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Engageantes Stock Photos and Images
Engageantes, British, ca. 1870, British, silk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1870-british-silk-image344590352.htmlRM2B0HCE8–Engageantes, British, ca. 1870, British, silk
Engageantes (two) M.82.290a-b (2 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-two-m82290a-b-2-of-2-59114792.htmlRMDC4WEG–Engageantes (two) M.82.290a-b (2 of 2)
![Paris Fashions for August - Cap and Engageantes, 1850. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT66JB/paris-fashions-for-august-cap-and-engageantes-1850-from-quotillustrated-london-newsquot-1850-2HT66JB.jpg "Paris Fashions for August - Cap and Engageantes, 1850. From "Illustrated London News", 1850. Stock Photo")
Paris Fashions for August - Cap and Engageantes, 1850. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-fashions-for-august-cap-and-engageantes-1850-from-quotillustrated-london-newsquot-1850-image462358243.htmlRM2HT66JB–Paris Fashions for August - Cap and Engageantes, 1850. From "Illustrated London News", 1850.
Lady turned to the left, while sitting in front of a table decor, medallion in his hand. She wears a dress with engageantes and tow. Coiffure à la Fontange, pearl every hals. Manufacturer : printmaker Jacob Golenaar design: Dieu de Saint Jean (copy to) Publisher: Jacob GolePlaats manufacture: Amsterdam Date: after 1693 Physical features: mezzotint material: paper Technique: mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-turned-to-the-left-while-sitting-in-front-of-a-table-decor-medallion-in-his-hand-she-wears-a-dress-with-engageantes-and-tow-coiffure-la-fontange-pearl-every-hals-manufacturer-printmaker-jacob-golenaar-design-dieu-de-saint-jean-copy-to-publisher-jacob-goleplaats-manufacture-amsterdam-date-after-1693-physical-features-mezzotint-material-paper-technique-mezzotint-image348278681.htmlRM2B6HD09–Lady turned to the left, while sitting in front of a table decor, medallion in his hand. She wears a dress with engageantes and tow. Coiffure à la Fontange, pearl every hals. Manufacturer : printmaker Jacob Golenaar design: Dieu de Saint Jean (copy to) Publisher: Jacob GolePlaats manufacture: Amsterdam Date: after 1693 Physical features: mezzotint material: paper Technique: mezzotint
Engageantes 18th century Belgian. Engageantes 83983 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-18th-century-belgian-engageantes-83983-image458164489.htmlRM2HHB5DD–Engageantes 18th century Belgian. Engageantes 83983
Dress (Mantua) with Train Open body, light blue ripped silk embroidered with a floral motif in multicolored silk, with half long sleeves with triple, scalloped cuffs or 'engageantes' trimmed with white silk fittings, Open body made of light blue rip silk wedding gown embroidered with a floral motif in multicolored silk. Model: Fitted with two flat pleats on either side of the seam in the middle of the back. The body has obtained its shape mainly by folding and not by cutting. The body actually consists of a long straight strip of fabric (half fabric width approx. 25 cm). The back ends in a 'ta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dress-mantua-with-train-open-body-light-blue-ripped-silk-embroidered-with-a-floral-motif-in-multicolored-silk-with-half-long-sleeves-with-triple-scalloped-cuffs-or-engageantes-trimmed-with-white-silk-fittings-open-body-made-of-light-blue-rip-silk-wedding-gown-embroidered-with-a-floral-motif-in-multicolored-silk-model-fitted-with-two-flat-pleats-on-either-side-of-the-seam-in-the-middle-of-the-back-the-body-has-obtained-its-shape-mainly-by-folding-and-not-by-cutting-the-body-actually-consists-of-a-long-straight-strip-of-fabric-half-fabric-width-approx-25-cm-the-back-ends-in-a-ta-image349957029.htmlRF2B99WN9–Dress (Mantua) with Train Open body, light blue ripped silk embroidered with a floral motif in multicolored silk, with half long sleeves with triple, scalloped cuffs or 'engageantes' trimmed with white silk fittings, Open body made of light blue rip silk wedding gown embroidered with a floral motif in multicolored silk. Model: Fitted with two flat pleats on either side of the seam in the middle of the back. The body has obtained its shape mainly by folding and not by cutting. The body actually consists of a long straight strip of fabric (half fabric width approx. 25 cm). The back ends in a 'ta
Engageantes ca. 1760 British. Engageantes 170006 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-ca-1760-british-engageantes-170006-image458422643.htmlRM2HHPXN7–Engageantes ca. 1760 British. Engageantes 170006
![Engageantes, British, ca. 1760. [False sleeves.] Stock Photo](https://c8.alamy.com/comp/2EH6A3B/engageantes-british-ca-1760-false-sleeves-2EH6A3B.jpg "Engageantes, British, ca. 1760. [False sleeves.] Stock Photo")
Engageantes, British, ca. 1760. [False sleeves.] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1760-false-sleeves-image406427263.htmlRM2EH6A3B–Engageantes, British, ca. 1760. [False sleeves.]
Engageantes early 18th century European. Engageantes 80597 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-early-18th-century-european-engageantes-80597-image457998835.htmlRM2HH3J57–Engageantes early 18th century European. Engageantes 80597
Engageantes MET 259380 83983 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-259380-83983-168139151.htmlRMKNFB5K–Engageantes MET 259380 83983
Stephen Slaughter, 1697–1765, British, James Thomson (1700-1748), 1736. Oil on canvas. drawing , engageantes , man , playwright , poet , portrait , ruffles , Scottish. Thomson, James (1700–1748), poet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stephen-slaughter-16971765-british-james-thomson-1700-1748-1736-oil-on-canvas-drawing-engageantes-man-playwright-poet-portrait-ruffles-scottish-thomson-james-17001748-poet-image398342718.htmlRM2E4225J–Stephen Slaughter, 1697–1765, British, James Thomson (1700-1748), 1736. Oil on canvas. drawing , engageantes , man , playwright , poet , portrait , ruffles , Scottish. Thomson, James (1700–1748), poet
Green Dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-green-dress-56751265.htmlRMD896PW–Green Dress
Thomas Frye, 1710–1762, Irish, Mrs. Wardle, 1742. Oil on canvas. column (architectural element) , costume , curtains , engageantes , fichu , flowers (motifs) , gown , lace , mobcap , petticoat , portrait , ruffle , satin , standing , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-frye-17101762-irish-mrs-wardle-1742-oil-on-canvas-column-architectural-element-costume-curtains-engageantes-fichu-flowers-motifs-gown-lace-mobcap-petticoat-portrait-ruffle-satin-standing-woman-image398353174.htmlRM2E42FF2–Thomas Frye, 1710–1762, Irish, Mrs. Wardle, 1742. Oil on canvas. column (architectural element) , costume , curtains , engageantes , fichu , flowers (motifs) , gown , lace , mobcap , petticoat , portrait , ruffle , satin , standing , woman
18th century Costume - 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-18th-century-costume-1913-105359456.htmlRMG3BF1M–18th century Costume - 1913
Thomas Gainsborough RA, 1727–1788, British, Clayton Jones, 1744 to 1745. Oil on canvas. clouds , costume , cravat , engageantes , landscape , man , portrait , ruffles, sleeve , stockings , waistcoat , woods. Jones, Clayton (1722-?) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-clayton-jones-1744-to-1745-oil-on-canvas-clouds-costume-cravat-engageantes-landscape-man-portrait-ruffles-sleeve-stockings-waistcoat-woods-jones-clayton-1722-image398374213.htmlRM2E43EAD–Thomas Gainsborough RA, 1727–1788, British, Clayton Jones, 1744 to 1745. Oil on canvas. clouds , costume , cravat , engageantes , landscape , man , portrait , ruffles, sleeve , stockings , waistcoat , woods. Jones, Clayton (1722-?)
