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Sacrificial victims Stock Photos and Images
Human Sacrifices - Skulls of Sacrificial Victims offered to Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-offered-to-aztec-gods-image486771011.htmlRF2K7X9AY–Human Sacrifices - Skulls of Sacrificial Victims offered to Aztec gods
Parthenon. East side. 447-432BC. Greek Classical period. Scene form a procession of sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parthenon-east-side-447-432bc-greek-classical-period-scene-form-a-78765148.htmlRMEG41N0–Parthenon. East side. 447-432BC. Greek Classical period. Scene form a procession of sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom.
Human Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifice-image5076384.htmlRMANKHA1–Human Sacrifice
Old illustration: sacrificial victims threw down from royal palace terrace, Dahomey. By Foulquier after Forbes, publ. on le Tour du Monde, Paris, 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-old-illustration-sacrificial-victims-threw-down-from-royal-palace-165409800.htmlRFKH31TT–Old illustration: sacrificial victims threw down from royal palace terrace, Dahomey. By Foulquier after Forbes, publ. on le Tour du Monde, Paris, 1863
Parthenon. East side. 447-432BC. Greek Classical period. Scene form a processionof sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-east-side-447-432bc-greek-classical-period-scene-form-a-processionof-sacrificial-victims-young-cow-and-herdsmen-british-museum-london-england-united-kingdom-image220382244.htmlRMPPF7PC–Parthenon. East side. 447-432BC. Greek Classical period. Scene form a processionof sacrificial victims. Young cow and herdsmen. British Museum. London. England. United Kingdom.
Original artwork of Sacrificial victims in procession - (From the original in the British Museum). Published in A pictorial history of the world's gre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-artwork-of-sacrificial-victims-in-procession-from-the-original-in-the-british-museum-published-in-a-pictorial-history-of-the-worlds-gre-image220997602.htmlRFPRF8KE–Original artwork of Sacrificial victims in procession - (From the original in the British Museum). Published in A pictorial history of the world's gre
Maya Eagle-vase offering bowl for the hearts of sacrificial victims. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maya-eagle-vase-offering-bowl-for-the-hearts-of-sacrificial-victims-artist-unknown-image262775747.htmlRMW7ED43–Maya Eagle-vase offering bowl for the hearts of sacrificial victims. Artist: Unknown
Priest's cap called the Apex from a basrelief on the Capitol 1, cap of a high priest of Jupiter from the Temple of Jupiter the Thunderer 2, religious cap used by Flamen priests of Bacchus 3, various knives, axe and instruments to kill sacrificial victims from Goldsmith's Arch 4, and Aspergillum made of lamb leg and horsehair used to sprinkle holy water. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priests-cap-called-the-apex-from-a-basrelief-on-the-capitol-1-cap-of-a-high-priest-of-jupiter-from-the-temple-of-jupiter-the-thunderer-2-religious-cap-used-by-flamen-priests-of-bacchus-3-various-knives-axe-and-instruments-to-kill-sacrificial-victims-from-goldsmiths-arch-4-and-aspergillum-made-of-lamb-leg-and-horsehair-used-to-sprinkle-holy-water-copperplate-engraving-by-pietro-ruga-after-an-illustration-by-lorenzo-rocceggiani-from-his-own-100-plates-of-costumes-religious-civil-and-military-of-the-ancient-egyptians-etruscans-greeks-and-romans-franzetti-rome-1802-image331880380.htmlRM2A7XCPM–Priest's cap called the Apex from a basrelief on the Capitol 1, cap of a high priest of Jupiter from the Temple of Jupiter the Thunderer 2, religious cap used by Flamen priests of Bacchus 3, various knives, axe and instruments to kill sacrificial victims from Goldsmith's Arch 4, and Aspergillum made of lamb leg and horsehair used to sprinkle holy water. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.
Original artwork of Sacrificial victims in procession - (From the original in the British Museum). Published in A pictorial history of the world's gre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-artwork-of-sacrificial-victims-in-procession-from-the-original-in-the-british-museum-published-in-a-pictorial-history-of-the-worlds-gre-image389484621.htmlRF2DHJFH1–Original artwork of Sacrificial victims in procession - (From the original in the British Museum). Published in A pictorial history of the world's gre
Kali, the 'Black One' wearing a necklace of skulls with her protuding tongue red from the blood of sacrificial victims - 1895 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kali-the-black-one-wearing-a-necklace-of-skulls-with-her-protuding-tongue-red-from-the-blood-of-sacrificial-victims-1895-image424672955.htmlRF2FJWEK7–Kali, the 'Black One' wearing a necklace of skulls with her protuding tongue red from the blood of sacrificial victims - 1895
The young men and maidens of Athens to be offered as sacrificial victims to Minotaur, ca 1778. Found in the Collection of Musée Fabre, Montpellier. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-men-and-maidens-of-athens-to-be-offered-as-sacrificial-victims-to-minotaur-ca-1778-found-in-the-collection-of-musxe9e-fabre-montpellier-image273967891.htmlRMWWM8RF–The young men and maidens of Athens to be offered as sacrificial victims to Minotaur, ca 1778. Found in the Collection of Musée Fabre, Montpellier.
Wicker man. Large wooden or cane hollow wickerwork statue used by Druid priests. Reportedly, victims were placed in the structure and then burned to death as a form of sacrifice to the gods. From a 1781 edition of A Tour in Wales by Thomas Pennant. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wicker-man-large-wooden-or-cane-hollow-wickerwork-statue-used-by-druid-priests-reportedly-victims-were-placed-in-the-structure-and-then-burned-to-death-as-a-form-of-sacrifice-to-the-gods-from-a-1781-edition-of-a-tour-in-wales-by-thomas-pennant-image260428806.htmlRMW3KFGP–Wicker man. Large wooden or cane hollow wickerwork statue used by Druid priests. Reportedly, victims were placed in the structure and then burned to death as a form of sacrifice to the gods. From a 1781 edition of A Tour in Wales by Thomas Pennant.
