RM2A2K4NR–Pradyumna Enters the Palace of the Demon Sambar and Challenges him to Battle, page from a manuscript of the Bhagavata Purana, c. 1775, Nepal, Nepal, Opaque watercolor on paper, 36.2 x 52.7 cm (14 1/4 x 20 3/4 in
RMRY70C2–Sugriva (Monkey General) Challenges his Brother Bali, c. 1720. India, Pahari Hills, Nurpur, 18th century. Color on paper; image: 16.4 x 26.8 cm (6 7/16 x 10 9/16 in.); overall: 20.7 x 31 cm (8 1/8 x 12 3/16 in.); with mat: 36.3 x 49 cm (14 5/16 x 19 5/16 in
RMEDYP64–Maerten van Heemskerck (Netherlandish, 1498-1574), Satan Challenges God to Remove his Protection from Job, 1562, pen and brown
RMH4KERG–Maerten van Heemskerck (Netherlandish, 1498-1574), Satan Challenges God to Remove his Protection from Job, 1562, pen and brown
RM2DNNJT2–Domenico Beccafumi: The false prophets of Baal, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 25,50 cm; width: 19,20 cm, SIENA - Cattedrale. I falsi profeti di Baal messi a morte, dettaglio del Pavimento. (D. Beccafumi.). Verso Stamp: MUSEUM F. ART & CRAFT Hamburg, Elias challenges the priests of Baal, end of dryness, floor (architecture), art
RM2JE3AEY–Matador challenges a bull, Coleccion de las principales suertes de una corrida de toros (series title on object), Collection of the main maneuvers in bullfighting (series title), A matador stands before a bull, in his hands a cloth and a sword. Two other bullfighters (toreros) look on. Numbered upper left: X., print maker: anonymous, after print by: Antonio Carnicero, Spain, in or after 1790, paper, etching, height 150 mm × width 290 mm
RM2JDYHJG–Matador challenges a bull, Coleccion de las principales suertes de una corrida de toros (series title on object), Collection of the main maneuvers in bullfighting (series title), A matador stands before a bull, in his hands a cloth and a sword. Two other bullfighters (toreros) look on. Numbered upper left: X., print maker: anonymous, after print by: Antonio Carnicero, Spain, in or after 1790, paper, etching, height 150 mm × width 290 mm
RM2JDYHJK–Matador challenges a bull, Coleccion de las principales suertes de una corrida de toros (series title on object), Collection of the main maneuvers in bullfighting (series title), A matador stands in front of a bull, in his hands a cloth and a sword. Two other bullfighters (toreros) look on. Numbered upper left: IX., print maker: anonymous, after print by: Antonio Carnicero, Spain, in or after 1790, paper, etching, height 150 mm × width 290 mm
RM2JE3AEA–Matador challenges a bull, Coleccion de las principales suertes de una corrida de toros (series title on object), Collection of the main maneuvers in bullfighting (series title), A matador stands in front of a bull, in his hands a cloth and a sword. Two other bullfighters (toreros) look on. Numbered upper left: IX., print maker: anonymous, after print by: Antonio Carnicero, Spain, in or after 1790, paper, etching, height 150 mm × width 290 mm
RMW57NXT–Willem III on the throne and the ceremony with the royal camp fighter, 1689 King William the III on the Throne int Year 1689 / the King's champion (title on object), Sheet with two performances. Above King William III on the English throne, 1689. Below the ceremony in which the royal camp fighter on horseback, accompanied by two other horsemen, challenges anyone who challenges the legality of the new king's choice, 21 April 1689. Top right hand mark: fol. 899, after the coronation, London, Willem III (Prince of Orange and King of England, Scotland and Ireland), Jan Luyken (mentioned on object
RM2B0BY1H–Winslow Homer, Marine, 1881, watercolor over graphite on off-white wove paper, 9 3/4 in. x 13 1/2 in. (24.77 cm x 34.29 cm), Created on a trip from New York to England in 1881, 'Marine' is one of two watercolors of the same vessel seen from opposite ends. The work acutely sharpens the viewer's perception of time. A sea-legged sailor balances on board a ship, as the vessel makes its way through the roiling waves. The subject tests the artist's sense of balance and challenges him to turn a momentous event into an image with staying power. Homer gave this watercolor to his younger brother Arthur,