SPOON BONNETS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spoon-bonnets-56757424.htmlRMD89EJT–SPOON BONNETS
Allan Ramsay, 1713–1784, British, Lady in a Pink Silk Dress, ca. 1762. Oil on canvas. costume , earrings , engageantes , flounces , flowers (plants) , hairpiece , jewels , neckwear , noble (aristocrat) , pink , portrait , sadness , shawls , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-lady-in-a-pink-silk-dress-ca-1762-oil-on-canvas-costume-earrings-engageantes-flounces-flowers-plants-hairpiece-jewels-neckwear-noble-aristocrat-pink-portrait-sadness-shawls-woman-image398453464.htmlRM2E473CT–Allan Ramsay, 1713–1784, British, Lady in a Pink Silk Dress, ca. 1762. Oil on canvas. costume , earrings , engageantes , flounces , flowers (plants) , hairpiece , jewels , neckwear , noble (aristocrat) , pink , portrait , sadness , shawls , woman
GREY DRESS 1850S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-grey-dress-1850s-105355145.htmlRMG3B9FN–GREY DRESS 1850S
Arthur Devis, 1712–1787, British, Gentleman with a Cannon, 1741. Oil on canvas. breeches , buckles , cannon , costume , cravat , engageantes , figure study , gloves , lake , landscape , man , redingote (overcoat) , ruffle , stockings , sword , tricorne , uniform , waistcoat , water Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-devis-17121787-british-gentleman-with-a-cannon-1741-oil-on-canvas-breeches-buckles-cannon-costume-cravat-engageantes-figure-study-gloves-lake-landscape-man-redingote-overcoat-ruffle-stockings-sword-tricorne-uniform-waistcoat-water-image398354067.htmlRM2E42GJY–Arthur Devis, 1712–1787, British, Gentleman with a Cannon, 1741. Oil on canvas. breeches , buckles , cannon , costume , cravat , engageantes , figure study , gloves , lake , landscape , man , redingote (overcoat) , ruffle , stockings , sword , tricorne , uniform , waistcoat , water
Engageantes, British, 18th century, British, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-18th-century-british-cotton-image344591197.htmlRM2B0HDGD–Engageantes, British, 18th century, British, cotton
Engageantes (two) M.82.290a-b (1 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-two-m82290a-b-1-of-2-59114790.htmlRMDC4WEE–Engageantes (two) M.82.290a-b (1 of 2)
Paris Fashions for July - Morning Dress, 1850. 'Alençon lace cap, ornamented on the side with bows of ribbon with long ends. Pardessus, ornamented with two flounces, the head of the upper flounce having a ruche a la vieille. Manches engageantes, trimmed with a treble row of Alençon lace. Children's nankeen dresses are embroidered in braid of the same colour, coming down to the legs; the sleeves embroidered to match, with plain muslin under-sleeves. The short trousers of cambric muslin are trimmed with English embroidery. Gentlemen wear small frock-coats of ladies' cloth, short skirts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paris-fashions-for-july-morning-dress-1850-alenxe7on-lace-cap-ornamented-on-the-side-with-bows-of-ribbon-with-long-ends-pardessus-ornamented-with-two-flounces-the-head-of-the-upper-flounce-having-a-ruche-a-la-vieille-manches-engageantes-trimmed-with-a-treble-row-of-alenxe7on-lace-childrens-nankeen-dresses-are-embroidered-in-braid-of-the-same-colour-coming-down-to-the-legs-the-sleeves-embroidered-to-match-with-plain-muslin-under-sleeves-the-short-trousers-of-cambric-muslin-are-trimmed-with-english-embroidery-gentlemen-wear-small-frock-coats-of-ladies-cloth-short-skirts-image462363286.htmlRM2HT6D2E–Paris Fashions for July - Morning Dress, 1850. 'Alençon lace cap, ornamented on the side with bows of ribbon with long ends. Pardessus, ornamented with two flounces, the head of the upper flounce having a ruche a la vieille. Manches engageantes, trimmed with a treble row of Alençon lace. Children's nankeen dresses are embroidered in braid of the same colour, coming down to the legs; the sleeves embroidered to match, with plain muslin under-sleeves. The short trousers of cambric muslin are trimmed with English embroidery. Gentlemen wear small frock-coats of ladies' cloth, short skirts
Lady in summer dress. She wears a 'manteau' and tow knit engageantes. A veil on hoofd. Manufacturer : to drawing of: Dieu de Saint Jean (indicated on object) Date: 1684 Material: paper Technique: engra (printing process) Dimensions: h 247 mm × W 176 mm Subject: fashion plates dress, gown: manteau (+ women's clothes) neck-gear clothing when: 1684 - 1684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-in-summer-dress-she-wears-a-manteau-and-tow-knit-engageantes-a-veil-on-hoofd-manufacturer-to-drawing-of-dieu-de-saint-jean-indicated-on-object-date-1684-material-paper-technique-engra-printing-process-dimensions-h-247-mm-w-176-mm-subject-fashion-plates-dress-gown-manteau-womens-clothes-neck-gear-clothing-when-1684-1684-image348343660.htmlRM2B6MBW0–Lady in summer dress. She wears a 'manteau' and tow knit engageantes. A veil on hoofd. Manufacturer : to drawing of: Dieu de Saint Jean (indicated on object) Date: 1684 Material: paper Technique: engra (printing process) Dimensions: h 247 mm × W 176 mm Subject: fashion plates dress, gown: manteau (+ women's clothes) neck-gear clothing when: 1684 - 1684
Jonathan Richardson the Elder, 1667–1745, British, Francis, second Earl of Godolphin, ca. 1725. Oil on canvas. cravat , engageantes , Georgian , man , portrait , ruffles , velvet , wig. Godolphin, Francis, second earl of Godolphin (1678–1766), politician and officer of the royal household Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-richardson-the-elder-16671745-british-francis-second-earl-of-godolphin-ca-1725-oil-on-canvas-cravat-engageantes-georgian-man-portrait-ruffles-velvet-wig-godolphin-francis-second-earl-of-godolphin-16781766-politician-and-officer-of-the-royal-household-image398460767.htmlRM2E47CNK–Jonathan Richardson the Elder, 1667–1745, British, Francis, second Earl of Godolphin, ca. 1725. Oil on canvas. cravat , engageantes , Georgian , man , portrait , ruffles , velvet , wig. Godolphin, Francis, second earl of Godolphin (1678–1766), politician and officer of the royal household