Skeletons of sacrificial victims at the ancient city of Teotihuacàn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/skeletons-of-sacrificial-victims-at-the-ancient-city-of-teotihuacn-image9050803.htmlRMAPP6K4–Skeletons of sacrificial victims at the ancient city of Teotihuacàn
Sacrificial victims threw down from royal palace terrace, Dahomey, Central Africa, Old 19th century engraved illustration, Le Tour du Monde 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacrificial-victims-threw-down-from-royal-palace-terrace-dahomey-central-africa-old-19th-century-engraved-illustration-le-tour-du-monde-1863-image357323531.htmlRM2BN9DPK–Sacrificial victims threw down from royal palace terrace, Dahomey, Central Africa, Old 19th century engraved illustration, Le Tour du Monde 1863
Ceremonial Knife (Tumi) 10th–12th century Lambayeque (Sicán) Metallurgy was the primary medium for the expression of the power of Sicán rulers; vessels, headdresses, body adornments, funerary masks, and tumis were delicately made with gold, silver, and arsenical copper. Tumis are ceremonial knives with semicircular blades. Known on the Peruvian coast since the third century B.C., they often appear in Moche iconography, where they are used to cut the throat of sacrificial victims. Tumis were also recently found in situ in the tombs of high-status Moche and Sicán individuals. Sicán tumis such as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceremonial-knife-tumi-10th12th-century-lambayeque-sicn-metallurgy-was-the-primary-medium-for-the-expression-of-the-power-of-sicn-rulers-vessels-headdresses-body-adornments-funerary-masks-and-tumis-were-delicately-made-with-gold-silver-and-arsenical-copper-tumis-are-ceremonial-knives-with-semicircular-blades-known-on-the-peruvian-coast-since-the-third-century-bc-they-often-appear-in-moche-iconography-where-they-are-used-to-cut-the-throat-of-sacrificial-victims-tumis-were-also-recently-found-in-situ-in-the-tombs-of-high-status-moche-and-sicn-individuals-sicn-tumis-such-as-image458114019.htmlRM2HH8W2Y–Ceremonial Knife (Tumi) 10th–12th century Lambayeque (Sicán) Metallurgy was the primary medium for the expression of the power of Sicán rulers; vessels, headdresses, body adornments, funerary masks, and tumis were delicately made with gold, silver, and arsenical copper. Tumis are ceremonial knives with semicircular blades. Known on the Peruvian coast since the third century B.C., they often appear in Moche iconography, where they are used to cut the throat of sacrificial victims. Tumis were also recently found in situ in the tombs of high-status Moche and Sicán individuals. Sicán tumis such as
Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-stone-skulls-found-at-the-templo-mayor-site-they-represent-the-tzompantli-or-skull-racks-where-the-heads-of-sacrificial-victims-were-placed-te-image180148322.htmlRMMD2D0J–Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te
Textile Fragment with Skeletal Figure Paracas. Textile Fragment with Skeletal Figure, 100 B.C.E.-1 C.E. Cotton, camelid fibers, frag. a: 7 1/2 x 8 3/4 in. (19.1 x 22.2 cm). The backward-bent pose of this skeletal figure with long, streaming hair and a fan or knife in its hand is associated with sacrificial victims and death. At the throat, a square-shaped wound suggests a decapitation. Alternatively, the figure has been interpreted as the seminal being of a mythic transformation sequence in which supernatural beings evolve into more complex, composite figures such as the Plant Beings seen nea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-fragment-with-skeletal-figure-paracas-textile-fragment-with-skeletal-figure-100-bce-1-ce-cotton-camelid-fibers-frag-a-7-12-x-8-34-in-191-x-222-cm-the-backward-bent-pose-of-this-skeletal-figure-with-long-streaming-hair-and-a-fan-or-knife-in-its-hand-is-associated-with-sacrificial-victims-and-death-at-the-throat-a-square-shaped-wound-suggests-a-decapitation-alternatively-the-figure-has-been-interpreted-as-the-seminal-being-of-a-mythic-transformation-sequence-in-which-supernatural-beings-evolve-into-more-complex-composite-figures-such-as-the-plant-beings-seen-nea-image504687668.htmlRM2M92E7G–Textile Fragment with Skeletal Figure Paracas. Textile Fragment with Skeletal Figure, 100 B.C.E.-1 C.E. Cotton, camelid fibers, frag. a: 7 1/2 x 8 3/4 in. (19.1 x 22.2 cm). The backward-bent pose of this skeletal figure with long, streaming hair and a fan or knife in its hand is associated with sacrificial victims and death. At the throat, a square-shaped wound suggests a decapitation. Alternatively, the figure has been interpreted as the seminal being of a mythic transformation sequence in which supernatural beings evolve into more complex, composite figures such as the Plant Beings seen nea
INDIA. Sacrificial custom; Cholera or Famine sacrifices to Kali 1900 old print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/india-sacrificial-custom-cholera-or-famine-sacrifices-to-kali-1900-old-print-image183031843.htmlRFMHNPYF–INDIA. Sacrificial custom; Cholera or Famine sacrifices to Kali 1900 old print
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image366570733.htmlRM2C8AMKW–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-gods-image486771021.htmlRF2K7X9B9–Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods
Memorial of the Victims of Communism and of the Resistance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-of-the-victims-of-communism-and-of-the-resistance-image214332039.htmlRFPCKJKK–Memorial of the Victims of Communism and of the Resistance
India, Bodhgaya, scenes at the Mahabodhi temple, sacrificial candles, sea of lights, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/india-bodhgaya-scenes-at-the-mahabodhi-temple-sacrificial-candles-sea-of-lights-image418759196.htmlRM2F983HG–India, Bodhgaya, scenes at the Mahabodhi temple, sacrificial candles, sea of lights,
Aztec Tzompantli exhibiting skulls of human sacrifice victims in Tenochtitlan. Hand-colored woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-tzompantli-exhibiting-skulls-of-human-sacrifice-victims-in-tenochtitlan-image4496452.htmlRMAEXM45–Aztec Tzompantli exhibiting skulls of human sacrifice victims in Tenochtitlan. Hand-colored woodcut
Priest's cap called the Apex from a basrelief on the Capitol 1, cap of a high priest of Jupiter from the Temple of Jupiter the Thunderer 2, religious cap used by Flamen priests of Bacchus 3, various knives, axe and instruments to kill sacrificial victims from Goldsmith's Arch 4, and Aspergillum made of lamb leg and horsehair used to sprinkle holy water. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priests-cap-called-the-apex-from-a-basrelief-on-the-capitol-1-cap-of-a-high-priest-of-jupiter-from-the-temple-of-jupiter-the-thunderer-2-religious-cap-used-by-flamen-priests-of-bacchus-3-various-knives-axe-and-instruments-to-kill-sacrificial-victims-from-goldsmiths-arch-4-and-aspergillum-made-of-lamb-leg-and-horsehair-used-to-sprinkle-holy-water-copperplate-engraving-by-pietro-ruga-after-an-illustration-by-lorenzo-rocceggiani-from-his-own-100-plates-of-costumes-religious-civil-and-military-of-the-ancient-egyptians-etruscans-greeks-and-romans-franzetti-rome-1802-image211126949.htmlRMP7DJG5–Priest's cap called the Apex from a basrelief on the Capitol 1, cap of a high priest of Jupiter from the Temple of Jupiter the Thunderer 2, religious cap used by Flamen priests of Bacchus 3, various knives, axe and instruments to kill sacrificial victims from Goldsmith's Arch 4, and Aspergillum made of lamb leg and horsehair used to sprinkle holy water. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.
