Drawings and Prints, Print, The Sailor and Banker, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-the-sailor-and-banker-publisher-artist-after-162554528.html
RMKCCYXT–Drawings and Prints, Print, The Sailor and Banker, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson
. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 500 St. Peter's College Cambridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-st-peters-college-cambridge-1815-rudolph-ackermann-500-st-peters-college-cambridge-image189122178.html
RMMYK77E–. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 500 St. Peter's College Cambridge
British Institution (Pall Mall) by Rudolph Ackermann. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-institution-pall-mall-by-rudolph-ackermann-image220634967.html
RMPPXP47–British Institution (Pall Mall) by Rudolph Ackermann.
All Souls College, 1814. All Souls College is a constituent college of the University of Oxford in England. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/all-souls-college-1814-all-souls-college-is-a-constituent-college-of-the-university-of-oxford-in-england-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788635.html
RM2JD5AMB–All Souls College, 1814. All Souls College is a constituent college of the University of Oxford in England. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
Lambeth Palace. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lambeth-palace-circa-1808-after-a-work-by-august-pugin-and-thomas-rowlandson-in-the-microcosm-of-london-published-in-three-volumes-between-1808-and-1810-by-rudolph-ackermann-pugin-was-the-artist-responsible-for-the-architectural-elements-in-the-microcosm-pictures-thomas-rowlandson-was-hired-to-add-the-lively-human-figures-image487274181.html
RM2K8N759–Lambeth Palace. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
Candelabrum, stool and reading table, 1812. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/candelabrum-stool-and-reading-table-1812-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image371210763.html
RM2CFX337–Candelabrum, stool and reading table, 1812. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Art inspired by Drawings and Prints, Print, The Dinner Spoil'd!, Matrimonial Comforts, Publisher, Artist, After, Rudolph Ackermann, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-the-dinner-spoild!-matrimonial-comforts-publisher-artist-after-rudolph-ackermann-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463067391.html
RF2HWAF53–Art inspired by Drawings and Prints, Print, The Dinner Spoil'd!, Matrimonial Comforts, Publisher, Artist, After, Rudolph Ackermann, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rudolph ackermann february volume 1 plate 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-february-volume-1-plate-6-image387022728.html
RM2DDJBC8–rudolph ackermann february volume 1 plate 6
A print coloured engraving of an inside view of Waterloo Bridge from Somerset House terrace London in 1818 Publisher Rudolph Ackermann 19th century skyline and cityscape historical perspective etching watercolour Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-print-coloured-engraving-of-an-inside-view-of-waterloo-bridge-from-somerset-house-terrace-london-in-1818-publisher-rudolph-ackermann-19th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-image609136669.html
RM2XB0G11–A print coloured engraving of an inside view of Waterloo Bridge from Somerset House terrace London in 1818 Publisher Rudolph Ackermann 19th century skyline and cityscape historical perspective etching watercolour
SOUTH SEA COMPANY: THE DIVIDEND HALL from Rudolph Ackermann's The Microcosm of London published in 1808-9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-south-sea-company-the-dividend-hall-from-rudolph-ackermanns-the-microcosm-88962002.html
RMF4MFXA–SOUTH SEA COMPANY: THE DIVIDEND HALL from Rudolph Ackermann's The Microcosm of London published in 1808-9
British Museum, Holborn, London, c1810. Artist: Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-museum-holborn-london-c1810-artist-rudolph-ackermann-image60085606.html
RMW7CK5D–Treadmill at Brixton prison, London, 1827. Artist: Rudolph Ackermann
Candelabrum, stool and reading table, 1812. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/candelabrum-stool-and-reading-table-1812-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image571830638.html
RM2T693PP–Candelabrum, stool and reading table, 1812. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
General Post Office, Lombard Street, London. Letters being sorted.Aquatint after Pugin and Rowlandson published London c1808. From Rudolph Ackermann 'London'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-general-post-office-lombard-street-london-letters-being-sortedaquatint-135679086.html
RMHTMM1J–General Post Office, Lombard Street, London. Letters being sorted.Aquatint after Pugin and Rowlandson published London c1808. From Rudolph Ackermann 'London'.
