Richard dagley hi-res stock photography and images

Figure of Clio, Muse of History, seated in a chair, reading a scroll. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JAF–Figure of Clio, Muse of History, seated in a chair, reading a scroll. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Paul Sandby, Print made by Richard Dagley, ca. 1765–1841, British, after Richard Cosway, 1742–1821, British, 1831, Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm), Plate: 6 1/16 x 4 1/2 inches (15.4 x 11.5 cm), and Image: 4 5/8 x 3 11/16 inches (11.8 x 9.4 cm), artist, book, collar, cravat, gaze, painter, portrait, posing, thoughtful Stock Photo

RM2DJ40XE–Paul Sandby, Print made by Richard Dagley, ca. 1765–1841, British, after Richard Cosway, 1742–1821, British, 1831, Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm), Plate: 6 1/16 x 4 1/2 inches (15.4 x 11.5 cm), and Image: 4 5/8 x 3 11/16 inches (11.8 x 9.4 cm), artist, book, collar, cravat, gaze, painter, portrait, posing, thoughtful

Cupid embracing Psyche, Greek goddess of the soul. From a cameo in the possession of Marquis Selini. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JB1–Cupid embracing Psyche, Greek goddess of the soul. From a cameo in the possession of Marquis Selini. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T69Y87–Figure of Clio, Muse of History, seated in a chair, reading a scroll. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Beggar with dog sitting on some stairs, London, Regency era. Man in ragged clothes with hat and stick. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8HJ–Beggar with dog sitting on some stairs, London, Regency era. Man in ragged clothes with hat and stick. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Paul Sandby 1831 by Richard Dagley Stock Photo

RM2REFDRX–Paul Sandby 1831 by Richard Dagley

Bust of the Roman god Jupiter Aegiochus in breastplate of divine armour or aegis. From a cast in the Musee Nationale, Paris. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JAE–Bust of the Roman god Jupiter Aegiochus in breastplate of divine armour or aegis. From a cast in the Musee Nationale, Paris. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Print made by Richard Dagley, ca. 1765–1841, British, Paul Sandby, 1831. Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper. artist , book , collar , cravat , gaze , painter , portrait , posing , thoughtful. Sandby, Paul (bap. 1731, d. 1809), painter and engraver Stock Photo

RM2E477CA–Print made by Richard Dagley, ca. 1765–1841, British, Paul Sandby, 1831. Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper. artist , book , collar , cravat , gaze , painter , portrait , posing , thoughtful. Sandby, Paul (bap. 1731, d. 1809), painter and engraver

Title page with calligraphy and vignette of winged Cupid writing in a book. Near antique ruins with vase, plinth, coins, and bust with wreath. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JWN–Title page with calligraphy and vignette of winged Cupid writing in a book. Near antique ruins with vase, plinth, coins, and bust with wreath. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Richard Morton Paye, Print made by Richard Dagley, ca. 1765–1841, British, after Richard Morton Paye, 1750–1821, British, 1832, Etching and stipple engraving on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 7 5/8 inches (27.9 x 19.3 cm), Plate: 7 1/16 x 4 1/2 inches (17.9 x 11.5 cm), and Image: 5 5/16 x 3 3/8 inches (13.5 x 8.6 cm), artist, framed, fur hat, gaze, man, oval, paintbrushes, painter, palette, pedestal, pen, portrait, quills, scrolls, wheat Stock Photo

RM2DJ40G9–Richard Morton Paye, Print made by Richard Dagley, ca. 1765–1841, British, after Richard Morton Paye, 1750–1821, British, 1832, Etching and stipple engraving on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 7 5/8 inches (27.9 x 19.3 cm), Plate: 7 1/16 x 4 1/2 inches (17.9 x 11.5 cm), and Image: 5 5/16 x 3 3/8 inches (13.5 x 8.6 cm), artist, framed, fur hat, gaze, man, oval, paintbrushes, painter, palette, pedestal, pen, portrait, quills, scrolls, wheat

RM2T6CW7A–Cupid embracing Psyche, Greek goddess of the soul. From a cameo in the possession of Marquis Selini. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Richard Morton Paye 1832 by Richard Dagley Stock Photo