Figurine of a Female Court Attendant, 4th-3rd century BCE, 23 1/4 x 4 3/16 x 4 5/8 in. (59.06 x 10.64 x 11.75 cm) (without mount), Wood with lacquer pigments, China, 4th-3rd century BCE, Distinct regional styles flourished during the late Bronze Age and one of the most important regarding the production of ancient lacquer was the southern state of Zhu. During the Warring States Period 475 - 221 B.C.E., wooden human figures were placed in Zhu tombs as substitutes for the sacrificial human victims that were often interred in important burials during the earlier phases of the Bronze Age Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figurine-of-a-female-court-attendant-4th-3rd-century-bce-23-14-x-4-316-x-4-58-in-5906-x-1064-x-1175-cm-without-mount-wood-with-lacquer-pigments-china-4th-3rd-century-bce-distinct-regional-styles-flourished-during-the-late-bronze-age-and-one-of-the-most-important-regarding-the-production-of-ancient-lacquer-was-the-southern-state-of-zhu-during-the-warring-states-period-475-221-bce-wooden-human-figures-were-placed-in-zhu-tombs-as-substitutes-for-the-sacrificial-human-victims-that-were-often-interred-in-important-burials-during-the-earlier-phases-of-the-bronze-age-image573481782.htmlRM2T909T6–Figurine of a Female Court Attendant, 4th-3rd century BCE, 23 1/4 x 4 3/16 x 4 5/8 in. (59.06 x 10.64 x 11.75 cm) (without mount), Wood with lacquer pigments, China, 4th-3rd century BCE, Distinct regional styles flourished during the late Bronze Age and one of the most important regarding the production of ancient lacquer was the southern state of Zhu. During the Warring States Period 475 - 221 B.C.E., wooden human figures were placed in Zhu tombs as substitutes for the sacrificial human victims that were often interred in important burials during the earlier phases of the Bronze Age
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image367383830.htmlRM2C9KNR2–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Awaiting death in a king's tomb: victims of human sacrifice-a reconstruction. An Ur king's harem, servants and bodyguard ready to be sacrificed at his burial, to form his retinue in the next world. 59 skeletons were discovered; the position of all the bodies in this illustration is as supplied by Mr. C Leonard Woolley. In the background is the tomb chamber, and on the left is the sloped approach from the ground surface. See picture 10279942 for the scene after the sacrifice. Date: 4th millenium BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/awaiting-death-in-a-kings-tomb-victims-of-human-sacrifice-a-reconstruction-an-ur-kings-harem-servants-and-bodyguard-ready-to-be-sacrificed-at-his-burial-to-form-his-retinue-in-the-next-world-59-skeletons-were-discovered-the-position-of-all-the-bodies-in-this-illustration-is-as-supplied-by-mr-c-leonard-woolley-in-the-background-is-the-tomb-chamber-and-on-the-left-is-the-sloped-approach-from-the-ground-surface-see-picture-10279942-for-the-scene-after-the-sacrifice-date-4th-millenium-bc-image501371079.htmlRM2M3KBWY–Awaiting death in a king's tomb: victims of human sacrifice-a reconstruction. An Ur king's harem, servants and bodyguard ready to be sacrificed at his burial, to form his retinue in the next world. 59 skeletons were discovered; the position of all the bodies in this illustration is as supplied by Mr. C Leonard Woolley. In the background is the tomb chamber, and on the left is the sloped approach from the ground surface. See picture 10279942 for the scene after the sacrifice. Date: 4th millenium BC
Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cross-as-a-memorial-and-monument-in-the-polish-forest-memorial-and-memorial-for-the-victims-of-the-nazis-in-world-war-ii-image430998101.htmlRF2G15JD9–Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II.
The yard of the communist prison from Sighetu Marmatiei, Memorial of the Victims of Communism and the Resistance, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-yard-of-the-communist-prison-from-sighetu-marmatiei-memorial-of-the-victims-of-communism-and-the-resistance-romania-image353350367.htmlRF2BETDYY–The yard of the communist prison from Sighetu Marmatiei, Memorial of the Victims of Communism and the Resistance, Romania
Christian Century . ruined. One unhappy group of officials,hemmed round by revolutionaries, and wholly exposed, and often broken into,by storms or prowling beasts. But presently we reached the end ofthe long avenue leading to the tomb. Itis marked by curious stone images oflions, camels, elephants, priests and war-riors, standing in pairs, facing eachother across the paved but grass-grownroad, and recurring at intervals of per-haps an eighth of a mile on the long ap-proach. Were these supposed to repre-sent sacrificial victims, slain at the tombof the great emperor ? Such figures oc-cur along Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-century-ruined-one-unhappy-group-of-officialshemmed-round-by-revolutionaries-and-wholly-exposed-and-often-broken-intoby-storms-or-prowling-beasts-but-presently-we-reached-the-end-ofthe-long-avenue-leading-to-the-tomb-itis-marked-by-curious-stone-images-oflions-camels-elephants-priests-and-war-riors-standing-in-pairs-facing-eachother-across-the-paved-but-grass-grownroad-and-recurring-at-intervals-of-per-haps-an-eighth-of-a-mile-on-the-long-ap-proach-were-these-supposed-to-repre-sent-sacrificial-victims-slain-at-the-tombof-the-great-emperor-such-figures-oc-cur-along-image340088417.htmlRM2AN8A6W–Christian Century . ruined. One unhappy group of officials,hemmed round by revolutionaries, and wholly exposed, and often broken into,by storms or prowling beasts. But presently we reached the end ofthe long avenue leading to the tomb. Itis marked by curious stone images oflions, camels, elephants, priests and war-riors, standing in pairs, facing eachother across the paved but grass-grownroad, and recurring at intervals of per-haps an eighth of a mile on the long ap-proach. Were these supposed to repre-sent sacrificial victims, slain at the tombof the great emperor ? Such figures oc-cur along
candles burning in a church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-candles-burning-in-a-church-37343597.htmlRMC4N43W–candles burning in a church
Detail of carvings of skulls on the Tzompantli which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-carvings-of-skulls-on-the-tzompantli-which-once-served-as-image9043244.htmlRMAPMPXD–Detail of carvings of skulls on the Tzompantli which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site
Sacrificial victims threw down from royal palace terrace, Dahomey, Central Africa, Old 19th century engraved illustration, Le Tour du Monde 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacrificial-victims-threw-down-from-royal-palace-terrace-dahomey-central-africa-old-19th-century-engraved-illustration-le-tour-du-monde-1863-image397942588.htmlRM2E3BRR8–Sacrificial victims threw down from royal palace terrace, Dahomey, Central Africa, Old 19th century engraved illustration, Le Tour du Monde 1863