Engravings of the Dartmoor prison and the English barracks, Princetown, England, from the book 'The Repository of arts, literature, commerce, manufactures, fashions and politics' by Rudolph Ackermann, 1809. Courtesy Internet Archive. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engravings-of-the-dartmoor-prison-and-the-english-barracks-princetown-england-from-the-book-the-repository-of-arts-literature-commerce-manufactures-fashions-and-politics-by-rudolph-ackermann-1809-courtesy-internet-archive-image248422716.html
RMTC4HKT–Engravings of the Dartmoor prison and the English barracks, Princetown, England, from the book 'The Repository of arts, literature, commerce, manufactures, fashions and politics' by Rudolph Ackermann, 1809. Courtesy Internet Archive. ()
Rudolph Ackermann London Waterloo-Bridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rudolph-ackermann-london-waterloo-bridge-134882754.html
RMHRCC96–Rudolph Ackermann London Waterloo-Bridge
Royal Circus by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-circus-by-rudolph-ackermann-image152782910.html
RMJTFT4E–Royal Circus by Rudolph Ackermann
THE CONSERVATORY AT CARLTON HOUSE. Author Ackermann, Rudolph 26.1.b. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [July 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 22.5 x 27.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-conservatory-at-carlton-house-author-ackermann-rudolph-261b-place-of-publication-london-publisher-rudolph-ackermann-date-of-publication-july-1811-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-225-x-272-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401757074.html
RM2E9HH6X–THE CONSERVATORY AT CARLTON HOUSE. Author Ackermann, Rudolph 26.1.b. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [July 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 22.5 x 27.2 cm Former owner: George III, King of Great Britain, 1738-1820
Drawings and Prints, Print, How Do You Do, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-how-do-you-do-publisher-artist-after-rudolph-162554562.html
RMKCD002–Drawings and Prints, Print, How Do You Do, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward
. English: Thomas Rotherham, Archbishop of York . early 19th century. Rudolph Ackermann 55 Archbishop Thomas Rotherham Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-thomas-rotherham-archbishop-of-york-early-19th-century-rudolph-ackermann-55-archbishop-thomas-rotherham-image188125114.html
RMMX1RE2–. English: Thomas Rotherham, Archbishop of York . early 19th century. Rudolph Ackermann 55 Archbishop Thomas Rotherham
My Service To You 1959 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/my-service-to-you-1959-by-rudolph-ackermann-london-image575277463.html
RM2TBX47K–My Service To You 1959 by Rudolph Ackermann, London
Oriel College, 1814. Oriel College is a constituent college of the University of Oxford, Oxford, England. Located in Oriel Square, the college is the oldest royal foundation in Oxford. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oriel-college-1814-oriel-college-is-a-constituent-college-of-the-university-of-oxford-oxford-england-located-in-oriel-square-the-college-is-the-oldest-royal-foundation-in-oxford-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788661.html
RM2JD5AN9–Oriel College, 1814. Oriel College is a constituent college of the University of Oxford, Oxford, England. Located in Oriel Square, the college is the oldest royal foundation in Oxford. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
Coal Exchange. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coal-exchange-circa-1808-after-a-work-by-august-pugin-and-thomas-rowlandson-in-the-microcosm-of-london-published-in-three-volumes-between-1808-and-1810-by-rudolph-ackermann-pugin-was-the-artist-responsible-for-the-architectural-elements-in-the-microcosm-pictures-thomas-rowlandson-was-hired-to-add-the-lively-human-figures-image487274179.html
RM2K8N757–Coal Exchange. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
French library curtains, 1812. Drapery hanging from brass rosettes, ornamented with line and tassels. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-library-curtains-1812-drapery-hanging-from-brass-rosettes-ornamented-with-line-and-tassels-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image371210677.html
RM2CFX305–French library curtains, 1812. Drapery hanging from brass rosettes, ornamented with line and tassels. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Art inspired by Drawings and Prints, Print, My Service To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-my-service-to-you-publisher-artist-after-rudolph-ackermann-george-moutard-woodward-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463067446.html
RF2HWAF72–Art inspired by Drawings and Prints, Print, My Service To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rudolph ackermann repository of arts 1809 april wood cut 4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-repository-of-arts-1809-april-wood-cut-4-image387022650.html
RM2DDJB9E–rudolph ackermann repository of arts 1809 april wood cut 4
A humerous cartoon print coloured engraving of The sea is open trade revives, renewed friendship between the Netherlands and Great Britain published by Rudolph Ackermann 1813 watercoloured etching on paper Human caricatures Georgian era Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-humerous-cartoon-print-coloured-engraving-of-the-sea-is-open-trade-revives-renewed-friendship-between-the-netherlands-and-great-britain-published-by-rudolph-ackermann-1813-watercoloured-etching-on-paper-human-caricatures-georgian-era-image609137007.html
RM2XB0GD3–A humerous cartoon print coloured engraving of The sea is open trade revives, renewed friendship between the Netherlands and Great Britain published by Rudolph Ackermann 1813 watercoloured etching on paper Human caricatures Georgian era
CHRISTIE'S AUCTION ROOMS Engraving from 'The Microcosm of London' published by Rudolph Ackermann in 1808. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christies-auction-rooms-engraving-from-the-microcosm-of-london-published-89360497.html
RMF5AM69–CHRISTIE'S AUCTION ROOMS Engraving from 'The Microcosm of London' published by Rudolph Ackermann in 1808.
RMDDMJK4–Election in Covent Garden, London, 1818. Artist: Rudolph Ackermann
Milk-sourer and his wife: India. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-milk-sourer-and-his-wife-india-hand-coloured-engraving-published-rudolph-57288221.html
RMD95KKW–Milk-sourer and his wife: India. Hand-coloured engraving published Rudolph Ackermann, London, 1822.
