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Slightly textured Stock Photos and Images
RM2DJ6594–The Secret, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK4ENJ–Inspired by An October Afternoon, Robert Swain Gifford, American, 1840-1905, Etching on beige, slightly textured, medium laid paper, 1881, Sheet: 12 3/8 x 19 3/16 in., 31.5 x 48.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMXD9K–37.1608 Benjamin Eugène Fichel (French, 1826-1895; 1849-1895). 'The Collector,' 1863. graphite on beige, moderately thick, slightly textured wove paper. Walters Art Museum (37.1608): Acquired by William T. Walters. Eugène Fichel - The Collector - Walters 371608
RM2DJ6852–Library at Strawberry Hill, Print made by John Godfrey, 1784, Line engraving on medium, slightly textured, cream wove paper
RF2HK4MMW–Inspired by Study of Trees, Joseph Frank Currier, American, 1843-1909, Charcoal on cream, medium weight, slightly textured laid paper, ca. 1880, sheet: 3 7/8 x 7 7/16 in., 9.8 x 18.9 cm, American, charcoal, drawing, fine lines, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMYBHG–37.1293 Gustave David (French, 1824-1891). 'Italian Peasants,' 1824. watercolor over graphite on slightly textured, moderately thickt, cream wove paper. Walters Art Museum (37.1293): Acquired by William T. Walters, 1870. Gustave David - Italian Peasants - Walters 371293
RM2DJ654A–The Burglary, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HKJY2E–Art inspired by An October Afternoon, Robert Swain Gifford, American, 1840-1905, Etching on beige, slightly textured, medium laid paper, 1881, Sheet: 12 3/8 x 19 3/16 in., 31.5 x 48.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP9213H–Mary Cassatt (American, 1844-1926). 'Margot (Lefebvre) in Blue,' 1902. pastel on brown, moderately thick, slightly textured, wove paper. Walters Art Museum (37.303): Acquired by Henry Walters, 1925. 412 Mary Cassatt - Margot (Lefebvre) in Blue - Walters 37303
RM2DJ6642–Otter, Print made by Samuel Howitt, 1756–1822, British, 1812, Etching on medium, slightly textured, cream wove paper
RF2HK51J5–Inspired by Plant Study, William Trost Richards, American, 1833-1905, Graphite on beige, moderately thick, slightly textured wove paper, August 1860, Sheet: 5 5/8 x 8 1/16 in., 14.3 x 20.5 cm, American, botanical, botany, drawing, fine lines, graphite, leaves, plant, plant study, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMPKEW–37.826 Antoine-Louis Barye (French, 1796-1875). 'Elephants,' ca. 1867. watercolor on slightly textured, moderately thick, beige wove paper. Walters Art Museum (37.826): Acquired by William T. Walters, before 1889. Antoine-Louis Barye - Elephants - Walters 37826
RM2DJ64RX–The Portrait, Print made by George Cruikshank, 1792–1878, British, 1836, Etching on medium, slightly textured, cream wove paper
RF2HK4RPH–Inspired by Samuel Fleet Homestead, Frances Flora Palmer, American, 1812-1876, Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., ca. 1850s, 18 3/8 x 27 1/4 in., 46.7 x 69.2 cm, american, American watercolor, buggy, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2G9–Paul Gavarni (French, 1804-1866). 'Indecision,' 1859-1865. watercolor with graphite underdrawing and white heightening on cream, thick, slightly textured wove paper. Walters Art Museum (37.1494): Acquired by William T. Walters, 1862. 37.1494 966 Paul Gavarni - Indecision - Walters 371494
RM2DJ653C–The Meeting, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HK4NCD–Inspired by The Good Samaritan, Le bon samaritain, Rodolphe Bresdin, French, 1822-1885, Lithograph on chine colle; primary paper and thick, slightly textured plate paper, France, 1861, 29 3/4 x 23 3/4 in., 75.6 x 60.3 cm, aid, Bible story, camel, forest, monochrome, parable, stranger, travelers, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2J1–Paul Gavarni (French, 1804-1866). 'The Porter,' 1852-1866. colored inks and iron gall ink on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1433): Acquired by William T. Walters. 37.1433 966 Paul Gavarni - The Porter - Walters 371433
