Val Veddasca, Campagnano Varese, Lombardy, Italy. The church of Saint Roch (San Rocco) a small chapel in a panoramic area on Lake Maggiore. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/val-veddasca-campagnano-varese-lombardy-italy-the-church-of-saint-roch-san-rocco-a-small-chapel-in-a-panoramic-area-on-lake-maggiore-image602213540.html
RM2WYN5EC–Val Veddasca, Campagnano Varese, Lombardy, Italy. The church of Saint Roch (San Rocco) a small chapel in a panoramic area on Lake Maggiore.
Val Veddasca, Campagnano Varese, Lombardy, Italy. The church of Saint Roch (San Rocco) a small chapel in a panoramic area on Lake Maggiore. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/val-veddasca-campagnano-varese-lombardy-italy-the-church-of-saint-roch-san-rocco-a-small-chapel-in-a-panoramic-area-on-lake-maggiore-image602213509.html
RM2WYN5D9–Val Veddasca, Campagnano Varese, Lombardy, Italy. The church of Saint Roch (San Rocco) a small chapel in a panoramic area on Lake Maggiore.
Cesate, Milano, Lombardy, Italy. Santuario della Beata Vergine delle Grazie (Sanctuary of the Blessed Virgin of Graces). Madonna and Child with Saints Bernardine and Roch. Fresco on canvas, anonymous author, period 1400-1500, Lombard School. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cesate-milano-lombardy-italy-santuario-della-beata-vergine-delle-grazie-sanctuary-of-the-blessed-virgin-of-graces-madonna-and-child-with-saints-bernardine-and-roch-fresco-on-canvas-anonymous-author-period-1400-1500-lombard-school-image433454932.html
RM2G55G58–Cesate, Milano, Lombardy, Italy. Santuario della Beata Vergine delle Grazie (Sanctuary of the Blessed Virgin of Graces). Madonna and Child with Saints Bernardine and Roch. Fresco on canvas, anonymous author, period 1400-1500, Lombard School.
Italy. Rome. Church of Saint Roch (San Rocco). Baroque style. Founded in 1499 by Pope Alexander VI, it was rebuilt in 1657 by Giovan Antonio de' Rossi (1616-1695). Later changes were made introducing the Neo-Classical style. Giuseppe Valadier (1762-1839) built a new Palladio-influenced facade in 1832. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-rome-church-of-saint-roch-san-rocco-baroque-style-founded-in-1499-by-pope-alexander-vi-it-was-rebuilt-in-1657-by-giovan-antonio-de-rossi-1616-1695-later-changes-were-made-introducing-the-neo-classical-style-giuseppe-valadier-1762-1839-built-a-new-palladio-influenced-facade-in-1832-image209568399.html
RMP4XJHK–Italy. Rome. Church of Saint Roch (San Rocco). Baroque style. Founded in 1499 by Pope Alexander VI, it was rebuilt in 1657 by Giovan Antonio de' Rossi (1616-1695). Later changes were made introducing the Neo-Classical style. Giuseppe Valadier (1762-1839) built a new Palladio-influenced facade in 1832.
Sermon of a Capuchin in the Church of Saint Roch. Museum: Musée Carnavalet, Paris. Author: Pierre-Antoine Demachy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sermon-of-a-capuchin-in-the-church-of-saint-roch-museum-muse-carnavalet-paris-author-pierre-antoine-demachy-image434767491.html
RM2G79AAB–Sermon of a Capuchin in the Church of Saint Roch. Museum: Musée Carnavalet, Paris. Author: Pierre-Antoine Demachy.
Orta San Giulio, an Italian town in the province of Novara in Piedmont. It is part of the circuit of the most beautiful villages in Italy. St. Roch church (Oratorio di San Rocco), 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orta-san-giulio-an-italian-town-in-the-province-of-novara-in-piedmont-it-is-part-of-the-circuit-of-the-most-beautiful-villages-in-italy-st-roch-church-oratorio-di-san-rocco-16th-century-image465522730.html
RM2J1AAYP–Orta San Giulio, an Italian town in the province of Novara in Piedmont. It is part of the circuit of the most beautiful villages in Italy. St. Roch church (Oratorio di San Rocco), 16th century.
Orta San Giulio, an Italian town in the province of Novara in Piedmont. It is part of the circuit of the most beautiful villages in Italy. St. Roch church (Oratorio di San Rocco), 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orta-san-giulio-an-italian-town-in-the-province-of-novara-in-piedmont-it-is-part-of-the-circuit-of-the-most-beautiful-villages-in-italy-st-roch-church-oratorio-di-san-rocco-16th-century-image465522741.html
RM2J1AB05–Orta San Giulio, an Italian town in the province of Novara in Piedmont. It is part of the circuit of the most beautiful villages in Italy. St. Roch church (Oratorio di San Rocco), 16th century.
Bernardino Gatti, called il Soiaro (1495-1576). Italian painter. Madonna on the Throne between Saints Sebastian and Roch. Fresco removed using the strappo technique. From the church of San Giovanni Nuovo, Cremona. On loan from II.P.A.B. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bernardino-gatti-called-il-soiaro-1495-1576-italian-painter-madonna-on-the-throne-between-saints-sebastian-and-roch-fresco-removed-using-the-strappo-technique-from-the-church-of-san-giovanni-nuovo-cremona-on-loan-from-iipab-museo-civico-ala-ponzone-cremona-lombardy-italy-image593301302.html
RM2WD75T6–Bernardino Gatti, called il Soiaro (1495-1576). Italian painter. Madonna on the Throne between Saints Sebastian and Roch. Fresco removed using the strappo technique. From the church of San Giovanni Nuovo, Cremona. On loan from II.P.A.B. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
The Church and Convent of San Roque. Historic center of Puebla, Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-church-and-convent-of-san-roque-historic-center-of-puebla-mexico-image209676235.html
RMP53G4Y–The Church and Convent of San Roque. Historic center of Puebla, Mexico.