Trier, Germany. 03rd Nov, 2020. Sacrificial candles are burning in the High Cathedral Church of St. Peter. The Catholic dioceses in Rhineland-Palatinate and Saarland are preparing for high payments after the new regulation of church recognition payments for victims of abuse. Credit: Harald Tittel/-//dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trier-germany-03rd-nov-2020-sacrificial-candles-are-burning-in-the-high-cathedral-church-of-st-peter-the-catholic-dioceses-in-rhineland-palatinate-and-saarland-are-preparing-for-high-payments-after-the-new-regulation-of-church-recognition-payments-for-victims-of-abuse-credit-harald-tittel-dpaalamy-live-news-image384382379.htmlRM2D9A3J3–Trier, Germany. 03rd Nov, 2020. Sacrificial candles are burning in the High Cathedral Church of St. Peter. The Catholic dioceses in Rhineland-Palatinate and Saarland are preparing for high payments after the new regulation of church recognition payments for victims of abuse. Credit: Harald Tittel/-//dpa/Alamy Live News
Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-stone-skulls-found-at-the-templo-mayor-site-they-represent-the-tzompantli-or-skull-racks-where-the-heads-of-sacrificial-victims-were-placed-te-image180148319.htmlRMMD2D0F–Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te
Textile Fragment with Skeletal Figure Paracas. Textile Fragment with Skeletal Figure, 100 B.C.E.-1 C.E. Cotton, camelid fibers, frag. a: 7 1/2 x 8 3/4 in. (19.1 x 22.2 cm). The backward-bent pose of this skeletal figure with long, streaming hair and a fan or knife in its hand is associated with sacrificial victims and death. At the throat, a square-shaped wound suggests a decapitation. Alternatively, the figure has been interpreted as the seminal being of a mythic transformation sequence in which supernatural beings evolve into more complex, composite figures such as the Plant Beings seen nea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-fragment-with-skeletal-figure-paracas-textile-fragment-with-skeletal-figure-100-bce-1-ce-cotton-camelid-fibers-frag-a-7-12-x-8-34-in-191-x-222-cm-the-backward-bent-pose-of-this-skeletal-figure-with-long-streaming-hair-and-a-fan-or-knife-in-its-hand-is-associated-with-sacrificial-victims-and-death-at-the-throat-a-square-shaped-wound-suggests-a-decapitation-alternatively-the-figure-has-been-interpreted-as-the-seminal-being-of-a-mythic-transformation-sequence-in-which-supernatural-beings-evolve-into-more-complex-composite-figures-such-as-the-plant-beings-seen-nea-image504687650.htmlRM2M92E6X–Textile Fragment with Skeletal Figure Paracas. Textile Fragment with Skeletal Figure, 100 B.C.E.-1 C.E. Cotton, camelid fibers, frag. a: 7 1/2 x 8 3/4 in. (19.1 x 22.2 cm). The backward-bent pose of this skeletal figure with long, streaming hair and a fan or knife in its hand is associated with sacrificial victims and death. At the throat, a square-shaped wound suggests a decapitation. Alternatively, the figure has been interpreted as the seminal being of a mythic transformation sequence in which supernatural beings evolve into more complex, composite figures such as the Plant Beings seen nea
Old illustrsation of a wooden mannequin used by the Gauls for sacrificial fires. By unidentified author, published on Magasin Pittoresque, 1833. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-illustrsation-of-a-wooden-mannequin-used-by-the-gauls-for-sacrificial-image151825478.htmlRFJR06XE–Old illustrsation of a wooden mannequin used by the Gauls for sacrificial fires. By unidentified author, published on Magasin Pittoresque, 1833.
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image366570634.htmlRM2C8AMGA–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-gods-image486771017.htmlRF2K7X9B5–Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods
Memorial of the Victims of Communism and of the Resistance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-of-the-victims-of-communism-and-of-the-resistance-image214332058.htmlRFPCKJMA–Memorial of the Victims of Communism and of the Resistance
Human sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-human-sacrifice-105281406.htmlRMG37YE6–Human sacrifice
Stela Padiamenope son Amenirdis; 2 after. IV BC ; over the semi-period and Ptolemean periods (-350-00-00--300-00-00);Amenirdis (CA 300-200 A.C.), Atum (mitol.), Padiamenope (CA 300-200 A.C.), Re-Harachte (mitol.), Solar disk (iconogr.), Sacrificial formulas, Hieroglyphic courses, Lotos (iconogr.) , victims (iconogr.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stela-padiamenope-son-amenirdis-2-after-iv-bc-over-the-semi-period-and-ptolemean-periods-350-00-00-300-00-00amenirdis-ca-300-200-ac-atum-mitol-padiamenope-ca-300-200-ac-re-harachte-mitol-solar-disk-iconogr-sacrificial-formulas-hieroglyphic-courses-lotos-iconogr-victims-iconogr-image598734300.htmlRM2WP2KKT–Stela Padiamenope son Amenirdis; 2 after. IV BC ; over the semi-period and Ptolemean periods (-350-00-00--300-00-00);Amenirdis (CA 300-200 A.C.), Atum (mitol.), Padiamenope (CA 300-200 A.C.), Re-Harachte (mitol.), Solar disk (iconogr.), Sacrificial formulas, Hieroglyphic courses, Lotos (iconogr.) , victims (iconogr.)
The young men and maidens of Athens to be offered as sacrificial victims to Minotaur. Museum: Musée Fabre, Montpellier. Author: Jean-François-Pierre Peyron. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-men-and-maidens-of-athens-to-be-offered-as-sacrificial-victims-to-minotaur-museum-muse-fabre-montpellier-author-jean-franois-pierre-peyron-image337342747.htmlRM2AGR837–The young men and maidens of Athens to be offered as sacrificial victims to Minotaur. Museum: Musée Fabre, Montpellier. Author: Jean-François-Pierre Peyron.
Kemehu votive frame; around 1795-1650 BC ; Pahu, 13 dynasty (0-00-00-0-00-00);Deposit of the University of Warsaw from 1937-1939, Kemehu (CA 1800-1700 A.C.), Neferhotep I (Lord of Egypt-CA 1800-1700 A.C.), Scene.gal.gal., Sobekhotep III (Lord of Egypt-CA 1800-1700 A.C.) , sacrificial formulas, ritual vessels (iconogr.), Victims (iconogr.), Eye of the pretense (iconogr.), Peruka (iconogr.), Ring Szeen (iconogr.), Sacrifice table (iconogr.), French excavations in Edfu (Egypt ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kemehu-votive-frame-around-1795-1650-bc-pahu-13-dynasty-0-00-00-0-00-00deposit-of-the-university-of-warsaw-from-1937-1939-kemehu-ca-1800-1700-ac-neferhotep-i-lord-of-egypt-ca-1800-1700-ac-scenegalgal-sobekhotep-iii-lord-of-egypt-ca-1800-1700-ac-sacrificial-formulas-ritual-vessels-iconogr-victims-iconogr-eye-of-the-pretense-iconogr-peruka-iconogr-ring-szeen-iconogr-sacrifice-table-iconogr-french-excavations-in-edfu-egypt-image598755210.htmlRM2WP3JAJ–Kemehu votive frame; around 1795-1650 BC ; Pahu, 13 dynasty (0-00-00-0-00-00);Deposit of the University of Warsaw from 1937-1939, Kemehu (CA 1800-1700 A.C.), Neferhotep I (Lord of Egypt-CA 1800-1700 A.C.), Scene.gal.gal., Sobekhotep III (Lord of Egypt-CA 1800-1700 A.C.) , sacrificial formulas, ritual vessels (iconogr.), Victims (iconogr.), Eye of the pretense (iconogr.), Peruka (iconogr.), Ring Szeen (iconogr.), Sacrifice table (iconogr.), French excavations in Edfu (Egypt )
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-chichen-itza-image367420857.htmlRM2C9ND1D–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza.