RM2REFDRW–Richard Morton Paye 1832 by Richard Dagley

Artist is working on a painting of father time in his studio, Richard Dagley, 1826 - 1827 print On the left is a frame with laurel wreath at a table. paper etching Death as skeleton. artist at work, in his workshop. piece of sculpture, reproduction of a piece of sculpture. Father Time, man with wings and scythe Stock Photo

RM2WEGG5T–Artist is working on a painting of father time in his studio, Richard Dagley, 1826 - 1827 print On the left is a frame with laurel wreath at a table. paper etching Death as skeleton. artist at work, in his workshop. piece of sculpture, reproduction of a piece of sculpture. Father Time, man with wings and scythe

Head of Psyche, Greek goddess of the soul, holding a butterfly on her throat. From a cast engraved on cornelian in Tassie's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JAN–Head of Psyche, Greek goddess of the soul, holding a butterfly on her throat. From a cast engraved on cornelian in Tassie's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman fishing on a river bank, Regency era. Cockney angler and his dog sleeping next to a fishing rod. Taking Nothing. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8FW–English gentleman fishing on a river bank, Regency era. Cockney angler and his dog sleeping next to a fishing rod. Taking Nothing. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBHA–Vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Acratus or Acratopotes, a winged Bacchus with myrtle, ivy and rosebud crown. Genius of pure wine and companion of Bacchus or Dionysus. From a purple amethyst gem. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JBM–Acratus or Acratopotes, a winged Bacchus with myrtle, ivy and rosebud crown. Genius of pure wine and companion of Bacchus or Dionysus. From a purple amethyst gem. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Two botchers repairing clothes, London, Regency era. The tailor and cobbler employed by Captain Flykite, a fashionable dandy, to mend his clothes and boots. Taking Stitches. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8HY–Two botchers repairing clothes, London, Regency era. The tailor and cobbler employed by Captain Flykite, a fashionable dandy, to mend his clothes and boots. Taking Stitches. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Cupid, Roman god of love, bound to a post with his head turned to watch a butterfly flying behind him. A convex jacinth in the possession of Mr. Dutens.Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JAY–Cupid, Roman god of love, bound to a post with his head turned to watch a butterfly flying behind him. A convex jacinth in the possession of Mr. Dutens.Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T6CRWB–Beggar with dog sitting on some stairs, London, Regency era. Man in ragged clothes with hat and stick. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Print made by Richard Dagley, ca. 1765–1841, British, Richard Morton Paye, 1832. Etching and stipple engraving on moderately thick, slightly textured, beige wove paper. artist , framed , fur hat , gaze , man , oval , paintbrushes , painter , palette , pedestal , pen , portrait , quills , scrolls , wheat. Paye, Richard Morton (1750-1821), painter of portraits and miniatures Stock Photo

RM2E477DP–Print made by Richard Dagley, ca. 1765–1841, British, Richard Morton Paye, 1832. Etching and stipple engraving on moderately thick, slightly textured, beige wove paper. artist , framed , fur hat , gaze , man , oval , paintbrushes , painter , palette , pedestal , pen , portrait , quills , scrolls , wheat. Paye, Richard Morton (1750-1821), painter of portraits and miniatures

RM2GG4JB8–Profile bust of Priam, King of Troy. during the Trojan War. He wears a Phrygian cap. Head of Priam. From a gem in the possession of the Duke of Devonshire. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T69YH9–Bust of the Roman god Jupiter Aegiochus in breastplate of divine armour or aegis. From a cast in the Musee Nationale, Paris. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Figure of Diomedes with short sword holding the Palladium, a wooden image of Pallas. King of Argos, hero in the Trojan War. On cornelian in the Duke of Devonshire's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JBD–Figure of Diomedes with short sword holding the Palladium, a wooden image of Pallas. King of Argos, hero in the Trojan War. On cornelian in the Duke of Devonshire's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Bourgeois Christians leaving a church after Sunday mass, Regency era. A deacon extends a collection plate. Tom Takeall's cousin leaves no charity. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8N5–Bourgeois Christians leaving a church after Sunday mass, Regency era. A deacon extends a collection plate. Tom Takeall's cousin leaves no charity. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Title page with calligraphy and vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBC3–Title page with calligraphy and vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2T68W39–English gentleman fishing on a river bank, Regency era. Cockney angler and his dog sleeping next to a fishing rod. Taking Nothing. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman losing his wig and hat in the wind, Regency era. Tom Takeall's friend the Alderman in trouble at the coast and almost losing a silk umbrella. Taking Flight. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8XD–English gentleman losing his wig and hat in the wind, Regency era. Tom Takeall's friend the Alderman in trouble at the coast and almost losing a silk umbrella. Taking Flight. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Roman wedding ceremony with bride in veil and groom. The probuba or maid of honour supports the bride. Aldobrandini Marriage or Nozze Aldobrandina. Roman nuptials. In the Lord Algernon Percy collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JB6–Roman wedding ceremony with bride in veil and groom. The probuba or maid of honour supports the bride. Aldobrandini Marriage or Nozze Aldobrandina. Roman nuptials. In the Lord Algernon Percy collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Apollo, god of music and dance, and the satyr Marsyas. Apollo stands with a lyre, while Marsyas is tied to a tree to be flayed alive after their contest. In red jasper in the Farnese cabinet Naples. opperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JBC–Apollo, god of music and dance, and the satyr Marsyas. Apollo stands with a lyre, while Marsyas is tied to a tree to be flayed alive after their contest. In red jasper in the Farnese cabinet Naples. opperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