Mrs. Wardle, Thomas Frye, 1710-1762, Irish. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-wardle-thomas-frye-1710-1762-irish-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230452675.htmlRFRAX0MK–Mrs. Wardle, Thomas Frye, 1710-1762, Irish. Reimagined by Gibon. Classic art with a modern twist reimagined
Thomas Gainsborough RA, 1727–1788, British, Mary Little, later Lady Carr, ca. 1765. Oil on canvas. bracelet , engageantes , fabrics , flowers (plants) , hairpiece , jewels , lace , portrait , robe à la française , ruffle , silk , textures , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-mary-little-later-lady-carr-ca-1765-oil-on-canvas-bracelet-engageantes-fabrics-flowers-plants-hairpiece-jewels-lace-portrait-robe-la-franaise-ruffle-silk-textures-woman-image398359330.htmlRM2E42RAX–Thomas Gainsborough RA, 1727–1788, British, Mary Little, later Lady Carr, ca. 1765. Oil on canvas. bracelet , engageantes , fabrics , flowers (plants) , hairpiece , jewels , lace , portrait , robe à la française , ruffle , silk , textures , woman
Portrait of Margaret, Lady Oxenden, c. 1755. Artist: Hudson, Thomas (1701-1779) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-margaret-lady-oxenden-c-1755-artist-hudson-thomas-1701-image66596168.htmlRMDT9M2G–Portrait of Margaret, Lady Oxenden, c. 1755. Artist: Hudson, Thomas (1701-1779)
Thomas Hudson, 1701–1779, British, Young Women with a Lamb, ca. 1745. Oil on canvas. animal , bows (costume accessories) , conversation piece , costume , engageantes , fabric , flower (plant) , flower (plant) , fringe , girls , gown , headpiece , lamb , mantua , pearls , portrait , ribbon , sash , silk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-hudson-17011779-british-young-women-with-a-lamb-ca-1745-oil-on-canvas-animal-bows-costume-accessories-conversation-piece-costume-engageantes-fabric-flower-plant-flower-plant-fringe-girls-gown-headpiece-lamb-mantua-pearls-portrait-ribbon-sash-silk-image398341578.htmlRM2E420MX–Thomas Hudson, 1701–1779, British, Young Women with a Lamb, ca. 1745. Oil on canvas. animal , bows (costume accessories) , conversation piece , costume , engageantes , fabric , flower (plant) , flower (plant) , fringe , girls , gown , headpiece , lamb , mantua , pearls , portrait , ribbon , sash , silk
Engageantes MET 1984.146ab 119998 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-1984146ab-119998-168147282.htmlRMKNFNG2–Engageantes MET 1984.146ab 119998
John Michael Wright, 1625–1700, British, Sir John Corbet of Adderley, ca. 1676. Oil on canvas. brocade , costume , cravat , embroidery , engageantes , flounces , gilded , gold , lace , man , portrait , ribbon , ruffle. Corbet, Sir John, first baronet (bap. 1594, d. 1662), politician Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-michael-wright-16251700-british-sir-john-corbet-of-adderley-ca-1676-oil-on-canvas-brocade-costume-cravat-embroidery-engageantes-flounces-gilded-gold-lace-man-portrait-ribbon-ruffle-corbet-sir-john-first-baronet-bap-1594-d-1662-politician-image398357317.htmlRM2E42MR1–John Michael Wright, 1625–1700, British, Sir John Corbet of Adderley, ca. 1676. Oil on canvas. brocade , costume , cravat , embroidery , engageantes , flounces , gilded , gold , lace , man , portrait , ribbon , ruffle. Corbet, Sir John, first baronet (bap. 1594, d. 1662), politician
LACE CAPS ETC C.1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lace-caps-etc-c1863-56768115.htmlRMD8A08K–LACE CAPS ETC C.1863
Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), Captain William Locker, 1769. Oil on canvas. cabin (vehicle space) , captain (military officer) , cravat , engageantes , frigate , hat , man , marine art , navy , officer (military officer) , portrait , ruffle , sailing , sea , ship , tricorne , uniform , water , window Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dominic-serres-ra-17221793-french-active-in-britain-from-the-1750s-captain-william-locker-1769-oil-on-canvas-cabin-vehicle-space-captain-military-officer-cravat-engageantes-frigate-hat-man-marine-art-navy-officer-military-officer-portrait-ruffle-sailing-sea-ship-tricorne-uniform-water-window-image398351422.htmlRM2E42D8E–Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), Captain William Locker, 1769. Oil on canvas. cabin (vehicle space) , captain (military officer) , cravat , engageantes , frigate , hat , man , marine art , navy , officer (military officer) , portrait , ruffle , sailing , sea , ship , tricorne , uniform , water , window
Ladies Sewing - 1850s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ladies-sewing-1850s-105357581.htmlRMG3BCJN–Ladies Sewing - 1850s
Henry Robert Morland, 1730–1797, British, Woman Reading by a Paper-Bell Shade, 1766. Oil on canvas. bell shaped , book , bracelets (jewelry) , chiaroscuro , choker , engageantes , evening , genre subject , gown , lace , lamp (lighting device) , lampshade , leisure , light , night , paper (fiber product) , reading , shawl , shawls , table (support furniture) , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-robert-morland-17301797-british-woman-reading-by-a-paper-bell-shade-1766-oil-on-canvas-bell-shaped-book-bracelets-jewelry-chiaroscuro-choker-engageantes-evening-genre-subject-gown-lace-lamp-lighting-device-lampshade-leisure-light-night-paper-fiber-product-reading-shawl-shawls-table-support-furniture-woman-image398353959.htmlRM2E42GF3–Henry Robert Morland, 1730–1797, British, Woman Reading by a Paper-Bell Shade, 1766. Oil on canvas. bell shaped , book , bracelets (jewelry) , chiaroscuro , choker , engageantes , evening , genre subject , gown , lace , lamp (lighting device) , lampshade , leisure , light , night , paper (fiber product) , reading , shawl , shawls , table (support furniture) , woman
Wedding Dress 1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wedding-dress-1840-105253545.htmlRMG36KY5–Wedding Dress 1840
James Thomson (1700-1748). Date/Period: 1736. Painting. Oil on canvas. Height: 775 mm (30.51 in); Width: 641 mm (25.23 in). Author: Stephen Slaughter. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-thomson-1700-1748-dateperiod-1736-painting-oil-on-canvas-height-775-mm-3051-in-width-641-mm-2523-in-author-stephen-slaughter-image219651653.htmlRMPN9YWW–James Thomson (1700-1748). Date/Period: 1736. Painting. Oil on canvas. Height: 775 mm (30.51 in); Width: 641 mm (25.23 in). Author: Stephen Slaughter.