'The Great Subscription Room at Brooks's, St. James's Street, London', 1808, (1947). Interior of Brooks's gentlemen's club showing the segmental barrel vault ceiling. Gambling is in progress, with members playing roulette and games of cards. The club dates back to the 18th century. From "The Microcosm of London". [Rudolph Ackermann, London, 1808]. Published in "British Clubs", by Bernard Darwin. [Collins, London, 1947] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-subscription-room-at-brookss-st-jamess-street-london-1808-1947-interior-of-brookss-gentlemens-club-showing-the-segmental-barrel-vault-ceiling-gambling-is-in-progress-with-members-playing-roulette-and-games-of-cards-the-club-dates-back-to-the-18th-century-from-quotthe-microcosm-of-londonquot-rudolph-ackermann-london-1808-published-in-quotbritish-clubsquot-by-bernard-darwin-collins-london-1947-image336845069.html
RM2AG0H91–'The Great Subscription Room at Brooks's, St. James's Street, London', 1808, (1947). Interior of Brooks's gentlemen's club showing the segmental barrel vault ceiling. Gambling is in progress, with members playing roulette and games of cards. The club dates back to the 18th century. From "The Microcosm of London". [Rudolph Ackermann, London, 1808]. Published in "British Clubs", by Bernard Darwin. [Collins, London, 1947]
Title page with calligraphic title and vignette of woman dancing with children. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Coombes The Dance of Life, Rudolph Ackermann, London, 1817. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-with-calligraphic-title-and-vignette-of-woman-dancing-with-children-handcoloured-copperplate-engraving-after-an-illustration-by-thomas-rowlandson-from-william-coombes-the-dance-of-life-rudolph-ackermann-london-1817-image359086318.html
RM2BT5P7A–Title page with calligraphic title and vignette of woman dancing with children. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Coombes The Dance of Life, Rudolph Ackermann, London, 1817.
Indian Perfumer. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/indian-perfumer-hand-coloured-engraving-published-rudolph-ackermann-london-1822-image257301916.html
RMTXH364–Indian Perfumer. Hand-coloured engraving published Rudolph Ackermann, London, 1822.
Drawing 'Clumber, the Seat of the Duke of Newcastle, Nottinghamshire' by William Westall, from the book 'The Repository of arts, literature, commerce, manufactures, fashions, and politics' by Rudolph Ackermann, 1817. Courtesy Internet Archive. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-clumber-the-seat-of-the-duke-of-newcastle-nottinghamshire-by-william-westall-from-the-book-the-repository-of-arts-literature-commerce-manufactures-fashions-and-politics-by-rudolph-ackermann-1817-courtesy-internet-archive-image245273610.html
RMT714YP–Drawing 'Clumber, the Seat of the Duke of Newcastle, Nottinghamshire' by William Westall, from the book 'The Repository of arts, literature, commerce, manufactures, fashions, and politics' by Rudolph Ackermann, 1817. Courtesy Internet Archive. ()
The Roman Catholic Chapel by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-roman-catholic-chapel-by-rudolph-ackermann-image152786453.html
RMJTG0K1–The Roman Catholic Chapel by Rudolph Ackermann
ACKERMANN'S REPOSITORY OF ARTS, 101 STRAND Author Ackermann, Rudolph 27.16.1. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: Jany 1809. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 13.9 x 22.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ackermanns-repository-of-arts-101-strand-author-ackermann-rudolph-27161-place-of-publication-london-publisher-rudolph-ackermann-date-of-publication-jany-1809-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-139-x-229-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401757377.html
RM2E9HHHN–ACKERMANN'S REPOSITORY OF ARTS, 101 STRAND Author Ackermann, Rudolph 27.16.1. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: Jany 1809. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 13.9 x 22.9 cm Former owner: George III, King of Great Britain, 1738-1820
Drawings and Prints, Print, My Service To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-my-service-to-you-publisher-artist-after-162554558.html
RMKCCYYX–Drawings and Prints, Print, My Service To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward
. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 572 St. Peter's College Cambridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-st-peters-college-cambridge-1815-rudolph-ackermann-572-st-peters-college-cambridge-image187821435.html
RMMWG04B–. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 572 St. Peter's College Cambridge
Whitehall 1959 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/whitehall-1959-by-rudolph-ackermann-london-image591077480.html
RM2W9HWA0–Whitehall 1959 by Rudolph Ackermann, London
Jesus College Chapel, 1814. Jesus College is one of the constituent colleges of the University of Oxford in England. The chapel was dedicated on 28th May 1621, and extended in 1636. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-college-chapel-1814-jesus-college-is-one-of-the-constituent-colleges-of-the-university-of-oxford-in-england-the-chapel-was-dedicated-on-28th-may-1621-and-extended-in-1636-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788648.html
RM2JD5AMT–Jesus College Chapel, 1814. Jesus College is one of the constituent colleges of the University of Oxford in England. The chapel was dedicated on 28th May 1621, and extended in 1636. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