RM2DJ6982–Treport, after Clarkson Stanfield, 1793–1867, British, 1834, Line engraving on medium, slightly textured, cream wove paper
RF2HK4EKB–Inspired by Sketchbook, Peter Frederick Rothermel, American, 1817-1895, Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 1857, 5 11/16 x 8 5/8 x 3/8 in., 14.4 x 21.9 x 1 cm, American, book, design, drawing, figure, fine lines, graphite, interior, landscape, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMW07R–37.1640 Charles Chaplin (French, 1825-1891). 'Venus and Cupid,' ca. 1850. watercolor with white and red chalk on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1640): Acquired by William T. Walters. Charles Chaplin - Venus and Cupid - Walters 371640
RM2DJ64T8–The Fall of the Leaf, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK520M–Inspired by The Sakonnet River, William Trost Richards, American, 1833-1905, Opaque watercolor over graphite on blue, moderately thick, slightly textured wove paper, ca. 1876, 6 7/8 x 13 11/16 in., 17.5 x 34.8 cm, blue, boulders, ca. 1876, gouache, horizon line, landscape, opaque watercolor, river, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMPKFE–37.2181 Antoine-Louis Barye (French, 1796-1875). 'Sketch of a Cow,' 19th century. graphite on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.2181): Museum purchase, 1949. Antoine-Louis Barye - Sketch of a Cow - Walters 372181
RM2DJ67WW–Hamburg, Print made by Samuel Davenport, 1783–1867, British, undated, Line engraving on medium, slightly textured, cream wove paper
RF2HK51HD–Inspired by Flower Study, William Trost Richards, American, 1833-1905, Opaque watercolor and graphite on moderately thick, slightly textured brown wove paper, July 9-14, 1860, Sheet: 8 1/8 x 5 5/8 in., 20.6 x 14.3 cm, American, botanical, botany, cattail, drawing, fine lines, flowers, thistle, typha, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2NX–Paul Seignac (French, 1826-1904). 'Grab Bag,' 1861-1865 ?. graphite on slightly textured, moderately thick, green-beige wove paper. Walters Art Museum (37.1614): Acquired by William T. Walters. 37.1614 966 Paul Seignac - Grab Bag - Walters 371614
RM2DJ6855–London, Print made by George Augustus Sala, 1828–1895, British, undated, Lithograph on medium, slightly textured, cream wove paper
RF2HK4GBK–Inspired by British Isles Sketchbook, Francis William Edmonds, American, 1806-1863, Graphite on cream, moderately thick, slightly textured wove paper, 1841, 4 3/4 x 6 5/16 x 1/4 in., 12.1 x 16 x 0.6 cm, American, animals, book, drawing, fine lines, graphite, horse, landscape, portrait, sketchbook, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMPKG7–37.2240 Antoine-Louis Barye (French, 1795-1875). 'Studies for General Bonaparte,' ca. 1862. graphite on cream, moderately thick, slightly textured laid paper. Walters Art Museum (37.2240): Museum purchase, 1949. Antoine-Louis Barye - Studies for General Bonaparte - Walters 372240
RM2DJ666X–Three Dogs, Print made by Samuel Howitt, 1756–1822, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK4D6R–Inspired by Loving Moon, Oscar Florianus Bluemner, American, born Prussia, 1867-1938, Watercolor, possibly with a surface coating, on cream, medium weight, slightly textured wove paper mounted to thick black woodpulp board, 1927, 9 15/16 x 13 5/16 in., 25.2 x 33.8 cm, Abstract Art, blue, modernist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2FW–Paul Gavarni (French, 1804-1866). 'Artist with Canvas,' 1855-1866. watercolor and graphite on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1440): Acquired by William T. Walters, 1865. 37.1440 966 Paul Gavarni - Artist with Canvas - Walters 371440