A family drawing their children in a toy coach on the road to Highgate, Regency era. Mr and Mrs Hobbs pulling daughter Kitty in a shay. Taking Pleasures. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8YC–A family drawing their children in a toy coach on the road to Highgate, Regency era. Mr and Mrs Hobbs pulling daughter Kitty in a shay. Taking Pleasures. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Vignette of the skeleton of Death with rope and whip looking at a man hanging from a gibbet, the Last of the Graceless. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBHB–Vignette of the skeleton of Death with rope and whip looking at a man hanging from a gibbet, the Last of the Graceless. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The marriage of Cupid and Psyche. Winged Cupid, god of love, with bow and arrow approaches the seated figure of Psyche, Greek goddess of the soul. From an intaglio on cornelian gem by Pamphilos in the collection of Charles Townly. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JAH–The marriage of Cupid and Psyche. Winged Cupid, god of love, with bow and arrow approaches the seated figure of Psyche, Greek goddess of the soul. From an intaglio on cornelian gem by Pamphilos in the collection of Charles Townly. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T687MH–Title page with calligraphy and vignette of winged Cupid writing in a book. Near antique ruins with vase, plinth, coins, and bust with wreath. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Egyptian sphynx from the obelisk of the sun, Campus Martius, serpent with tail in its mouth, scarab bettle, head of Sphynx, Horus with whip emerging from a lotus. Vignette of Egyptian Symbols. Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JF0–Egyptian sphynx from the obelisk of the sun, Campus Martius, serpent with tail in its mouth, scarab bettle, head of Sphynx, Horus with whip emerging from a lotus. Vignette of Egyptian Symbols. Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T68XWX–Head of Psyche, Greek goddess of the soul, holding a butterfly on her throat. From a cast engraved on cornelian in Tassie's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Cupid, Roman god of love, with whip and bridle, mounted on a lion. The lion holds a goat's head between his paws. Cupid curbing a Lion. From a sardonyx in the Cabinet of Strozzi.. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JEK–Cupid, Roman god of love, with whip and bridle, mounted on a lion. The lion holds a goat's head between his paws. Cupid curbing a Lion. From a sardonyx in the Cabinet of Strozzi.. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman writing poetry in a garret, Regency era. Tom Takeall sat at his desk with quill pen and paper, his elbow on a book. His pet cat eating his porridge. Taking Thought. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8Y4–English gentleman writing poetry in a garret, Regency era. Tom Takeall sat at his desk with quill pen and paper, his elbow on a book. His pet cat eating his porridge. Taking Thought. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T68P1M–Vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8PE–English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman eloping with a lady, Regency era. Tom Takeall helps Charlotte escape down a ladder from her walled boarding school. A coach awaits in the background. Taking Amiss. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD7AM–English gentleman eloping with a lady, Regency era. Tom Takeall helps Charlotte escape down a ladder from her walled boarding school. A coach awaits in the background. Taking Amiss. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Title page with calligraphy and vignette of the skeleton of Death with rope and whip looking at a man hanging from a gibbet, the Last of the Graceless. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBG8–Title page with calligraphy and vignette of the skeleton of Death with rope and whip looking at a man hanging from a gibbet, the Last of the Graceless. Drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the angler. Death with a fishing net approaches a fisherman on a riverbank with fishing rod and basket. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBH7–The skeleton of Death and the angler. Death with a fishing net approaches a fisherman on a riverbank with fishing rod and basket. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2T696X6–Acratus or Acratopotes, a winged Bacchus with myrtle, ivy and rosebud crown. Genius of pure wine and companion of Bacchus or Dionysus. From a purple amethyst gem. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

