RF2HWA98J–Art inspired by Drawing, Ceres pleading with Jove for the Return of Prosperpina: Ovid, Metamorphoses, Book V, Thomas Carwitham, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HKATAJ–Inspired by Acis and Galatea Listening to the Song of Polyphemus, Acis and Galatea Listening to the Song of Polyphemus, The Metamorphoses of Ovid, Tapestry depicting Acis and Galatea listening to Polyphemus' song (Ovid, Metamorphoses, book XIII), from a series of tapestries with representations, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2HKAT7H–Inspired by Pan and Syrinx, Pan and Syrinx, The Metamorphoses of Ovid, Tapestry with Pan pursuing Syrinx (Ovid, Metamorphoses, book I), from a series of tapestries with representations borrowed from Ovid's Metamorphoses., Manufacture Royale des Gobelins (workshop of), Jan Janss, Paris, c. 1680 - c, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2HKXB1N–Art inspired by Acis and Galatea Listening to the Song of Polyphemus, Acis and Galatea Listening to the Song of Polyphemus, The Metamorphoses of Ovid (series title), Tapestry depicting Acis and Galatea listening to Polyphemus' song (Ovid, Metamorphoses, book XIII), from a series of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HKXB1H–Art inspired by Pan and Syrinx, Pan and Syrinx, The Metamorphoses of Ovid (series title), Tapestry with Pan pursuing Syrinx (Ovid, Metamorphoses, book I), from a series of tapestries with representations borrowed from Ovid's Metamorphoses., Manufacture Royale des Gobelins (workshop of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7J4F–Art inspired by Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints, Antonio Tempesta (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7J4D–Art inspired by Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints, Antonio Tempesta (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5MKF–Art inspired by Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3), late 17th century, Black chalk, pen and brown ink, brown and gray wash, each sheet: 6 1/2 x 8 11/16 in. (16.5 x 22 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5M6D–Art inspired by Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3), late 17th century, Black chalk, pen and brown ink, brown and gray wash, each sheet: 6 1/2 x 8 11/16 in. (16.5 x 22 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW54RX–Art inspired by The Nine Pierides Transformed into Magpies after Their Unsuccessful Competition with the Muses (Ovid, Metamorphoses, V, 294 ff.), n.d., Red chalk, red and gray wash, framing lines in pen and brown ink., 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm), Drawings, Antoine Dieu (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5MKM–Art inspired by Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3), late 17th century, Black chalk, pen and brown ink, brown and gray wash, each sheet: 6 1/2 x 8 11/16 in. (16.5 x 22 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTY4MD–Art inspired by Ovid among the Scythians, 1862, Oil on paper, laid down on wood, 12 5/8 x 19 3/4 in. (32.1 x 50.2 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This is the final work Delacroix devoted to a theme that had first attracted him in 1835, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6D5N–Art inspired by Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm), Prints, Turner distilled his ideas about landscape In ', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5A–Art inspired by Plate 72: Scylla Watching Minos from the Castle Walls (Minois pulchritudine inflammatur Scylla), from Ovid's 'Metamorphoses', 1606, Etching, Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7GTE–Art inspired by Titlepage to Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 5/16 × 5 3/8 in. (11 × 13.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7GW8–Art inspired by Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, 1606, Etching, Sheet: 4 1/8 × 4 3/4 in. (10.5 × 12 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H17–Art inspired by Plate 99: The Death of Orpheus (Orpheus a Bacchis discerpitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1K–Art inspired by Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7GW6–Art inspired by Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/4 in. (10.2 × 12 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H4T–Art inspired by Plate 85: The Immortalization of Hercules (A parente Hercules deitate honestatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7GRR–Art inspired by Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 3/4 in. (10.5 × 12 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H4W–Art inspired by Plate 68: Hercules and Cerberus (Cerberum domat Hercules), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 39 3/4 × 4 1/2 in. (101 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1B–Art inspired by Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5B–Art inspired by Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2E–Art inspired by Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 11/16 in. (10.3 × 11.9 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H24–Art inspired by Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1W–Art inspired by Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6K–Art inspired by Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H0Y–Art inspired by Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H0M–Art inspired by Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H61–Art inspired by Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1X–Art inspired by Plate 94: Jupiter and Ganymede (In aquilam transformatus Iupiter Ganymedem rapit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5R–Art inspired by Plate 25: Acteon Changed into a Stag (Dianae aspectu Actaeon in ceruum), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H50–Art inspired by Plate 71: Procris Killed by Cephalus's Javelin (Procridem inscius interficit Cephalus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5C–Art inspired by Plate 66: Cycnus and Hyrie (Cygnus in olorem Hiere in stagnum vertuntur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 9/16 in. (10 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H15–Art inspired by Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H10–Art inspired by Plate 104: Peleus Embracing Thetis (Peleus Thetide vinculis coarctata potitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H0X–Art inspired by Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6C–Art inspired by Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.1 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6X–Art inspired by Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.1 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7HA6–Art inspired by Plate 149: Aesculapius as a Serpent, Among the Romans (AEsculapius in anguem conversus Roman advehitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H22–Art inspired by Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 1/2 in. (10 × 11.4 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1F–Art inspired by Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 9/16 in. (10 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H29–Art inspired by Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 9/16 in. (10.3 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2N–Art inspired by Plate 95: The Death of Hyacinthus (Hyacinthi cruor in florem sui nominis), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 1/2 in. (10.3 