HOR-HOR-AA votive frame; around 1733-1724 BC ; Pahu, 13 dynasty (0-00-00-0-00-00);Deposit of the University of Warsaw from 1937-1939, HOR-AA (CA 1733-1724 A.C.), HOR-HOTEP (CA 1733-1724 A.C.), NEB-EM-SA (CA 1733-1724 A.C.), Ren-Seneb (Ca 17333 -1724 A.C.), Scene.gal.g., Sobekhotep IV (Lord of Egypt -Ca 1733-1724 A.C.), Sacrificial formulas, hieroglyphs, lotus (iconogr.), Victims (iconogr.), Eye of Przedżat (iconogr.), Peruka (iconogr.), SZEN Ring (iconogr.), French excavations in Edfu (Egypt) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hor-hor-aa-votive-frame-around-1733-1724-bc-pahu-13-dynasty-0-00-00-0-00-00deposit-of-the-university-of-warsaw-from-1937-1939-hor-aa-ca-1733-1724-ac-hor-hotep-ca-1733-1724-ac-neb-em-sa-ca-1733-1724-ac-ren-seneb-ca-17333-1724-ac-scenegalg-sobekhotep-iv-lord-of-egypt-ca-1733-1724-ac-sacrificial-formulas-hieroglyphs-lotus-iconogr-victims-iconogr-eye-of-przedat-iconogr-peruka-iconogr-szen-ring-iconogr-french-excavations-in-edfu-egypt-image598759541.htmlRM2WP3RW9–HOR-HOR-AA votive frame; around 1733-1724 BC ; Pahu, 13 dynasty (0-00-00-0-00-00);Deposit of the University of Warsaw from 1937-1939, HOR-AA (CA 1733-1724 A.C.), HOR-HOTEP (CA 1733-1724 A.C.), NEB-EM-SA (CA 1733-1724 A.C.), Ren-Seneb (Ca 17333 -1724 A.C.), Scene.gal.g., Sobekhotep IV (Lord of Egypt -Ca 1733-1724 A.C.), Sacrificial formulas, hieroglyphs, lotus (iconogr.), Victims (iconogr.), Eye of Przedżat (iconogr.), Peruka (iconogr.), SZEN Ring (iconogr.), French excavations in Edfu (Egypt)
Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cross-as-a-memorial-and-monument-in-the-polish-forest-memorial-and-memorial-for-the-victims-of-the-nazis-in-world-war-ii-image430998107.htmlRF2G15JDF–Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II.
The yard of the communist prison from Sighetu Marmatiei, Memorial of the Victims of Communism and the Resistance, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-yard-of-the-communist-prison-from-sighetu-marmatiei-memorial-of-the-victims-of-communism-and-the-resistance-romania-image353350309.htmlRF2BETDWW–The yard of the communist prison from Sighetu Marmatiei, Memorial of the Victims of Communism and the Resistance, Romania
standing figures of the 'Los Danzantes' a collection of more than 300 bas-reliefs at Monte Alban. Monte Alban, is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotlan Municipality in the southern Mexican state of Oaxaca. Besides being one of the earliest cities of Mesoamerica, Monte Alban's importance stems also from its role as the pre-eminent Zapotec socio-political and economic center for close to a thousand years. Founded toward the end of the Middle Formative period at around 500 BC. One characteristic of Monte Alban is the large number of carved stone monuments one enco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-figures-of-the-los-danzantes-a-collection-of-more-than-300-bas-reliefs-at-monte-alban-monte-alban-is-a-large-pre-columbian-archaeological-site-in-the-santa-cruz-xoxocotlan-municipality-in-the-southern-mexican-state-of-oaxaca-besides-being-one-of-the-earliest-cities-of-mesoamerica-monte-albans-importance-stems-also-from-its-role-as-the-pre-eminent-zapotec-socio-political-and-economic-center-for-close-to-a-thousand-years-founded-toward-the-end-of-the-middle-formative-period-at-around-500-bc-one-characteristic-of-monte-alban-is-the-large-number-of-carved-stone-monuments-one-enco-image481868895.htmlRM2JYY0KB–standing figures of the 'Los Danzantes' a collection of more than 300 bas-reliefs at Monte Alban. Monte Alban, is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotlan Municipality in the southern Mexican state of Oaxaca. Besides being one of the earliest cities of Mesoamerica, Monte Alban's importance stems also from its role as the pre-eminent Zapotec socio-political and economic center for close to a thousand years. Founded toward the end of the Middle Formative period at around 500 BC. One characteristic of Monte Alban is the large number of carved stone monuments one enco
Two Halloween victims imprisoned in a metal cage with a blood splattered wall behind them sitting in terror awaiting their fate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-two-halloween-victims-imprisoned-in-a-metal-cage-with-a-blood-splattered-124254514.htmlRFH647W6–Two Halloween victims imprisoned in a metal cage with a blood splattered wall behind them sitting in terror awaiting their fate
Detail of carvings of skulls on the Tzompantli which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-carvings-of-skulls-on-the-tzompantli-which-once-served-as-image9043243.htmlRMAPMPXC–Detail of carvings of skulls on the Tzompantli which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site
Sacred Cenote (Sagrado Cenote) Chichen Itza, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-cenote-sagrado-cenote-chichen-itza-mexico-image229856693.htmlRFR9XTFH–Sacred Cenote (Sagrado Cenote) Chichen Itza, Mexico
Trier, Germany. 03rd Nov, 2020. Sacrificial candles are burning in the High Cathedral Church of St. Peter. The Catholic dioceses in Rhineland-Palatinate and Saarland are preparing for high payments after the new regulation of church recognition payments for victims of abuse. Credit: Harald Tittel/-//dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trier-germany-03rd-nov-2020-sacrificial-candles-are-burning-in-the-high-cathedral-church-of-st-peter-the-catholic-dioceses-in-rhineland-palatinate-and-saarland-are-preparing-for-high-payments-after-the-new-regulation-of-church-recognition-payments-for-victims-of-abuse-credit-harald-tittel-dpaalamy-live-news-image384382386.htmlRM2D9A3JA–Trier, Germany. 03rd Nov, 2020. Sacrificial candles are burning in the High Cathedral Church of St. Peter. The Catholic dioceses in Rhineland-Palatinate and Saarland are preparing for high payments after the new regulation of church recognition payments for victims of abuse. Credit: Harald Tittel/-//dpa/Alamy Live News
Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-stone-skulls-found-at-the-templo-mayor-site-they-represent-the-tzompantli-or-skull-racks-where-the-heads-of-sacrificial-victims-were-placed-te-image180148228.htmlRMMD2CW8–Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te
The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-reconstruction-of-the-stone-age-circular-ditch-ringheiligtum-between-106482968.htmlRMG56M34–The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa
Single sheep walking beside metal sheep pen during UK lambing season. Metaphor sheep in wolf's clothing, sheeple, sheep farming UK, victim of crime. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/single-sheep-walking-beside-metal-sheep-pen-during-uk-lambing-season-metaphor-sheep-in-wolfs-clothing-sheeple-sheep-farming-uk-victim-of-crime-image361905770.htmlRM2C0P6E2–Single sheep walking beside metal sheep pen during UK lambing season. Metaphor sheep in wolf's clothing, sheeple, sheep farming UK, victim of crime.
