must be fixed in the garden from which might be seen every kind of animal moving about in apparent freedom and in an environment which bore a close resemblance to its own native haunts. For the chamois, the wild sheep, and the ibex, artificial mountains had to be thrown up; for animals of the plains, wide commons had to be set apart. For the carnivores, glens had to be established, not confined within railings, but separa
. Beasts & men; being experiences for half a century among wild animals;. Animals. HOW WILD ANIMALS ARE CAUGHT 91 meal. It is then entangled in a large net thrown over it, and safely lodged in a bamboo basket. For longer journeys, they are placed in large four-cornered boxes with holes bored for the admission of air. The most remarkable way of finding snakes is that re- sorted to by the snake-finders of India, who discover them by the smell. They go in the early morning, when the creatures are torpid, taking with them their baskets and ropes, and proceed to smell out their quarry, which ar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beasts-amp-men-being-experiences-for-half-a-century-among-wild-animals-animals-how-wild-animals-are-caught-91-meal-it-is-then-entangled-in-a-large-net-thrown-over-it-and-safely-lodged-in-a-bamboo-basket-for-longer-journeys-they-are-placed-in-large-four-cornered-boxes-with-holes-bored-for-the-admission-of-air-the-most-remarkable-way-of-finding-snakes-is-that-re-sorted-to-by-the-snake-finders-of-india-who-discover-them-by-the-smell-they-go-in-the-early-morning-when-the-creatures-are-torpid-taking-with-them-their-baskets-and-ropes-and-proceed-to-smell-out-their-quarry-which-ar-image232132704.htmlRMRDJFHM–. Beasts & men; being experiences for half a century among wild animals;. Animals. HOW WILD ANIMALS ARE CAUGHT 91 meal. It is then entangled in a large net thrown over it, and safely lodged in a bamboo basket. For longer journeys, they are placed in large four-cornered boxes with holes bored for the admission of air. The most remarkable way of finding snakes is that re- sorted to by the snake-finders of India, who discover them by the smell. They go in the early morning, when the creatures are torpid, taking with them their baskets and ropes, and proceed to smell out their quarry, which ar
. Breeder and sportsman. Horses. 18 THE BREEDER AND SPORTSMAN [Saturday, December 26, 1908. HOW LIONS ARE CAUGHT. A new way of dealing with formidable wild animals is now being widely employed in tropical regions where they abound. Until within a few years efforts to trap the largest beasts of prey were nearly always unsuccessful. Extraordinary precautions were taken in setting the traps, very strong traps were provided, the traps were kept from rust and were handled with instruments so that odor from the human hand might not be per- ceptible; but all in vain. These precautions are now thrown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/breeder-and-sportsman-horses-18-the-breeder-and-sportsman-saturday-december-26-1908-how-lions-are-caught-a-new-way-of-dealing-with-formidable-wild-animals-is-now-being-widely-employed-in-tropical-regions-where-they-abound-until-within-a-few-years-efforts-to-trap-the-largest-beasts-of-prey-were-nearly-always-unsuccessful-extraordinary-precautions-were-taken-in-setting-the-traps-very-strong-traps-were-provided-the-traps-were-kept-from-rust-and-were-handled-with-instruments-so-that-odor-from-the-human-hand-might-not-be-per-ceptible-but-all-in-vain-these-precautions-are-now-thrown-image234351733.htmlRMRH7J0N–. Breeder and sportsman. Horses. 18 THE BREEDER AND SPORTSMAN [Saturday, December 26, 1908. HOW LIONS ARE CAUGHT. A new way of dealing with formidable wild animals is now being widely employed in tropical regions where they abound. Until within a few years efforts to trap the largest beasts of prey were nearly always unsuccessful. Extraordinary precautions were taken in setting the traps, very strong traps were provided, the traps were kept from rust and were handled with instruments so that odor from the human hand might not be per- ceptible; but all in vain. These precautions are now thrown
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