Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gyzis-nikolaos-1842-1901-the-betrothal-of-the-children-1877-painting-19ty-20th-century-national-gallery-athens-greece-betrothal-of-the-children-which-exists-in-two-variations-records-a-custom-from-ottoman-times-the-parents-engaged-their-children-while-still-at-a-very-young-age-perhaps-in-order-to-protect-them-from-being-abducted-by-turks-arranged-in-a-semi-circle-in-a-village-home-interior-image579963111.html
RM2TKFGT7–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gyzis-nikolaos-1842-1901-the-betrothal-of-the-children-1877-painting-19ty-20th-century-national-gallery-athens-greece-betrothal-of-the-children-which-exists-in-two-variations-records-a-custom-from-ottoman-times-the-parents-engaged-their-children-while-still-at-a-very-young-age-perhaps-in-order-to-protect-them-from-being-abducted-by-turks-arranged-in-a-semi-circle-in-a-village-home-interior-image579965216.html
RM2TKFKFC–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gyzis-nikolaos-1842-1901-the-betrothal-of-the-children-1877-painting-19ty-20th-century-national-gallery-athens-greece-betrothal-of-the-children-which-exists-in-two-variations-records-a-custom-from-ottoman-times-the-parents-engaged-their-children-while-still-at-a-very-young-age-perhaps-in-order-to-protect-them-from-being-abducted-by-turks-arranged-in-a-semi-circle-in-a-village-home-interior-image579966316.html
RM2TKFMXM–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gyzis-nikolaos-1842-1901-the-betrothal-of-the-children-1877-painting-19ty-20th-century-national-gallery-athens-greece-betrothal-of-the-children-which-exists-in-two-variations-records-a-custom-from-ottoman-times-the-parents-engaged-their-children-while-still-at-a-very-young-age-perhaps-in-order-to-protect-them-from-being-abducted-by-turks-arranged-in-a-semi-circle-in-a-village-home-interior-image579964163.html
RM2TKFJ5R–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-painting-167579-by-jacob-toorenvliet-1640-1719-leiden-167579medium-oil-on-copper-dutch-the-netherlands-holland-jacob-toorenvliets-oeuvre-is-that-of-common-people-engaged-in-everyday-activities-but-on-at-least-six-occasions-he-painted-abstract-allegories-image561392950.html
RM2RH9JC6–Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories,
Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-painting-167579-by-jacob-toorenvliet-1640-1719-leiden-167579medium-oil-on-copper-dutch-the-netherlands-holland-jacob-toorenvliets-oeuvre-is-that-of-common-people-engaged-in-everyday-activities-but-on-at-least-six-occasions-he-painted-abstract-allegories-image561392967.html
RM2RH9JCR–Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories,
Portrait of Lucas de Clercq by 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands,17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lucas-de-clercq-by-1635-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands17th-century-dutch-golden-age-daughter-of-a-mennonite-potash-merchant-and-became-engaged-to-lucas-de-clercq-also-a-mennonite-potash-merchant-image602442952.html
RM2X03J3M–Portrait of Lucas de Clercq by 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands,17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, )
Portrait of Lucas de Clercq by 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands,17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lucas-de-clercq-by-1635-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands17th-century-dutch-golden-age-daughter-of-a-mennonite-potash-merchant-and-became-engaged-to-lucas-de-clercq-also-a-mennonite-potash-merchant-image602442919.html
RM2X03J2F–Portrait of Lucas de Clercq by 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands,17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, )
Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-feyntje-van-steenkiste-1635-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-portrait-of-feyntje-van-steenkiste-1635-17th-century-dutch-golden-age-daughter-of-a-mennonite-potash-merchant-and-became-engaged-to-lucas-de-clercq-also-a-mennonite-potash-merchant-image602442957.html
RM2X03J3W–Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas de Clercq, also a Mennonite potash merchant, )
Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas, also a Mennonite potash merchant, on 8 January 1622. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-feyntje-van-steenkiste-1635-frans-hals-1582-1666-antwerp-haarlem-dutch-the-netherlands-portrait-of-feyntje-van-steenkiste-1635-17th-century-dutch-golden-age-daughter-of-a-mennonite-potash-merchant-and-became-engaged-to-lucas-also-a-mennonite-potash-merchant-on-8-january-1622-image602442959.html
RM2X03J3Y–Portrait of Feyntje van Steenkiste 1635 Frans Hals, 1582-1666, Antwerp- Haarlem, Dutch, The Netherlands, Portrait of Feyntje van Steenkiste 1635 17th century, Dutch Golden Age ( daughter of a Mennonite potash merchant and became engaged to Lucas, also a Mennonite potash merchant, on 8 January 1622. )
Manon Balletti 1757 Jean Marc Nattier 1685 - 1766 France French ( Daughter of an actress in the Comédie Italienne company, and became engaged to Casanova at about the time the portrait was painted. In 1760 she married a more reputable though older suitor, the architect Jacques-François Blondel (1705 - 1774) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-manon-balletti-1757-jean-marc-nattier-1685-1766-france-french-daughter-140320981.html
RMJ484RH–Manon Balletti 1757 Jean Marc Nattier 1685 - 1766 France French ( Daughter of an actress in the Comédie Italienne company, and became engaged to Casanova at about the time the portrait was painted. In 1760 she married a more reputable though older suitor, the architect Jacques-François Blondel (1705 - 1774)
Silver Bull with Vessel Soutwest Iran Proto Elamite Babylonia and Assyria during the Bronze and Iron Ages .2200 - 641 BC North Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-bull-with-vessel-soutwest-iran-proto-elamite-babylonia-and-image6858849.html
RMA86DX2–Silver Bull with Vessel Soutwest Iran Proto Elamite Babylonia and Assyria during the Bronze and Iron Ages .2200 - 641 BC North
Mithridates VI Eupator King of Pont and Heracles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mithridates-vi-eupator-king-of-pont-and-heracles-image7293981.html
RMAB3CHE–Mithridates VI Eupator King of Pont and Heracles
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