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image366570765.htmlRM2C8AMN1–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-gods-image486771020.htmlRF2K7X9B8–Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods
Memorial of the Victims of Communism and of the Resistance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-of-the-victims-of-communism-and-of-the-resistance-image214332048.htmlRFPCKJM0–Memorial of the Victims of Communism and of the Resistance
Skulls of Aztec sacrifical victims excavated at Templo Mayor, an archeological site in Zócalo, Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/skulls-of-aztec-sacrifical-victims-excavated-at-templo-mayor-an-archeological-site-in-zcalo-mexico-city-image333390134.htmlRM2AAB6EE–Skulls of Aztec sacrifical victims excavated at Templo Mayor, an archeological site in Zócalo, Mexico City.
The Aztec capital. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-aztec-capital-91706622.htmlRMF95GME–The Aztec capital.
PINTURA DE POMPEYA CON ESCENA SACRIFICIAL - SIGLO I. Location: NATIONAL MUSEUM OF ARCHAEOLOGY, NEAPEL, ITALIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pintura-de-pompeya-con-escena-sacrificial-siglo-i-location-national-museum-of-archaeology-neapel-italia-image208976660.htmlRMP3YKT4–PINTURA DE POMPEYA CON ESCENA SACRIFICIAL - SIGLO I. Location: NATIONAL MUSEUM OF ARCHAEOLOGY, NEAPEL, ITALIA.
Detail of a skull on the Tzompantli 'wall of skulls' at Chichen Itza, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-a-skull-on-the-tzompantli-wall-of-skulls-at-chichen-itza-53756567.htmlRMD3CR1B–Detail of a skull on the Tzompantli 'wall of skulls' at Chichen Itza, Mexico
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-chichen-itza-image367420804.htmlRM2C9NCYG–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza.
Izi votive frame; 1. PO. 18th century BC ; Medium Pa 13 dynasty (-1800-00-00--1751-00-00);Chender (Lord of Egypt-CA 1800-1700 A.C.), Deposit of the University of Warsaw of 1937-1939, Dżedtu (CA 1800-1750 A.C.), INET-Ites (CA 1800-1750 A.C.), IZI (CA 1800-1750 A.C.),, Casseti (CA 1800-1750 A.C.), Reditnes-Ni (CA 1800-1750 A.C.), Scene.gal.eg., Senebres (CA 1800-1750 A.C.), Sobekhotep (CA 1800-1750 A.C.), Sacrificial formulas, Hieroglyphs, Hieroglyphs, Lotos (iconogr.), Victims (iconogra. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/izi-votive-frame-1-po-18th-century-bc-medium-pa-13-dynasty-1800-00-00-1751-00-00chender-lord-of-egypt-ca-1800-1700-ac-deposit-of-the-university-of-warsaw-of-1937-1939-dedtu-ca-1800-1750-ac-inet-ites-ca-1800-1750-ac-izi-ca-1800-1750-ac-casseti-ca-1800-1750-ac-reditnes-ni-ca-1800-1750-ac-scenegaleg-senebres-ca-1800-1750-ac-sobekhotep-ca-1800-1750-ac-sacrificial-formulas-hieroglyphs-hieroglyphs-lotos-iconogr-victims-iconogra-image598745668.htmlRM2WP365T–Izi votive frame; 1. PO. 18th century BC ; Medium Pa 13 dynasty (-1800-00-00--1751-00-00);Chender (Lord of Egypt-CA 1800-1700 A.C.), Deposit of the University of Warsaw of 1937-1939, Dżedtu (CA 1800-1750 A.C.), INET-Ites (CA 1800-1750 A.C.), IZI (CA 1800-1750 A.C.),, Casseti (CA 1800-1750 A.C.), Reditnes-Ni (CA 1800-1750 A.C.), Scene.gal.eg., Senebres (CA 1800-1750 A.C.), Sobekhotep (CA 1800-1750 A.C.), Sacrificial formulas, Hieroglyphs, Hieroglyphs, Lotos (iconogr.), Victims (iconogra.
Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cross-as-a-memorial-and-monument-in-the-polish-forest-memorial-and-memorial-for-the-victims-of-the-nazis-in-world-war-ii-image430998109.htmlRF2G15JDH–Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II.
The inside of a communist prison - Memorial of the Victims of Communism and the Resistance, Sighet Memorial, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-inside-of-a-communist-prison-memorial-of-the-victims-of-communism-and-the-resistance-sighet-memorial-romania-image353350443.htmlRF2BETE2K–The inside of a communist prison - Memorial of the Victims of Communism and the Resistance, Sighet Memorial, Romania
standing figure of one of the 'Los Danzantes' a collection of more than 300 bas-reliefs at Monte Alban. Monte Alban, is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotlan Municipality in the southern Mexican state of Oaxaca. Besides being one of the earliest cities of Mesoamerica, Monte Alban's importance stems also from its role as the pre-eminent Zapotec socio-political and economic center for close to a thousand years. Founded toward the end of the Middle Formative period at around 500 BC. One characteristic of Monte Alban is the large number of carved stone monuments on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-figure-of-one-of-the-los-danzantes-a-collection-of-more-than-300-bas-reliefs-at-monte-alban-monte-alban-is-a-large-pre-columbian-archaeological-site-in-the-santa-cruz-xoxocotlan-municipality-in-the-southern-mexican-state-of-oaxaca-besides-being-one-of-the-earliest-cities-of-mesoamerica-monte-albans-importance-stems-also-from-its-role-as-the-pre-eminent-zapotec-socio-political-and-economic-center-for-close-to-a-thousand-years-founded-toward-the-end-of-the-middle-formative-period-at-around-500-bc-one-characteristic-of-monte-alban-is-the-large-number-of-carved-stone-monuments-on-image481868877.htmlRM2JYY0JN–standing figure of one of the 'Los Danzantes' a collection of more than 300 bas-reliefs at Monte Alban. Monte Alban, is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotlan Municipality in the southern Mexican state of Oaxaca. Besides being one of the earliest cities of Mesoamerica, Monte Alban's importance stems also from its role as the pre-eminent Zapotec socio-political and economic center for close to a thousand years. Founded toward the end of the Middle Formative period at around 500 BC. One characteristic of Monte Alban is the large number of carved stone monuments on
Danzante Stones outside of the 'Monumento de los Danzantes' in the ancient Zapotec city of Monte Alban in Oaxaca, Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-danzante-stones-outside-of-the-monumento-de-los-danzantes-in-the-ancient-23469058.htmlRMBA530J–Danzante Stones outside of the 'Monumento de los Danzantes' in the ancient Zapotec city of Monte Alban in Oaxaca, Mexico.