Musical Ladies 1851 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-musical-ladies-1851-105294677.htmlRMG38GC5–Musical Ladies 1851
Embroidery and lace: their manufacture and history from the remotest antiquity to the present dayA handbook for amateurs, collectors and general readers . ite De ccs manches, qiCd table on voit tdtcr les sauces. Fine guipure laces of this character are also to be seenin rochets worn by Bossuet (fig. 99), Fenelon, andother prelates, whose portraits are well worth referringto according to the indications of them given by G.Duplessis. Ladies trimmed their berthes and sleeves with theseguipures; when the sleeves were short they werecalled engageantes ; when long, pagodes. Upon skirtslaces were wo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/embroidery-and-lace-their-manufacture-and-history-from-the-remotest-antiquity-to-the-present-daya-handbook-for-amateurs-collectors-and-general-readers-ite-de-ccs-manches-qicd-table-on-voit-tdtcr-les-sauces-fine-guipure-laces-of-this-character-are-also-to-be-seenin-rochets-worn-by-bossuet-fig-99-fenelon-andother-prelates-whose-portraits-are-well-worth-referringto-according-to-the-indications-of-them-given-by-gduplessis-ladies-trimmed-their-berthes-and-sleeves-with-theseguipures-when-the-sleeves-were-short-they-werecalled-engageantes-when-long-pagodes-upon-skirtslaces-were-wo-image340208492.htmlRM2ANDRB8–Embroidery and lace: their manufacture and history from the remotest antiquity to the present dayA handbook for amateurs, collectors and general readers . ite De ccs manches, qiCd table on voit tdtcr les sauces. Fine guipure laces of this character are also to be seenin rochets worn by Bossuet (fig. 99), Fenelon, andother prelates, whose portraits are well worth referringto according to the indications of them given by G.Duplessis. Ladies trimmed their berthes and sleeves with theseguipures; when the sleeves were short they werecalled engageantes ; when long, pagodes. Upon skirtslaces were wo
Engageantes, British, ca. 1765, British, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1765-british-cotton-image344591666.htmlRM2B0HE56–Engageantes, British, ca. 1765, British, cotton
Engageantes (pair) M.81.97.3a-b (2 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-pair-m81973a-b-2-of-2-59114786.htmlRMDC4WEA–Engageantes (pair) M.81.97.3a-b (2 of 2)
Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engaging-engaging-with-three-carrickmacross-lace-flies-engaging-with-three-steering-wheel-in-mousseline-embroidered-at-point-of-beauvais-committing-with-two-fluffy-fluffy-fluffy-shores-bordered-by-white-embroidery-around-1750-galliera-fashion-museum-of-the-city-of-paris-engaging-carrickmacross-lace-engaging-engaging-female-fashion-embroidered-muslin-beauvais-point-flying-image596742079.htmlRM2WJRXH3–Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying
Young woman of position, left, dressed in summer suit. She wears a manteau with engageantes, Where: the bodice is trimmed with a border of striped fabric. The skirt in tow. On his head a cap decorated with bows and hanging slip. Open Collapsed fold range in hand. Manufacturer : printmaker: Nicolas Arnoult (listed building) publisher: Nicolas Arnoult (listed property) Place manufacture: Paris Date: 1688 Material: paper Subject: fashion plates dress, gown: manteau (+ women's clothes) head-gear : cap (+ women's clothes) clothing for the upper part of the body (with NAME) (+ women's clothes) When Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-of-position-left-dressed-in-summer-suit-she-wears-a-manteau-with-engageantes-where-the-bodice-is-trimmed-with-a-border-of-striped-fabric-the-skirt-in-tow-on-his-head-a-cap-decorated-with-bows-and-hanging-slip-open-collapsed-fold-range-in-hand-manufacturer-printmaker-nicolas-arnoult-listed-building-publisher-nicolas-arnoult-listed-property-place-manufacture-paris-date-1688-material-paper-subject-fashion-plates-dress-gown-manteau-womens-clothes-head-gear-cap-womens-clothes-clothing-for-the-upper-part-of-the-body-with-name-womens-clothes-when-image348348324.htmlRM2B6MHRG–Young woman of position, left, dressed in summer suit. She wears a manteau with engageantes, Where: the bodice is trimmed with a border of striped fabric. The skirt in tow. On his head a cap decorated with bows and hanging slip. Open Collapsed fold range in hand. Manufacturer : printmaker: Nicolas Arnoult (listed building) publisher: Nicolas Arnoult (listed property) Place manufacture: Paris Date: 1688 Material: paper Subject: fashion plates dress, gown: manteau (+ women's clothes) head-gear : cap (+ women's clothes) clothing for the upper part of the body (with NAME) (+ women's clothes) When
Woman Reading by a Paper-Bell Shade, Henry Robert Morland, 1730-1797, British. Reimagined by Gibon. Classic art with reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-reading-by-a-paper-bell-shade-henry-robert-morland-1730-1797-british-reimagined-by-gibon-classic-art-with-reimagined-image230452752.htmlRFRAX0RC–Woman Reading by a Paper-Bell Shade, Henry Robert Morland, 1730-1797, British. Reimagined by Gibon. Classic art with reimagined
Engageantes MET 1973.51ab 120004 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-197351ab-120004-168147316.htmlRMKNFNH8–Engageantes MET 1973.51ab 120004
Mrs. Wardle. Date/Period: 1742. Painting. Oil on canvas. Height: 1,251 mm (49.25 in); Width: 1,016 mm (40 in). Author: Thomas Frye. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-wardle-dateperiod-1742-painting-oil-on-canvas-height-1251-mm-4925-in-width-1016-mm-40-in-author-thomas-frye-image219748237.htmlRMPNEB39–Mrs. Wardle. Date/Period: 1742. Painting. Oil on canvas. Height: 1,251 mm (49.25 in); Width: 1,016 mm (40 in). Author: Thomas Frye.