A nightwatchman brings a drunk home, Regency era. Watchman with lantern holds up a drunken alderman and MP. His shocked wife holds a candle at the door. Taking Home. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8R7–A nightwatchman brings a drunk home, Regency era. Watchman with lantern holds up a drunken alderman and MP. His shocked wife holds a candle at the door. Taking Home. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman in a duel, Regency era. A gent in bicorne, riding coat and boots, fires his pistol watched by two seconds. Tom Takeall is shot by Charlotte's brother in revenge for her betrayal. Taking Aim. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD7BY–English gentleman in a duel, Regency era. A gent in bicorne, riding coat and boots, fires his pistol watched by two seconds. Tom Takeall is shot by Charlotte's brother in revenge for her betrayal. Taking Aim. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T694JD–Profile bust of Priam, King of Troy. during the Trojan War. He wears a Phrygian cap. Head of Priam. From a gem in the possession of the Duke of Devonshire. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman ogling a lady's ankle. Tom Takeall watching Delia enter her front door. Regency dandy in top hat, riding coat, striped waistcoat, riding boots, with cudgel and monocle. Taking Notice. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD72Y–English gentleman ogling a lady's ankle. Tom Takeall watching Delia enter her front door. Regency dandy in top hat, riding coat, striped waistcoat, riding boots, with cudgel and monocle. Taking Notice. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death and the captive. The skeleton, in cassock and hood with crucifix, is at first mistaken for Liberty by the starving prisoner in the dungeon. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBDG–The skeleton of Death and the captive. The skeleton, in cassock and hood with crucifix, is at first mistaken for Liberty by the starving prisoner in the dungeon. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

A driver in his quadriga or four-horse chariot, a quoit player throwing a quoit near a term, a wrestler or boxer anointing his body with oil, and a young man with brass trochus or hoop and key. Gymnastic Games.Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JER–A driver in his quadriga or four-horse chariot, a quoit player throwing a quoit near a term, a wrestler or boxer anointing his body with oil, and a young man with brass trochus or hoop and key. Gymnastic Games.Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

RM2T6CP46–Two botchers repairing clothes, London, Regency era. The tailor and cobbler employed by Captain Flykite, a fashionable dandy, to mend his clothes and boots. Taking Stitches. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Jupiter, king of the Roman gods, in his four-horse chariot holding a lightning bolt. The Titans, with serpents instead of legs, are crushed beneath the quadriga. Jupiter destroying the Titans. From a gem engraved by Athenion in the Farnese Museum, Naples. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JBG–Jupiter, king of the Roman gods, in his four-horse chariot holding a lightning bolt. The Titans, with serpents instead of legs, are crushed beneath the quadriga. Jupiter destroying the Titans. From a gem engraved by Athenion in the Farnese Museum, Naples. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman held by two lawyers in wigs and gowns, Regency era. His pockets empty, Tom Takeall is tried in court and sent to Fleet prison for debt after the failure of his book of poems. Legal documents and books on the floor. Taking All. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD904–English gentleman held by two lawyers in wigs and gowns, Regency era. His pockets empty, Tom Takeall is tried in court and sent to Fleet prison for debt after the failure of his book of poems. Legal documents and books on the floor. Taking All. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T68X9G–Cupid, Roman god of love, bound to a post with his head turned to watch a butterfly flying behind him. A convex jacinth in the possession of Mr. Dutens.Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