Detail of carvings of skulls on the Tzompantli Platform of Skulls which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-carvings-of-skulls-on-the-tzompantli-platform-of-skulls-image9043239.htmlRMAPMPX8–Detail of carvings of skulls on the Tzompantli Platform of Skulls which once served as a display case for the heads of sacrificial victims at Chichen Itza a Mayan site
Sleman, Yogyakarta, INDONESIA. 3rd June, 2024. A buyer is choosing a goat from the Eid al-Adha 1445 Hijriah sacrifice, in Sleman, Yogyakarta, Indonesia. The seller of the victim's goat, Om Tingkyr, said the price of the goat reached Rp. 3.9 million (Credit Image: © Antonius Jagad SR/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sleman-yogyakarta-indonesia-3rd-june-2024-a-buyer-is-choosing-a-goat-from-the-eid-al-adha-1445-hijriah-sacrifice-in-sleman-yogyakarta-indonesia-the-seller-of-the-victims-goat-om-tingkyr-said-the-price-of-the-goat-reached-rp-39-million-credit-image-antonius-jagad-srzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image608503252.htmlRM2X9YM30–Sleman, Yogyakarta, INDONESIA. 3rd June, 2024. A buyer is choosing a goat from the Eid al-Adha 1445 Hijriah sacrifice, in Sleman, Yogyakarta, Indonesia. The seller of the victim's goat, Om Tingkyr, said the price of the goat reached Rp. 3.9 million (Credit Image: © Antonius Jagad SR/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
stone statue inside the palatine hill in the space of the sacerdotal order of the vestias, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-statue-inside-the-palatine-hill-in-the-space-of-the-sacerdotal-order-of-the-vestias-rome-italy-image574413489.htmlRF2TAEP7D–stone statue inside the palatine hill in the space of the sacerdotal order of the vestias, Rome, Italy
Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-stone-skulls-found-at-the-templo-mayor-site-they-represent-the-tzompantli-or-skull-racks-where-the-heads-of-sacrificial-victims-were-placed-te-image180148232.htmlRMMD2CWC–Aztec stone skulls found at the Templo Mayor site. They represent the tzompantli or skull racks where the heads of sacrificial victims were placed. Te
The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-reconstruction-of-the-stone-age-circular-ditch-ringheiligtum-between-106482965.htmlRMG56M31–The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa
Close-up shot head of mother sheep during the UK lambing season. Metaphor sheep in wolf's clothing, sheeple, sheep farming UK, victim of crime. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-shot-head-of-mother-sheep-during-the-uk-lambing-season-metaphor-sheep-in-wolfs-clothing-sheeple-sheep-farming-uk-victim-of-crime-image361905504.htmlRM2C0P64G–Close-up shot head of mother sheep during the UK lambing season. Metaphor sheep in wolf's clothing, sheeple, sheep farming UK, victim of crime.
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image366570581.htmlRM2C8AMED–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Human sacrifices - Skulls of sacrificial victims on offer to the Aztec deities Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-deities-image486771015.htmlRF2K7X9B3–Human sacrifices - Skulls of sacrificial victims on offer to the Aztec deities
Standing stones with bas relief sculptures, known as Danzantes, Monte Alban, Oaxaca, Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-stones-with-bas-relief-sculptures-known-as-danzantes-monte-image60779413.htmlRMDETMN9–Standing stones with bas relief sculptures, known as Danzantes, Monte Alban, Oaxaca, Mexico.
A memorial stupa filled with sacrificial skulls in Choeung Ek's Killing Field. Cambodia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-memorial-stupa-filled-with-sacrificial-skulls-in-choeung-eks-killing-image152079511.htmlRFJRBPY3–A memorial stupa filled with sacrificial skulls in Choeung Ek's Killing Field. Cambodia
France, Chartres, cathedral, lighting, illuminated, chandelier, sacrificial candles, s/w, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-france-chartres-cathedral-lighting-illuminated-chandelier-sacrificial-123056969.htmlRMH45MBN–France, Chartres, cathedral, lighting, illuminated, chandelier, sacrificial candles, s/w,
An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-aztec-priest-removes-a-mans-heart-in-a-ritual-with-an-obsidian-knife-on-a-sacrificial-stone-and-offers-it-to-the-god-huitzilopochtli-several-young-acolytes-hold-down-the-victim-handcoloured-copperplate-engraving-by-verico-from-giulio-ferrarios-ancient-and-modern-costumes-of-all-the-peoples-of-the-world-florence-italy-1843-image211097671.htmlRMP7C96F–An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.
Detail of skull carvings on the wall of skulls (Tzompantli), Chichen Itza, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-skull-carvings-on-the-wall-of-skulls-tzompantli-chichen-53756790.htmlRMD3CR9A–Detail of skull carvings on the wall of skulls (Tzompantli), Chichen Itza, Mexico
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-chichen-itza-image367424635.htmlRM2C9NHTB–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of Chichen Itza.
Danzantes at Monte Alban, Oaxaca, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/danzantes-at-monte-alban-oaxaca-mexico-image187079884.htmlRFMTA68C–Danzantes at Monte Alban, Oaxaca, Mexico
Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cross-as-a-memorial-and-monument-in-the-polish-forest-memorial-and-memorial-for-the-victims-of-the-nazis-in-world-war-ii-image430998108.htmlRF2G15JDG–Wooden cross as a memorial and monument in the Polish forest. Memorial and memorial for the victims of the Nazis in World War II.
