Pietro Bellotti, Italian painter active in the Baroque period, 1625–1700. Born in Bolzano, painted historical subjects and portraits. Holding a glass with a chain and label reading Hinc hilaritas Petrus Bellotti, 1658. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-bellotti-italian-painter-active-in-the-baroque-period-16251700-born-in-bolzano-painted-historical-subjects-and-portraits-holding-a-glass-with-a-chain-and-label-reading-hinc-hilaritas-petrus-bellotti-1658-pittore-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image549256561.html
RM2PWGP9N–Pietro Bellotti, Italian painter active in the Baroque period, 1625–1700. Born in Bolzano, painted historical subjects and portraits. Holding a glass with a chain and label reading Hinc hilaritas Petrus Bellotti, 1658. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Queen Elizabeth I of England. Seated on a throne wearing a crown, high lace collar, and holding the orb and sceptre. From a painted glass portrait of the queen in the vestry-room window of the church of St. Dunstan’s in the West, Fleet Street, London. Stipple engraving from James Peller Malcolm’s Londinium Redivivum, Somers Place, London, 1803. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-elizabeth-i-of-england-seated-on-a-throne-wearing-a-crown-high-lace-collar-and-holding-the-orb-and-sceptre-from-a-painted-glass-portrait-of-the-queen-in-the-vestry-room-window-of-the-church-of-st-dunstans-in-the-west-fleet-street-london-stipple-engraving-from-james-peller-malcolms-londinium-redivivum-somers-place-london-1803-image332723276.html
RM2A98RX4–Queen Elizabeth I of England. Seated on a throne wearing a crown, high lace collar, and holding the orb and sceptre. From a painted glass portrait of the queen in the vestry-room window of the church of St. Dunstan’s in the West, Fleet Street, London. Stipple engraving from James Peller Malcolm’s Londinium Redivivum, Somers Place, London, 1803.
Stained glass, painted glass and Grisaille windows from the Middle Ages, 13th to 15th centuries. Specimens from Cologne Cathedral, Bourges Cathedral, Strasbourg Cathedral, Chartres Cathedral and Tournal Cathedral. Moyen Ages. Hand-finished chromolithograph by Dufour & Launay from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stained-glass-painted-glass-and-grisaille-windows-from-the-middle-ages-13th-to-15th-centuries-specimens-from-cologne-cathedral-bourges-cathedral-strasbourg-cathedral-chartres-cathedral-and-tournal-cathedral-moyen-ages-hand-finished-chromolithograph-by-dufour-launay-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image455969954.html
RM2HDR696–Stained glass, painted glass and Grisaille windows from the Middle Ages, 13th to 15th centuries. Specimens from Cologne Cathedral, Bourges Cathedral, Strasbourg Cathedral, Chartres Cathedral and Tournal Cathedral. Moyen Ages. Hand-finished chromolithograph by Dufour & Launay from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
Portrait of a German maiden in late 16th century garb. She wears a lace ruff, a painted glass brooch with her own likeness, and holds a prayer book bound in painted parchment. From a painting by a Lower Franconian artist. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-german-maiden-in-late-16th-century-garb-she-wears-a-lace-ruff-a-painted-glass-brooch-with-her-own-likeness-and-holds-a-prayer-book-bound-in-painted-parchment-from-a-painting-by-a-lower-franconian-artist-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-regnier-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image331976080.html
RM2A82PTG–Portrait of a German maiden in late 16th century garb. She wears a lace ruff, a painted glass brooch with her own likeness, and holds a prayer book bound in painted parchment. From a painting by a Lower Franconian artist. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
The Altar of the Church of St. Margaret's, Westminster Abbey. With carved and painted Last Supper, stained glass windows above. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-altar-of-the-church-of-st-margarets-westminster-abbey-with-carved-and-painted-last-supper-stained-glass-windows-above-copperplate-drawn-and-engraved-by-james-peller-malcolm-from-his-anecdotes-of-the-manners-and-customs-of-london-during-the-18th-century-longman-hurst-london-1808-malcolm-1767-1815-was-an-american-english-topographer-and-engraver-fellow-of-the-society-of-antiquaries-image425973281.html
RM2FN0N7D–The Altar of the Church of St. Margaret's, Westminster Abbey. With carved and painted Last Supper, stained glass windows above. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries.