An old maid and child pawning a kettle for booze money at a pawnbrokers, London, Regency era. The boy clutches a gin bottle. Tom Takeall offers his fob watch. Three golden balls in the window. Taking Pledges. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8MW–An old maid and child pawning a kettle for booze money at a pawnbrokers, London, Regency era. The boy clutches a gin bottle. Tom Takeall offers his fob watch. Three golden balls in the window. Taking Pledges. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T6D1HC–Bourgeois Christians leaving a church after Sunday mass, Regency era. A deacon extends a collection plate. Tom Takeall's cousin leaves no charity. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman looking at two corpses hanging from a gibbet, Regency era. Tom Takeall about to mount a horse near a gallows with two hanged men. In top hat, riding coat, breeches and boots. Taking Hints. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8K5–English gentleman looking at two corpses hanging from a gibbet, Regency era. Tom Takeall about to mount a horse near a gallows with two hanged men. In top hat, riding coat, breeches and boots. Taking Hints. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman at a music lesson, Regency era. A lady in plumed headdress dances with a violin master, while a dandy stands next to the pianist. Tom Takeall passes a love letter to Charlotte. Taking Lessons. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD76Y–English gentleman at a music lesson, Regency era. A lady in plumed headdress dances with a violin master, while a dandy stands next to the pianist. Tom Takeall passes a love letter to Charlotte. Taking Lessons. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T697X6–Figure of Diomedes with short sword holding the Palladium, a wooden image of Pallas. King of Argos, hero in the Trojan War. On cornelian in the Duke of Devonshire's collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman Tom Takeall riding a horse by a river in red coat, waistcoat, buff trousers and riding boots. Another rider has fallen in, with only hind legs and a top hat visible. Taking Leaps. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD6YA–English gentleman Tom Takeall riding a horse by a river in red coat, waistcoat, buff trousers and riding boots. Another rider has fallen in, with only hind legs and a top hat visible. Taking Leaps. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T6CRAH–Title page with calligraphy and vignette of three skeletons on a gravestone, the Last of the Graces. Drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

English gentleman listening to a lecture from his bewigged father in a study. Tom Takeall in riding coat, striped waistcoat, buff trousers and riding boots, plays with his dog. Taking Advice. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD70X–English gentleman listening to a lecture from his bewigged father in a study. Tom Takeall in riding coat, striped waistcoat, buff trousers and riding boots, plays with his dog. Taking Advice. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death and a minstrel. The troubadour plays a lute and serenades a woman at an upper window, while Death armed with daggers hides in a doorway. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBDK–The skeleton of Death and a minstrel. The troubadour plays a lute and serenades a woman at an upper window, while Death armed with daggers hides in a doorway. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The pilgrim handed a letter by the skeleton of death in hat and cassock with staff. The pilgrim sits at a table with a lute and her foot on a footstool. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBC6–The pilgrim handed a letter by the skeleton of death in hat and cassock with staff. The pilgrim sits at a table with a lute and her foot on a footstool. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2T69TW9–English gentleman losing his wig and hat in the wind, Regency era. Tom Takeall's friend the Alderman in trouble at the coast and almost losing a silk umbrella. Taking Flight. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death and the glutton. Death carries a platter with a fish head. The obese man sits at the dining table waiting with knife and fork in hand. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGG–The skeleton of Death and the glutton. Death carries a platter with a fish head. The obese man sits at the dining table waiting with knife and fork in hand. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

English gentleman robbed by pickpockets, London, Regency era. Tom Takeall is distracted by Julia Vernal outside a print shop while a thief steals his watch. Tom in top hat, riding coat, striped waistcoat, buff breeches and boots. Taking Time. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8KX–English gentleman robbed by pickpockets, London, Regency era. Tom Takeall is distracted by Julia Vernal outside a print shop while a thief steals his watch. Tom in top hat, riding coat, striped waistcoat, buff breeches and boots. Taking Time. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

English gentleman placing a bet with a bookie at Newmarket racecourse, Regency era. Tom Takeall extending his gambling debts. Regency dandy in hat, riding coat, riding boots, with horse whip. Taking Bets. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD73K–English gentleman placing a bet with a bookie at Newmarket racecourse, Regency era. Tom Takeall extending his gambling debts. Regency dandy in hat, riding coat, riding boots, with horse whip. Taking Bets. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

RM2T6A04T–Roman wedding ceremony with bride in veil and groom. The probuba or maid of honour supports the bride. Aldobrandini Marriage or Nozze Aldobrandina. Roman nuptials. In the Lord Algernon Percy collection. Copperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

The skeleton of Death at the insurance office. Death behind the counter with a quill pen gives out Life Assurance contracts to an old man and woman in an office. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBFR–The skeleton of Death at the insurance office. Death behind the counter with a quill pen gives out Life Assurance contracts to an old man and woman in an office. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