The inside of a communist prison - Memorial of the Victims of Communism and the Resistance, Sighet Memorial, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-inside-of-a-communist-prison-memorial-of-the-victims-of-communism-and-the-resistance-sighet-memorial-romania-image353350528.htmlRF2BETE5M–The inside of a communist prison - Memorial of the Victims of Communism and the Resistance, Sighet Memorial, Romania
Excavated Tzompantli, other wise known as ancient Aztec skull rack or skull banner from MesoAmerican sacrifices at Templo Mayor, Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/excavated-tzompantli-other-wise-known-as-ancient-aztec-skull-rack-or-skull-banner-from-mesoamerican-sacrifices-at-templo-mayor-mexico-city-image333390143.htmlRM2AAB6ER–Excavated Tzompantli, other wise known as ancient Aztec skull rack or skull banner from MesoAmerican sacrifices at Templo Mayor, Mexico City.
A king's household sacrificed: a reconstruction. Leonard Woolley's excavations at Ur in 1928 uncovered evidence of a 5,000 year old human sacrifice at a Sumerian king's burial. The tomb, far right, is broken diagrammatically to reveal the interior. See picture 10279931 for the scene shortly before the sacrifice. Date: 4th millenium BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-kings-household-sacrificed-a-reconstruction-leonard-woolleys-excavations-at-ur-in-1928-uncovered-evidence-of-a-5000-year-old-human-sacrifice-at-a-sumerian-kings-burial-the-tomb-far-right-is-broken-diagrammatically-to-reveal-the-interior-see-picture-10279931-for-the-scene-shortly-before-the-sacrifice-date-4th-millenium-bc-image501371061.htmlRM2M3KBW9–A king's household sacrificed: a reconstruction. Leonard Woolley's excavations at Ur in 1928 uncovered evidence of a 5,000 year old human sacrifice at a Sumerian king's burial. The tomb, far right, is broken diagrammatically to reveal the interior. See picture 10279931 for the scene shortly before the sacrifice. Date: 4th millenium BC
Two Halloween victims imprisoned in a metal cage with a blood splattered wall behind them trying to get out Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-two-halloween-victims-imprisoned-in-a-metal-cage-with-a-blood-splattered-125439255.htmlRMH8271B–Two Halloween victims imprisoned in a metal cage with a blood splattered wall behind them trying to get out
June 3, 2024, Sleman, Yogyakarta, INDONESIA: A buyer is choosing a goat from the Eid al-Adha 1445 Hijriah sacrifice, in Sleman, Yogyakarta, Indonesia. The seller of the victim's goat, Om Tingkyr, said the price of the goat reached Rp. 3.9 million (Credit Image: © Antonius Jagad SR/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/june-3-2024-sleman-yogyakarta-indonesia-a-buyer-is-choosing-a-goat-from-the-eid-al-adha-1445-hijriah-sacrifice-in-sleman-yogyakarta-indonesia-the-seller-of-the-victims-goat-om-tingkyr-said-the-price-of-the-goat-reached-rp-39-million-credit-image-antonius-jagad-srzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image608461171.htmlRM2X9WPC3–June 3, 2024, Sleman, Yogyakarta, INDONESIA: A buyer is choosing a goat from the Eid al-Adha 1445 Hijriah sacrifice, in Sleman, Yogyakarta, Indonesia. The seller of the victim's goat, Om Tingkyr, said the price of the goat reached Rp. 3.9 million (Credit Image: © Antonius Jagad SR/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
stone statue inside the palatine hill in the space of the sacerdotal order of the vestias, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-statue-inside-the-palatine-hill-in-the-space-of-the-sacerdotal-order-of-the-vestias-rome-italy-image574413885.htmlRF2TAEPNH–stone statue inside the palatine hill in the space of the sacerdotal order of the vestias, Rome, Italy
Monte Alban, Mexico. Danzante Figure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monte-alban-mexico-danzante-figure-21026689.htmlRMB65RN5–Monte Alban, Mexico. Danzante Figure
The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-reconstruction-of-the-stone-age-circular-ditch-ringheiligtum-between-106482964.htmlRMG56M30–The reconstruction of the Stone-Age circular ditch 'Ringheiligtum' between Zackmuende and Poemmelte near Barby, Germany, 21 JUne 2016. Roughly 1,800 robinia tree trunks form the outline of the circular ditch that dates back around 4,250 years. So far, 29 ditches for the leftovers of victims of sacrificial rituals were found. PHOTO: JENS WOLF/dpa
Sheep & young lambs standing and gazing startled at camera. For victims of crime, getting fleeced, group think, herd mentality, herd immunity, sheeple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheep-young-lambs-standing-and-gazing-startled-at-camera-for-victims-of-crime-getting-fleeced-group-think-herd-mentality-herd-immunity-sheeple-image361904817.htmlRM2C0P581–Sheep & young lambs standing and gazing startled at camera. For victims of crime, getting fleeced, group think, herd mentality, herd immunity, sheeple
The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-platform-of-the-skulls-or-the-tzompantli-was-used-to-display-the-skulls-of-fallen-enemies-and-sacrificial-victims-in-the-ruins-of-the-great-mayan-image366570608.htmlRM2C8AMFC–The Platform of the Skulls or the Tzompantli was used to display the skulls of fallen enemies and sacrificial victims in the ruins of the great Mayan
Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-gods-image486771022.htmlRF2K7X9BA–Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods
Big stone grave Visbek, Grosssteingrab Visbek Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-big-stone-grave-visbek-grosssteingrab-visbek-135467269.htmlRMHTB1TN–Big stone grave Visbek, Grosssteingrab Visbek
Lviv, Ukraine - July 29, 2018: National Remembrance Museum Prison on Lacki Street in Lviv, Ukraine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lviv-ukraine-july-29-2018-national-remembrance-museum-prison-on-lacki-street-in-lviv-ukraine-image244115980.htmlRFT54CBT–Lviv, Ukraine - July 29, 2018: National Remembrance Museum Prison on Lacki Street in Lviv, Ukraine
Offerings to the saints in Lhasa Tibet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/offerings-to-the-saints-in-lhasa-tibet-image62761770.htmlRFDJ317P–Offerings to the saints in Lhasa Tibet
Roman Art. Pompeii. Altar of Vespasian, Temple of Vespasian (69-79 CE). The relief shows a sacrificial scene: the sacrificer and his aide bring the sacrificial bull, while the priest, a veil over his head, pours the libation over a tripod. Archaeological Site. Pompeii. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-art-pompeii-altar-of-vespasian-temple-of-vespasian-69-79-ce-the-relief-shows-a-sacrificial-scene-the-sacrificer-and-his-aide-bring-the-sacrificial-bull-while-the-priest-a-veil-over-his-head-pours-the-libation-over-a-tripod-archaeological-site-pompeii-italy-image209572581.htmlRMP4XRY1–Roman Art. Pompeii. Altar of Vespasian, Temple of Vespasian (69-79 CE). The relief shows a sacrificial scene: the sacrificer and his aide bring the sacrificial bull, while the priest, a veil over his head, pours the libation over a tripod. Archaeological Site. Pompeii. Italy.
Search Results for Sacrificial victims Stock Photos and Images (452)
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