The Church and Convent of San Roque. Historic center of Puebla, Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-church-and-convent-of-san-roque-historic-center-of-puebla-mexico-image209677749.html
RMP53J31–The Church and Convent of San Roque. Historic center of Puebla, Mexico.
SAN ROQUE-ESCULTURA S XVI-RENACIMIENTO. Location: AUGUSTINUS CHURCH, ANTEQUERA, MALAGA, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/san-roque-escultura-s-xvi-renacimiento-location-augustinus-church-antequera-malaga-spain-image210141149.html
RMP5TN51–SAN ROQUE-ESCULTURA S XVI-RENACIMIENTO. Location: AUGUSTINUS CHURCH, ANTEQUERA, MALAGA, SPAIN.
RM2EJAG7C–Saints Roch and Sebastian. Museum: PRIVATE COLLECTION. Author: BERNARDO STROZZI.
ROQUE, San. Imagen del santo con el bastón de peregrino ubicado en una hornacina junto a la IGLESIA DE LA ASUNCION (siglo XVI). TORRELODONES. Comunidad de Madrid. España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roque-san-imagen-del-santo-con-el-bastn-de-peregrino-ubicado-en-una-hornacina-junto-a-la-iglesia-de-la-asuncion-siglo-xvi-torrelodones-comunidad-de-madrid-espaa-image220200691.html
RMPP706B–ROQUE, San. Imagen del santo con el bastón de peregrino ubicado en una hornacina junto a la IGLESIA DE LA ASUNCION (siglo XVI). TORRELODONES. Comunidad de Madrid. España.
EXTERIOR- REMATES Y DECORACIÓN DE CERAMICA EN LA FACHADA. Location: IGLESIA PARROQUIAL. ARJONILLA. JAEN. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exterior-remates-y-decoracin-de-ceramica-en-la-fachada-location-iglesia-parroquial-arjonilla-jaen-spain-image364806986.html
RM2C5EB0X–EXTERIOR- REMATES Y DECORACIÓN DE CERAMICA EN LA FACHADA. Location: IGLESIA PARROQUIAL. ARJONILLA. JAEN. SPAIN.
Visita del Dux a Iglesia San Rocco/1735. Museum: NATIONAL GALLERY LONDRES G. BRETAÑA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/visita-del-dux-a-iglesia-san-rocco1735-museum-national-gallery-londres-g-bretaa-image211091579.html
RMP7C1CY–Visita del Dux a Iglesia San Rocco/1735. Museum: NATIONAL GALLERY LONDRES G. BRETAÑA.
Vue du portail de l'église Saint-Roch, prise de la rue Saint-Honoré. Museum: PRIVATE COLLECTION. Author: Henri Courvoisier-Voisin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vue-du-portail-de-lglise-saint-roch-prise-de-la-rue-saint-honor-museum-private-collection-author-henri-courvoisier-voisin-image561651653.html
RM2RHNCBH–Vue du portail de l'église Saint-Roch, prise de la rue Saint-Honoré. Museum: PRIVATE COLLECTION. Author: Henri Courvoisier-Voisin.
Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris (recto); Studies for the Same Figure (verso). Artist: Alexandre Denis Abel de Pujol (French, Valenciennes 1785-1861 Paris). Dimensions: Sheet: 11 13/16 x 9 1/2 in. (30 x 24.2cm). Date: 1821. The compositional shape of this preparatory drawing reflects the destination of the finished work: a pendentive--the triangular section of vaulting where a dome connects to supporting arches below--in a chapel devoted to Saint Roch in the Church of Saint-Sulpice in Paris. As an allegory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-figure-of-the-city-of-piacenza-for-a-pendentive-in-the-chapel-of-saint-roch-church-of-saint-sulpice-paris-recto-studies-for-the-same-figure-verso-artist-alexandre-denis-abel-de-pujol-french-valenciennes-1785-1861-paris-dimensions-sheet-11-1316-x-9-12-in-30-x-242cm-date-1821-the-compositional-shape-of-this-preparatory-drawing-reflects-the-destination-of-the-finished-work-a-pendentive-the-triangular-section-of-vaulting-where-a-dome-connects-to-supporting-arches-below-in-a-chapel-devoted-to-saint-roch-in-the-church-of-saint-sulpice-in-paris-as-an-allegory-image213500969.html
RMPB9PJH–Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris (recto); Studies for the Same Figure (verso). Artist: Alexandre Denis Abel de Pujol (French, Valenciennes 1785-1861 Paris). Dimensions: Sheet: 11 13/16 x 9 1/2 in. (30 x 24.2cm). Date: 1821. The compositional shape of this preparatory drawing reflects the destination of the finished work: a pendentive--the triangular section of vaulting where a dome connects to supporting arches below--in a chapel devoted to Saint Roch in the Church of Saint-Sulpice in Paris. As an allegory
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