RM2DJ64RR–Mystery and Crockery, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK51H8–Inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, leaves, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMP79270–Paul Hermann (French, 1864-1940). 'Rosa Bonheur's House,' 1895. watercolor and graphite over graphite underdrawing on slightly textured, moderately thick, blue laid paper. Walters Art Museum (37.1980): Acquired by Henry Walters. 46 Paul Hermann - Rosa Bonheur's House - Walters 371980
RM2DJ67WP–Too Clever to Live, Print made by John Leech, 1817–1864, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK50J9–Inspired by Skeleton Study, Daniel Huntington, American, 1816-1906, Black and red crayon and white chalk on beige, medium-weight, slightly textured wove paper, ca. 1848, Sheet: 20 3/16 x 10 3/8 in., 51.3 x 26.4 cm, American, anatomy, bones, contrapposto, crayon, drawing, fine lines, pelvic bone, rib, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMXD9C–37.1620 Benjamin Eugène Fichel (French, 1826-1895; 1849-1895). 'A Bibliophile,' 1862. graphite on yellow-brown, moderately thick, slightly textured wove paper. Walters Art Museum (37.1620): Acquired by William T. Walters. Eugène Fichel - A Bibliophile - Walters 371620
RM2DJ64N0–The Battle of the Nile, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HK4KX3–Inspired by On the Delaware at Point Pleasant, Thomas Moran, American, 1837-1926, Graphite and white chalk on grayish brown, medium thick, slightly textured wove paper, 1857, Sheet: 3 15/16 x 8 3/4 in., 10 x 22.2 cm, 1857, 2D, american, art on paper, chalk, delaware river, drawing, graphite, IMLS, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMPKFF–37.820 Antoine-Louis Barye (French, 1796-1875). 'Running Jaguar,' ca. 1830s-1840s. watercolor on slightly textured, medium thickness, cream wove paper. Walters Art Museum (37.820): Acquired by William T. Walters. Antoine-Louis Barye - Running Jaguar - Walters 37820
RM2DJ666B–Fallow Deer, Print made by Samuel Howitt, 1756–1822, British, 1819, Etching on medium, slightly textured, cream wove paper
RF2HK55G7–Inspired by S. Zita, Esther Frances, Francesca Alexander, American, 1837-1917, Brown ink on cream, moderately thick, slightly textured wove paper., 1874-1882, Sheet: 14 15/16 x 10 15/16 in., 37.9 x 27.8 cm, American, botanical, drawing, fine lines, flower, grasses, Music, plants, poem, song, text, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMW07A–37.1306 Charles Camino (French, 1824-1888). 'Nun in Prayer,' 1884. watercolor with graphite underdrawing on cream, moderatly thick, slightly textured wove paper. Walters Art Museum (37.1306): Acquired by William T. Walters. Charles Camino - Nun in Prayer - Walters 371306
RM2DJ69B4–The English Jesuit, Print made by Matthew Darly, active 1754–1778, 1771, Etching on medium, slightly textured, cream laid paper
RF2HK4B6H–Inspired by Italian Sketchbook, Sanford Robinson Gifford, American, 1823-1880, Graphite on tan, medium-weight, slightly textured wove paper, 1867-1868, 5 x 9 x 7/16 in., 12.7 x 22.9 x 1.1 cm, american, book, carnet, drawing, fine lines, gifford, Hudson River School, IMLS, italian, italy, sketch, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMXD9M–37.888 Eugène Isabey (French, 1803-1886). 'Fishing Boats,' 1862. watercolor heightened with white and gum on moderately thick, slightly textured, cream wove paper. Walters Art Museum (37.888): Acquired by William T. Walters, before 1884. Eugène Isabey - Fishing Boats - Walters 37888
RM2DJ64PW–Humbugs of the Day, Print made by George Cruikshank, 1792–1878, British, 1843, Etching on medium, slightly textured, cream wove paper
RF2HK4KAG–Inspired by Brooklyn Bridge at Night, Joseph Pennell, American, 1860-1926, Aquatint in black ink on cream, light-weight, slightly textured laid paper, 1922, Sheet: 8 3/8 x 10 1/2 in., 21.3 x 26.7 cm, architecture, bridge, Brooklyn, Brooklyn Bridge, East River, lights, ndd9, New York City, night, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNXW6F–Théophile-Emmanuel Duverger (French, 1821-after 1882). 'Learning the Alphabet,' n.d.. graphite on cream, moderately-thick, slightly textured wove paper. Walters Art Museum (37.1597): Acquired by William T. Walters. 37.1597 1192 Théophile-Emmanuel Duverger - Learning the Alphabet - Walters 371597