Custom House from the River Thames. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/custom-house-from-the-river-thames-circa-1808-after-a-work-by-august-pugin-and-thomas-rowlandson-in-the-microcosm-of-london-published-in-three-volumes-between-1808-and-1810-by-rudolph-ackermann-pugin-was-the-artist-responsible-for-the-architectural-elements-in-the-microcosm-pictures-thomas-rowlandson-was-hired-to-add-the-lively-human-figures-image487274165.html
RM2K8N74N–Custom House from the River Thames. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
Bedroom chairs, 1814. Japanned to imitate bamboo 1, black or rosewood ornamented with gilt 2,3. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bedroom-chairs-1814-japanned-to-imitate-bamboo-1-black-or-rosewood-ornamented-with-gilt-23-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image371210699.html
RM2CFX30Y–Bedroom chairs, 1814. Japanned to imitate bamboo 1, black or rosewood ornamented with gilt 2,3. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Art inspired by Drawings and Prints, Print, How Do You Do, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-how-do-you-do-publisher-artist-after-rudolph-ackermann-thomas-rowlandson-george-woodward-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463067427.html
RF2HWAF6B–Art inspired by Drawings and Prints, Print, How Do You Do, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rudolph ackermann repository of arts volume 1 february plate 8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-repository-of-arts-volume-1-february-plate-8-image387022990.html
RM2DDJBNJ–rudolph ackermann repository of arts volume 1 february plate 8
A print coloured engraving of an inside view of the Quadrant Regent Street London in 1822 19th century skyline and cityscape historical perspective etching watercolour Printmaker John Bluck after Thomas Hosmer Shepherd, published by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-print-coloured-engraving-of-an-inside-view-of-the-quadrant-regent-street-london-in-1822-19th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-printmaker-john-bluck-after-thomas-hosmer-shepherd-published-by-rudolph-ackermann-image609136106.html
RM2XB0F8X–A print coloured engraving of an inside view of the Quadrant Regent Street London in 1822 19th century skyline and cityscape historical perspective etching watercolour Printmaker John Bluck after Thomas Hosmer Shepherd, published by Rudolph Ackermann
ETON COLLEGE The Upper School from 'A History of the College' published by Rudolph Ackermann in 1816. Three Ushers (teachers) are tutoring the students Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eton-college-the-upper-school-from-a-history-of-the-college-published-89360505.html
RMF5AM6H–ETON COLLEGE The Upper School from 'A History of the College' published by Rudolph Ackermann in 1816. Three Ushers (teachers) are tutoring the students
View of Old Bailey, looking north, City of London, 1814. Artist: Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-old-bailey-looking-north-city-of-london-1814-artist-rudolph-image60103568.html
RMDDNXM0–View of Old Bailey, looking north, City of London, 1814. Artist: Rudolph Ackermann
Dyeing skeins of silk, India. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dyeing-skeins-of-silk-india-hand-coloured-engraving-published-rudolph-57288187.html
RMD95KJK–Dyeing skeins of silk, India. Hand-coloured engraving published Rudolph Ackermann, London, 1822.
‘View of Somerset House and the New Church in the Strand, published by Ackermann, 1809.’ Looking east along the Strand towards St Mary-Le-Strand; Somerset House on the right; figures and horses and carts in the street. View of Somerset House and the New Church in the Strand. Rudolph Ackermann, 101. Strand LONDON., [July 1809]. Source: Maps.K.Top.25.6.b. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-somerset-house-and-the-new-church-in-the-strand-published-by-ackermann-1809-looking-east-along-the-strand-towards-st-mary-le-strand-somerset-house-on-the-right-figures-and-horses-and-carts-in-the-street-view-of-somerset-house-and-the-new-church-in-the-strand-rudolph-ackermann-101-strand-london-july-1809-source-mapsktop256b-image226822048.html
RMR50HRC–‘View of Somerset House and the New Church in the Strand, published by Ackermann, 1809.’ Looking east along the Strand towards St Mary-Le-Strand; Somerset House on the right; figures and horses and carts in the street. View of Somerset House and the New Church in the Strand. Rudolph Ackermann, 101. Strand LONDON., [July 1809]. Source: Maps.K.Top.25.6.b.
Young English gentlemen racing four-horse carriages on a road. iHandcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-english-gentlemen-racing-four-horse-carriages-on-a-road-ihandcoloured-copperplate-engraving-after-an-illustration-by-thomas-rowlandson-from-william-combes-the-dance-of-life-rudolph-ackermann-london-1817-image359080836.html
RM2BT5F7G–Young English gentlemen racing four-horse carriages on a road. iHandcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.
Dyeing skeins of silk, India. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dyeing-skeins-of-silk-india-hand-coloured-engraving-published-rudolph-ackermann-london-1822-image257302152.html
RMTXH3EG–Dyeing skeins of silk, India. Hand-coloured engraving published Rudolph Ackermann, London, 1822.
