The Voyage of Life: Manhood. Dated: 1842. Dimensions: overall: 134.3 x 202.6 cm (52 7/8 x 79 3/4 in.) framed: 162.6 x 231.1 x 17.8 cm (64 x 91 x 7 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-voyage-of-life-manhood-dated-1842-dimensions-overall-1343-x-2026-cm-52-78-x-79-34-in-framed-1626-x-2311-x-178-cm-64-x-91-x-7-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-thomas-cole-image233286814.html
RMRFF3KX–The Voyage of Life: Manhood. Dated: 1842. Dimensions: overall: 134.3 x 202.6 cm (52 7/8 x 79 3/4 in.) framed: 162.6 x 231.1 x 17.8 cm (64 x 91 x 7 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.
Manhood. Artist: Claude Gillot (French, Langres 1673-1722 Paris); Engraved by François Joullain (French, Paris 1697-1778 Paris). Dimensions: image: 9 7/16 x 6 3/16 in. (23.9 x 15.7 cm), trimmed to image. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manhood-artist-claude-gillot-french-langres-1673-1722-paris-engraved-by-franois-joullain-french-paris-1697-1778-paris-dimensions-image-9-716-x-6-316-in-239-x-157-cm-trimmed-to-image-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image233239806.html
RMRFCYN2–Manhood. Artist: Claude Gillot (French, Langres 1673-1722 Paris); Engraved by François Joullain (French, Paris 1697-1778 Paris). Dimensions: image: 9 7/16 x 6 3/16 in. (23.9 x 15.7 cm), trimmed to image. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Manhood. Dated: 1636. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manhood-dated-1636-medium-engraving-and-etching-museum-national-gallery-of-art-washington-dc-author-abraham-bosse-image225562409.html
RMR2Y749–Manhood. Dated: 1636. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.
Manhood, plate three from The Four Ages of Man. Abraham Bosse; French, 1602-1676. Date: 1636. Dimensions: . Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manhood-plate-three-from-the-four-ages-of-man-abraham-bosse-french-1602-1676-date-1636-dimensions-etching-on-paper-origin-france-museum-the-chicago-art-institute-image239967578.html
RMRXBD2J–Manhood, plate three from The Four Ages of Man. Abraham Bosse; French, 1602-1676. Date: 1636. Dimensions: . Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abyssinian-infantry-with-spear-and-shield-and-abyssinian-cavalry-with-lance-in-victory-they-were-known-to-cut-off-the-manhood-of-their-vanquished-enemies-handcoloured-copperplate-engraving-by-antonio-sasso-from-giulio-ferrarios-ancient-and-modern-costumes-of-all-the-peoples-of-the-world-florence-italy-1843-image211133269.html
RMP7DXHW–Abyssinian infantry with spear and shield, and Abyssinian cavalry with lance. In victory they were known to cut off the manhood of their vanquished enemies. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.
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