An old basket-weaver woman at the hearth in a garret, Regency era. She wears a hooded cape and fichu, smokes a pipe and drinks a glass of gin with her pet cat. Tom Takeall's neighbor in London. Taking Comfort. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8T6–An old basket-weaver woman at the hearth in a garret, Regency era. She wears a hooded cape and fichu, smokes a pipe and drinks a glass of gin with her pet cat. Tom Takeall's neighbor in London. Taking Comfort. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death and the lawyer. The barrister in wig and gown sits at a table writing a document with a quill pen. Death enters his chambers with a brief. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBH1–The skeleton of Death and the lawyer. The barrister in wig and gown sits at a table writing a document with a quill pen. Death enters his chambers with a brief. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2GG4JAJ–Fragments and attributes of Roman god Jupiter. Jupiter Ammon with horns on cornelian from the Museum of Florence (top), profile of Jupiter on garnet in Mr Townley's collection (center) and Jupiter Tonans with thunderbolt on sulphur (bottom), eagle (right) and fulmen (left). Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

English gentleman dandy being measured by a tailor in his room, Regency era. Tom Takeall looks at the bill while a tailor takes his trouser length with a tape. A dog sleeps in front of the hearth. Taking Measures. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD71K–English gentleman dandy being measured by a tailor in his room, Regency era. Tom Takeall looks at the bill while a tailor takes his trouser length with a tape. A dog sleeps in front of the hearth. Taking Measures. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

Gems illustrating Cupid and Psyche. Cameo in the Florentine Museum (top), Cupid burning a butterfly on cornelian in the possession of Mr. Crusius (left), Cupid seated on a shell with butterfly in the collection of Lord Algernon Percy (right), and Cupid with butterfly. Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JB4–Gems illustrating Cupid and Psyche. Cameo in the Florentine Museum (top), Cupid burning a butterfly on cornelian in the possession of Mr. Crusius (left), Cupid seated on a shell with butterfly in the collection of Lord Algernon Percy (right), and Cupid with butterfly. Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

The skeleton of Death bowls a ball at a cricketer at bat. The wicket keeper is Father Time with his scythe. A top hat, coat, cricket bat and ball lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBCB–The skeleton of Death bowls a ball at a cricketer at bat. The wicket keeper is Father Time with his scythe. A top hat, coat, cricket bat and ball lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

English gentleman taking medicine from a maid, Regency era. A man with a hangover in nightcap and gown seated in front of a screen. On the table, a vial, bucket and book of Domestic Medicine by William Buchan. Taking Physic. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photo

RM2KGD8TB–English gentleman taking medicine from a maid, Regency era. A man with a hangover in nightcap and gown seated in front of a screen. On the table, a vial, bucket and book of Domestic Medicine by William Buchan. Taking Physic. Handcoloured copperplate engraving by William Henry Brooke after a drawing by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death brings a scroll to a woman on a terrace. The woman lies dead on the ground next to the scroll. Death in a cape holding a staff. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBC8–The skeleton of Death brings a scroll to a woman on a terrace. The woman lies dead on the ground next to the scroll. Death in a cape holding a staff. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death brings the last bottle of wine to a group of drinkers in a room. The men raise their glasses in a toast to Death. Empty wine bottles lie on the floor. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGC–The skeleton of Death brings the last bottle of wine to a group of drinkers in a room. The men raise their glasses in a toast to Death. Empty wine bottles lie on the floor. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2T69931–Apollo, god of music and dance, and the satyr Marsyas. Apollo stands with a lyre, while Marsyas is tied to a tree to be flayed alive after their contest. In red jasper in the Farnese cabinet Naples. opperplate engraving drawn and engraved by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