Drawing 'Mount Edgecumbe the Seat of the Earl of Mount Edgcumbe, Cornwall' by Rudolph Ackermann, from the book 'The Repository of arts, literature, commerce, manufactures, fashions, and politics' by Rudolph Ackermann, 1817. Courtesy Internet Archive. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-mount-edgecumbe-the-seat-of-the-earl-of-mount-edgcumbe-cornwall-by-rudolph-ackermann-from-the-book-the-repository-of-arts-literature-commerce-manufactures-fashions-and-politics-by-rudolph-ackermann-1817-courtesy-internet-archive-image245273605.html
RMT714YH–Drawing 'Mount Edgecumbe the Seat of the Earl of Mount Edgcumbe, Cornwall' by Rudolph Ackermann, from the book 'The Repository of arts, literature, commerce, manufactures, fashions, and politics' by Rudolph Ackermann, 1817. Courtesy Internet Archive. ()
The Roman Catholic Chapel by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-roman-catholic-chapel-by-rudolph-ackermann-137399099.html
RMHYF1XK–The Roman Catholic Chapel by Rudolph Ackermann
Society for the Encouragement of Arts, &c. Adelphi by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/society-for-the-encouragement-of-arts-c-adelphi-by-rudolph-ackermann-image152819411.html
RMJTHEM3–Society for the Encouragement of Arts, &c. Adelphi by Rudolph Ackermann
View of LADY'S TOWER, GOODRICH CASTLE, Herefordshire. Author Manskirch, Franz Joseph 15.108.e. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 28.3 x 33.2 cm (trimmed below platemark, removing the publication information from the bottom) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-ladys-tower-goodrich-castle-herefordshire-author-manskirch-franz-joseph-15108e-place-of-publication-london-publisher-rudolph-ackermann-date-of-publication-october-1-1798-item-type-1-print-medium-soft-ground-etching-dimensions-sheet-283-x-332-cm-trimmed-below-platemark-removing-the-publication-information-from-the-bottom-former-owner-george-iii-king-of-great-britain-1738-1820-image401745777.html
RM2E9H2RD–View of LADY'S TOWER, GOODRICH CASTLE, Herefordshire. Author Manskirch, Franz Joseph 15.108.e. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 28.3 x 33.2 cm (trimmed below platemark, removing the publication information from the bottom) Former owner: George III, King of Great Britain, 1738-1820
Drawings and Prints, Print, Good Morning To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-good-morning-to-you-publisher-artist-after-162554564.html
RMKCD004–Drawings and Prints, Print, Good Morning To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward
. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 572 St. Peter's College Cambridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-st-peters-college-cambridge-1815-rudolph-ackermann-572-st-peters-college-cambridge-image188330691.html
RMMXB5M3–. English: St. Peter's College, Cambridge . 1815. Rudolph Ackermann 572 St. Peter's College Cambridge
Despair 1959 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/despair-1959-by-rudolph-ackermann-london-image575277451.html
RM2TBX477–Despair 1959 by Rudolph Ackermann, London
Wadham College Chapel, 1814. After Frederick Mackenzie (c1788-1854). Wadham College is one of the constituent colleges of the University of Oxford, England. The screen in the Chapel was carved by John Bolton. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wadham-college-chapel-1814-after-frederick-mackenzie-c1788-1854-wadham-college-is-one-of-the-constituent-colleges-of-the-university-of-oxford-england-the-screen-in-the-chapel-was-carved-by-john-bolton-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788675.html
RM2JD5ANR–Wadham College Chapel, 1814. After Frederick Mackenzie (c1788-1854). Wadham College is one of the constituent colleges of the University of Oxford, England. The screen in the Chapel was carved by John Bolton. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
British Institution. Pall Mall. Circa 1808. The full name of the Institution was British Institution for Promoting the Fine Arts in the United Kingdom. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-institution-pall-mall-circa-1808-the-full-name-of-the-institution-was-british-institution-for-promoting-the-fine-arts-in-the-united-kingdom-after-a-work-by-august-pugin-and-thomas-rowlandson-in-the-microcosm-of-london-published-in-three-volumes-between-1808-and-1810-by-rudolph-ackermann-pugin-was-the-artist-responsible-for-the-architectural-elements-in-the-microcosm-pictures-thomas-rowlandson-was-hired-to-add-the-lively-human-figures-image487274174.html
RM2K8N752–British Institution. Pall Mall. Circa 1808. The full name of the Institution was British Institution for Promoting the Fine Arts in the United Kingdom. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
Military couch bed, 1811. Metamorphic furniture that can be used as both sofa and bed, decorated with fringed draperies hanging from gilt spears. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-couch-bed-1811-metamorphic-furniture-that-can-be-used-as-both-sofa-and-bed-decorated-with-fringed-draperies-hanging-from-gilt-spears-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image371210819.html
RM2CFX357–Military couch bed, 1811. Metamorphic furniture that can be used as both sofa and bed, decorated with fringed draperies hanging from gilt spears. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Art inspired by Drawings and Prints, Print, Good Speculation!, Comforts of the City, Publisher, Artist, After, Rudolph Ackermann, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-good-speculation!-comforts-of-the-city-publisher-artist-after-rudolph-ackermann-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463067374.html
RF2HWAF4E–Art inspired by Drawings and Prints, Print, Good Speculation!, Comforts of the City, Publisher, Artist, After, Rudolph Ackermann, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rudolph ackermann repository of arts volume 1 february plate 7 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-repository-of-arts-volume-1-february-plate-7-image387022803.html
RM2DDJBEY–rudolph ackermann repository of arts volume 1 february plate 7
A print coloured engraving of an inside view of the Quadrant Regent Street London in 1822 Publisher 19th century skyline and cityscape historical perspective etching watercolour Printmaker John Bluck after Thomas Hosmer Shepherd, published by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-print-coloured-engraving-of-an-inside-view-of-the-quadrant-regent-street-london-in-1822-publisher-19th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-printmaker-john-bluck-after-thomas-hosmer-shepherd-published-by-rudolph-ackermann-image609136486.html
RM2XB0FPE–A print coloured engraving of an inside view of the Quadrant Regent Street London in 1822 Publisher 19th century skyline and cityscape historical perspective etching watercolour Printmaker John Bluck after Thomas Hosmer Shepherd, published by Rudolph Ackermann
Rudolph Ackermann London Waterloo-Bridge. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-london-waterloo-bridge-image456179036.html
RM2HE4N0C–Rudolph Ackermann London Waterloo-Bridge.