Costume September 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-costume-september-1850-105316104.htmlRMG39FNC–Costume September 1850
Les Oblats de Marie Immaculée durant le premier siècle de leur existence . eler, même indirectement, le projet de fondation suggérépar lui. Manifestement, dans sa pensée intime, lultramontanisme duSupérieur général constituait un obstacle insurmontable. De même, pour un établissement proposé à Chambéry. Larche-vêque de cette ville, après des ouvertures très engageantes, retirasubitement sa parole, alléguant vingt prétextes, tous aussi peu sérieuxlun que lautre. Le Fondateur souffrait persécution pour la justice. Dieu, cependant, se réservait de le dédommager. 3oo L EXTENSION EX FRANCE §2 Le mi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-oblats-de-marie-immacule-durant-le-premier-sicle-de-leur-existence-eler-mme-indirectement-le-projet-de-fondation-suggrpar-lui-manifestement-dans-sa-pense-intime-lultramontanisme-dusuprieur-gnral-constituait-un-obstacle-insurmontable-de-mme-pour-un-tablissement-propos-chambry-larche-vque-de-cette-ville-aprs-des-ouvertures-trs-engageantes-retirasubitement-sa-parole-allguant-vingt-prtextes-tous-aussi-peu-srieuxlun-que-lautre-le-fondateur-souffrait-perscution-pour-la-justice-dieu-cependant-se-rservait-de-le-ddommager-3oo-l-extension-ex-france-2-le-mi-image338934425.htmlRM2AKBP8W–Les Oblats de Marie Immaculée durant le premier siècle de leur existence . eler, même indirectement, le projet de fondation suggérépar lui. Manifestement, dans sa pensée intime, lultramontanisme duSupérieur général constituait un obstacle insurmontable. De même, pour un établissement proposé à Chambéry. Larche-vêque de cette ville, après des ouvertures très engageantes, retirasubitement sa parole, alléguant vingt prétextes, tous aussi peu sérieuxlun que lautre. Le Fondateur souffrait persécution pour la justice. Dieu, cependant, se réservait de le dédommager. 3oo L EXTENSION EX FRANCE §2 Le mi
Engageantes, British, ca. 1760, British, Cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1760-british-cotton-image344605321.htmlRM2B0J3GW–Engageantes, British, ca. 1760, British, Cotton
Engageantes (pair) M.81.97.3a-b (1 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-pair-m81973a-b-1-of-2-59114782.htmlRMDC4WE6–Engageantes (pair) M.81.97.3a-b (1 of 2)
Dinner Robe - Worth 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dinner-robe-worth-1913-105359471.htmlRMG3BF27–Dinner Robe - Worth 1913
Henriette Stuard d'Angleterre, Princesse de Danemarck (titel op object) Henriette Stuart van Engeland, prinses van Denemarken Henriette Stuart of England, standing in a colonnade. She is dressed in a manteau with drag and a skirt covered with fur (ermine?). On the head a Fontange four Mouches on the face. Around the neck a beaded necklace (pearl necklace) and a necklace with a cross. Further accessories: a sleeve fur with bow, engageantes and zakdoek. Manufacturer : to drawing: Robert Bonnart (listed building) printmaker: anonymous editor: Nicolas Bonnart (fils) (listed building) Dated: 1688 - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henriette-stuard-dangleterre-princesse-de-danemarck-titel-op-object-henriette-stuart-van-engeland-prinses-van-denemarken-henriette-stuart-of-england-standing-in-a-colonnade-she-is-dressed-in-a-manteau-with-drag-and-a-skirt-covered-with-fur-ermine-on-the-head-a-fontange-four-mouches-on-the-face-around-the-neck-a-beaded-necklace-pearl-necklace-and-a-necklace-with-a-cross-further-accessories-a-sleeve-fur-with-bow-engageantes-and-zakdoek-manufacturer-to-drawing-robert-bonnart-listed-building-printmaker-anonymous-editor-nicolas-bonnart-fils-listed-building-dated-1688-image348431849.htmlRM2B6TCAH–Henriette Stuard d'Angleterre, Princesse de Danemarck (titel op object) Henriette Stuart van Engeland, prinses van Denemarken Henriette Stuart of England, standing in a colonnade. She is dressed in a manteau with drag and a skirt covered with fur (ermine?). On the head a Fontange four Mouches on the face. Around the neck a beaded necklace (pearl necklace) and a necklace with a cross. Further accessories: a sleeve fur with bow, engageantes and zakdoek. Manufacturer : to drawing: Robert Bonnart (listed building) printmaker: anonymous editor: Nicolas Bonnart (fils) (listed building) Dated: 1688 -
Poiret day dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-poiret-day-dress-56763498.htmlRMD89PBP–Poiret day dress
Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engaging-engaging-with-three-carrickmacross-lace-flies-engaging-with-three-steering-wheel-in-mousseline-embroidered-at-point-of-beauvais-committing-with-two-fluffy-fluffy-fluffy-shores-bordered-by-white-embroidery-around-1750-galliera-fashion-museum-of-the-city-of-paris-engaging-carrickmacross-lace-engaging-engaging-female-fashion-embroidered-muslin-beauvais-point-flying-image596742069.htmlRM2WJRXGN–Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying
Peacock - Fashions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-peacock-fashions-105294011.htmlRMG38FGB–Peacock - Fashions
Clayton Jones Seth Jones, Thomas Gainsborough, 1727-1788, British. Reimagined by Gibon. Classic art with a modern reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clayton-jones-seth-jones-thomas-gainsborough-1727-1788-british-reimagined-by-gibon-classic-art-with-a-modern-reimagined-image230452649.htmlRFRAX0KN–Clayton Jones Seth Jones, Thomas Gainsborough, 1727-1788, British. Reimagined by Gibon. Classic art with a modern reimagined
Engageantes MET 1985.140.4a 101663 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-19851404a-101663-168140015.htmlRMKNFC8F–Engageantes MET 1985.140.4a 101663
Francis, 2nd Earl of Godolphin. Date/Period: Ca. 1725. Painting. Oil on canvas. Height: 1,245 mm (49.01 in); Width: 991 mm (39.01 in). Author: Jonathan Richardson the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-2nd-earl-of-godolphin-dateperiod-ca-1725-painting-oil-on-canvas-height-1245-mm-4901-in-width-991-mm-3901-in-author-jonathan-richardson-the-elder-image219709324.htmlRMPNCHDG–Francis, 2nd Earl of Godolphin. Date/Period: Ca. 1725. Painting. Oil on canvas. Height: 1,245 mm (49.01 in); Width: 991 mm (39.01 in). Author: Jonathan Richardson the Elder.