RM2DJ654E–Monks and the Jew, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HK55FX–Inspired by White Peacock, Helen Hyde, American, 1868-1919, Color woodcut on cream, thin, slightly textured laid paper, 1914, Other, Folder: 14 1/4 x 19 5/8 in., 36.2 x 49.9 cm, 20th Century, American, American women artist, Asian, ca.1914, Cherry Blossom, childred, children, Color woodcut, Female, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMPG51–37.1636 André-Henri Dargelas (French, 1828-1906). 'Boys Playing Marbles,' ca. 1860. graphite on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1636): Acquired by William T. Walters. André-Henri Dargelas - Boys Playing Marbles - Walters 371636
RM2DJ6609–Hind and Calf, Print made by Samuel Howitt, 1756–1822, British, 1834, Etching on medium, slightly textured, cream wove paper
RF2HK55AW–Inspired by Natural Bridge, Virginia, John Henry Hill, American, 1839-1922, Watercolor over graphite on very thick, slightly textured wove paper mounted to a secondary paper, 1876, 21 1/4 x 14 1/8 in., 54 x 35.9 cm, 19th Century, American, Bridge, brush, canyon, carved, formation, hole, John Henry, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2J5–Paul Gavarni (French, 1804-1866). 'The Twelve Months: January,' 1866. graphite and ink wash on cream, thick, slightly textured wove paper. Walters Art Museum (37.1463): Acquired by William T. Walters, 1870. 37.1463 966 Paul Gavarni - The Twelve Months - January - Walters 371463
RM2DJ66YG–Duke of Clarence, Print made by Henry Dawe, 1790–1848, British, 1827, Mezzotint on medium, slightly textured, cream wove paper
RF2HK4XWG–Inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, crowded, early, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNT2J4–Paul Gavarni (French, 1804-1866). 'The Twelve Months: April,' 1866. graphite and ink wash on cream, thick, slightly textured wove paper. Walters Art Museum (37.1466): Acquired by William T. Walters, 1870. 37.1466 966 Paul Gavarni - The Twelve Months - April - Walters 371466
RM2DJ66X8–Duke of Clarence, Print made by Henry Dawe, 1790–1848, British, 1827, Mezzotint on medium, slightly textured, cream laid paper
RF2HKK39K–Art inspired by Study of Trees, Joseph Frank Currier, American, 1843-1909, Charcoal on cream, medium weight, slightly textured laid paper, ca. 1880, sheet: 3 7/8 x 7 7/16 in., 9.8 x 18.9 cm, American, charcoal, drawing, fine lines, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT2HK–Paul Gavarni (French, 1804-1866). 'Peasant Girl,' 1859-1865. watercolor, graphite, and colored inks on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1434): Acquired by William T. Walters. 37.1434 966 Paul Gavarni - Peasant Girl - Walters 371434
RM2DJ6676–The Otter Hound, Print made by Samuel Howitt, 1756–1822, British, 1834, Etching on medium, slightly textured, cream wove paper
RF2HK4R6C–Inspired by Anatomy Sketchbook, Eastman Johnson, American, 1824-1906, Graphite on beige, medium weight, slightly textured laid paper, 1849, Sketchbook: 17 1/8 x 11 1/16 x 3/8 in., 43.5 x 28.1 x 1 cm, American, anatomy, body, body part, bones, cracks, cranium, drawing, eye socket, fine lines, foot, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMMWN0K–37.2383 Constantin Guys (French, 1802-1892). 'Reviewing the Regiment,' n.d.. iron gall ink and wash on slightly textured, medium-weight, cream, wove paper. Walters Art Museum (37.2383): Bequest of Philip B. Perlman, 1960. Constantin Guys - Reviewing the Regiment - Walters 372383
RM2DJ652W–The Evidence Destroyed, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HKK78R–Art inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMN03PP–37.1641 Joseph-Louis-Hippolyte Bellangé (French, 1800-1866). 'Old Wounded Soldier,' 1851. watercolor and graphite on beige, moderately thick, slightly textured wove paper. Walters Art Museum (37.1641): Acquired by William T. Walters. Hippolyte Bellangé - Old Wounded Soldier - Walters 371641