Gezicht op Nuffield Lodge, te Londen View Nuffield Lodge, formerly called Grove Lodge, London. Manufacture creator: printmaker: anonymous publisher Rudolph Ackermann (listed property) Place manufacture: London Date: 1828 Material: paper Technique: aquatint / etching / hand color dimensions: sheet: h 146 mm × W 229 mm Subject: Villa Park where Regent's Park Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-nuffield-lodge-te-londen-view-nuffield-lodge-formerly-called-grove-lodge-london-manufacture-creator-printmaker-anonymous-publisher-rudolph-ackermann-listed-property-place-manufacture-london-date-1828-material-paper-technique-aquatint-etching-hand-color-dimensions-sheet-h-146-mm-w-229-mm-subject-villa-park-where-regents-park-image348385638.html
RM2B6P9C6–Gezicht op Nuffield Lodge, te Londen View Nuffield Lodge, formerly called Grove Lodge, London. Manufacture creator: printmaker: anonymous publisher Rudolph Ackermann (listed property) Place manufacture: London Date: 1828 Material: paper Technique: aquatint / etching / hand color dimensions: sheet: h 146 mm × W 229 mm Subject: Villa Park where Regent's Park
Indian woman winding silk thread. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-indian-woman-winding-silk-thread-hand-coloured-engraving-published-57288209.html
The interior of Ackermann's Repository of Arts on the Strand; prints, paintings and sculpture on the walls and in cabinets; figures perusing folios and studying works of art. Bears etched inscriptions 'For No1' in the lower right-hand corner and 'Plate 2' in the upper right-hand corner. . Ackermann's Repository of Arts, 101 Strand. [London] : [Rudolph Ackermann], January 1809. Source: Maps.K.Top.27.16.1,. Language: English. Author: ACKERMANN, RUDOLPH. Rowlandson. Pugin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-interior-of-ackermanns-repository-of-arts-on-the-strand-prints-paintings-and-sculpture-on-the-walls-and-in-cabinets-figures-perusing-folios-and-studying-works-of-art-bears-etched-inscriptions-for-no1-in-the-lower-right-hand-corner-and-plate-2-in-the-upper-right-hand-corner-ackermanns-repository-of-arts-101-strand-london-rudolph-ackermann-january-1809-source-mapsktop27161-language-english-author-ackermann-rudolph-rowlandson-pugin-image227047307.html
RMR5AW4B–The interior of Ackermann's Repository of Arts on the Strand; prints, paintings and sculpture on the walls and in cabinets; figures perusing folios and studying works of art. Bears etched inscriptions 'For No1' in the lower right-hand corner and 'Plate 2' in the upper right-hand corner. . Ackermann's Repository of Arts, 101 Strand. [London] : [Rudolph Ackermann], January 1809. Source: Maps.K.Top.27.16.1,. Language: English. Author: ACKERMANN, RUDOLPH. Rowlandson. Pugin.
English gentleman marrying his bride in a stately home before family and staff. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-gentleman-marrying-his-bride-in-a-stately-home-before-family-and-staff-handcoloured-copperplate-engraving-after-an-illustration-by-thomas-rowlandson-from-william-combes-the-dance-of-life-rudolph-ackermann-london-1817-image359080006.html
RM2BT5E5X–English gentleman marrying his bride in a stately home before family and staff. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.
Milk-sourer and his wife: India. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milk-sourer-and-his-wife-india-hand-coloured-engraving-published-rudolph-ackermann-london-1822-image257301986.html
RMTXH38J–Milk-sourer and his wife: India. Hand-coloured engraving published Rudolph Ackermann, London, 1822.