Engageantes, British, ca. 1780, British, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1780-british-cotton-image344591232.htmlRM2B0HDHM–Engageantes, British, ca. 1780, British, cotton
Engageantes M.57.8.19a-b (1 of 4) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-m57819a-b-1-of-4-58371218.htmlRMDAY12A–Engageantes M.57.8.19a-b (1 of 4)
Dancer in ballet costume elegant farmer. She wears a dress with pointy corset and square neckline, three quarter sleeves with bows and engageantes. The skirt and decorative apron decorated with rosettes and bows. Diagonally on the head a little hat with ribbon and flowers. Around the neck with a wrinkled ribbon bow. Shoes with heel and buckle. Postcard from series Z. 24th Cahier de Français Costumes 18th Suite d'Habillemens à la mode and 1779, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: J.B. Martin (listed building) in its design: J.B. Martin (listed building) publisher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dancer-in-ballet-costume-elegant-farmer-she-wears-a-dress-with-pointy-corset-and-square-neckline-three-quarter-sleeves-with-bows-and-engageantes-the-skirt-and-decorative-apron-decorated-with-rosettes-and-bows-diagonally-on-the-head-a-little-hat-with-ribbon-and-flowers-around-the-neck-with-a-wrinkled-ribbon-bow-shoes-with-heel-and-buckle-postcard-from-series-z-24th-cahier-de-franais-costumes-18th-suite-dhabillemens-la-mode-and-1779-gallerie-des-modes-et-costumes-franais-manufacturer-printmaker-jb-martin-listed-building-in-its-design-jb-martin-listed-building-publisher-image348368646.htmlRM2B6NFNA–Dancer in ballet costume elegant farmer. She wears a dress with pointy corset and square neckline, three quarter sleeves with bows and engageantes. The skirt and decorative apron decorated with rosettes and bows. Diagonally on the head a little hat with ribbon and flowers. Around the neck with a wrinkled ribbon bow. Shoes with heel and buckle. Postcard from series Z. 24th Cahier de Français Costumes 18th Suite d'Habillemens à la mode and 1779, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: J.B. Martin (listed building) in its design: J.B. Martin (listed building) publisher
Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engaging-engaging-with-three-carrickmacross-lace-flies-engaging-with-three-steering-wheel-in-mousseline-embroidered-at-point-of-beauvais-committing-with-two-fluffy-fluffy-fluffy-shores-bordered-by-white-embroidery-around-1750-galliera-fashion-museum-of-the-city-of-paris-engaging-carrickmacross-lace-engaging-engaging-female-fashion-embroidered-muslin-beauvais-point-flying-image596742040.htmlRM2WJRXFM–Engaging. Engaging with three carrickmacross lace flies; engaging with three steering wheel in Mousseline embroidered at point of Beauvais; Committing with two fluffy fluffy fluffy shores bordered by white embroidery, around 1750. Galliera, fashion museum of the city of Paris. Engaging Carrickmacross, lace, engaging, engaging, female fashion, embroidered muslin, Beauvais point, flying
Women's fashion 1850S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-womens-fashion-1850s-105355737.htmlRMG3BA8W–Women's fashion 1850S
Captain William Locker, Dominic Serres, 1722-1793, French. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-william-locker-dominic-serres-1722-1793-french-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230452379.htmlRFRAX0A3–Captain William Locker, Dominic Serres, 1722-1793, French. Reimagined by Gibon. Classic art with a modern twist reimagined
Afternoon Dress 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-afternoon-dress-1912-105359494.htmlRMG3BF32–Afternoon Dress 1912
Engageantes MET 1975.34.5ab 120002 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-1975345ab-120002-168147288.htmlRMKNFNG8–Engageantes MET 1975.34.5ab 120002
C18th Costume 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c18th-costume-1913-image6564002.htmlRMA67JJ3–C18th Costume 1913
Lady in a Pink Silk Dress. Date/Period: Ca. 1762. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 640 mm (25.19 in). Author: Allan Ramsay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-in-a-pink-silk-dress-dateperiod-ca-1762-painting-oil-on-canvas-height-762-mm-30-in-width-640-mm-2519-in-author-allan-ramsay-image219121041.htmlRMPMDR3D–Lady in a Pink Silk Dress. Date/Period: Ca. 1762. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 640 mm (25.19 in). Author: Allan Ramsay.
Engageantes, European, 18th century, European, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-european-18th-century-european-cotton-image344600396.htmlRM2B0HW90–Engageantes, European, 18th century, European, cotton
Engageantes M.57.8.19a-b (3 of 4) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-m57819a-b-3-of-4-58371227.htmlRMDAY12K–Engageantes M.57.8.19a-b (3 of 4)
Leading woman wearing a manteau with drag and engageantes. She wears an devant-the-gorge (thorax), transparent wide scarf around the shoulders, skirt and ornamental apron. Fontangekapsel and palisade 'accessories: earrings, thin scarf trimmed with frills, long gloves and fan. In the face four Mouches. The print is a copy in a mirror image to number 58 from a series of 73 costume prints, drawn by J.D. Saint-Jean, Paris, 1683-1694. Manufacturer : printmaker Jacob Gole (listed property) to drawing: Dieu de Saint Jean (listed building) Publisher: Jacob Gole (listed property) Place manufacture: Par Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leading-woman-wearing-a-manteau-with-drag-and-engageantes-she-wears-an-devant-the-gorge-thorax-transparent-wide-scarf-around-the-shoulders-skirt-and-ornamental-apron-fontangekapsel-and-palisade-accessories-earrings-thin-scarf-trimmed-with-frills-long-gloves-and-fan-in-the-face-four-mouches-the-print-is-a-copy-in-a-mirror-image-to-number-58-from-a-series-of-73-costume-prints-drawn-by-jd-saint-jean-paris-1683-1694-manufacturer-printmaker-jacob-gole-listed-property-to-drawing-dieu-de-saint-jean-listed-building-publisher-jacob-gole-listed-property-place-manufacture-par-image348343650.htmlRM2B6MBTJ–Leading woman wearing a manteau with drag and engageantes. She wears an devant-the-gorge (thorax), transparent wide scarf around the shoulders, skirt and ornamental apron. Fontangekapsel and palisade 'accessories: earrings, thin scarf trimmed with frills, long gloves and fan. In the face four Mouches. The print is a copy in a mirror image to number 58 from a series of 73 costume prints, drawn by J.D. Saint-Jean, Paris, 1683-1694. Manufacturer : printmaker Jacob Gole (listed property) to drawing: Dieu de Saint Jean (listed building) Publisher: Jacob Gole (listed property) Place manufacture: Par
Francis, 2nd Earl of Godolphin, Jonathan Richardson the Elder, 1665-1745, British. Reimagined by Gibon. Classic art reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-2nd-earl-of-godolphin-jonathan-richardson-the-elder-1665-1745-british-reimagined-by-gibon-classic-art-reimagined-image230452327.htmlRFRAX087–Francis, 2nd Earl of Godolphin, Jonathan Richardson the Elder, 1665-1745, British. Reimagined by Gibon. Classic art reimagined
Engageantes MET 1974.101.4ab 119999 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-19741014ab-119999-168147281.htmlRMKNFNG1–Engageantes MET 1974.101.4ab 119999
Grey Dress 1850s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grey-dress-1850s-image8249072.htmlRMAHD2R1–Grey Dress 1850s
Clayton Jones. Date/Period: 1744 to 1745. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Thomas Gainsborough. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clayton-jones-dateperiod-1744-to-1745-painting-oil-on-canvas-height-762-mm-30-in-width-635-mm-25-in-author-thomas-gainsborough-image219700806.htmlRMPNC6HA–Clayton Jones. Date/Period: 1744 to 1745. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Thomas Gainsborough.