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5F–Art inspired by Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H69–Art inspired by Plate 141: The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 1/2 in. (10 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1E–Art inspired by Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2F–Art inspired by Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H23–Art inspired by Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5Y–Art inspired by Plate 17: Ocyrhoe Changed into a Horse (Ocyroe vaticinata in equam), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 11/16 in. (10.5 × 11.9 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H4Y–Art inspired by Plate 14: Erichthonius Released from his Basket (Erichtonius cistella laxata cernitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H64–Art inspired by Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.5 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5P–Art inspired by Plate 26: Actaeon Killed by His Dogs (Actaeon a proprÿs canibus discerpitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.1 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5M–Art inspired by Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H4X–Art inspired by Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 9/16 in. (10 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5N–Art inspired by Plate 15: The Daughter of Croneus Changed into a Cow (Coronis in cornicem transformatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H65–Art inspired by Plate 27: Semele's Wish (Semele divino Ious concubitu occiditur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H4R–Art inspired by Plate 86: The Birth of Hercules (Iuno compreßis genibus Alcumenae partum differt), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1Y–Art inspired by Plate 105: Diane Killing Chione (Chione ob linguae procacitatem a Diana transfigitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H60–Art inspired by Plate 135: Circe Changing Ulysses' Men into Swine (Ulyssis soci a Circe in porcos), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.5 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H9N–Art inspired by Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H16–Art inspired by Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H68–Art inspired by Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2B–Art inspired by Plate 81: Erysichthon Selling his Daughter (Diversas induta Mitra diversis divenditur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 9/16 in. (10.3 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H9C–Art inspired by Plate 137: Canens Searching for Pics (Uxor Pici nomine Canens in auram mutatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H59–Art inspired by Plate 64: Medea Restoring Aeson's Youth (Aesoni decrepito iuventam restituit Medea), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H28–Art inspired by Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H19–Art inspired by Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 5/8 in. (10 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H9P–Art inspired by The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), from Ovid's The Metamorphoses, plate 150, 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1T–Art inspired by Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H20–Art inspired by Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6E–Art inspired by Plate 147: Cipus with his Horns (Cippus regnum in Romanos detestans exilium eligit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 9/16 in. (10.3 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1A–Art inspired by Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H53–Art inspired by Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/8 in. (10.2 × 11.1 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H11–Art inspired by Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H26–Art inspired by Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 5/8 in. (10 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H52–Art inspired by Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 15 9/16 x 20 1/2 in. (39.5 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H62–Art inspired by Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6G–Art inspired by Plate 139: The Apulian Shepherd Changed into an Olive Tree (Apulus pastor in oleastrum transit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.5 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H13–Art inspired by Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5T–Art inspired by Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H55–Art inspired by Plate 28: Narcissus at the Well (Amore fui inardescens Narcißus in florem transmutatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5G–Art inspired by Plate 31: Thisbe Running from the Lionness at the Well (Thisbe leaenae spectu territa fugit), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 12 3/8 x 20 1/2 in. (31.4 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6B–Art inspired by Plate 145: Hersilia Taken to the Heavens (Hersilia Romuli coniunx in Oram deam a Iunone constituitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H66–Art inspired by Plate 32: Thisbe Killing Herself (Thisbe Pyrami exemplum aemulata pectus sibi trasuerberat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5H–Art inspired by Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H67–Art inspired by Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 12 13/16 x 20 1/2 in. (32.5 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1M–Art inspired by Plate 117: The Dispute over Achilles' Armor (Disceptatio inter Aiacem et Ulyssem propter arma Achillis), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1C–Art inspired by Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H6F–Art inspired by Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133, 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2C–Art inspired by Plate 101: Bacchus Granting Midas's Wish (Ob restitutum Silenum Midae a Baccho Defertur optio), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H9H–Art inspired by Plate 148: Aesculapius Speaking to the Romans (Epidauro a Romanis AEsculapius ad urbis luem discutiendam sollicitatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2G–Art inspired by Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H1R–Art inspired by Plate 107: The Wreck of Ceyx's Ship (Ceyx Clarium oraculum petens, tempstate in Aegeo mari obruitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H5X–Art inspired by Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H58–Art inspired by Plate 84: Hercules Throwing Lichas into the Sea (Lernaei muneris gerulum in Euboicum mare praecipitat Hercules), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H2A–Art inspired by Plate 108: Alcyone Offering Prayers to Juno (Halcyone ob mariti reditum Iunoni supplicat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 9/16 in. (10 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H25–Art inspired by Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 15 7/16 x 20 1/2 in. (39.2 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7H14–Art inspired by Plate 103: Neptune Sending a Deluge to Troy (Neptunus ob violatum a Laomendonte pactum eluviem Troianis agris immittit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/4 in. (10.1 × 12 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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