'Dormitory of Westminster school' . Vintage Print from The history of Westminster school. by Rudolph Ackermann, 1820s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dormitory-of-westminster-school-vintage-print-from-the-history-of-westminster-school-by-rudolph-ackermann-1820s-image603131959.html
RM2X170Y3–'Dormitory of Westminster school' . Vintage Print from The history of Westminster school. by Rudolph Ackermann, 1820s
British Institution (Pall Mall) by Rudolph Ackermann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-british-institution-pall-mall-by-rudolph-ackermann-137393866.html
RMHYER7P–British Institution (Pall Mall) by Rudolph Ackermann
Princess Amelia by John Samuel Agar, published by Rudolph Ackermann, after Anne Mee (née Foldsone) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-princess-amelia-by-john-samuel-agar-published-by-rudolph-ackermann-147628707.html
RMJG51WR–Princess Amelia by John Samuel Agar, published by Rudolph Ackermann, after Anne Mee (née Foldsone)
Four Rows of Musicians and Dancers Publisher Rudolph Ackermann, London British 1817 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-rows-of-musicians-and-dancers-publisher-rudolph-ackermann-london-british-1817-image569504374.html
RM2T2F4HX–Four Rows of Musicians and Dancers Publisher Rudolph Ackermann, London British 1817
Drawings and Prints, Print, Tax Gatherer, Country Characters, After, Rudolph Ackermann, George Moutard Woodward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-tax-gatherer-country-characters-after-rudolph-162554576.html
RMKCD00G–Drawings and Prints, Print, Tax Gatherer, Country Characters, After, Rudolph Ackermann, George Moutard Woodward
. English: Richard Fleming, Archbishop of York . early 19th century. Rudolph Ackermann 54 Archbishop Richard Fleming Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-richard-fleming-archbishop-of-york-early-19th-century-rudolph-ackermann-54-archbishop-richard-fleming-image187637841.html
RMMW7HYD–. English: Richard Fleming, Archbishop of York . early 19th century. Rudolph Ackermann 54 Archbishop Richard Fleming
Veneration 1959 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/veneration-1959-by-rudolph-ackermann-london-image575374932.html
RM2TC2GGM–Veneration 1959 by Rudolph Ackermann, London
The Canterbury Quadrangle, 1814. After Augustus Charles Pugin (1762-1832). The Canterbury Quadrangle is one of the quadrangles of Christ Church, Oxford, England. It stands on the site of the former Canterbury College. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-canterbury-quadrangle-1814-after-augustus-charles-pugin1762-1832-the-canterbury-quadrangle-is-one-of-the-quadrangles-of-christ-church-oxford-england-it-stands-on-the-site-of-the-former-canterbury-college-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788664.html
RM2JD5ANC–The Canterbury Quadrangle, 1814. After Augustus Charles Pugin (1762-1832). The Canterbury Quadrangle is one of the quadrangles of Christ Church, Oxford, England. It stands on the site of the former Canterbury College. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
Rudolph Ackermann's London shop Repository of Arts which he moved from its earlier location in Pall Mall to 101 The Strand in 1794. After an 1809 work by Thomas Rowlandson and Augustus Charles Pugin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermanns-london-shop-repository-of-arts-which-he-moved-from-its-earlier-location-in-pall-mall-to-101-the-strand-in-1794-after-an-1809-work-by-thomas-rowlandson-and-augustus-charles-pugin-image455568861.html
RM2HD4XMD–Rudolph Ackermann's London shop Repository of Arts which he moved from its earlier location in Pall Mall to 101 The Strand in 1794. After an 1809 work by Thomas Rowlandson and Augustus Charles Pugin.
Ordonnateur or organizer for musical scores, stool, music stand and footrest in a matching style. Furniture for a Music Room, 1815. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ordonnateur-or-organizer-for-musical-scores-stool-music-stand-and-footrest-in-a-matching-style-furniture-for-a-music-room-1815-handcoloured-copperplate-engraving-from-the-upholsterers-and-cabinet-makers-repository-consisting-of-seventy-six-designs-of-modern-and-fashionable-furniture-rudolph-ackermann-london-1830-image371029078.html
RM2CFHRAE–Ordonnateur or organizer for musical scores, stool, music stand and footrest in a matching style. Furniture for a Music Room, 1815. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Art inspired by Drawings and Prints, Print, The Sailor and Banker, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-the-sailor-and-banker-publisher-artist-after-rudolph-ackermann-thomas-rowlandson-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463067351.html
RF2HWAF3K–Art inspired by Drawings and Prints, Print, The Sailor and Banker, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
rudolph ackermann repository of arts year 1809 plate 18 volume 1 april Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rudolph-ackermann-repository-of-arts-year-1809-plate-18-volume-1-april-image387022434.html
RM2DDJB1P–rudolph ackermann repository of arts year 1809 plate 18 volume 1 april
Print, America; Published by Rudolph Ackermann (English, b. Germany, 1764–1834); England; engraving with black ink on green paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-america-published-by-rudolph-ackermann-english-b-germany-17641834-england-engraving-with-black-ink-on-green-paper-image546118780.html
RM2PMDT24–Print, America; Published by Rudolph Ackermann (English, b. Germany, 1764–1834); England; engraving with black ink on green paper
The Crescent, Portland Place, Rudolph Ackermann 1822 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crescent-portland-place-rudolph-ackermann-1822-image477911736.html
Library A library (title object) Upper right numbered : Plate 2. Manufacturer : printmaker: anonymous publisher Rudolph Ackermann (listed property) Place manufacture: London Date: Jul 1813 Physical features: aquatint, hand-colored material: paper Technique: aquatint / hand color dimensions: sheet: h 146 mm × b 234 mmToelichtingPrent origin: Ackermann's Repository of arts, literature, commerce, manufactures, fashions, and politics. Subject: public library Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/library-a-library-title-object-upper-right-numbered-plate-2-manufacturer-printmaker-anonymous-publisher-rudolph-ackermann-listed-property-place-manufacture-london-date-jul-1813-physical-features-aquatint-hand-colored-material-paper-technique-aquatint-hand-color-dimensions-sheet-h-146-mm-b-234-mmtoelichtingprent-origin-ackermanns-repository-of-arts-literature-commerce-manufactures-fashions-and-politics-subject-public-library-image348197064.html
RM2B6DMWC–Library A library (title object) Upper right numbered : Plate 2. Manufacturer : printmaker: anonymous publisher Rudolph Ackermann (listed property) Place manufacture: London Date: Jul 1813 Physical features: aquatint, hand-colored material: paper Technique: aquatint / hand color dimensions: sheet: h 146 mm × b 234 mmToelichtingPrent origin: Ackermann's Repository of arts, literature, commerce, manufactures, fashions, and politics. Subject: public library
Indian woman winding cotton yarn. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-indian-woman-winding-cotton-yarn-hand-coloured-engraving-published-57288175.html
A humerous print coloured engraving of The sea is open trade revives published by Rudolph Ackermann 1813 watercoloured etching on paper Human caricatures Georgian era satire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-humerous-print-coloured-engraving-of-the-sea-is-open-trade-revives-published-by-rudolph-ackermann-1813-watercoloured-etching-on-paper-human-caricatures-georgian-era-satire-image609137186.html
RM2XB0GKE–A humerous print coloured engraving of The sea is open trade revives published by Rudolph Ackermann 1813 watercoloured etching on paper Human caricatures Georgian era satire
Young English gentleman placing a bet at a betting post at Newmarket racetrack. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-english-gentleman-placing-a-bet-at-a-betting-post-at-newmarket-racetrack-handcoloured-copperplate-engraving-after-an-illustration-by-thomas-rowlandson-from-william-combes-the-dance-of-life-rudolph-ackermann-london-1817-image359083043.html
RM2BT5J2B–Young English gentleman placing a bet at a betting post at Newmarket racetrack. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.