RM2DJ6636–Fox and Partridges, Print made by Samuel Howitt, 1756–1822, British, 1818, Etching on medium, slightly textured, cream wove paper
RF2HKK3HF–Art inspired by The Good Samaritan, Le bon samaritain, Rodolphe Bresdin, French, 1822-1885, Lithograph on chine colle; primary paper and thick, slightly textured plate paper, France, 1861, 29 3/4 x 23 3/4 in., 75.6 x 60.3 cm, aid, Bible story, camel, forest, monochrome, parable, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP7KR5–James Tissot (French, 1836-1902). 'The Confessional,' 1867. watercolor with scraping, gum heightening, and graphite underdrawing on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1374): Commissioned by William T. Walters, 1867. 37.1374 694 James Tissot - The Confessional - Walters 371374
RM2DJ6AAT–The Polling, after William Hogarth, 1697–1764, British, 1766, Etching and line engraving on medium, slightly textured, cream laid paper
RF2HKK786–Art inspired by Plant Study, William Trost Richards, American, 1833-1905, Graphite on beige, moderately thick, slightly textured wove paper, August 1860, Sheet: 5 5/8 x 8 1/16 in., 14.3 x 20.5 cm, American, botanical, botany, drawing, fine lines, graphite, leaves, plant, plant study, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT2HH–Paul Gavarni (French, 1804-1866). 'Misery,' ca. 1855. watercolor with graphite underdrawing and white heighting on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1460): Acquired by William T. Walters, 1868. 37.1460 966 Paul Gavarni - Misery - Walters 371460
RM2DJ650D–The Last Chance, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HKK7GH–Art inspired by The Sakonnet River, William Trost Richards, American, 1833-1905, Opaque watercolor over graphite on blue, moderately thick, slightly textured wove paper, ca. 1876, 6 7/8 x 13 11/16 in., 17.5 x 34.8 cm, blue, boulders, ca. 1876, gouache, horizon line, landscape, opaque, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMW12F–37.1619 Charles Emile Jacque (French, 1813-1894). 'Ewe and Lamb,' ca. 1860. black crayon and pastel on grey, moderately thick, slightly textured wove paper. Walters Art Museum (37.1619): Acquired by William T. Walters. Charles Émile Jacque - Ewe and Lamb - Walters 371619
RM2DJ6AM3–The Chorus, after William Hogarth, 1697–1764, British, 1768, Etching and line engraving on medium, slightly textured, cream laid paper
RF2HKK784–Art inspired by Flower Study, William Trost Richards, American, 1833-1905, Opaque watercolor and graphite on moderately thick, slightly textured brown wove paper, July 9-14, 1860, Sheet: 8 1/8 x 5 5/8 in., 20.6 x 14.3 cm, American, botanical, botany, cattail, drawing, fine lines, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT2J0–Paul Gavarni (French, 1804-1866). 'The Barmaid,' 1847-1851. watercolor, crayon, and graphite with white heightening and gum heightening on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1442): Acquired by William T. Walters, 1865. 37.1442 966 Paul Gavarni - The Barmaid - Walters 371442
RM2DJ64YX–The Captain of Knockdunder, Print made by George Cruikshank, 1792–1878, British, 1836, Etching on medium, slightly textured, cream wove paper
RF2HKK980–Art inspired by S. Zita, Esther Frances, Francesca Alexander, American, 1837-1917, Brown ink on cream, moderately thick, slightly textured wove paper., 1874-1882, Sheet: 14 15/16 x 10 15/16 in., 37.9 x 27.8 cm, American, botanical, drawing, fine lines, flower, grasses, Music, plants, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMN0C69–37.2338 Antoine-Louis Barye (French, 1796-1875). 'Study of a Sleeping Boar,' 19th century. graphite on cream, moderately-thick, slightly textured laid paper. Walters Art Museum (37.2338): Museum purchase, 1949. Antoine-Louis Barye - Study of a Sleeping Boar - Walters 372338