The skeleton of Death and the artist. A painter with paintbrush and palette paints a figure of Father Time with a scythe while the skeleton of Death sits at a table. The studio is decorated with prints, paintings, books and sculpture. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBC9–The skeleton of Death and the artist. A painter with paintbrush and palette paints a figure of Father Time with a scythe while the skeleton of Death sits at a table. The studio is decorated with prints, paintings, books and sculpture. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The poet and the skeleton of Death. The poet sits writing an Ode to Immortality at his desk with a quill pen on a scroll, as the skeleton moves from behind a curtain to snuff out a candle with a candle extinguisher. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBC5–The poet and the skeleton of Death. The poet sits writing an Ode to Immortality at his desk with a quill pen on a scroll, as the skeleton moves from behind a curtain to snuff out a candle with a candle extinguisher. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the quack doctor. Death enters the room with bottle of medicine as the mountebank takes the pulse of a sick man in a chair with a footrest. A scroll with The Only Infallible Remedy on the chair. The empiric. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGT–The skeleton of Death and the quack doctor. Death enters the room with bottle of medicine as the mountebank takes the pulse of a sick man in a chair with a footrest. A scroll with The Only Infallible Remedy on the chair. The empiric. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Fragment of the face of Apollo, god of music and dance, Apollo Musicus holding a lyre from a cameo in Stosch's collection, figure of Apollo with bow from a cameo in the Marlborough Collection, bust with laurel wreath engraved on hyacinth, and antique lyre on cornelian. Apollo's Attributes. Copperplate engraving D. Smith after a drawing by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804. Stock Photo

RM2GG4JEW–Fragment of the face of Apollo, god of music and dance, Apollo Musicus holding a lyre from a cameo in Stosch's collection, figure of Apollo with bow from a cameo in the Marlborough Collection, bust with laurel wreath engraved on hyacinth, and antique lyre on cornelian. Apollo's Attributes. Copperplate engraving D. Smith after a drawing by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

The skeleton of Death and the gamester. A gambler sits at a table with cup and dice, as Death enters with legal scrolls reading Assignment Property and Estates Entail and a cup to cover the dice. The skeleton wears a feather cap, cape and tunic. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBDJ–The skeleton of Death and the gamester. A gambler sits at a table with cup and dice, as Death enters with legal scrolls reading Assignment Property and Estates Entail and a cup to cover the dice. The skeleton wears a feather cap, cape and tunic. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the Phaeton. Death kneels behind a two-horse gig loosening one wheel from the axle. A man cracks a whip in the driver’s seat and a woman holds a parasol. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGX–The skeleton of Death and the Phaeton. Death kneels behind a two-horse gig loosening one wheel from the axle. A man cracks a whip in the driver’s seat and a woman holds a parasol. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the miser. The skeleton holds up a bag of stolen gold as the miser holds up his hands at the loss of his treasure. A noose hangs from the tree, and a trowel and crutch lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGW–The skeleton of Death and the miser. The skeleton holds up a bag of stolen gold as the miser holds up his hands at the loss of his treasure. A noose hangs from the tree, and a trowel and crutch lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the mother. A skeleton feeds a baby on its knee, while the mother examines embroidered fabric and a young servant holds up a hat. The room is decorated with a chair, harpsichord with sheet music, and lute. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBFM–The skeleton of Death and the mother. A skeleton feeds a baby on its knee, while the mother examines embroidered fabric and a young servant holds up a hat. The room is decorated with a chair, harpsichord with sheet music, and lute. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the Antiquary. Death sits behind a gravestone reading Hic Jacet Jonathan Oldbuck FAS Obit. The historian sits at a desk writing in a ledger. The room is decorated with a suit of armor, painting, horn, vase, bowl, targe and spear. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBFT–The skeleton of Death and the Antiquary. Death sits behind a gravestone reading Hic Jacet Jonathan Oldbuck FAS Obit. The historian sits at a desk writing in a ledger. The room is decorated with a suit of armor, painting, horn, vase, bowl, targe and spear. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Death and the Hypochondriac. The figure of Death, a spider with a human skull body, appears at the feet of a sickly man hallucinating in front of the fireplace. A sleeping potion and spoon lie on a table, and a Health Diary on the floor. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBFN–Death and the Hypochondriac. The figure of Death, a spider with a human skull body, appears at the feet of a sickly man hallucinating in front of the fireplace. A sleeping potion and spoon lie on a table, and a Health Diary on the floor. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

RM2T6D2XB–A family drawing their children in a toy coach on the road to Highgate, Regency era. Mr and Mrs Hobbs pulling daughter Kitty in a shay. Taking Pleasures. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.