Engageantes, British, ca. 1750, British, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-british-ca-1750-british-cotton-image344590339.htmlRM2B0HCDR–Engageantes, British, ca. 1750, British, cotton
Pair of Engageantes M.66.72a-b (4 of 5) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pair-of-engageantes-m6672a-b-4-of-5-58927885.htmlRMDBTB39–Pair of Engageantes M.66.72a-b (4 of 5)
Le Caquet des femmes (titel op object) Drie zittende vrouwen met fontange kapsels in een slaapkamer Three women in a room, talking about the baby expected by the middle woman. All three of them wearing fashionable fontangekapsel and she dressed in a 'manteau' with engageantes. The woman left wearing accessories like earrings, a beaded necklace (pearl necklace), long gloves and a fan. The woman on the right wears the manteau a brisket (devant de gorge) and a skirt with floral pattern and Falbala's. She is wearing the same jewelry and has a cloth mask in hand. Manufacturer : printmaker: Nicolas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-caquet-des-femmes-titel-op-object-drie-zittende-vrouwen-met-fontange-kapsels-in-een-slaapkamer-three-women-in-a-room-talking-about-the-baby-expected-by-the-middle-woman-all-three-of-them-wearing-fashionable-fontangekapsel-and-she-dressed-in-a-manteau-with-engageantes-the-woman-left-wearing-accessories-like-earrings-a-beaded-necklace-pearl-necklace-long-gloves-and-a-fan-the-woman-on-the-right-wears-the-manteau-a-brisket-devant-de-gorge-and-a-skirt-with-floral-pattern-and-falbalas-she-is-wearing-the-same-jewelry-and-has-a-cloth-mask-in-hand-manufacturer-printmaker-nicolas-image348551350.htmlRM2B71TPE–Le Caquet des femmes (titel op object) Drie zittende vrouwen met fontange kapsels in een slaapkamer Three women in a room, talking about the baby expected by the middle woman. All three of them wearing fashionable fontangekapsel and she dressed in a 'manteau' with engageantes. The woman left wearing accessories like earrings, a beaded necklace (pearl necklace), long gloves and a fan. The woman on the right wears the manteau a brisket (devant de gorge) and a skirt with floral pattern and Falbala's. She is wearing the same jewelry and has a cloth mask in hand. Manufacturer : printmaker: Nicolas
Sir John Corbet of Adderley, John Michael Wright, 1625-1700, British. Reimagined by Gibon. Classic art with a modern reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-john-corbet-of-adderley-john-michael-wright-1625-1700-british-reimagined-by-gibon-classic-art-with-a-modern-reimagined-image230452805.htmlRFRAX0W9–Sir John Corbet of Adderley, John Michael Wright, 1625-1700, British. Reimagined by Gibon. Classic art with a modern reimagined
Engageantes MET 1998.270.3ab 80597 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-19982703ab-80597-168114974.htmlRMKNE8A6–Engageantes MET 1998.270.3ab 80597
Ladies Sewing 1850s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ladies-sewing-1850s-image6562673.htmlRMA67BK2–Ladies Sewing 1850s
Portrait of Margaret, Lady Oxenden. Museum: Art Gallery of New South Wales. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-margaret-lady-oxenden-museum-art-gallery-of-new-south-wales-image212327544.htmlRMP9C9XG–Portrait of Margaret, Lady Oxenden. Museum: Art Gallery of New South Wales.
Engageantes, European, 18th century, European, cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-european-18th-century-european-cotton-image344600397.htmlRM2B0HW91–Engageantes, European, 18th century, European, cotton
Engageantes M.57.8.19a-b (2 of 4) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-m57819a-b-2-of-4-58371223.htmlRMDAY12F–Engageantes M.57.8.19a-b (2 of 4)
Woman in a circassienne of 'gaze puce d'Italie' with a skirt of the same fabric. About a second pink skirt, topped with brocaded gauze with a blue ribbon Where: flower. 'Bouilloné 'at the bottom. Sleeves (engageantes) filet. High style with a chapeau, and Coquille 'decorated with flowers and feathers. From series K. Costumes 10th Cahier de Français, 4th Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: Etienne Claude Voysard (listed building), designed by Claude Louis Desrais (listed building) dated: 1778 Physical features: engra in various colo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-in-a-circassienne-of-gaze-puce-ditalie-with-a-skirt-of-the-same-fabric-about-a-second-pink-skirt-topped-with-brocaded-gauze-with-a-blue-ribbon-where-flower-bouillon-at-the-bottom-sleeves-engageantes-filet-high-style-with-a-chapeau-and-coquille-decorated-with-flowers-and-feathers-from-series-k-costumes-10th-cahier-de-franais-4th-suite-dhabillemens-la-mode-gallerie-des-modes-et-costumes-franais-manufacturer-printmaker-etienne-claude-voysard-listed-building-designed-by-claude-louis-desrais-listed-building-dated-1778-physical-features-engra-in-various-colo-image348368644.htmlRM2B6NFN8–Woman in a circassienne of 'gaze puce d'Italie' with a skirt of the same fabric. About a second pink skirt, topped with brocaded gauze with a blue ribbon Where: flower. 'Bouilloné 'at the bottom. Sleeves (engageantes) filet. High style with a chapeau, and Coquille 'decorated with flowers and feathers. From series K. Costumes 10th Cahier de Français, 4th Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: Etienne Claude Voysard (listed building), designed by Claude Louis Desrais (listed building) dated: 1778 Physical features: engra in various colo
Lady in a Pink Silk Dress Portrait of a woman An Unknown Woman in a Pink Dress, Allan Ramsay, 1713-1784, British reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-in-a-pink-silk-dress-portrait-of-a-woman-an-unknown-woman-in-a-pink-dress-allan-ramsay-1713-1784-british-reimagined-image230445924.htmlRFRAWM3G–Lady in a Pink Silk Dress Portrait of a woman An Unknown Woman in a Pink Dress, Allan Ramsay, 1713-1784, British reimagined
Engageantes MET 1998.270.2ab 80596 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-19982702ab-80596-168114973.htmlRMKNE8A5–Engageantes MET 1998.270.2ab 80596
Fashions September 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashions-september-1850-image5550649.htmlRMAY5P3A–Fashions September 1850
Woman Reading by a Paper-Bell Shade. Date/Period: 1766. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Henry Robert Morland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-reading-by-a-paper-bell-shade-dateperiod-1766-painting-oil-on-canvas-height-762-mm-30-in-width-635-mm-25-in-author-henry-robert-morland-image219747536.htmlRMPNEA68–Woman Reading by a Paper-Bell Shade. Date/Period: 1766. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Henry Robert Morland.