RM2DJ650C–The Citizen and the Soldier, Print made by George Cruikshank, 1792–1878, British, 1838, Etching on medium, slightly textured, cream wove paper
RF2HKJWDM–Art inspired by Loving Moon, Oscar Florianus Bluemner, American, born Prussia, 1867-1938, Watercolor, possibly with a surface coating, on cream, medium weight, slightly textured wove paper mounted to thick black woodpulp board, 1927, 9 15/16 x 13 5/16 in., 25.2 x 33.8 cm, Abstract Art, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP9T55–Léon Bonvin (French, 1834-1866). 'Apple Blossoms,' 1863. watercolor, iron gall ink and pen, on slightly textured, moderately thick , cream wove paper. Walters Art Museum (37.1507): Commissioned by William T. Walters, 1863 (?). 37.1507 836 Léon Bonvin - Apple Blossoms - Walters 371507
RM2DJ3KGT–Llangollen, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper
RF2HKK6TT–Art inspired by Skeleton Study, Daniel Huntington, American, 1816-1906, Black and red crayon and white chalk on beige, medium-weight, slightly textured wove paper, ca. 1848, Sheet: 20 3/16 x 10 3/8 in., 51.3 x 26.4 cm, American, anatomy, bones, contrapposto, crayon, drawing, fine lines, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMW07T–37.1305 Jean-Léon Gérôme (French, 1824-1904). 'Arab Standing in Prayer,' 1864. graphite on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1305): Acquired by William T. Walters, 1864. Charles Chaplin - Girl in White Dress - Walters 371405
RM2DJ64T7–The Escape, No. 1, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HKK954–Art inspired by Natural Bridge, Virginia, John Henry Hill, American, 1839-1922, Watercolor over graphite on very thick, slightly textured wove paper mounted to a secondary paper, 1876, 21 1/4 x 14 1/8 in., 54 x 35.9 cm, 19th Century, American, Bridge, brush, canyon, carved, formation, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT2JB–Paul Gavarni (French, 1804-1866). 'The Twelve Months: May,' 1866. watercolor and ink wash with graphite underdrawing on cream, thick, slightly textured wove paper. Walters Art Museum (37.1467): Acquired by William T. Walters, 1870. 37.1467 966 Paul Gavarni - The Twelve Months - May - Walters 371467
RM2DJ64TJ–The Escape, No. 2, Print made by George Cruikshank, 1792–1878, British, undated, Etching on medium, slightly textured, cream wove paper
RF2HKK61F–Art inspired by In the Park, Light, George Wesley Bellows, American, 1882-1925, Lithograph on beige, thin, slightly textured wove paper, 1916, Sheet: 19 7/8 x 24 7/8 in., 50.5 x 63.2 cm, 20th Century, American, American Lithograph, American painter, Ashcan School, Bellows, crowd scene, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMW07P–37.1593 Charles Chaplin (French, 1825-1891). 'Girl with Birds Nest,' 1862. opaque and transparent watercolor with graphite underdrawing on cream, moderately-thick, slightly textured wove paper. Walters Art Museum (37.1593): Commissioned by William T. Walters, 1862. Charles Chaplin - Girl with Birds Nest - Walters 371593
RM2DJ646G–Palace, Liege, after George Sidney Shepherd, 1784–1862, British, undated, Line engraving on medium, slightly textured, cream wove paper
RF2HKK4PK–Art inspired by Samuel Fleet Homestead, Frances Flora Palmer, American, 1812-1876, Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., ca. 1850s, 18 3/8 x 27 1/4 in., 46.7 x 69.2 cm, american, American, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNT2JR–Paul Gavarni (French, 1804-1866). 'The Twelve Months: October,' 1866. watercolor and ink wash with graphite underdrawing on cream, thick, slightly textured wove paper. Walters Art Museum (37.1472): Acquired by William T. Walters, 1870. 37.1472 966 Paul Gavarni - The Twelve Months - October - Walters 371472
Search Results for Slightly textured Stock Photos and Images (37,738)
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