The skeleton of Death and the alchemist. Death holds a vial above a chemistry experiment that explodes in flame in the alchemist’s tongs. Bottles of the Elixir of Life and Caput Mortuum (nigredo) on the floor with a book of symbols and a spoon. The alchymist. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGN–The skeleton of Death and the alchemist. Death holds a vial above a chemistry experiment that explodes in flame in the alchemist’s tongs. Bottles of the Elixir of Life and Caput Mortuum (nigredo) on the floor with a book of symbols and a spoon. The alchymist. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and his ledger. Death sits at a desk writing in a ledger with a quill pen. There are bags of Plaster of Paris Burnt Bones, a barrel of Cocculus indicus, a flask of Spirits Apothecary’s All, a basket and a sign Killing no Murder. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBH0–The skeleton of Death and his ledger. Death sits at a desk writing in a ledger with a quill pen. There are bags of Plaster of Paris Burnt Bones, a barrel of Cocculus indicus, a flask of Spirits Apothecary’s All, a basket and a sign Killing no Murder. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death in a Dramatic Scene. Death embraces the suicidal Melpomene, Muse of Tragedy, who sits with dagger and potion, but also grabs her beautiful friend Thalia, Muse of Comedy, who holds a mask. A crown, sceptre and musical instruments lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBG2–The skeleton of Death in a Dramatic Scene. Death embraces the suicidal Melpomene, Muse of Tragedy, who sits with dagger and potion, but also grabs her beautiful friend Thalia, Muse of Comedy, who holds a mask. A crown, sceptre and musical instruments lie on the ground. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and the warrior. Death helps the knight put on his plumed helm before a tourney. The knight wears full plate armour and holds a sword. He stands in front of a tent and a lady offers him a handkerchief. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBGE–The skeleton of Death and the warrior. Death helps the knight put on his plumed helm before a tourney. The knight wears full plate armour and holds a sword. He stands in front of a tent and a lady offers him a handkerchief. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death on the theatre stage. Death in a crown, tunic and cape, a globe, playscript of Life a Play, drama masks on the stage, Tutto Finisce on the curtains, a woman weeping in a box. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBH9–The skeleton of Death on the theatre stage. Death in a crown, tunic and cape, a globe, playscript of Life a Play, drama masks on the stage, Tutto Finisce on the curtains, a woman weeping in a box. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death preaching to a crowd. Death stands in a necropolis of bones and skulls, and rests his ledger on a crouching skeleton. Wealthy ladies, a gentlemen, an old man and child watch. Death Preaching. Steel engraving by Richard Dagley after a 1654 illustration by Adriaen van de Venne from Dagley’s Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBG3–The skeleton of Death preaching to a crowd. Death stands in a necropolis of bones and skulls, and rests his ledger on a crouching skeleton. Wealthy ladies, a gentlemen, an old man and child watch. Death Preaching. Steel engraving by Richard Dagley after a 1654 illustration by Adriaen van de Venne from Dagley’s Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death and a woman at her toilette. A young woman holds flowers in her hair sitting in front of a mirror at her dressing table. A mask and invitation to a masked ball lie on the floor. The figure of death appears behind her in a veil. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver. Stock Photo

RM2DFNBE1–The skeleton of Death and a woman at her toilette. A young woman holds flowers in her hair sitting in front of a mirror at her dressing table. A mask and invitation to a masked ball lie on the floor. The figure of death appears behind her in a veil. Illustration drawn and engraved on steel by Richard Dagley from his own Death’s Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

The skeleton of Death with university students. Death in mortarboard and gown sits on a throne and offers laurels to two students in gowns. A book and scroll with a mathematical formula lies on the floor. Stock Photo

RM2DFNBGR–The skeleton of Death with university students. Death in mortarboard and gown sits on a throne and offers laurels to two students in gowns. A book and scroll with a mathematical formula lies on the floor.

English ladies celebrating the birth of a child, Regency era. Tom Takeall's wife Eliza lying in bed after giving birth. All drink caudle, a hot drink given to invalids and new mothers. A nurse showing the baby to relatives and friends in a bedroom with four-poster bed, mirror, Chinese vase. Taking Caudle. Stock Photo

RM2KGD906–English ladies celebrating the birth of a child, Regency era. Tom Takeall's wife Eliza lying in bed after giving birth. All drink caudle, a hot drink given to invalids and new mothers. A nurse showing the baby to relatives and friends in a bedroom with four-poster bed, mirror, Chinese vase. Taking Caudle.

Richard dagley Stock Photos and Images

Richard dagley Stock Photos and Images

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