Engageantes, probably British, 18th century, probably British Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-probably-british-18th-century-probably-british-image344590299.htmlRM2B0HCCB–Engageantes, probably British, 18th century, probably British
Engageantes M.57.8.19a-b (4 of 4) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engageantes-m57819a-b-4-of-4-58371226.htmlRMDAY12J–Engageantes M.57.8.19a-b (4 of 4)
Leading woman dressed in a manteau with drag and engageantes. She wears a devant de gorge (brisket), transparent scarf trimmed with a decorated border and fringes, skirt and decorative apron. At the high hairstyle a fontangemuts with slippage. Accessories: earrings, thin scarf trimmed with frills, long gloves and fan. The print is a part of a series of 73 costume prints, drawn by JD de Saint-Jean, Paris, 1683-1694. Manufacturer : to drawing of: Dieu de Saint Jean (indicated on object) print maker: anonymous location manufacture: Paris Dated: 1693 Physical characteristics : etching material: pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leading-woman-dressed-in-a-manteau-with-drag-and-engageantes-she-wears-a-devant-de-gorge-brisket-transparent-scarf-trimmed-with-a-decorated-border-and-fringes-skirt-and-decorative-apron-at-the-high-hairstyle-a-fontangemuts-with-slippage-accessories-earrings-thin-scarf-trimmed-with-frills-long-gloves-and-fan-the-print-is-a-part-of-a-series-of-73-costume-prints-drawn-by-jd-de-saint-jean-paris-1683-1694-manufacturer-to-drawing-of-dieu-de-saint-jean-indicated-on-object-print-maker-anonymous-location-manufacture-paris-dated-1693-physical-characteristics-etching-material-pa-image348343672.htmlRM2B6MBWC–Leading woman dressed in a manteau with drag and engageantes. She wears a devant de gorge (brisket), transparent scarf trimmed with a decorated border and fringes, skirt and decorative apron. At the high hairstyle a fontangemuts with slippage. Accessories: earrings, thin scarf trimmed with frills, long gloves and fan. The print is a part of a series of 73 costume prints, drawn by JD de Saint-Jean, Paris, 1683-1694. Manufacturer : to drawing of: Dieu de Saint Jean (indicated on object) print maker: anonymous location manufacture: Paris Dated: 1693 Physical characteristics : etching material: pa
James Thomson (1700-1748) Signed and dated, lower left: 'S Slaughter | 1776', Stephen Slaughter, 1697-1765, British reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-thomson-1700-1748-signed-and-dated-lower-left-s-slaughter-1776-stephen-slaughter-1697-1765-british-reimagined-image230452384.htmlRFRAX0A8–James Thomson (1700-1748) Signed and dated, lower left: 'S Slaughter | 1776', Stephen Slaughter, 1697-1765, British reimagined
Engageantes MET 1975.34.5cd 120002 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engageantes-met-1975345cd-120002-168147315.htmlRMKNFNH7–Engageantes MET 1975.34.5cd 120002
Musical Ladies 1851 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/musical-ladies-1851-image5549575.htmlRMAY5J08–Musical Ladies 1851
Captain William Locker. Date/Period: 1769. Painting. Oil on canvas. Height: 368 mm (14.48 in); Width: 305 mm (12 in). Author: DOMINIC SERRES. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/captain-william-locker-dateperiod-1769-painting-oil-on-canvas-height-368-mm-1448-in-width-305-mm-12-in-author-dominic-serres-image219743038.htmlRMPNE4DJ–Captain William Locker. Date/Period: 1769. Painting. Oil on canvas. Height: 368 mm (14.48 in); Width: 305 mm (12 in). Author: DOMINIC SERRES.
Engageantes, Belgian, 18th century, Belgian, cotton, linen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engageantes-belgian-18th-century-belgian-cotton-linen-image344597942.htmlRM2B0HP5A–Engageantes, Belgian, 18th century, Belgian, cotton, linen
Pair of Engageantes M.66.72a-b (3 of 5) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pair-of-engageantes-m6672a-b-3-of-5-58927878.htmlRMDBTB32–Pair of Engageantes M.66.72a-b (3 of 5)
Lady with fontangekapsel. She wears an manteau with tow, a narrow fur stole (palatine), and a skirt with Falbala's. On the face three Mouches. Folding fan with a bow in his left hand. Other accessories: a beaded necklace (pearl necklace), a sleeve of fur, engageantes and handschoenen. Manufacturer : to design: Dieu de Saint Jean Print Author: anonymous publisher: Gerard Valck (listed property) Date: ca. 1680 - 1720 Physical features: car material: paper Technique: engra (printing process) Measurements: plate edge: h 261 mm × W 178 mm Subject: fashion plates head-gear: Fontange (+ women's cloth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-with-fontangekapsel-she-wears-an-manteau-with-tow-a-narrow-fur-stole-palatine-and-a-skirt-with-falbalas-on-the-face-three-mouches-folding-fan-with-a-bow-in-his-left-hand-other-accessories-a-beaded-necklace-pearl-necklace-a-sleeve-of-fur-engageantes-and-handschoenen-manufacturer-to-design-dieu-de-saint-jean-print-author-anonymous-publisher-gerard-valck-listed-property-date-ca-1680-1720-physical-features-car-material-paper-technique-engra-printing-process-measurements-plate-edge-h-261-mm-w-178-mm-subject-fashion-plates-head-gear-fontange-womens-cloth-image348343648.htmlRM2B6MBTG–Lady with fontangekapsel. She wears an manteau with tow, a narrow fur stole (palatine), and a skirt with Falbala's. On the face three Mouches. Folding fan with a bow in his left hand. Other accessories: a beaded necklace (pearl necklace), a sleeve of fur, engageantes and handschoenen. Manufacturer : to design: Dieu de Saint Jean Print Author: anonymous publisher: Gerard Valck (listed property) Date: ca. 1680 - 1720 Physical features: car material: paper Technique: engra (printing process) Measurements: plate edge: h 261 mm × W 178 mm Subject: fashion plates head-gear: Fontange (+ women's cloth
Search Results for Engageantes Stock Photos and Images (189)
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