Self-portrait of Jan Gerritsz van Bronckhorst, 1603–1661, Dutch Golden Age painter and engraver. Member of the Utrecht Caravaggisti. Painted on glass and in oils. John van Bronchorst. Tinted etching within a decorative border by John Girtin after as self-portrait by Bronckhorst from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-of-jan-gerritsz-van-bronckhorst-16031661-dutch-golden-age-painter-and-engraver-member-of-the-utrecht-caravaggisti-painted-on-glass-and-in-oils-john-van-bronchorst-tinted-etching-within-a-decorative-border-by-john-girtin-after-as-self-portrait-by-bronckhorst-from-john-girtins-seventy-five-portraits-of-celebrated-painters-from-authentic-originals-j-mcreery-london-1817-image454515560.html
RM2HBCY6G–Self-portrait of Jan Gerritsz van Bronckhorst, 1603–1661, Dutch Golden Age painter and engraver. Member of the Utrecht Caravaggisti. Painted on glass and in oils. John van Bronchorst. Tinted etching within a decorative border by John Girtin after as self-portrait by Bronckhorst from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
Lucas van Leyden, or Lucas Hugensz or Lucas Jacobsz, Dutch painter and printmaker in engraving and woodcut, 1494-1533. Child prodigy, painted history, landscapes and portraits in oil, distemper and on glass. Luca van Leiden, detto Luca d'Olanda. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucas-van-leyden-or-lucas-hugensz-or-lucas-jacobsz-dutch-painter-and-printmaker-in-engraving-and-woodcut-1494-1533-child-prodigy-painted-history-landscapes-and-portraits-in-oil-distemper-and-on-glass-luca-van-leiden-detto-luca-dolanda-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image543597456.html
RM2PGB02T–Lucas van Leyden, or Lucas Hugensz or Lucas Jacobsz, Dutch painter and printmaker in engraving and woodcut, 1494-1533. Child prodigy, painted history, landscapes and portraits in oil, distemper and on glass. Luca van Leiden, detto Luca d'Olanda. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Married woman of Estonia, 18th century. She wears a hat painted with flowers, white shift, painted corset, bordered apron and petticoats, earrings and necklace of glass beads. Femme d'Estonie. Handcoloured copperplate engraving after an illustration by Johann Gottlieb Georgi from J-B. Eyries’ La Russie: Costumes, Moeurs et Usages des Russes, Russia: Costumes, Manners and Mores of the Russians, Librairie de Gide Fils, Paris, 1823. Jean-Baptiste Eyries (1767-1846) was a French geographer, author and translator. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/married-woman-of-estonia-18th-century-she-wears-a-hat-painted-with-flowers-white-shift-painted-corset-bordered-apron-and-petticoats-earrings-and-necklace-of-glass-beads-femme-destonie-handcoloured-copperplate-engraving-after-an-illustration-by-johann-gottlieb-georgi-from-j-b-eyries-la-russie-costumes-moeurs-et-usages-des-russesrussia-costumes-manners-and-mores-of-the-russians-librairie-de-gide-fils-paris-1823-jean-baptiste-eyries1767-1846-was-afrenchgeographer-author-and-translator-image401446344.html
RM2E93CWC–Married woman of Estonia, 18th century. She wears a hat painted with flowers, white shift, painted corset, bordered apron and petticoats, earrings and necklace of glass beads. Femme d'Estonie. Handcoloured copperplate engraving after an illustration by Johann Gottlieb Georgi from J-B. Eyries’ La Russie: Costumes, Moeurs et Usages des Russes, Russia: Costumes, Manners and Mores of the Russians, Librairie de Gide Fils, Paris, 1823. Jean-Baptiste Eyries (1767-1846) was a French geographer, author and translator.
Finnish peasant woman in winter wear, 18th century. She wears an dress of coarse walmar cloth, painted and embroidered apron, linen scarf and girdle, necklaces of glass beads. Paysan Finoise. Handcoloured copperplate engraving after an illustration by Johann Gottlieb Georgi from J-B. Eyries’ La Russie: Costumes, Moeurs et Usages des Russes, Russia: Costumes, Manners and Mores of the Russians, Librairie de Gide Fils, Paris, 1823. Jean-Baptiste Eyries (1767-1846) was a French geographer, author and translator. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/finnish-peasant-woman-in-winter-wear-18th-century-she-wears-an-dress-of-coarse-walmar-cloth-painted-and-embroidered-apron-linen-scarf-and-girdle-necklaces-of-glass-beads-paysan-finoise-handcoloured-copperplate-engraving-after-an-illustration-by-johann-gottlieb-georgi-from-j-b-eyries-la-russie-costumes-moeurs-et-usages-des-russesrussia-costumes-manners-and-mores-of-the-russians-librairie-de-gide-fils-paris-1823-jean-baptiste-eyries1767-1846-was-afrenchgeographer-author-and-translator-image401446336.html
RM2E93CW4–Finnish peasant woman in winter wear, 18th century. She wears an dress of coarse walmar cloth, painted and embroidered apron, linen scarf and girdle, necklaces of glass beads. Paysan Finoise. Handcoloured copperplate engraving after an illustration by Johann Gottlieb Georgi from J-B. Eyries’ La Russie: Costumes, Moeurs et Usages des Russes, Russia: Costumes, Manners and Mores of the Russians, Librairie de Gide Fils, Paris, 1823. Jean-Baptiste Eyries (1767-1846) was a French geographer, author and translator.
Art Deco interior of the Richard Hudnut shop, rue de la Paix, Paris, 1928. A glass case with perfume bottles under a mural painted by the lacquerist Jean Dunand, pink ceiling and glass chandelier. Smithsonian-process colour print from Richard le Gallienne’s Romance of Perfume, Hudnut, New York, 1928. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-deco-interior-of-the-richard-hudnut-shop-rue-de-la-paix-paris-1928-a-glass-case-with-perfume-bottles-under-a-mural-painted-by-the-lacquerist-jean-dunand-pink-ceiling-and-glass-chandelier-smithsonian-process-colour-print-from-richard-le-galliennes-romance-of-perfume-hudnut-new-york-1928-image462821514.html
RM2HTY9FP–Art Deco interior of the Richard Hudnut shop, rue de la Paix, Paris, 1928. A glass case with perfume bottles under a mural painted by the lacquerist Jean Dunand, pink ceiling and glass chandelier. Smithsonian-process colour print from Richard le Gallienne’s Romance of Perfume, Hudnut, New York, 1928.
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