Indian woman winding silk thread. Hand-coloured engraving published Rudolph Ackermann, London, 1822. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/indian-woman-winding-silk-thread-hand-coloured-engraving-published-rudolph-ackermann-london-1822-image257301921.html
'Hall of Westminster school' . Vintage Print from The history of Westminster school. by Rudolph Ackermann, 1820s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hall-of-westminster-school-vintage-print-from-the-history-of-westminster-school-by-rudolph-ackermann-1820s-image603131961.html
RM2X170Y5–'Hall of Westminster school' . Vintage Print from The history of Westminster school. by Rudolph Ackermann, 1820s
The Cossack uniform, 1820. Artist: Ackermann, Rudolph (1764-1834) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cossack-uniform-1820-artist-ackermann-rudolph-1764-1834-image66579871.html
Augustus Charles Pugin and Thomas Rowlandson illustration to Rudolph Ackermann s Microcosm of London - The Charing Cross Pillory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-augustus-charles-pugin-and-thomas-rowlandson-illustration-to-rudolph-147477167.html
RMJFX4HK–Augustus Charles Pugin and Thomas Rowlandson illustration to Rudolph Ackermann s Microcosm of London - The Charing Cross Pillory
Four Rows of Musicians and Dancers 1817 Rudolph Ackermann, London British. Four Rows of Musicians and Dancers 424179 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-rows-of-musicians-and-dancers-1817-rudolph-ackermann-london-british-four-rows-of-musicians-and-dancers-424179-image458482544.html
RM2HHWK4G–Four Rows of Musicians and Dancers 1817 Rudolph Ackermann, London British. Four Rows of Musicians and Dancers 424179
Drawings and Prints, Print, Waddling Out!, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drawings-and-prints-print-waddling-out!-publisher-artist-after-rudolph-162554555.html
RMKCCYYR–Drawings and Prints, Print, Waddling Out!, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Woodward
. English: Richard Fleming, Archbishop of York . early 19th century. Rudolph Ackermann 48 Archbishop Richard Fleming Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-richard-fleming-archbishop-of-york-early-19th-century-rudolph-ackermann-48-archbishop-richard-fleming-image188914225.html
RMMY9P0H–. English: Richard Fleming, Archbishop of York . early 19th century. Rudolph Ackermann 48 Archbishop Richard Fleming
Barber 1959 by Rudolph Ackermann, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barber-1959-by-rudolph-ackermann-london-image575374937.html
RM2TC2GGW–Barber 1959 by Rudolph Ackermann, London
The Clarendon Building, 1814. After Frederick Mackenzie (c1788-1854). The Clarendon Building is an early 18th-century neoclassical building of the University of Oxford. Built between 1711 and 1715, it is in Broad Street, Oxford, England. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-clarendon-building-1814-after-frederick-mackenzie-c1788-1854-the-clarendon-building-is-an-early-18th-century-neoclassical-building-of-the-university-of-oxford-built-between-1711-and-1715-it-is-in-broad-street-oxford-england-a-print-from-a-history-of-the-university-of-oxford-its-colleges-halls-and-public-buildings-published-by-rudolph-ackermann-1814-illustrated-by-augustus-pugin-f-mackenzie-and-others-image472788631.html
RM2JD5AM7–The Clarendon Building, 1814. After Frederick Mackenzie (c1788-1854). The Clarendon Building is an early 18th-century neoclassical building of the University of Oxford. Built between 1711 and 1715, it is in Broad Street, Oxford, England. A print from 'A History of the University of Oxford, its Colleges, Halls, and Public Buildings', published by Rudolph Ackermann, 1814. Illustrated by Augustus Pugin, F. Mackenzie and others.
Guildhall. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guildhall-circa-1808-after-a-work-by-august-pugin-and-thomas-rowlandson-in-the-microcosm-of-london-published-in-three-volumes-between-1808-and-1810-by-rudolph-ackermann-pugin-was-the-artist-responsible-for-the-architectural-elements-in-the-microcosm-pictures-thomas-rowlandson-was-hired-to-add-the-lively-human-figures-image488100502.html
RM2KA2W4P–Guildhall. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
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